Tunes Nextdoor To Songs [EP]

tunes nextdoor to songs [ep]

Track Listings

1. My Chair

2. Reserve This Song

3. Falling Star

4. Nature of Reality

Tunes Nextdoor To Songs,Bear In Heaven,Eastern Developments,Pop,Rock,Rock/Pop

Tunes Nextdoor To Songs [EP]

Average customer rating:

What can I say !
a voice teacher and early music fan
Another Rutter Keeper!
worship of god made mostglorius in this cd
Heavenly Music

Sing Ye Heavens - Hymns for All Time
Cambridge Singers , and John Rutter
Manufacturer: Collegium
ProductGroup: Music
Binding: Audio CD

General | Sacred & Religious | Classical | Styles | Music

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Chants | Vocal Non-Opera | Opera & Vocal | Styles | Music

Hymns | Vocal Non-Opera | Opera & Vocal | Styles | Music

Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music

Psalms | Vocal Non-Opera | Opera & Vocal | Styles | Music
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A Vaughan Williams Hymnal
Hymns Triumphant 1 & 2
Best Loved Hymns
Hymns Through the Centuries
Praise to the Lord - Hymns From St. Paul's Cathedral

ASIN: B00004WGEZ
Release Date: 2000-08-02

Tracks:

Hymns From The Psalms: O God, Our Help In Ages Past
Hymns From The Psalms: The King Of Love My Shepherd Is
Hymns From The Psalms: A Mighty Fortress Is Our God
Invocations: Veni, Creator Spiritus
Invocations: Lo! He Comes With Clouds Descending
Invocations: Love Divine, All Loves Excelling
The Eucharist: Pange Lingua
The Eucharist: Let All Mortal Flesh Keep Silence
Passiontide And Easter: Vexilla Regis
Passiontide And Easter: Drop, Drop Slow Tears
Passiontide And Easter: When I Survey The Wondrous Cross
Passiontide And Easter: Christ The Lord Is Risen Today
Folk Hymns: Be Thou My Vision
Folk Hymns: All Things Bright And Beautiful
Folk Hymns: Morning Has Broken
Folk Hymns: Amazing Grace
Folk Hymns: We Plough The Fields, And Scatter
Evening Hymns: Glory To Thee, My God, This Night
Evening Hymns: The Day Thou Gavest, Lord Is Ended
Thanksgiving And Dedication: Eternal God
Thanksgiving And Dedication: Christ Is Made The Sure Foundation

Amazon.com

It's good to have the clean-vowelled, fresh-voiced Cambridge Singers back in action with composer John Rutter, who demonstrates once again his considerable talents as a choral director. Here, he also had his work cut out arranging 15 of the tracks (and composing one other). Divided up into various categories, such as "the Eucharist" and "folk hymns," this album will delight the confirmed hymn enthusiast, provided that he or she doesn't insist on the pure, as-written product. Rutter's reworkings range from the bold and brassy (occasionally deliciously over the top--what would Martin Luther have thought of the naughtiness in "A mighty fortress is our God"?) to those of harp-accompanied simplicity, not least in the charming lines of "Be thou my vision." Several tasteful descants are models of their kind. There are some surprises at which to chuckle. For example, not the expected brass and organ job on "We plough the fields and scatter," but a dainty, tripping harp accompaniment to the familiar melody, such as Haydn might have wedded to a Scottish folksong. Occasional numbers might be too saccharine for some tastes, but there are cunningly placed samples of Gregorian chant, Tallis, and Gibbons to provide contrast and cleanse the palate. --Andrew Green

Customer Reviews:

What can I say !.......2007-02-15

Having listened to this twice... It is difficult to find words for something so Glorious. It doesn't almost hurt, but I almost exploded in heavenly rapture several times.
You will need to get two. It is not music that you will want to keep to yourself.

a voice teacher and early music fan.......2007-02-02

'The hymns heard on this disc span over 15 centuries of the history of Christian Europe, and have been chosen simply to make up a varied program which can be pleasant to hear.' Some items are accompanied by organ, some by harp where a lighter sound was more appropriate. Some are unaccompanied as in the Gregorian hymns, and five of the grandest hymns are given festival arrangements using brass, timpani, percussion and organ. Although the perspective of this album is Anglican,it must be noted that the Anglican hymn tradition has been notably eclectic. Hymnody is forever changing. 'This album does NOT attempt to reflect the most recent changes-the emergence of pop and folk-influenced worship songs and choruses has been well taken care of elsewhere, and time alone will tell whether there is any lasting worth in this most drastic upheaval of worship style.' Therefore, it is timely to reflect upon the immense riches of hymns built up over so many centuries, when they are at great risk of neglect. John Rutter has produced an amazing number of arrangements as well as original songs, and they are all first-rate. Choirs throughout the world (who are skilled enough to sing them)take great pleasure in working with his selections, and audiences, regardless of listening experience seem to enjoy them. They are tuneful, clever and unusual!!!
The Cambridge Singers number : 10 female sopranos,2 male and 4 female altos, 7 tenors and 8 basses. They sing extremely well with clear consonents and well-shaped vowels and plenty of gusto. I miss the boy sopranos that usually sing in the British choirs, but that's only a personal preference, and it surely is not Rutter's preference, because I have never known him to make use of them. A truly inspiring recording, nonetheless.

Another Rutter Keeper!.......2003-02-17

Rutter has won many fans throughout the world for his passionate, creative yet tasteful contributions to church music. Here is a hymn collection with several traditional choices along with Rutter originals.

Several comprise Rutter's remakes, which is most cases are very diginified and not at all distractive to the thrust of the original. The orchestration is superb, and the Cambridge Singers of course provide outstanding choral might.

Well worth consideration to the church music collection.

worship of god made mostglorius in this cd.......2002-04-30

i was 1st introduced to john rutters music on a radio program... when i 1st heard the arrangement of christ the lord is risen today presented in this cd i pictured a grand celebration of the solemn mass of the resurection of our lord and pictured in particular the grand procession i pictured this being celebrated... this hymn and cd does as best as humanly possible represent the great glory of god and does as its title suggests sing with the heavens and for you fellow traditionalists this is a strongly recomended cd

Heavenly Music.......2001-10-15

The hymns of SING, YE HEAVENS represent 1500 years of music in the Christian church. Pure and rich are these hymns by the Cambridge Singers with their perfect diction that leaves nothing for improvement and their tone quality that envelops the listener. The beauty of the harp, the organ, and the brass adds to the pleasure this CD brings to the listener's ear and heart.

Cinderella: Songs from the Classic Fairy Tale (1998 Studio Compilation)

Average customer rating:

Back to when I believed in fairy tales....
The Glass Slipper Fits!
Magical collection fit for a princess!
Fabuloso!!!! A must have!!!!

Cinderella: Songs from the Classic Fairy Tale (1998 Studio Compilation)

Manufacturer: Varese Sarabande
ProductGroup: Music
Binding: Audio CD

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Rodgers & Hammerstein's Cinderella
Cinderella (1965 Television Cast)
Cinderella (1957 Television Cast)
Rodgers & Hammerstein's Cinderella
Rodgers & Hammerstein's Cinderella (1957 Television Production)

ASIN: B00005KBB1
Release Date: 2001-06-12

Tracks:

Overture
In My Own Little Corner
Spread A Little Happiness
A Dream Is A Wish Your Heart Makes
Raise A Ruckus
Impossible/Suddenly It Happens
The Ball
What Has Love got To Do With Getting Married
A Lovely Night/Ten Minutes Ago
Do I Love You Because You're Beautiful?
Midnight
On the Steps Of The Palace
Once I Was Loved
If The Shoe Fits
Tell Hm Anything
The Stepsisters' Lament
Finale

Customer Reviews:

Back to when I believed in fairy tales...........2002-09-30

If you could, just for a moment, return to the days when fairy godmothers were real, when you really could turn four white mice into four white horses - then just buy this CD for a few smiles, a lot of memories, and the original Rodgers and Hammerstein tunes. This CD took me way back to when magic was there, and now it makes me wonder, everytime I listen to it, if maybe the magic isn't still there? Maybe I should just call on my fairy godmother..... A true heirloom of a CD.

The Glass Slipper Fits!.......2001-04-21

This is an excellent compilation of songs that express the longings, fears and exuberance of the Cinderella story. Rather than just relying of the romantic side of the myth, producer Bruce Kimmel adds depth to the story by including songs from The Slipper and The Rose and Sondheim's Into the Woods as well as the Disney and Roger & Hammerstein Cinderella versions.

When Susan Egan plans her strategy in "Promise Him Anything" and Pamela Winslow expresses her fear in "On the Steps of the Palace," the listener becomes aware of Cinderella's human side. Likewise, when Christa Moore shares her fantasy world "In My Own Corner" and Christina Noll expresses her thrill of her dream coming true in "Impossible/Suddenly It Happens," the listener is reminded of the powerful message of Cinderella's theme: dreams DO come true.

Fortunately, the compilation does not exclude humor as well. "The Stepsister's Lament" by Farah Alvin and Alet Oury is hilariously poignant; the lyrics "Why would a fellow want a girl like her? A frail and frocky beauty!" could be the alltime wallflowers' lament. And Jonathan Freeman's "What Has Love Got to Do with Getting Married?" is a droll piece of practical cynicism to his Prince son. (The song reminds me of the film Moonstruck. When Olympia DuKakis asks her daughter Cher, "Do you love him?" When Cher answered affirmatively, her mother muttered, "That's bad.")

Also, the musical bridges add to the suspense of the Cinderella story. "Midnight", "The Ball," and "If The Shoe Fits" from Prokofiev's ballet are beautifully orchestrated and remind the listener that the Cinderella myth is adaptable for many forms of entertainment.

I was a little disappointed that "So This is Love" and "The Work Song" was not included, but I guess I'm partial to the Disney version. The 1950 cartoon was my first introduction to Cinderella, and to my delight, my nephew enjoyed it as well thirty years later.

Nevertheless, this CD shows the timeless appeal of the Cinderella myth. Its beauty, humor and suspense is contained here in this magnificent collection.

Magical collection fit for a princess!.......1999-04-13

I was thrilled to come across this collection. One of my favorite movies, The Slipper and the Rose, had been out of print for many years. This CD includes 4 of the songs from that movie and though not by the original artists, just as good. The songs range from the whimsical to the romantic to a few comic gems, all from various stage and film Cinderella scores. "Tell Him Anything" from the Slipper and the Rose, a powerful song filled with longing and despair is sung movingly by Susan Egan, a nice change of pace from the cheerier, more sparkling numbers.

The score from Rogers and Hammerstein's Cinderella is so charming and catchy it's fun to hear it again by new artists. The performers, all apparently Broadway singers (?), are all beautifully performed with exuberance and style. The orchestration is lush and appropriate to the material.

Fabuloso!!!! A must have!!!!.......1998-08-11

This is an AWESOME cd. It has songs from the original Rodgers and Hammerstein version, the Disney version, and Into the Woods. This is a faboulos collection of songs. Definetly buy it. NOW!!!!!

Average customer rating:

For Fans of Broadway (Sondheim, Hamlisch & Bernstein e.g.):
The songs that didn't get away
Songs that showcase Sarah's theatrical gifts
Good, for Sarah Brightman
Pleasant, but not up to standard

The Songs That Got Away

Manufacturer: Decca Broadway
ProductGroup: Music
Binding: Audio CD

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Dive
Surrender
The Trees They Grow So High
Fly
As I Came of Age

ASIN: B000005S0R
Release Date: 1999-11-16

Tracks:

Meadowlark
I Am Going To Like It Here
I Remember
Mr. Monotony
Dreamers
Silent Heart
Lud's Wedding
Three-Cornered Tune
If I Ever Fall In Love Again - Sarah Brightman Sarah Brightman
What Makes Me Love Him?
Chi Il Bel Sogno Di Doretta
Away From You
If Love Were All
Half A Moment - Sarah Brightman Sarah Brightman

Amazon.com

For those Sarah Brightman fans who didn't spring for The Songs That Got Away when it was a pricey import, this domestic release will be a must-buy. Originally recorded in 1989 shortly after she achieved international fame in The Phantom of the Opera, the album spotlights obscure American and British musical theater songs that either were removed from shows or were "lost" when the shows themselves slipped out of the repertoire. (Of course, some of the songs aren't nearly as obscure as they were in 1989--the opening track, Stephen Schwartz's soaring "Meadowlark," has since been claimed by Liz Callaway, Patti LuPone, and Betty Buckley, while Stephen Sondheim's "I Remember"--well suited to Brightman's glasslike tones--is now recognized as one of his most gorgeous and haunting compositions.) Brightman performs well on this diverse collection of entertaining and often lovely songs, including an early draft of Frank Loesser's "Fugue for Tinhorns," here sung as a triple-tracked, lilting waltz, and the Puccini aria "Chi il bel sogno di doretta," which foreshadows her later, more ambitious crossover projects. There's also a tune from Jeeves by then-husband Andrew Lloyd Webber, who produced this album not long before he and Brightman divorced in 1990. --David Horiuchi

Customer Reviews:

For Fans of Broadway (Sondheim, Hamlisch & Bernstein e.g.):.......2007-02-24

This is an interesting and surprising production that showcases the vocal prowess of Sara Brightman. It is not however, representative of the new and highly overproduced vocal productions that constitute her newer recordings. Although this production really allows the listener to hear a very melodic and unencumbered vocal performance, as it is pleasing in it's simplicity, yet meant for the more discriminating listener. Fans of Irving Berlin, Andrew Lloyd Weber, and Richard Rodgers will feel right at home here. For those seeking another major sonic production as in Eden, La Luna, Dive, or The Harem Tour this is not it! My criticism is not of her vocal prowess or production values but the apparently endless array of previously released material offered as a new and different recording. But I suppose that this is rather due to the greedy objectives of of A&M Records just trying to go to the bank, often and laden heavy with dollars. Nothing that any label wouldn't try to do. My advice with Sara Brightman is "caveat emptor" (buyer beware) check the disc carefully for redundancy of tracks within her discography. If you're a fan of this genre of music, you will probably respond quite well to this recording.

The songs that didn't get away.......2004-02-12

This is one of my favorite albums by Sarah. She surprised me with her ability to go from light opera to jazz. Here we don't find the over-produced albums such as Harem, just a superbly trained voice. No little girl breathy tunes here, just solid performances. This is the Sarah Brightman that I like to remember and enjoy. If you see this album and you're a Sarah Brightman fan, pick it up and treasure it. I'd like to see her do more of thisgenre, where she showcases her voice. Who ever thinks that Sarah has a small voice will be convinced otherwise by this album.

Songs that showcase Sarah's theatrical gifts.......2003-12-11

Before experimental albums like Dive and Fly, as well as the ones where her classically-trained voice enchanted millions, Sarah Brightman did a collection of musical and theatrical songs originally released in 1989, but reissued when she made it big with Time To Say Goodbye. Her vocal style leans towards the theatrical Broadway side, but more mellowed. But on songs like the strings-laden mid-tempo "Meadowlark" from Stephen Schwartz's The Baker's Wife, the way she would later do splendidly interpret Lloyd Webber's songs is in the making. Here are other highlights, including those that were reissued on Sarah's Encore album (2002).

Stephen Sondheim's "I Remember" is a sad ballad told from the POV of a window mannequin remembering the sights it has experienced throughout the seasons, but the memories are now hazy and at the end, it sings, "At times I think/I would gladly die/for a day of sky."

Some songs like "Lud's Wedding" from Bernstein's failed bicentennial musical, only seem to work due to Sarah's voice. Ditto for the simple "Three-Cornered Tune." Consisting of three verses, each repeated twice. However, Irving Berlin's "Mr. Monotony", a tune understandably cut from Easter Parade, is not a particularly inspiring song.

Marvin Hamlisch's "Dreamers" is one of my favourites here, as I have affinity to it, and I'm sure Sarah is one at heart as well. "Only dreamers have wings with which to fly far away", as in their own fantasies, but unfortunately, "sometimes dreamers are forced to leave their dreams far away", i.e. the harshness of reality. However, it paints them in a positive light and states that everyone needs to have some sort of dream "to take time to find treasures and mountains we can climb."

"Silent Heart" really showcases Sarah's voices, on how some things the heart is best left silent, as in things that really thrill it. "If I Ever Fall In Love Again" is taken from The Crooked Mile and is a nice love song Sarah really wraps herself in.

"Chi Il Bel Sogno Di Doretta" from Puccini's La Rondine is a great showcase of the operatic voice that would come into full bloom on Time To Say Goodbye. This song would be reissued on Encore.

"Away From You" by Richard Rodgers, and taken from a musical biog of Henry VIII (!!!). "The clocks are frozen and time's a traveler who's lost his way" is one of the sentiments Sarah conveys effectively. Also reissued on Encore.

"If love were all, I should be lonely" sings Sarah from Noel Coward's Bittersweet, "If Love Were All" was the one song that stood out for me when I first heard this CD. The ability of a talent to amuse is seen as a solid standing for mental security. A definite standout here.

From Lloyd Webber's Jeeves, the lush strings of "Half A Moment" features the vocal stylings familiar enough to those who have Sarah's Andrew Lloyd Webber Collection. It focuses on how important the capture of a moment to bright up a future rainy day is. Also reissued on Encore.

Initially, I dismissed this as the songs that should've stayed away. Although they lack the magical punch of Time To Say Goodbye or La Luna, it's still a worthwhile collection, because Sarah's clear birdlike theatrical/musicals voice makes it all worthwhile.

Good, for Sarah Brightman.......2003-08-25

Some people just love Sarah's voice, but I don't see what's so special about it. She sings in two sorts of ways, the first one is lovely, simple, forgetable, and the other sounds like Stitch with a high voice. This CD does her justice, though. A lot of the tunes are catchy and nice (how she sings them could be better) but the one I really like is "Three cornered tune." Now that's a good song! She does not have a particularly bad voice, but nothing interesting - that's for sure. And when she tries to act in her music she sounds even worse! But that's alright. After all, everyone has a different style. A highlight of this CD includes "Mr. Monotony," which, unfortunatly, did not come with lyrics in the CD case. Too bad, because its a great song. At the end of this record, though, she writes about these songs and - wow! It is amazing how many shows that song was taken out of! At one point it said it had Judy Garland singing it, and when I try to imagine her doing it I know that must have been awesome. I really want to hear Judy Garland singing this song sometime. Maybe I'll find it here on Amazon... But anyway, back to Sarah Brightman. The only other thing I can think of to say at the moment is that from what I've heard of her records, this is as good as it gets. And also, the track titled "Dreamers" is nice. I like the tune and she doesn't sing it too bad, either. It would be a good song to be played at a graduation. Only after a while the sound of it gets a little creepy and annoying. And its sticky, too. "Silent heart" is a classic, though she shouldn't sing it twice. For you see, she sings it, and then you think, "Ah, that's a sweet song. Wonderful words, soft tune," and the music gets at a great stoping point and then comes back for an encore (as one of Sarah's other records is titled). And then we have to listen to it all over again - and its not as good the second time. So overall is it good? Yes, it is. Though perhaps not good enough.

Pleasant, but not up to standard.......2003-06-22

I love Sarah Brightman's singing and her musical style as presented on Eden and La Luna. This CD is completely different in style from those two. I find it enjoyable, but it is not my favorite. Her singing is nothing special on this CD, it doesn't display her vocal range or talent in the way that her other CDs do, especially her CD "Surrender", her vocals are absolutely stunning on that CD.

Average customer rating:

Excellent Material for Ms. Upshaw.
Keeps Getting Better
The Barber alone is worth five stars
Buy this disc...twice!
Dawn Upshaw, vocal actress extraordinaire

Knoxville Summer of 1915

Manufacturer: Nonesuch
ProductGroup: Music
Binding: Audio CD

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Barber: Knoxville Summer of 1915/Dover Beach/Hermit Songs/Adromache's Farewell

ASIN: B000005IZ3
Release Date: 1990-10-25

Tracks:

Knoxville: Summer Of 1915
The Old Maid And the Thief: Act I, Scene 6: What A Curse For A Woman Is A Timid Man
Mirabai Songs: I. It's True, I Went To The Market
Mirabai Songs: II. All I Was Doing Was Breathing
Mirabai Songs: III. Why Mira Can't Go Back To Her Old House
Mirabai Songs: IV. Where Did You Go?
Mirabai Songs: V. The Clouds
Mirabai Songs: VI. Don't Go, Don't Go
The Rake's Progress: Act I, Scene 3: No Word From Tom

Amazon.com essential recording

Barber's Knoxville, Summer of 1915 is a setting of a lovely chunk of prose text by James Agee describing an evening from his childhood. An accomplished singer himself, Barber's vocal writing is expert, and this work must rank as one of the finest examples of the art of word-setting in any language. Barber perfectly captures the conversational quality of the text, while at the same time clothing the words in an atmosphere of gentle nostalgia. It's a masterpiece that Dawn Upshaw sings with keen insight and lovely tone. The remainder of the program is creatively chosen as well, making this one of the finest vocal recitals available by an American singer. --David Hurwitz

Customer Reviews:

Excellent Material for Ms. Upshaw........2006-04-26

'Knoxville: Summer of 1915' is a performance of a selection of operatic pieces by Americans such as Samuel Barber or Europeans transplanted to the United States, such as Igor Stravinsky. Ms. Upshaw shines with material, which is good for her, since she is just slightly out of her league with the material covered by the likes of Renee Flemming on the operatic front and Ute Lemper and Lotte Lenya on the Euro/American popular musical stage.

Like any good sampler, this recording's strongest draw is the fact that it makes one interested in tracking down the complete works by Barber, Menotti, Harbison, and Stravinsky. And, while the package includes all lyrics, everything is in perfectly clear English. A perfect addition to other American classics such as 'Porgy and Bess'.

Keeps Getting Better.......2005-03-02

I have had this disc for years, and I'm more impressed with it as the years roll by. I bought it for Barber's "Knoxville, Summer of 1915" which is a glorious piece of music caught here in a luminous performance. I didn't initially warm up to the Harbison songs, but they have grown on me over the years to the point that I listen to them far more often than the Barber now. I think it just took me a while to absorb Harbison's style and understand how deftly and ingeniously he uses it to take the listener into Mirabai's world. Not to be missed!

The Barber alone is worth five stars.......2004-01-16

People are always saying that they find a particular piece of music is "haunting." For me Barber's "Knoxville: Summer of 1915" is such a work. Dawn Upshaw's reading of this great American masterwork is the best I have yet heard. She won her first Grammy Award for this recording - and deservedly so. If you're a fan of either Upshaw or Barber you'll want to add this beautiful CD to your collection.

Buy this disc...twice!.......2002-07-20

Extraordinary!! This has got to be the definitive Knoxville--rich, touching, elegant and as close to perfect as it can probably ever be. Upshaw has the perfect voice for this work, and she gives it all the loving attention that it requires. This is a performance of Knoxville that will make you weak in the knees. For the Knoxville alone, buy this disc....twice! There is, however, just a little bit of downside here. The other works on this disc just aren't very captivating.

Dawn Upshaw, vocal actress extraordinaire.......2002-01-01

This is the CD that made me fall in love with Dawn Upshaw's singing. I had heard her before and admired her work, but this disc made me a real fan. As it's one of her early recordings, her voice is somewhat "fuller" than on later work; she later started moving the voice "forward," simplifying the sound. Either way, her immense talent for communicating the essence of the text is the outstanding aspect of all her work. It's amazing how she can sound angry, desperate, hopeful, melancholic, all while producing a beautiful sound and tackling all the vocal challenges of the music she's singing. She inhabits the characters, the narrators, of each of the pieces on this disc, and makes it more than just a collection of songs or arias.

I want to make special mention of the Harbison _Mirabai Songs_, as it seems to have been maligned somewhat in other reviews here. This was the work that most kept me coming back to this disc when I first bought it. I think it is a masterpiece, and one of Harbison's best and most important works. (Apparently I'm not alone in my admiration of the piece, because I've heard it on a number of live concerts in recent years, so it seems to be having a successful performance life.) Harbison's song cycle is by turns exciting, sensual, driving, longing, beautiful. The orchestration for the small ensemble is masterful (as Harbison's efforts at scoring always are), and Upshaw expresses all of Mirabai's complex emotions enchantingly.

The _Rake's Progress_ aria also deserves individual comment. In this engrossing example of Stravinsky's neoclassical style, Upshaw assumes Anne's air of fierce determination, and brings the disc to an absolutely thrilling climax on a concluding high C.

All of the music on this terrific CD is very accessible, and the performances are stellar. The recorded sound is very clear and immediate, as one would expect from Nonesuch. It's one of my favorite discs in my entire collection, and would probably be so for the Harbison and Stravinsky alone.

Kids Rock for Peas
Average customer rating:

Relegating the Wiggles to the Dustbin of History

Best kids music--ever!

Kids Rock for Peas
The Sippy Cups
Manufacturer: Snacker Disc
ProductGroup: Music
Binding: Audio CD

General | Children's Music | Styles | Music
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Meltdown!

Putumayo Kids Presents: Folk Playground

ASIN: B000CAKSM8
Release Date: 2005-11-08

Customer Reviews:

Relegating the Wiggles to the Dustbin of History.......2007-01-27

After being a DJ when The Clash was putting out London Calling, seeing the Gang of Four for a $1 admission fee at The Bayou in Washington, DC and interviewing The Edge of U2 in St. Louis, MO when they were playing a club show prior to opening the next day for J Geils (1982), it's hard to get excited about children's music for your kids many years later. You can't exactly take your kid to a Minor Threat or X show in a bad part of town (but my kids do like the B-52's). So all these years later, my wife dragged me to the Tom Chapin show for the third year in a row, and while he was pleasant and the songs were nice, it was getting a little old. Justin Roberts CD's are pretty good mostly because my kids are having a good time but don't think that I am going to be camping out for concert tickets any time soon. The Wiggles were fun to watch with my kid on TV but let's face it, the lyrics stink. And the Wiggles aren't nearly as entertaining as Rocko's Modern Life or Spongebob. The theme song from Fairly Odd Parents smokes any Wiggles tune. So what were the suits at Disney thinking?

Fortunately, in the long run, quality triumphs over all else. And the Sippy Cups have quality and plenty of it. Some reviewers think that their music is more appealing to adults than kids. Not so Joe. I have been to see the Cups and the kids are up dancing and having a good time. In fact more people danced at the Sippy Cups show than the last time I saw REM at Shoreline Ampitheatre a few years back. The Sippy Cups are basically the first band to be unafraid of taking a back catalogue of nearly forty years of rock history and introducing it to your kids. Shouldn't your kids know something about the Velvet Underground? I guess one of the best ways to describe the Sippy Cups and especially their show is as though the Talking Heads decided to do a children's benefit show and have the kids watch it. So even though I have been dropping all these references to the past, it is merely descriptive. What is certain is that as the Sippy Cups evolve, they will certainly be as original as the Monkees were in their day. So when you see them on the telly, think about all of the corporate types who will be kicking themselves for not having jumped on the Sippy Cup bandwagon when they had a chance.

You really don't want your kid to be listening to the Pussycat Dolls and Paris Hilton when he or she gets a little older, do you? The Sippy Cups will help you prevent that unfortunate outcome.

Best kids music--ever!.......2006-12-30

I hate kids music, and until The Sippy Cups came along I refused to play it anywhere except in the kids' rooms. This CD has earned a place in my iPod! Excellent, amusing covers of adult tunes. Check out their website, [...], to buy the CD (or go to CDBaby) until Amazon starts stocking it.

Average customer rating:

NOT for Brightman fanboys :)
A great showcase for Sarah's exceptional tone
Sarah in Recital
Folk songs are not suited to The Divine Sarah's voice
Unique and Distinct Voice Quality

The Trees They Grow So High

Manufacturer: Angel Records
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Contemporary Folk | Folk | Styles | Music

General | Folk | Styles | Music

General | Opera & Vocal | Styles | Music

General | Musicals | Broadway & Vocalists | Styles | Music

General | Broadway & Vocalists | Styles | Music

General | Adult Contemporary | Pop | Styles | Music

General | Easy Listening | Pop | Styles | Music

General | Vocal Pop | Pop | Styles | Music
Similar Items:

As I Came of Age
Fly
The Songs That Got Away
Surrender
Love Changes Everything: The Andrew Lloyd Webber Collection, Vol. 2

ASIN: B000007PJB
Release Date: 1998-09-01

Tracks:

Early One Morning
Come You Not From Newcastle?
Sweet Polly Oliver
The Trees They Grow So High
The Ash Grove
O Waly Waly
How Sweet The Answer
The Plough Boy
Voici Le Printemps
The Last Rose Of Summer
La Belle Est Au Jardin D'amour
Fileuse
Dear Harp Of My Country!
Little Sir William
O Can Ue Sew Cushions?
Oft In The Stilly Night
Quand J'etais Chez Mon Pere
There's None To Soothe
Oliver Cromwell

Album Description

52 minute long collection featuring 19 folk songs arranged by the late Benjamin Britten, including 'Early One Morning','Come You Not From Newcastle?' and 'Sweet Polly Oliver'. Full digital recording with Brightman accompanied only by pianist Geoffrey Parsons. 1998 EMI release.

Album Details

Originally Released in 1988 as "The Trees …", this Recording Was Reissued with an Alternate Title in 1995: "Early in the Morning". Re-released in 1998 under Current Title; Features the Handy Piano Work of Geoffrey Parsons and Arrangements by Benjamin Britten. Includes the Original Track ("Early in the Morning"), "The Last Rose of Summer" and Many More.

Customer Reviews:

NOT for Brightman fanboys :) .......2007-05-14

Guys, if you don't know, what it is - besides the obvious - don't buy it. I almost regretted the purchase and started to enjoy it only after I overcame the shock. On this LP Sarah Brightman sings English songs that were popular in the XIX century and the musical tastes changed since then rather dramatically. So check out the samples first!

A great showcase for Sarah's exceptional tone .......2007-01-29

While other people may think this collection of songs does not do Sarah's voice justice, I strongly disagree. Indeed, if anything her New Age-sounding albums (such as Luna or something or other) I find horrendous and I think they completely scatter the good qualities of her voice. Not so in this album. True, the songs here are not well-known nor are they decorated with operatic frills which Sarah has the well-known ability to perform, but there is a different beauty here, my friends. The legato, angelic quality of Sarah Brightman's voice can truly be heard in these simple melodies, light and free from the heavy chains of pulsed pop and mediocre attempts at an Enya-like portrayal. THESE songs she sings well, THIS is one of her better albums, and HERE is her beautiful sound which I missed in some of her other albums.

Sarah in Recital.......2006-06-08

I believe I own all of the CDs Sarah Brightman has put out and yes, this one is quite different from all the others she's done.

In this CD she sings (in a strictly classical style) some of the many British folksongs collected and arranged by Benjamin Britten; she is accompanied here by only a piano. Thus if you like classical singing and traditional Brit folksongs, then this is the CD for you. If you're wanting something more pop, hip, musical-theatrical, or celtic--look elsewhere.

Sarah has developed her voice over time and this CD is a good example of how all those singing lessons have paid off as she has a beautiful classical voice (amply evident on this CD) as well as the big, full belt style she delivers in musical theatre production numbers (on other CDs).

This is a great CD for these reasons, but not one for the masses.

Folk songs are not suited to The Divine Sarah's voice.......2005-08-24

When Sarah sings in her soprano voice, I describe her voice as "liquid silver notes of perfection." However, even though her voice sounded lovely, it isn't suited to folk songs and folk singing.

I am definetely a fan of English/Irish/Scottish folk songs and have a fairly large collection of them, but this album will be one of those albums I rarely play.

Because she does have such a gorgous voice, it has the effect of making these songs sound, for lack of a better phrase, artificial and somewhat forced. I think her voice might be a little too trained and operatic, even though she is not an opera singer, for these kinds of songs.

In other words, I think her voice might be too good to sing such simple songs, which is not meant to cast aspersions on people who have lovely voices and sing folk songs. Examples of these would be the Angel of Riverdance, Katie McMahon and Connie Dover! Both of these womyn have high, lovely, voices but they don't sound as trained as Sarah does.

So I can't really reccomend this album.

Unique and Distinct Voice Quality.......2005-02-25

There's a gallery of professional singing Sopranos today, and each has her own specific strengths, history of accomplishments, recognition and influence. The uniqueness that Sarah Brightman presents the listener and viewer is that of a totally dedicated artist who has expanded and refined her voice in an area that other Sopranos haven't - youthfulness, diction, control and width. Starting at an early age she succeeded and excelled in a variety of styles and genres. On this CD, with the simple piano accompaniment that enhances her distinctiveness, she's able to maintain the most melodious range, diction and duration. She enhances the meaning of the folklore (whether English or French) and the classics, as it has not been done before. The selection of music pieces offers and tests her voice skills exceptionally well. Any voice student and expert must not miss the opportunity to identify the voice features that Sarah Brightman's talent offers. Her voice uncovers Soprano skills that usually remain hidden.

Average customer rating:

Vaughan Williams --- off the beaten path
Hickox Conducts Vaughan Williams

Hickox Conducts Vaughan Williams

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

Ballets | Ballets & Dances | Classical | Styles | Music

Preludes | Forms & Genres | Classical | Styles | Music

Suites | Forms & Genres | Classical | Styles | Music

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Marches | Miscellaneous | Styles | Music

General | Soundtracks | Styles | Music
Similar Items:

Ralph Vaughan Williams: A Cotswold Romance / Death of Tintagiles - London Philharmonic Choir / London Symphony Orchestra / Richard Hickox
Vaughan Williams: Complete Concertos
Vaughan Williams: Over hill, over dale
Vaughan Williams - Along the Field on Wenlock Edge · Merciless Beauty · Ten Blake Songs, and others / Ainsley · The Nash Ensemble
Hodie / Fantasia on Christmas Carols

ASIN: B00004TQQ6
Release Date: 2000-08-01

Tracks:

Ser To Music (Orch Version) - Bradley Creswick
The Poisoned Kiss - Ov - Northern Sinf Of England/Richard Hickox
Old King Cole - A Ballet For Orch: (Allegro Moderato) - Bradley Creswick/Stephen Roberts
Old King Cole - A Ballet For Orch: Pipe Dance - Bradley Creswick/Stephen Roberts
Old King Cole - A Ballet For Orch: Bowl Dance - Bradley Creswick/Stephen Roberts
Old King Cole - A Ballet For Orch: Morris Jig: ' Go And List For A Sailor' - Bradley Creswick/Stephen Roberts
Old King Cole - A Ballet For Orch: Folk Sing: 'A Bold Young Farmer' - Bradley Creswick/Stephen Roberts
Old King Cole - A Ballet For Orch: The Jolly Thresherman - Bradley Creswick/Stephen Roberts
Old King Cole - A Ballet For Orch: Solo Jig - Bradley Creswick/Stephen Roberts
Five Mystical Songs: Easter - Sinf Chor/Alan Fearon/Stephen Roberts
Five Mystical Songs: I Got Me Flowers - Sinf Chor/Alan Fearon/Stephen Roberts
Five Mystical Songs: Love Bade Me Welcome - Sinf Chor/Alan Fearon/Stephen Roberts
Five Mystical Songs: The Call - Sinf Chor/Alan Fearon/Stephen Roberts
Five Mystical Songs: Antiphon - Sinf Chor/Alan Fearon/Stephen Roberts
Prld On An Old Carol Tune - Northern Sinf Of England/Richard Hickox
The Running Set - Northern Sinf Of England/Richard Hickox
Prld: 49th Parallel - Northern Sinf Of England/Richard Hickox
Sea Songs - March - Northern Sinf Of England/Richard Hickox

Tracks:

The Lark Ascending - Bradley Creswick
Two Hymn - Tune Prlds: 1. Eventide - Northern Sinf Of England/Richard Hickox
Two Hymn - Tune Prlds: 2. Dominus Regit Me - Northern Sinf Of England/Richard Hickox
Ob Con in a: I. Rondo Pastorale (Allegro Moderato) - Roger Winfield
Ob Con in a: II. Minuet And Musette (Allegro Moderato) - Roger Winfield
Ob Con in a: III. Finale: Scherzo (Presto - Lento - Presto) - Roger Winfield
Fant on 'Greensleeves' - Northern Sinf Of England/Richard Hickox
Three Prlds Founded On Welsh Hymn Tunes: 2. Rhosymedre - Northern Sinf Of England/Richard Hickox
Three Prlds Founded On Welsh Hymn Tunes: 3. Hyfrydal - Northern Sinf Of England/Richard Hickox
Con Accademico (Con For Vn And Strs in d): I. Allegro Pesante - Bradley Creswick
Con Accademico (Con For Vn And Strs in d): II. Adagio - Bradley Creswick
Con Accademico (Con For Vn And Strs in d): III. Presto - Bradley Creswick
Five Variants Of 'Dives And Lazarus': Adagio - Bradley Creswick
Five Variants Of 'Dives And Lazarus': I. 1/4nt = 1/4nt - - Northern Sinf Of England/Richard Hickox
Five Variants Of 'Dives And Lazarus': II. Allegro Moderato - - Northern Sinf Of England/Richard Hickox
Five Variants Of 'Dives And Lazarus': III. 1/4nt = 150 - - Northern Sinf Of England/Richard Hickox
Five Variants Of 'Dives And Lazarus': IV. L'Istesso Tempo - - Northern Sinf Of England/Richard Hickox
Five Variants Of 'Dives And Lazarus': V. Adagio - Northern Sinf Of England/Richard Hickox

Customer Reviews:

Vaughan Williams --- off the beaten path.......2006-05-16

This ample collection demonstrates that Richard Hickox has to be considered one the leading Vaughan Williams interpreters in the post-Boult world, as he puts forth sparkling performances of many little-known works, including the Concerto accademico and the film music "49th Parallel," among others. Quite a number of these compositions are rarely recorded, if ever; it is quite nice to see them in a very affordable collection such as this.

Like another reviewer, I find the affected style of Stephen Roberts to be distracting & annoying. Also, the orchestral version of the Serenade to Music is a pale imitation of the original version...if you have heard Boult's recording, you will understand that the original version is far superior. It is a shame that it wasn't included here.

These are mere quibbles, however. For a dirt-cheap price, you have the opportunity to fill in the gaps of your Vaughan Williams collection. There is no good reason to pass on this. If you stumble across these CDs (I found mine at BestBuy of all places), grab it.

Hickox Conducts Vaughan Williams.......2000-09-05

This is a most-welcome CD release, especially since it contains a number of pieces not available on CD until now. It's also excellent value--two discs for the price of one.

Of particular interest is the curious ballet Old King Cole, written for an outdoor performance at Trinity College, Cambridge. Essentially a light-hearted piece, the music is not of the highest level of inspiration overall, but there are moments of real beauty that make up for any shortcomings in the score. For the convinced Vaughan Williams admirer, this is a must-have (RVW himself recorded some of this music; this early mono recording has been released on CD by Pearl records.)

Other items of similar interest include the Prelude On An Old Carol Tune, written for a BBC radio play, and a pair of hard-to-find marches. The instrumental version of the Serenade to Music is a gorgeous novelty, but no substitute for the original version for 16 vocalists and orchestra.

Also included are two important concertos; one for oboe and one for violin, both with string accompaniment. The violin concerto receives the better performance. The rendering of the oboe concerto suffers from too-slow tempi, particularly in the final movement. Neither are major works, but are nonetheless full of interest and deserve to be better known.

Some well-known RVW works are included, among them The Lark Ascending and Five Mystical Songs. The latter is marred by the soloist's excessive tendency to roll his r's--an almost comical sound sometimes. RVW was known to have disliked this sort of affectation.

Tracks:

Overture (Beethoven's Sonata Pathetique, Opus 13)
Three Little Maids (Gilbert And Sullivan)
Jesse's Lullaby (Music By j. Brahms)
Ode To Connie Carlson
Sigma, Alpha, Iota
Ode To Jo
From Chopin To Country (Music By Frederic Chopin)
Kingdom Of Country (Music By C. Converse/M. Murfitt)
Songs My Mama Sang (Traditional Hymn, Addidtional Music By M. Murfitt)
Heads Or Tails
Love's Sorrow
Don't Call Me Trailer Trash
Honky Tonky Girl
Every Saturday Night
Don't Look Down
They're All Cowgirls To Me
Saddle Tramp Blues
It's Time To Come Home
We're A Travelin' Trio
Sunflower
Concert Medley
House Rules
Cowgirls

Customer Reviews:

Not to be missed.......2007-06-24

I never tire of listening to this CD. I saw the show in Atlanta several years ago and then again in Nashville--featuring Mary Murfitt herself--and think it is wonderful. I'm always surprised at how such a hilarious/silly premise can set the stage for a moving exploration of friendship, relationships between parents and children, and the joy that comes in facing and conquering our fears. I remember sitting at the side of the theater in Nashville and watching the audience, which previously had been rolling with laughter, be spellbound when the cast began "Songs My Mama Sang" with that gentle mandolin strumming in the background. It was magic--and this "little" show with great writing and thoughtful performances made it happen. I only wish it were performed more often, but then it takes a really talented cast to make it work. There will always be the CD, though.

Excellent, fun music.......2000-05-03

This is a strong woman's musical with great music that doesn't get tiring to listen to. I'd recommend it for anyone wanting to perform a great musical for theatre.

With a Song in My Heart: The Songs of Rodgers & Hart

Average customer rating:

With a Song in My Heart: The Songs of Rodgers & Hart

Manufacturer: Asv Living Era
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Jazz | Styles | Music

Swing General | Swing Jazz | Jazz | Styles | Music

Classic Big Band | Swing Jazz | Jazz | Styles | Music

Contemporary Big Band | Swing Jazz | Jazz | Styles | Music

Traditional Jazz General | Traditional Jazz & Ragtime | Jazz | Styles | Music

Vocal Jazz General | Vocal Jazz | Jazz | Styles | Music

General | Opera & Vocal | Styles | Music

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Vocal Jazz | Jazz | Indie Music | Stores | Music

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Similar Items:

Tea for Two: The Songs of Vincent Youmans
Rodgers & Hart, Vol. 1
The Melody Lingers On: 25 Songs Of Irving Berlin
Yes Sir, That's My Baby: The Songs of Walter Donaldson
Anything Goes: The Songs of Cole Porter

ASIN: B000059N0T
Release Date: 2001-03-27

Tracks:

Manhattan - Ben Selvin & His Orchestra
Mountain Greenery - Frank Crumit
The Girl Friend - George Olsen & His Music
The Blue Room - The Revelers
My Heart Stood Still - Jessie Matthews/Hutch
Thou Swell - Ben Selvin & His Orchestra
You Took Advantage Of Me - Paul Whiteman & His Orchestra
With A Song In My Heart - Hutch
Ten Cents A Dance - Ruth Etting
Isn't It Romantic - Jeanette MacDonald
Lover - Paul Whiteman & His Orchestra
You Are Too Beautiful - Frank Sinatra
Blue Moon - Glen Gray & His Casa Loma Orchestra
It's Easy To Remember - Bing Crosby
My Romance - Dinah Shore & Frank Sinatra
There's A Small Hotel - Hal Kemp & His Orchestra
Where Or When - Lena Horne
My Funny Valentine - Mary Martin
Johnny One Note - Wynn Murray
The Lady Is A Tramp - Sophie Tucker
Falling In Love With Love - Allan Jones
This Can't Be Love - Benny Goodman & His Orchestra/Martha Tilton
I Didn't Know What Time It Was - Margaret Whiting
Bewitched, Bothered And Bewildered - Doris Day

The Greatest Love Songs From The Musicals (Musical Compilation)

Average customer rating:

NOT BAD
NOT BAD

The Greatest Love Songs From The Musicals (Musical Compilation)

Manufacturer: Madacy Records
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music

Musical Theater | Vocal Non-Opera | Opera & Vocal | Styles | Music

General | Musicals | Broadway & Vocalists | Styles | Music

General | Broadway & Vocalists | Styles | Music

General | Soundtracks | Styles | Music

General | Vocal Pop | Pop | Styles | Music

Orchestral Pop | Easy Listening | Pop | Styles | Music

4-for-3 Broadway & Vocalists | 4-for-3 Music | Stores | Music

4-for-3 Classical | 4-for-3 Music | Stores | Music

4-for-3 Pop | 4-for-3 Music | Stores | Music

4-for-3 Soundtracks | 4-for-3 Music | Stores | Music

4-for-3 All Music | 4-for-3 Music | Stores | Music
Similar Items:

Broadway's Greatest Love Songs
My Favorite Broadway: The Love Songs
More Broadway's Greatest Love Songs
Greatest Songs from the Musicals

ASIN: B000000KAR
Release Date: 1995-04-16

Tracks:

Aspects Of Love: Love Changes Everything - John Barrowman
The King And I: Hello Young Lovers - Valerie Masterson
My Fair Lady: On The Street Where You Live - Henry Wickham
Oliver!: As Long As He Needs Me - Josephine Barstow
The Phantom Of The Opera: All I Ask Of You - John Barrowman/Claire Moore
Once On This Island: The Human Heart - P.P. Arnold
Grease: Hopelessly Devoted To You - Shona Lindsay
Jesus Christ Superstar: I Don't Know How To Love Him - Maria Friedman
Camelot: If Ever I Would Leave You - Robert Meadmore
The Merry Widow: Words Forbidden (The Merry Widow Waltz) - Eiddwen Harrhy/Alan Oake
South Pacific: Some Enchanted Evening - Thomas Allen
Kiss Me Kate: So In Love - Diana Montague

Customer Reviews:

NOT BAD.......2001-05-06

OK MANY GREAT SONGS THOUGH SOME UNNECCARY AND MISSING SOME

NOT BAD.......2001-05-06

OK MANY GREAT SONGS THOUGH SOME UNNECCARY AND MISSING SOME

Rock Music:

Rock Music

rock music