Solo Drum Music 2 [Import]

solo drum music 2 [import]

Track Listings
1. Solo III / Two Part Invention
2. Waltz Of Deception
3. Cante Piatti II
4. Bembe / Abakwa
5. Solo IV / Intro
6. Enantiodromia
7. Cante Jondo
8. Mozambique
9. Perpetual Motion Etude
10. Over And Under A Theme Of Mark
11. Klangfarben Melodie

Editorial Reviews
Product Description
Asia exclusive CD issue of what was previously a VHS only release, taken from 'Melodic Drumming & The Ostinato Vol. 3'. Rock Empire. 2003.

Solo Drum Music 2,Terry Bozzio,Rock Empire,Heavy Metal,Pop,Rock

Solo Drum Music 2 [Import]
Instruments of the Orchestra
Average customer rating: 4.5 out of 5 stars
  • Instruments of the Orchestra - Great Reference Material!
  • Beginner or Expert
  • Very Informative and Enjoyable
  • Frank's view
  • Excellent Intro for Those Not Familiar with the Orchestra
 Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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  2. The Life and Works of Ludwig van Beethoven
  3. What to Listen for in Music
  4. Study of Orchestration, Third Edition
  5. The Life and Works of Frédéric Chopin

ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

  1. Overture To 'Tannhauser'
  2. Domna, Pos Vos Ay Chausida
  3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
  4. Hungarian Dance No.7
  5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
  6. Violin Concerto In D Major (Adagio)
  7. But For A Long Time It Was Seen As The Instrument Of The Devil.
  8. The Soldier's Tale: Triumphal March Of The Devil
  9. The Manipulative Seductiveness Of The Gypsy Violin.
  10. Csardas Music
  11. The Violin And The Initiation Of Nature
  12. The Four Seasons (Spring, Mvt 1)
  13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
  14. The Four Seasons (Summer, Mvt 1)
  15. Like The Devil, The Violin Is A Master Of Disguise.
  16. Old Viennese Dance No.3 'Schon Rosmarin'
  17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
  18. Tzigane
  19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
  20. Caprice No.24
  21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
  22. Variations On A Theme Of Frank Bridge (No.7)
  23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
  24. Romeo And Juliet: Act IV
  25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
  26. The Four Seasons (Winter, Mvt 1)
  27. The Violin Muted
  28. Clair De Lune
  29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
  30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
  31. The Pizzicato Violin
  32. Pizzicato Polka
  33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
  34. Violin Concerto No.2 In G Minor (Slow Mvt)
  35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
  36. The Planets (Mars - The Bringer Of War)
  37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
  38. Hungarian Dance No.4
  39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
  40. The Four Seasons (Autumn, Mvt 1)
  41. Now The Same Technique, But The Sound Might Have Come From Another World.
  42. Bolero
  43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
  44. Cadenza To The Violin Concerto By Brahms
  45. Now Compare That With A Real Violin Duet.
  46. Forty-Four Duos (No. 1: Teasing Song)
  47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
  48. Forty-Four Duos (No.2: Maypole Dance)
  49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
  50. Concerto In D Minor For Two Violins (Largo)
  51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
  52. Violin Concerto No.1 In D Major (Mvt 2)
  53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
  54. Symphony No.1 'Titan' (Mvt 1, Opening)
  55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
  56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
  57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
  58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
  60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
  61. Also Sprach Zarathustra (Of The Afterworldsmen)
  62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
  63. Variations On A Theme Of Frank Bridge (No. 4)
  64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
  65. Four Sea Interludes (Dawn) From 'Peter Grimes'
  66. To End This Outing With The Violins, A Charming Little Elfin Dance
  67. Elfenreigen

Tracks:

  1. Introduction To The Viola
  2. Viola Concerto (Mvt 1)
  3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
  4. Gayane Suite No.1 (Armen's Solo)
  5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
  6. Passacaglia, Op.33b From 'Peter Grimes'
  7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
  8. Harold In Italy (Mvt 4)
  9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
  10. Cypresses (No.9)
  11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
  12. Symphony No.4 (Mvt 3)
  13. The 'Period' Viola In Bach
  14. Brandenburg Concerto No.6 (Last Mvt)
  15. The Cello: A Voice Of Unique Nobility
  16. Suite No.1 For Unaccompanied Cello (Prelude)
  17. Brahms And The 'Soul' Of The Cello
  18. Piano Concerto No.2 In B Flat Major (Mvt 3)
  19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
  20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
  21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
  22. Symphony No.3 'Eroica' (Finale)
  23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
  24. Elfentanz, Op.39
  25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
  26. The Protecting Veil (Opening)
  27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
  28. Flamenco
  29. Double-Stopping In The Lower Reaches Of The Cello's Range
  30. Solo Suiet For Cello And Piano (Sardana)
  31. It's In The Middle Register That The Cello Really Comes Into Its Own.
  32. Oriental Dance, Op.2 No.2
  33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
  34. Symphony No.9 (Finale)
  35. Introduction To The Double-Bass
  36. The Carnival Of The Animals (The Elephant)
  37. But The Double-Bass Can Be Intensely Expressive And Graceful.
  38. Elegy No.1 In D Major
  39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
  40. Capriccio Di Bravura
  41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
  42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
  43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

  1. The Antiquity And Magic Of The Flute
  2. Prelude A L'Apres-Midi D'Un Faune
  3. The Versatility And Agility Of The Flute
  4. Orchestral Suite No.2 In B Minor (Badinerie)
  5. The Flute In Fifteenth-Century Spain
  6. Sa'Dawi
  7. Other Flutes: The Bass And Alto
  8. Chamber Music No.II
  9. The Piccolo - Aptly Named
  10. La Naissance D'Osiris (Mvt 6)
  11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
  12. Suite No.1 For Small Orchestra (Valse)
  13. A Variety Of Techniques
  14. Chamber Music No.II
  15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
  16. The Nutcracker (Act II, No.2: Scene)
  17. From The Transverse To The Vertical: The Baroque Recorder
  18. Recorded Suite In A Minor (Menuet II)
  19. An Unfamiliar, Early Vision Of The Instrument
  20. Naelden, Naelden
  21. The Bachian Oboe
  22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
  23. Introduction To The Cor Anglais Or 'English Born'
  24. Symphony No.9 'From The New World' (Mvt 2)
  25. The Loneliness Of The Cor Anglais
  26. The Swan Of Tuonela
  27. The Cor Anglais Joins The French Horn In Haydn.
  28. Symphony No.22 'The Philosopher' (Opening)
  29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
  30. Bolero
  31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
  32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
  33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
  34. Gayane Suite No. 1 (Mvt 5)
  35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
  36. The Range Of The Normal Clarinet Parts Goes Quite High...
  37. The Snow Maiden (Scene 5: Melodrama)
  38. ...And Quite Low.
  39. Peter And The Wolf (The Cat)
  40. The Clarinet As Concerto Soloist
  41. Clarinet Concerto In A Major (Rondo)
  42. But That's Not The Instrument Mozart Wrote It For; This Is:
  43. Clarinet Concerto In A Major (Rondo)
  44. Introduction To The Saxophone
  45. Hary Janos Suite (Mvt 4)
  46. The Soprano Saxophone Has Quite A Different Feel To It.
  47. L'Arlesienne Suite No.1 (Minuet)
  48. The Little Sopranino Sax Goes Even Higher.
  49. Bolero
  50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
  51. Pictures At An Exhibition (The Old Castle)
  52. The Saxophone Can Be Quite Contagiously Good-Humoured.
  53. Sax-O-Phun
  54. The Puffa-Puffa Image Of The Bassoon
  55. Peter And The Wolf (Grandfather)
  56. The Bachian Bassoon, In Accompanimental Mode
  57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
  58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
  59. And Ravel, Also In Spanish Mode, Does Likewise.
  60. Bolero
  61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
  62. Symphony No.3 (Opening)
  63. The Eerie Bassoon In Its Highest Register
  64. The Rite Of Spring (Opening)
  65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
  66. The Firebird Suite (1919, Berceuse)
  67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
  68. Bassoon Concerto In G Minor (Finale)
  69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
  70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  71. The French Horn Under Its Woodwind Hat
  72. Wind Quintet, Op.43 (Last Mvt)
  73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
  74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
  75. The Horn In Harmonious Blend With Strings In Another Quintet
  76. Horn Quintet, K.407 (Finale)

Tracks:

  1. The Trumpet As Virtuoso Soloist
  2. Brandenburg Concerto No.2 (Last Mvt)
  3. The Special Brillance Of Paired Trumpets
  4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
  5. The Ceremonial Trumpet
  6. Fanfare For The Common Man
  7. Trumpets And Drums - An Incomparable Alliance
  8. Messiah (The Trumpet Shall Sound)
  9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
  10. Piano Concerto In F (Slow Mvt)
  11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
  12. Carmen Suite No.2 (Habanera)
  13. The Trumpet As The Voice Of Strength And Courage
  14. Carmet Suite No.2 (Toreador's Song)
  15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
  16. Billy The Kid
  17. The Trumpet As Character Actor
  18. Pictures At An Exhibition (No.6)
  19. The Trumpet As The Voice Of God
  20. Mass In B Minor ('Et Exspecto')
  21. The Birth Of The Trombone
  22. Aenmerckt Nu Hier
  23. The Birth Of The Brass As A Family
  24. Canzon 12 In Double Echo
  25. The Trombone In The Eighteenth Century
  26. Trombone Concerto In B Flat Major (Finale)
  27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
  28. Hosannah
  29. The Trombones Become Part Of The Orchestra.
  30. Symphony No.5 (Finale)
  31. The Wagnerian Trombone:/Overture To 'Tannhauser'
  32. The Trombone As Caricaturist
  33. Pulcinella (No.19: Vivo)
  34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
  35. The Horn And The Hunt
  36. Horn Concerto No.4 In E Flat, K.495 (Finale)
  37. The Challenging Horn Of The Baroque
  38. Abaris Ou Les Boreades (Menuet)
  39. The Scarcity Of First-Rate Players In Handel's Time
  40. Walter Music (Minuet 1)
  41. The Horn As Magician/The Firebird Suite (1919, Finale)
  42. Horns And The Sound Of Nobility
  43. Overture To 'Tannhauser' (Opening)
  44. The Special Sound Of The Horn In Its Higher Register
  45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
  46. The Trumpet-Like Sound Of Massed Horns
  47. Symphony No.3 (Mvt 1, Opening)
  48. The Tuba - Unfairly Maligned?
  49. Symphony No.6 (Mvt 3)
  50. The Tuba Perfectly Cast By Ravel
  51. Pictures At An Exhibition (Bydlo)

Tracks:

  1. Introduction. And We Begin With A Bang.
  2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
  3. At The Opposite Extreme Is The Triangle.
  4. Piano Concerto No.1 In E Flat (Scherzo)
  5. Categories Of Percussion: Tuned And Untuned. The Side Drum
  6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
  7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
  8. The Tambourine. One Of The Oldest Instruments In The World
  9. Den Hoboecken Dans
  10. Even Older Is The Originally Oriental Gong.
  11. Ma Mere L'Oye - Mother Goose (Laideronette)
  12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
  13. Gymnopedie No.2
  14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
  15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
  16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
  17. Rodeo (Hoe-Down)
  18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
  19. Scherzi Musicali (Damigella Tutta Belle)
  20. A Still Earlier Example From Fifteenth-Century Spain
  21. Yo M'Enamori D'Un Aire
  22. The Birth Of The Bongo
  23. Symphonic Dances From 'West Side Story'
  24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
  25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
  26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
  27. Onwards To The Tuned Percussion. First, The Timpani
  28. Also Sprach Zarathustra (Introduction)
  29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
  30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
  31. Taking Advantage Of Tunability
  32. Music For Strings, Percussion And Celeste (Mvt 2)
  33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
  34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
  35. Saint-Saens And The Xylophone
  36. The Carnival Of The Animals (Fossils)
  37. Ravel And The Xylophone
  38. Ma Mere L'Oye - Mother Goose (Laideronette)
  39. Introducing The Marimba/Carmen Suite (First Intermezzo)
  40. Introducing The Vibraphone
  41. The Treasure Of The Sierra Madre (Narange Dolce)
  42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
  43. Introducing The Hungarian Cimbalom
  44. Folk Dances
  45. The Cimbalom And The Symphony Orchestra
  46. Hary Janos Suite (Mvt 3)
  47. Introducing The Tubular Bells
  48. Hary Janos Suite (Viennese Musical Clock)
  49. A More 'Up-Front' Approach From Rodion Shchedrin
  50. Carmen Suite (Introduction)
  51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  52. Introducing The Celeste
  53. The Nutcracker (Dance Of The Sugar Plum Fairy)
  54. Magic, In The Use Of Collective Percussion
  55. Miroirs (La Vallee Des Cloches)
  56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
  57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
  58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
  59. Brandenburg Concerto No.2 (Slow Mvt)
  60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
  61. Petrushka (Russian Dance)
  62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
  63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

  1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
  2. Symphony No.3 'Organ' (Finale)
  3. But Things In Handel's Day Were Very Different.
  4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
  5. The Organ Is Difficult To Classify.
  6. An Unexpected, Organ-related Guest
  7. Concerto Pour Zampogna (Last Mvt)
  8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
  9. Les Miserables (Drink With Me)
  10. Outside Artefacts And The Power Of Association
  11. Mahler's Sleighbells
  12. Symphony No.4 (Opening)
  13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
  14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
  15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
  16. Don Quixote (Variation VIII)
  17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
  18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
  19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
  20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
  21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
  22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
  23. The Sitar Of India/Evening Raga: Bhapoli
  24. The Accordion For France (Especially Paris)/Paris Canaille
  25. The Zither For Vienna/The Third Man (Theme)
  26. The Cimbalom For Hungary/Folk Dances
  27. The Guitar As An Integral Part Of The Orchestra/Rondena
  28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
  29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  30. Nocturnes
  31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
  32. The Carnival Of The Animals (The Cuckoo)
  33. The Flute As An All-purpose Aviary
  34. The Carnival Of The Animals (The Aviary)
  35. The Oboe As Duck
  36. Peter And The Wolf (The Duck)
  37. The Recording Of Reality. Does It Work As Well?
  38. The Pines Of Rome (The Pines Of The Janiculum)
  39. The Recording Of Reality Electronically Reborn In New Guises
  40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
  41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
  42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
  43. Some Improbable Casting: The Violin As Braying Donkey
  44. The Carnival Of The Animals (Persons With Long Ears)
  45. A Truly Orchestral Hee-haw To Be Reckoned With
  46. Overture To 'A Midsummer Night's Dream'
  47. A Thunderstorm In A Million
  48. Symphony No.6 'Pastoral (Allegro-Allegretto)
  49. the Instrumental Depiction Of A Silent World
  50. The Carnival Of The Animals (The Aquarium)
  51. Saint-Saens' Menagerie Takes A Curtain Call.
  52. The Carnival Of The Animals (Finale)

Tracks:

  1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
  2. Forty-Four Duos (No.4)
  3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
  4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
  5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
  6. String Trio In B Flat (Menuetto)
  7. The String Quartet: Two Violins, Viola, And Cello
  8. String Quartet In F, Op.18 No.1 (Mvt 3)
  9. The String Quintet - When The Extra Instrument Is A Second Viola
  10. String Quartet No.5 In D, K.593 (Adagio)
  11. The String Quintet - When The Extra Instrument Is A Second Cello
  12. String Quintet In C (Mvt 3)
  13. The String Sextet: Two Violins, Two Violas, And Two Cellos
  14. String Sextet In B Flat (Mvt 2)
  15. The String Octet: The Standard String Quaret Times Two
  16. Octet In E Flat, Op.20 (Mvt 1)
  17. Double The String Octet: A Fully Fledged String Orchestra
  18. String Symphony No.2 (Finale)
  19. The Massed Strings Of A Symphony Orchestra
  20. Fantasia On A Theme Of Thomas Tallis
  21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
  22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
  23. In The First Variation It's The Horn That Gets The Lion's Share.
  24. Wind Quintet In A Minor, Variation 1
  25. In Variation Two The Torch Is Handed To The Bassoon.
  26. Wind Quintet In A Minor, Variation 2
  27. In Variation Three The Oboe Leads.
  28. Wind Quintet In A Minor, Variation 3
  29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
  30. Wind Quintet In A Minor, Variation 4
  31. And Variation Five is Dominated By The Clarinet.
  32. Wind Quintet In A Minor, Variation 5
  33. The Next To Be Featured Is The Virtuoso Flute.
  34. Wind Quintet In A Minor, Variation 6
  35. Individual Farewells And A Closing Chorus
  36. Wind Quintet In A Minor, Variation 7
  37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
  38. Octet In F (Mvt 3)
  39. The Early Classical Symphony Orchestra Of Haydn And Mozart
  40. Symphony No.29 In A, K.201 (Finale)
  41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
  42. Canzon 28
  43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
  44. Symphony No.5 (Finale)
  45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
  46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
  47. Symphoy No.6 'Tragic' (Mvt 1)
  48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
  49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
  50. When Large Doesn't Necessarily Mean Loud: Debussy
  51. Images (Gigues)
  52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
  53. Turangalila Symphony (Chant D'amour 1)
  54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
  55. Balle De Xerxes (Gavotte En Rondeau)
  56. Computer And Synthesiser: Friends Or Foes?
  57. Concerto In D Minor For Two Violins (Largo)
  58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

5 out of 5 stars Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

5 out of 5 stars Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

5 out of 5 stars Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

3 out of 5 stars Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

5 out of 5 stars Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
The Three Tenors Christmas
Average customer rating: 3.5 out of 5 stars
  • First Christmas Album I bought for myself
  • wonderful
  • Wonderfully Different & Addicting! And All Your Friends Will Be Calling HOO-HOO!
  • Wonderful and funny compilation
  • A historical meeting...
 The Three Tenors Christmas
Pavarotti , Domingo , and Carreras
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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  1. The Best of the Three Tenors
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  4. O Holy Night / Luciano Pavarotti / Special Deluxe Edition (Decca)
  5. #1 Christmas Album

ASIN: B00004YB9Y
Release Date: 2000-10-31

Tracks:

  1. Cantique de Noel (O Holy Night)
  2. Adeste Fideles
  3. Ave Maria, Dolce Maria
  4. Wiegenlied
  5. Oh Tannenbaum
  6. Tu Scendi dalle Stelle
  7. Amazing Grace
  8. White Christmas
  9. Dormi O Bambino
  10. Silent Night
  11. Pregarla (El Can de L'Anima a La Verge)
  12. Susani
  13. Happy Christmas/War is Over
  14. Wiegenlied
  15. Carol of the Drum (The Little Drummer Boy)
  16. La Virgen Lava Paqales
  17. I'll Be Home for Christmas
  18. Sleigh Ride
  19. Winter Wonderland
  20. Un Nuevo Siglo
  21. Feliz Navidad

Amazon.com

Resplendent in voice and manner, José Carreras, Placido Domingo, and Luciano Pavarotti deliver 21 songs of traditional sacred music and secular numbers in a remarkable 1999 live recording from the opulent Viennese concert hall (Konzerthaus), with the Vienna Symphony Orchestra and a renowned choir. The Three Tenors are practically as famous as the faces of Mount Rushmore and inspire perhaps even more awe and adulation around the world than the four presidents. The performances--whether alone, in tandem, or simply as the threesome that has made them collectively famous--are generally impeccable for their passion, nuance, and sheer tour de force vocal artistry. Reaching often into the classical realm for such works as the traditional German carol "Susani," Strauss's and Brahms's "Wiegenlied," plus traditional Polish and Spanish pieces, the trio also visits Pavarotti's "Ave Maria, dolce Maria" (cowritten with Vittoriano Benvenuti), and "Un nuevo siglo," written by Domingo's son. Only John Lennon and Yoko Ono's "Happy Christmas/War Is Over" doesn't quite work in this grand setting. --Martin Keller

Customer Reviews:

5 out of 5 stars First Christmas Album I bought for myself.......2007-01-16

Album is great. For any other holiday music, just listen to your local radio station that plays it during December.

5 out of 5 stars wonderful.......2007-01-15

they are wonderful singers a delight to the ears and doing Christmas music made Christ mas even better

5 out of 5 stars Wonderfully Different & Addicting! And All Your Friends Will Be Calling HOO-HOO!.......2005-08-23

First, let me state I don't listen to opera singers that much; thus, don't expect a hypercritical review here. (Really, is there ANY field of music that has more hypercritics than opera?) I got this CD simply because Columbia House had it on sale for $2.99, and I wanted some new Christmas CDs.

I found the CD delightful beyond words. It has some beautiful versions of well-known Christmas songs, as well as songs I've never heard before. "Carol of the Drum" and "War Is Over" are my two favorites, with "Sleigh Ride" a close third.

Sure, there is some tripping over of words by these three great opera stars...but that makes it even more enhancing in my opinion. Pavarotti was particularly amusing when he was singing: "And all our friends are calling 'HOO-HOO'!" (Watch the DVD for Carreras' reaction to that one!) And let's not forget Pavarotti singing: "I'll be home for Christmas. You can PLAY on me."

The children's chorus is great, the Vienna Symphony is great...and, once again, buy or rent the DVD so you can get the full affect of this astounding Christmas concert...the music, the lights, the colors, and the marvelous Steven Mercurio conducting it all.

5 out of 5 stars Wonderful and funny compilation.......2005-03-09

The Three Tenors are, of course, wonderful to listen to. This is also a funny CD. When they sing the more modern songs (Happy Christmas by John Lennon and Yoko Ono, for example) they have trouble keeping up with the pace of the song. They almost sound like they're tripping over the syllables, because as opera singers they are more accustomed to long, drawn out vowels, not fast ones. This doesn't hurt the song at all, it makes it more interesting to listen to. It's a great CD. I would recommend this as an addition to any collection of Christmas music.

5 out of 5 stars A historical meeting..........2004-11-28

Although several labels already had Christmas albums of the three tenors in their catalogue, the three maestros never actually trioed on these releases. When Plácido Domingo and the "Christmas in Vienna" team started preparing the eighth concert in the series (six predecessors were captured by Sony, and one, titled "Celebration of Christmas" issued by Erato-Warner), they made a monumental decision: Re-uniting three of the greatest voices of the current music business.
For one and a half hour, Carreras, Domingo and Pavarotti performed the greatest Christmas songs and carols from around the world. Nearly 65 minutes of this monumental concert are captured on this disk. The opening version of "O Holy Night" (aka "Cantique De Noel", "Minuit, Chrétien") by Domingo and Pavarotti would be reason enough to get this one. But wait, there is far more on the way, than selections from the classical genre. The real enjoyment starts, when the three tenors do one of the most romantic arrangements of Irving Berlin's "White Christmas" ever heard and fade from a rousing "La Virgen Lava Pa`nales" into one of the finest treatments of "I'll Be Home For Christmas" ever heard. Also of great interest is the trio arrangement of "Let It Snow!", which is included on some of the import versions and on the DVD.
If you are a hopeless completist like me, you may be asking, what happened to the 25 minutes cut from the CD release. Well, first let me say, that none of the currently available releases has the order of the songs as they were performed in the concert. Although this is a live recording, handclaps and other characteristics of a live recording are hardly audible on the CD version. Two tracks, "Jingle Bells" and "Let It Snow", which had clearly audible handclaps at the beginning and at the end of the performance (and therefore couldn't be faded out) can be found on the mentioned import disk and on the DVD's PCM soundtrack. "Children of Christmas" (a Plácido Domingo Jr. composition originally introduced in "Christmas In Vienna IV" by Plácido Domingo and Michael Bolton) and "Ay" Para Navidad" can be found exclusively on the DVD. Currently unavailable on any official release is the "Overture" (which can be found on the DVD, but abridged with sound effects). So here's the actual running order: "Overture", 20, 2, 1, 11, 3, 4, "Children of Christmas", 16, 17, 6, 15, 8, "Let it snow", 5, "Ay! Para Navidad", 9, 19, 14, 18, 12, 13, "Jingle Bells", 7, 21, 10;
If you still doubt about the quality of this performance, let me say one for sure: As other volumes in the series will slowly disappear (as some of them have already in the US), this one is a matter of decades and when you buy this one, you will have joyful Christmas hours for many, many Christmases to come.
The Time-Life Treasury of Christmas
Average customer rating: 3.5 out of 5 stars
  • Only half the songs of the original set!!
  • Its all Christmas
  • A Good Basic Collection
  • cd reviews
  • Poor Quality
 The Time-Life Treasury of Christmas

Manufacturer: Time Life Records
ProductGroup: Music
Binding: Audio CD

All Works by HandelAll Works by Handel | Handel, George Frideric | ( H ) | Featured Composers, A-Z | Classical | Styles | Music
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ASIN: B00005NOZH
Release Date: 2001-09-11

Tracks:

  1. Home For The Holidays - Perry Como
  2. White Christmas - Bing Crosby
  3. Jingle Bells - Ella Fitzgerald
  4. Do You Hear What I Hear? - Andy Williams
  5. Carol Of The Bells/Deck The Halls - The Robert Shaw Chorale
  6. I Heard The Bells On Christmas Day - Harry Belafonte
  7. Blue Christmas - Elvis Presley
  8. My Favorite Things - Eddie Fisher
  9. Joy To The World - Julie Andrews
  10. Here We Come A-Caroling - The Mormon Tabernacle Choir
  11. March Of The Toys - The Saint Louis Symphony Orchestra
  12. O Holy Night - Luciano Pavarotti

Tracks:

  1. Rudolph The Red-Nosed Reindeer - Gene Autry
  2. It's The Most Wonderful Time Of The Year - Andy Williams
  3. The Twelve Days Of Christmas - Roger Whittaker
  4. Dance Of The Sugar Plum Fairy - The Boston Pops Orchestra
  5. Mary's Boy Child - Harry Belafonte
  6. I'll Be Home For Christmas - Elvis Presley
  7. Rockin' Around The Christmas Tree - Brenda Lee
  8. Sleigh Ride - Johnny Mathis
  9. Tennessee Christmas - Alabama
  10. Baby's First Christmas - Connie Francis
  11. The Little Drummer Boy - Harry Simeone Chorale
  12. Auld Lang Syne - Guy Lombardo

Customer Reviews:

3 out of 5 stars Only half the songs of the original set!!.......2007-01-17

Although I love the CDs, I was disappointed that there were only about half of the songs I thought there would be. I bought the original double cassette set back in the early 90's and when I found the CDs with the same name and cover, I thought I was getting the same thing only on CD. But the Cassettes had twice as many songs, including Let it Snow,Have Yourself a merry Little Christmas,The First Noel, Jingle Bells by Jim Reeves, The Christmas song by the Carpenters and so many others!!

5 out of 5 stars Its all Christmas.......2007-01-09

It reminded me of Christmas as a child. I played this all throughout the holidays.

4 out of 5 stars A Good Basic Collection.......2006-02-11

This is a good, basic collection of Christmas Music. As a general rule, Time-Life has selected what is probably the definative artist/arangement of each song.

My only complaints are that there are only 24 songs on two disks and one or two of them are not ones that I would have picked (not my style).

Overall, it's a good set that I would recommend to anyone who wants to start a collection.

4 out of 5 stars cd reviews.......2006-01-15

this cd was very good, much recommended

2 out of 5 stars Poor Quality.......2005-12-05

The only good thing about this collection is the inclusion of so many Christmas standards. I was very disappointed in the quality of the recordings, they obviously need digital inhancement.
Best of Rodgers & Hammerstein
Average customer rating: Not rated
    		Best of Rodgers & Hammerstein

    Manufacturer: Alshire
    ProductGroup: Music
    Binding: Audio CD

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    ASIN: B000000KPJ
    Release Date: 1996-05-21

    Tracks:

    1. Some Enchanted Evening
    2. Climb Every Mountain
    3. June is Bustin' Out All Over
    4. Aisle Talk
    5. Bali Hai
    6. Opening Night
    7. Getting To Know You
    8. If I Loved You
    9. Oklahoma
    10. Curtain Time
    11. I Enjoy Being A Girl
    12. People Will Say We're In Love
    Moondog
    Average customer rating: 5 out of 5 stars
    • Admirable communion with life
    • F_kin' Hardcore
    • Eccentric Centrist
    		 Moondog

    Manufacturer: Ojc
    ProductGroup: Music
    Binding: Audio CD

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    ASIN: B000000Z63
    Release Date: 1991-07-01

    Tracks:

    1. Caribea
    2. Lullaby
    3. Tree Trail
    4. Death, When You Come To Me
    5. Big Cat
    6. Frog Bog
    7. To A Sea Horse
    8. Dance Rehearsal
    9. Surf Session
    10. Trees Against The Sky
    11. Tap Dance
    12. Oo Debut
    13. Drum Suite
    14. Street Scene

    Amazon.com

    Louis Hardin, known to pre-Watergate New Yorkers as the blind street musician Moondog, is also a fascinating and sui generis composer. This disc collects 1969 recordings of his orchestral works and 1972 small-group recordings of the two-minutes-and-under "rounds and canons" that are his most influential work. Janis Joplin covered his "All Is Loneliness," you can hear foreshadowings of Stereolab in his "Madrigals," and you only need to hear "Theme" to hear how profoundly he influenced Michael Nyman. Simple and beautiful, Moondog's rounds owe as much to the swing he heard on the radio in his youth as to Bach's canonical structures, and they vary as little and as much as roses in a row. --Douglas Wolk

    Customer Reviews:

    5 out of 5 stars Admirable communion with life.......2007-04-26

    Blind he is our Moondog, but he does not bark for pity. He listens to and reproduces what he can capture with his ears. That means his work is a tremendous compilation of sounds from the real world, animals or just insects, his own baby and his own wife, or just some beating on a drum, or the frail dancing of a pipe along with a frog and a cricket. It is this extreme patchwork of sounds, voices, noise and music under the light enchantment from the moon that our artist is imagining in his eternal night. At least for him the moon never sets, never disappears over or behind the hills. "Surf Session" is the only piece that has some real length. The sea surf, the sea waves, the breaking of these waves we imagine along some pebbly seaside give a strange depth to the very both Asian and tremendously romantic music that manages to float forever over the rather powerful vortex of the sea, the ocean. The nearly Chinese constant grace-notes give the music a charm that is both discrete and so strong we seem to be able to imagine some Last Emperor advancing in the Forbidden City just before defeating his beleaguered wife and sons under the sign of some golden flower. The "Street Scene" is less fascinating because it is aimless, it lacks a direction and a destination? "I must never follow you and you must never follow me." He is roaming on and on, around and around, in that incessant, menacing, mechanical noise that comes up from the New York street locked up in between the walls of surrounding buildings. Can that be life? And what can it sound like to a blind man? Is it worse or less violent than what the famous Arthur Miller's Salesman felt, heard and experienced in his trapped two storied house in the middle of surrounding skyscrapers and under the crushing noise of thousands of motor vehicles? We will never know, except if we decide to do what dipus did when he realized his criminal inability to see the fate that was his. And he lived ever after like a dog in the eternal night of his blindness remembering the moonshine and the sunshine, tolerating the insults and petty assaults from those whose yes are not bleeding dead.

    Dr Jacques COULARDEAU, University Paris Dauphine & University Paris 1 Pantheon Sorbonne

    5 out of 5 stars F_kin' Hardcore.......2005-12-06

    Louis T. Hardin did not graduate from the Juliard. He went to a school in Iowa and Memphis, but was mostly self taught. Listen to this with your eyes closed.

    5 out of 5 stars Eccentric Centrist.......2003-12-14

    Odd-ball individuals are more common than geniuses, but Moondog is both. Harry Partch had the highest regard for this blind graduate of Julliard, whose fantastic get-up of skins, furs and horns might have detracted from the impact of less seminal music. Since he was immensely tall, he made quite an apparition. Moondog's primitivo get-up was odd, to say the least, but since Moondog was blind, one wonders who put the costume together. Moondog, like Harry, invented most of the instruments he played standing on the corener at the Avenue of the Americas. His music reaches back into prehistory in its effect, and has a kindness to it, if that may be a reasonable thing to say. Later, Moondog became sort of a darling of the avant garde, and composed for traditional instruments, but the earlier the recorded work, the more deep down and pure it was. The later work is slicker, but just as intelligent.
    We Three Kings
    Average customer rating: 4.5 out of 5 stars
    • We Three Kings
    • 3 Tenors Christmas
    • Beautiful and Amazing
    • These Three Kings Rule!
    • Another Winner
    		 We Three Kings
    Anthony Kearns , Ronan Tynan , and Finbar Wright
    Manufacturer: Razor & Tie
    ProductGroup: Music
    Binding: Audio CD

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    1. Home for Christmas
    2. Sacred
    3. The Very Best of The Irish Tenors
    4. Heritage
    5. Ellis Island

    ASIN: B0000D9PST
    Release Date: 2003-10-21

    Tracks:

    1. We Three Kings
    2. It Came Upon A Midnight Clear
    3. Santa Claus Is Coming To Town
    4. Fairytale Of New York
    5. I'll Be Home For Christmas
    6. Mille Cherubini In Coro
    7. O Holy Night
    8. Silent Night
    9. Little Drummer Boy/Peace On Earth
    10. Winter Wonderland Medley
    11. Mary's Boy Child
    12. Panis Angelicus
    13. Pie Jesu
    14. How Great Thou Art
    15. The Lord's Prayer
    16. Battle Hymn Of The Republic
    17. America The Beautiful

    Amazon.com

    There's a commercial inevitability to holiday song collections that can tempt music fans to mutter "humbug" under their breath. Yet while this collection (released in conjunction with the Tenors' Christmas Spectacular tour of 2003) is no less market savvy, in the end the trio's earnest, energetic performances earn their fair shair of respect. The trio's Celtic shadings impart considerable warmth to "Fairytale of New York" and other performances, but it's the range of influences they (also in solo and duet turns, all solidly backed by the Czech National Chamber Orchestra) bring to bear elsewhere that adds compelling new dimensions to these holiday favorites. Anthony Kearns' "It Came Upon a Midnight Clear" may be solidly traditional, but Ronan Tynan imparts "I'll Be Home For Christmas" with some deft, jazzy drama while Finbar Wright gives "Mary's Boy Child" an unexpected Carribean spin. Elsewhere, the folk-classical influences behind "We Three Kings," "O Holy Night," and the gospel traditional "How Great Thou Art" span renaissance, baroque, and modern with a grace missing from the on-the-sleeve sentiments of the closing duo of patriotic warhorses--what would the Prince of Peace make of "The Battle Hymn of the Republic," anyway? --Jerry McCulley

    Customer Reviews:

    4 out of 5 stars We Three Kings.......2007-01-16

    The 3 Irish Tenors are a joy to listen to in the Christmas season. I thoroughly enjoyed all of it.

    1 out of 5 stars 3 Tenors Christmas.......2007-01-12

    This was VERY disappointing - too noisy & just the wrong type of music for these guys. I played it once & will try to get someone to take it off my hands - I love listening the them, usually, but this album is just a dud.

    5 out of 5 stars Beautiful and Amazing.......2004-12-18

    When I fist listened to the clips from this CD on Amazon I wondered why on earth they put the patriotic songs at the end, and also wondered a little at the other non christmas songs. After listening to it several times however I realized why. They don't leave Jesus in the manger, but take him all the way up to today! Wow. To me that is totally amazing. There arn't many christmas CD's that do that, but I think it really balances things out. I really enjoyed the Drummer Boy, and all of the rest of the songs. I would definantly say that this was a good buy.

    5 out of 5 stars These Three Kings Rule!.......2004-04-24

    This recording is a wonderful addition to any Christmas collection. It has power, charm and just enough reverence! Anthony Kearn's "Lord's Prayer" is magnificent! Finbar Wright's "How Great Thou Art" is awe-inspiring! After four years with the "Irish Tenors" poor Mr. Wright still must endure the ignorance of a few "fans", being constantly compared to John McDermott. Finbar took the "Irish Tenors" to a new level, as acknowledged by both Kearns and Tynan. I wonder how long "Ringo" had to endure being compared to Peter Best? Get over it people!

    5 out of 5 stars Another Winner.......2003-12-22

    In their second Christmas album, the three Irish tenors have another very lovely collection of Christmas favorites and a few not so well known. The duets are particularly beautiful and, while I, like other reviewers, would have preferred an all-Christmas album, the American anthems are stirring and well done. My only caveat is the absence of John McDermott, whom I miss. His voice added something less homogenized to the mix and although Finbar Wright has a more operatic tenor voice, I would prefer McDermott if I had my druthers. Nonetheless, this a a grand Christmas album and I recommend it enthusiastically.
    The Songs That Got Away
    Average customer rating: 3.5 out of 5 stars
    • For Fans of Broadway (Sondheim, Hamlisch & Bernstein e.g.):
    • The songs that didn't get away
    • Songs that showcase Sarah's theatrical gifts
    • Good, for Sarah Brightman
    • Pleasant, but not up to standard
    		 The Songs That Got Away

    Manufacturer: Decca Broadway
    ProductGroup: Music
    Binding: Audio CD

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    1. Dive
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    ASIN: B000005S0R
    Release Date: 1999-11-16

    Tracks:

    1. Meadowlark
    2. I Am Going To Like It Here
    3. I Remember
    4. Mr. Monotony
    5. Dreamers
    6. Silent Heart
    7. Lud's Wedding
    8. Three-Cornered Tune
    9. If I Ever Fall In Love Again - Sarah Brightman Sarah Brightman
    10. What Makes Me Love Him?
    11. Chi Il Bel Sogno Di Doretta
    12. Away From You
    13. If Love Were All
    14. Half A Moment - Sarah Brightman Sarah Brightman

    Amazon.com

    For those Sarah Brightman fans who didn't spring for The Songs That Got Away when it was a pricey import, this domestic release will be a must-buy. Originally recorded in 1989 shortly after she achieved international fame in The Phantom of the Opera, the album spotlights obscure American and British musical theater songs that either were removed from shows or were "lost" when the shows themselves slipped out of the repertoire. (Of course, some of the songs aren't nearly as obscure as they were in 1989--the opening track, Stephen Schwartz's soaring "Meadowlark," has since been claimed by Liz Callaway, Patti LuPone, and Betty Buckley, while Stephen Sondheim's "I Remember"--well suited to Brightman's glasslike tones--is now recognized as one of his most gorgeous and haunting compositions.) Brightman performs well on this diverse collection of entertaining and often lovely songs, including an early draft of Frank Loesser's "Fugue for Tinhorns," here sung as a triple-tracked, lilting waltz, and the Puccini aria "Chi il bel sogno di doretta," which foreshadows her later, more ambitious crossover projects. There's also a tune from Jeeves by then-husband Andrew Lloyd Webber, who produced this album not long before he and Brightman divorced in 1990. --David Horiuchi

    Customer Reviews:

    4 out of 5 stars For Fans of Broadway (Sondheim, Hamlisch & Bernstein e.g.):.......2007-02-24

    This is an interesting and surprising production that showcases the vocal prowess of Sara Brightman. It is not however, representative of the new and highly overproduced vocal productions that constitute her newer recordings. Although this production really allows the listener to hear a very melodic and unencumbered vocal performance, as it is pleasing in it's simplicity, yet meant for the more discriminating listener. Fans of Irving Berlin, Andrew Lloyd Weber, and Richard Rodgers will feel right at home here. For those seeking another major sonic production as in Eden, La Luna, Dive, or The Harem Tour this is not it! My criticism is not of her vocal prowess or production values but the apparently endless array of previously released material offered as a new and different recording. But I suppose that this is rather due to the greedy objectives of of A&M Records just trying to go to the bank, often and laden heavy with dollars. Nothing that any label wouldn't try to do. My advice with Sara Brightman is "caveat emptor" (buyer beware) check the disc carefully for redundancy of tracks within her discography. If you're a fan of this genre of music, you will probably respond quite well to this recording.

    5 out of 5 stars The songs that didn't get away.......2004-02-12

    This is one of my favorite albums by Sarah. She surprised me with her ability to go from light opera to jazz. Here we don't find the over-produced albums such as Harem, just a superbly trained voice. No little girl breathy tunes here, just solid performances. This is the Sarah Brightman that I like to remember and enjoy. If you see this album and you're a Sarah Brightman fan, pick it up and treasure it. I'd like to see her do more of thisgenre, where she showcases her voice. Who ever thinks that Sarah has a small voice will be convinced otherwise by this album.

    4 out of 5 stars Songs that showcase Sarah's theatrical gifts.......2003-12-11

    Before experimental albums like Dive and Fly, as well as the ones where her classically-trained voice enchanted millions, Sarah Brightman did a collection of musical and theatrical songs originally released in 1989, but reissued when she made it big with Time To Say Goodbye. Her vocal style leans towards the theatrical Broadway side, but more mellowed. But on songs like the strings-laden mid-tempo "Meadowlark" from Stephen Schwartz's The Baker's Wife, the way she would later do splendidly interpret Lloyd Webber's songs is in the making. Here are other highlights, including those that were reissued on Sarah's Encore album (2002).

    Stephen Sondheim's "I Remember" is a sad ballad told from the POV of a window mannequin remembering the sights it has experienced throughout the seasons, but the memories are now hazy and at the end, it sings, "At times I think/I would gladly die/for a day of sky."

    Some songs like "Lud's Wedding" from Bernstein's failed bicentennial musical, only seem to work due to Sarah's voice. Ditto for the simple "Three-Cornered Tune." Consisting of three verses, each repeated twice. However, Irving Berlin's "Mr. Monotony", a tune understandably cut from Easter Parade, is not a particularly inspiring song.

    Marvin Hamlisch's "Dreamers" is one of my favourites here, as I have affinity to it, and I'm sure Sarah is one at heart as well. "Only dreamers have wings with which to fly far away", as in their own fantasies, but unfortunately, "sometimes dreamers are forced to leave their dreams far away", i.e. the harshness of reality. However, it paints them in a positive light and states that everyone needs to have some sort of dream "to take time to find treasures and mountains we can climb."

    "Silent Heart" really showcases Sarah's voices, on how some things the heart is best left silent, as in things that really thrill it. "If I Ever Fall In Love Again" is taken from The Crooked Mile and is a nice love song Sarah really wraps herself in.

    "Chi Il Bel Sogno Di Doretta" from Puccini's La Rondine is a great showcase of the operatic voice that would come into full bloom on Time To Say Goodbye. This song would be reissued on Encore.

    "Away From You" by Richard Rodgers, and taken from a musical biog of Henry VIII (!!!). "The clocks are frozen and time's a traveler who's lost his way" is one of the sentiments Sarah conveys effectively. Also reissued on Encore.

    "If love were all, I should be lonely" sings Sarah from Noel Coward's Bittersweet, "If Love Were All" was the one song that stood out for me when I first heard this CD. The ability of a talent to amuse is seen as a solid standing for mental security. A definite standout here.

    From Lloyd Webber's Jeeves, the lush strings of "Half A Moment" features the vocal stylings familiar enough to those who have Sarah's Andrew Lloyd Webber Collection. It focuses on how important the capture of a moment to bright up a future rainy day is. Also reissued on Encore.

    Initially, I dismissed this as the songs that should've stayed away. Although they lack the magical punch of Time To Say Goodbye or La Luna, it's still a worthwhile collection, because Sarah's clear birdlike theatrical/musicals voice makes it all worthwhile.

    2 out of 5 stars Good, for Sarah Brightman.......2003-08-25

    Some people just love Sarah's voice, but I don't see what's so special about it. She sings in two sorts of ways, the first one is lovely, simple, forgetable, and the other sounds like Stitch with a high voice. This CD does her justice, though. A lot of the tunes are catchy and nice (how she sings them could be better) but the one I really like is "Three cornered tune." Now that's a good song! She does not have a particularly bad voice, but nothing interesting - that's for sure. And when she tries to act in her music she sounds even worse! But that's alright. After all, everyone has a different style. A highlight of this CD includes "Mr. Monotony," which, unfortunatly, did not come with lyrics in the CD case. Too bad, because its a great song. At the end of this record, though, she writes about these songs and - wow! It is amazing how many shows that song was taken out of! At one point it said it had Judy Garland singing it, and when I try to imagine her doing it I know that must have been awesome. I really want to hear Judy Garland singing this song sometime. Maybe I'll find it here on Amazon... But anyway, back to Sarah Brightman. The only other thing I can think of to say at the moment is that from what I've heard of her records, this is as good as it gets. And also, the track titled "Dreamers" is nice. I like the tune and she doesn't sing it too bad, either. It would be a good song to be played at a graduation. Only after a while the sound of it gets a little creepy and annoying. And its sticky, too. "Silent heart" is a classic, though she shouldn't sing it twice. For you see, she sings it, and then you think, "Ah, that's a sweet song. Wonderful words, soft tune," and the music gets at a great stoping point and then comes back for an encore (as one of Sarah's other records is titled). And then we have to listen to it all over again - and its not as good the second time. So overall is it good? Yes, it is. Though perhaps not good enough.

    3 out of 5 stars Pleasant, but not up to standard.......2003-06-22

    I love Sarah Brightman's singing and her musical style as presented on Eden and La Luna. This CD is completely different in style from those two. I find it enjoyable, but it is not my favorite. Her singing is nothing special on this CD, it doesn't display her vocal range or talent in the way that her other CDs do, especially her CD "Surrender", her vocals are absolutely stunning on that CD.
    Dream a Dream
    Average customer rating: 4 out of 5 stars
    • Dream a dream
    • This girl has Potential (I wish the press would back off)!!!!!!
    • This girl has Potential (I wish the press would back off)!!!!!!
    • A must-have for Christmas music lovers
    • Gorgeous!
    		Dream a Dream

    Manufacturer: Sony
    ProductGroup: Music
    Binding: Audio CD

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    ASIN: B00004ZDPO
    Release Date: 2000-10-17

    Tracks:

    1. Dream A Dream (Elysium)
    2. O Come, All Ye Faithful
    3. The Little Drummer Boy
    4. Mary's Boy Child
    5. Ding Dong! Merrily On High
    6. Winterwonderland
    7. The Christmas Song (Chestnuts Roasting On An Open Fire)
    8. Hark! The Herald Angels Sing
    9. The Coventry Carol (Lully Lullay)
    10. Joy To The World
    11. When A Child Is Born
    12. What Child Is This?
    13. God Rest Ye Merry, Gentlemen
    14. Draw Tua Bethlehem/Far Over Bethlehem
    15. Ave Maria
    16. Gabriel's Message
    17. O Holy Night
    18. Lo! How A Rose E'er Blooming
    19. Silent Night

    Amazon.com

    Everybody's favorite precocious sprite of a soprano comes out with her third album in Dream a Dream. It's only been two years since Charlotte Church's smash debut, Voice of an Angel, but that's a big chunk of the Welsh singer's life span so far. This latest is basically a Christmas album, so full of festive cheer you'd never guess it was recorded in the summer. Even the glummest of moods will disappear when you hear Charlotte's infectious take on chestnuts such as "Winter Wonderland" and "Little Drummer Boy" (and having the London Symphony Orchestra as your backup band doesn't hurt either). And on top of that is a really special treat: the title song (borrowing an unforgettable classical melody) which blends Church's soaring vocals with the tender voice of young country prodigy Billy Gilman. --Sarah Chin

    Customer Reviews:

    5 out of 5 stars Dream a dream.......2007-04-03

    I bought this CD after watching the music video of the same name. Their performance of "dream a dream" is exquisite. The fact that they wrote the lyrics just adds icing to an already magnificent cake!

    5 out of 5 stars This girl has Potential (I wish the press would back off)!!!!!!.......2007-03-01

    You know charlotte church has received so much harsh critismn about her,I find that people were jeolous of her voice, and of how a young girl can sing, she is definetly my dream ome true, (So back off johnathan flanders),this girl in the past has done some wonderful music which is inspirational and she is a wonderful person, I dont care whether she has changed, anyway her rock albumn has given me a lease on life and has given me potential in my singing,I love your voice very much, and this reviewer hasnt been written by a kid at all,if charlotte church is reading this,good on yeah girl,you definetly my dream come true,and I hope I will see you one day. your best friend JJCox

    5 out of 5 stars This girl has Potential (I wish the press would back off)!!!!!!.......2007-03-01

    You know charlotte church has received so much harsh critismn about her,I find that people were jeolous of her voice, and of how a young girl can sing, she is definetly my dream ome true, (So back off johnathan flanders),this girl in the past has done some wonderful music which is inspirational and she is a wonderful person, I dont care whether she has changed, anyway her rock albumn has given me a lease on life and has given me potential in my singing,I love your voice very much, and this reviewer hasnt been written by a kid at all,if charlotte church is reading this,good on yeah girl,you definetly my dream come true,and I hope I will see you one day. your best friend JJCox

    5 out of 5 stars A must-have for Christmas music lovers.......2006-12-07

    this cd is pure magic...almost 20 great christmas songs on one cd sung by the voice of an angel herself..there may be a few mixed reviews by some people who must be opera voice teachers because there is nothing wrong with this cd...it is flawless....charlotte's soaring vocals, the beautiful orchestra and background singers, the whole cd has the christmas feel to it..."o come all ye faithfull" has to be heard to be believed...it is breathtaking...i love charlottes take on "winter wonderland" and "ding dong merrily on high" ..made me want to go dance in the snow or something.....she hits every note beautifully..buy this cd...i bought it back in 2000 and have listened to it at every Christmastime since or Christmas doesnt feel the same.

    5 out of 5 stars Gorgeous! .......2005-12-07

    Charlotte Church has done it again! She is extremely talented. Even if she was 25 when she put this out, she'd be amazing. But she was only 14-15 years old when she recorded this! Beautiful. This album has great choral accompaniments and fabulous orchestra arrangements. It is a little on the high side in certain songs, but it still sounds amazing. I love her voice.
    Essential Hyperion, Vol. 2
    Average customer rating: 4 out of 5 stars
    • Nothing but hits
    		 Essential Hyperion, Vol. 2

    Manufacturer: Hyperion UK
    ProductGroup: Music
    Binding: Audio CD

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    1. The Essential Hyperion (Label Highlight Compilation)
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    ASIN: B00004RITB
    Release Date: 2001-01-09

    Customer Reviews:

    4 out of 5 stars Nothing but hits.......2001-01-31

    As with their first collection of label highlights, Hyperion's new two-disc collection provides a broad sampling of their exceptional catalogue and performers. Particularly rewarding are the selections from Beethoven (Scherzo from String Trio in C minor, op 9 no 3, performed by the Leopold Trio) and Thomas Tallis (Salvator mundi I, performed by the Winchester Cathedral Choir), but experienced and novice listeners alike will find much to enjoy on these discs. It's also a good value--more than 2 1/2 hours of music for less than $10.
    Imperial Fanfares
    Average customer rating: 4 out of 5 stars
    • A little too much and poor sound quality
    • And now, honored ladies and gentlemen, may we present...!
    		 Imperial Fanfares

    Manufacturer: Naxos
    ProductGroup: Music
    Binding: Audio CD

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