This Is Not a War? [Import]
Track Listings
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1. Die Waiting
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2. Bad Manna (Be What You Are)
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3. This Is Not A War
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4. Lay Down Your Arms
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5. Wasted Life
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6. Nothing But A Nightmare
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7. Deaths A Career
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8. Wrecking Spree
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9. Ive Got A Gun
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10. Shoot Your Own Head Off (Demo)
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11. Fortress Europe (Demo)
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12. Grass (Demo)
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13. Fall Of Max (Live) (Bonus Track)
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14. Nipper Tripper (Live) (Bonus Track)
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15. Free To Kill (Live) (Bonus Track)
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16. Left Me For Dead (Live) (Bonus Track)
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17. Psycho Killer (Live) (Bonus Track)
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Editorial Reviews
Product Description
2002 compilation featuring all the punks greatest & odds & sods. Includes alternative versions of classic cuts from the much acclaimed 1998 album, All The Worlds A Rage along with 5 live bonus tracks, 'Fall Of Max', 'Nipper Tripper', 'Free To Kill', 'Left Me For Dead' & 'Psycho Killer'. Retch Records.
This Is Not a War?,English Dogs,Retch,Punk,Rock
This Is Not a War? [Import]
Average customer rating:
- Instruments of the Orchestra - Great Reference Material!
- Beginner or Expert
- Very Informative and Enjoyable
- Frank's view
- Excellent Intro for Those Not Familiar with the Orchestra
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Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD
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ASIN: B00006O0NT
Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!
Beginner or Expert.......2007-03-12
This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!
Very Informative and Enjoyable.......2006-11-20
Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!
Frank's view.......2006-08-19
This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Average customer rating:
|
Handel: The Masterworks (Box Set)
Manufacturer: Brilliant Classics
ProductGroup: Music
Binding: Audio CD
Trios
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Similar Items:
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ASIN: B00062FLI8
Release Date: 2004-11-30 |
Average customer rating:
- More expensive than the other Essential but worth it.
- Excellent compilation of an important composer.
- "film composer Dimitri Tiomkin gave his all and then some"
|
The Alamo: The Essential Film Music Collection
Dimitri Tiomkin
Manufacturer: Silva America
ProductGroup: Music
Binding: Audio CD
Film Scores
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Similar Items:
- Tiomkin: Red River
- The Essential Elmer Bernstein Film Music Collection
- Way Out West: The Essential Western Film Music Collection, Vol. 2
- The Wild West: The Essential Western Film Music Collection
- Giant
ASIN: B00022MBNK
Release Date: 2004-07-13 |
Tracks:
- Night Passage
- Tension At Table Rock
- High Noon
- The War Wagon
- The Wild Wild West: Main Theme
- The Wild Wild West: The Ballad Of Jim West
- Gunfight At The O.K. Coral
- Rio Bravo
- Rawhide
- Red River
- The Unforgiven: Across The Texas Panhandle
- The Unforgiven: The Need For Love
- The Unforgiven: Horse Ballet
- The Young Land
- Duel In The Sun
Tracks:
- The Fall Of The Roman Empire: Overture
- The Fall Of The Roman Empire: The Fall Of Love
- The Fall Of The Roman Empire: Pax Romana
- 55 Days Peking
- Land Of The Pharaohs
- Circus World (The Magnificent Showman)
- Dial M For Murder
- Strangers On A Train
- Giant: Main Title
- Giant: Love Theme
- Giant: The Jett Rink Theme
- The High And The Mighty
- Wild Is The Wind
- The Guns Of Navarone
Tracks:
- Cyrano De Bergerac
- The Well
- Friendly Persuasion
- Town Without Pity
- It's A Wonderful Life
- Tarzan And The Mermaids
- The Thing From Another World
- The Alamo: Overture/Prologue
- The Alamo: Davy Crockett
- The Alamo: Tennessee Babe
- The Alamo: The Battle Of The Alamo
- The Alamo: The Green Leaves Of Summer
- The Alamo: Finale
Tracks:
- Giant: This Then Is Texas
- Rawhide: Rawhide
- High Noon: Do Not Forsake Me
- Night Passage: Follow The River
- Giant: The Ballad Of Jett Rink
- Friendly Persuasion: Thee I Love
- It's A Wonderful Life
- Wild Is The Wind
- The High And The Mighty
- The War Wagon: The Ballad Of The War Wagon
- Rio Braco
- The Young Land: Strange Are The Ways Of Love
- The Wild Wild West: The Ballad Of Jim West
- The Wild Wild West: The Wild Wild West
Amazon.com
Dimitri Tiomkin was one of the most prominent composers of Hollywood's Golden Age and beyond, his career spanning a half-century and some of America's most classic films. This sprawling, four-disc anthology (its title a marketing nod to the modern remake of one of Tiomkin's notable collaborations with John Wayne) features new digital recordings of full-bodied performances by the City of Prague Orchestra and Festival Chorus, the most ambitious and comprehensive tribute to the composer yet attempted. There's something here for film score buffs (rarities like a suite from his sci-fi genre-defining Thing From Another World and the "Main Theme" for the pilot of TV's Wild, Wild West) and novice alike; indeed one could scarcely ask for a more complete overview of Tiomkin's robust orchestral oeuvre. Divided into four chapters, disc one chronicles how the Ukrainian immigrant concocted a rich Western film heritage (including such genre landmarks as Red River, High Noon, Gunfight at the O.K. Corral and Rio Bravo) from largely European traditions, while the next two CD's cover his rousing work for epics and thrillers of every stripe, and collaborations with Hitchcock, Wayne, Capra, Stevens and more. The concluding disc pays homage to Tiomkin the unlikely pop tunesmith, via his hit vocal themes to Rawhide, Wild is the Wind and High Noon's "Do Not Forsake Me." --Jerry McCulley
Customer Reviews:
More expensive than the other Essential but worth it........2007-04-22
This is an excellent set of music of Dimitri Tiomkin's music! The 4th disc is short (at just over 30 minutes), but thats because it is just the vocal versions of tracks which appeared in instrumental form throughout the first 3 discs. Whenever you buy a silva screen compilation, the first thing you ask yourself is 'when were these recordings made' and 'do I have these tracks on other compilations? Thankfully, this set has TONS of new recordings, but there is some recycled stuff and they are as follows:
Dial M For Murder is from the 1993 History of Hitchcock Vol. I, while Strangers on a Train is from 1995's History of Hitchcock Vol. II.
Three tracks originate from 1994's "Music From the Films Of John Wayne". They are "The High and the Mighty", "The Alamo - Overture" and "The Alamo - Green Leaves of Summer".
Red River is from 1996's "How The West Was Won: Classic Western Film Scores Vol. One".
The Thing From Another World suite is from the excelllent 1998 set "Alien Invasion: Space And Beyond II"
Many tracks first appeared on "Way Out West: The Essential Western Film Music Collection Vol. Two". They are: "Duel In The Sun", "The Alamo (Davy Crockett)", "Friendly Persuasion", "Giant (Main Theme)", "Gunfight at the OK Corral", "High Noon", "Rio Bravo", and "The Unforgiven (The Need For Love)".
The rest of the tracks are brand spankin new, and most are not available on other discs, so snag this one up in a hurry!
Excellent compilation of an important composer........2004-07-16
This long overdue collection of Tiomkin standards and rarities is a must for any fan of symphonic music; albeit, for film or concert hall. As the liner notes clarify; these recordings are a real labor of love for James Fitzpatrick and the Silva Screen team. Tiomkin is; undoubtedly, one of the most difficult of composers to replicate. This recording comes extremely close to "hitting the nail on the head" particularly with tracks such as: "Across the Texas Panhandle" from the Unforgiven, The Entr'acte from Duel in the Sun, The Guns of Navarone, The War Wagon, and the main title and Jett Rink theme from Giant. This recording is a bargain, particularly for collectors who have sought after many of Tiomkin's composer conducted soundtracks (which are getting harder and harder to obtain). Listeners who enjoy this set should consider seeking out previous cd releases of the soundtracks to "The Guns of Navarone" (SONY, Varese Sarabande), "The Fall of the Roman Empire" (Varese Sarabande, PEG), "55 Days at Peking" (Varese Sarabande), and "The Alamo" :original soundtrack (still available on SONY-Legacy).
"film composer Dimitri Tiomkin gave his all and then some".......2004-07-13
Silva America presents the ultimate in film music during the illustrious career of an icon and legendary composer of film scores ~ "Alamo:Dimitri Tiomkin Essential Film Collection/O.S.T", featuring some long forgotten 53 cues that sent chills and thrills into the pulses of world events ~ selections from a limited collectors edition that would make any "film-score-buff" green with envy.
Tiomkin was born in Ukraine, Russia [1894-1979] attended and graduated from St. Petersburg Academy[studied under the famed composer Glazunov] ~ had a degree in music as well as law ~ came to America in 1925, shown great interest for Native American music early in his film career.
Great fondness for "The Western" ~ "DUEL IN THE SUN" (1946) (Gregory Peck, Jennifer Jones, Joseph Cotton, Lionel Barrymore, Lilian Gish and Charles Bickford - one of biggest and successful epic Westerns ever, score & photography was simply breathtaking), "RED RIVER" (1948) (John Wayne, Monty Cliff and Walter Brennan - the Duke should have won an Oscar for his performance as the aging cantankerous cattle baron)"HIGH NOON" (1952)(classic film with Gary Cooper in his Oscar winning performance of Will Kane), "TENSION AT TABLE ROCK" (1956), "GUNFIGHT AT THE OK CORRAL" (1957)(Burt Lancaster as Wyatt Earp & Kirk Douglas as Doc Holliday pulled this off with the help of the Main Theme), "NIGHT PASSAGE" (1957), "RIO BRAVO" (1959) (top box office leaders John Wayne, Dean Martin, Walter Brennan and Ricky Nelson), "THE YOUNG LAND" (1959) (young Dennis Hopper), "RAWHIDE" (TV Series) (1959-66) (Eric Fleming as trail boss Gil Favor & Clint Eastwood as Rowdy Yates), "THE UNFORGIVEN" (1960) (Burt Lancaster, Audie Murphy and Audrey Hepburn), "THE WILD, WILD WEST" (TV Series) (1965-69)(Tiomkin's music never saw the light of day), "WAR WAGON" (1967) (John Wayne & Kirk Douglas starred) (beautifully melodic) ~ it's easy to see why Tiomkin loved Western lore.
Second disc contains The Epics ~ "LAND OF THE PHARAOHS" (1955) (Jack Hawkins as Pharaoh Cheops and a beautiful Joan Collins as his scheming wife), "55 DAYS AT PEKING" (1963) (Charlton Heston, David Niven and Ava Gardner is the all star cast), "THE FALL OF THE ROMAN EMPIRE" (1964) (featuring Alec Guinness as emperor Marcus Aurelius), "CIRCUS WORLD" (1964) (John Wayne, Claudia Cardinale and Rita Hayworth under the big top) ~ next we Hitchcock Thrillers with "STRANGERS ON A TRAIN" (1951) (a masterpiece film featuring Robert Walker and Farley Granger are both very convincing as we learn, never talked to strangers on a train or anywhere), "DIAL M FOR MURDER" (1954) (tense moments come from Grace Kelly, Ray Milland and Robert Cummings - they don't get any better than this) ~ finally Drama and High Adventure with "HIGH AND MIGHTY" (1954) (another outstanding performance by John Wayne, as the co-pilot of an airline whistling the haunting theme), "GIANT" (1956)(another big epic film with Rock Hudson, Elizabeth Taylor, James Dean and Chill Wills show us what it's like to be a Texan, with oil and money), "WILD IS THE WIND" (1957) (Anthony Quinn, Anna Magnani and Anthony Franciosa), "THE GUNS OF NAVARONE" (1961) (World War II film featuring Gregory Peck, Anthony Quinn, David Niven and Stanley Baker on a small Greek Island trying to outwit the Germans and a very big gun) ~ some of Tiomkin's most inspiring themes rise to the surface.
On disc three ~ as we continue with Drama and High Adventures "IT'S A WONDERFUL LIFE" (1946) (James Stewart, Donna Reed, Thomas Mitchell, Lionel Barrymore and Ward Bond with wholesome warm and endearing themes from our favorite composer), "TARZAN AND THE MERMAIDS" (1948) (in his 12th film as Tarzan, Johnny Weissmuller still had what it takes to swim and defeat the man-god Balu - Weissmuller and Tiomkin the perfect combination for this Tarzan adventure), "CYRANO DE BERGERAC" (1950) (Jose Ferrer stars as Edmond Rostand's famous swordsman with a even more famous nose), "THE WELL" (1951) (intense cues give the film musical triumphs in final scenes), "THE THING FROM ANOTHER WORLD" (1951) (exciting Howard Hawks film with a score to match), "FRIENDLY PERSUASION" (1956) (director William Wyler shows the life and times of a Quaker family played by Gary Cooper, Dorothy Mcguire and Anthony Perkins during the American Civil War, very touching), "THE ALAMO" (1960) (big budget epic western with Big John Wayne it's producer, director and star as Davy Crockett with a haunting and never to be forgotten "The Green Leaves of Summer"), "TOWN WITHOUT PITY" (1961) (Kirk Douglas in a post-war Germany story, blends jazz themes with Tiomkin signature arrangements) ~ Tiomkin always made the difference when it came to scoring a film.
The last and final disc four ~ The Tiomkin Vocal Songbook featuring "This Then is Texas" (Giant), "Rawhide" (Rawhide), "Do Not Forsake Me" (High Noon), "Follow the River" (Night Passage), "The Ballad of Jett Rink" (Giant), "Thee I Love" (Friendly Percuasion), "It's A Wonderful Life", "Wild Is The Wind", "The High and the Mighty", The Ballad of the War Wagon" (The War Wagon), "Rio Bravo", "Strange are the Ways of Love" (The Young Land), "The Ballad of Jim West" (The Wild Wild West), "The Wild Wild West" (The Wild Wild West) ~ many were hit makers of the day and in the top ten.
Outstanding performances by The City of Prague Philharmonic Orchestra (Nic Raine, Paul Bateman, Mario Klemens - are the conductors), Crouch End Festival Chorus (David Temple - choir master), featuring vocals by Jason Howard and Keith Ferreira ~ hats off to James Fitzpatrick (producer), Reynold da Silva (executive producer), Olilvia Tiomkin Douglas, John Waxman, Rick Clark and Gareth Williams (associate producers) ~ all film producers and directors welcomed the legendary composer with open arms for their forthcoming projects ~ the "film-score-buff" collectors are ecstatic about this four disc release on the essential film music collection of DIMITRI TIOMKIN, the arrangements and performances are top notch inclusive of HDCD/Dolby Surround.
When listening to the music of a film, you had the feeling of the storyline, characters and convictions of the whole picture, they'll never be another to come this way again ~ Silva America has outdone themselves on this one, it is definitely a five star film score box set...gotta love it!
Total Time: 4-CD-Set ~ Silva America 811 ~ (7/13/2004)
Average customer rating:
- Fine reissue of a classic set
|
Purcell: Theatre Music
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD
Purcell, Henry
| ( P )
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Incidental Music
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| Purcell, Henry
| Composers
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Hogwood, Christopher
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| M to P
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- Lute Music, Vol. 2
ASIN: B0001Y4JHA
Release Date: 2004-10-12 |
Customer Reviews:
Fine reissue of a classic set.......2006-05-24
Think about the stupidest, most formulaic Hollywood movies you can think of: cheesy action pictures, fluffy, unfunny comedies, big but stiff epics. Now imagine that one of the greatest living composers was working in Hollywood, turning out astonishing, hauntingly beautiful and stirring musical scores for these throwaway movies. That's what you get with this set: music Henry Purcell composed for some two dozen often utterly forgettable plays (trust me--I've read a number of them!) Occasionally, when he teams up with a playwright worthy of his stature, such as John Dryden, Aphra Behn, or William Congreve, the results are even better, but for the most part you can enjoy the music here without knowing anything about the original plays.
This set originally appeared as separate LPs in the 70s and 80s, and has been long out of print. That's a pity, since Purcell spent a good deal of his short professional life in the theatre, either writing the incidental music contained on these CDs, or the music for his larger works, the semi-operas (King Arthur, The Fairy Queen, and the like). Almost all of these works are enjoyable gems; certainly, they represent a pinnacle of English 17th century music. Purcell had a genius for spinning musical gold out of the most leaden lyrics (check out his Odes and Welcome Songs on Hyperion if you don't believe me), and he does the same with the song texts in these plays.
Hogwood and the AAM offer clean, listenable performances, and the sound on these old analog discs has been cleaned up and brightened--although they were pretty good, even in the late 70s. As with most Hogwood, emotional extremes are kept to a minimum, so the "otherworldly" nature of late 17th century music, so often emphasised in more recent Baroque performances, doesn't come across here. It would be interesting to see what a group like The King's Consort would do with this music, but this set fills the major gap in the Purcell canon quite nicely.
My only beef with the reissue, as with many reissues, is that the liner notes are rather thin for a 6-cd set--the lyrics to the songs, for example, are especially missed. Still, it's a worthwhile set, and a must for fans of Purcell, English Baroque music, or anyone who just wants to experience a taste of the last days of the Restoration stage.
Average customer rating:
- A touching English Butterfly
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Puccini - Madam Butterfly / Cheryl Barker, PO, Yves Abel [in English]
Giacomo Puccini , Yves Abel , Cheryl Barker , Paul Charles Clarke , and Simon Birchall
Manufacturer: Chandos
ProductGroup: Music
Binding: Audio CD
All Works by Puccini
| Puccini, Giacomo
| ( P )
| Featured Composers, A-Z
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General
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- Tchaikovsky - Eugene Onegin / Te Kanawa · Hampson · Rosenshein · Gedda · Sir Charles Mackerras [in English]
ASIN: B00005QF3K
Release Date: 2001-11-20 |
Tracks:
- Act I: Introduction - Cheryl Barker
- Act I: 'So The Walls And The Ceiling...' - Ann Taylor/Stuart Kale
- Act I: 'I Think Your Honour's Smiling' - Jean Rigby/Ann Taylor/Stuart Kale
- Act I: 'It Can't Be Much Further Now!' - Gregory Yurisich/Stuart Kale/Ann Taylor
- Act I: The Whole World Over - Ann Taylor/Gregory Yurisich
- Act I: 'Fate Can't Crush Him' - Ann Taylor/Gregory Yurisich
- Act I: 'Is The Bride Very Pretty?' - Gregory Yurisich/Stuart Kale/Ann Taylor
- Act I: 'True Love Or Fancy' - Ann Taylor/Gregory Yurisich
- Act I: 'See Them! They're Climbing The Summit Of The Hill!' - Gregory Yurisich/Cheryl Barker/Gregory Yurisich
- Act I: 'We Are Honoured' - Cheryl Barker/Ann Taylor/Gregory Yurisich/Stuart Kale
- Act I: 'The Imperial Commissioner' - Stuart Kale/Ann Taylor/Cheryl Barker/Simon Birchall
- Act I: 'Oh, Indeed, My Friend, You're Lucky!' - Gregory Yurisich/Cheryl Barker
- Act I: 'Come, My Beloved' - Ann Taylor/Cheryl Barker/Stuart Kale
- Act I: 'My Fate I Have To Follow' - Cheryl Barker
- Act I: 'Silence! Silence!' - Stuart Kale/Roland Wood/Cheryl Barker
- Act I: 'Congratulations' - Roland Wood/Ann Taylor/Gregory Yurisich/Frances Brett/Clive Bayley/Stuart Kale
- Act I: 'Dearest, My Dearest, Weep No More' - Roland Wood/Ann Taylor/Jean Rigby
- Act I: 'Evening Is Falling...' - Roland Wood/Ann Taylor/Jean Rigby
- Act I: 'Child, From Whose Eyes The Witchery Is Shining' - Ann Taylor/Cheryl Barker
- Act I: 'Ah, Love Me A Little' - Cheryl Barker/Ann Taylor
- Act II Part I: 'Izaghi Izanami' - Jean Rigby/Cheryl Barker
- Act II Part I: 'One Fine Day' - Cheryl Barker
Tracks:
- Act II Part I: 'Come, Let's Enter' - Stuart Kale/Gregory Yurisich/Cheryl Barker
- Act II Part I: 'Yamadori, And Has your Unrequited Love Not Yet Released You? - Cheryl Barker/D'Arcy Bleiker/Gregory Yurisich/Stuart Kale
- Act II Part I: 'Now, At Last!' - Gregory Yurisich/Cheryl Barker
- Act II Part I: 'Just Two Things I Could Do' - Cheryl Barker/Gregory Yurisich
- Act II Part I: 'This Child! This Child, Then!' - Cheryl Barker/Gregory Yurisich
- Act II Part I: 'Do You Know, My Darling' - Cheryl Barker
- Act II Part I: 'I Must Be Going' - Gregory Yurisich/Cheryl Barker/Jean Rigby
- Act II Part I: 'Ah! Ah!' - Stuart Kale/Jean Rigby/Cheryl Barker
- Act II Part I: 'Look, It's A Man-of-war!' - Jean Rigby/Cheryl Barker
- Act II Part I: Flower Duet: 'Shake The Cherry Tree' - Cheryl Barker/Jean Rigby
- Act II Part I: Humming Chorus - Geoffrey Mitchell Choir
- Act II Part 2: Prelude - Jean Rigby/Cheryl Barker
- Act II Part 2: Daybreak Over Nagasaki - Jean Rigby/Cheryl Barker
- Act II Part 2: 'It's Morning' - Jean Rigby/Cheryl Barker
- Act II Part 2: 'Who Is It?...' - Jean Rigby/Ann Taylor/Gregory Yurisich
- Act II Part 2: 'I Know For Such Misfortune There Is No Consolation' - Gregory Yurisich/Jean Rigby/Ann Taylor
- Act II Part 2: 'Farewell, Oh Happy Home!' - Ann Taylor/Gregory Yurisich
- Act II Part 2: 'Then Will You Tell Her?' - Ann Taylor/Jean Rigby
- Act II Part 2: 'Suzuki, Where Are You?' - Cheryl Barker/Jean Rigby
- Act II Part 2: 'You, Suzuki, You're Always So Faithful' - Cheryl Barker/Jean Rigby
- Act II Part 2: 'Viper! I Want You To Answer' - Cheryl Barker/Jean Rigby/Gregory Yurisich/Ann Taylor
- Act II Part 2: 'Your Little Fluttering Heart Is Beating' - Jean Rigby/Cheryl Barker
- Act II Part 2: 'Death With Honour Is Better Than Life With Dishonour' - Cheryl Barker
Amazon.com
This performance, the only one available in English, is problematic. Best is Yves Abel's leadership of the orchestra, which sounds wonderful, imbuing Puccini's lush score with just the right exoticism and emphasis. But aside from Gregory Yurisch's fine Sharpless, the singers don't please. Paul Charles Clarke as Pinkerton is lacking stylistically and vocally, and as Butterfly, Cheryl Barker sounds under strain and never pretty. While she has the power and feeling for the big second-act climax (the sighting of the ship), she never for a moment sounds fragile or girlish, not even in the all-important early scenes. English or not, this set isn't in the running. Stick with Callas or Scotto in Italian, and follow the libretto. --Robert Levine
Customer Reviews:
A touching English Butterfly.......2002-03-27
Anyone familiar with Cheryl Barker's Butterfly will be interested in hearing this recording. I have heard her in the role twice - in Auckland and London - and her voice has filled out as the years have gone on. She hasn't a large italianate soprano; the sound is too slender somehow. Yet there is the paradox - it has great carrying power and a decent cutting edge to make itself heard above the orchestral climaxes. What really impresses is the sense of vulnerability and moral strength she imparts, making sense of the big moments of the secong act. The sound in Act one is gorgeous (and a super D flat in theentrance aria) and she differentiates impressively between the child-bride and the embittered woman of the two acts.
She is surrounded by a mixed supporting cast. Jean Rigby is maternal, warm and affecting as Suzuki. Gregory Yurisich makes Sharpless' dilemma more understandable than usual, rather than being completely ineffectual. Paul Charles Clarke perhaps illustrates Pinkerton's arrogance with a degree of vocal swagger, but the sound is rough-hewn and unlovely save for some moments in the love duet. Stuart Kale's Goro is suitable ingratiating and oily.
Abel's conducting is the other chief draw of this set. That he has experience of the score in the theatre means that his pacing is really superb, and the lush orchestration is given its due, the potent intermezzo during the overnight vigil sounding suitably ominous.
This won't replace the classic Butterfly recordings, but in the absendce of any new ones recently, and for acceptable diction in an English version, it is certainly worth the (not very high) price. Recommended.
Average customer rating:
- Brilliant Recordings
- A- for effort
- What can you say?
|
Psalms of David Complete
Choir of St Paul's Cathedral , and Scott
Manufacturer: Hyperion UK
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- The Psalms of David from Kings Choir of Kings College, Cambridge, Vol. 1
- Psalms For The Soul
- Treasures of English Church Music
- The Oxford Guide to The Book of Common Prayer: A Worldwide Survey
- Praise to the Lord - Hymns From St. Paul's Cathedral
ASIN: B00006GO6J
Release Date: 2002-10-08 |
Amazon.com
This complete 12-disc survey of The Psalms of David from St. Paul's Cathedral is both a remarkable historical record of Anglican chant at its finest and an astonishing musical experience. Contained here are all 150 psalms in their traditional English garb from the 1549 Book of Common Prayer, with revised or entirely new musical settings as published in The New St. Paul's Cathedral Psalter, edited by the choir's musical director John Scott, itself a revision of the 1875 Cathedral Psalter. As such, these recordings represent the very backbone of the Anglican liturgy, but even a casual listener will be in no doubt that they also offer music that is both contemplative and richly varied when removed from its liturgical context.
The art of "pointing"--or setting--psalm texts has been essayed by many English composers, from William Croft through the Wesleys and William Boyce in earlier times to the great flowering in the late 19th century under Stainer and Barnby, with further contributions from Parry, Stanford, Elgar, Howells, and a host of choirmasters and organists, including Sir David Willcocks and John Scott himself. All are represented here. Recorded throughout in the vast acoustic of their cathedral, the St. Paul's choristers enunciate the words precisely, backed by inventive though unobtrusive organ accompaniment. Taken individually, it's possible to isolate moments when the choir seem to drag their feet or fail to give due weight to the words (Psalm 125, "They that put their trust in the Lord," seems far too subdued, for example), and the massive Psalm 119 is awkwardly split across discs 10 and 11, but overall this set is nothing less than a document of invaluable cultural and musical significance. --Mark Walker
Customer Reviews:
Brilliant Recordings.......2007-06-11
In our view the changes in pointing, and excellent selection of chants, give deeper meanings to the Psalms than those achieved in the "standard?" Parish Psalter.
We found great Spirituality and a wonderful sense of Worship whilst listening to this set. This is often sacrificed for brilliance of musical performance in other recordings.
Unfortunately the "St.Paul's Psalter" is not available (June 2007) but we are told that a new print run may happen within 12 months. This would be a most valuable companion to the recordings when and if it becomes available.
A- for effort.......2006-02-23
This grand undertaking deserves high praise, and I'm struck, listening to chant after chant, how much Anglican chant as it used to be until the changes of the 70s was one of the great Victorian contributions to English life and art. For anyone who wants to hear almost the entire repertoire of Anglican chant deployed in singing the whole book of Psalms, this is an unrivalled source. It is wonderful, too, to hear the Coverdale translation: you realize what the churches have lost by abandoning the proper & regular singing of the Psalms. So one is immensely grateful to Hyperion for putting out this recording. It's not perfect, though.
The rhythmic pacing, though a little slow for my taste, is steady and sensitive, the diction clear, and the organ accompaniment superb (Providing an expressive accompaniment to a choir singing in 4-part free rhythm, and improvising descants to the melody at the same time, isn't easy). And of course there's the cavernous acoustic of St. Paul's, very impressive in the more thunderous psalms. Unfortunately, though, the "forward" style favored for the St. Paul's boys produces a sound that's unpleasantly chesty in the lower registers and reedy in the higher ones. The poorly integrated choral sound caused by this kind of voice-production can be downright unpleasant for anyone used to, or trained in, the classic English choral style. In fact, one has to wonder why this choir was chosen for such a huge project: even allowing for the near-universal decline in standards of vocal training for boys in England, better sounds than this can still be heard.
What can you say?.......2003-01-03
I almost hate to criticize this terrific thing. After all, where else can you get all 150 Psalms in a single collection sung by one of the world's great choirs?
How much do I like it? I bought it *twice*. I originally bought all the CDs separately, before they came out with a single boxed set. They were stolen from my car (and, God willing, maybe they converted some poor thief to Anglican Cathedral Music and got him into church). After they were stolen, I immediately bought them again.
One of the great pleasures of life is listening to the Morning and Evening Psalms while driving to and from work, and making listening a regular feature of Morning and Evening Prayer.
So what's the criticism? The sound is a bit muddy, so the words can be rather difficult to understand without reading along (which is a real problem when driving), and personally, I prefer the Psalter from the 1979 BCP instead of the old one, from the Great Bible. But that's unreasonable. They ARE a British choir after all. Those are the only criticisms.
Anyhow, if you have a taste for choral cathedral music, this is genuinely indispensible. St. Paul's has given the world a great blessing.
Average customer rating:
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Fischer-Dieskau Edition (Box Set)
Manufacturer: Deutsche Grammophon
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ASIN: B00004SC5S
Release Date: 2000-06-13 |
Tracks:
- Winterreise: Gute Nacht - Franz Schubert
- Winterreise: Die Wetterfahne - Franz Schubert
- Winterreise: Gefrorene Trn - Franz Schubert
- Winterreise: Erstarrung - Franz Schubert
- Winterreise: Der Lindenbaum - Franz Schubert
- Winterreise: Wasserflut - Franz Schubert
- Winterreise: Auf dem Flusse - Franz Schubert
- Winterreise: Rck - Franz Schubert
- Winterreise: Irrlicht - Franz Schubert
- Winterreise: Rast - Franz Schubert
- Winterreise: Frstraum - Franz Schubert
- Winterreise: Einsamkeit - Franz Schubert
- Winterreise: Die Post - Franz Schubert
- Winterreise: Der greise Kopf - Franz Schubert
- Winterreise: Die Kr - Franz Schubert
- Winterreise: Letzte Hoffnung - Franz Schubert
- Winterreise: Im Dorfe - Franz Schubert
- Winterreise: Der sthe Morgen - Franz Schubert
- Winterreise: Tchung - Franz Schubert
- Winterreise: Der Wegweiser - Franz Schubert
- Winterreise: Das Wirtshaus - Franz Schubert
- Winterreise: Mut! - Franz Schubert
- Winterreise: Die Nebensonnen - Franz Schubert
- Winterreise: Der Leiermann - Franz Schubert
Tracks:
- Die schone Mullerin: Das Wandern
- Die schone Mullerin: Wohin?
- Die schone Mullerin: Halt!
- Die schone Mullerin: Danksagung an den Bach
- Die schone Mullerin: Am Feierabend
- Die schone Mullerin: Der Neugierige
- Die schone Mullerin: Ungeduld
- Die schone Mullerin: Morgengruss
- Die schone Mullerin: Des Mullers Blumen
- Die schone Mullerin: Tranenregen
- Die schone Mullerin: Mein!
- Die schone Mullerin: Pause
- Die schone Mullerin: Mit dem grunen Lautebande
- Die schone Mullerin: Der Jager
- Die schone Mullerin: Eifersucht und Stolz
- Die schone Mullerin: Die liebe Farbe
- Die schone Mullerin: Die bose Farbe
- Die schone Mullerin: Trockne Blumen
- Die schone Mullerin: Der Muller und der Bach
- Die schone Mullerin: Des Baches Wiegenlied
- 4 Lieder: Nacht und Traume D 827
- 4 Lieder: Standchen
- 4 Lieder: Du bist die Ruh
- 4 Lieder: Erlkonig
Tracks:
- Schwanengesang: Liebesbotschaft
- Schwanengesang: Kriegers Ahnung
- Schwanengesang: Fruhlingssehnsucht
- Schwanengesang: Standchen
- Schwanengesang: Aufenthalt
- Schwanengesang: In der Ferne
- Schwanengesang: Abschied
- Schwanengesang: Der Atlas
- Schwanengesang: Ihr Bild
- Schwanengesang: Das Fischermadchen
- Schwanengesang: Die Stadt
- Schwanengesang: Am Meer
- Schwanengesang: Der Doppelganger
- Schwanengesang: Die Taubenpost
- 9 Lieder: Vollendung
- 9 Lieder: Die Erde
- 9 Lieder: An die Musik
- 9 Lieder: An Silvia
- 9 Lieder: Heideroslein
- 9 Lieder: Im Abendrot
- 9 Lieder: Der Musensohn
- 9 Lieder: Die Forelle
- 9 Lieder: Der Tod und das Madchen
Tracks:
- An die Leier
- Philoktet
- Memnon
- Fahrt zum Hades
- Lied des Orpheus, als er in die Holle ging
- Orest auf Tauris
- Der entsuhnte Orest
- Fragment aus dem Aeschylus
- Der zurnenden Diana
- Lied eines Schiffers an die Dioskuren
- Heliopolis I
- Freiwilliges Versinken
- Das Weinen
- Schiffers Scheidelied
- Der Kreuzzug
- Vor meiner Wiege
- Fruhlingslied
- Jagers Liebeslied
Tracks:
- Dichterliebe Op. 48 Les Amours du poete Heinrich Heine: Im wunderschonen Monat Mai
- Dichterliebe Op. 48 Les Amours du poete Heinrich Heine: Aus meinen Tranen spriessen
- Dichterliebe Op. 48 Les Amours du poete Heinrich Heine: Die Rose, die Lilie, die Taube, die Sonne
- Dichterliebe Op. 48 Les Amours du poete Heinrich Heine: Wenn ich in deine
- Dichterliebe Op. 48 Les Amours du poete Heinrich Heine: Ich will meine Seele tauchen
- Dichterliebe Op. 48 Les Amours du poete Heinrich Heine: Im Rhein, im schonen Strome
- Dichterliebe Op. 48 Les Amours du poete Heinrich Heine: Ich grolle nicht
- Dichterliebe Op. 48 Les Amours du poete Heinrich Heine: Und wussten's die blumen die kleinen
- Dichterliebe Op. 48 Les Amours du poete Heinrich Heine: Das ist ein Floten und Geigen
- Dichterliebe Op. 48 Les Amours du poete Heinrich Heine: Hor ich das Liedchen kiligen
- Dichterliebe Op. 48 Les Amours du poete Heinrich Heine: Ein Jungling liebt ein Madchen
- Dichterliebe Op. 48 Les Amours du poete Heinrich Heine: Am leuchteden Sommermorgen
- Dichterliebe Op. 48 Les Amours du poete Heinrich Heine: Ich hab im Traum geweinet
- Dichterliebe Op. 48 Les Amours du poete Heinrich Heine: Allnachtilch im Traume
- Dichterliebe Op. 48 Les Amours du poete Heinrich Heine: Aus alten Marchen winkt es
- Dichterliebe Op. 48 Les Amours du poete Heinrich Heine: Die alten bosen Lieder
- 12 Gedichte Op. 35 Justinus Kerner: Lust der Sturmnacht
- 12 Gedichte Op. 35 Justinus Kerner: Stirb, Lieb und Freud
- 12 Gedichte Op. 35 Justinus Kerner: Wanderlied
- 12 Gedichte Op. 35 Justinus Kerner: Erstes Grun
- 12 Gedichte Op. 35 Justinus Kerner: Sehsucht nach der Waldgagend
- 12 Gedichte Op. 35 Justinus Kerner: Auf das Trinkglas einet verstorbenen Fredes
- 12 Gedichte Op. 35 Justinus Kerner: Wandrung
- 12 Gedichte Op. 35 Justinus Kerner: Stille Liebe
- 12 Gedichte Op. 35 Justinus Kerner: Frage
- 12 Gedichte Op. 35 Justinus Kerner: Stille Tranen
- 12 Gedichte Op. 35 Justinus Kerner: Wer machete dich so krank?
- 12 Gedichte Op. 35 Justinus Kerner: Alte Laute
- 7 Lieder: Freisinn
- 7 Lieder: Schneeglockchen
- 7 Lieder: Standchen
- 7 Lieder: Laute di menien
- 7 Lieder: Des sennen Abschied
- 7 Lieder: Des sennen Abschied
- 7 Lieder: Talismane
Tracks:
- Liederkreis Op 24: Morgens steh ich auf und frage
- Liederkreis Op 24: Es treibt mich hin
- Liederkreis Op 24: Ich wandelte unter den baumen
- Liederkreis Op 24: Lieb liebchen
- Liederkreis Op 24: Schone Wiege meiner leiden
- Liederkreis Op 24: Warte, warte, wilder Schiffmann
- Liederkreis Op 24: Berg' undBurgen schaun herunter
- Liederkreis Op 24: Anfangs wolt ich fast verzagen
- Liederkreis Op 24: Mit Myrten und rosen
- 11 Lieder: Der Kontrabandiste
- 11 Lieder: Zigeunerliedchen I
- 11 Lieder: Zigeunerliedchen II
- 11 Lieder: Tief im Herzen
- 11 Lieder: Melancholie
- 11 Lieder: Sehnsucht
- 11 Lieder: Gestandnis
- 11 Lieder: O wie lieblich
- 11 Lieder: Weh, wie zornig
- 11 Lieder: Der Hidalgo
- 11 Lieder: Romanze
- Myrten op. 25: Widmung
- Myrten op. 25: Der Nussbaum
- Myrten op. 25: Lied aus dem Schenkenbuch I
- Myrten op. 25: Lied aus dem Schenkenbuch II
- Myrten op. 25: Die Lotosblume
- Myrten op. 25: Du bist wie eine Blume
- Myrten op. 25: Auden hebraischen Geangen
- Myrten op. 25: Du bist wie eine Blume
- Myrten op. 25: Zum Schluss
- 5 Lieder: Die feindlichen Bruder
- 5 Lieder: Abends am Strand
- 5 Lieder: Die beiden Grenadiere
- 5 Lieder: Mein schoner Stern
- 5 Lieder: Wein Wagen
Tracks:
- An die ferne Geliebte, op.98: Auf dem Huegel sitz ich, spaehend - Ludwig Van Beethoven
- Wo die Berge so blau - Ludwig Van Beethoven
- Beethoven: Leichte Segler in den Hoehen - Ludwig Van Beethoven
- Diese Wolken in den Hoehen - Ludwig Van Beethoven
- Es kehret der Maien, es bluehet die Au - Ludwig Van Beethoven
- Nimm sie hin denn, diese Lieder - Ludwig Van Beethoven
- Lieder: Adelaide, op.46 - Ludwig Van Beethoven
- Ich liebe dich, so wie du mich, WoO 123 - Ludwig Van Beethoven
- L'amante impaziente, op.82-3 - Ludwig Van Beethoven
- L'amante impaziente, op.82-4 - Ludwig Van Beethoven
- Ariette (Der Kuss), op.128 - Ludwig Van Beethoven
- In questa tomba oscura, WoO 133 - Ludwig Van Beethoven
- Die Ehre Gottes aus der Natur, op.48-4 - Ludwig Van Beethoven
- Maigesang, op.52-4 - Ludwig Van Beethoven
- Marmotte, op.52-7 - Ludwig Van Beethoven
- Seufzer eines Ungeliebten-Gegeliebe, WoO 118 - Ludwig Van Beethoven
- Andenken, WoO 136 - Ludwig Van Beethoven
- Der Wachtelschlag, WoO 129 - Ludwig Van Beethoven
- Aus Goethes Faust (Mephistos Flohlied), op.75-3 - Ludwig Van Beethoven
- 3 Gesaenge, op.83: I. Wonne der Wehmut - Ludwig Van Beethoven
- II. Sehnsucht - Ludwig Van Beethoven
- III. Mit einem gemalten Band - Ludwig Van Beethoven
- An die Hoffnung, op.94 - Ludwig Van Beethoven
- Lied aus der Ferne, WoO 137 - Ludwig Van Beethoven
- Der Juengling in der Fremde, WoO 138 - Ludwig Van Beethoven
- Der Liebende, WoO 139 - Ludwig Van Beethoven
- Abendlied unterm gestirnten Himmel, WoO 150 - Ludwig Van Beethoven
Tracks:
- Es muss ein Wunderbares sein
- Benedetto sia 'l giorno
- Pace non trovo
- I' vidi in terra angelici costumi
- Oh, quad je dors S282
- die drei zigeuner
- Die vatergruft
- Der alpen jager
- Blume und Duft
- Vergiftet sind meine Lieder
- Tristesse
- Ihr Glocken von Marling
- Hohe Liebe
- O lieb, so lang du lieben kannst
- Im Rhein, im schonen Strome
- Ein Fichtenbaum steht einsam
- Morgens steh ich auf und frage
- der traurige Monch
Tracks:
- Denn es gehet dem Menschen wie dem Vieh
- Ich wandte mich und sahe an alle
- O Tod, wie bitter bist du
- Wenn ich mit Menschen - und mit Engelszungen redete
- Sommerabend
- Mondenschein
- Es liebt sich so lieblich im Lenze
- Meerfahrt
- Es schauen die blumen
- Der Tod, das ist die kuhle Nacht
- Mit vierzig Jahren
- Steig auf , geliebter Schatten
- Mein Herz ist schwer
- Kein Haus, keine Heimat
- Herbstgefuhl
- Alte Liebe
- Abenddammerung
- Heimweh II
- Auf dem Kirchhofe
- Verzagen
- Regenlied
- Nachklang
- Fruhlingslied
- Auf dem See
- Feldeinsamkeit
Tracks:
- Hugo Wolf: In der FrHugo Wolf
- Hugo Wolf: Fussreise - Hugo Wolf
- Hugo Wolf: Neue Liebe - Hugo Wolf
- Hugo Wolf: Der Feuerreiter - Hugo Wolf
- Hugo Wolf: Jrlied - Hugo Wolf
- Hugo Wolf: Storchenbotschaft - Hugo Wolf
- Hugo Wolf: Verborgenheit - Hugo Wolf
- Hugo Wolf: Verborgenheit - Hugo Wolf
- Hugo Wolf: Im Fr - Hugo Wolf
- Hugo Wolf: Auf einer Wanderung - Hugo Wolf
- Hugo Wolf: An die Geliebte - Hugo Wolf
- Hugo Wolf: Peregrina I - Hugo Wolf
- Hugo Wolf: Peregrina II - Hugo Wolf
- Hugo Wolf: Lebewohl - Hugo Wolf
- Hugo Wolf: Begegnung - Hugo Wolf
- Hugo Wolf: Der Jr - Hugo Wolf
- Hugo Wolf: Bei einer Trauung - Hugo Wolf
- Hugo Wolf: Abschied - Hugo Wolf
Tracks:
- Es war einmal ein Bock
- Einst kam der Bock als Bote
- Es liebte einst ein Has
- Drei Masken sah ich am Himmel stehn
- Hast du ein Tongedicht vollbracht
- O lieber Kunstler, sei ermanhnt
- Unser Feind ist, gober Gott
- Von Handlern wird die Kunst bedroht
- Es war mal eine Wanze
- Die Kunstler sind die Schopfer
- Die Handler und die Marcher
- O Schropferschwarm, o Handlerkreis
- Gefunden
- Das Roseband
- Einerlei
- Winterweihe
- Stiller Gang
- Der Arbeitsmann
- Blindenklage
- Heimkehr
- Wer wird von der Welt Verlangen
- Hab ich euch denn je geraten
- Wanderers Gemutsruhe
Tracks:
- Aeolsharfe
- Winterahnung
- Traum durch die Dammerung
- Nelken
- Flieder
- Minnelied
- Der Himmel Hat eine Trane Geweint
- Waldeinsamkeit
- Schlecht Wetter
- Gluckes genug
- Einsamkeit
- Gottes Segen
- Das sterbende Kind
- Ein Drangen
- Trost
- Heimat
- Ihr, ihr Herrlichen!
- Der zerrissne Grabkranz
- Das Blatt im Buche
- Im April
- Brablied
- Sie haben heut Abend Gesellschaft
- In Danzig
- Eingelegte Ruder
- Saerspruch
- Hussens Kerker
- Zorn
- An die Mark
- Zum Abschied meiner Tochter
- Tragische Geschichte
- Sonett Nach Petrarca
Tracks:
- Ein Tagewerk I
- Ein Tagewerk II
- Fruhgesicht
- Reisefantasie
- Das Ende des Festes
- Nachruf
- Jugendgedenken
- Peregrina II
- Auf ein Kind
- Dammrung senkte sich
- Ach, wie schon
- Nachklang
- Hore den Rat
- Venezianisches Epigramm
- Jetzt rede du
- Auskunft
- Aus zwei Talern
- Kennst du das auch?
- Ravenna I
- Das Ziel
- Keine Rast
- Kindheit
- Im Kreuzgang von Santo Stefano
- Nachtgefuhl
- Magie der Farben
- Verwelkende Rosen
- Abends
- Mittag im September
- Blauer Schmetterling
- Pfeifen
- Sommernacht
- Fur Ninon
- Verganglichkeit
Tracks:
- Ballade de Villon a s'amye
- Ballade que Villon feit a la requeste de sa mere pour prier nostre Dame
- Ballade des femmes de Paris
- Nahandove
- Aoua!
- II est doux
- Chanson de la mariee
- La-bas, vers l'eglise
- Quel galant m'est comparable
- Chanson des cueilleuses de lentisques
- Tout gai!
- Chanson romanesque
- Chanson epique
- Chanson a borie
- At The River
- Elegie
- Anne Street
- A Chirstmas Caro
- From 'The Swimmers'
- West London (A Sonnet)
- A Farewell To Land
- Abide With Me
- Where the eagle
- Disclosure
- The White Gulls
- The Children's Hour
- Two Little Flowers (And Dedicated To Them)
- Autumn
- Tom Sails Away
- Ich Grolle nicht
- Feldeinsamkeit
- Weil' auf mir
- In Flanders Fields
Tracks:
- Phantasie aus Don Juan
- Ablosung im Sommer
- Selbstgefuhl
- Des Antonius von Padua Fischpredigt
- Zu Strabburg auf der Schanz
- Booh, Wie Ist Die Barmhezigkeit des herrn
- Willst du Gottes Diener sein
- Alles, was aus der Erde kommt
- Tod, wie bitter bist du
- Lied des Mephistopheles
- Zigeunerlied
- Schlechter Trost
- Lied des Mephistopheles
- Liederseelen
- Alle
- Der Gesang des Meeres
- In einer Sturmanacht (Nikodemus)
- Nun die Schatten dunkeln
- Wonne der Wehmut
- Aus den Himmelsaugen
- Musikantegrub
- Der juge Ehemann
- Der Soldat
- Uomo del mio tempo
- Con una fronda di mirto
Tracks:
- 1. Wenn mein Schatz Hochzeit macht
- 2. Ging heut morgen uebers Feld
- 3. Ich hab ein gluehend Messer
- 4. Die zwei blauen Augen
- 1. Um Mitternacht
- 2. Ich atmet' einen Linden Duft
- 3. Blicke mir nicht in die Lieder
- 4. Ich bin der Welt abhanden gekommen
- 1. Nun will die Sonn' so hell aufgehn
- 2. Nun seh ich wohl, warum so dunkle Flammen
- 3. Wenn dein Mutterlein
- 4. Oft denk ich, sie sind nur ausgegangen
- 5. In diesem Wetter, in diesem Braus
Tracks:
- Ich will den kreuzstab gerne tragen: Arie
- Ich will den kreuzstab gerne tragen: Rezitativ
- Ich will den kreuzstab gerne tragen: Choral
- Ich will den kreuzstab gerne tragen: Arie
- Ich will den kreuzstab gerne tragen: Rezitativ
- Ich habe Genug: Arie
- Ich habe Genug: Rezitativ
- Ich habe Genug: Arie
- Ich habe Genug: Rezitativ
- Ich habe Genug: Arie
- Ich bin eine blum zu saron: Arie
- Ich bin eine blum zu saron: Arie
- Ich bin eine blum zu saron: Arie
- Ich suchte des nachts: Duett
- Ich suchte des nachts: Duett
- Ich suchte des nachts: Duett
- Ich suchte des nachts: Arie
- Ich suchte des nachts: Arie
- Ich suchte des nachts: Duett
- Ich suchte des nachts: Arie
- Ich suchte des nachts: Duett
Tracks:
- Hir ist sas rechte Osterlamm
- Gerne will ich mich bequemen
- gebt mir meine jesum wiender
- Mache dich, mein herz, rein
- Et in Spiritum Sanctum
- Achzen und erbarmlich weinen
- Duett - Wann kommst du, mein heil
- O Memory! Still Bitter To My Soul-Opprest WIth Never - Casting Greif
- Aus der Tiefe rufe ich
- Aus tiefer Not schrei ich zu dir
- Meine Hande ringen sich
- Jedennoch bleib ich stets an dir
- Aus der Tiefe rufe ich
- Duett - Holde Gattin, dir zur Seite
- Solo & Chor - Herr, lehre doch mich
Tracks:
- Frondi tenere e belle - Ombra mai fu
- Cara pianta
- Presti omai l'Egizia terra
- Non e si vago e bello
- Che faro senza Euridice
- Udite, tutti udite
- Io deggio ad ogni patto
- Finch'han dal vino
-
Deh, vieni alla finestra
- Hai gia vinta la causa
- Vedro, mentr'io sospiro
- Der Vogelfanger bin ich ja
- Ein Madchen oder Weibchen
- Ha! Welch ein Augenblick!
- Wie Todesahnung Damm'rung - O du, mein holder Abenstern
- Was duftet doch der Flieder
- Wahn! Wahn!
- Zur Burg fuhrt die Brucke - Abendlich strahlt der Sonne Auge
Tracks:
- Botre toast... je peux vous le renre
- avant de quitter ces lieux
- L'orage s'est calme
- Resta immobile
- Morir! ... Tremenda cosa!
- Di Provenz il mar
- Nemico della patria?!
- Si puo? Signore!
- Povero Rigoletto!
- Cortigiani, vil razza dannata
- Brav, alter Hans
- Lebt wohl ihr suben studen
Tracks:
- Schlafst oder wachst du?
- Heimkehr
- Maggy Lauder
- Dort, wo durchs ried
- Fileb leise, mein bachlein
- Horch auf, mein liebchen
- Da brava, Cantina
- O kostliche Zeit
- Trinklied
- Der treue Johnie
- Kommt, schliebt mir einen forhen Kreis
- Once more I Hail Thee
- Sunset
- Put Round The Bright Wine
- Could Ill World
- Could Ill Be fate
- Oh, Had My Fate
- The Return Of Ulster
- Ein entmutigter liebender
- Ein begluckter Liebender
- Bewuderug
- Gluhende Liebe
- Trinklied
- Weine, weine, weine nur nicht
Customer Reviews:
The Mastersinger.......2000-06-24
If the second half of the 20th Century has musical signs, they must include that phenomenal German singer Dietrich Fischer-Dieskau who dominated the recital and concert halls, the opera stages and the recording studios in a way no other artist has done it, except maybe Leonard Bernstein. In celebration of this great artist's 75th birthday we have here a set which includes the gems of his lieder repertoire, starting with those great Schubert cycles in their most vivid performances. Just listen to those early renditions of the Schone Mullerin or with Jorg Demus, or to Schuman's Dichterliebe cycle (with the same pianist). And you shall not miss the artistry of this most sensitive voice in full volume of Mahler lieder with piano and orchestral songs. And what about the Morike lieder by Hugo Wolf? Well, you shall probably wonder at that special cooperation between the singer and the Russian pianist Svitoslav Richter. It is a performance of lifetime, and so it is with the Wintereise of Schubert with Barnboim at the piano. Those who know the artistry of Fischer-Dieskau and even those who have already other recordings of those great works will not regret having this special set. For the newcomers to this great artist there will be a lot to discover, The music itself, sure, but mainly the art of interpratation. In this alone Dietrich Fischer-Dieskau shine high and above all other singers.
Average customer rating:
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Lieder & Arias
Manufacturer: EMI Records [All429]
ProductGroup: Music
Binding: Audio CD
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