That's the Way It Was [Import]
Track Listings
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1. Words
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2. Next Step Is Love (July 15 Mgm Rehearsal 2)
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3. Ghost Riders In The Sky
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4. Love Me (July 24 Rca Rehearsal)
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5. That'S All Right
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6. I Got A Woman
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7. I'Ve Lost You
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8. I Can'T Stop Loving You
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9. Just Pretend (July 29 Mgm Rehearsal 3)
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10. Words
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11. I Just Can'T Help Believin' (August 4 Las Vegas Rehearsal 1)
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12. Something (August 7-Las Vegas Rehearsal 2)
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13. Polk Salad Annie
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14. Mary In The Morning (August 10 Stage Rehearsal)
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15. Ou've Lost That Loving (Show 1)
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16. Sweet Caroline (Show 2)
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17. Hound Dog
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18. Heartbreak Hotel (Show 3)
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19. Don'T Be Cruel (Show 4)
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20. Blue Suede Shoes
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See all 25 tracks on this disc
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Editorial Reviews
Product Description
This special Follow That Dream release is a 96 page, 25 song recording, visual/audio documentary of the making of 'That's The Way It Is'. Most of the pictures are in black and white, but also many in color. Facts about all the recorded material will be in
That's the Way It Was,Elvis Presley,Bmg/Follow That Dream,Pop,Rock/Pop
That's the Way It Was [Import]
Average customer rating:
- Irresistible
- "Some Enchanted Evening" with Kunzel and the Cincinnati Pops
- Excellent!
- Great Arrangments
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Rodgers & Hammerstein: Songbook for Orchestra (Orchestral Suites)
Manufacturer: Telarc
ProductGroup: Music
Binding: Audio CD
Waltzes
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Similar Items:
- Lerner & Loewe Songbook for Orchestra
- Rodgers & Hammerstein - The Complete Overtures ~ Opening Night / Hollywood Bowl Orchestra · Mauceri
- Puttin' on the Ritz: The Great Hollywood Musicals
- The Sound Of Music (1987 Studio Cast)
- Classics of the Silver Screen
ASIN: B000003CXQ
Release Date: 1992-01-28 |
Tracks:
- Oklahoma!
- Carousel
- State Fair
- South Pacific
- The King And I
- Cinderella Waltz
- Flower Drum Song
- The Sound Of Music
Customer Reviews:
Irresistible.......2005-07-29
From beginning to end this CD is pure delight. A great recording has great music, a great performance, and great sound; this one scores on all three counts.
Rodgers and Hammerstein's musicals dominated Broadway in the 1940s and 1950s, and American musical theater has produced no more consistently eloquent and durable voice than Richard Rodgers. From his fertile genius flowed a surprising number of memorable songs, many of which have passed into and become an accepted and beloved part of modern American culture.
This well-filled CD (77:36) features symphonic arrangements (all but two by Robert Russell Bennett) of the music from Oklahoma (1943), Carousel (1945), State Fair (1945), South Pacific (1949), The King and I (1951), Flower Drum Song (1958), and The Sound of Music (1959). All the great tunes are here in suites from each musical that average 10-12 minutes in length. The arrangements are expert: rich, varied, and colorful. The performances are polished, idiomatic, and irresistible; Kunzel and this orchestra are thorough masters of this kind of material. And Telarc's sound (recorded 1991) is state-of-the-art (engineer Michael Bishop deserves to take a bow).
In short, there's nothing here to cloud your listening pleasure (the only quibble I can imagine is that some of your favorites may not last long enough), so it's hard for me to envision anyone with ears and a taste for music who wouldn't enjoy this CD. Warmly recommended. Finally, if you like this one as much as I do, you might want to know that the same team has produced a companion volume, the Lerner & Lowe Songbook for Orchestra.
"Some Enchanted Evening" with Kunzel and the Cincinnati Pops.......2003-12-26
Erich Kunzel's Rodgers and Hammerstein anthology with the Cincinatti Pops Orchestra is one of the best and most ravishing instrumental Rodgers and Hammerstein albums of all time. With sumptuous arrangements and warm, natural Telarc recording, this glorious 77-minute CD presents sweeping, melodic arrangements of over 60 Rodgers and Hammerstein selections, spanning eight scores, and Kunzel allows the Pops to play with a characterful and polished understanding of the Rodgers and Hammerstein idiom. The disc is enough to cheer you up on a dull day and make you smile, and it might even want to make you feel like a convert to Rodgers and Hammerstein musicals.
This CD has all the scores arranged chronologically. The OKLAHOMA! suite that opens this disc promises a feast for the senses, Kunzel ably evokes the territory's "bright, golden haze" in the way he conducts the various excerpts, until you feel the atmosphere of the country charm of the show, and the love-affair between Curly and Laurey. Then, in CAROUSEL, he ably evokes the pathos of this tragic R&H masterwork, especially in the truncated Waltz, but he leads a wonderfully melodic "June is Bustin' Out All Over" and a devotional "You'll Never Walk Alone." Although this suite does not include Billy's pivotal Soliloquy, it includes "If I Loved You" as an expression of his love for Julie, and within minutes you could be soaked in the ups and downs of the show's mood.
After a brief STATE FAIR suite, with sweeping renditions of "It Might As Well Be Spring" and "It's a Grand Night for Singing", we are brought into the disc's showstopping highlights. These highlights are the excerpts from SOUTH PACIFIC, THE KING AND I, and THE SOUND OF MUSIC. But yet Kunzel conducts the rest of the disc until the various suites amount to a series of showstoppers. These three suites present wonderfully-arranged versions of their many familiar classic songs, with well-played solos. The SOUTH PACIFIC suite presents the songs in chronological order, yet preserves the atmosphere of the show at the same time. Kunzel ably brings out the romance in "Some Enchanted Evening" and "Younger than Springtime," and contrasts it with the exotic and dreamlike "Bali Hai'i" and the comic "There is Nothing like a Dame" and "I'm Gonna Wash That Man Right Outa My Hair". Although the suite ends quietly with a reprise of "Dites-Moi" rather than the reprise of "Some Enchanted Evening," within minutes we are swept into the KING AND I suite. Kunzel ably brings out the Oriental pathos in this score, and he captures the warmth of Anna's rapport with the King's Siamese children in "Getting to Know You", and with the King himself in "Shall We Dance." There is also romance in the love ballads "I Have Dreamed" and "We Kiss in a Shadow." Similarly, in the selection from THE SOUND OF MUSIC, Kunzel conducts this until the orchestra soaks itself in the atmosphere of this Austrian R&H score. This SOUND OF MUSIC suite has more of a feel of the score compared to the bonus track on Sony's reissued version of the Broadway recording. You can almost feel as if you are following the progress of the Trapp family and how it lifts its spirits with the joy of music. Kunzel gives us a soaring version of the title song, and spirited versions of "Do-Re-Mi" and "My Favourite Things." He balances it with the open-air quality of "Edelweiss" and "The Lonely Goatherd." Although this suite could have included "Something Good," the love ballad written for the film, the three recollections of the songs that were cut from the movie only last for a while. And, the towering version of "Climb Every Mountain" crowns this portion of the disc, and this sumptuously-produced recording. But, I should also mention the infectuous FLOWER DRUM SONG medley, where Kunzel turns this underrated score into a work of art, until it convinces you to buy the cast recording. And, don't forget about the brief CINDERELLA WALTZ, too, when Kunzel conducts it magically, until you feel like you are in the company of Cinderella and the Prince. He is able to show how this R&H score marked a comeback for R&H after the failiures of Me and Juliet, and Pipe Dream.
Overall, this glorious Rodgers and Hammerstein recording is guarunteed to make you want to pucker your lips out for a whistle or sing along (to paraphrase another revew for Kunzel's Disney Spectacular disc) - even if this recording is music only, and as long as you know the words to the songs (and you might know a large handful of them already.) There is always a certain magic in this fine CD that makes you feel like you're sitting in the theatre watching these musicals, until it makes you feel like it is truly, to borrow two R&H song titles, "Some Enchanted Evening" and "Something Wonderful" to be in Kunzel's company for this R&H offering. It would certainly be one recording that could make you feel willing to buy the complete cast recordings of the shows. And I guaruntee that it will make you feel willing to pull out your existing copies of the cast recordings to listen to them again. I also guaruntee that it will be a cornerstone in any Rodgers and Hammerstein collection, just as it is in mine. Recommended heartily to any Rodgers and Hammerstein enthusiast and to fans of Erich Kunzel's work. And, you can play it while reading the Richard Rodgers biography, Musical Stages, until Rodgers himself would count this as his favourite disc in the afterlife.
By the way, most of the arrangements for the suites on this CD were done by the veteran R&H orchestrator Robert Russell Bennett, and it surely adds to the appeal of this recording. This itself is enough to amount to the icing on the cake, since Kunzel conducts them well on here, and since this recording still allows the suites to have the original theatrical atmosphere. And, although this recording is like the Mauceri collection of the Rodgers & Hammerstein overtures in compiling orchestral suites of Rodgers & Hammerstein, I think that I like the Kunzel recording even more because Kunzel has more magic in his conducting of these suites.
Excellent!.......2003-04-08
This is one of the best Erich Kunzel/Cincinnati Pops collections we own! A must for Rodgers and Hammerstein fans, too.
Great Arrangments.......2001-09-02
This is a first rate album with great arrangments and orchestrations. If you're a Rodgers and Hammerstein fan, you can't afford to miss this specatacular album
Average customer rating:
- Primrose Shines, Frogs Leaps!
- Can I sell it On Ebay!!!!
- Very Good Evening Primrose
- The Real Thing.
- Addendum
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The Frogs / Evening Primrose (2001 Studio Cast)
Stephen Sondheim , Nathan Lane , and Brian Stokes Mitchell
Manufacturer: Nonesuch
ProductGroup: Music
Binding: Audio CD
Sondheim, Stephen
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Similar Items:
- Passion (1994 Original Broadway Cast)
- Anyone Can Whistle (1964 Original Broadway Cast)
- The Frogs (2004 Broadway Cast)
- Saturday Night (2000 Off-Broadway Revival Cast)
- Sondheim Sings, Vol. 1: 1962-1972
ASIN: B00005OM6W
Release Date: 2001-10-16 |
Tracks:
- Fanfare
- Prologos: Invocation and Instructions to the Audience
- Traveling Music
- Parados: The Frogs
- Hymnos: Evoe!
- Dialogue: "Pluto!"
- Parabasis: It's Only a Play
- Dialogue: "That Was Some Banquet!"
- Evoe for the Dead
- Invocation to the Muses
- Fear No More
- Exodos: The Sound of Poets
- If You Can Find Me, I'm Here
- I Remember
- When?
- Take Me to the World
Amazon.com's Best of 2001
After unearthing Stephen Sondheim's youthful effort, Saturday Night, a couple of years ago, producers desperate to bank on the name of one of Broadway's last living titans continue chasing after obscure offerings. The Frogs was a 1974 adaptation of a play by Aristophanes and was staged by the Yale Repertory Theater for a week. This recording, the first complete one, boasts the presence of Nathan Lane, Davis Gaines, and Brian Stokes Mitchell. In Broadway star power, that's like having Jim Carrey, Brad Pitt, and Tom Cruise in the same movie. Evening Primrose was a 1966 ABC special, which spawned a couple of songs ("I Remember" and "Take Me to the World") that made it into the cabaret and solo recital repertories. Granted, these two pieces are for Sondheim completists, but they do provide an interesting glimpse into the mind of one of the musical theater's most brilliant auteurs. --Elisabeth Vincentelli
Customer Reviews:
Primrose Shines, Frogs Leaps!.......2005-08-27
This recording is arguably one of Sondheims greatest! The Frogs, which appears here with a brilliant cast (Nathan Lane, Brian Stokes Mitchell among others) is one of Mr. Sondheims oddest pieces of theater. Although it was recently revived on Broadway with a new book by Mr. Lane and that recording is probably better, the entire first half of this recording (which is The Frogs) is brilliant for nostalgias sake and for the amazing expierence of the music itself. Mr. Sondheim has created such music for The Frogs! Very grandiose and stunning!
But it is really the final four tracks on the album (The Evening Primrose) that shines. The Evening Primrose is also an interesting Sondheim show but this one is quite possibly worth the price of the album itself. This recording (the only LEGAL one i know of) of the show is... well... perfect. The music is Sondheim at his best, the singers (Neil Patrick Harris plays the lead) are terrific and it just sounds glorious!
The Frogs might be an interesting and entertaining reason to purchase this album but it will The Evening Primrose that will make you scream with joy!
Can I sell it On Ebay!!!!.......2005-06-01
Contrary to other reviwes posted I will tell you that the Evening Primrose on the Mandy Patinkin Cd "Dress Casual" IS the "Primrose" to own. This one was in my opinion under acted and undersung. While Mandy Patinkin is always over the tip, Ms Peters is one of the best Interpreters of Sondheim's works and the orchestration on this is much darker and deep, like the subject matter of the piece. I found this whole CD lacking, given that just like the "Dress Casual" I bought it only for the "Evening Primrose" selections. Thank the GODS for CD Burners so I can compile my own best of Sondheim CD.
Very Good Evening Primrose.......2004-04-15
I find the Evening Primrose here much better than that on "Dress Casual." Firstly, because the two performers--Neil Patrick Harris and Theresa McCarthy--are both amazing singers. Also, because both of these performers are younger and thus, their voices are more "youthful". For this musical, in particular, "youthfulness" is important; Bernadette Peters and Mandy Patinkin are simply to mature to effectively do these parts. I find Neil Patrick Harris, in particular, absolutely superb, and his version of "Not While I'm Around" (on the NYP Sweeney Todd recording) is far and away the best I have ever heard (except for LuPone's dismal British accent). This Evening Primrose alone is worth the price of the CD.
The Real Thing........2004-02-17
>The Patinkin-Peters version of "Evening Primrose" is in Patinkin's "Dress Casual" CD, the studio recording that became the basis of his Broadway concert. I believe this was the first time all four songs were recorded.
Possibly, but on THIS disc we have the first time all four songs were recorded UNDER SONDHEIM'S SUPERVISION, and that makes all the difference in the world. Mandy Patimkin greatly distorts "If You Can Find Me"'s melody; Bernadette Peters's voice is under the accompaniment on "I Remember", and the arrangements on "Dress Casual" are over-elaborate, gooey, and unrestrained. Neither singer effectively plays his character. No, the "Evening Primrose" you want is right here.
Addendum.......2004-01-31
If you're looking for the Mandy Patinkin "Dress Casual" CD (as an alternative or supplemental "Evening Primrose" recording), note that Amazon has it listed, for some reason, under "classical music".
Average customer rating:
- great, great!!!
- ALL THE MUSIC YOU EVER NEED!!
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Sacred Music Complete
Purcell , King , and Kings Consort
Manufacturer: Hyperion UK
ProductGroup: Music
Binding: Audio CD
Chamber Music
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General
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Similar Items:
- The Complete Odes and Welcome Songs of Henry Purcell / King's Consort
- Complete Secular Songs (3cd)
ASIN: B00006RHQJ
Release Date: 2002-12-10 |
Customer Reviews:
great, great!!!.......2006-12-05
This is the way ,I think, Purcell should sound. No pomp and surcomstance but only great music.
ALL THE MUSIC YOU EVER NEED!!.......2003-05-23
This boxed set is by far one of the best purchases I have ever made. As a Purcell freak, this hits every button I have. The cast of characters include the inequitable Robert King, New College Choir, Bowman, and a host of other venerable persons. Likewise the attention to period performance of these works makes it an essential addition to the library of any serious anglophile/Musicologist etc. Now if only the Britten Realizations of all Purcell's songs could be recorded alongside the originals! You will Love this set!
Average customer rating:
- A century of British art songs to delight those who love them
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English Song
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD
All Works by Britten
| Britten, Sir Benjamin
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| Warlock, Peter
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Similar Items:
- A Treasury of English Song
- Favorite English Songs
- The Complete Songs, Vol. 4
- Songs by Roger Quilter
- The Complete Songs of Charles Ives, Vol. 3
ASIN: B0002JEG6I
Release Date: 2005-03-22 |
Tracks:
- A Soft Day - Bernadette Greevy
- Irish Skies - Bernadette Greevy
- Cherry Ripe - Janice Watson
- Mustard And Cress - Neal Davies
- The Lily Of A Day - Janice Watson
- Henry King - Neal Davies
- Fain Would I Change That Note - Graham Johnson
- In Summer-Time On Bredon - Christopher Maltman
- The Lads In Their Hundreds - Christopher Maltman
- Among The Rocks - Graham Johnson
- It Was A Lover And His Lass - Anthony Rolfe Johnson
- The Water Mill - Anthony Rolfe Johnson
- On Wenlock Edge - Anthony Rolfe Johnson
- The Call - Graham Johnson
- Silent Noon - Graham Johnson
- Now In These Fairylands - Philip Langridge
- The Dream-City - Philip Langridge
- Margrete's Cradle Song - Susan Gritton
- The Heart Worships - Christopher Maltman
- Take, O Those Lips Away - Anthony Rolfe Johnson
- Now Sleeps The Crimson Petal - Graham Johnson
- Love Calls Through The Summer Night - Anthony Rolfe Johnson
- I Will Go With My Father A-Ploughing - Graham Johnson
- The Rio Grande (Capstan Shanty) - Ian Partridge
- Theodore, Or The Pirate King - Ian Partridge
- A Long Time Ago (Hilliard's Shanty) - Ian Partridge
- Oh Dear, What Can The Matter Be? - Bernadette Greevy
Tracks:
- The Grenadier - Richard Edgar-Wilson
- The Young Lover - Richard Edgar-Wilson
- Betty And Johnny - Richard Edgar-Wilson
- Rise Up And Reach The Stars - Richard Edgar-Wilson
- The Bells - Nik Hancock-Child
- Ann's Cradle Song - Nik Hancock-Child
- As I Lay In The Early Sun - Nik Hancock-Child
- The Cherry Tree - Nik Hancock-Child
- Dusk - Nik Hancock-Child
- Peter Warlock's Fancy - John Constable
- The Frostbound Wood - John Constable
- Chopcherry - John Constable
- A Sad Song - John Constable
- Rutterkin - John Constable
- Bethlehem Down - John Constable
- Wapping Old Stairs - Felicity Lott
- Long Steel Grass - Martyn Hill
- Tango-Pasodoble - Martyn Hill
- Popular Song - Martyn Hill
- Beatriz's Song - Felicity Lott
- Lay Your Sleeping Head, My Love - Philip Langridge
- Early One Morning - Felicity Lott
- The Foggy, Foggy View - Philip Langridge
- Now The Leaves Are Falling Fast - Philip Langridge
- Tell Me The Truth About Love - Della Jones
- The Choirmaster's Burial - Philip Langridge
Customer Reviews:
A century of British art songs to delight those who love them.......2006-06-26
These 53 songs have been collected by Naxos from their extensive acquisitions from Collins Classics, and perhaps other British sources now out of business. There's a steady cottage industry, year after year, producing the typical English art song, which is usually based on folk songs, but even in more modern idioms is profuondly conservative and nostaligic. Half these songs, not to mention half the composers, are totally unknown to American audiences, but the familiar names of Vaughan Williams and Britten represent high quality, and the lesser lights, such as Warlock and Quilter, are mainstays in this repertoire.
I'd challenge all but the most addicted listener to make it through more than ten songs at a sitting, and many of these pieces are tepid, offering comfort rather than inspiration. The singers are among the best, but Graham Johnson and Steuart Beford, who do most of the accompaniments, are lackluster. I know that won't be a popular comment, yet if you compare any of these songs with rendiitons done by Janet Baker, John Shirley-quirk, and most recently Bryn Terfel and Ian Bostridge, you immediately notice how much more intensity and drama is pesent than htis colleciton reveals.
Average customer rating:
- How does the revised MERRILY compare with the original?
- The most comprehensive recording
- This is the recording of MERRILY to purchase!
- The Definitive "Merrily"
- Best interpretation of the show and score
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Merrily We Roll Along (1993 Leicester Cast)
Manufacturer: Jay Records
ProductGroup: Music
Binding: Audio CD
Sondheim, Stephen
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Similar Items:
- Company (2006 Broadway Revival Cast)
- Spring Awakening (2006 Original Broadway Cast)
- Merrily We Roll Along (1981 Original Broadway Cast)
- Grey Gardens - A New Musical (2006 Original Broadway Cast)
- Curtains (2007 Original Broadway Cast)
ASIN: B000005BGV
Release Date: 1997-03-11 |
Tracks:
- Overture
- The Hills of Tomorrow Merrily
- Merrily (1979-75) Old Friends Like It Was
- Merrily (1974-73) Franklin Shepard, Inc.
- Old Friends
- Not A Day Goes By
- Now You Know
- It's A Hit!
- Merrily (1964-62) Good Thing Going
- Merrily (1961-60); Bobby and Jackie and Jack
- Not A Day Goes By
- Opening Doors
- Our Time
- The Hills
Customer Reviews:
How does the revised MERRILY compare with the original?.......2005-04-10
The original 1981 production played 6 weeks of previews before opening to crushingly bad reviews. Two weeks later it closed. The day after the final performance the cast assembled at RCA's New York studios to record the cast album. In 1985 a revised production directed by James Lapine opened at the LaJolla playhouse and received encouraging reviews. More revisions lead to other productions and 1992 it was given a production at the Haymarket Theatre in Leicester and that production was given a lavish 2 CD recording by John Yap and issued on TER in England and later on JAY in the U.S. This was followed in May 1994 -just a few weeks after PASSION opened on Broadway - by an off-off-Broadway York Theatre Company revival that received generally better reviews than the original received. It was recorded by Varese-Sarabande. Both the Leicester cast and York casts use the revised version with an altered tune stack.
1. OVERTURE - In 1981 the Overture was a complete piece. In the revised version it cuts off midpoint and segues into the title song.
2. MERRILY WE ROLL ALONG - The original production began with Frank coming back to his former high school to mark 25 years since his graduation. His speech - a caution to the students to be prepared for compromise and frustration was challenged by the students who launched into the title song. As noted above, the revised version begins with the cast singing the song but without any context.
3. THAT FRANK/RICH AND HAPPY - The party scene. In the original Frank's new movie was terrible though none of the guests would tell him to his face. In the revised version the movie is a success. In THAT FRANK the party guests, Mary excepted, sing of Frank's seemingly endless talents. RICH AND HAPPY drew the conclusion that since Frank was rich and successful he must therefore be happy as well. Both songs use the same accompaniment.
4. OLD FRIENDS/LIKE IT WAS - originally in a separate scene in 1975 at a restaurant where Mary hopes to encourage reconciliation between Charley and Frank. In the revised version this number was placed as a lead in to the 3rd scene, tightening the narrative.
5. FRANKLIN SHEPARD, INC. - this song remains virtually unchanged. In the original Frank walked off the stage of the TV talk show at the end of the song ending his and Charley's partnership. In the revised version, borrowing some dialogue from the deleted restaurant scene, Frank makes it very clear that he is furious with Charley and that their friendship is finished.
6. OLD FRIENDS - though the dialogue scene leading into this song was changed for the revised version, the song remains the same.
7. GROWING UP - added to the revised version. The OLD FRIENDS scene continues after everyone leaves Frank alone in his new apartment and he muses on his friendship with Mary and Charley. Later Gussie arrives having left her husband - Frank and Charley's producer - and intent on moving in with Frank.
8. NOT A DAY GOES BY - this song changed hands a lot. Originally - in previews - Frank's soon-to-be ex-wife Beth sang it on the steps outside the courthouse. The actress playing Beth could not sing it so they re-assigned the song to Frank with a modified lyric. In the revised version it was restored to Beth and the original lyric is used.
9. NOW YOU KNOW - some lyric changes but essentially the same song. The original Broadway production incorporated a dance section that recapped the first act score (in forward sequence) using NOW YOU KNOW, OLD FRIENDS, FRANKLIN SHEPARD INC and RICH AND HAPPY. The dance segment was not recorded and was dropped from the revised version.
10. ENTR'ACTE/ACT TWO OPENING - in the revised version Act Two opens with Gussie onstage performing GOOD THING GOING. The original began Act Two with the scene outside the theatre as the friends listened to the audience reaction.
11. IT'S A HIT! - Essentially the same but loses a clever short section about selling out (Charley: Even if (the show) is a smash, doesn't that mean we sell out? Producer: Well, I hope we sell out! Charley: What I mean is sell out. Well you know...")
12. THE BLOB/GOOD THING GOING - THE BLOB was cut in previews and not included on the OCR. It was restored for the revised version. Note the main melody is the same tune used for GROWING UP. GOOD THING GOING is essentially the same.
13. BOBBY AND JACKIE AND JACK - the revised version slightly trims the number.
14. NOT A DAY GOES BY - Originally a trio for Mary, Frank and Beth at the wedding of the latter two. When Beth lost the song in Act One she was cut out of the Act Two version as well. Frank sang it to Beth as his wedding vow while Mary quietly, sadly duetted from the sidelines. The trio version is restored to the revised version.
15. OPENING DOORS
16. OUR TIME
These two remain essentially the same.
17. THE HILLS OF TOMORROW - The revised version ends with OUR TIME. The original version had a short final scene in 1955 as Frank finishes his valedictory speech to the class. They then sing a song he and his friend Charley have written. The classmates smile, there is a flash as their class picture is taken and the curtain slowly falls on these smiling faces. It was a fine ending to the show and I wish this (and the opening graduation scene) would be restored. Otherwise the revised script is in every way superior.
Sound-wise the newer recordings have a crisp, clean sound though the orchestra is roughly half the size of the original. The first cast is pretty hard to beat. If you are doing the show only the revised script is available, so you will want one of the new recordings. Jay's 2 CD set is most complete and includes some of the dialogue. V/S has the wonderful Malcolm Gets as Franklin.
The most comprehensive recording.......2002-09-19
I've never seen the show, which has had a mixed history (initially a flop, recently much more successful), so I can only rate the music, which is just fabulous. The score features everything from sophiticated ballads -- Not A Day Goes By -- to lovely pop tunes such as Our Time. Sondheim's trademark lyrical cleverness is ever present. At one point he has the characters perform a political comedy song in 1960, so Sondheim had to write a piece using sophisticated 1960 political humor. I doubt anyone at the time did it half as well.
Note that this is a double CD, and I think it is the only one available. In many cases this means that the recording has two versions of certain songs if they are sung twice in the show. I thought this a big plus because the songs are sung at different times in the show and given different interpretations. Indeed, because the show it told chronologically backwards, you see how Sondheim gives you what is really a reprise before the song is initially sung. On the other recordings of this show they have only one version and you miss this whole layer of Sondheim.
The cast is great. The orchestra is great. All in all, just great Sondheim.
This is the recording of MERRILY to purchase!.......2002-06-08
MERRILY WE ROLL ALONG was one of Sondheim's biggest flops when it first opened on Broadway in 1981. It suffered from a variety of problems, probably the biggest being that the fascinating concept of the show - relating a story in reverse chronological order - led to a host of difficulties that required more time to solve than the tryout period allowed. Over the next dozen years, Sondheim and book-writer George Furth (along with assistance from a new director, James Lapine), modified the show. The show is drastically improved by the revisions.
While Sondheim and Furth have made a few minor revisions since the Leicester Haymarket production (mostly in shortening a few rhythms in the transitions, changing some introductory dialogue, and axing some dialogue in "It's a Hit!"), the Leicester recording is far superior to the recording of the final version of the show produced by Varese Sarabande.
CHANGES FROM THE ORIGINAL BROADWAY PRODUCTION:
Some neat concepts from the original production have been left by the wayside to improve the overall structure. Gone is the opening scene at the 1980 Lake Forest Academy graduation ceremony and the accompanying "The Hills of Tomorrow." The title song is now presented as a prologue so that the audience can concentrate on the lyrics' message. The music of the 1979 (now 1976) scene has been heavily revised (including a new melody called "That Frank") to integrate more plot into the lyrics. The 1975 scene has been eliminated, although Mary's music survives intact as the first part of an expanded 1973 scene. A great new song, "Growing Up," Frank's rationalizations for changing his goals and values, has been added to the 1968 scene. Beth now sings "Not a Day Goes By" in the 1966 (now 1967) scene instead of Frank. Lyrics have been revised in "Now You Know" to be about encouraging Frank to take a vacation, not to go back to work.
Act II has required less modifications. Gussie opens the act by singing a brassy rendition of the beginning of "Good Thing Going" as her eleven-o'clock number in Frank and Charley's 1964 show. "It's a Hit!" has been shortened a bit, but Beth is now included in the backstage celebration. The 1962 scene includes a song about the New York elite, "The Blob," which had been cut from the original production, plus a reprise of "Growing Up." The scenes from 1960-1957 remain relatively unchanged, although Beth sings lead in the reprise of "Not a Day Goes By." The show now ends with "Our Time," since the 1955 graduation scene has been eliminated.
THE RECORDING:
Of the three recordings I know of this show, this is by far the best. Michael Cantwell (who I truly thought I would hate after hearing him in STARTING HERE, STARTING NOW) is a great Frank, both as a successful Hollywood executive and as an idealistic music student. Maria Friedman is almost perfect as Mary, with gravelly singing as an alcoholic in Act I and a youthful exuberance in the "Our Time" dialogue. Evan Pappas has the dramatic range to play Charley, and his enunciation in the difficult "Franklin Shepard, Inc." is admirable. Louise Gold brings the proper degrees of brassiness and insincerity to Gussie, one of musical theater's greatest "dragon lady" roles. (Jason Alexander in the original 1981 cast recording is the best Joe, and Anne Bobby in the 1994 Varese Sarabande recording is the best Beth.) The actors are young enough to convey the youthful ideals of the second act (and hit the high notes) but old enough to convincingly portray 30- and 40-somethings in the first act. The inclusion of key dialogue helps the listener put the songs into their proper context.
The Definitive "Merrily".......2001-11-20
Having listened extensively to all recordings of "Merrily We Roll Along," I say with confidence that this is by far the best, most complete recording.
The performances are all wonderful. I enjoy Maria Friedman's work on here most of all. I can clearly hear her transformation from a depressed drunkard back to a hopeful youth through the recording. Her expressive voice and striking acting choices always make her a joy to even listen to.
This CD has the best orchestrations I have heard. The underscore to "Franklin Shepherd Inc" has finally been cleaned up to the point where it sounds like an actual song, and the overall feel of the show has a real edge.
The tempos are up and the performers sound like they don't have guns being held to their heads in the recording studio. The performances a lucid and dynamic. The overall feel of the show, for the first time, has a smooth and consistent feel just from listening to the recording.
This may not be my favorite piece of Sondheim, but it is his brassiest score. This quality, lost in the off-broadway recording, is really restored here.
This CD is personal treasure and a must for Sondheim fanatics. However, this recording is by far the most accesible recording of this most difficult show.
Best interpretation of the show and score.......2000-07-21
This recording only helps to prove that Maria Friedman is the no. 1 British interpreter (if not the no. 1 international interpreter of all-time) of the music of Stephen Sondheim. Her comic timing is immpeccible, and she is larger than life in her singing (especially in "Now You Know"). Louise Gold has an Ethel Merman-y quality to her voice, and this is a great new reading of the character of Guessie (she is, after all, a Broadway head-liner), as opposed to the purring sex-kitten of all of the other Guessies out there. And her rage in the dialgoue excerpt on the first disc is clear. This woman is one heavy-duty actress. We see that Guessie isn't really the only one out of the main characters to become bitter and disilliusioned, as many people make the mistake of believing. Jacqueline Dankworth does not just sing the heart-wrenching "Not a Day Goes By," she acts it. And she acts and sings the hell out of it. She has definately inherited her mother's talent (but is decidedly different in her performance style). As you can see, all of the women on this recording are effervescent, and the men rise up to the challenge (particularly the Joe Josephson of Gareth Snook and the Charlie of Evan Pappas). And there is Frank, menacing as always. This CD is the best out there, with a large amount of dialogue, and all of the score. Here is the definitive, no-questions-asked, no-holds-barred version of MERILLY WE ROLL ALONG on CD. Buy it today!
Average customer rating:
- Music for the baby!
- Unlistenable
- THIS is music . . .
- A Surefire Method of Loosing the Blues
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Gilbert & Sullivan Weekend
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD
All Works by Sullivan
| Sullivan, Arthur
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CDs $7 - $10
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ASIN: B0000041X3
Release Date: 1990-10-12 |
Tracks:
- H.M.S Pinafore: Now Give Three Cheers...I Am The Monarch Of the Sea...When I Was A Lad
- H.M.S Pinafore: I'm Called Little Buttercup
- H.M.S Pinafore: Never Mind The Why And Wherefore
- The Mikado: A Wand'ring Minstrel I
- The Mikado: Three Little Maids From School Are We
- The Mikado: As Someday It May Happen
- The Mikado: The Flowers That Bloom In The Spring
- The Mikado: On A Tree By A River A Little Tom-Tit
- The Yeomen Of The Guard: When Our Gallant Norman Foes
- The Yeomen Of The Guard: I Have A Song To Sing, O!
- The Pirates Of Penzance: I Am The Very Model Of A Modern Major-General
- The Pirates Of Penzance: When The Foeman Bares His Steel
- The Pirates Of Penzance: Poor Wand'ring One
- The Pirates Of Penzance: When A Felon's Not Engaged In His Employment
- Iolanthe: Loudly Let The Trumpet Bray
- Iolanthe: If You Go In You're Sure To Win
- The Gondoliers: We're Called Gondolieri
- The Gondoliers: In Eenterprise Of Maritial Kind
- The Gondoliers: Take A Pair Of Sparkling Eyes
- The Gondoliers: Dance A Cachucha, Fandango, Bolero
Customer Reviews:
Music for the baby!.......2006-10-14
I am the caregiver for my newborn grandson who is VERY VERY fussy. There are all kinds of CDs with soothing music for the babies, BUT I happened to hear that opera was a great listen for the little ears and this one is the best. It has high voices and very low bass voices lots of BOOMs and arias. When I first put it on for him, (in the middle of a loud cry), he quieted down almost as soon as the first stanza was over. He now smiles and waves his little arms and legs around when I turn it on. He Listens and loves this CD, and so do I! The words are hard to understand but the sounds are marvelous. If you know of any mother/father who is wanting music for a small baby/child, tell them about Gilbert and Sullivan (and they will enjoy it, too).
Unlistenable.......2005-11-11
The voices are wonderful, but the recording is so faulty that only the two tracks from Iolanthe sound at all okay. At first I thought it was my equipment, then realized that the CD was at fault. And I bought one for myself and one for a friend! I adore Gilbert & Sullivan and D'Oyly Carte is the best, but this particular CD shouldn't be offered for sale.
THIS is music . . ........2005-07-21
. . . not rap, not rock, not pop. Light opera! I love Arthur Sullivan's music, even though I'm 11, and I love this CD! The tunes are really catchy, and I'm usually singing one to myself. Not many people my age like light opera, but to me, it's the best music there is. Don't be afraid that you won't like this CD. You'll love it, even though it's hard to understand at sometimes. You might want to listen to some of the songs first to see if you like it. After all, not everyone likes opera.
A Surefire Method of Loosing the Blues.......2000-03-03
This recording, done in a studio, allows the listener to "hear" all the words of all the patter songs. John Reed is just excellent as Koko, the Modern Major General, the Monarch of the Sea. Highlights come from Iolanthe, HMS Pinefore, Yeomen, Mikado, Gondoliers. A truly wonderful experience to be enjoyed over and over.
Average customer rating:
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Vintage Gilbert & Sullivan
Manufacturer: Sanctuary
ProductGroup: Music
Binding: Audio CD
All Works by Sullivan
| Sullivan, Arthur
| ( S )
| Featured Composers, A-Z
| Classical
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General Modern
| Modern, 20th, & 21st Century
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General
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General
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Similar Items:
- Gilbert & Sullivan Favourites
ASIN: B000AA5XFW
Release Date: 2005-10-03 |
Tracks:
- A Wand'ring Minstrel 1
- Behold The Lord High Executioner
- Three Litttle Maids From School
- Sun Whose Rays Are All Ablaze
- A More Humane Mikado
- Flowers That Bloom In The Spring
- On A Tree By A River A Little Tom-Tit
- There Is Beauty In The Bellow Of The Blast
- When U Good Friends Was Called To The Bar
- We Sail The Ocean Blue
- I'm Called Little Buttercup
- I Am The Captain Of The Pinafore
- When I Was A Lad I Served A Term
- Never Mind The Why And Wherefore
- Carefully On Tiptoe Stealing
- He Is An Englishman
- Oh Better Far To Live And Die
- Poor Wand'ring One
- I Am The Very Model Of A Modern Major-General
- Then Fred'ric Let Your Escort, Lion Hearted When The Foeman Bares His Steel
- When A Felon's Not Engaged
- With Cat-Like Tread
- I Cannot Tell What This Love May Be
- If You Want A Receipt For That Popular Mystery
- So Go To Him And Say To Him
- Loudly Let The Trumper Bray... Bow Ye Lower Middle Classes
- Love Unrequited Robs Me Of My Rest.... When You're Lying Awake With A Dismal
- If You Go In You're Sure To Win
- My Boy You May Take It From Me
- When The Night Wind Howls
- When Maiden Loves She Sits And Sighs
- When Our Gallant Norman Foes
- I Have A Song To Sing, Oh!
- Were I Thy Bride
- List And Learn
- In Enterprise Of Martial Kind
- There Was A Time
- Do Not Give Way... Then One Of Us
- Take A Pair Of Sparkling Eyes
- Dance A Cachucha
Customer Reviews:
Excellent ... but ..........2007-02-07
As a vintage G&S listener, I appreciated this collection but I think it would mostly appeal to the specialist-completeist. A newcomer to the genre would do well to get a full operetta DVD. (I prefer the OK BBC performances to the tarted up & modernised Australian ones.)
Old-comers probably already have all these tracks as part of their collection of vintage full operetta recordings.
But don't let my idiosynchratic views deter you if you really like G&S... but not to the extent of buying all the vintage full operetta versions.
Average customer rating:
- Great complete recording
- Complete but not Perfect
- Complete Score Recording
- Complete Score Recording
- Bali Hai WILL Call You!
|
South Pacific (1996 Studio Cast) (First Complete Recording)
Richard Rodgers , and Oscar Hammerstein II
Manufacturer: Jay Records
ProductGroup: Music
Binding: Audio CD
Rodgers, Richard
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Similar Items:
- South Pacific (Royal National Theatre Production - 2001 London Cast)
- South Pacific (Original 1949 Broadway Cast)
- South Pacific (Collector's Edition)
- South Pacific in Concert from Carnegie Hall
- The King And I: First Complete Recording (1994 London Studio Cast)
ASIN: B000005BGW
Release Date: 1997-03-11 |
Tracks:
- Overture - NSO/John Owen Edwards
- Dites-Moi - John Matthew Lao/Samantha Raven
- A Cockeyed Optimist - Paige O'Hara
- Twin Soliloquies - Paige O'Hara/Justino Diaz
- Some Enchanted Evening - Justino Diaz
- Finaletto - Justino Diaz/Paige O'Hara/Andre Mutis/Samantha Raven/John Matthew Lao
- Bloody Mary - Men
- There Is Nothin' Like A Dame - Men/Pat Suzuki
- Mary And Lootellan - Pat Suzuki/Sean McDermott
- Bali Ha'i - Pat Suzuki
- Cable Hears Bali Ha'i - Brian Greene/Sean McDermott
- Company Street - NSO/John Owen Edwards
- I'm Gonna Wash That Man Right Outa My Hair - Paige O'Hara/Girls
- Some Enchanted Evening (Reprise) - Paige O'Hara/Justino Diaz
- A Wonderful Guy - Paige O'Hara/Girls
- Bali Ha'i - Girls
- Younger Than Springtime - Sean McDermott/Girls
- A Wonderful Guy - Justino Diaz/Paige O'Hara
- This Is How It Feels - Justino Diaz/Paige O'Hara
- Finale Act One - Paige O'Hara/Justino Diaz/John Matthew Lao/Samantha Raven
Tracks:
- Entr'Acte - NSO/John Owen Edwards
- Opening Act Two - NSO/John Owen Edwards
- Entrane Of Liat - NSO/John Owen Edwards
- Happy Talk - Pat Suzuki
- Incidental/Younger Than Springtime (Reprise) - Pat Suzuki/Sean McDermott
- Honey Bun - Paige O'Hara/Company
- You've Got To Be Carefully Taught - Sean McDermott/Justino Diaz
- This Nearly Was Mine - Justino Diaz
- After Emile's Solo - Justino Diaz/Sean McDermott
- Communications Established - NSO/John Owen Edwards/Ron Raines/Justino Diaz
- Communications Discontinued - Paige O'Hara/Girls/Pat Suzuki
- Operation Alligator - NSO/John Owen Edwards
- Honey Bun - Company
- Finale Ultimo - Paige O'Hara/John Matthew Lao/Samantha Raven/Justino Diaz
- Exit Music - NSO/John Owen Edwards
Amazon.com
The only major Rodgers and Hammerstein show not to have had a major Broadway revival, South Pacific receives its first complete recording, capturing 107 minutes of classic songs as well as reprises and underscored dialogue. Given the thankless task of succeeding Mary Martin of the original Broadway cast is the wonderful Paige O'Hara (Disney's Beauty and the Beast, John McGlinn's Show Boat), full of sass and spunk as Nellie Forbush. Although this Emile De Becque, Justino Diaz, isn't actually a Frenchman (but hey, neither was Ezio Pinza), his accent is only a faint distraction from his rich voice. Filling out the cast are tenor Sean McDermott as Lt. Joe Cable and Pat Suzuki (Flower Drum Song) as Bloody Mary. It's a very good recording, and an easy choice for anyone who wants the complete score. The only drawback is that, unlike other JAY Masterworks Editions, this one doesn't include extra songs, such as "My Girl Back Home," a song cut from the original production but restored for the 1958 film. --David Horiuchi
Customer Reviews:
Great complete recording.......2004-07-19
In reply to M.Clegg's contention with regards to the status of the stars of this great complete recording, I would like to point out that all the main leads, Justino Diaz (New York City Opera Production), Paige O'Hara (Australian production), Sean McDermott (The Pace Production - USA) and Pat Suzuki (Long Beach Light Opera Production) have all played their respective roles on stage in various productions. This is clearly listed in the booklet of the recording. On the contary, I find their interpretation to be vivid and compelling. A great recording.
Complete but not Perfect.......2004-07-16
As with the complete recordings of Guys and Dolls and The Pajama Game, this double CD brings together the full score including uncut dance-breaks and incidental music. The orchastrations are fantastic but, like the others in this series, the cast suffer due to the 'studio' nature of the recording. There is little of the vibrancy and excitment of a Broadway Cast Recording because the cast are only singing the roles and have probably never seen the script at all. This means that many of the performances, while technically good, are characterless.
Paige O'Hara, excellent as the voice of Disney's Belle, plays the part a little too twee - yes, I know Nellie is a hick but she goes too far in that direction. Justino Diaz, as Emile, has a good voice that does not cover the lack of a personality. The rest of the cast are equally too note-perfect.
The people who will find this recording the most useful will be people, like myself, who are performers. When performing in a production of South Pacific this CD was very useful, more for the not-available-anywhere-else material than anything else. The dance music and the incidental stuff is useful to rehearse with.
On the whole, a worthy CD for the completist but if you want a more character-driven recording, search out one from an actual stage performance.
Complete Score Recording.......2000-04-11
We are performing South Pacific at my high school and this CD was really helpful in choreographing the dance numbers because it has the music in between the singing, in other words, the complete score.
Complete Score Recording.......2000-04-11
We are performing South Pacific at my high school and this CD was really helpful in choreographing the dance numbers because it has the music in between the singing, in other words, the complete score.
Bali Hai WILL Call You!.......2000-03-18
Ah...the memories. I remember this musical with fondness because it was the first musical that I had the honor of playing in the pit band for. Out of all of the South Pacific soundtracks, I love this one the most because it includes every song in the score (I checked)!
Average customer rating:
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Collection: Say It With Music (Dlx)
Andr Kostelanetz
Manufacturer: Collectables
ProductGroup: Music
Binding: Audio CD
General
| Soundtracks
| Styles
| Music
General
| Easy Listening
| Pop
| Styles
| Music
Easy Listening
| Pop
| Indie Music
| Stores
| Music
ASIN: B00007L8X4
Release Date: 2003-02-18 |
Tracks:
- Say It With Music Remember Blue Skies
- Top Hat White Tie And Tails How Deep Is The Ocean (How High
- This Is The Army Oh How I Hate To Get Up In The Morning Soft
- Whatll I Do Always The Song Is Ended (But The Melody Lingers
- The Piccolino Cheek To Cheek
- White Christmas
- The Girl That I Marry Say It Isnt So Mandy
- Give Me Your Tired Your Poor God Bless America
- Smoke Gets In Your Eyes Yesterdays
- Ive Told Every Little Star The Song Is You
- The Night Was Made For Love She Didnt Say Yes All The Things
- Look For The Silver Lining They Didnt Believe Me Long Ago (A
- I Dream Too Much The Jockey On The Carrousel
- Why Was I Born The Way You Look Tonight Who
- Make Believe Bill
- Why Do I Love You You Are Love Ol Man River
- Fascinatin Rhythm
- Mine
- The Man I Love
- Embraceable You Soon
- I Got Rhythm
- Bess Oh Wheres My Bess
- S Wonderful
- Maybe
- Someone To Watch Over Me Oh Lady Be Good
- Embraceable You
- Strike Up The Band
- Begin The Beguine
- All Through The Night
- I Concentrate On You
- I Love You
- Night And Day
- In The Still Of The Night
- Ive Got You Under My Skin
- Blow Gabriel Blow
- Just One Of Those Things (Bonus Track)
- Hallelujah Time On My Hands
- Tea For Two
- Carioca
- Without A Song
- More Than You Know
- Orchids In The Moonlight
- Sometimes Im Happy I Know That You Know
- Through The Years Drums In My Heart
- Malaguena
- La Cumparsita
- Mexicana Medley
- Yours (Quiereme Mucho)
- Siboney
- Caminito
- Adios
- No Taboleiro De Bahiana
- The Moon Of Manakoora
- Lotus Land
- Kashmiri Song
- Jamaican Rhumba
- Flamingo
- Poinciana (Song Of The Tree)
- Andalucia
- Sweet Leilani (Bonus Track)
- Frenesi (Cancion Tropical) (Bonus Track)
- Show Boat
- South Pacific
- Slaughter On Tenth Avenue
- An American In Paris
- Porgy And Bess
Album Description
The multi-faceted Andre Kostelanetz left his mark on the music world as an acclaimed conductor/arranger/accompanist. His most notable contribution is the creation of the Easy Listening genre, done by bridging the gap between Classical and Pop music. Highlights on this 6 CD box set include Irving Berlin's 'Cheek To Cheek', George Gershwin's 'The Man I Love' and Jerome Kern's 'Smoke Gets In Your Eyes'. Includes 3 bonus tracks 'Just One Of Those Things' (Cole Porter), 'Sweet Leilani' (from Waikiki Wedding) & 'Frenesi' (Cancion Tropical). Standard jewel cases housed in a deluxe wooden box w/hinged lid (approx. 6 x 5''). Collectables. 2003.
Average customer rating:
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Broadway Musicals of 1925
Manufacturer: Bayview
ProductGroup: Music
Binding: Audio CD
All Works by Gershwin
| Gershwin, George
| ( G )
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Rodgers, Richard
| ( R )
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Chamber Music
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General
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Similar Items:
- Broadway Musicals of 1926
- The Pirate Queen (2007 Original Broadway Cast)
- Broadway Musicals of 1939
- As Thousands Cheer: The Hit Musical Comedy Revue! (1998 New York Revival Cast)
- Fifty Million Frenchmen (1991 Studio Cast)
ASIN: B0000AQS24
Release Date: 2003-08-26 |
Tracks:
- Overture/Ev'ry Little Note [From Merry, Merry]
- Old Fashioned Girl [From the Garrick Gaieties][#] - Nancy Anderson
- Paddlin' Madelin' Home [From Sunny]
- Tea for Two [From No, No, Nanette] - Howard McGillin
- Little Bungalow [From "The Cocoanuts"] - Stephanie J. Block, Howard McGillin
- When We Get Our Divorce [From Sunny] - Nancy Anderson, Justin Bohon
- I'm All Alone [From China Rose][#] - Nancy Anderson
- Here in My Arms [From DeArest Enemy] - Howard McGillin
- Liza Lee [From Big Boy]
- It All Depends on You [From Big Boy] - Justin Bohon
- I Was Alone [From Sunny] - Stephanie J. Block
- As Long as I've Got My Mammy [From Big Boy][#]
- Sweet and Low Down [From Tip Toes]
- Song of the Vagabonds [From the Vagabond King] - Howard McGillin
- Some Day (The Vagabond King) - Nancy Anderson
- Murderous Monty [From Tell Me More][#] - Stephanie J. Block,
- Lackawanna [From Big Boy][#] - Howard McGillin
- That Means Nothing to Me [From Naughty Cinderella] - Nancy Anderson
- Always [Cut] - Howard McGillin
- That Certain Feeling [From Tip Toes] - Stephanie J. Block
- Manhattan [From the Garrick Gaieties] - Justin Bohon
- I Want to Be Happy [From No, No, Nanette]
Rock Music:
- That Was NDW1: Sampler [Import]
- That's What I'm Talking About [Import]
- That's What You Get Babe
- The Adventure Game [Import]
- The Agony And The Ecstasy
- The Anthology
- The Anthology [Import]
- The Art of Creation
- Theatre of Pain [Import] [Limited Edition]
- The Bandit Lab
Rock Music
rock music