The Power of Sound
Editorial Reviews
CMJ
His songs sound as if they were born whole, with very little need for further refinement .
Product Description
The Power Of Sound is Jonny Polonsky's first full-length release since his 1996 debut Hi My Name Is Jonny. This new album delivers on the promise of its predecessor and ups the ante in a serious way. Polonsky's songs still suck you in with their infectious melodies and youthful exuberance, but this time it's clear he's out for blood. Backed by a tight, hard-rocking band, The Power Of Sound soars to new heights, careens off new cliffs, and plunges into uncharted waters that Hi My Name Is Jonny could have only dreamed of. It will excite you with monstrous riffs, wailing guitar solos and thunderous drums; it will soothe you with timeless melodies, rich sonic layers and beautiful, dark moods. Take equal parts Pixies, Replacements, Queens Of The Stone Age, Weezer, T. Rex and Jeff Buckley. Mix with obsessed rock'n'roll fan from Chicago. Serves millions.
The Power of Sound
The Power of Sound,Jonny Polonsky,Loveless Records,Alternative Pop/Rock,Pop,Pop Underground,Power Pop,Rock,Rock/Pop
The Power of Sound
Average customer rating:
- Don't stop at Night Ripper and don't be intimidated by Secret Diary.
|
Unstoppable
Girl Talk
Manufacturer: Illegal Art
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Secret Diary
- Night Ripper
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- Silent Shout
ASIN: B000CA2Z5Q
Release Date: 2006-05-09 |
Tracks:
- All Eyes on Me
- Non-Stop Party Now
- Touch 2 Feel
- Pump It Up
- Bang This in the Club
- Bodies Hit the Floor
- Feeling
- Happen - Girl Talk, Chris Glover
- Cleveland, Shake
- Keeping the Beat
- Step to It
- Can't Stop
Album Description
Girl Talk's second album."Unstoppable, for all its sweaty beats and sexy grooves, paints a picture of Gillis that's just as much mad scientist as oversexed party animal. Gillis' manic experiments bring life to inanimate rhythms and swap the personalities of unwitting samples in harebrained schemes to make bottoms shake and fists pump." -DUSTED
Customer Reviews:
Don't stop at Night Ripper and don't be intimidated by Secret Diary........2007-07-11
I'm a huge Girl Talk fan and own everything he has put out. This record is my favorite. It is glitchier than Night Ripper and far poppier than Secret Diary. If you like Night Ripper, it is a pretty safe bet you will like this.
Average customer rating:
- Instruments of the Orchestra - Great Reference Material!
- Beginner or Expert
- Very Informative and Enjoyable
- Frank's view
- Excellent Intro for Those Not Familiar with the Orchestra
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Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
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Similar Items:
- Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4
- The Life and Works of Ludwig van Beethoven
- What to Listen for in Music
- Study of Orchestration, Third Edition
- The Life and Works of Frédéric Chopin
ASIN: B00006O0NT
Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!
Beginner or Expert.......2007-03-12
This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!
Very Informative and Enjoyable.......2006-11-20
Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!
Frank's view.......2006-08-19
This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Average customer rating:
- One of the half dozen best albums of the 90s
- Best Fanclub Album
- Best Band - You Don't Know!
- One of my all time faves
- Say Yes And Play Grand Prix
|
Grand Prix
Teenage Fanclub
Manufacturer: Geffen Gold Line Sp.
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Bandwagonesque
- Songs from Northern Britain
- Thirteen
- Howdy!
- Frosting on the Beater
ASIN: B000003TBH
Release Date: 1998-11-17 |
Tracks:
- About You
- Sparky's Dream
- Mellow Doubt
- Don't Look Back
- Verisimilitude
- Neil Jung
- Tears
- Discolite
- Say No
- Going Places
- I'll Make It Clear
- I Gotta Know
- Hardcore/Ballad
Amazon.com
Armed with a sharp new drummer and outside producer David Bianco (Pixies, Tom Petty), the three veteran members of Glasgow, Scotland's Teenage Fanclub were determined to redeem themselves after 1993's wretched flop, Thirteen. Grand Prix, the group's fourth full album, is fresher, more direct and less cluttered than its predecessor, but it fails to match the grungy exuberance of the band's debut or the Big Star jangle of 1991's Bandwagonesque, which remains its best effort. --Jim DeRogatis
Album Description
Tour edition of their 1997 Creation album coupled with afive track bonus CD featuring 'About You' (Acoustic),'Between Us', 'For You', 'Try And Stop Me' & 'Who Loves TheSun'. All tracks on the bonus CD are non-album cuts. Doubleslimline jewel case. 1995 Gef
Customer Reviews:
One of the half dozen best albums of the 90s.......2007-03-17
There's already a couple of well-written reviews here and there's not a lot I can add, except to say that this album is special to me and it's always one you can come back to whenever you feel you feel you're losing your faith in music to make you FEEL something. It's not quite perfect, but it's not far short. And when it peaks with About You, Sparky's Dream and Don't Look Back, it's simply gorgeous. It's an album that has enough power to define certain times and places when you listened to it. It reminds me most of walking across the small island where I live in Hong Kong a couple of years ago: a warm, sunny Sunday morning, sea all around, other islands dotted around in the South China Sea, on my way to meet some friends. When music can preserve a moment in time, it's priceless. This is priceless. It's beautiful.
Best Fanclub Album.......2006-11-10
I was first turned on to these guys when I was in middle school (over 10 years ago) and I love them as much today. This is by far their best album for listen ability throughout. I love 'Bandwagonesque' as well, but there are a few throwaways on that album. This is easy-listening rock at it's best. I recommend this album if you know anything about rock.
Best Band - You Don't Know!.......2006-08-11
This album is great. From beginning to end. If you don't know now you know. Listen to all the other great reviews for more confirmation! It's great mix of music you recognize, and songs that will have you listening to more. If you don't own a Teenage Fanclub album, this should be your first. You'll be going back for more. While other albums may be hits and misses. This one is a deff. HIT!
One of my all time faves.......2006-03-02
This is a fantastic album. The fact that 5 star reviews are still being submitted over 10 years after its release (and they're not the beatles or u2 or anything) should speak volumes. I have played this CD countless times over the years and I am amazed that I am not sick of it. I am a pretty constant consumer of new music. Get this CD - you won't regret it! (PS I've never done an Amazon review before, but the fact that this has had only 22 motivated me). It is melodic, catchy, uplifting and cheeky - in short, a little piece of musical bliss.
Say Yes And Play Grand Prix.......2005-10-29
Kao sto su The Smiths obelezili tokom '80. alternativnu pop scenu, tako su Teenage Fanclub obelezili '90. Odlican pop album koji sada vec spada u pop klasiku.
Vredno svake paznje i obavezno za ozbiljniju kolekciju.
Average customer rating:
- The Fire Note Says: Retro-Cool!
|
Start Again
The Singles
Manufacturer: Sound Artifacts Music
ProductGroup: Music
Binding: Audio CD
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- Better Than Before
ASIN: B000O783QC
Release Date: 2007-02-27 |
Tracks:
- I Want You Back Now
- Love Is Just A Game
- When Will She Be Mine?
- Summer
- Start Again
- The Most Beautiful Girl
- Hypnotized
- Anette
- Cryin' Over You
- Better Days
- Goodbye Little Girl
- I Don't Wanna Be The Last To Know
Product Description
The Singles are back in action with their highly anticipated 2nd album "Start Again" released on their homegrown label Sound Artifacts Music. Timeless melodies with an exciting live show to back it up...don't miss out!
Customer Reviews:
The Fire Note Says: Retro-Cool!.......2007-04-21
Any band coming out of Detroit right now still gets the garage rock comparisons. Leave that thought at the door because The Singles hail from Detroit but only share some qualities with those other bands like their liveliness and tight musicianship. The Singles are a straight up power pop band that have a very modern Kinks sound. Start Again is The Singles sophomore release and it expands on the retro sound found on their debut Better Than Before [2003], while still retaining the heart of the band and never leaving that core sound. What does stand out is that Start Again turns up the amps a bit more with heavier rockers like "I Want You Back Now" and "Hypnotized" that sound great blaring at high volumes. The album also has better transitions that flow seamlessly track to track and balance the harder charging songs with perfect timeless 2 minute Buddy Hollyish nuggets such as "Cryin' Over You". If you have not checked out The Singles, I would recommend you pick up both Start Again and Better Than Before because they are a breath of fresh air that really do a great job of repackaging a sixties sound for a new generation. Trust me you will be entertained!
Key Tracks: "Love Is Just A Game", "Hypnotized", "I Want You Back Now"
Average customer rating:
- BEST title ever!!!
- The Power Spot Of Sound
- Transmissions from the Atmosphere
- Transporting.
- peaceful
|
The Surgeon Of The Nightsky Restores Dead Things By The Power Of Sound
Jon Hassell
Manufacturer: Intuition
ProductGroup: Music
Binding: Audio CD
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- Maarifa Street: Magic Realism, Vol. 2
- Fourth World, Vol. 2: Dream Theory in Malaya
- Fascinoma
- Fourth World, Vol. 1: Possible Musics
- Power Spot
ASIN: B000002GRG
Release Date: 1994-01-06 |
Tracks:
- Ravinia/Vancouver
- Paris I
- Hamburg
- Brussels
- Paris II
Customer Reviews:
BEST title ever!!!.......2005-04-08
I bought the lp when it first came out. It has never grown old. I haven't bought a cd of it. I think that you should if you haven't bought one already -- you'll like it!
The Power Spot Of Sound.......2004-06-06
This is, simply, one of Jon Hassell's GREAT albums! Totally unique...ultra sophisticated...deeply primitive...complex in the way that usually only Classical music is. In fact, when this first came out on vinyl...that's where I had to go to find it! Yes, the Classical section at my local Tower Records! Of course, back then, no one seemed quite clear just where Hassell belonged...rock, jazz, new age, classical, world??? Probably ALL of these are true, but it did make locating his latest album difficult at times. And this illustrates the remarkable combination of sounds and rhythms that all of Hassell's work contains. To over-simplify, take those raw African or Malay drums and pair them with *the* most digitally-altered trumpet textures you will probably ever hear. Now, take that and add a live performance group where every member is equally intelligent and unique. That's what you have on this CD. The composition works perfectly. And it *really* is different *every* time you hear it. Truly GREAT music. Don't miss this one.
Transmissions from the Atmosphere.......2001-12-21
He does seem to be receiving messages from the ether here and laying them out for the audience ...
In its time quite an original and outstanding album. Nowadays, music like this ("Ambient") has become a formula and disseminated by countless artists ... still, perhaps Hassell's original conception here can still move a new listener. You'll have to tell me. The first track is particularly "accessible" as it contains a repeating bassline which is quite nice.
Transporting........2000-12-15
Rich, lovely, and fiercly original music that tells stories of vaguely familiar worlds, but from such a skewed perspective that one often finally discovers wonderful things that have always been there, but to that point, unseen. And Hassel's generous expression of these things reveals beauty that often wouldn't be recognized as such. My good friend calls the music "broken" (not as a compliment). And it is in a way a celebration of the beauty of many things; some of which are, in fact, broken.
peaceful.......2000-09-16
seems mellow peaceful and contemplative as if he realizes there is pain in the world and wishes to play to you a song that does not forget that people are hurting or that he can find beauty in the world i think that if you like listening to the cars go by at night in a light rain or like to sit by the ocean and listen to the surf with the stars above and the lights of a distant city on the horizon that you might like this, if you are reading this jon, thank you for your work.
Average customer rating:
- Philadephia Brass BAD. New England Brass GOOD.
- A fine, clean performance
|
Glorious Sound of Brass
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD
Quintets
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- The Antiphonal Music of Gabrieli
- Music Of Gabrieli
- The Glory of Gabrieli
- Gabrieli in San Marco
- Philip Jones Brass Ensemble Greatest Hits
ASIN: B0000029X0
Release Date: 1997-07-01 |
Tracks:
- Two Pieces: Almand
- Two Pieces: Gaillard
- Toccata 'Athalanta'
- Brass Suite: Intrade
- Brass Suite: Sarabande
- Brass Suite: Intrade
- Brass Suite: Sarabande
- Brass Suite: Bal
- Brass Suite: Courente
- Brass Suite: Bal
- Brass Suite: Sarabande
- Brass Suite: Gigue
- Providebam Dominum
- Three Sonatas: Sonate No. 21
- Three Sonatas: Sonate No. 24
- Three Sonatas: Sonate No. 22
- Renaissance Suite: The Marie-Golde
- Renaissance Suite: Night Watch
- Renaissance Suite: Patiencia
- Renaissance Suite: The Choise
- Renaissance Suite: Honie-Suckle
- Renaissance Suite: Last Will And Testament
- Renaissance Suite: The New-Yeres Gift
- Three Pieces: The Prince Of Denmark's March
- Three Pieces: Interlude
- Three Pieces: King William's March
- Two Ayres: Awake The Trumpet's Lofty Sound
- Two Ayres: A Trumpet Voluntary From 'Ode For St. Cecilia's Day '
- Two Pieces: Trumpet Tune
- Two Pieces: Voluntary For Organ And Trumpets
- Six Diverse Pieces: Fanfare
- Six Diverse Pieces: Trumpet Tune 'Bonduca'
- Six Diverse Pieces: Ayre For Organ
- Six Diverse Pieces: Trumpet Tune 'Martial Air'
- Six Diverse Pieces: Trumpet 'Tune Cebell'
- Six Diverse Pieces: Voluntary In C Major
- Overture From 'Der Gutreue Musikmeister'
- Heldenmusik (Heroic Music): Honor
- Heldenmusik (Heroic Music): Charm
- Heldenmusik (Heroic Music): Bravery
- Heldenmusik (Heroic Music): Quietness
- Heldenmusik (Heroic Music): Vigor
- Heldenmusik (Heroic Music): Love
- Heldenmusik (Heroic Music): Vigilance
- Heldenmusik (Heroic Music): Playfulness
- Heldenmusik (Heroic Music): Gentleness
- Heldenmusik (Heroic Music): Generosity
- Heldenmusik (Heroic Music): Hope
- Heldenmusik (Heroic Music): Joy
Customer Reviews:
Philadephia Brass BAD. New England Brass GOOD........2004-01-17
This CD is a combination of two recording sessions. The 1966 recording of the Philadelphia Brass rates maybe two stars. Not only does the recording itself have a dry, studio sound to it, but the performance of the Philadelphia Brass cannot be recommended. They stomp their way through the loud parts; and the expressive parts are done in a perfunctory manner. It all has a real mechanical, connect-the-dots feel to it. There is a significant amount of imprecision in the attacks. Without checking the original scores I can't say for sure, but I'm thinking that some pieces were transposed into more comfortable keys.
The 1962 recording of the New England Brass is vastly superior. It's a good recording technically (considering the year -- certainly better than the 1966 recording) and a good performance that I'll rate four stars; so the whole CD averages out to three stars. The New England Brass deliver elegant high notes, spirit, and artistic expressiveness that are missing in the Philadelphia boys. This might explain why they are featured second on the CD: Save the best for last! If you are a real stickler for accuracy in Historically Informed Performance (based on whatever definition happens to be in style these days), you might find a few things to criticize. But hey! This was 1962. Cut 'em a little slack and enjoy the show.
Since this is a budget price, I would suggest you look at it this way: You're paying a budget price, so you can ignore in good economic conscience the mediocre part of the CD done by the Philadelphia group and enjoy the part done by the New England group without feeling like you wasted any money.
A fine, clean performance.......1999-12-08
I bought this CD for track 13. Providebam Dominum by Lassus, and, while that track is a bit of a letdown, the rest of the CD is superb.
This CD offers a range of brass music composed in the Renaissance and Baroque periods. The performance is very clean as far as intonation as well as phrasing and dynamics.
This is a remastering of a 1960's performance, although you can't tell that just by lsitening, as it is free from noise, pops, and hiss. The liner notes weren't updated since the original recording (they attribute the Trumpet Tune to Purcell and not Clark, as it has been discovered recently), but that's not much of a concern, as the recording pretty much speaks for itself.
I was very happy to find a brass recording of Providebam Dominum, but I was a little disappointed by the recording on this CD. Overall, the song is played beautifully and gracefully. However, toward the end of the song there are accented notes that I feel are unnecessarily harsh. The three or four blatted notes in this track is the only blemish on this otherwise great CD.
The rest of the tracks, however, are played very nicely and without any unusually harsh notes. The Purcell/Clark Trumpet Tunes are played especially well, and the addition of the organ for a few tracks is a nice touch.
All in all, this is a great CD, and worthy of any brass music collection. It's not as refined or stylistic as some of the Canadian Brass recordings, but it offers a great deal to the early brass music enthusiast.
Average customer rating:
|
A Box of Sousa
Manufacturer: Altissimo Records
ProductGroup: Music
Binding: Audio CD
All Works by Sousa
| Sousa, John Philip
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ASIN: B00005Y7U0
Release Date: 2001-10-16 |
Tracks:
- Semper Fidelis
- Presidential Polonaise
- Manhattan Beach March
- Comrades of the Legion March
- Saber and Spurs March
- Gridiron Club March
- King Cotton March
- Easter Monday on the White House Lawn
- Who's Who in Navy Blue March
- Invincible Eagle March
- Excerpts from Mars and Venus
- Washington Post March (1890)
- Washington Post March (1988)
- Stars and Stripes Forever [Live]
- Man Behind the Gun
- Selections from the Operetta, the Bride Elect
- Reine de la Mer
- Sound Off
- Royal Welch Fusiliers
- By the Light of the Polar Star
- Beneath the Southern Cross
- Mars and Venus
- Gallant Seventh
- Thunderer March [Historic 1896 Recording]
- Fairest of the Fair
- Hands Across the Sea
- Diplomat
- Rifle Regiment
- Occidental
- Riders for the Flag
- Hail to the Spirit of Liberty
- High School Cadets
- Boy Scouts of America
- Picador
- Directorate
- Black Horse Troop
- Nobles of the Mystic Shrine
- Beau Ideal
- Belle of Chicago
- Corcoran Cadets
- National Game
- Loyal Legion
- Liberty Bell
- Liberty Bell [Historic 1894 Recording]
- Century of Progress
- Atlantic City Pageant
- Free Lance
- Glory of the Yankee Navy
- March of the Mitten Men
- Minnesota March
- Northern Pines
- Our Flirtations
- Pride of the Wolverines
- Solid Men to the Front
- White Rose
- Bullets and Bayonets
- In the Land of the Golden Fleece
- Pathfinder of Panama
- Liberty Loan
- Peaches and Cream
- National Fencibles [Historic 1890 Recording]
Album Description
Box Set of 4 CDs by The United States Marine Band.
Customer Reviews:
A Box Of Brilliance.......2004-01-13
Brilliant is a good word for this set of must have band classics, all of these songs are as american as apple pie. Its a must have for any true patriot or band lover. Sousa is the Motzart of the marchign band world and truly this capture so much more than any other collection.
Average customer rating:
- a voice teacher and early music fan
- Dan Schutte's Here I Am, Lord
- Dan Schutte's Here I Am, Lord
- God is an Englishman
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English Hymn 1
Manufacturer: Hyperion UK
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Jerusalem the Golden
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- Lead, Kindly Light: Hymns of Faith and Assurance
- All Things Bright and Beautiful
- A Vaughan Williams Hymnal
ASIN: B000038I68
Release Date: 1999-12-14 |
Tracks:
- Christ Triumpant, Ever Reigning (Guiting Power)
- How Shall I Sing That Majesty [Coe Fen]
- Like a Mighty River Flowing (Old Yeavering)
- Father, Hear the Prayer We Offer (Cypress Court)
- I Vow to Thee, My Country (Thaxted)
- We Sing the Praise of Him Who Died (Bow Brickhill)
- I, Lord of Sea and Sky (Here I Am, Lord)
- All My Hope on God If Founded (Michael)
- Give Me the Wings of Faith (San Rocco)
- Lord Jesus Christ (Living Lord)
- For All the Saints (Sine Nomine)
- My Song Is Love Unknown (Love Unknown)
- Praise the Lord of Heaven (Vicars' Close)
- Glorious Things of Thee Are Spoken (Abbot's Leigh)
- Come Down, O Love Divine (Down Ampney)
- Hark What a Sound, and Too Divine for Hearing (Highwood)
- King of Glory, King of Peace (Redland)
- Holy Spirti, Ever Dwelling [Salisbury]
- For the Fruit of His Creation [East Acklam]
- Lead, Kindly Light (Alberta)
- Lord, for the Years Your Love Has Kept and Guided (Lord of the Years)
- Thy Hand, O God, Has Guided (Thorbury)
Customer Reviews:
a voice teacher and early music fan.......2007-02-05
This is a really good representation of 20th century hymn tunes sung by a typical British Choir made up of boy sopranos, male altos and the usual number of tenors and basses. The choir sings very well using good diction and appropriate interpretation. The arrangements are varied, different groups of voices singing parts of a hymn usually alternating and eventually the full choir joins in; nothing unusual in the arrangements themselves. There is a nice variety of hymns, some more interesting than others. I will comment on a few of them as follows:
The opening hymn:'Christ, triumphant, ever reigning' is a good opener in that it is quick and begins with the boy sopranos and immediately gets your attention. John Barnard's majestic 'Guiting Power' tune sweeps the words up in a wide-ranging,flowing melody that creates from them a fine hymn.
'I, the Lord of sea and sky(Here I am, Lord) is a truly striking hymn! The words of this song begin with a proclamation in the verses; this is answered in the refrain by the singer's commitment to service. This is reflected in the tune. The melody for the verses has a vigorous movement to proclaim the work of God in creation, His continuing love for that creation,and His call for service. Both the words and music are by the American Jesuit musician Daniel L. Schutte, who has served both on college campuses and in parish ministry.
'All My Hope On God Is Founded' the tune of which is written by Herbert Howells and is called 'Michael'in memory of his son who died in childhood. It is a lovely melody and the words suit it very well.
The composer Ralph Vaughan Williams was the music editor of the 'English Hymnal'. The most widely used of his own tunes was the 'Monk's Gate' which he created from a folk tune. It is subtly contrived, as the rhythm of the alleluias shows. 'Sine nomine' simply means without a name.The resulting hymn is 'For All the Saints'.
The Wells Cathedral Choir under the direction of Malcolm Archer accompanied by Rupert Gough on the organ have produced an excellent disc.
Dan Schutte's Here I Am, Lord.......2001-01-08
I bought this collection because I saw the song, Here I Am, Lord written by Daniel Schutte. I grew up singing this song and many other pieces from the St. Louis Jesuits and this continues to be one that has deep meaning for me. In addition, the other pieces in this collection are very enjoyable to listen to, not only for worship but for time of reflection.
Dan Schutte's Here I Am, Lord.......2001-01-08
I bought this collection because I saw the song, Here I Am, Lord written by Daniel Schutte. I grew up singing this song and many other pieces from the St. Louis Jesuits and this continues to be one that has deep meaning for me. In addition, the other pieces in this collection are very enjoyable to listen to, not only for worship but for time of reflection.
God is an Englishman.......2000-06-05
After the Anglican Communion, particularly the American branch, has completed its transformation from a church to a political-social club, at least it will be remembered for two things: the beautiful and influential language of its Book of Common Prayer (1662) and its wonderful music. The English Hymn, volume 1, is a promising start to another English music series by Hyperion. This series complements Hyperion's English Anthems series, its Psalms at St. Paul's (many volumes of Anglican chant), and its two-CD collection of "Mags and Nuncs" (My Soul Doth Magnify the Lord and My Spirit Hath Rejoiced). Volume 1, "Christ Triumphant," features hymns written in the 20th century. The styles of the hymns range from confident, pre-Great War, "God is an Englishman" roof-raisers to insipid, happy-clappy jingles, which inadvertently, I assume, parallel the decline of the church. The Wells Cathedral Choir sings with gusto and, typical of Hyperion, the sound quality is excellent. My only disappointment came when the CD ended - is this all there is to the 20th century? I hope Hyperion plans to include more than one volume on the 20th century in this series. If you enjoy this type of music, you will be satisfied with this CD. If you have CDs from the other series listed above, the English Hymn, vol. 1, and a programmable, carousel-CD player, now you can click your heels and transport yourself to Evensong at King's College, Cambridge, or St. Paul's, London!
Average customer rating:
- At least it's unique compared to the rock mainstream.
- Another psychedelic rock classic by the famed elephant 6 band!
- Dream in sound
- This album will get you beat up at school!
- Not the Elephant 6 I love
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A Dream in Sound
Elf Power
Manufacturer: Arena Rock
ProductGroup: Music
Binding: Audio CD
General
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- When the Red King Comes
- Creatures
- Walking With the Beggar Boys
- The Winter Is Coming
- Back to the Web
ASIN: B00000IMIL
Release Date: 1999-05-11 |
Tracks:
- Will My Feet Still Carry Me Home
- High Atop The Silver Branches
- Wilony Man
- Olde Tyme Waves
- Jane
- All The Passengers
- We Dream In Sound
- Carnival
- The Well
- Noble Experminent
- Simon (The Bird With The Candy Bar Head)
- Rising And Falling In A Little World
- O What A Beautiful Dream
- Bonus Track
Amazon.com essential recording
Hailing from Athens, Georgia, and often discussed in the same breath as psychedelic upstarts Olivia Tremor Control and Neutral Milk Hotel (since they all operate under the loose umbrella of the Elephant Six collective), Elf Power are an eccentric rock quartet that perform engaging, subtle music with a sonically subversive underbelly. On the band's third full-length release, songwriter Andrew Rieger shows a penchant for clever wordplay on tunes like "All the Passengers" and "O What a Beautiful Dream." Along with band members Bryan Helium, Aaron Wegelin, and Laura Carter, Rieger takes the listener on a quirky musical journey that is as surreal as it is smart with unconventional instrumentation and random noise filtering throughout. With cameos by Athens alt-rock royalty, this marks the dawning of a new psychedelic underground. --Mitch Meyers
Customer Reviews:
At least it's unique compared to the rock mainstream........2006-01-27
With this 1999 release Elf Power have an interestingly detailed and certainly bold, albeit cloying record.
Most of the time, Andrew Rieger (vocals) is content to whimper in a syrupy, Jeff Buckley's-sickly-little-brother-with-asthma falsetto, though his voice would hold pitch better and soar beautifully if he'd breathe better and project more. I realise that he does this on purpose as a matter of aesthetics, but he sounds a bit like the Prince of Swamp Castle in Monty Python's Search for the Holy Grail.
The guitars tend to slip beneathe the drums and layers of atmosphere in places, and it detracts from the band's sonic profile. The melodies wander to and fro from sweetly catchy to grating, the latter of which is made worse by Rieger's aforementioned vocal tendencies. The keyboards tend to be a bit annoying and garishly stark. Certain moments conjure the impression of cheesy christmas themes.
It seems that every other song on ADIS is either interestingly catchy and fey (Will My Feet Still Carry Me Home, Jane, We Dream In Sound, the Well, Simon, O What A Beautiful Dream) or embarrasingly sappy and juvenile (High Atop the Silver Branches, Olde Tyme Wayes, Carnival, Noble Experiment, etc.) It's like a giddy Radiohead hosting a daytime children's show on public television in the late 1970's.
Another psychedelic rock classic by the famed elephant 6 band!.......2005-12-29
Elf Power is one of the best indie rock groups around. If you don't believe me, listen to this album, "Creatures" and "Walking With The Beggar Boys". The lyrics may not be very interesting in the long run (though they are indeed very catchy and memorable which helps if you wish to sing along), but boy is it entertaining! Every song on this album has great instrumentation and is extremely fun. Andrew Rieger's vocals are, once again, very soothing and dreamy (though it varies - "Creatures" is way more dreamy sounding than this one). Every person I've played these two albums for ended up has humming or singing the choruses right after. If you're a music collector or even just a fan of rock music do yourself a favor and buy this album.
Highlights include:
the whole album!
Dream in sound.......2004-09-22
No, it's not the kind of elf power that we saw in "Lord of the Rings," with the rings and the river and so on. It's one of those deliciously weird names that Elephant 6 bands frequently use. And in "A Dream in Sound," Elf Power magicks up a sweet, vaguely psychedelic batch of catchy pop tunes.
Expect to be hooked in by "Will My Feet Still Carry Me Home," a catchy, light little tune, because then it's off into the even catchier "High Atop The Silver Branches," a wistful yet bouncy melody, and the rollickingly staccato title track. This tendency peaks with "Simon (The Bird With The Candy Bar Head)," which is augmented by playful horns and birds twittering.
But don't expect Elf Power to be all brightness and fun. "Willowy Man" establishes a handful of aching, bittersweet ballads, like the melancholy "Jane." And "Carnival" is pure fun -- horns, sparkling twitters and fast drums establish a wonderful circus atmosphere, before dying out with a horn blat into the psychedelic-rocker "The Well."
Okay, who could resist checking out a band with a name like Elf Power? They don't measure up to sister band Neutral Milk Hotel, as few other Elephant 6 bands can. But taken alone, Elf Power is refreshingly fun, catchy, and has the talents of other Elephant 6 alums like Jeff Mangum to give it some extra flavor.
Their sound is more like Britpop, and less like the eerily strange creations of their sister bands. Instead of sounding surreal, they opt for catchiness. They start off with the obvious guitars and percussion, but also use lots of organs, horns, distortion and weird sound effects to make it sound just a little psychedelic.
Andrew Rieger's vocals are not stellar, but his airy lilts are somehow soothing, trying out the singsongy approach in "Will My Feet Still Carry Me Home," then murmuring in counterpoint to Laura Carter's even more lovely vocals. The songwriting isn't too amazing -- at one point, Rieger actually sings "tra la la!" -- but it's pleasant enough. "It took a thousand light years/for you to trip down into my eye..."
Elf Power has a power all its own. Don't compare it to its more highly-regarded siblings. Instead, appreciate it for its beautiful, catchy, and thoroughly addictive pop melodies in "A Dream in Sound."
This album will get you beat up at school!.......2004-04-09
I saw them live in New Orleans. They were awful. They opened for Wilco, what an embarassment for the Chicago natives. I lived in Athens just long enough to realize that this is the sort of poser music that only Athens can produce. I almost fell into the trap of thinking these guys were worth a crap until it dawned on me - this is the type of music that will get you beat up in school. // The tracks on this album are whiney boy pop rock, aspiring for something which I don't really seem to know...I don't think they do either - so, "hey! lets call it ART!!! They'll be sure to buy it then..." - Don't get caught wasting your money.
Not the Elephant 6 I love.......2003-01-15
I am a slavish devotee to the Elephant 6 Collective, but I may have to rethink that after listening to this release of Elf Power's. Maybe I didn't give it the time it needed to grow on me, but I can honestly say this album grated on me more than any album I have listened to this year (and I listen to a lot). It was just too sparse. Most of the tracks seemed to lack a melodic center. And the words just bounced off of me. For my money, you would be much better off with Olivia Tremor Control, The Apples in Stereo, or Beulah. Even the Red King is to be preferred to this one.
I know people have rated this album off the charts, but I just have to say that it really does not do it for me. Let this be a voice of warning and/or dissent.
Average customer rating:
|
The Sound Is in You
The Grip Weeds
Manufacturer: Rainbow Quartz
ProductGroup: Music
Binding: Audio CD
General
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General
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Power Pop
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- Better Than Before
- Some People Are on the Pitch They Think It's All Over It Is Now
- How the Story Goes
ASIN: B00008V62T
Release Date: 2003-04-22 |
Tracks:
- Intro
- Every Minute
- Better World
- What I Believe Is You
- Games
- A Piece Of My Own
- Tomorrow
- We're Not Getting Through
- In Waking Dreams
- Morning Rain
- Ready And Waiting
- Strange Bird
- Everything And All You Feel
- Down To The Wire
- What's In Your Mind?
- Inca
- Outro
- Lazy Day
- I Can Hear The Grass Grow
Rock Music:
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- The Pretty Things [Enhanced]
- The Process of Farmakon
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- The Quality of Mercy
- The Quiet Vibration Land [Import]
- The Raging Sun
- The RCA Sessions [Import]
- There Goes the Sun
Rock Music
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