The Well

the well

Editorial Reviews
OPTION MAGAZINE
"Wes Freed's rock-dust whine and the combination of acoustic and electric instruments give this music a real edge. The folk scene needs this kind of kick in the pants".

Product Description
Songs about drinkin' and temptation from the Kings of "Hillbilly Soul". Produced by Bob Rupe of Cracker. Americana at it's best. More fun than a halloween hayride with Hank Williams!

The Well,Dirtball,Planetary,Alternative Country-Rock,Americana,Rock/Pop

The Well

Average customer rating:

Bright Paisley
Time Well Wasted- Brad Paisley
Quality listening
love this cd
Almost perfect!

Time Well Wasted
Brad Paisley
Manufacturer: Arista
ProductGroup: Music
Binding: Audio CD

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Mud on the Tires
Hillbilly Deluxe
The Road and the Radio
Your Man
Greatest Hits, Vol. 2

ASIN: B000A2APUS
Release Date: 2005-08-16

Tracks:

The World
Alcohol
Waitin On A Woman
Ill Take You Back
Shes Everything
You Need A Man Around Here
Out In The Parkin Lot (with Alan Jackson)
Rainin You
Flowers
Love Is Never-Ending
The Uncloudy Day
When I Get Where Im Going (Featuring Dolly Parton)
Easy Money
Time Warp
Time Well Wasted
Cornography (featuring James Burton & the Kung Pao Buckaroos)

Amazon.com

Brad Paisley's previous release, Mud on the Tires, was the sort of landmark album nearly every artist has difficulty topping. Not so this time. On Time Well Wasted, Paisley's voice--never overwhelmed by overmixed instruments (a problem dogging many current vocalists)--remains keenly focused. There's quality material in abundance, heavy on originals and delightfully quirky bonus tracks. The album's first hit, Paisley's self-penned "Alcohol," has the potential to become a lasting anthem in a genre where booze songs long ago became an art form. Guy Clark's "Out in the Parkin' Lot," a duet with Alan Jackson, sounds more organic, less contrived than most Music Row pairings. The same applies to "When I Get Where I'm Going," a spiritual duet with Dolly Parton. As in the past, Paisley's country-jazz Telecaster prowess (phemonenal on the dazzling instrumental "Time Warp") remains remarkable, as does his insistence that his sidemen get ample space to shine. Such assets set Paisley apart, as does his ability to make real creativity commercially successful in a Nashville concerned mainly with the latter. --Rich Kienzle

More Brad Paisley

Who Needs Pictures

Part II

Mud on the Tires

Album Description

Time Well Wasted reunites Brad with producer Frank Rogers for a 16-track collection sporting 10 selections from Paisley's pen, including first single, "Alcohol," the fastest-rising chart single of his career. Look for multiple guest stars, including Dolly Parton (featured on "When I Get Where I'm Going") and Paisley labelmate Alan Jackson, who duets on the Guy Clark/Darrell Scott gem, "Out in the Parkin' Lot."

Customer Reviews:

Bright Paisley.......2007-06-24

When I first saw Brad Paisley I thought he was a hayseed singer with a hat too big for his head. That was though until he opened his mouth and sang. He has a warm honey voice that throughly enjoyable to listen to. This CD is varied with ballads, up-tempo to humorous. His funny songs are a favorite of mine. I don't think anyone will be disappointed in this CD

Time Well Wasted- Brad Paisley.......2007-06-13

This CD arrived very fast. I listen to it constantly and really like it. I appreciate that Amazon.com sold it to me for considerably LESS than Barnes & Noble, Best Buy, Target, Silver Platters or any other retailer where I had priced it at.

Thanks, Amazon!

Jennifer L. Nance
Seattle, WA

Quality listening.......2007-05-15

I really enjoy the songs on this
CD. My favorite is "When I Get Where I'm Going"

love this cd.......2007-05-12

the shipping was prompt and this is a great cd will be buying more from amazon thats for sure

Almost perfect!.......2007-03-23

I love this whole album except for the "Cornography" track.
The songs are all either beautiful/funny/toe-tapping, etc. but I think Brad has misrepresented himself with the final track.
I'm still a loyal fan though, I've met the guy and his convictions are real. I think he just lost his head for a second.
Five stars without the "Cornography" track.

Average customer rating:

"Take a ride in the new Chevelle!" (possibly the dumbest review title possible)
Sublime Work: Hardness & Feeling
Ok
Awesome!!!
A solid #4

Vena Sera
Chevelle
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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HELLYEAH

ASIN: B000NJLM3C
Release Date: 2007-04-03

Tracks:

Antisaint
Brainiac
Saferwaters
Well Enough Alone
Straight Jacket Fashion
The Fad
Humanoid
Paint The Seconds
Midnight to Midnight
I Get It
Saturdays

Customer Reviews:

"Take a ride in the new Chevelle!" (possibly the dumbest review title possible).......2007-07-13

Is this the album that Linkin Park (or at least their fanbase) wishes they had released?

Confident yet not lazy in their niche in today's rock scene, Chevelle has a satisfying 3rd major label LP with Vena Sera. You think Pete Loeffler has run out of fingers to point? You think wrong. He, brother Sam, and brother-in-law Dean have yet to run out of ways to manipulate their signature booming, detuned sound to condemn the masses and sell rock records that stand head and shoulders above their contemporaries in their intensity and quality songwriting.

Unlike parts of TTOT, this record proves easily listenable from beginning to end. The middle offers the most intense and creative songs. "Straight Jacket Fashion" manages to switch with fluidity between a punk beat and their oft-reliable and smooth ¾ groove, the place the song comes in for its landing. "The Fad" and "Humanoid" are the darkest cuts on the album, the latter employing an old-school rhythm and turning it into a blistering hook reminiscent of a quicker "Family System". Second single "I Get It" deserves a mention as well for its prominent acoustic guitar (believe it or not) in the verses and its seething, sarcastic tone throughout.

Don't think you're going to gain any new insights into the meaning of the songs nor who the arrows are aimed at - just like the past records, Pete's lyrics are inscrutable. Even so, you have to admit that he manages to create some of the catchiest choruses in radio rock, even if you have little idea who he's pissed at. It's actually rather nice, especially in Chevelle's genre, to have some mystery in the meanings of the songs. (And isn't that the point of art anyway, to interpret it for yourself?)

Critics have always come down on Chevelle either for Tool/Helmet imitation or just for lack of deviation from the nu-metal masses. While Vena Sera is not likely to silence the critics, those who do "get it" should be very pleased...Chevelle at least is not trying to break into the Top 40 like other rock bands going through identity crises.

Sublime Work: Hardness & Feeling.......2007-07-09

For all those who're only looking for hard sound I should suggest them just to listen to other genres like Death Metal. This incredible alternative band has been able to to create with new and absolute peculiar experience about expressivity and feeling through the Metal's hard sounds. Each song is a unique treasure yelled and sung from the deepest of three alternative hearts. Delighting.

Ok.......2007-07-08

I think a lot of fans as they continue to listen to further Chevelle albums want to compare it to "Point #1" as in, hey, it's not exactly like Point #1, or sounds different from it. I think Chevelle are branching out and discovering some new sound territories- on some of the album. And then sometimes it sounds like Point #1 again, hard-rocking, and thoughtful lyrics. Then sometimes it sounds like Tool, or Helmet, which the band is obviously influenced by. But through and through, it's recognizable as Chevelle. "Well Enough Alone" is beautiful, and hard. The first song on the album took me by surprise. I thought to myself "wow, they've gotten harder". The album varies in hardness, sometimes it's really hard, sometimes it lightens up, but not that much. Sometimes the guitar riffs are predictable, but the lyrics are always quite deep. True fans will be happy with this, as usual. But it's not ground-breaking. It's not so new that it will blow you away. I don't think Chevelle will ever get rid of their signature sound, which is "them" but showing through and through their influences. But will we ever reach the genius of "Point #1" again? I'm not sure.

Awesome!!!.......2007-06-27

I own every album that Chevelle has put out, and this album is by far my favorite. They took a whole new approch to making this album, which gives it a variety of different sounds. This is a must buy!

A solid #4.......2007-06-26

while nothing ground breaking, this album is a serious effort and deserves props. The vocal performance of pete is getting more and more unique (minus a few toolesque moments, antisaint in general). I would have to say that if this album was released back in the early turn of the century, they would have sold alot of albums, more then wonder did. This is a solid performance with well thought out singles, but missing the journey that a ground breaking album has with each track. Well mixed, better musicianship and good tone make this album a head above the rest of there albums, while no point #1 this album deserves a spin in any collection for months and maybe even years to come.

The Most Relaxing Classical Music in the Universe

Average customer rating:

the most relaxing classical music in the university
Relaxing Classical Music
Stress-freedom
Greatly enjoy!
the most relaxing classical music in the universe

The Most Relaxing Classical Music in the Universe
Johann Sebastian Bach , Ralph Vaughan Williams , George Frideric Handel , Gustav Holst , Samuel Barber , Edvard Grieg , Jean Sibelius , Antonin Dvorak , Franz Liszt , Charles Gounod , Fryderyk Chopin , Alexander Borodin , Maurice Ravel , Antonio Vivaldi , Satie, Erik , and Various Artists
Manufacturer: Denon Records
ProductGroup: Music
Binding: Audio CD

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The Most Relaxing Piano Album in the World...Ever!
More Of The Most Relaxing Classical Music In The Universe
Mozart for Relaxation

ASIN: B00008RH16
Release Date: 2003-04-08

Tracks:

Canon - Pachelbel
Eine Kleine Nachtmusik-Andante - Mozart
Fur Elise - Beethoven
String Quartet #1 - Tchaikovsky
Clair De Lune - Debussy
Idyl for Strings - Adagio - Janacek
Adagio in G Mnor - Albinoni
The Girl with the Flaxen Hair - Debussy
Air on a G String - Bach
Greensleeves - Vaughn Williams
Largo from Xerxes - Handel
Prelude in C - Bach
The Planets - Venus - Holst
Goldberg Variations - Aria - Bach
Adagio for Strings - Barber

Tracks:

Prelude to the Afternoon of a Faun - Debussy
Fur Elise - Beethoven
Holberg Suite - Sarabande - Grieg
Valse Triste - Sibelius
Concerto in F Minor - Largo - Bach
Serenade for String - Moderato - Dvorak
Liebestraume - Liszt
Ave Maria - Bach/Bounod
Etude in E Major - Chopin
String Quartet No 2 - Nocturne - Borodin
Arabesque - Debussy
Pavane for Dead Princess - Ravel
The Four Seasons - Largo - Vivaldi
Gymno0pedie 1 - Satie
Moonlight Sonata - Adagio - Beethoven
Piano Concerto No 21 - Andante - Mozart "Elvira Madigan"

Customer Reviews:

the most relaxing classical music in the university.......2007-05-12

All my favorites. I can start the CD player, which is wired to speakers in every room of my house, and just let it play, along with "The Most Relaxing Classical Music in the World" and "The Most Relaxing Classical Guitar in the World." I enjoy an awareness of familiar and beautiful strains of my favorites all day long and never get tired of it.

My brother visited me recently and noticed it right away. That will be another order for this fabulour music.

Relaxing Classical Music.......2007-01-08

I was not really a classical music fan but I am now. I purchased this cd for my 14 year old grand-daughter, not knowing we would both enjoy the music so much. She has always enjoyed classical music along with all of the other teen music, rap, rock, country, etc.
Also, it really helped being able to listen to parts of the music before purchasing.

Stress-freedom.......2006-03-14

Perfect music to end the work day. After listening to this I can face the evening. If the morning is hard, a little at lunch time gets me through the afternoon.

Greatly enjoy!.......2006-02-23

I first developed a taste for this music a number of years ago when my daughter started playing in the orchestra. The reason I made this purchase however, was because I have a great deal of difficulty with anxiety and I was looking for ways to find help. I love these CDs. It helps so much to sit and close my eyes and enjoy the music. The CDs are full of beautiful music.

the most relaxing classical music in the universe.......2005-09-21

it's the best next to the first one...

Andrea Bocelli - Sacred Arias / Myung-Whun Chung

Average customer rating:

Beautiful music
Andrea Bocelli-Sacred Arias
An "experience" of sacred arias more than "listening" of sacred arias
amazing talent
Perfect arias for the perfect voice

Andrea Bocelli - Sacred Arias / Myung-Whun Chung
George Frideric Handel , Giulio Caccini , Charles Gounod , Franz Schubert , Cesar Franck , Gioachino Rossini , Giuseppe Verdi , Wolfgang Amadeus Mozart , Richard Wagner , Pietro Mascagni , Louis Niedermeyer , Franz Xaver Gruber , John Francis Wade , Jean-Paul Lecot , Myung-Whun Chung , and Andrea Bocelli
Manufacturer: Philips
ProductGroup: Music
Binding: Audio CD

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Romanza
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Sogno
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Andrea

ASIN: B00002ND9N
Release Date: 1999-11-09

Tracks:

Caccini/Mercurio: Ave Maria
Mascagni: Sancta Maria
Gounod: Ave Maria
Schubert: Ave Maria
Franck: Panis Angelicus
Rossini: Cuius animam
Verdi: Ingemisco
Mozart: Ave verum
Wagner: Der Engel
Handel: Ombra mai fu
Niedermeyer: Pieta signore
Rossini: Dominus Deus
Schubert/Mercurio: Mille Cherubini in coro
Gruber/Mercurio: Silent Night
Wade: Adeste Fideles
Gloria a te, Cristo Ges

Amazon.com

When he was growing up, Andrea Bocelli recalls finding inspiration in a favorite recording of sacred music performed by tenor legend Franco Corelli. Bocelli--who in the meantime has come to inspire millions of fiercely loyal fans himself--returns to the genre as the guiding theme of Sacred Arias, the release of which coincides with the first English-language biography of the singer. These performances are filled with the singer's phenomenally well-known vocal signature: his flair for long, sweetly floating high notes and the gentle sense of cadence he brings to a melody. It's a mistake to compartmentalize Bocelli into a singer of "operatic" versus "popular" styles: in truth his approach is at heart the same. Lack of color and control in his phrasing remains a drawback, but the emotional empathy Bocelli evokes is never in doubt. The arias collected here sample some of the most famous devotional pieces: Schubert's "Ave Maria" and Mozart's transporting "Ave Verum," as well as an arrangement of "Silent Night" in which Bocelli tries out his English. There's also a decidedly odd choice of bedfellows for a program of "sacred" music, such as a song from Wagner's Wesendonck Lieder (whose "angel" is the object of an overpoweringly erotic attraction) and Handel's figurative ode to a tree, "Ombra mai fu." Still, Bocelli sings with an unfeigned directness that is sure to expand his already enormous following even further. --Thomas May

Customer Reviews:

Beautiful music.......2007-01-12

This is my second copy of this CD, I burned the first one out!!
Andrea Bocelli has a very gorgeous voice that is a gift from above. His voice is not affected or braggadoccio but naturally magnificent. I could and do start my day listening to this spiritually uplifting CD almost everyday. It is a wonderful way to get off to a pleasant peaceful start, but also a nice way to come home in the evening if you have a CD player in your car. I highly recommend it to all.

Andrea Bocelli-Sacred Arias.......2006-08-25

Excellent listening. Voice quality and tone is superb. Brings tears to my eyes when I envision listening to this in a church setting.

An "experience" of sacred arias more than "listening" of sacred arias.......2006-04-28

I bought this CD's special edition with DVD, and I am impressed by bocelli's singing in this album. I have heard many voices singing sacred songs, and christmas songs, but very few singers can achieve the "sacred atmosphere" that bocelli devotes when he sings. He may not have a "strong" voice as opera singers, but I think singing these sacred songs, devoting the "sacred atmosphere" to the audience is much more important, the voice actually is just a tool that helps a singer to achieve the result. For real, I have heard some CD by some chorus that perform sacred arias, but they did not move me as much as this CD does, mostly not even close. Personally I like "O come all ye faithful", "silent night", all "ave maria"'s, "domine deus", "cujus animam" the most. When I listen Bocelli's singing I focus on what he tries to devote in singing more than his voice color, because in terms of voice color he surely cant be compared with pavarotti or domingo, so why compares? The way of listening him and listening real opera singers is different man. But the reason I gave only this CD four stars is that I have heard several sacred arias from this album performed by his voice teacher, the legendary tenor Franco Corelli. I tried not to compare both...but I cant, not because Bocelli sings bad, he is already excellent, just Corelli is TOO excellent that cant be described by human language (well I think even Pavarotti is not even close to Franco Corelli, but this is just my opinion). Anyway if you want to "experience" the true beauty of sacred arias, this CD is highly recommended. And this is also a very good sacred aria album for beginning listeners who want to broaden their musical taste to sacred arias.

amazing talent.......2006-03-25

worth the price the songs are breathtaking and talent is indescribable

Perfect arias for the perfect voice.......2006-03-04

These are just terrific. How does Andrea acheive the range he does, and the power he has, without sounding too heavy or too light? His voice sounds like the perfect voice for these perfect arias.

I have noticed one concern with the CD. I have heard several clicks scattered here and there in the songs -- but the CD is clean and I feel confident it is not the machine. Has anyone else noticed this?

Relaxation Body Scan & Guided Imagery for Well-Being

Average customer rating:

Extremely Relaxing!!!
Better of the relaxation CD's I've tried
expert quidance in relaxation

Relaxation Body Scan & Guided Imagery for Well-Being

Manufacturer: Carolyn McManus
ProductGroup: Music
Binding: Audio CD
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ASIN: B0000AGUCJ
Release Date: 2003-06-01

Tracks:

Relaxation Body Scan
Guided Imagery for Well-Being

Album Description

The ability to relax your body and calm you mind is necessary for health and well-being. This recording helps you discover your capacities for relaxation and inner calm.

Relaxation Body Scan introduces you to simple breathing exercises that relax your body and calm your mind. Guidance to relax each muscle group in your body is provided. The program concludes with awareness of your entire body resting in a state of relaxation.

Guided Imagery for Well-Being begins with a brief relaxation body scan, followed by a guided journey to a calm and peaceful place. You are invited to experience peace, balance, well-being and any positive feeling or quality you would like to strengthen within yourself. The program concludes by guiding you to experience these positive feelings and qualities in your body in the present moment.

Customer Reviews:

Extremely Relaxing!!!.......2007-02-14

I am a stay at home mother with a very high needs baby. I suffer from chronic daily headaches and was looking for a CD that would help me relax.
I've tried meditating but my mind always wanders. This cd was excellent in helping to keep my focus on my breathing. After a session I feel absolutely renewed!

Better of the relaxation CD's I've tried.......2006-01-18

I'm constantly looking for a good progressive muscle relaxation cd because when I make them for myself, I just laugh at myself while listening to it. :) This CD is great because Carolyn's voice is soothing but somewhat plain/neutral, so she doesn't come across as overly cheesey. I've also had some experience with subliminal relaxation tapes, and I found progressive muscle relaxation to be more effective. As a psychotherapist, I use this myself and recommend it freely to clients. Great purchase!

expert quidance in relaxation.......2004-05-20

"Relaxation Body Scan & Guided Imagery for Well-Being" is the best tool I know for learning the skills of relaxation and body awareness. Carolyn's insructions are clear and easy to follow. Her calm voice is wonderfully soothing. Her experiance as a Physical Therapist and Psychotherapist clearly makes a difference in her ability to create a guided relaxation technique that really works. I highly recommend this CD to anyone wanting to relax.

Average customer rating:

Wayne...Wow!
Absolutely splendid!
Simply the best of everything
wayne Bergeron's new CD
He Really DOES Play Well with Others :-) ...

Plays Well With Others
Wayne Bergeron
Manufacturer: Concord Records
ProductGroup: Music
Binding: Audio CD

General | Jazz | Styles | Music

Contemporary Big Band | Swing Jazz | Jazz | Styles | Music
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Up and Running

ASIN: B000G73UDG
Release Date: 2007-01-09

Tracks:

Endless Torture (Tortura Sin Fin)
Maynard & Waynard
Scheherazade
You Go To My Head
Georgia
Samba Brassiliero
High Clouds And A Good Chance Of Wayne
Requiems
You Hid What In The Sousaphone?
The Hipster

Amazon.com

A trumpeter with chops from here to San Diego, a no-nonsense approach to soloing, and an 18-piece band that hits and swings hard, Wayne Bergeron is a classic product of the West Coast studio system. The patron saint of Plays Well With Others is the late Maynard Ferguson, whose appearance here on the comparatively toned down "Maynard and Waynard" was one of his final recorded efforts. Bergeron, who has been heard behind countless pop artists, is not the stratospheric threat Ferguson was, but he embodies the same brash aesthetic in leading his well-drilled ensemble through a program that ranges from driving originals by the likes of Big Phat Band leader Gordon Goodwin to a rhythmic awakening of "Georgia" to go-for-the-throat ballads like "Requiems" to a frisky reading of Rimsky Korsakov's "Scheherazade." Those who like a bit more subtlety or wit in their mainstream big bands might want to look elsewhere. But for those who like these sounds straight up and fancy free, this is a good place to be. --Lloyd Sachs

Customer Reviews:

Wayne...Wow!.......2007-05-12

This CD is very special because of the track with Wayne Bergeron and Maynard Ferguson together..."Waynard and Maynard." While neither musician goes into the trumpet stratosphere, their very entertaining performance together is worth the cost of the CD. The other tracks definitely show off Bergeron's awesome talent, especially "Endless Torture"(love that latin beat). Also check out Bergeron's other CD, "You call this a Living?" That one made me a Wayne Bergeron fan.

Absolutely splendid!.......2007-04-11

Wayne has put together another magnificent project. The playing is great, the arrangements are great, and the production is great. This is a big band cd you need to hear.

Simply the best of everything.......2007-04-05

This is a must have for listeners of Jazz, Big Band and the likes. Everything is played in such accuracy it is almost unreal!!! Well engineered, orchestrated and performed. Congratulation to Wayne and his Big Band. Truly a magnificent album in every sense of this word.

Yours sincerely,
Peter Tuason

wayne Bergeron's new CD.......2007-03-18

"Plays Well With Others" is a spectacular collection of great players, wonderful arrangements. Wayne's playing is absolutely amazing. His command of the trumpet and his musicality are a joy to listen to.

Bill Peterson

He Really DOES Play Well with Others :-) ..........2007-03-15

Plays well by himself too! Wayne Bergeron is to trumpet playing what LeBron James is to basketball. (OK, I'm from NE Ohio. And although Wayne's obviously not a "spring chicken" anymore, he's still a monster!) As a trumpet player who knows playing the Wayne plays doesn't just happen, I admire his hard work coupled with his natural talent to make some pretty beautiful music.

The variety of styles represented on this CD is great. He does some serious screaming, some great ensemble stuff, some wonderful improvisation and just flat out plays well with others :-) ...

I can pretty much assure you won't be disappointed. If you are, write to Wayne. He's promised a triple refund of the purchase price for those not completely satisfied with this CD. Well, maybe not, but I'm pretty sure he'd be able to and never have to send a cent.

Get it. Listen to it. Be inspired (he really is good). Be nauseated (he's so good it'll make you sick). Enjoy (music made with such passion, polish and power is an absolute pleasure to hear).

Average customer rating:

This should never have worked at all
A GREAT AND OFTEN OVERLOOKED MUSICAL FROM THE 80-IS
Chess
One of my favorites!
Concepts get better with practice

Chess
Bjorn Ulvaeus , and Tim Rice
Manufacturer: Decca Broadway
ProductGroup: Music
Binding: Audio CD

Musical Theater | Vocal Non-Opera | Opera & Vocal | Styles | Music

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Similar Items:

Chess (1988 Original Broadway Cast)
Miss Saigon (Original 1989 London Cast)
Evita (1978 Original Broadway Cast)
A Little Night Music (1973 Original Broadway Cast)
Sweeney Todd (2005 Broadway Revival Cast)

ASIN: B000002GLR
Release Date: 1996-07-23

Tracks:

Merano - The Ambrosia Singers/Anders Eljas/Murray Head
The Russian And Molokov/ Where I Want To Be - The Ambrosia Singers/Anders Eljas/Tommy Korberg/Denis Quilley
Opening Ceremony - The Ambrosia Singers/Anders Eljas/Bjorn Skifs
Quartet (A Model Of Decorum And Tranquility) - Elaine Paige/Tommy Korberg/Denis Quilley/Bjorn Skifs
The American And Florence/Nobody's Side - Elaine Paige/Murray Head
Chess - LSO/Anders Eljas
Mountian Duet - Elaine Paige/Tommy Korberg
Florence Quits - Elaine Paige/Murray Head
Embassy Lament - Tommy Korberg/The Ambrosia Singers/Anders Eljas
Anthem - Tommy Korberg

Tracks:

Bangkok
One Night In Bangkok
Heaven Help My Heart
Argument
I Know Him So Well
The Deal (No Deal)
Pity The Child
Endgame
Epilogue: You And I / The Story Of Chess

Amazon.com

Chess is a musical that sounds like it shouldn't work but instead succeeds surprisingly well. This is the original concept album that was recorded before the musical was staged in London. Chess is the story of a love triangle told against the backdrop of an international chess tournament during the height of the cold war. The composers are Benny Andersson and Bjorn Ulvaeus (the Bs in ABBA) and the lyrics are by Tim Rice, who supplied the words for Andrew Lloyd Webber's Jesus Christ Superstar and Evita, as well as Disney's Aladdin (with Howard Ashman), The Lion King, and Beauty and the Beast. The six-member cast does a beautiful job with the songs, which are a combination of ballads, rock, and operatic choruses. Murray Head's version of "One Night in Bangkok" became a surprise hit in the mid-'80s and it still turns up on the turntables in dance clubs around the world. --Michael Simmons

Customer Reviews:

This should never have worked at all.......2007-06-18

And on that basis alone, you've got to cut it some slack. Fortunately, not all that much slack turns out to be necessary.

While "Chess" may be a document of an era that no longer exists, there's a lot more going on than the surface metaphor. It holds up very well indeed. When it aims for humor, it generally succeeds, and likewise when it aims to devastate. What more can you ask for?

A GREAT AND OFTEN OVERLOOKED MUSICAL FROM THE 80-IS.......2007-03-04

`Chess' is a musical that should be counted among the best of what the 1980-is had produced: side by side with `Cats', `The Phantom of the Opera', `Les Miserables' or `Miss Saigon'. The score as heard on this concept album, written by Björn Ulvaeus and Benny Andersson (formerly of ABBA) and with the exceptional lyrics written by Tim Rice, stand proof to this. And yet, due to various reasons, like the changing of the director half way through London staging; a heavy rewrite for Broadway and a pan review from Frank Ritch (a.k.a. `The Butcher of Broadway'), `Chess' seems to be unjustly neglected.

This concept album is the main reason why the show has so many ardent fans until this day. Tim Rice wanted to write the show with the main plot revolving around chess for years and after his long time partner Andrew Lloyd Webber remained uninterested, he found the new collaborators in Ulvaeus and Andersson. The subject matter follows two international chess players in a championship, a Russian (Tommy Körberg) and an American (Murray Head) and a woman called Florence (Elaine Paige) who is a manager to the American but falls in love with the Russian. The story also draws a parallel between the game of chess and the cold war/real life situations.

This concept album was recorded in 1984, two years before the original London production took place. As the authors noted in the accompanying booklet, it was a work in progress and thusly the story is not quite readable here from the musical numbers alone. Despite that fact (which is amended by the synopsis included in the booklet), this album remains a winner. The score (played here by the London Symphonic Orchestra) itself makes an intriguing bland of the famous ABBA sound, the classical; the rock and the pop enhanced by the orchestral solo passages and the strong choral parts. The lush orchestrations add an epic touch to it and on the whole it is melodic and hummable, packed with great tunes. Some of the songs achieved huge success outside the musical: `I know him so well', a duet between Elaine Paige and Barbara Dickson, held the number one spot on the UK singles charts for 4 weeks in February 1985 and won Ivor Novello Award as the Best Selling Single; Murray Head's `One night in Bangkok' became one of the biggest dance hits of its time, often heard today. Some other notable tunes include `The Anthem' (Russian's deliberation on his homeland); the soaring rock songs `Where I want to be' and `Pity the child' (in the former, the Russian reflects upon his life under the spotlight; in the latter, the American ponders about his own unhappy childhood) or the gentle `Heaven help my heart' (in which Florence weighs up her relationship with the Russian).

A special reference must be made to Tim Rice's excellent lyrics. With `Chess' he managed to keep up to the high standards he set himself in `Jesus Christ Superstar' and Evita'. Again in this case he shows he is a lyrical wizard, with his familiar cynical touch. `The story of chess', in which he gives a history of the game in a couple of crafty verses, is a pure masterpiece. The same can be said of the song `I know him so well', where the two women reexamine their relationship with the same man. As a whole, `Chess' owes a lot of its appeal to Tim Rice's written word.

The cast on this album ranks the high standard of the material. The principal parts (sung by Elaine Paige, Tommy Körberg and Murray Head) are delivered in a strong and impeccable fashion.

This 2-disc edition comes with a booklet containing a note from the authors, a text about chess, a full synopsis and a libretto, together with the photos of the principal singers.

Anyone interested in the modern musical theatre should find `Chess' to be a great score with great lyrics, which should be enough to satisfy any aficionado.

Chess.......2007-01-15

A magnificent musical, i have enjoyed the music since i first heard it and read the storyline. Had been unable to find it in our local music stores.Very pleased to find it on your site.

One of my favorites!.......2007-01-12

I love "Chess"! I still remember the first time I heard the single "One Night in Bangkok" on my car radio. I thought it was so unusual and so very cool, so I tracked down the album and bought it. Then I taped it onto a cassette, which is what I've been listening to for years, so I finally broke down and got it on CD. Of course, it's on my iPod now. I've seen the musical, and I loved that, too.

Concepts get better with practice.......2006-11-27

I love this show! That said, I do not care for this version of it. The inclusion of the word "concept" in the title means it is just that. This was, thankfully, not the final version of the show that would later spawn the hit song, "One Night In Bangkok".

With most Broadway musicals, the musical numbers tell the basic story of the show. If you listen to the recordings of Phantom, Mama Mia, Beauty and the Beast, you can discern the basic storyline of the show. Listening to this particular recording of Chess, though, will leave you wondering "What was that?" The Broadway arrival of Chess saw a much needed reworking of the storyline and arrangement of the musical numbers. This recording seems too much like a mish-mash of songs that don't really relate to each other.

For musical fanatics (like myself), I say "yes, you should have this recording in your collection", if only to understand how much work went into the show before it opened on Broadway.

If you are only buying the album because of "One Night In Bangkok", purchase the Broadway recording instead; you'll be much happier with the performance by Phillip Casnoff rather than Murray Head.

Jacques Brel Is Alive and Well and Living in Paris (1966 Original Off-Broadway Cast)

Average customer rating:

Jaques Brel still lives
Fabulous Show
Jacques Brel lives on through English Translation of his songs
A Little Night Music....
Fine Singer / Actors Do Brel Justice

Jacques Brel Is Alive and Well and Living in Paris (1966 Original Off-Broadway Cast)
Jacques Brel , Ocr , Elly Stone , and Mort Shuman
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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Jacques Brel Is Alive and Well and Living in Paris
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ASIN: B000067AS5
Release Date: 2002-05-28

Tracks:

Marathon
Alone
Madeleine
I Loved
Mathilde
Bachelor's Dance
Timid Frieda
My Death
Jackie
Desperate Ones
Sons Of.
Amsterdam
The Bulls
Old Folks
Marieke
Brussels
Fanette
Funeral Tango
The Middle Class
You're Not Alone
Next
Carousel
If We Only Have Love

Amazon.com

At the time of this show's 1968 Greenwich Village debut, French singer-songwriter Jacques Brel's body of theatrically insightful ballads was already an obscure but deeply influential treasure trove for many American musicians. The revue's success would go on to influence artists as diverse as Leonard Cohen, Bowie (who covered "Amsterdam" shortly thereafter), and Sinatra, and it may even be responsible for one-hit wonder Terry Jacks's revival of "Seasons in the Sun".

More important, the pioneering musical-without-a-book helped introduce Brel's oft-brooding, ever evocative art to a wider American audience--and arguably had an evolutionary influence on Broadway itself. This complete reissue of the 1968 boxed set cast album offers up a rich cross-section of Brel's songs about life, death, and love--and typically sharp-eyed observations about the human follies that season them--deftly performed by a cast that includes Elly Stone, Alice Whitfield, Shawn Elliott, and, crucially, rock pioneer, Brel associate, and co-producer Mort Shuman. This new edition fleshes out the set with the sessions' only unreleased song, a sprightly take on the deliciously cynical "The Middle Class." --Jerry McCulley

Customer Reviews:

Jaques Brel still lives.......2007-04-02

The CD of the original cast is still fresh and still gives Brel's music the most fitting rendition

Fabulous Show.......2007-02-22

This compilation of Brel's songs remains one of my favorite musicals. I would recommend it to everyone!

Jacques Brel lives on through English Translation of his songs.......2007-02-12

Although I've never heard but one Jacques Brel song in French (song by he, himself on the DVD - which is a MUST BUY), I heard this "album" shortly after it came out, in the early 70's. My dad got me turned on to this music and it's stayed with me all these 40+ years. This is very special music to me and I'm thrilled to have both the CD and the DVD.

A Little Night Music...........2007-01-23

I can't explain why I might review this...it's been a long while since listening. Yet it was a show that was transformative obviously not just for me. I'm thinking Bowie and other thoughts that way...and it shaped my hopes and dreams and now, older and not so well, I listened to this tonight at 2AM, not sleeping again, recalling how I heard it then, how I hear it now.
I had a good friend who was in the show for one summer, maybe 79 or 80. Just a sad staging in a little town in Appalachia trying on some Paris. We had a dinner theater in our town, which meant an old building , some tables, small area and a stage kind of and some curtains. Rather ambitious for the town, they staged summer shows of Brel. And other things too, finally. My girlfriend as she often did hooked me into her evenings and I made drinks there as well as gave a few musical efforts and some easily forgotten attempts at choral support. On nights someone didn't show. You actually also made the food and sang the show, in those days for your audience, who tended to tip fairly poorly and be the local lawyers and med school doctors dragged out by wives seeking a cultural night of dinner theater. It was a kind of starving kids for ten bucks sing, act, cook, serve vodka/tonics, smoke and tell you the story of Boheme life while mixing blue cheese from packets of powder and creme in a frenzy preparing to figure out who plays the piano well enough as the player won't being pissed over low wages and a remark made about his big derrière. That kind of a summer. Songs probably wasted on the young.

All that said, it was/is a lovely collection of songs. Even better an experience when you learn and sing the French and can then argue incessantly about the translations and "feel" of the shows on two continents. I loved then to sing them, and find a tune floating in my head tonight from no where-just there- when "No. Love You're Not Alone" actually woke me. The American film was awful, the show best seen in revival and smoky nights in clubs. Then, in 1980 or so, it made my life richer, it's probably a good thing Susanna was such a friend...though I didn't understand, we dragged ourselves to a lot of meaning.And that rather odious experience in the Bahamas.

I think this worthy of time and listening. And a big moon would be cool, to walk on the shore and hear it once more. Think I'll slip out awhile.

Fine Singer / Actors Do Brel Justice.......2007-01-15

In 1966, an American producer named Nat Shapiro introduced Eric Blau to Mort Shuman. Five years earlier, Mr. Shapiro had introduced Mr. Blau and his wife, Elly Stone, to the songs of Jacques Brel. After hearing a recording of one of Brel's concerts, Elly Stone informed her husband that Brel was the greatest songwriter of the 20th century, and she induced him to be the very first to translate Brel into English. Shortly thereafter, Elly Stone premiered Brel's love song, Ne me quitte pas (Don't Leave Me) to American audiences in the off-Broadway revue, O Oysters, along with the first English Brel translation, Carousel, showcasing Brel's melody for La valse a mille temps (The Waltz A Thousand Times As Fast) and loosely translated lyrics.

Unbeknownst to them, about the same time Elly Stone heard her first Brel recording, Mort Shuman was undergoing something of a revelation across the Atlantic. In the midst of a successful career writing rock and roll songs (including hits for Elvis Presley, and the ubiquitous teenage anthem, Save The last Dance For Me), Mort Shuman had been wandering restlessly around Europe, and came to settle for a time in Paris. There, he became acquainted with Brel's music, and, later, with the man himself, and the two became close friends. Shuman convinced Brel that he should be allowed to translate some of his better-known songs into English, and bring them to America. More on the strength of their friendship than Shuman's reputation as a songwriter, Brel agreed, but a problem soon emerged. Although Shuman had mastered French surprisingly well, he was finding the task of translating Brel's songs quite daunting. After several attempts, Shuman found his English versions sorely lacking. He realized that it was not only that he had become too enraptured with Brel's work to find the objectivity required to do them justice, but it also became apparent that Brel's songs reflected too much of the French philosophy and politics to appeal to an American public largely besotted on syrupy, trite love songs.

Shuman returned to America, vowing to find a way to introduce Brel's songs to an English speaking public. By this time, Nat Shapiro had heard Elly Stone perform Eric Blau's first translations of Brel, and wanted more. In November 1966, Nat Shapiro persuaded Mort Shuman to hear Elly Stone perform at Julius Monk's Plaza 9, despite Shuman's reluctance, which derived from his belief that only a male singer could do Brel justice. At a table with Shapiro and a very nervous Eric Blau, Shuman applauded politely. "She's good", he told Blau, "the translations are real good". It must have rankled him somewhat that it was Blau and not Shuman who first successfully translated Brel to English.

Nat Shapiro also had the idea for the perfect venue to introduce Brel to America - an off-Broadway show. Not exactly a revue, since that implied that the songs had been heard before, what eventually took shape was the first "libretto-less" musical, Jacques Brel Is Alive and Well and Living in Paris. In addition to Elly Stone and Eric Blau's enthusiasm for Brel's music, Elly's amazing talent had won Shuman over and convinced him to work with Blau on the translations. Two years later, their labor of love finally introduced Brel's songs to an American public that was as ready for Brel, as Brel's songs were ready for America.

I am somewhat puzzled by the negative reviews by those who insist that Brel's songs can never be appreciated in anything but the original French. When Eric Blau realized, as Mort Shuman had earlier, that Brel's songs could never be translated exactly to American English (steeped as they were in French life and politics), they agreed to go for the next best thing. They opted to translate Brel's songs as closely as they could, but, when this was not possible, they kept Brel's melodies while attempting to retain the spirit of his writing, if not his actual words. What resulted were often very good translations indeed. One only has to compare the French text of songs that became Jackie, the Old Folks, Brussels, the Middle Class, Madeleine or Amsterdam to realize that, for the most part, the narrative and spirit (and sometimes even the lyrics) closely matched Brel's originals. Two additional translations, Song For Old Lovers and My Childhood, which also resembled the originals, were recorded by Elly Stone on her (now very rare) self-titled Columbia album. Miss Stone also recorded Goodbye My Friends for her second album, which was arguably a superior version of Brel's Le Moribond than the dreadful version by Rod McKuen, Seasons In the Sun.

In other cases, the translations altered Brel's songs in such a way as to make them more palatable to American tastes, while retaining Brel's concept. Thus, Jef, a song in which a man tries to cheer up a drinking buddy who has lost a great love, becomes a love song, in which one partner attempts to bolster the melancholy spirit of their beloved. In fact, some would argue that the beautiful prose of No Love You're Not Alone not only equals the poetic imagery of Brel's original lyrics quite adequately, they are actually an improvement. Conversely, When We Only Have Love was transformed from a love song to an anthem for brotherly love, yet did not destroy Brel's concept or his "poetry", but successfully built on it. Brel, by the way, often pointed out that, in his culture, it would be unforgivably vain for a songwriter to compare himself to a poet. To the French, poetry is not only a much higher art form than songwriting, Brel did not consider songwriting an art at all, but merely "a craft". All told, there are, in fact, only a few songs in this show where the lyrics, content, spirit, tone and / or subject matter were completely altered from Brel's originals.

When the show premiered in Canada, the creators were terrified that they would be taken to task by the French Canadian press for daring to present Brel in English there, as Brel is highly prized in Canada. Instead, it was the English Canadian press who savaged the show. But the French Canadian journalist, Rudel-Tessier (a bi-lingual writer, quite familiar with Brel in French) stated flatly that, although in translating the work, some of Blau / Shuman went in and some of Brel came out, he found it marvelous to have Brel in English at all. And, he gently chided his peers by pointing out that, while Shakespeare is quite popular in French, the Bard will never be quite the same in French as he is in English. So, to those who say you cannot appreciate Brel's songs in anything but French I reply, this show was written for those who never have, and never will, understand a single word of French. Does anyone really think that those who only speak French should be deprived of Shakespeare?

Even if none of this were true, I would like to point out that Jacques Brel himself, armed with exact French translations of the English lyrics, personally approved every song that was written for the show before the decision to produce it was finalized.

Besides, the passion and reverence that these performers feel for Brel and this material is evident in every song, and to those who claim that this show is an insult to Brel, I answer that it's an insult to the efforts of this fine cast to suggest that they had anything but his best interests at heart, and, as someone who is quite familiar with Brel in French, I believe they succeeded brilliantly. And as fine a songwriter as you can argue that Brel is in French, well, Elly Stone is equally as fine a singer in any language, and I bemoan the fact that she virtually squandered the balance of her career championing Brel's work, when she could have made a major name for herself, based solely on her own talent. Having seen Elly Stone perform live many times (in and out of this show), I will attest to the fact that, in her prime, she had the most impressive voice I have ever heard in a concert hall.

And in the end, it was Brel himself who gave the supreme complement to this effort. At one point, Eric Blau fretted when, in order to more closely translate Brel's lyrics to la Mort (My Death), he and Shuman had to alter Brel's melody. When they sent the new song to Brel, he responded, "You have improved it; it's better than mine". A year after the show opened, Brel flew in to New York to see it. That night, he led a standing ovation for the performers, and modestly told Blau and Shuman repeatedly that they had not only exceeded his expectations, in many instances, they had improved his work. He also told Elly Stone that she was, "the finest lady performer" he had ever seen (including Piaf, whom she was often compared to unfairly) and he told her that he wanted to write new songs specifically for her. Unfortunately for us, he never had time, but it was a testament to her talent and artistic integrity that Brel offered.

And if Brel himself was pleased with the translations featured in this glorious production, why should anyone quarrel with that?

Average customer rating:

Yo-Yo Ma and Bobby McFerrin
Yo-Yo keeps on experimental
This is no "Don't Worry, Be Happy"
Excellent CD!
My 1st introduction to Bobby McFerrin (3.5-4 stars)

Hush

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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Play

ASIN: B0000027VR
Release Date: 1992-01-28

Tracks:

Grace
Concerto In D Minor For 2 Mandolins: Andante
The Legend Of Tsar Saltan: Flight Of The Bumblebee
Stars
Hush Little Baby
Vocalise
Notebook For Anna Magdalena Bach: Musette
Coyote
Sonata For 2 Cellos: Allegro prestissimo
Ave Maria
Hoedown!
Orchestral Suite No. 3: Air
Good-Bye

Amazon.com

The idea here was to put two masters together--one classical cellist, one improvisational singer/sound-effects performer--and voilà! instant amazing, unique, hip--and, hopefully, hit--record. The intriguing setup was to see what would happen when each led the other through the unfamiliar territory of his own specialty. The success of this recording lies not so much in the music or even in the overall performances, but in the fascinating and fun opportunity to sit in on the musicians' good-natured, respectful give-and-take, to witness an uncommon form of artistic chemistry that allows each performer to expand his vision and even his technique. On one hand we get Bobby McFerrin's impressionistic, improvisatory jazz/pop; on the other we enjoy Yo-Yo Ma's highly refined, formalized musicianship. Originally planned as a disc for children, Hush goes far beyond its initial premise, with each of the 13 tracks demonstrating these musicians' unique gifts and showing that, whether it's Vivaldi or jazz, it's all music and it's all a lot of fun. --David Vernier

Customer Reviews:

Yo-Yo Ma and Bobby McFerrin.......2007-05-12

This CD is one of my favorites. I give it away and buy another. Playful and fun as well as great music. It never fails to make me laugh. A joy. If you aren't a little silly, don't bother. Kids love it, too.

Yo-Yo keeps on experimental.......2006-03-04

One of the best parts of a genius is to try out of his layers. In this case Yo-Yo tried to go out from the classic, and with a very good singer, in a easy say, as Bobby. They make a very special music between classic and jazz, with some elements of pop.
It's an incredible fusion of strings and vocal strings, in some moments it is not possible to separate them, some times is like a big keyboard directed by a single musician. In a word, they experiment, and the result was incredible.

This is no "Don't Worry, Be Happy".......2005-10-23

Have never been a big Bobby McFerrin fan, probably due to that god-awful, "Don't Worry, Be Happy." But I am a classical music junkie and one day listening to our local classical station I heard a selection that I thought was the most beautiful thing I had ever heard. What a shock when I learned that it was McFerrin and Yo-Yo Ma doing Vivaldi's Andante!

Honestly, I could do without the non-classical pieces on this CD...although I enjoy them.

But the classical interpretations are some of the most heavenly, wonderful, beautiful, awe-inspiring things that I have ever heard, on any CD, in any genre! Yes, that good!

McFerrin uses his voice as the perfect instrument and accompanient to Ma's cello. They were made for each other.

Listen to the samples of the classical pieces if you're a doubter...

Excellent CD!.......2005-09-22

While I admit to being a newbie in my connoisseurship of the classical music genre, not only do I think that this disc is a good collection of some of the best classical music ever written, it is actually FUN sometimes, with silly bits thrown in by Bobby and Yo-Yo Ma every now and then! These guys make great music and have a great time making it.

Bobby uses his voice as a fantastic sounding 'instrument' to sing notes much like an instrument playing a duet with Yo-Yo; sometimes his voice sounds so much like a real instrument that you even forget that you are hearing vocals--I don't even know what other vocalist could pull this off. It is a fascinating experiment. I recommend it highly!

My 1st introduction to Bobby McFerrin (3.5-4 stars).......2005-05-29

I think I kinda heard this back in elementary school (maybe like in the 2nd, 3rd, 4th grade or so, I get kinda mixed when I say that), it's like sumthin I never heard be4, A guy who sings, scats and does it all goes by the name Bobby McFerrin and a cellist by the name of Yo Yo Ma. I'd have follow thru his work as a cellist/string player from various TV apperances, shows, movies, etc. and he does sounds good 2 this day, believe me.

Anyway as I was gonna say this was the 1st album I got introduced a bit by Bobby McFerrin. Not SIMPLE PLEASURES nor SPONTANEOUS INVENTIONS. Just this 1. I hope to hear more from him and collect all of his albums incl. Yo Yo Ma's. They still sound good. No doubt.

Average customer rating:

I hate to be rude, but . . .
Outstanding
Sacred Songs
My favorite of Fleming's CDs so far
Inspiring and beautiful

Sacred Songs

Manufacturer: Decca
ProductGroup: Music
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ASIN: B000AM6OXK
Release Date: 2005-09-27

Tracks:

Ave Maria
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Dank sei dir, Herr
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Laudamus te
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Laudate Dominum omnes gentes
Air: Rejoice greatly, o daughter of Zion
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Amazing Grace

Amazon.com

This lovely CD features Renée Fleming singing religious music in an unaffected, lovely manner. Many favorites are here: both the Bach/Gounod and Schubert versions of "Ave Maria," each offered with long breaths and soft tone; "Rejoice Greatly" from Messiah, delivered with virtuosity and gleaming sound, and "He Shall Feed His Flock," also from Messiah, sung in a smooth, laid-back manner. Bits of the Fauré Requiem and Poulenc Gloria are welcome, as is the gorgeous "L'Adieu des Bergers" from L'Enfance du Christ. In the prayer from Humperdinck's Hansel und Gretel, Fleming is joined by the splendid Susan Graham, and a version of "Amazing Grace" features Mark O'Connor on violin. Two excerpts from Mozart's Mass in C Minor, pieces by Reger and Franck, and a few surprises round out this devotional CD. --Robert Levine

Customer Reviews:

I hate to be rude, but . . ........2007-05-06

As stated earlier, I hate to be rude. However, Renee Fleming is not one of the greatest singers that I have heard. At many times, it sounds as if she is drunk, sliding into her notes at times. She also has a habit of hitting a note, and then quickly moving up or down for "dramatic effect". I'm sorry, but I just cannot listen to this. I know that everyone has their own opinions, and this is mine.
She is still a beautiful woman, and always will be. I have seen her concerts online, and she ISN'T bad, it's just that she doesn't have what I'm looking for in an opera singer!

Outstanding.......2007-03-07

I had seen this program on PBS and wanted the CD. Wonderful selection
of music and Renee Fleming's outstanding voice.

Sacred Songs.......2007-01-21

I always look for new presentations of Christmas songs. Rene Flemming did an excellent job in this recording. She has a super voice but sometimes the words of the song get lost in her singing style

My favorite of Fleming's CDs so far.......2006-12-07

There are only two cuts on this CD I tend to flip past (Amazing Grace and the Leonard Bernstein cut), but other than them, I totally love the rest! The cuts in German are divine! I could listen to this CD over and over again.

Inspiring and beautiful.......2006-07-20

I've always loved Renee Fleming's singing and this most recent album is just beautiful in every way. A rich voice, beautiful singing and a devout and magnificent artist. She makes even the most notorious evergreens come to life anew. I enjoyed it very much.

Rock Music:

Rock Music

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