No Style [CD-single] [Import]
Track Listings
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1. No Style
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2. C'est Supercool
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3. Where Did You Get Yourself?
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Editorial Reviews
Product Description
New Single for the Setanta Label, They've also Toured with the Subways and the Cribs.
No Style,Chalets,Setanta,5-Inch CD Singles,Rock
No Style [CD-single] [Import]
Average customer rating:
- Marvellous!
- The best violinist ever!
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Itzhak Perlman's Greatest Hits, Vol. 2
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Itzhak Perlman's Greatest Hits
- Itzhak Perlman - Greatest Hits ~ "Carmen" Fantasy · Havanaise · Poème · and more
- Cinema Serenade
- Cinema Serenade II: The Golden Age
- Itzhak Perlman - A la carte / Lawrence Foster
ASIN: B00004XST2
Release Date: 2000-09-12 |
Tracks:
- Chanson Sans Paroles
- Polonaise De Concert No.1, Op.4
- It's Peaceful Here, Op.21 No.7
- Chanson Russe
- Liebesleid
- Slavonic Dance In E Minor, Op.46, No.2
- Tempo Di Minuetto (In The Style Of Pugnani)
- Romanza Andaluza, Op.22
- Melodie
- Serenade Espagnole
- Serenade (Frasquita)
- La Capricieuse, Op.17
- Sicilienne
- Molly On The Shore
- Andantino (In The Style Of Martini)
- Marguerite (Daisies), Op.38, No.3
- Melodie, Op.42 No.3
- Estrellita
- Spanish Dance No.5
- Berceuse Sfaradite
- Caprice In A Minor
Customer Reviews:
Marvellous!.......2005-11-26
I don't play violin, and I can't even read music, but as a classical music amateur I find this CD outstanding. Even an incompetent like myself can easily understand why Perlman is regarded as one of the greates violinists ever. This is a marvellous collection of pieces. The rendition of "Chanson Russe" by itself is, in my opinion, worth more than the price of the CD. If you listen to the audio samples on Amazon's pages and you like violin you will surely understand why I like this CD so much. I am grateful to People like Perlman, who make this world a better place to live in.
The best violinist ever!.......2001-01-26
All I can say to this CD is it's the best I've ever heard. In this CD, Itzhak Perlman truly demonstrates his best performances of the past years. I have always been a great admirer of Perlman, but since I own this CD, it's all I've listened to for the past three months. I myself play the violin and Perlman has become an inspiration to me, almost a musical idol. For any of those violinists out there, especially young musicians, who don't feel any excitement about playing the violin, listen to this CD and I promise you, you will strive to being able to play like this man does. He is truly the best musician I've ever known.
Average customer rating:
- beautiful ,beautiful
- Great Recording
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Violin Favourites & Virtuoso Showpieces
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD
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Similar Items:
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ASIN: B0007WQHVW
Release Date: 2005-04-12 |
Tracks:
- Variations on an original theme, Op.15
- Romance, Op.78, No.2
- Mazurka, Op.81, No.1
- Hungarian Dance No.1 in G minor-Transcr. Joseph Joachim
- Cantabile, Op.17
- Scherzo-Tarantelle, Op.16
- Nigun (Improvisation)
- Perpetuum mobile
- The Prophet Bird
- Spanish Dance No.1
- Waves at play (Wellenspiel)
- Carmen Fantasy, Op.25 - Arr. Waxman
Tracks:
- Praeludium and Allegro
- Schosmarin
- Tambourin chinois
- Caprice viennois op.2
- La Preuse (in the style of Louis Couperin)
- Liebesfreud
- Liebesleid
- La Gitana
- Berceuse Romantique (Caprice)
- Polichinelle (Snade)
- Rondino on a Theme by Beethoven
- Tempo di menuetto (in the style of Pugnani)
- Toy Soldiers' March
- Allegretto (in the style of Boccherini)
- Marche miniature viennoise
- Aucassin and Nicolette (canzonetta medievale)
- Menuet (in the style of Porpora)
- Sicilienne and Rigaudon (in the style of Francois Francoeur)
- Syncopation
Customer Reviews:
beautiful ,beautiful.......2007-05-27
I am not a music critic nor do I "know" much about music but if you love lovely violin music you will love this.
Great Recording.......2007-01-04
The Kreisler pieces are played exceptionally well. The one disc alone is worth the price of the double disc collection. Great playing.
Average customer rating:
- Gabriela Montero CDs
- Non-professional Review
- Absolutely Magnificent!
- Improvisations Unbelievable!
- A beautiful breath of fresh air!
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Gabriela Montero plays Chopin, Falla, Ginestera, etc. [Includes Bonus CD]
Manufacturer: EMI Classics
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Similar Items:
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ASIN: B0009VK0LO
Release Date: 2005-09-13 |
Tracks:
- Moment Musical In E Mino Op. 12 No. 4
- Prelude In G Op.32 No.5
- Etude-Tableau In D Op.39 No.9
- Prelude in D Flat Op.17 No.3
- Prelude In E Flat Minor Op.16 No.4
- Prelude In G Op.13 No.3
- Etude in C Sharp Minor Op.42 No.5
- La Vida Breve: First Spanish Dance - Manuel De Falla
- Goyescas: Quejas O La Maya Y El Ruisenor
- Danza Del Viejo Boyero
- Danza De La Moza Donosa
- Danza Del Gaucho Matrero
- Nocturne In D Flat Op.27 No.2
- Fantaisie-Impromptu In C Sharp Minor Op.66
- Mephisto Waltz No.1
Tracks:
- On Rachmaniov: Vocalise
- On The Theme From Bach 'Goldberg Variations'
- On Chopin: Nocturne In D Flat
- On Rachmaninov: Piano Concerto No.2
- Inspired By Scriabin
- On Duermete Mi Nino
- In The Style Of Tango
- On Granados: 'Quejas O La Maya El Ruisenor'
- In The Style Of Bach
- On Chopin: Prelude In A
- 'Improvisation in Blue (Gabriela Montero)'
- 'Song for Natalia and Isabella (Gabriela Montero)'
Customer Reviews:
Gabriela Montero CDs.......2007-06-12
Excellent service -- speedy, just as described, well-packaged. I'd definitely buy from this seller again.
Non-professional Review.......2007-03-27
Okay, I listen almost exclusively to classical music, but I do so simply for the pleasure and nothing more. I cannot tell you about Gabriela Montero's technique, and, when she improvises, I have no ability to judge the music's intrinsic value, authenticity, or whatever. I can only tell you this: while I own many dozens of albums, running the full spectrum of the classical genre, I value none of them above Montero's Bach and Beyond and her Piano Recital. Pure listening joy!
Absolutely Magnificent!.......2007-03-09
I first saw Gabriela Montero on 60 Minutes a few months ago and was taken by her playing ability as well as her ability to improvise on the classics. Ms. Montero's fingers fly over the keyboard, playing Rachmaninoff more dramatically and key-perfect than I've heard in a long time. I decided to purchase this CD and have not been disappointed.
Improvisations Unbelievable!.......2007-01-26
Gabriela Montero is a tremendous talent, both in standard classical repertoire, and improvisation. I have know her since she was a young girl, and she was by far the best pianist around, even then. She is an undersung pianist of our age, and should rise to the top very soon!
A beautiful breath of fresh air!.......2007-01-20
What a sheer delight hearing her play. I've never heard anyone quite like her. A phenomenally gifted player, and it's a rare treat to hear someone who defies pigeonholing. I had heard her on the radio, and knew I was onto something when her improvisation on a very simple theme gave me the chills. I love both CD's in this collection.
It's interesting hearing the negative response coming from some classical musicians and fans. At times it can seem to roughly follow the stages of grief as proposed by Kubler-Ross. I'm a professional guitarist, and it's funny because it's almost identical to how guitarists react to hearing another guitarist, but with an big class-conscious overlay (all very civilized, of course). Think of the "guitarist screwing in a lightbulb" joke. To paraphrase and extrapolate on what someone might say upon hearing her improvisation:
1. Shock: Wow, he's good. Oh, and it's a woman!? And you say it's improvisation??
2. Denial: That can't possibly be improvisation. Classical musicians don't engage in that untidy process. What she's playing must be written out, and I can tell! Don't ask, I just know it.
3. Anger: This stuff is no good. Only permanent music is of value through the ages, and that's why classical music (and only the European kind) is better than any other music. Besides, I can't improvise, so I reject it - and only THOSE people engage in improvisation.
4. Depression: She can play all the classical music, and seemingly can improvise, or at least pass her stuff off as such. Not only that, she's getting attention and money, and we're not. Why is the world unfair?
5. Acceptance: (sort of) Well, I guess she's selling CD's, and is becoming successful. She is, I hate to admit it, a great player. Even if she is a faker. Of course, they're begging my Muffy to become artist-in-residence in Spoleto....
The other reviewer has a point when he says that she may be viewed as a curiosity. Because she's crossing genres, people may not know what to make of it, and this often causes reflexive hostility. As an improvisor, I would agree that it's hard to say that something is 100% improvised - players tend to have pet phrases and favorite general ideas they return to. But to me, Gabriela's playing is at the highest level of skill, beauty, and feeling, whether improvising or playing written pieces.
Average customer rating:
- Excellent recording
- Highly Recommended!
- Amazing
- A gentleman musical agreement!
- Extreme virtuosity
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Christopher Parkening - The Great Recordings ~ By America's Preeminent Guitar Virtuoso
Johann Sebastian Bach , François Couperin , Gabriel Fauré , Isaac Albeniz , Anonymous , Francisco Tarrega (y Eixea) , Silvius Leopold Weiss , Claude Debussy , Maurice Ravel , Wolfgang Amadeus Mozart , Gordon Young , Georg Philipp Telemann , Heitor Villa-Lobos , Manuel de Falla , Manuel Ponce , Enrique Granados , Mario Castelnuovo-Tedesco , Andrew York , Fernando Sor , Gaspar Sanz , Joaquin Rodrigo , and Christopher Parkening
Manufacturer: EMI Classics
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ASIN: B000002RTR
Release Date: 1993-09-14 |
Tracks:
- Fugue From Violin Sonata No. 1, BWV 1001 - J S Bach
- Estudio brillante
- Etude No. 1 In E Minor
- Recuerdos de la Alhambra
- Leyenda
- Romance
- Rumores de la Caleta
- Capricho Arabe
- Cantata 147: Jesu, Joy Of Man's Desiring
- Well-Tempered Clavier: Prelude No. 1
- Well-Tempered Clavier: Prelude No. 6
- Cantata 140: Sleepers Awake
- Prelude, Fugue, And Allegro: Allegro
- Cantata 208: Sheep May Safely Graze
- Les Barricades mysterieuses
- Preambulo & Allegro vivo: Preambulo And Allegro vivo
- Passacaglia
- The Girl With The Flaxen Hair
- Gymnopedie No. 1
- Empress Of The Pagodas
- Afro-Cuban Lullaby
Tracks:
- Fourth Lute Suite: Praludium
- Fairest Lord Jesus
- Praise Ye The Lord, K. 339
- Simple Gifts
- Hymn Of Christian Joy
- Cantata 29: We Thank Thee, Lord
- Cantata 156: Arioso
- Cantata 99: What God Hath Done
- Canon
- Dolly Suite: Berceuse
- La Vida breve: Spanish Dance No. 1
- Terezinha De Jesus
- Prelude (In The Baroque Style)
- Goyescas: Intermezzo
- Prelude & Fugue No. 4 In E: Fugue
- Evening Dance
- Variations On A Theme Of Mozart
- Canarlos
- La Maja de Goya
- El Noi de la Mare
- Concierto de Aranjuez: Adagio - J. Rodrigo
Customer Reviews:
Excellent recording.......2007-05-12
If you are a fan of classical guitar than this is a must own set. I enjoy every moment.
Highly Recommended!.......2006-12-23
I would recommend this CD to anyone who loves music--period! Christopher Parkening is unquestionably one of the greatest classical guitarists of all-time. He embodies personal excellence like no other and is a brilliant artist. This CD is a must-have for any classical enthusiast. My favorite pieces include: Tárrega's "Recuerdos de la Alhambra," "Romance," Bach's "Prelude No. 6," and Rodrigo's "Concierto de Aranjuez." There are other versions of these pieces as well, but I always prefer Parkening's renditions, as they are oh so extraordinary--especially the recording of Aranjuez!! Other guitarists never seem to capture the essence of Rodrigo's musical masterpiece (e.g., Göran Söllescher in "Mad About Guitars"). But Parkening did! And the Royal Philharmonic Orchestra was a perfect accompaniment.
This CD is definitely worth buying. Included is a CD booklet, which illustrates the history of Parkening's illustrious career, interesting tidbits about all 25 recorded pieces, and several photos of his early life to his "breathtaking performance" at Rodrigo's 90th birthday celebration at the Royal Festival Hall in London, 1992.
Amazing.......2006-05-08
I am not going to go into great detail. I am working on a degree in classical guitar and I can say this is something to strive for. His musical interpretation of the peices represented here are some of the best I've heard. His tone,color, and phrasing is incredible.
A gentleman musical agreement! .......2006-03-16
In guitar ` s playing there have been many renowned performers, gifted of exuberant technique. But curiously the Apollonian playing is not by itself strictly enough. The guitar is the instrument which is closer to heart as any other one. It demands from you passion and sentiment. There have been three well known guitarists, one of them from England and the other one from Spain and the third one from Japan whose sensibility was totally absent in their performances.
But fortunately for us, there have been notable interpreters that have been maintained a desired balance and contrast between brain and heart, achieving great distinction and total acknowledgement around the world. I would name seven primordial names along the instrument `s story. First of all: the mythic soloist Andres Segovia, Regino Sainz de la Maza, John Williams, Alirio Diaz, Manuel Berrueco, Siegfried Behrend and Christopher Parkening, among the most representative ones of a great list.
Christopher Parkening `s career has made a brilliant colorist, an impeccable and sensitive interpreter of this well reduced repertoire. His profound artistic conviction and convincing phrasing has been a perpetual motive of constant invitations and presentations around the world.
Extreme virtuosity.......2005-09-25
CP has become my chief inspiration to improve as a classical guitarist. His performances here are, without exception, phenomenal. He makes the most difficult pieces sound effortless. I prefer CP over John Williams because, while Williams is also unquestionably a master, he sounds a bit robotic to me at times. CP, on the other hand, never sacrifices musicality to precision. He sublimely maintains both.
Average customer rating:
- I love these guys!!!
- Excellent album
- This is only a warning
- Recent Purchase that I'm Joyed to Find and Enjoy
- Simply Amazing
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Best of L.A.G.Q.
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Similar Items:
- For Thy Pleasure
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- LAGQ: Latin
- L.A. Guitar Quartet: Evening In Granada
- L.A. Guitar Quartet: Dances from Renaissance to Nutcracker
ASIN: B00000DCXY
Release Date: 1998-09-22 |
Tracks:
- Hoe-Down
- Jumpin' At The Woodside
- Nutcracker Suite, Waltz Of The Flowers
- El Amor Brujo, Danza Del Juego De Amor
- El amor brujo, Danza del juego del fuego (Para Ahuyentar Los Malos Espiritus)
- Black Horse Troop
- Capriol Suite, Pieds-en-l'air
- Capriol Suite, Mattachins
- Traditional: Shenandoah
- Simple Gifts
- Corral Nocturne
- Introduction & Fandango, Introduction
- Introduction & Fandango, Fandango
- My Lord Of Oxenfordes Maske
- Canzon Per Sonar Primi Toni
- Dance Suite, Gavottes 1,2,3 & 6
- Dance Suite, Volte II
- Brandenburg Concerto No. 6, III: Allegro
- La SoirDans Grenade (Evening In Granada)
- Main Street Electrical Parade (Baroque Hoedown) Disneyland in the Style of Vivaldi
Customer Reviews:
I love these guys!!!.......2007-01-02
At first I did not know anything about LAGQ. I was taking an intro to guitar class on the campus of USC. One of my assignments was to attend two guitar performances happening on campus and write about each. I was so fortunate to have picked LAGQ. I fell in love with their music and their humor. I was amazed by the variety of sounds coming out of the guitars. Although guitar playing is a hobby for me... these guys inspire me to study the guitar more seriously. This is the first album of theirs I bought. Their rendition of Shenandoah is the best. It is so beautiful I fall asleep to it. Simple Gifts is the most lovely version too. Jumpin' at the Woodside is another favorite... it jazzy bounce makes it a popular choice for background music to any situation. The Main Street Electrical Parade never fails to delight me and surprise my friends when I play it. These guys are silly...but in a good way. Its 2007 now and I still go back to the songs on this album. Great variety. This is a good starter to a LAGQ collection. Go see them live if you can!!!
Excellent album.......2004-11-23
Recently I learned about LAGQ and bought this album. I have been impressed by the arrangements and interpretation, the texture, innovative touches and originality. It is a treat!
This is only a warning.......2004-09-19
The LAGQ are fine players, and the music here is first rate as a summary of what they do, or for any purpose. HOWEVER, the transfer to CD on my disc was very poorly chosen, so that the top octave and a half was mostly missing (worse on some pieces than others, though). This takes the snap! out of guitar strings and notably attenuates your ability to tell what the 4 are doing with guitar timbre and the like. So, if you have wide-range audio gear, you might want to look elsewhere for an introduction to these players.
Recent Purchase that I'm Joyed to Find and Enjoy.......2001-01-27
Not until recently did I know about this guitar four. Hearing a number of their songs on internet classical radio, I decided I'd try this one.
What a great surprise --- their arrangements of Copeland to Sousa to Praetorius are excellent and in taste. I'll be venturing into their other works.
Simply Amazing.......2000-06-12
LAGQ is wonderful and this CD is a great compilation of some of their best work to date. Extremely versatile musicians, they perform swing music, Sousa march music, a Main Street Electrical Parade tune from Disneyland, as well as music by Copland and Praetorius. It's amazing how they are able to produce the sounds they do. A great compilation and one that would nicely add to your LAGQ collection or a great CD to start that collection!
Average customer rating:
- Never ever to find more graceful play!
- Grunting and moaning explained
- Great Introduction to Classical Guitar
- Excellent collection
- Parkening in top form
|
In the Spanish Style / Christopher Parkening
Manufacturer: EMI Classics
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Binding: Audio CD
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Similar Items:
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ASIN: B000002RNK
Release Date: 1990-10-25 |
Tracks:
- Suite espanola: Leyenda
- Capricho arabe (Serenata)
- Rumores de la Caleta (Malaguena)
- Prelude No. 1
- Prelude No. 2
- Prelude No. 3
- Estudio brillante
- Recuerdos de la Alhambra
- Fantasia: Fantasia No. 10
- Estudio No. 17 In E Minor
- Estudio No. 19 In B Flat
- Twelve Etudes: Etude No. 1 in E Minor
- Twelve Etudes: Etude No. 11 In E Minor
- Vals venezolano No. 3
- Four Preludes
- Catalonian Song
- Romance
Customer Reviews:
Never ever to find more graceful play!.......2007-03-09
The incredible representation and sound Parkening created by the guitar is
sublimity itself. Though I have listened to many a world-famous guitarist,
I have never been so fascinated as by his play. I couldn't but make intimate friends of mine a present of Parkening's CDs like "In the Spanish Style", through which I felt I could show them what real music is like. I never ever imagine I could find more graceful play than that of Christopher Parkening at least in the world of the guitar.
Grunting and moaning explained.......2006-01-03
I met Parkening in 1972, a few years after this album was first released. I asked him about the "groans" that could be heard. He explained that at the time he let his thoughts wander and thought about the future, when some Swiss moron named Peter Gilman would complain about the recording. Absentmindedly, he groaned at the thought of it all. He told me if ever I should meet Peter that I was to apologize.
Peter, sorry about that.
Great Introduction to Classical Guitar.......2005-04-07
My parents had this on vinyl when I was kid. I listened to it a lot in high school when I was listening to a lot of musical styles. This and Parkening's Bach CD are probably my two favorite classical guitar discs.
As a rock/blues/pop guitarist, I've been learning some classical over the last few years. And this disc has been my reference. Parkening's playing is confident and enjoyable. Capricho Arabe stands out as does the Sor studies that he covers.
My only complaint is Leyenda, his performance is less than passionate and the recording doesn't sound EQ'd correctly in a few spots. Other artists have better recordings of this song (John Williams comes to mind).
If you are looking for a great classical guitar CD, this is a great place to start.
Excellent collection.......2004-05-06
This is the album that made me want to take up classical guitar. Great selection of songs, played with incredible feeling and tone. Brilliant performances of Capricho Arabe, Recuerdos and the Villa-Lobos and Ponce Preludes. His rendition of Romance is what every student should strive for. The student (Parkening) has most definitely learned all of his master's (Segovia) lessons and went even further. Still fresh after 25 years of regular listening.
Parkening in top form.......2004-02-28
Christopher Parkening's technical prowess is in full effect here, showing he's truly the ultimate successor to the great Andres Segovia.
I don't know about grunting, but if you listen closely, there is some noticeable sighing from Parkening on a few of the tracks, especially the third. Presumably, he was getting weary from all the work his fingers were getting in playing those immensely complex arrangements. But to go as for as to say it ruins the recording is ludicrous. In fact, the sighing adds to the intimacy and accessibility of the recording. I had always felt distant while listening to a Parkening album because he sounded TOO polished. He plays great here, but to hear his voice, even in its slightest audible sound, adds to the album's charm.
If you're a classical guitar enthusiast, this album is essential.
Average customer rating:
- Beautiful music!
- Among the greatest Classical compositions
- Dark poetry; tragic exuberance!
- Sorrow wrapped in radiance
- When sorrow becomes exquisite beauty...
|
Górecki: Symphony No. 3 ("Symphony of Sorrowful Songs"); Three Olden Style Pieces
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD
Górecki, Henryk Mikolaj
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Similar Items:
- Górecki: Beatus Vir / Symphony No. 2
- Górecki: Miserere
- Henryk Gorecki: Symphony 3 "Sorrowful Songs"
- Henryk Górecki: Already It Is Dusk (String Quartet No. 1, Op. 62) (1988) / Quasi una Fantasia (String Quartet No. 2, Op. 64) (1990-91) - Kronos Quartet
- Arvo Pärt Sanctuary
ASIN: B0000013YW
Release Date: 1994-06-28 |
Tracks:
- Symphony No. 3, Op. 36 (Symphony Of Sorrowful Songs): Lento - Sostenuto tranquillo ma cantabile
- Symphony No. 3, Op. 36 (Symphony Of Sorrowful Songs): Lento e largo - Tranquillisimo
- Symphony No. 3, Op. 36 (Symphony Of Sorrowful Songs): Lento - Cantabile semplice
- 3 Olden Style Pieces: I
- 3 Olden Style Pieces: II
- 3 Olden Style Pieces: III
Amazon.com
The current Schwann catalog lists nine versions of Górecki's phenomenally popular Symphony 3 (Sorrowful Songs) composed in 1976. During his early career, Górecki embraced serialism and concentrated on instrumental sonorities in the vein of Messiaen. But in Symphony 3, his atonality disappears into a strategy of gently mounting thematic pitches, taking the strings through all possible registers. All three movements are marked lento, rare for any symphony. The Elektra Nonesuch recording has tended to be the bestseller, but give this Naxos release a try--it's just as good. The sound is excellent and the performances are above reproach. --Paul Cook
Customer Reviews:
Beautiful music!.......2007-05-19
"Symphony of Sorrowful Songs" is one of the most beautiful music pieces ever composed! If you can listen carefully, and let yourself be swept up by the piece, you will be very effected! While listening to the music, my heart started racing at one point, and I felt flushed from the reaction to the music! Beautiful!
Among the greatest Classical compositions.......2006-12-07
It is rare when a composition has consistent appeal from beginning to end and one with such quality makes Gorecki's Symphony #3 a very rare find.
The beginning is unusually understated. For those with home theaters or a bass speaker, it will heighten the beauty of the string instruments. At a moderate volume, the introduction can vibrate the house. The first movement has a slow crescendo that cumulates to a very profound point. The second and third movements have such emotional beauty that I can justifiably claim that the vocal soloist is seraphic and sublime and it is as close to angelic singing that mortals can achieve. As one who does not care for opera, I want to stress that this music is not like opera in any way . For those who enjoy Beethoven's 9th, Ode to Joy, or In Trutina from Carmina Burana, this symphony can't disappoint.
Dark poetry; tragic exuberance!.......2005-12-20
Poland has been always a land of courageous and untamed spirit; stubborn to any single bit of domination. This territory has given sublime artists. Gorecki is one of the last exponents; even he was born just in the final of the WW2.
His famous Third Symphony is widely known all around the world and constituted definitively a mass phenomena, its consecration and full acceptation. Gorecki employed an admirable sense of the musical texture inviting us to imagine an enormous birch's forest with astonishing austerity of means economy in what orchestration concerns. This music suggests me the kaleidoscopic awakening of slept centuries under the history 's carpet. Ancestral sorrows, delirious visions with that contemplative gaze in the mirror 's memory. In this Christmas, it is a magnificent chance to listen it once more.
This is possibly the most idiomatic version recorded until this date. Wit made no concessions of any kind. The reading is marvelous and heartfelt; emotion and epic have been magnificently blended and besides, supported by an inspired ensemble. Zofia Kilanowicz is simply bewitching as Soprano. The Second Movement is perfect.
Go for this spelling recording.
Sorrow wrapped in radiance.......2005-11-26
I can't waste time comparing versions, as I have only heard the other bargain version with the same soprano, which lacks the lusciousness of this CD in my humble opinion. I see no reason to look beyond this version anyway, which is a sublime offering from artists clearly steeped in the emotional heartland it surveys.
Others have said it all, this is music (and indeed a performance) that elicits tears on almost every listen. To a Buddhist as myself, who can see unresolved suffering and sorrow even on the faces of those encountering temporal happiness, this music is a vivid portrayal through sound of our human birthright of disquiet and dissatisfaction, which can be transformed only through connection with our divine nature. Compassion, which can only be generated through our encounters with suffering - how can we hope to wish others to be free of it if we have never met it face-to-face? - radiates from this CD from opening note to close.
The review below that gave this album 5 stars, but only because of the performance, rather than the music itself, is one of the most pathetic offerings I have seen among Amazon reviews. How can any performance be divorced from the piece itself? To compare this glorious piece of music with a relaxation tape merely highlights the ignorance of the reviewer. Did you actually LISTEN to this album? I doubt it!
THERE ARE FEW 'CLASSICAL' OFFERINGS THAT OFFER THE EMOTIONAL RANGE OF THIS CD. IT STANDS AS A LANDMARK OF BOTH 20TH CENTURY COMPOSITION AND PERFORMANCE - A MUST BUY!
When sorrow becomes exquisite beauty..........2005-11-18
I own several other recordings of the haunting "Symphony of Sorrowful Songs", a masterpiece which doesn't need the explanatory "modern" in front of it. Górecki's works have aroused intense criticism from some music critics who feel that modern music must eschew lyricism, cease to be enslaved to the major/minor tonality of the "past", and tread bravely into the waters of atonality, arhythmicality, and a-beauty.
But music is primarily audio rather than intellectual. It is there to be listened to, which means that AT LEAST one of the criteria for music ought to be how it sounds. It's all very well creating an incredibly clever tone row and patting oneself on the back for writing a concerto for a gravedigger's spade, an electric blender and a toilet being flushed, but who is going to listen to such a work, over and over? A hundred years from now, it will probably be rightly regarded as a curiosity rather than anything else.
Górecki has composed some works which are so extraordinary that the listener is spellbound, mesmerised by the almost elegaic quality of it. Is it non-intellectual? By no means! It is a strange point of view which considers intellectual quality to be discerned only as the inverse of listenability.
There are, of course, several recordings of this remarkable work currently available. All of them are good. But this one... well, it's beyond good, because the singer, soprano Zofia Kilanowicz, is so immersed in the words, and immerses the listener so completely into the words, that the heartbreak becomes our own. We feel as never before the terrible pity of it - Mary in front of the cross; the words of the young girl written on the wall; the woman looking for the body of her son fallen in battle. It is no shame to weep in listening to this recording, because the sorrow transcends the personal, although it never becomes LESS than personal. But it reaches out to touch the core of human understanding. This is a lament for all loss, all death, all grief, all injustice. It is simply... heartbreaking... and very, very beautiful.
That a listener is able to come away with a sense of hope as well as intense grief is due to the music, which shimmers and shines in the dark places of the heart.
Other versions of this work, while lovely, do not have the same plangent quality as this. I was surprised that I did not feel more intensely when listening to the Susan Gritton recording of this, as I consider her a superb singer with a wonderfully expressive quality, but strangely she did not quite achieve the colour of tears that the work requires. The Yvonne Kenny recording is lovely, but it's more about sound than meaning. I can feel Yvonne Kenny being careful about making the right sounds - I DON'T feel her twisting my heart with the meaning. The Dawn Upshaw recording is lovely but bland in comparison, as well.
In every respect - the incredibly cheap price, the exquisite orchestral playing, the wonderful singing - this is the version to have.
Average customer rating:
- One of Parkening's Finest
- Music that perfectly touches the soul ...
- The end of a Search
- Simple, yet delightful, Gifts!
- Exquisite & Divine
|
Simple Gifts: Christopher Parkening
Christopher Parkening , Johann Sebastian Bach , Wolfgang Amadeus Mozart , Engelbert Humperdinck , traditional , Gordon Young , John Rowland , Ronald Ravenscroft , and John Hughes
Manufacturer: Angel Records
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Similar Items:
- Christopher Parkening plays Bach
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- Jubilation
ASIN: B000002SJJ
Release Date: 1990-10-25 |
Tracks:
- Cantata No. 29: Praludium
- Our Great Savior
- God of Grace and God of Glory
- Bretheren, We Have Met To Worship
- Deep River
- Jesus, We Want To Meet
- Hanel & Gretel: Evening Prayer
- Hymn of Christian Joy
- Simple Gifts
- Fairest Lord Jesus
- Stir Thy Church, O God Our Father
- All Creatures of Our God and King
- Quartet, Op. 79 No. 3: Variations On 'Glorious Things Of Thee Are Spoken'
- Solemn Vespers, K. 339: Praise Ye The Lord
Customer Reviews:
One of Parkening's Finest.......2007-01-16
A beautiful and contemplative solo guitar recording of hymns, spirituals and other sacred works such as Mozart's Laudate Dominum and Humperdinck's Evening Prayer. Parkening is in exceptional form, the transcriptions are superb, and the recording itself is of the highest quality. Little wonder this has been an enduring classic since its release in the early 1980s.
Music that perfectly touches the soul ..........2005-10-24
Christopher Parkening is the most musically inventive person playing the classical guitar today; you must purchase this CD if you haven't already. It contains exquisitely beautiful hymns & sacred music (arranged perfectly for guitar, I might add) along with Mr. Parkenings masterful transcriptions of works by Bach, Haydn, Mozart and Humperdinck.
Above all, this is music that glorifies God and that was the ultimate purpose of creating this CD.
The end of a Search.......2005-09-23
Classsical guitar is among the top forms of music and Christopher Parkeniong is one of the greatestartists in this genre, if not the best. I had despaired at ever findinding the CD "Simple Pleasures" and was so very pleased to locate it . I am so enjoying it now. I will be back for more as funds permit.
Simple, yet delightful, Gifts!.......2005-02-21
This was one of the first CD's I purchased back in 1988, and I bought it on a whim. Of the hundreds of CD's I now own, including many genres, this one remains in my list of top 10 favorites for a number of reasons.
1. Mr. Parkening plays every song on it with remarkable technical excellence and clearly discernible passion.
2. It includes classical, folksy, and reflective material, which could create a rough flow, but Mr. Parkening moves deftly from mood to mood leaving the listener with a sense of seamless transitions.
3. Although the songs on it are all religious classics they are played without pretense, which makes it accessible to any listener and uplifting for those seeking spiritual refreshment.
In closing, the is one thing "wrong" with this CD is it's too short!
Exquisite & Divine.......2001-02-17
This treasure chest holds such jewels! The cd rushes in with the joyous energy of Bach's Praludium, allows you to reflect and catch your breath on Pritchard's Hyfrydol and Variation, and flows forward with the grace and underlying passion that makes this a precious favorite.
Average customer rating:
- The Whole Thing
- Hauntingly Beautiful
- Good-enough readings but outstanding sound
- Passionate
- Maybe this is THE (one disc-) Peer Gynt album to own ...
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Grieg: Peer Gynt
Manufacturer: Virgin Classics
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ASIN: B0007Z47JI
Release Date: 2005-06-07 |
Tracks:
- No. 1 At The Wedding (Prelude To Act I)
- No. 2 Halling
- No. 4 The Abduction Of The Bride
- No. 6 Peer Gynt And The Woman In Green
- No. 7 Peer Gynt: 'You Can Tell Great Men By The Style Of Their Mounts!'
- No. 3 Springar
- No. 8 In The Hall Of The Mountain King
- No. 9 Dance Of The Mountain King's Daughter
- No. 12 The Death Of Ase (Prelude To Act III)
- No. 13 Morning Mood (Prelude To Act IV)
- No. 15 Arabian Dance
- No. 16 Anitra's Dance
- No.17 Peer Gynt's Serenade
- No. 19 Solveig's Song
- No. 20 Peer Gynt At The Statue Of Memnon
- No. 21 Peer Gynt's Homecoming. Stormy Evening On The Sea (Prelude To Act V)
- No. 22 The Shipwreck
- No. 23 Solveig Sings In The Hut
- No. 25 Whitsun Hymn: 'O Blessed Morning'
- No. 26 Solveig's Cradle Song
Customer Reviews:
The Whole Thing.......2007-05-10
If there's an earlier 'Peer Gynt' recording that's complete (as opposed to just the 'suite') I've never heard of it. This is the entire incidental music to the play, not just the usual 'Dawn', 'The Hall of the Mountain King' 'Solveig's Song', etc.
Jarvi's reading is smooth and incisive and the choral parts are wonderful. I've never heard a scarier version of HOTMK. I never even knew that there was a solo vocal part for Peer himself, but here it is.
My only complaint-and it's a tiny one-is that the selections are not in the order that they would appear in Ibsen's play. But that's picking a very small nit indeed.
Hauntingly Beautiful.......2007-03-11
Conductor Paavo Jarvi does a masterful job of leading the Estonian National Symphony Orchestra. The orchestra plays with great emotion and precision creating an exciting and almost hypnotic effect. Although Beecham's version is very good, his Peer Gynt does not come close to matching the sheer beauty of Jarvi's.
The soloists on this album are outstanding. I consider baritone Peter Mattei to be the most talented baritone of his type today and his rendition of Peer Gynt's Serenade is nothing short of incredible. Soprano Camilla Tilling as Soveig has a lovely ethereal sound to her voice which is used to great effect in her songs. Tilling has the loveliest female voice I have ever heard. Mezzo Charlotte Hellekant has also grown on me as Anitra. Many of these vocal songs are not included on other versions of Peer Gynt, which is a great shame. The choir, something I don't usually enjoy, is very impressive.
I would rate this CD as by far the best version of Peer Gynt and perhaps my favorite CD of all time. The sound quality of the recording should also be mentioned because it is absolutely stunning.
Good-enough readings but outstanding sound.......2007-02-21
I don't find that Paavo Jarvi and his Estonian forces have much to say in the familiar numbers from Peer Gynt. You must turn to Beecham for sheer delight in famous numbers like In The Hall of the Moutain King, Morning, Anitra's Dance, and so on. Where this recording scores is in the unfamiliar numbers; Peter Matteo's excellent rendition of the little-known Peer Gynt's Serenade is one highlight, as is the convincingly crude folk fiddling that begins half a dozen numbers.
Secondly, there's the sound. The engineers have achieved quite exceptinally clear, open sonics that I've never heard the like of in Peer Gynt. Even when Jarvi's conducting is ordinary and his Estonian musician ae playing at far less than virtuosic level, the gorgeous sounds coming out of one's speakers remain alluring. As far as completeness goes, the Ruud 2-CD set from Bis is unchallenged.
Passionate.......2006-08-18
The story line gives the listener a guide to follow the music, but the score leaves out the connections for the listener to only imagine the performance. The music is passionate and descriptive and introduces the listener to the singing voices of parts of the presentation that are left out in the "Suite." I appreciate hearing it over and over.
Maybe this is THE (one disc-) Peer Gynt album to own ..........2006-02-15
... to keep closely beside the gorgeous, incisively intelligent and deeply concentrated performance (also on 1 CD) with Esa-Pekka Salonen conducting the Oslo Philharmonic Orchestra and Barbara Hendricks singing the role of Solveig (Sony Classical).
Together with the recordings by Neeme Jarvi (27 cues; DGG), Marriner (only 12 cues; EMI), Tate (17 cues; EMI), Blomstedt (19 cues; Decca), Dreier (the first truly complete recording of all of the original music (1978); 32 cues, including 'Bridal Procession', 'Solveig's Song' and three 'Norwegian Dances' all of them n o t originally written for the play; Unicorn UKCD + NKFCD) and Ruud (the first complete recording with 29 cues plus all of the dialogue, making a total of 51 cues, coming up on 113 minutes; BIS), these two (1-CD) albums by Paavo Jarvi and Esa-Pekka Salonen are as complete as can get concerning this so called 'incidental' music for the Henrik Ibsen play of Peer Gynt. Nowadays, Peer Gynt is Norway's No. 1 national epic, thereby giving this music extra significance and poignancy. Originally, there are in all some twenty-six numbers of incidental music for the play: almost ninety minutes of music, as can be learned from the booklet-essay. And according to the booklet, twenty of those are on this album; No. 5, 10, 11, 14, 18 and 24 are left out of this recording. 'Solveig's Song' wasn't originally written for the stage play but nonetheless included as such on this CD, so actually 19 original pieces from Peer Gynt, op. 23 are on this album, and not 20. But anyhow, such 'criticism' would amount to nitpicking ;-)
Here I would like to warn the reader that this will be a somewhat one-sided review, as I have only ever heard the Peer Gynt-recordings of Esa-Pekka Salonen, Per Dreier (freshly inspired, very natural performances) and this newest one of Paavo Jarvi. So this review is, for what it is worth, a personal and somewhat subjective approach, leaving out many other alternatives ...
Anyhow, as for the one-CD albums of Peer Gynt, op. 23, the merits of the Salonen/Oslo Philharmonic album (aside from the artistic ones, which are huge, as well as spot on as far as the 'Nordic' atmosphere of the music is concerned) lie in the fact that - up to now - it has been as near 'complete' a rendering of the music for Peer Gynt - as much as fits on one CD - as one might wish, covering the whole dramatic arc of the play from beginning to end (but without any of the spoken dialogue). I believe that this new recording with Paavo Jarvi is even more complete - as could be fitted on one disc - and gives the listener an even better feel of the drama of the play, if only because there is more singing here, namely by Peer Gynt (in the delightful 'Peer Gynt's Serenade'). Also, one hears here seldomly recorded, but wonderfully evocative pieces, such as 'Peer Gynt and the Woman in Green', 'Peer gynt: you can tell great men by the style of their mounts', 'Peer Gynt at the Statue of Memnon' (similar to 'Prelude Act III: Deep in the Coniferous Forest' on the Salonen/Oslo Philharmonic album. Actually it is the same piece, but it was never intended as the prelude to act III) and 'The Shipwreck'. Simply delightful, all this! As are all the soloists - truly, the best one could wish for! - singing in this recording. If I may steal a quote from Tim Ashley, The Guardian, May 13, 2005: "Peter Mattei is the swollen-headed Peer, Camilla Tilling a dignified, unsentimental Solveig and the incomparable Charlotte Hellekant a camp but lethally seductive Anitra." But although Camilla Tilling's Solveig is superb, IMHO she is not as completely involved-sounding or as convincing in the projecting of the troubled mind and heart of (especially the elderly) Solveig as does Barbara Hendricks for Esa-Pekka Salonen.
Even more than Esa-Pekka Salonen's performance with the Oslo Philharmonic Orchestra, this recording offers the listener a more 'true to the letter-performance', as the music is here performed as heard during the play, as witnessed by 'Solveigs vuggevise' ('Solveig's Cradle Song'), where her singing is interlaced with the 'Whitsun Hymn', which, to the ears of this listener, only heigtening the sense of drama and storytelling.
All in all a fantastic album, I believe, and one that brings into focus the drama even more than other recordings of this music. Even though the orchestral playing of the Estonian National Symphony Orchestra is maybe a (slight) nodge below that of the Oslo Philharmonic under Salonen and missing out on the deepest or finer layers of melancholy and dramatic tension (which are indeed touched upon by Salonen, I think), it is warmly sympathetic and more lush (as is the acoustics of the recording venue).
The really adventurous or Peer Gynt-completists (and once taken this step, the all too brief Suites will never be an option again!) should really go for Dreier or Ruud - this last one is said to be simply magnificent (music as well as acting) - but this generous one disc album, with some of the most gorgeous playing and singing, is warmly recommended (at least, in my opinion) to anyone who loves this wonderfully evocative music. Delightful!
Average customer rating:
- Outstanding. A classic.
- Pay not attention to the crab behind the curtain
- This is incredible. Arrogant but incredible
- not a rave
- Pieces in a peaceful style.
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Pieces in a Modern Style
Samuel Barber , Ludwig van Beethoven , John Cage , Ferry Corsten , Henryk Gorecki , George Frideric Handel , Pietro Mascagni , Maurice Ravel , Erik Satie , Andre (aka ATB) Tanneberger , Antonio Vivaldi , and William Orbit
Manufacturer: Maverick
ProductGroup: Music
Binding: Audio CD
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ASIN: B000046S1W
Release Date: 2000-02-22 |
Tracks:
- Adagio For Strings
- In A Landscape
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- Cavalleria Rusticana: Intermezzo
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Amazon.com
William Orbit's Pieces in a Modern Style is an ambient album that rejigs 11 works by classical composers in a particularly tacky fashion. Even though Orbit has proved his mettle as an innovative and exciting producer for others--Blur's 13 and Madonna's Ray of Light--this is an ungainly meeting of the sublime and the absurd that, frankly, doesn't work. Samuel Barber's "Adagio for Strings," Ludwig van Beethoven's "Triple Concerto," Henryk Gorecki's "Piece in the Old Style I," and Antonio Vivaldi's "L'Inverno" are four that unfortunately meet their maker in a crude pileup of flat, belching synths and wallpaper flourishes. If he had combined live instrumentation with a playful reverence for the arcane glories of the past, perhaps he could have managed to make reality out of that most elusive of notions: experimental music that actually sells. However, Orbit fails to do anything more than resemble a second-rate Vangelis. --Maxine Kabuubi
Customer Reviews:
Outstanding. A classic........2007-06-06
I have been working in electronic music for almost 20 years years. I have a massive library of music for almost any reason, mood and itch. Tonight, I am taking the five minutes to stop and write how unique, amazing and consistently refreshing this album is everytime I go back to it since the day it was released.
Highly Melodic, very electronic and overall lacking the percussive elements most have come to know when listening to Orbit.
Much more sophisticated than the average listener might appreciate.Consider it a staple for anyone serious about electronic music.
I believe anyone rating this poorly is looking for a pop appeal that you just won't find here, thankfully.
Pay not attention to the crab behind the curtain.......2006-06-22
I don't know who Maxine Kubabi is. She's certainly untitled to her opinion. An "ungainly meeting of the sublime and the absurd?" What a sublimely empty and inadequate statement.
You have to know something about a genre before you can be an effective critic inside it. You should be able to specify why you don't like something in some detail, rather than resort to crabby nebulousities ... that's greasy kid stuff.
What Orbit has done is to realize some old, familiar works in an electronic medium, using smooth and musical strokes. He's taken many big chances. Some of them worked out well, others not as well as one might hope. But he deserves kudos for taking a risk and for making some of it work.
Why would anyone who *likes* electronic music complain that it doesn't have live instrumentation? That's like complaining that jazz has no rock and roll in it. "Reverence"? "Second rate Vangelis"? so: you were disappointed that Orbit didn't create more of the kind of schmaltz you personally like. Yanni, anyone?
For those who actually like electronic music, and like Beethoven's Opus 132, please, give that track a listen. I don't think you'll be disappointed.
This is incredible. Arrogant but incredible.......2006-05-26
I have been a fan William Orbit since Water from a vine leaf and I have to admit while this ins't exactly a electronica per se it is still amazing to see what he has done with our classics. The listening experience depends solely on the listener. More ambient than anything else I have heard though.
Recommended for William orbit and curious georges
not a rave.......2006-02-04
If you're looking for something to pop in late at night to dance to...this is not the album. This album is eery and some of it is painful. It's not full of upbeat electronics like originally thought it would be. But, I love it. It's great to listen to while just thinking...relaxing...reading...it's beautiful.
Pieces in a peaceful style........2005-11-28
Being a fan of ambient and electronica for some time, I decided to give this a try. I can understand how some may simply hear this as a cheesy reworking of the classics, just a man and his keyboard, but it's really much deeper than that if you just sit and listen. I suggest not comparing to the originals as much as enjoying what these pieces are themselves. A few tracks do lag, and there are quiet spots, but as a whole I find "Pieces In A Modern Style" to be almost hypnotic, and as I said in my review title, rather peaceful. The tracks I prefer the most are "Adiago For Strings", "Cavalleria Rusticana: Intermezzo", "L'Inverno", and the music-box sounding "Triple Concerto". However the others are fine as well. I say, if you think you might like this, you probably will. It's well worth the used price if nothing else.
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