Nostradamus: the Fate of Man [Import]
Track Listings
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1. Friends Of The Stars
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2. Celestial Science
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3. Seekers Of Truth
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4. Save My Wife
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5. Pagans Paradise
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6. Wandering Years
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7. Man With Remarkable Talents
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8. Settle Down
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9. Tell Me All
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10. Living In Two Realities
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11. Act Of Despair
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12. Story Behind Nostradamus (Bonus Track)
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13. Verhaal Achter Nostradamus (Bonus Track)
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Editorial Reviews
Product Description
Limited Edition. This Dutch Band Began in 1968 in the City of Hilversum, Where Schenpenzeel and Drummer Pim Koopman Attended a Music Conservatory. After the Addition of Guitarist Johan Slager, Bassist Cees Van Leeuwen, and Vocalist Max Werner, the Group Solidified by 1972 and Commenced Recording. Kayak Featured the Instrumentation and Chops of Progressive Acts Like Yes and Genesis and the Pop Song Structures of Supertramp and the Alan Parsons Project. Like Most Progressive Bands, Kayak Never Had a Stable Lineup; At One Point They Went Through Three Bassists in as Many Years. Kayak Line Up for 'nostradamus: The Fate of Man" is Ton Scherpenzeel, Pim Koopman, Bert Heerink, Rob Vunderink, Joost Vergoossen , Edward Reekers, Monique Vd Ster, Cindy Oudshoorn and Jan Van Olffen.
Nostradamus: the Fate of Man,Kayak,Smh,Rock
Nostradamus: the Fate of Man [Import]
Average customer rating:
- masters of classical music
- A good basic collection
- An excellent introduction to classical music
- Very Beautiful!!!!!1
- Still Stuck on Beethoven
|
Masters of Classical Music (Box Set)
Manufacturer: Delta
ProductGroup: Music
Binding: Audio CD
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- 25 Classical Favorites
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ASIN: B000001VU5
Release Date: 1990-10-25 |
Tracks:
- Eine kleine Nachtmusik: Allegro - Mozart, Wolfgang Amadeus
- Piano Concerto In A Major, K 488: Adagio - Mozart, Wolfgang Amadeus
- Flute Concerto In D Major, K 314: Allegro - Mozart, Wolfgang Amadeus
- Symphony No. 40 in G minor: Molto allegro - Mozart, Wolfgang Amadeus
- Clarinet Concerto KV 622: Adagio - Mozart, Wolfgang Amadeus
- Serenade, K 375: Menuetto - Mozart, Wolfgang Amadeus
- Turkish March - Mozart, Wolfgang Amadeus
- Violin Concerto, K 216: Allegro - Mozart, Wolfgang Amadeus
- Divertimento, K 334: Menuetto - Mozart, Wolfgang Amadeus
- Horn Concerto, K 447: Allegro - Mozart, Wolfgang Amadeus
- Cassation, K 99: Allegro - Mozart, Wolfgang Amadeus
Tracks:
- Overture No. 4 In Major: Rejouissance - J.S.Bach
- Overture No. 3 In D Major: Air - J.S.Bach
- Brandenburg Concerto No. 2 In F Major: I. Allegro - J.S.Bach
- Jesu, Joy Of Man's Desiring - J.S.Bach
- Overture No. 2 In B Minor: Menuet & Badinerie - J.S.Bach
- Prelude In C Major - J.S.Bach
- Toccata And Fugue In D Minor - J.S.Bach
- Prelude In C Minor - J.S.Bach
- Overture No. 1 In C Major: Passepied - J.S.Bach
- Brandenburg Concerto No. 1 In F Major: II. Adagio - J.S.Bach
- Kommst du nun, Jesu vom Himmel herunter, Chorale - J.S.Bach
- Brandenburg Concerto No. 3 In G Major: II. Allegro - J.S.Bach
- Violin Concerto In E Major: I. Adagio - J.S.Bach
- St. Matthew Passion: Finale Chorus: 'Wir setzen uns mit Tranen nieder' - J.S.Bach
Tracks:
- Symphony No. 5: Allegro con brio - Ludwig Van Beethoven
- Fur Elise - Ludwig Van Beethoven
- Violin Romance No. 2 - Ludwig Van Beethoven
- 'Moonlight' Sonata: Adagio sostenuto - Ludwig Van Beethoven
- Minuet - Ludwig Van Beethoven
- Symphony No. 8 In F Major: Allegretto scherzando - Ludwig Van Beethoven
- Coriolan: Overture - Ludwig Van Beethoven
- Piano Concerto No. 2: Adagio - Ludwig Van Beethoven
- Symphony No. 5 In C Minor: Allegro - Ludwig Van Beethoven
- Egmont: Overture - Ludwig Van Beethoven
Tracks:
- Die Fledermaus: Die Fledermaus (Excerpts) - Johann Strauss
- Wine, Woman And Song - Johann Strauss
- Tritsch Tratsch Polka - Johann Strauss
- The Blue Danube - Johann Strauss
- The Gypsy Baron: Introduction - Johann Strauss
- Annen Polka - Johann Strauss
- Vienna Blood - Johann Strauss
- The Gypsy Baron: Einzugsmarsch - Johann Strauss
Tracks:
- Tannhauser: Overture - MASTERS OF CLASSICAL MUSIC
- Die Meistersinger von Nurnberg: Dance Of The Prentices - MASTERS OF CLASSICAL MUSIC
- Die Meistersinger von Nurnberg: Prelude Act 3 - MASTERS OF CLASSICAL MUSIC
- Die Meistersinger von Nurnberg: Aufzug der Meistersinger - MASTERS OF CLASSICAL MUSIC
- Der fliegende Hollander: Overture - MASTERS OF CLASSICAL MUSIC
- Lohengrin: Prelude - MASTERS OF CLASSICAL MUSIC
- Tristan und Isolde: Prelude And Liebestod - MASTERS OF CLASSICAL MUSIC
- Tannhauser: Arrival Of The Guests At Wartburg - MASTERS OF CLASSICAL MUSIC
Tracks:
- Piano Concerto No. 1: Allegro non troppo - Peter Tchaikovsky
- String Serenade: Waltz - Peter Tchaikovsky
- Violin Concerto: Andante - Peter Tchaikovsky
- The Sleeping Beauty: Introduction - Peter Tchaikovsky
- The Sleeping Beauty: Pas d'action - Adagio - Peter Tchaikovsky
- The Sleeping Beauty: Waltz - Peter Tchaikovsky
- Capriccio italien Op. 45 - Peter Tchaikovsky
- Swan Lake: Ballet Suite: Scene No. 10 - Peter Tchaikovsky
- Swan Lake: Ballet Suite: Waltz - Peter Tchaikovsky
- Eugene Onegin: Polonaise - Peter Tchaikovsky
Tracks:
- The 4 Seasons: Concerto No. 1 In E Major: Spring - VIVALDI, Antonio
- Siciliano - VIVALDI, Antonio
- Concerto In D Minor:: (Allegro Assai) Cologne Concerto - VIVALDI, Antonio
- The 4 Seasons: Concerto No. 2 In G Minor: Summer - VIVALDI, Antonio
- Oboe Sonata In B Flat Major, RV 34: Adagio - Allegro - Largo - Allegro - VIVALDI, Antonio
- The 4 Seasons: Concerto No. 3 In F Major: Autumn - VIVALDI, Antonio
- Oboe Concerto: Allegro non tasto - Largo - Allegro non molto - VIVALDI, Antonio
- Concerto In D Minor: (Largo e spiccato) Cologne Concerto - VIVALDI, Antonio
- The 4 Seasons: Concerto No. 4 In F Minor: Winter - VIVALDI, Antonio
Tracks:
- Scherzo No 1 In B Minor, Op. 20 - Frederic Chopin_
- Three Nocturnes, Op. 9: No 3 In B Major - Frederic Chopin_
- Twelve Etudes, Op. 10: No 5 In G Flat Major - Frederic Chopin_
- Twelve Etudes, Op. 25: No 10 In B Minor - Frederic Chopin_
- 24 Preludes, Op. 28: No. 13 In F Sharp Major - Frederic Chopin_
- 24 Preludes, Op. 28: No. 14 In E Flat Minor - Frederic Chopin_
- 24 Preludes, Op. 28: No. 15 In D Flat Major 'Raindrops' - Frederic Chopin_
- 24 Preludes, Op. 28: No. 16 In B Flat Minor - Frederic Chopin_
- 24 Preludes, Op. 28: No. 17 In A Flat Major - Frederic Chopin_
- 24 Preludes, Op. 28: No. 18 In F Minor - Frederic Chopin_
- Scherzo No. 2 In B Flat Minor, Op. 31 - Frederic Chopin_
- Waltz In E Flat Major, Op. 18 - Frederic Chopin_
- Nocturne In C Sharp Minor, Op. Posth. - Frederic Chopin_
- Four Mazurkas, Op. 24: No. 3 In A Flat Major - Frederic Chopin_
- Four Mazurkas, Op. 24: No. 4 In B Flat Minor - Frederic Chopin_
Tracks:
- Ave Maria - Franz Schubert
- Impromptu In E Flat Major - Franz Schubert
- Standchen - Franz Schubert
- Trout Quintet: Tema con variazioni - Franz Schubert
- 'Rosamunde': Entr'acte No. 1 - Franz Schubert
- Moment Musical In A Flat Major - Franz Schubert
- 'Rosamunde': Entr'acte No. 2 - Franz Schubert
- Moment Musical No. 3 In F Minor - Franz Schubert
- 'Rosamunde': Ballet Music No.2 - Franz Schubert
- Symphony No. 8 In B Minor 'Unfinished': Allegro moderato - Franz Schubert
Tracks:
- Nabucco: Overture - Verdi, Giuseppe
- Nabucco: Va pensiero, sull'ali dorate - Verdi, Giuseppe
- Aida: Prelude - Verdi, Giuseppe
- II Trovatore: Verdi! le fosche notturne (Gypsies' Chorus) - Verdi, Giuseppe
- II Trovatore: Or co' daddi, ma fra poco (Soldiers' Chorus) - Verdi, Giuseppe
- Aroldo: Overture - Verdi, Giuseppe
- La Traviata: Prelude - Verdi, Giuseppe
- La Traviata: Noi siamo zingarelle - Verdi, Giuseppe
- La Traviata:: Libiamo ne' lieti calici - Verdi, Giuseppe
- La Traviata: Di Madride noi siam mattadori - Verdi, Giuseppe
- La forza del destino: Overture - Verdi, Giuseppe
Customer Reviews:
masters of classical music.......2007-03-26
A nice collection for the classical listener. Great variety of composers and the music quality of the cds are very good.
A good basic collection.......2006-11-10
With selections from numerous composers, it is an easy way to familiarize oneself with some of the most popular classical works and excerpts. A pleasant listen for the initiated too.
An excellent introduction to classical music.......2006-10-18
This is an excellent introduction to classical music. Well performed and presented.
Very Beautiful!!!!!1.......2006-10-05
If you are a fan of classical music then you better get this set. Not only is it very cheap, 10 Discs for about 2$ per disk. Now where are you gonna find a deal like this. I actually found mine chaper, $20.00 even and the music is outstanding. If you had a very bad day and very stressed out, just put in one of these cds, lay down, dim down the lights and just relax. It really helped me out.
Still Stuck on Beethoven.......2006-08-22
I just recently started listening to classical music so I'm certainly not one to compare or critique the quality of this set. However, I do have a few comments...
My interest started in this genre of music because I'm researching my ancestry in Prussia and this is the music of those times. Never mind my ancestors were poor peasants who probably never got the chance to hear such wonderful music... when listening to these CDs, I'm taken back in time... to a royal court in Europe... to another place in time. The music is inspiring, relaxing, invigorating.
I have yet to listen to all the CD's in the set. I'm stuck on Beethoven! Wasn't he AWESOME!?!
I think this set is a wonderful introduction to classical music!!!!!
Average customer rating:
- CD set is misnamed
- Do not Buy
- Classical Music for People Who Hate Classical Music
- Seek better versions
- It Is What It Is
|
Classical Music for People Who Hate Classical Music
Manufacturer: Compendia
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Best of the Millennium: Top 40 Classical Hits
- 25 Classical Favorites
- 25 Romantic Classics
- The Most Relaxing Classical Album in the World...Ever!
- The Most Relaxing Classical Music in the Universe
ASIN: B000003QWH
Release Date: 1994-06-09 |
Tracks:
- Canon In D
- 'Brandenburg' Concerto No. 3: Allegro
- The Four Seasons - The Winter: Largo And Allegro
- Fanfare ('Masterpiece Theatre' Theme)
- Camerata Romana: Air For The 'G' String
- 'Eine kleine Nachtmusik': Allegro
- Piano Concerto No. 21 ('Elvira Madigan' Theme): Andante
- Introduction To Symphony No. 5
- 'William Tell' Overture: Finale
- 'Aida': Triumphal March
- On The Beautiful, Blue Danube Waltz
- 'The Nutcracker': Waltz Of The Flowers
- '1812' Overture: Finale
Tracks:
- Sabre Dance
- 'Light Cavalry' Overture: Finale
- Carmen: The Toreadors
- ' Midsummer Night's Dream': Wedding March
- Radetzky March
- Symphony No. 9, 'Choral': Finale
- 'Prince Igor': Polovstian Dance No. 17
- Jesu, Joy Of Man's Desiring
- Peer Gynt: Solveig's Song
- Sleepers, Wake
- Water Music: Hornpipe
- Symphony No. 9, 'From The New World': Largo
- Emperor Waltz
- 'Emperor' Quartet: St. Anthony's Chorale
- 'The Tales Of Hoffman': Barcarolle
- L'Arlesienne: Farandole
- 'The Nutcracker': Dance Of The Mirlitons
- 'The Nutcracker': Dance Of The Sugar-Plum Fairy
- 'Rhapsody In Blue': Highlight
- 'Orpheus In The Underworld': Can-Can
Tracks:
- Introduction To 'Also sprach Zarathustra'
- Symphony No. 4, 'Italian': Saltarello: Presto
- Piano Concerto No. 20: Romance
- 'The Valkyrie': Ride Of The Valkyries
- 'The Four Seasons' - The Spring: Allegro
- Toccata and Fugue
- Trumpet Voluntary
- 'Royal Fireworks Music': la rejouissance: Allegro
- 'Moonlight' Sonata: Adagio Sostenuto
- London Festival Orchestra: Overture To 'The Barber Of Seville'
- Piano Concerto No. 2: Adagio Sostenuto
Tracks:
- Carmina Burana: Introduction To 'Carmina Burana'
- Peer Gynt: Dawn From 'Peer Gynt'
- Lohengrin: Prelude To 'Lohengrin'
- 'Lieutenant Kije': Troika From 'Lieutenant Kije'
- Adiago For Strings
- 'Carmen': Habanera From 'Carmen'
- 'Double' Concerto: Allegro From 'Double' Concerto
- The Marriage Of Figaro: Overture To 'The Marriage Of Figaro'
- (Rondo) Alla Turca
- Xerxes: Largo From 'Xerxes'
- Symphony No. 5: Allegro vivace From Symphony No. 5
- 'Swan Lake': Scene: Enchanted Lake From 'Swan Lake'
- Clair De Lune
- Bolero
Customer Reviews:
CD set is misnamed.......2007-06-08
They should have titled this "classical music for people who love classical music" because most of the selections are typical classical music. The title suggests it would be lively selections of "light classical" music that is more upbeat, i.e. Sabre Dance, etc. I really don't hate classical music at all and have many classical CDs in my collection but I really wanted to hear more exciting selections. I won't be purchasing any more of this set but if you like traditional classical music these are good one.
Do not Buy.......2007-02-21
I do know it says classical music for people who hate it, but serioulsly you would have better luck never listening to classical music again. The recordings are awfull and do not do justice to any of the composers. Buy something else.
Classical Music for People Who Hate Classical Music.......2007-01-30
We love this set of CD's. I just got a new copy because my kids keeping taking our first copy with them so that they can listen at work or in their bedrooms but then I can never find them.
Seek better versions.......2006-12-09
If you are fairly new to classical purchases then compilation CD's can be useful for deciding what to buy next. Sometimes you only need a small taste of a piece to inspire you to buy a release with the whole performance on. The problem with this compilation however is that most of the versions are poor in performance or recording quality (or both) when compared to the best versions and the fact that the conductors aren't even credited on the track listing made me suspect that this would be the case. One of my favorite classical pieces is Tchaikovsky's 1812 festival overture but if the first CD version I had heard had been the finale excerpt that is on this compilation I may not have gone on to buy the whole thing. Luckily I heard Adrian Leaper's version first and Adrian's version is rather good.
My classical CD buying experience is limited to only a couple of dozen discs but I have found that the Naxos and Deutshe Grammophon releases are fairly safe. Avoid any release which does not name the conductors on the track listing or sleeve notes.
It Is What It Is.......2006-10-27
It's fitting that this page is fraught with the same kind of silly snobbery that turns people off from classical music (and necessitates collections like this) in the first place.
Any criticism of this compilation, which focuses on the quality of the performances or the fact that many tracks are excerpts, misses the point. This is not a collection for people who consider such things, nor does it purport to be. The idea is to package as many ultra-famous classical melodies as possible in one affordable collection and market it to people who have never purchased a classical recording. As such, top-tier performances are likely too expensive to be sold so cheaply and are unnecessary anyway. Those of us who already know and love a piece or two can forgive the compilers the inclusion of sub-par recordings, when we are exposed to so many other beautiful pieces for the first time.
It probably comes as a shock for some to hear that most people are not familiar with these classics. We may hear snippets on TV or movies, but are left with no idea as to the composer or historical context. With that in mind, it is extremely intimidating to begin buying classical. I suppose those among us, who so thoroughly dismissed the very notion of a boxed set like this, would have us begin by buying full albums by reputable interpreters. Surprisingly enough though, the majority of people would consider that a tad cost-prohibitive.
To conclude, this is a STARTER collection. It will either affirm a listener's feelings about classical music or lead to an interest in purchasing better recordings. Ideally, I suppose the interpretations would be better, but, for reasons mentioned above, that just isn't in the cards for a collection of this nature. If you're familiar with 50 different recordings of "The Ring" series, or have season tickets to the New York Philharmonic, then this probably isn't for you. For us cretins with limited foreknowledge of classical music though, it serves as a succinct introduction with little to complain about.
Average customer rating:
- Instruments of the Orchestra - Great Reference Material!
- Beginner or Expert
- Very Informative and Enjoyable
- Frank's view
- Excellent Intro for Those Not Familiar with the Orchestra
|
Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4
- The Life and Works of Ludwig van Beethoven
- What to Listen for in Music
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ASIN: B00006O0NT
Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!
Beginner or Expert.......2007-03-12
This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!
Very Informative and Enjoyable.......2006-11-20
Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!
Frank's view.......2006-08-19
This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Average customer rating:
- Bicentennial Military Music
- Disappointed listener
- Classic US Service Band Recordings!
|
Three Hit Albums from the U.S. Military Bands
Manufacturer: Collector's Choice
ProductGroup: Music
Binding: Audio CD
All Works by Barber
| Barber, Samuel
| ( B )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Morton Gould
| Gould, Morton
| ( G )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Rodgers, Richard
| ( R )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Smith, John Stafford
| ( S )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Sousa
| Sousa, John Philip
| ( S )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Film Scores
| Theatrical, Incidental & Program Music
| Forms & Genres
| Classical
| Styles
| Music
Marches
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| Classical
| Styles
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General
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| Classical
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General
| Classical
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General Contemporary
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| Classical
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General
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| Styles
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Hymns
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| Opera & Vocal
| Styles
| Music
General
| Rock
| Styles
| Music
Movie Soundtracks
| Soundtracks
| Styles
| Music
General
| Soundtracks
| Styles
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Marches
| Miscellaneous
| Styles
| Music
Pop Rock
| Pop
| Styles
| Music
General
| Vocal Pop
| Pop
| Styles
| Music
Classic Big Band
| Swing Jazz
| Jazz
| Styles
| Music
Similar Items:
- Forward March! Great American Marches
- Sousa's Greatest Hits
- Stars & Stripes Forever and the Greatest Marches
- Music of the U.S. Armed Forces
- The Military Band: Salute to the Services
ASIN: B00020QWXW
Release Date: 2004-09-07 |
Tracks:
- Marines' Hymn (From The Hall Of
- Montezuma)
- Semper Fidelis
- Bugler's Holiday
- Commando March
- March Of The Women Marines
- March Of The Olympians
- Stars And Stripes Forever
- The Chimes Of Liberty
- American Patrol
- America The Beautiful
- The Star-Spangled Banner
- Anchors Aweigh
- El Capitan
- The Jack Tar Match
- U.S. Navy March
- Allies On The March (from "Victory At
- Sea")
- The Thunderer
- Washington Post March
- National Emblem
- The National Cultural Center March
- King Cotton March
- The Star-Spangled Banner
- The U.S. Air Force
- American Salute
- Boys Of The Old Brigade
- Oh, Men Who Fly
- Fairest Of The Fair
- Seventy-Six Trombones
- Liberty Bell
- U.S. Air Force Blue
- Bullets And Bayonets
- Falcons' Victory March
- The Star-Spangled Banner
Product Description
Disc 1:
1. Marine's Hymn
2. Semper Fidelis
3. Bugler's Holiday
4. Commando March
5. March of The Women Marines
6. March of the Olympians
7. Stars and Stripes Forever
8. Chimes of Liberty, The
9. American Patrol
10. America the Beautiful
11. Star-Spangled Banner, The
12. Anchors Aweigh
13. El Capitan
14. Jack Tar March, The
15. U.S. Navy March
16. Allies on the March
Disc 2:
1. Thunderer, The
2. Washington Post March
3. National Emblem
4. National Cultural Center March, The
5. King Cotton March
6. Star-Spangled Banner, The
7. U.S. Air Force, The
8. American Salute
9. Boys Of The Old Brigade
10. Oh, Men Who Fly
11. Fairest of the Fair
12. Seventy-Six Trombones
13. Liberty Bell
14. U.S. Air Force Blue
15. Bullets and Bayonets
16. Falcons' Victory March
17. Star-Spangeld Banner, The
Format: CD
Customer Reviews:
Bicentennial Military Music.......2007-03-28
The music from these three US Military Bands was originally released in 1977 as single Long Playing Records to celebrate the Nation's Bicentennial Celebration. It is missing the US ARMY BAND (which I regret) but otherwise the music is GREAT and the Bands are FIRST CLASS as you might expect. Except for the different services renderings of THE NATIONAL ANTHEM, no marches are duplicated. If you enjoy good foot tapping Martial Music...this 2-CD set is worth the price.
Disappointed listener.......2006-05-13
I have been listening to military band music for years, and am rarely disappointed. However, this compendium of music by the U.S. Navy, Army, and Marine bands and associated choral groups is not to my taste. Many of the arrangements are strange, and there is much too much vocal music when what I want to hear is the bands play. I would not have bought this album hhad I known beforehand what I know now.
Classic US Service Band Recordings!.......2005-08-10
Its nice to see these old RCA recordings brought out on CD. These were originally released on LP back in the early 1960s to help finance the Kennedy Center in DC. They were popular recordings then. Unfortunatley only three out of the original four are offered here. Missing is the US Army Band which also recorded as part of this series. The sound qaulity has been left largely as it was, which wes pretty good for early 1960s. The only problem with the original recordings was that they tended to sound poor on the inner tracks of the LP. Fortunately that problem no longer exists on CD. Due to the format there tends to be some repeat material here. How many times do we have to hear the national anthem played by each band! Still, there are some good selections played when these bands were in their prime and larger than they are today. Its good to see recordings being re-issued on US service bands other than Altissimo! which tends to use just in-the-can material from band libraries. Here we have the original stuff played in a manner which is no longer done today. For those seeking vintage recordings of US service bands you can't go wrong here.
Average customer rating:
- Good job
- Masterful!
- Great CD of Classical music's power pieces!
|
Time Life Presents: Classical Thunder
Manufacturer: Time Life Records
ProductGroup: Music
Binding: Audio CD
All Works by Beethoven
| Beethoven, Ludwig van
| ( B )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Berlioz
| Berlioz, Hector
| ( B )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Copland
| Copland, Aaron
| ( C )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Falla
| Falla, Manuel de
| ( F )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Gershwin
| Gershwin, George
| ( G )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Grieg, Edvard
| ( G )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Holst
| Holst, Gustav
| ( H )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Janácek, Leos
| ( J )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Khachaturian
| Khachaturian, Aram
| ( K )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Mussorgsky
| Mussorgsky, Modest
| ( M )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Orff
| Orff, Carl
| ( O )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Respighi
| Respighi, Ottorino
| ( R )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Rossini
| Rossini, Gioacchino
| ( R )
| Featured Composers, A-Z
| Classical
| Styles
| Music
General
| Saint-Saëns, Camille
| ( S )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Sibelius
| Sibelius, Jean
| ( S )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Strauss
| Strauss, Richard
| ( S )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Stravinsky
| Stravinsky, Igor
| ( S )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Tchaikovsky
| Tchaikovsky, Peter Ilyich
| ( T )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Verdi
| Verdi, Giuseppe
| ( V )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Wagner
| Wagner, Richard
| ( W )
| Featured Composers, A-Z
| Classical
| Styles
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All Works by Prokofiev
| Prokofiev, Sergei
| ( P )
| Featured Composers, A-Z
| Classical
| Styles
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Suites
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| Classical
| Styles
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| Styles
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Film Scores
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| Classical
| Styles
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| Classical
| Styles
| Music
Overtures
| Theatrical, Incidental & Program Music
| Forms & Genres
| Classical
| Styles
| Music
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| Theatrical, Incidental & Program Music
| Forms & Genres
| Classical
| Styles
| Music
General
| Classical (c.1770-1830)
| Historical Periods
| Classical
| Styles
| Music
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| Styles
| Music
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| Classical
| Styles
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| Styles
| Music
General
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Compilations
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| Historical Periods
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| Historical Periods
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| Music
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| Styles
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French
| Languages
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| Styles
| Music
German
| Languages
| Opera & Vocal
| Styles
| Music
Cantatas
| Vocal Non-Opera
| Opera & Vocal
| Styles
| Music
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| Opera & Vocal
| Styles
| Music
Movie Soundtracks
| Soundtracks
| Styles
| Music
General
| Soundtracks
| Styles
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Similar Items:
- Thunderous Classics
- Thunder & Lightning
- 25 Thunderous Classics
- Classical Thunder II: Time Life Library of Classical Favorites
- Heavy Classix
ASIN: B00081U6XC
Release Date: 2005-04-26 |
Tracks:
- Introduction
- Ride Of The Valkyries
- Mars, The Bringer Of War
- Montagues And Capulets
- Sabre Dance
- William Tell Overture (Conclusion)
- In The Hall Of The Mountain King
- The Hut On Fowl's Legs
- The Great Gate At Kiev
- Fanfare For The Common Man
- Allegro Con Brio
- Marche Au Supplice (March To The Scaffold)
- Sacrificial Dance (The Chosen One)
- Circus Maximus
- Les Toreadors
- Finlandia, Op.26
- 1812 Overture, Op.49 (Conclusion)
Tracks:
- Procession Of The Nobles
- Rakoczy March
- Ritual Fire Dance
- The Hero's Battlefield
- Pines Of The Appian Way
- Dies Irae
- Allegro Con Brio
- Allegretto
- Air Et Danse Bacchanale
- Farandole
- Infernal Dance Of King Kastchei
- O Fortuna
- The Wedding Of Kije
- Hurricane
- Marche Slave, Op.31
Customer Reviews:
Good job.......2005-08-26
I remember when I was little, I had this cd, but i lost it. I bought a similiar type of one through TIme Life and decided to try the Classical Thunder one. I have like it so far.
Masterful!.......2005-06-15
This two CD set is magnificent. I got the set in the early 1990's when it was advertised on television, along with other releases in Time Life's set. I was struck by the interpretations of the conductors. Whenever I hear these pieces now, I judge them against this recording. Amazing selection as well. There are staples of orchestra repetoire, like Beethoven symphonies, but also gems that are not heard very often, like the Rimsky-Korsakov "Procession of the Nobles." A very impressive recording.
Great CD of Classical music's power pieces!.......2005-06-07
I got this CD when I was around 16 because I loved a lot of the music on this double CD set. As a student pursuing a Music Education major, it has been a great asset for my musically, and just great for listening to. I will drive on short trips and take this with me and blast it louder than the guy in the next car blasting rap music. I also take it skiing as it sets a great tempo down the mountain. This is a great CD for anyone that loves music.
Average customer rating:
- Nice Collection
- PERFECT!
- Great singing and excellent value for money
- More than two hours of beautiful 17th century 'ayres'
|
Purcell: Songs & Airs / Argenta, North, Boothby, Nicholson, Toll
Henry Purcell , Nancy Argenta , and Nigel North
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD
Purcell, Henry
| ( P )
| Featured Composers, A-Z
| Classical
| Styles
| Music
General
| Purcell, Henry
| Composers
| Baroque (c.1600-1750)
| Historical Periods
| Classical
| Styles
| Music
General
| Baroque (c.1600-1750)
| Historical Periods
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
General
| Opera & Vocal
| Styles
| Music
Odes
| Vocal Non-Opera
| Opera & Vocal
| Styles
| Music
General
| Songs & Lieder
| Vocal Non-Opera
| Opera & Vocal
| Styles
| Music
Similar Items:
- Essential Purcell
- Purcell: The Fairy Queen
- Purcell: Odes for St. Cecilia's Day - Music for Queen Mary / Taverner Consort
- English and Italian Renaissance Madrigals
- Gabrieli · Monteverdi · Vivaldi - Venetian Church Music / Taverner Consort, Choir & Players · Andrew Parrott
ASIN: B000059LOH
Release Date: 2001-06-05 |
Tracks:
- O Solitude - Nancy Argenta/Nigel North
- Ah! How Sweet It Is To Love - Nancy Argenta/Richard Boothby/Paul Nicholson
- Not All My Torments - Nancy Argenta/Nigel North/Paul Nicholson
- Stripp'd Of Their Green - Nancy Argenta/Nigel North/Richard Boothby/Paul Nicholson
- Tell Me, Some Pitying Angel - Nancy Argenta/Nigel North/Richard Boothby/Paul Nicholson
- If Music Be The Food Of Love - Nancy Argenta/Richard Boothby/Paul Nicholson
- Hark! Hark! The Echoing Air - Nancy Argenta/Nigel North/Richard Boothby/Paul Nicholson
- The Fatal Hour Comes On Apace - Nancy Argenta/Nigel North
- Incassum, Lesbia - Nancy Argenta/Nigel North/Paul Nicholson
- Sweeter Than Roses - Nancy Argenta/Nigel North/Richard Boothby
- Cupid, The Slyest Rogue Alive - Nancy Argenta/Nigel North/Richard Boothby/Paul Nicholson
- From Silent Shades - Nancy Argenta/Nigel North/Richard Boothby/Paul Nicholson
- Dear Pretty Youth - Nancy Argenta/Nigel North/Richard Boothby
- From Rosy Bow'rs - Nancy Argenta/Nigel North/Richard Boothby/Paul Nicholson
- Now That The Sun Hath Veil'd His Light - Nancy Argenta/Paul Nicholson
- Beneath A Poplar's Shadow - Nancy Argenta/Nigel North/Richard Boothby
- I Attempt From Love's Sickness To Fly - Nancy Argenta/Paul Nicholson
- Let Us Dance - Nancy Argenta/Nigel North/Richard Boothby/Paul Nicholson
- Fairest Isle - Nancy Argenta/Nigel North
- O Solitude - Nancy Argenta/Richard Boothby
Tracks:
- Nymphs And Shepherds - Nancy Argenta/Nicholas Robinson/Fiona Huggett/Trevor Jones/Richard Boothby/Nigel North/John Toll
- Amidst The Shades And Cool Refreshing Streams - Nancy Argenta/Nigel North
- Love In Their Little Veins Inspires - Nancy Argenta/Rachel Becket/Marion Scott/Richard Boothby/Nigel North
- Fly Swift, Ye Hours - Nancy Argenta/Richard Boothby/Nigel North/John Toll
- They Tell Us That Your Mighty Powers - Nancy Argenta/Nicholas Robinson/Fiona Huggett/Trevor Jones/Richard Boothby/Nigel North/John Toll
- The Plaint: O Let Me Weep - Nancy Argenta/Pauline Nobes/Richard Boothby/Nigel North/John Toll
- In The Black, Dismal Dungeon Of Despair - Nancy Argenta/Nigel North/John Toll
- See, Even Night Herself Is Here - Nancy Argenta/Nicholas Robinson/Fiona Huggett/Trevor Jones
- Why Should Men Quarrel? - Nancy Argenta/Rachel Becket/Marion Scott/Richard Boothby/John Toll
- Seek Not To Know - Nancy Argenta/Paul Goodwin/Sophia McKenna/Richard Boothby/Nigel North/John Toll
- Retir'd From Mortals' Sight - Nancy Argenta/Nigel North
- To Arms, Heoric Prince - Nancy Argenta/Mark Bennett/Richard Boothby/Nigel North/John Toll
- O Lead Me To Some Peaceful Gloom - Nancy Argenta/Richard Boothby/Nigel North/John Toll
- Halcyon Days - Nancy Argenta/Paul Goodwin/Pauline Nobes/Richard Boothby/Nigel North/John Toll
- Bid The Virtues - Nancy Argenta/Paul Goodwin/Richard Boothby/Nigel North/John Toll
- Lord, What Is Man? (A Divine Hymn) - Nancy Argenta/Richard Boothby/Nigel North/John Toll
- Music For A While - Nancy Argenta/John Toll
- If Music Be The Food Of Love (1st Setting) - Nancy Argenta/Richard Boothby/John Toll
- Sawney Is A Bonny Lad (A Scotch Song) - Nancy Argenta/Nigel North
- When I Have Often Heard Young Maids Complaining - Nancy Argenta/Nicholas Robinson/Fiona Huggett/Richard Boothby/Nigel North/John Toll
- Ah! Cruel, Bloody Fate - Nancy Argenta/Nigel North/John Toll
- Thy Hand, Belinda... When I Am Laid In Earth - Nancy Argenta/Nicholas Robinson/Fiona Huggett/Trevor Jones/Richard Boothby/Nigel North
Customer Reviews:
Nice Collection.......2007-03-05
I have many collections of Purcell's Music. This collection stands up to them at half the price. Solid buy.
PERFECT!.......2006-10-26
There is only a word with which I can describe this set of discs: perfect!
The only flaw there is, is not related to the singing or playing: no text enclosed.
Great singing and excellent value for money.......2004-09-19
This is probably one of the best anthologies of Purcell songs around, and not just because it's two-for-one pricing means it contains twice as much music (CD1:74'24" & CD2: 77'41")! Nancy Argenta has an irrepressible sense of style and crystal clear diction. But unlike Emma Kirby, whose vocal purity can become tiresome, these renditions radiate warmth. She is also, I have found, more consistently involving than any one of the singers in Hyperion's three disc survey of Complete Secular Songs (recently reissued as a single set). One marvels at how she judiciously balances restraint and emotional forthrightness. The accompaniments (archlute, viola da gamba, harpsichord, and organ) are well judged and blend with the voice, all helped by an excellently defined recording acoustic. This is an absolute winner at any price!
More than two hours of beautiful 17th century 'ayres'.......2001-08-02
Two CDs, totaling more than 150 minutes of sparsely-arranged (never more than 3-5 instruments at a time), sweetly-sung, 350 year old 'ayres' (a typically English form of secular music). Nancy Argenta's soprano voice is lovely, silvery indeed as her name implies. The instruments are a discreet but friendly accompaniment to her solo voice. Perhaps the instruments are a little too discreet -- there are times when I wish they were a touch more prominent. But that is a very, very minor complaint. A beautiful collection, and quite well worth the money.
Average customer rating:
- Love It!
- Best of the Best
- GREAT compilation!!!
- Very well organized
- The greatest parts from all your favorites
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Mad about The Classics
Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD
Quartets
| Chamber Music
| Classical
| Styles
| Music
General
| Chamber Music
| Classical
| Styles
| Music
All Works by J.S. Bach
| Bach, Johann Sebastian
| ( B )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Beethoven
| Beethoven, Ludwig van
| ( B )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Borodin
| Borodin, Alexander
| ( B )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Brahms
| Brahms, Johannes
| ( B )
| Featured Composers, A-Z
| Classical
| Styles
| Music
General
| Dvorák, Antonín
| ( D )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Grieg, Edvard
| ( G )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Mascagni
| Mascagni, Pietro
| ( M )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Wolfgang Amadeus Mozart
| Mozart, Wolfgang Amadeus
| ( M )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Offenbach
| Offenbach, Jacques
| ( O )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Orff
| Orff, Carl
| ( O )
| Featured Composers, A-Z
| Classical
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| Music
All Works by Pachelbel
| Pachelbel, Johann
| ( P )
| Featured Composers, A-Z
| Classical
| Styles
| Music
General
| Saint-Saëns, Camille
| ( S )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Strauss
| Strauss, Richard
| ( S )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Stravinsky
| Stravinsky, Igor
| ( S )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Tchaikovsky
| Tchaikovsky, Peter Ilyich
| ( T )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Vivaldi
| Vivaldi, Antonio
| ( V )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Wagner
| Wagner, Richard
| ( W )
| Featured Composers, A-Z
| Classical
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| Music
All Works by Rossini
| Rossini, Gioacchino
| ( R )
| Featured Composers, A-Z
| Classical
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General
| Concertos
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| Classical
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Divertimentos
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| Classical
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Suites
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| Classical
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Romantic
| Symphonies
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| Classical
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Incidental Music
| Theatrical, Incidental & Program Music
| Forms & Genres
| Classical
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Overtures
| Theatrical, Incidental & Program Music
| Forms & Genres
| Classical
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Tone Poems
| Theatrical, Incidental & Program Music
| Forms & Genres
| Classical
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| Music
General
| Baroque (c.1600-1750)
| Historical Periods
| Classical
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| Music
Chamber Music
| Forms & Genres
| Classical (c.1770-1830)
| Historical Periods
| Classical
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| Music
General
| Classical (c.1770-1830)
| Historical Periods
| Classical
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| Music
General Modern
| Modern, 20th, & 21st Century
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| Classical
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| Music
Chamber Music
| Forms & Genres
| Romantic (c.1820-1910)
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| Music
Theatrical, Incidental & Program Music
| Forms & Genres
| Romantic (c.1820-1910)
| Historical Periods
| Classical
| Styles
| Music
Violin
| Strings
| Instruments
| Classical
| Styles
| Music
General
| Symphonies
| Classical
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| Music
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