Remote the Cold [EP]
Track Listings
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1. Apparently We Didn't Give You Enough Rope
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2. Faction Paradox
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3. Celestis
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4. Darling Gun
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Remote the Cold,Hero of a Hundred Fights,Divot Records,Emo,Indie Rock,Pop,Rock,Rock/Pop
Remote the Cold [EP]
Average customer rating:
- The genius of Coldplay
- ON the 10 BEST ALL TIME LIST
- A rush of life to the head
- Best CD ever
- Good wallpaper music, but does not hold up to direct listening
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A Rush of Blood to the Head
Coldplay
Manufacturer: Capitol
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Parachutes
- X&Y
- Live 2003 (CD & DVD)
- Hopes and Fears
- American Idiot
ASIN: B000069AUI
Release Date: 2002-08-27 |
Tracks:
- Politik
- In My Place
- God Put A Smile Upon Your Face
- The Scientist
- Clocks
- Daylight
- Green Eyes
- Warning Sign
- A Whisper
- A Rush Of Blood To The Head
- Amsterdam
Amazon.com
Coldplay required a lifetime to make their wonderfully assured debut, Parachutes. But it took less than two years for the moody British quartet to deliver a masterful follow-up. As a band, Coldplay have advanced to a stage where they outshine nearly every one of their rivals in terms of imagination and emotional pull. A Rush of Blood to the Head is a soulful, exhilarating journey, moving from the cathartic rock of "Politik" to the hushed tones of "Green Eyes" without once breaking its mesmerizing spell. Singer Chris Martin takes his voice on soaring flights, reaching places only Jeff Buckley previously dared to go. And the music is nearly flawless, a persuasive cross between Pink Floyd and the Verve. Even if they haven't come up with another "Yellow," you would be hard-pressed to care. This is exquisite stuff. --Aidin Vaziri
Amazon.com
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Customer Reviews:
The genius of Coldplay.......2007-07-12
This review has been long overdue. But with 'Politik' playing in the background now, I have been kind of driven to write this. This album is Coldplay's best work so far and definitely in a different league compared to most other music in the same genre (rock). Even with the kind of following Coldplay has, I think they are quite underrated. For example, this album itself is ranked 473th on Rolling Stone's list of greatest albums. Are you kidding me?! I find that hard to believe. It's true that this music is not for all moods or for everyone. But it's musical creation at its finest with amazing melodies and brilliant lyrics. The songs are beautiful, melancholic, moody, introspective and profound. The beauty of Coldplay is that even the saddest song will end with a ray of hope (this is very unlike Radiohead with whom they are so frequently compared). My favorite tracks from this album are 'Politik', 'A Rush of Blood to the Head', 'The Scientist', 'Clocks', 'Green Eyes' and 'In My Place'. I mentioned about the lyrics earlier. I won't go too much into it (because it's hard to describe such stuff). I will just say that these are some of the most wonderful lyrics I have ever heard.
This is definitely a must-buy album. Twenty years from now, it will be considered as a landmark in the history of music.
ON the 10 BEST ALL TIME LIST.......2007-05-15
I have been listening to music since 1955. This is one of the best albums ever recorded.
A rush of life to the head.......2007-05-04
The Rush of blood to the head is propably one of my favourite albums in my stack of 900+ albums, I have to date.I have been a music lover from the age of 6,I'm now 39 closing in on 40.I have seen Coldplay live in Concert in Auckland,New Zealand back in 2003,they where fantastic.To me ,Warning Sign should have been number 1,maybe it's because of the Lyrics or the mere melody and strings in the backround that are so relavent to our lives I'm not sure,but it's a masterpiece the Commercial world has overlooked.A gem in it's own right,listen to it with open ears and enjoy.
A true appreciation for Chris Martin and his band.
Best CD ever.......2007-04-19
Not only is the music absolutely fabulous, but the lyrics are also amazing. I listen to this CD so much that my five year old daughter is singing along with the lyrics. Coldplay is fantastic, and this is their best CD (I own them all).
Good wallpaper music, but does not hold up to direct listening.......2007-04-05
They've got a great sound and the occasional evocative lyric, but as Coldplay's surface appeal wears off, time seems to be revealing there's not much depth here. The minimalism of their arrangements and, especially, writing can really be a snooze if you listen to Coldplay as anything more than background music.
Average customer rating:
- Parachutes
- coldplay "parashutes"
- Can anybody stop this thing ... before my head explodes ...
- Amazing debut album
- Cold Play rocks
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Parachutes
Coldplay
Manufacturer: Capitol
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- A Rush of Blood to the Head
- X&Y
- Live 2003 (CD & DVD)
- Hopes and Fears
- OK Computer
ASIN: B0000508U6
Release Date: 2000-11-07 |
Tracks:
- Don't Panic
- Shiver
- Spies
- Sparks
- Yellow
- Trouble
- Parachutes
- High Speed
- We Never Change
- Everything's Not Lost
Amazon.com
Music doesn't come more touching than this. With their debut single alone, the emotion-fortified "Shiver," Coldplay prove they can shift between elated and crushed in a breath, as singer Chris Martin pours out music's oldest chestnut (unconditional yet unrequited love) with the shakiest of voices and a backdrop of epic guitars. For 10 tracks on Parachutes, he adds newfound meaning to the most tired and overused rock sentiments--love found, love lost, love unrequited--over acoustic guitars and emotionally fraught rock. And for once, all the clichés ring true because Chris Martin genuinely sounds like a man picking over the bones of his life, coming up with just as many reasons to be cheerful as seriously depressed. Not that Parachutes is a depressing album--there's too much conviction to the guitars and hope in Martin's words for that. Instead it's a beautifully tender balance that comes as close to perfection as anything that's come before it. --Dan Gennoe
Amazon.com
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A Rush of Blood to the Head |
X&Y |
Live 2003 |
Customer Reviews:
Parachutes.......2007-04-05
For so long I wrote this band off as Radiohead wannabes. Granted, Chris Martin himself pretty much admits this sentiment to be true, but that does not mean Coldplay can't want to be like Radiohead and make good music at the same time. They don't strike as deep or reach as far, but they deliver more accessible music that isn't all that bad. In fact, Parachutes, their debut album, is quite good - no, it is great.
The album has a reserved, modest alternative rock sound that relies on acoustic guitars and keyboards just as much as it does electric guitars and drum rhythms. There aren't many layers or complexity to the ten tracks on Parachutes; they are beautifully simple. Chris Martin will probably never top his vocals on this album. It is his most vivid and honest delivery. One key aspect of Coldplay's music that has never gone well with me is the lyrics, and more specifically their topics. And Coldplay haven't seemed to move from where they started, but that isn't a real weak point for Parachutes, considering that this is where they started.
"Don't Panic" is one of the best songs on the album, both in terms of sound and lyrics, but when the electric guitar comes in you can immediately taste the Radiohead. "Shiver" is a much more "Coldplay" song that has a very endearing, melodic sound to it, and the fact that it isn't in 4/4 shows that Coldplay aren't just talented. But the lyrics - being about a girl - dull this display of intellect and creativity. They more than make up for it on "Spies," a darker-sounding drum-heavy piece that is surely metaphorical about life's worries, drug use, or maybe even communist China. "Sparks" is a beautiful, almost lounge-like piece that is fitting to be about a girl. Both "Yellow" and "Trouble" are overrated, but still very good songs that work perfectly on this album. "High Speed" is another very enjoyable Radiohead-flavored song that contains a lot of atmospheric guitar-work and a grooving bass line. "We Never Change" is perhaps the best song on the album, and is certainly the most expressive and meaningful. "Everything's Not Lost" is the perfect track to close out Parachutes, with its "this could go on forever" guitar and bass riffs and vocals.
The songs in and of themselves aren't particularly brilliant or overwhelming, but the whole is much greater than the sum of its parts. The album cannot be expressed in a song or two like your average pop album. It's not exactly a "Dark Side Of The Moon"-type of album either, but everything works so well from beginning to end that it is in a sense exactly that kind of album.
coldplay "parashutes".......2007-03-19
i wait3 month and not recieve nothing-you lost this, i don't know condition.
Can anybody stop this thing ... before my head explodes ..........2007-02-03
Simply stated one of the best albums in existence. From the restrained beauty of "Yellow," to the haunting, unbelievably beautiful "Trouble," to my favorite "High Speed," this cd is astonishing. Stunning. Perfect. The last song "Everything's Not Lost" is ideal when you're at the end of your rope. It'll choke you up, but you'll feel better ... I cannot recommend this cd highly enough. This audio clips on the main page don't do any of the tracks justice ... they sound warped, tinny, and flat ... just buy it. The main review calls Parachutes "a beautifully tender balance that comes as close to perfection as anything that's come before it." Yes ... yes.
Amazing debut album.......2007-02-02
Not often does a band come through and shatter the mold for popular music. Before this cd, Americans were fixated on 'boy bands' and Outkast. This release expanded the palette of nearly all who listened; the door was open for such bands as Keane, Franz Ferdinand, and even Modest Mouse to gain their fair share of radio play. A deeper and more spiritual side of music was exposed that had an overwhelmingly great effect on the industry as a whole. This CD is simply amazing, with every song complementing each other seamlessly.
While most casual listeners will be quick to enjoy the pop-friendly "Yellow," it is such songs as "Everything's Not Lost" and "Shiver" that best define this album.
Cold Play rocks.......2007-01-11
This Cd I bought for only two of the songs. I do however enjoy more than the two I got it for.Its not as good as X&Y but its good. I have bought most all Cold plays music and this band is awesome.
Average customer rating:
- Originality Done Right
- What is going on?
- These Kids Grew On Me
- A band apart
- Ehh
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Robbers & Cowards
Cold War Kids
Manufacturer: Downtown
ProductGroup: Music
Binding: Audio CD
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- The Good, the Bad & the Queen
- We Were Dead Before the Ship Even Sank
- The Crane Wife
- Return to Cookie Mountain (with Bonus Tracks)
- Carnavas
ASIN: B000I2IRDC
Release Date: 2006-10-10 |
Tracks:
- We Used To Vacation
- Hang Me Up To Dry
- Tell Me In The Morning
- Hair Down
- Passing The Hat
- Saint John
- Robbers
- Hospital Beds
- Pregnant
- Red Wine, Success!
- God, Make Up Your Mind
- Rubidoux
Amazon.com
You've heard at least three dozen bands like Cold War Kids already. Bands fascinated with the first Strokes album and bent on expanding the promise of that artistically ill-fated group; bands bent on delivering records that have a fresh take on life in suburbia but offering instead a minor variation of angsty clichés; bands that have quirky-but-catchy takes on songwriting; bands that try a little too hard. As unique as some of the ideas on Robbers and Cowards are, it doesn't take long before Nathan Willett's vocals begin to grate (even when he channels Jeff Buckley during "Passing the Hat") and the time between the initial excitement that swells with the opening cut "We Used to Vacation" and the moment you realize that Cold War Kids is just another mainstream band over-mining a once fertile underground sound is short enough that you can cut your losses and find something more worthwhile. --Jedd Beaudoin
Album Description
This LA band has toured nationally with Two Gallants, Tapes 'N Tapes, Sound Team, and done Lollapalooza dates. They're known for their electric live shows and major publications have already taken notice, with coverage in Spin and a 4-star review in Rolling Stone. "A gorgeous piece of geek-rock soul...Bravo, kids!" - Rolling Stone. "Imagine the rawness of The White Stripes on day one. Or what Spoon would sound like at a church camp making music with found objects" - LA Weekly.
Customer Reviews:
Originality Done Right.......2007-07-05
People who call the CWK's just another name in a long list of Indie group's that are bound to fail are terribly off in their thinking. The CWK's use a plethora of musical influences in their songs, creating a sound that still maintains a strong Indie feel but also has a bluesy-pop sound throughout every song. Every song is filled with wonderful melodies that mix beautifully with the shrill of the lead singer Nathan Willett's voice. The voice of Willett is actually what makes the band sound so unique.. One song on the CD, "Saint John," starts off with a simple bass line and drum beat, but takes a new shape once Willett begans singing.. His voice functions almost like another instrument in the song, and the tempo change from chorus to verse gives the song an unpredictable feel that complements the lyrics.. The CWK's create complexity with simplicity and should be around for more than one album...
What is going on?.......2007-06-18
I've never written a review on Amazon, but I feel compelled in this case. People are comparing Cold War Kids to Maroon 5? The Strokes? Do these people listen to music they're not told to? Sure, Maroon 5 adds a touch of soul to pop and The Strokes are a great band that relies on catchy '80's-style hooks, but CWK is something else entirely. They're rock first, with a Mississippi Delta influence.
The lyrics are unique in that they tell of the human condition, although not necessarily first hand. Wonderful music combined with touching lyrics equals a great band.
They are indeed one of the best live bands around, as I discovered them opening for Editors at The Fillmore, but the sound translates perfectly to home.
Maybe you don't dig the sound, but comparing them to some other random band doesn't make any sense. They have a style that might not be completely original, as Delta Spirit and a few other bands are of the same vein, but CWK does it the best, and with the most feeling.
These Kids Grew On Me.......2007-06-17
I was introduced to this album by my cousin, whose brother and the band members are friends.
Initially to me, they sounded like Franz Ferdinand, but with a more interesting sound to their music. At the same time, there were elements of Maroon 5's soul rock, but Cold War Kids created their own alternative (indie) rock music, completely unique and completely different from all the groups out there now. Most impressive.
The lyrics in most of their songs sound like a twisted reflection of life, sometimes funny, sometimes sad. I found their music very refreshing as compared to all the groups out there now. Out of all the tracks, I enjoyed Robber, Red Wine, Success, We Use To Vacation and Hang Me Up To Dry.
This album really grew on me to the point that I'm asking myself to look-out for the dates they're dropping by for a concert!
A band apart.......2007-06-01
If you're smart enough to catch the reference to the production company in my title, then you are the type of person this band is marketing. However, if you understand the reference above, then you are probably going to be disappointed by the band's music. And you will also understand that the seemingly positive title of my review merits 1 star for this CD.
Tarantino named his production company "A band apart" as a play on words of the French new wave movie "Bande a part." However, he was much more mocking in his motives than Wikipedia lets on.
This band is very similar to the spirit of this mockery. They are a very well marketed band. Very well. They are not selling their music which is mediocre, but they are selling the image of what they want their music to sound like. They do a bang up job looking good in pictures with half smoked cigarettes hanging off their lips. They do a wonderful job getting you to believe that their music is good. That they have transcended into the realm of a great band with real feelings and intent.
But...they...don't...deliver...They want you to believe the hype of what they are but their music just doesn't stand up. They want the hipsters to jump on board with this one as I'm sure they are. But don't mistake marketing for intent or the face from the body. Everything looks good on the outside, but when you dig past the American Apparel, then all you are left with is a hollow frame that doesn't live up to the hype.
Sorry CWK, but continue taking the black and white pictures with the suits and loosened ties or the hipster clothes or the Fellini references, or whatever you would like. It looks good. It looks really good. Just don't pick up any instruments anytime soon, okay?
Ehh.......2007-06-01
I bought this CD because I loved "Hang me up to dry" and "St. John" but the only other song that I'm really into on the whole thing is "We used to vacation". Other than that I'm not overly impressed. I love their sound I just wish I liked more of the tracks.
Average customer rating:
- Let it ride, let it roll, let it go
- Accessible Yet True
- With the Cardinals, Whiskeytown may be back...
- Cold Roses
- rewards multiple listens
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Cold Roses
Ryan Adams & the Cardinals
Manufacturer: Lost Highway
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ASIN: B0007YMUZW
Release Date: 2005-05-03 |
Tracks:
- Magnolia Mountain
- Sweet Illusions
- Meadowlake Street
- When Will You Come Back Home?
- Beautiful Sorta
- Now That You're Gone
- Cherry Lane
- Mockingbirdsing
- How Do You Keep Love Alive
Tracks:
- Easy Plateau
- Let It Ride
- Rosebud
- Cold Roses
- If I Am A Stranger
- Dance All Night
- Blossom
- Life Is Beautiful
- Friends
Amazon.com
Sent reeling by the one-two punch Conor Oberst's Bright Eyes delivered with I'm Wide Awake, It's Morning and Digital Ash In A Digital Urn, Ryan Adams vowed to strike back in 2005 with three of his own releases. The first--a double album, no less--sees the attention-seeking former Whiskeytown singer casting off both the raucous guitars of 2003's Rock N Roll and the rainy-day ballads of the same year's Love Is Hell in favor of the more introspective moments and rustic textures of 2000's Heartbreaker. He's snuck in at least one epic with "Meadowlake Street" and one potential radio hit with the twangy "Let It Ride," while the rest of the set is mostly packed with bleary-eyed laments that feel all too mannered after spending the last few years revealing his naked pop ambition in full. No doubt Adams will make up for it with the next one. --Aidin Vaziri
Recommended Ryan Adams Discography
Heartbreaker |
Gold |
Love Is Hell |
Whiskeytown, Pneumonia |
Whiskeytown, Stranger's Almanac |
Whiskeytown, Faithless Street |
From Amazon.ca
Here is the album that many fans have been hoping Ryan Adams would make since his much heralded emergence with Whiskeytown. Though Adams has been as eclectic (and erratic) as prolific over his solo career, this double-disc gem delineates the possibilities of alt-country in 2005 while transcending the limitations typically associated with the genre. The organic arrangements of his new band, the Cardinals, blend acoustic and electric strains, sparked by the interplay between J.P. Bowersock on guitar and Asleep at the Wheel alumna Cindy Cashdollar on pedal and lap steel. With the set-opening "Magnolia Mountain," Adams and band draw inspiration beyond the title from the era of Neil Young's "Sugar Mountain" and the Grateful Dead's "Sugar Magnolia," though much of what follows shares as much in spirit with Bright Eyes (or even the poppier side of Prince) as it does with retro country-rock. On "Mockingbird Street," Adams builds from the stripped-down intimacy of a heartbeat toward the majesty of an anthem. Except for the rock and roll swagger of "Beautiful Sorta," the material exposes an open-hearted vulnerability, emotions that range from the rapturously romantic ("Cherry Lane") to the tremulously tender ("Mockingbird") to the broodingly bittersweet ("Rosebud"). On the engagingly uptemo "Let It Ride," Adams confesses to "27 years of nothing but failure and promises that I couldn't keep." This release represents promise fulfilled. --Don McLeese
Album Description
Cold Roses is the first of three Ryan Adams releases this year on Lost Highway Records. September to hit this summer and 29 to hit this fall. The new release, a double CD, features Ryan's new band The Cardinals and was produced by Tom Schick. Ryan & The Cardinals recorded Cold Roses in two different sessions at Loho Studios. Ryan will be touring in the Spring, Summer and Fall. "Let It Ride" is the first single going to AAA in early April.
Customer Reviews:
Let it ride, let it roll, let it go.......2007-07-10
I wasn't always the biggest Ryan Adams fan, but I remember years before I bought Cold Roses a couple of friends catching a concert of his - one friend thanked the other for bringing her saying "it's good I got to see him now since he'll probably drink himself to death in a couple years." Well, despite his rock and roll lifestyle, he hasn't drank himself dead just yet, and part of the reason might be that Ryan Adams seems to be writing two songs for every drink he consumes. Cold Roses, a double disc (!) of alt-country tunes, is the best of the three (!!) albums Adams put out in 2005, and that's because, on the one hand, Adams clearly has talent to burn, but also because he's willing to turn whatever idea pops into his head into a conventional song structure, and luck was with him for most of Cold Roses' 18 songs. You can hear that sense of drunken and whimsical invention on songs like, for example, "Mockingbirdsing," an infectious song that makes the most of musta-been-brilliant-at-the-time lyrics like "Sing me what the lord was singing/ on the day he made the sky the color of the blues," or a rambling coming-to-at-7-in-the-morning number like "Meadowlake Street." Then, there are songs that are plain brilliant - "Let It Ride" or "Dance All Night" or "How Do You Keep Love Alive," any of which could be classics of its genre. They sit side by side with the songs that are a little more drunken and a little more inane ("Beautiful Sorta," "Sweet Illusions," "Cherry Lane"), but if there's one failing of Cold Roses, it's not Adams' wild ways, but his predictable ones. For all of its great creativity, Cold Roses suffers from aimlessness - for an album with the running time of this double disc, it's surprising that you could not use words to describe the album such as "sprawling" or "epic" or even "exhausting." The record ends in "Friends," a great sunset song as bittersweet as any of its kind, but you may feel at the end of it as though you've gone nowhere. As a collection of good to great songs, Cold Roses is amongst Adams' best work. As an album, it seems like just another night at the bar.
Accessible Yet True .......2007-06-08
Ryan Adams seems to produce two types of albums. Either you get the dark, misunderstood soul who showed-up on Love Is Hell or the melodic pop smith who showed up on Gold. Since then each record I have by Adams has danced between those two worlds with mixed results, 29 for example seemed like a rushed, unfocused effort, Rock N Roll kept things blasting but was clearly not in Adams normal wheelhouse of style.
On Cold Roses, Adams and his backing band The Cardinals stretch out comfortably in his varied styles in one of the most engaging efforts of Adams career. This album is neither too up to seem unrealistic of whom Adams is as an artist nor too down to be off-putting with melancholy laced diatribes. Instead the heartfelt, lovesick soul who has shown up before is now easy to listen to as Adams allows the Cardinals to create a lovely and rich alt-country backdrop throughout Cold Roses, which allows Adams to not veer off the path into self-indulgent territory.
Cold Roses presents 18 mostly realized efforts. Songs like Let It Ride best showcase this as richly played guitar hooks blast the song off in the right direction while Adams rides the energy into interesting places. Dance All Night is another example, with the lyrics dancing between happy and sad creating a wonderfully melodic slice of life tune that does not seem cheesy, all of a sudden the Bob Dylan comparisons that were applied to Adams can now morph into Neil Young comparisons.
Throughout Cold Roses Adams seems to be in a comfort zone that makes the record feel more complete, like a vision has been met. Each side of the record creates two different feels, but yet still remain a believable package. Sweet Illusion on the first side seems to best capture the sparseness Adams was looking to achieve, while If I Am Stranger is an example of the warmth on the second album.
With the huge number of Ryan Adams records out there one might wonder what one is the best showcase of his talent. Considering his back and forth prolific personality, Cold Roses seems like the best bet to explore as it best showcases all sides of Adams as a performer without veering into sub-standard territory. On Cold Roses, both the dark soul and merry popster appears, but with the help of The Cardinals, Adams allows both sides of himself to shine.
With the Cardinals, Whiskeytown may be back..........2007-04-13
Ryan Adams is a truely talented artist. Every album shows his depth in a variety of musical genres. His voice has an almost chameleon quality that lets him sound like a completely different artist from song to song. Influences from all over the musical spectrum show up in his music.
However....with the newly formed Cardinals, Adams seems to be harkening back to his Whiskeytown days. This album (and it's acutally a double album) has a much more alternative country feeling. This isn't a bad thing. He even adds to repetoire of musical diversity pulling from the Eagles (Easy Plateau) and Van Morrison (Dance all Night). I just personally think that he does his best work in the haunting melodies of albums like Demolitions, Gold, and Love is Hell. This is still a pretty good album and definately worth a buy for fans. This is the first of three albums he released in 2005. The flurry of work kind of shows and takes it's toll in this first one. The first half of this double album doesn't hold a candle to the second. I almost wish Amazon let you use half stars because the first half is 3 and the second a 4. All the real standout material like Easy Plateau, Let It Ride, If I Am A Stranger, and Dance All Night come from disc two. Don't let the mixed singles put you off. This is a good album with some real gems. Just don't expect Gold of Love Is Hell. Cold Roses is a very different album.
Cold Roses.......2007-02-06
Chameleon, charlatan, poseur, genius, prolific, derivative, alt-country poster boy, drunken fool and careerist, these and many more titles have been foisted upon singer songwriter Ryan Adams. The amazing thing is that most carry quite a bit of truth! Adams does so many things to engage, or enrage music fans, that he is fast approaching Dylan's level of being an enigmatic artist.
Say what you will about his past work, COLD ROSES is by far his best outing to date. With the luxury of the best backing band of his career, The Cardinals, Adams comes up with a solid set of tunes that stray into Deadhead territory. The album visits the spirit of Garcia, Lesh, Weir and Company's highwater marks, AMERICAN BEAUTY and WORKINGMAN'S DEAD, with surprisingly good results.
Highlights are many, including DANCE ALL NIGHT, CHERRY LANE, MAGNOLIA MOUNTAIN, EASY PLATEAU and LET IT RIDE. For an artist who throws out a ton of material, often without an eye towards overall quality, this one is very consistent. The only weak moment that I can spot is the irritating, faux NY Dolls intro to the otherwise solid BEAUTIFUL SORTA. That he was able to follow this up with two solid albums (29 and JACKSONVILLE CITY NIGHTS) in the same year is amazing.
I would not go as far as saying that COLD ROSES is a classic, but to my ears, it's the first time that Adams has hit one out of the park. Yes, it's derivative, but overall it's a well played and written set, that shows potential turning into results. I hope that it's a sign of things to come.
rewards multiple listens.......2006-09-25
a great, textured collection of music. it's almost too much to take in at once. listen to it several times, let the songs live inside you and you'll find that the music will open up and engulf you.
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- USDA: Hot Summer!!!
- Almost got it
- YESS SIR!
- As a true jeezy fan I give this garbage 2 stars
- this cd is underrated
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Young Jeezy Presents U.S.D.A.: Cold Summer
U.S.D.A. , and Young Jeezy
Manufacturer: Def Jam
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Binding: Audio CD
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ASIN: B000OQDV0Q
Release Date: 2007-05-22 |
Tracks:
- Focus
- White Girl
- Get It Up
- Check
- Corporate Thuggin'
- Throw This Money
- Pam
- Quckie
- Live My Life
- Ride Tonight
- What It Is
- I Keep Tellin' Myself
- Respect Da Shield
- Go Getta
Amazon.com
The themes may be familiar, but the spirit is fresh: Working with his United Streets D-Boys of America crew, Young Jeezy finds his flow on Cold Summer and has no compunction about settling into it, even when that means his compadres Slick Pulla and Blood Raw get bumped to the side of the beat. From the hot, hooky "White Chick" (street code for cocaine, despite all the shout-outs to Christina Aguilera) to the bangin' second single "Corporate Thuggin'," this is Jeezy's baby--introspective, Jeez-ified joints like "I Keep Tellin' Myself" and "Live My Life" lay street life out for close inspection, and "Check" and "Focus" chug along to characteristically unstoppable choruses. Slick Pulla and Blood Raw step up most notably on "Get It Up" (Pulla) and "Respect the Shield" (Raw), and they give off an energy Jeezy clearly coasts on; overall, though, the title gets it right. Jeezy's doing the presenting here--he's a cool, capable leader in a unit whose players don't yet equal him, but probably will in the space of a few mixtapes. --Tammy La Gorce
Customer Reviews:
USDA: Hot Summer!!!.......2007-07-06
To eloborate on C. Allen's review... the tracks on this album are bangin'. Coming out of ATL, its refreshing to hear an album that doesnt have a dance to match every freakin song. Young Jeezy successfully kept the same winning formula from his debut album with USDA. He still keeps it as street on this album as he did with his underground mixtapes like "I Am The Street Dream" & "Snowman."
I heard he has a mixtape with Fabolous coming out called "When The North & South Collide Part 2"...should be a banger!!!
Almost got it.......2007-07-04
I gave this a 5 star rating based on the fact it is a mixtape and not an album. If it was an album I would have given it 4 stars but that's besides the point. The USDA did their thing on this album and I'm happy Jeezy introduced them to the public on a commercial standpoint. Like all of other Jeezy related material, there is some solid production. If your not familiar with Jeezy or what he's about then the content of this mixtape may be over your head. Besides that, Jeezy drops some very good verses. Slick and Bloodraw need a little more time to develop.
Some songs I preferred were:
12. I Keep Tellin' Myself, 09. Live My Life, 07. Pam, and 05. Corporate Thuggin'.
YESS SIR!.......2007-06-11
Y.G. iz my dogg on tha real, his beats and lyrics be madd ill-matic, when I heard tha first track I just knew It guna be off tha hook, if u ain't got it now...then wut tha hell r u doin!?!
As a true jeezy fan I give this garbage 2 stars.......2007-06-08
Are you guys serious?!?!?! How can you rate this piece of junk of a cd anything higher than a 2. I am not hating on them, just being honest. There isn't one song on this cd where I caould listen to the whole thing. Jeezy has fell off. If want to hear some real Jeezy music before he got saturated with mainstream, listen to Thug Motivation 101, Boyz N Da Hood album, and the DJ Drama Trap or Die Mixtape.
this cd is underrated.......2007-06-07
this cd is hot! at first i was skeptical because of a bad review but after hearing it for myself i realized the person that gave it a bad review probably never heard it. this is a slumper for all the people who have systems in their cars or not. im gonna bump this cd througout the summer and probably long after. there are plenty of good songs on this album like white girl, pam, throw this money, quickie, and the go getta remix is better than the original. i liked the consistency of the album and its one of those that you can play the whole way through. if your a jeezy fan then pick it up.
Average customer rating:
- I Love Good Mountain Music--And This Is Good!
- A good CD
- Other stuff to check out
- Beautiful, Haunting...Historically Accurate...?
- The Music Made the Movie!
|
Cold Mountain
Various Artists , Gabriel Yared , Alison Krauss , and Jack White
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Songs From the Mountain
- Cold Mountain (Two-Disc Collector's Edition)
- O Brother, Where Art Thou?
- Songcatcher: Music from and Inspired by the Motion Picture
- Back Roads to Cold Mountain
ASIN: B0000E1WL4
Release Date: 2003-12-16 |
Tracks:
- Wayfaring Stranger - Jack White
- Like A Songbird That Has Fallen - Reeltime Travelers
- I Wish My Baby Was Born - Tim Eriksen, Riley Baugus & Tim O'Brien
- The Scarlet Tide - Alison Krauss
- The Cuckoo - Tim Eriksen & Riley Baugus
- Sittin' On Top Of The World - Jack White
- Am I Born To Die? - Tim Eriksen
- You Will Be My Ain True Love - Alison Krauss
- I'm Going Home - Sacred Harp Singers At Liberty Church
- Never Far Away - Jack White
- Christmas Time Will Soon Be Over - Jack White
- Ruby With The Eyes That Sparkle - Stuart Duncan & Dirk Powell
- Lady Margret - Cassie Franklin
- Great High Mountain - Jack White
- Anthem - Gabriel Yared
- Ada Plays - Gabriel Yared
- Ada And Inman - Gabriel Yared
- Love Theme - Gabriel Yared
- Idumea - Sacred Harp Singers At Liberty Church
- Idumea - Sacred Harp Singers At Liberty Church
Amazon.com
Director Anthony Minghella's take on Charles Frazier's bestselling novel is powered by wistful romanticism and a dramatic structure that's been compared to Homer's Odyssey. That latter creative tack parallels the Coens' O Brother, Where Art Thou in crucial ways, and is further enhanced by another T-Bone Burnett-produced soundtrack of Appalachian-inflected folk traditionals, sympathetic originals by diverse songwriters (Elvis Costello and Sting), and a core of gritty performances (the White Stripe's Jack White and Alison Krauss) that rise above mere star appeal. White shows his traditional blues jones is no mere affectation on "Wayfaring Stranger" and a cover of Howlin' Wolf's "Sittin' On Top of the World," then makes a rewarding turn into the wistfully romantic with his original "Never Far Away." Krauss gives a haunting performance of Costello's "The Scarlet Tide," but doesn't fare as well with Sting's plaintive, Celtic-tinged "You Will Be My True Love." The soundtrack's evocative sense of time and place is further underscored by traditionals performed by a slate of other bluegrass/country-folk heavyweights and a powerful pair of gospelized, almost ethereal performances by the Sacred Harp Singers at Liberty Church. A few of Gabriel Yared's gentle orchestral cues (crucial to the film's characters and dramatic continuity) are essentially tacked on as the coda to the remaining collection of earthy Americana. Dark, dusty, and ever bittersweet, Burnett's musical archaeology here is something considerably more than merely "O Brother Redux." --Jerry McCulley
Customer Reviews:
I Love Good Mountain Music--And This Is Good!.......2007-05-29
I read the book Cold Mountain as required reading for a college class a few years ago. It was intriguing. I grew up in the foothills of the Appalachian Mountains in eastern Kentucky, and love visiting the Great Smoky Mountains of Tennessee and North Carolina. The Blue Ridge Mountains, as much as I have seen, are breathtaking. From my own childhood, as well as my visits to the Smokies, I have come to really appreciate and love good, simple mountain music. From the a capella gospel singing to the mournful cry of the fiddle and the steady rhythm of the guitar, urged along by the plucky voice of the banjo, it really touches me deeply. My favorites from this CD are I Wish My Baby Was Born, Am I Born To Die, Like A Songbird That Has Fallen, and the two gospel songs. Alison Krauss does a beautiful job on her two numbers, and the instrumentals are haunting. I am not as crazy about the bluesy sounding songs that are included, but I have to say that it is all good! There is an honesty simplicity to the music that evokes my childhood memories in the mountains!
A good CD.......2006-12-26
If you liked the music in the movie then you'll enjoy this CD. Even my kids enjoy listening to it, then again, they like many different kinds of music and this isn't your typical kid type, but much of it is really upbeatish and they dance around being silly. Alison Krauss' songs were just beautiful too.
Other stuff to check out.......2006-06-21
I am a big fan of roots music. This album is a fantastic treat that consistently delivers great music, song after song. If you enjoy this album and are looking for some similar great roots albums then I recommend the following:
1) Avalon Blues by Mississippi John Hurt
2) Ain't No Grave: A Tribute To Traditional And Public Domain Songs
3) March 16-20 by Uncle Tupelo
Beautiful, Haunting...Historically Accurate...?.......2006-03-30
I loved the movie, I loved the soundtrack. I had several songs on repeat. Then I read the book and found that Charles Frazier had set the town of Cold Mountain right where I was born. One of my favorite songs on the soundtrack was "I'm Going Home". I've tried to research it, to find out who wrote it originally, but I've come up with nothing. If anyone could help me out here, I'd greatly appreciate it.
The Music Made the Movie!.......2006-03-22
This music made the movie. I rarely buy soundtracks, but this one was worth every penny. I don't know any better words to describe how beautiful, haunting, entertaining, and touching this soundtrack is. If you enjoyed the movie, you'll love this CD.
Average customer rating:
- Deffinately NOT cold and dead
- easily their best album
- Excellent ambient music for reading/coding.
- melodophonic
- Woah
|
The Earth Is Not a Cold Dead Place
Explosions in the Sky
Manufacturer: Temporary Residence
ProductGroup: Music
Binding: Audio CD
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ASIN: B0000DJYME
Release Date: 2003-11-04 |
Tracks:
- First Breath After Coma
- Only Moment We Were Alone
- Six Days At The Bottom Of The Ocean
- Memorial
- Your Hand In Mine
Customer Reviews:
Deffinately NOT cold and dead.......2007-07-07
I don't normaly do reviews, nor do I normaly recomend music to my friends and family. But I did with this CD.
Perhaps one of the best CD's I've ever bought. I recomended it for all of my friends and family that enjoy instumental music.
Buy this CD and enjoy.
easily their best album.......2007-06-16
I totally love this album. Tracks such as "Your hand in mine" are really wonderful. In their previous album they sounded like GYBE wannabes but here they have their own voice. This is the kind of music you would want to listen to while driving through a lonely Texas highway late in the night.
Excellent ambient music for reading/coding........2007-05-14
EITS did a great job with this album. The music works well in the car or at home while working.
melodophonic.......2007-05-14
good. this is the first explosions in the sky cd i own. i suppose a measure of how much i like them is the fact i will probably buy another. yet nothing about them really grabbed me. fairly a-typical. more melodic than i prefer, a distinct lack of the chaos factor thats so appealing about godspeed you black emperor or early mogwai. but still the peaks of the songs, especially the second track, are pleasing. those of you who found the length of some of mogwai's songs tedious explosions in the sky are less so. i found this meant alot of what did happen seem too condensed but others will be refreshed. the artwork is pretty cool aswell. overall: good. and tag suggestions are stupid
Woah.......2007-02-26
There are plenty of words that come to mind when listening to this CD. Awash, beauty, melancholy, transcendence... the list rolls on. Unfortunately, these aren't exactly words that can be put together to form sentences, just as the songs of Explosions in the Sky can't easily be translated into a review. This album, as a blurb on the cover says, will destroy anyone who has a soul. Anyone who has been in love, has a heart, or has awoken in the morning feeling like things just might end up okay. The melancholy that the album brings also carries with it an intense feeling of hope, especially in the first song, First Breath After Coma. As it crescendos, one can't help but just feel that things will be alright, and there's something to this life, if we can just get it right. And that's what this album seems to be about; destroying anyone with a soul, and leaving them okay.
Average customer rating:
- They were right--there is NO business like the show business they did way back when !!!
- One of the best cds I ever bought.
- Never Sounded Better
- Somewhere Over The Rainbow
- "Hollywood Musicals of the Golden Age are still among us"
|
Somewhere over the Rainbow: The Golden Age of Hollywood Musicals
Various Artists
Manufacturer: Rhino / Wea
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Ultimate Broadway
- Only Broadway CD You'll Ever Need
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- Greatest Hits: Broadway
- That's Entertainment!: The Best Of The M-G-M Musicals - Motion Picture Soundtrack Anthology
ASIN: B000066RO5
Release Date: 2002-06-04 |
Tracks:
- Singin In The Rain - Gene Kelly
- Theres No Business Like Show Business - Betty Hutton, Howard Keel, Keenan Wynn & Louis Calhern
- 'S Wonderful - Gene Kelly & Georges Guetary
- Thats Entertainment! - Fred Astaire, Jack Buchanan, Nanette Fabray & Oscar Levant
- Stranger In Paradise - Ann Blyth & Vic Damone
- Easter Parade - Judy Garland & Fred Astaire
- Lullaby Of Broadway - Winifred Shaw, Dick Powell & Chorus
- Get Happy - Judy Garland
- Night And Day - Fred Astaire
- True Love - Bing Crosby & Grace Kelly
- Honeysuckle Rose - Lena Horne w/ Benny Carter & His Orchestra
- They Cant Take That Away From Me - Fred Astaire
- Milkman, Keep Those Bottles Quiet - Nancy Walker & The M-G-M Studio Chorus w/ Tommy Dorsey & His Orchestra
- Baby, Its Cold Outside - Esther Williams & Ricardo Montalban
- For Me And My Gal - Gene Kelly & Judy Garland
- Puttin On The Ritz - Clark Gable & Co.
- Hallelujah! - Tony Martin, Vic Damone, Kay Armen, Ann Miller, Debbie Reynolds, Clark Burroughs & Co.
- Bless Yore Beautiful Hide - Howard Keel
- Taking A Chance On Love - Ethel Waters & Eddie "Rochester" Anderson
- As Time Goes By - Dooley Wilson w/ Elliot Carpenter (Bonus Track)
- Laras Theme (Main Title) - The M-G-M Studio Orchestra (Bonus Track)
Tracks:
- Over The Rainbow - Judy Garland
- Its A Most Unusual Day - Jane Powell
- Wunderbar - Kathryn Grayson & Howard Keel
- Cant Help Lovin Dat Man - Ava Gardner
- Going Hollywood - Bing Crosby
- The Trolley Song - Judy Garland, The M-G-M Studio Chorus
- Gigi - Louis Jourdan
- I Got Rhythm - Judy Garland, Mickey Rooney & Co.
- Aba Daba Honeymoon - Debbie Reynolds, Carleton Carpenter & M-G-M Studio Chorus
- The Lady Is A Tramp - Lena Horne
- The Best Things In Life Are Free - June Allyson & Peter Lawford
- Cheek To Cheek - Fred Astaire
- A Kiss To Build A Dream On - Louis Armstrong
- Put 'Em In A Box - Doris Day & The Page Cavanaugh Trio
- If Swing Goes, I Go Too - Fred Astaire
- Almost Like Being In Love - Gene Kelly
- Lets Face The Music And Dance - Fred Astaire
- Be A Clown - Gene Kelly & Judy Garland
- Embraceable You - Connie Francis
- On The Atchison, Topeka And The Santa Fe - Judy Garland & Co.
- One For My Baby (And One More For The Road) - Fred Astaire
Amazon.com
The "Golden Age" referred to here spans The Jazz Singer and the advent of the talkies to the death throes of the old studio system in the 1960s. So vast was the era's musical landscape that even this 42-track, double-disc anthology can't encompass all its peaks. Not surprisingly, the bulk of this collection originated with the Tiffany's of the screen musical, M-G-M, a body of work whose riches here encompass both pop-cultural bedrock ("Over the Rainbow," "Singin' in the Rain," "There's No Business Like Show Business," etc.) and some less familiar, if equally delightful star turns: Clark Gable gamely "Puttin' On the Ritz"; the sassy, 1948 original of "The Lady Is a Tramp" by Lena Horne; and a loopy duet of "Baby, It's Cold Outside" by Esther Williams and Ricardo Montalban. Fred Astaire's elegant, epochal reign at RKO and M-G-M is represented by "Night and Day," "Let's Face the Music and Dance," and three others, while Metro mainstays Gene Kelly and Judy Garland share equal time and billing. It's not perfect--Cagney's "Yankee Doodle Boy" and/or some Sinatra seem more logical choices than the odd "bonus" duet of Casablanca's "As Time Goes By" and "Lara's Theme" from Dr. Zhivago that close out disc one--but it's a stunning, surprisingly comprehensive primer on the Hollywood film musical nonetheless. --Jerry McCulley
Customer Reviews:
They were right--there is NO business like the show business they did way back when !!!.......2006-11-18
Everything that happens in life
Can happen in a show
You can make 'em laugh
You can make 'em cry
Anything
Anything can go....
The clown with his pants falling down
Or the dance that's a dream of romance
Or the scene where the villain is mean
That's entertainment!
The lights on the lady in tights
Or the bride with the guy on the side
Or the ball where she gives him her all
That's entertainment!
The plot and the hot simply teeming with $ex
A gay divorcee who is after her ex
It could be Oedipus Rex
Where a chap kills his father
And causes a lot of bother
The clerk who is thrown out of work
By the boss who is thrown for a loss
By the skirt who is doing him dirt
The world is a stage,
The stage is a world of entertainment!
This two CD set amply proves that the musical melodies and lyrics from the golden age of the Hollywood musical remain unsurpassed to this day. This generous two CD set offers 42 incredible songs from Hollywood classic musicals. Most of these fine numbers are indeed from MGM, as Amazon correctly notes; but there are some RKO numbers and even a little from Warner Brothers. Thank goodness, though, that most of these songs came from MGM movies; MGM was the only studio that could boast that it truly had "more stars than there are in the heavens."
I love so many songs on these two CDs. Of course, there's the unforgettable classic "Over The Rainbow" sung by Judy Garland; she also performs "Easter Parade" and "Get Happy" on this two CD set and she carries most of the tune for "I Got Rhythm" even though Mickey Rooney helps her a little. I love "Baby, It's Cold Outside" for its' romantic overtones; and Lena Horne's "The Lady Is A Tramp" is flawless! We also get a rare chance to hear Clark Gable sing in "Puttin' On The Ritz;" and Bing Crosby's "Going Hollywood" may be brief but it's a fun song anyway.
There are two "bonus" tracks on the first CD: "As Time Goes By" from Casablanca and "Lara's Theme" from Doctor Zhivago. "As Time Goes By" is a good choice; it is another unsurpassed classic song that brings back memories and touches even the hardest of hearts. "Lara's Theme," however, is from the mid 1960s and I don't consider this period to be part of the "golden age" of Hollywood musicals.
The liner notes are excellent and they offer wonderful photos of the stars as well. The cover art is well done and the reverse cover art tells which movie each song is from and who is performing each song. Moreover, the quality of the sound is excellent especially when you consider that these numbers were recorded quite a few decades ago.
In short, this superlative two CD highlights the glory of the Hollywood musical when a certain type of sophistication dominated professional movie production. I highly recommend this CD for fans of Hollywood musicals, classic pop vocals and fans of the artists and actors who perform on this two CD set.
One of the best cds I ever bought. .......2006-06-07
What an amazon collection of songs! This is bar none my favorite cd just because of the variety and the quality of songs on it. I love music from this era, and this cd is the perfect companion to my life. Love it! Buy it, you won't regret it for a moment!
Never Sounded Better.......2006-03-16
Apart from the great selection of soundtracks, what really makes this compilation top value is the quality of the sound processing. Executed with finesse, these tracks sound better than when first issued and many are unedited, fuller versions: like "Singing In The Rain", for example. Throw in the great price, and this double disc set is a "must have" for all lovers of classic movie music.
Somewhere Over The Rainbow.......2006-02-24
A Sensational CD with Lots of Showtunes that Keep You Happy and makes You Want To Sing Along With!!!
"Hollywood Musicals of the Golden Age are still among us".......2005-07-13
Rhino Records and Turner Classic Movies Music present - "SOMEWHERE OVER THE RAINBOW: THE GOLDEN AGE OF HOLLYWOOD MUSICALS", some of the long ago musicals and stars that will never be forgotten...a 2-CD-Set covering several decades from 1935-1965 with many of the show stoppers of that time...some rare moments from entertainers that you haven't heard or thought of in sometime.
The lineup is fantastic and gives the listener a variety of what musicals were all about in the "Golden Age of the Hollywood Musicals"
June Allyson, Kay Armen, Louis Armstrong, Fred Astaire, Ann Blyth, Jack Buchanan, Louis Calhern, Bing Crosby, Vic Damone, Doris Day, Nanette Fabray, Connie Francis, Ava Gardner, Judy Garland, Kathyrn Grayson, Georges Guetary, Lena Horne, Betty Hutton, Louis Jourdan, Howard Keel, Gene Kelly, Grace Kelly, Peter Lawford, Oscar Levant, Ann Miller, Ricardo Montalban, Page Cavanaugh Trio, Debbie Reynolds, Winifred Shaw, Nancy Walker, Ethel Waters, Esther Williams, Dooley Williams and Keenan Wynn.
On Disc One 21 Classic Songs from great musicals with songs in alphabetical order:
AS TIME GOES BY - Dooley Wilson with Elliot Carpenter, pianist (1942)
BABY, IT'S COLD OUTSIDE - Esther Williams & Ricardo Montalban (1949)
BLESS, YORE BEAUTIFUL HIDE - Howard Keel (1954)
EASTER PARADE - Fred Astaire & Judy Garland (1948)
FOR ME AND MY GAL - Gene Kelly & Judy Garland (1942)
GET HAPPY - Judy Garland (1950)
HALLELUJAH! - Tony Martin, Vic Damone, Kay Armen, Ann Miller, Debbie Reynolds, Clark Burroughs (for Russ Tamblyn) (1955)
HONEYSUCKLE ROSE - Lena Horne with Benny Carter & His Orchestra (1943)
LARA'S THEME (MAIN TITLE) - M-G-M Studio Orchestra (1965)
LULLABY OF BROADWAY - Winifred Shaw & Dick Powell (1935)
MILKMAN, KEEP THOSE BOTTLES QUIET - Nancy Walker with Tommy Dorsey & His Orchestra (1944)
NIGHT AND DAY - Fred Astaire (1934)
PUTTIN' ON THE RITZ - Clark Gable & Company (1939)
'S WONDERFUL - Gene Kelly & Georges Guetary (1951)
SINGIN' IN THE RAIN - Gene Kelly (1951)
STRANGER IN PARADISE - Ann Blyth & Vic Damone (1955)
TAKING A CHANCE ON LOVE - Ethel Waters & Eddie "Rochester" Anderson (1943)
THAT'S ENTERTAINMENT - Fred Astaire, Jack Buchanan, Nanette Fabray & Oscar Levant (1953)
THERE'S NO BUSINESS LIKE SHOW BUSINESS - Betty Hutton, Howard Keel, Keenan Wynn & Louis Calhern (1950)
THEY CAN'T TAKE THAT AWAY FROM ME - Fred Astaire (1949)
TRUE LOVE - Bing Crosby & Grace Kelly (1956)
On Disc Two more memorable performances from the Golden Age of Hollywood Musicals:
A KISS TO BUILD A DREAM ON - Louis Armstrong (1951)
ABA DABA HONEYMOON - Debbie Reynolds & Carleton Carpenter (1950)
ALMOST LIKE BEING IN LOVE - Gene Kelly (1954)
BE A CLOWN - Judy Garland & Gene Kelly (1948)
BEST THINGS IN LIFE ARE FREE - June Allyson & Peter Lawford (1947)
CAN'T HELP LOVIN' DAT MAN - Ava Gardner (beautiful woman, who my youngest grandaughter is named after...Avalon) (1951)
CHEEK TO CHEEK - Fred Astaire (1935)
EMBRACEABLE YOU - Connie Francis (1965)
GIGI - Louis Jourdan (1958)
GOING HOLLYWOOD - Bing Crosby (1933)
I GOT RHYTHM - Judy Garland & Mickey Rooney (1943)
IF SWING GOES, I GO TOO - Fred Astaire (1946)
IT'S A MOST UNUSUAL DAY - Jane Powell (1948)
LADY IS A TRAMP - Lena Horne (1948)
LET'S FACE THE MUSIC AND DANCE - Fred Astaire (1936)
ON THE ATCHISON, TOPEKA AND THE SANTA FE - Judy Garland & Company (1946)
ONE FOR MY BABY (AND ONE MORE FOR THE ROAD) - Fred Astaire (1943)
OVER THE RAINBOW - Judy Garland (became her theme song for the rest of her life) (1939)
PUT 'EM IN A BOX - Doris Day & the Page Cavanaugh Trio (1948)
THE TROLLEY SONG - Judy Garland & MGM Studio Chorus (1944)
WUNDERBAR - Kathryn Grayson & Howard Keel (two of MGM's favorite singing duos) (1953)
It was once said by the songwriters of that era - "There are two artists you want perform your songs on the big screen, they are Fred Astaire and Judy Garland they sing it just the way we wrote it, for which you will have a guaranteed hit on your hands"...well, this collections certainly has some merit to that statement...because with Judy Garland and Fred Astaire performing seven songs each, there must be something to it.
This collection of musicals still has the magic that we remember from those bygone years...but as long as we have the labels and networks who play and show these wonderful films of yesteryear, they will never be forgotten...hats off to Rhino Records, George Feltenstein (producer) and Doug Schwartz (engineer) and Turner Classic Movies for sharing those 42 selections from 42 films...celebrating decades of the tunes and artists that gave it their all...from what it commonly called "The Hollywood Dream Factory"...The Golden Age of Hollywood Musicals is still among us...gotta love it!
Total Time: 2-CD-Set ~ Rhino Records 78323 ~ (6/02/2002)
Average customer rating:
- World's best trumpet player
- Credit Wynton Marsalis
- stylistically wrong
- Wynton, Wynton, Wynton.
- Good, but not the best
|
Carnaval
Manufacturer: Sony
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Binding: Audio CD
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Moore, Thomas
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Paganini, Niccolò
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Rimsky-Korsakov, Nikolai
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Marsalis, Wynton
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Similar Items:
- Cornet Favorites
- Classic Wynton
- Wynton Marsalis - Baroque Music for Trumpet
- Greatest Hits: Trumpet
- Turn-of-the-Century Cornet Favorites
ASIN: B0000026EN
Release Date: 1990-10-25 |
Tracks:
- Carnaval: Variations Sur 'Le Carnaval De Venise'
- Carnaval: The Debutante (Caprice Brillant)
- Carnaval: Believe Me, If All Those Endearing Young Charms
- Carnaval: Grand Russian Fantasia
- Carnaval: Moto Perpetuo, Op 11
- Carnaval: 'Tis the Last Rose of Summer
- Tsar Saltan: The Flight of The Bumblebee
- Carnaval: Napoli -- Variations on a Neapolitan Song
- Carnaval: Fantaisie Brillante
- Carnaval: Sometimes I Feel Like a Motherless Child
- Carnaval: Valse Brillante
Customer Reviews:
World's best trumpet player.......2007-05-12
The incredible Wynton Marsalis plays the classics of the brass solo genre.
If you want to hear some very delightful music played by a most impressive instrumentalist, get this album.
Listening to this will make you realize the mediocrity of most of today's popular music. They don't grow people like Jean-Baptiste Arban any more.
Credit Wynton Marsalis.......2007-01-25
This outstanding collection of turn-of-the-last-century cornet solos is a collector's item. Mr. Marsalis (and the ensemble) makes it all sound so easy and enjoyable. As an instrumental music teacher I find hearing these inspires many of my high school high brass players to work on them.
stylistically wrong.......2005-05-29
Having studied with an international authority on cornet playing I can con fidently say that Wynton's cornet playing is ok at best. More than anything hes tryying to sell CDs rather than capture the essence of Cornet playing, like most of wyntons playing its alot of flash but no substance. Great if your a trumpet head and you get off on empty virtuostic fluff.
Wynton, Wynton, Wynton........2005-01-01
There are times, when I'm listeing to Wynton, I get depressed like the flash of a 64th note played. His sounds is so pure and wonderful. He rocks. I don't mind realizing that there aren't many other trumpeteers out there like him.
I met him once actually. In Alice Tully Hall, after a holiday concert. He stood on the stage towering over my dad, brother and I. He called us "the frontline", after my dad telling him we play the trumpet, trombone, and clarinet. What a cool guy.
Good, but not the best.......2004-11-28
Marsalis is an excellent trumpet player, there is no question as to that. He is certainly not the best in the world, however. I prefer a better recording of Carnival of Venice and many other cornet solos by Gerard Schwarz. The spirit of such solos is lost when they are put to ensemble accompaniment, Schwarz interprets them far better in my opinion. Also, his technical mastery is at least equal to that of Wynton's, or was when he made the album. His sound is sweeter and more perfect to my ear. And this is not the only album in which you can hear dazzling technical pieces, either. Sergei Nakariakov, Rafael Mendez, and Allen Vizzutti are the most proficient players with recordings out there. Nakariakov and Mendez both do better readings of the Paganini, playing the entire song double-tonguing and circular breathing. The Mendez Flight of the Bumblebee has a much better sound and fits the piece more, too. The most amazing song I have ever heard is the Carnival of Venus, by Vizzutti. Listen to anything by Wynton and then this song, you will be absolutely amazed. The last variation of the Marsalis is Vizzutti's first, and they get harder from there. Simply put, this is a good recording and the most accessible, but there are better ones out there. I wouldn't buy this to hear cornet solos or amazing technical pieces, but for hearing other interpretations. I prefer Schwarz, Mendez, Vizzutti, and Nakariakov.
Average customer rating:
- Awesome Sound
- Seether One Cold Night
- JUST GET EEEEEEEEEEET ! ! :)
- Good 4
- Way better!!!
|
One Cold Night
Seether
Manufacturer: Wind-Up
ProductGroup: Music
Binding: Audio CD
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ASIN: B000FVBLJS
Release Date: 2006-07-11 |
Tracks:
- Gasoline
- Driven Under
- Diseased
- Truth
- Immortality
- Tied My Hands
- Sympathetic
- Fine Again
- Broken
- The Gift
- Remedy
- Plastic Man
- The Gift (Bonus track: Alternate mix)
Customer Reviews:
Awesome Sound.......2007-04-10
I've got both studio albums (which are pretty darn good), and usually I don't like many live albums since the sound quality sometimes leaves things to be desired.
That's not that case with this album. It's very high quality CD and DVD sound. It's like a "best of" album in an acoustic version (duh), and I like it so much I listen to the acoustic versions of these songs more than the studio versions! The intro to "The Truth" is awesome, and I like the cover of Pearl Jam's "Immortality" much better than the original.
Well worth it... even if you don't own any other Seether albums.
Seether One Cold Night.......2007-03-13
Great album, Great DVD, even video & interveiw.
Must buy
JUST GET EEEEEEEEEEET ! ! :).......2007-02-02
I like all kinds of music, really like Seether, and love this CD. All of their hits acoustic...it just rocks, and it was recorded well. On a good system you can hear all the instrument details! MUST HAVE!!
Good 4.......2006-11-11
I had their first CD, and while it was good, the songs werent anything spectacular. So it was hit or miss for me. Soetimes id play a track or 2, so when K&E came out i never bothered with it.
I was browsing in the store and saw this. The ambiance on the cover kind of sucked me in. I tend to like this acoustic style stuff. Looked at the tracklisting and figured these songs could sound good in this setting. So i picked it up.
And as i figured, they pretty much play it safe and go note-for-note with the studio stuff. Not a bad thing, but nothing risky is attempted here except possibly the Pearl Jam cover of "Immortality" which is really well done. The sound quality is crisp, and the delivery is sincere..
So i will say that this CD got me re-interested in these guys a bit. I always liked Morgans laid back singing style. Lyrically, some are quite good. Some a bit hollow, but arent terrible by any means. Just a bit basic. If you liked Seether before, youll LOVE them after this. If you were a bit reluctant, this is a great place to start.
Way better!!!.......2006-10-29
I'm a big fan of Seether and was eager to get my hands on this album, and i wasn't dissapointed at all!
This cd was everything i wanted out of a live performance and much, much more, there was even a song i hadn't heard as i didn't have the first album.
Worth every penny!
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