We Are Yatsura [Import]

we are yatsura [import]

Editorial Reviews
Product Description
Debut album, originally released in 1996, from the lo-fi Scottish popsters. Primary Recordings.

We Are Yatsura,Urusei Yatsura,Wea International,Alternative Pop/Rock,Indie Rock,Pop,Popular Music,Rock,Rock/Pop

We Are Yatsura [Import]

Average customer rating:

Nothing has changed
Harder
Lifehouse
Lifehouse - Yeah, they really are the Greatest Band in the World
Buy this CD!

Who We Are
Lifehouse
Manufacturer: Geffen Records
ProductGroup: Music
Binding: Audio CD

General | Alternative Rock | Styles | Music

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ASIN: B000Q9OD5I
Release Date: 2007-06-19

Tracks:

Disarray
First Time
Whatever It Takes
Who We Are
Broken
The Joke
Easier To Be
Make Me Over
Mesmerized
Bridges
Learn You Inside Out
Storm

Album Description

Lifehouse is singer-guitarist Jason Wade, drummer Rick Woolstenhulme and bassist-singer Bryce Soderberg. These three guys are a hit making machine!

Jason Wade proved himself a gifted songwriter with Lifehouse's first record, 2000's multiplatinum No Name Face, which spawned the #1 hit "Hanging by a Moment." Calling that song a hit, however, is a bit of an understatement as "Hanging by a Moment" was the most-played song of 2001.

Stanley Climbfall, the band's Top 10 follow-up, was released in 2002.

2005 saw the release of their third album simply titled Lifehouse which included the undeniable hit #1 multi-format hit "You And Me" and kept the band out on the road touring for over a year.

With Who We Are, Lifehouse takes another evolutionary step making an upbeat album full of potential hits sure to please fans and make new ones.

Customer Reviews:

Nothing has changed.......2007-07-12

If you love Lifehouse and have not grown tired of their sound, then you need to pick this CD up! This CD runs right along the same lines as their past work in my opinion.

ENJOY =)

Harder.......2007-07-09

Lifehouse is back with a harder more guitar driven sound that works. Catchy songs with a great energy. Thanks!

Lifehouse.......2007-07-07

As usual Lifehouse does not disapoint. Great album. I love these guys and will keep coming back for more.

Lifehouse - Yeah, they really are the Greatest Band in the World.......2007-07-05

From the opening strains of "Disarray", its obvious that this is a more hard-edged, heavier outing than their last album - and what a gift that is.

First, some background. Lifehouse is my favorite rock band. They always will be, and I've supported their work since their early Blyss Days (the "Diff's Lucky Day" album remains their second best CD ever). That said, their last album, simply called "Lifehouse", just blew me away. I mean, it was so perfect in every way, and for a while I thought of putting aside my Tori Amos collection and listened to Lifehouse almost exclusively.

Now, we have this new album, and while it isn't as spectacular as their last album (sorry boys), its definitely up there. Rock release of the year? By far, and certainly ahead of the more mundane one released by Bon Jovi around the same time.

"Who We Are" is not so much a question here as it is a statement, and much of the material seems to say that Lifehouse is now a solid, coherent, gimmick-free rock band. Most of this stuff is arena rock - powerful choruses, and songs made for you to turn up on the car radio - I mean, listen to the first single "First Time" - there is no way a song like that could sound bad on a loud radio, or while listened to on headphones. These guys know what they're doing.

My only disappointment was the album cover (they could definitely have done better than this), and the similar sounding tracks toward the end of the album. If you remember rightly, the last album's last song was actually the BEST on the entire CD. No such luck here, but still, one weak song from Lifehouse is still worth billions more than anything out there by Creed, Linkin Park, etc.

"Broken" and "Make me Over" are my instant favorites for right now, but these keep changing on a daily basis, depending on what I'm feeling from my Ipod. Broken is especially poignant. I also loved that Jason Wade's lyrics are progressively getting better, and he is breaking out of the emo/distraught lover mode into more confident and appealing territory. As a guy, I find this to be a good thing - Lifehouse music should rock, not make you weep or muse unnecessarily, and this album does that just fine.

I find many reviewers here saying that this was a total disappointment. Well, the first week I had the record, I felt the same way too. However, two weeks with it changed my mind. These songs are very memorable, and behind Tori Amos and Rufus Wainwright's new albums, this is the only one I would gladly pay money for. I mean, really, its that excellent. Between this and the new Paige Aufhammer record, it's a great season so far.

You know what - if you're not a Lifehouse fan, try giving this a chance. They don't break new musical ground, but they give us the warm, fuzzy Lifehousey comfort we have all come to know and love. If you're a fan, you know what I'm talking about.

I love Jason Wade. I love Lifehouse. Greatest Band on the Planet, and I will continue supporting them through the years.

Buy this CD!.......2007-06-30

I have been listening to this CD non stop for the last 2 weeks and never skip a song. This one has so many upbeat rock songs and some amazingly beautiful ballads as well. "Whatever it Takes" will surpass You & Me when it hits radio, I guarantee it. Jason sings that one with such emotion. His vocals throughout Who We Are are nothing short of amazing.

I've read some comments on track #6, The Joke. This is probably one of Wade's most brilliant works. It is about the true story of a 13 year old boy in the UK who committed suicide because he was being bullied. Wade has said he tried several different types of music for this track, but when they put it with the uptempo, pop music, that really worked. The lyrics are very dark, but the song is very catchy. Brilliant, in my opinion.

I saw them perform several of these songs live last week, and Broken, by far is the most meaningful song to Jason Wade. This song performed live will mesmerize you and break your heart. This song is written about a friend of his from his teen years who is dying and needs a kidney transplant. Wade says he wrote this song in 10 minutes with tears streaming down his face after spending the day with his friend. Lyrically, it's one of his best works and very moving.

Who We Are is brilliant. I can't recommend it enough!

Average customer rating:

We Are the Night
The Chemical Brothers
Manufacturer: Astralwerks
ProductGroup: Music
Binding: Audio CD

General | Dance & DJ | Styles | Music

Electronica | Dance & DJ | Styles | Music

Trip-Hop | Dance & DJ | Styles | Music

General | Dance Pop | Dance & DJ | Styles | Music

The Mix-Up
Do It Again
Zeitgeist
Icky Thump
Sound of Silver

ASIN: B000OV129I
Release Date: 2007-07-17

Tracks:

No Path To Follow
We Are The Night
All Rights Reversed (The Klaxons)
Saturate
Do It Again (Ali Love)
Das Spiegal
The Salmon Dance (Fatlip)
Burst Generator
A Modern Midnight Conversation
Battle Scars (Willie Mason)
Harpoons
The Pills Won't Help You Now (Midlake)

Amazon.com

One can never accuse the Chemical Brothers of consistency. We Are the Night continues their eclectic electronica approach even though the big-beat groove of the title track remains their digital calling card. Spotted with a minimalist keyboard pattern, vocal non sequiturs, and sampled sound effects, the infectious groove of "We Are the Night" eventually evolves into the monotone-chanted dance chorus of "We are the night skies/We are the bright lies," recalling Brian Eno circa Here Come the Warm Jets. However, for every catchy electro-dance, there's a tune that leaves you scratching your head. What to make of the novelty song "The Salmon Dance" is anybody's guess, though you might find some illumination in a salmon recipe on their Web site. With fractured nursery-rhyme lyrics that are sung like an off-color Sesame Street rap, it will drive you up the wall--or at least toward the skip button. Then there's Midlake singing the trancey ballad "The Pills Won't Help You Now," making the Chemical Brothers sound like a sci-fi version of Coldplay. Retro-analog synthesizers dominate, with the electro-grooves of "Das Spiegel," "Burst Generator," and "Saturate," which builds on a Kraftwerk-forged metal framework coupled with storming sampled drums. The circuits of '70s techno-pop artist the Normal are re-soldered on "Do It Again." With Ali Love singing the title-track chorus, it's built to be a summertime anthem akin to Tag Team's "Whoomp! (There It Is)," albeit robotically chilled. --John Diliberto

Average customer rating:

Really Sweet
beautiful voice, good songs
Blown Away!
Sultry...Sexy...Sweet
Sweet Music

We Are One
Kelly Sweet
Manufacturer: Razor & Tie
ProductGroup: Music
Binding: Audio CD

General | Alternative Rock | Styles | Music

General | Rock | Styles | Music

Pop Rock | Pop | Styles | Music

Adult Alternative | Pop | Styles | Music
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ASIN: B000MKXF9Q
Release Date: 2007-03-06

Tracks:

We Are One
Raincoat
Dream On
Caresse Sur L'Ocean
Crush
Ready For Love
Giorno Dopo Giorno
I Will Be Waiting
Now We Are Free
How 'bout You
Love Song
Je T'Aime

Amazon.com

Kelly Sweet was never a contestant on a TV singing competition, and she isn't the product of the latest svengali producer. Which, in 2007, makes her something of a rare new pop star. Her approach to the genre is pretty unexpected, too: Temperamentally, the flame-haired chanteuse falls somewhere between Celine Dion and Sarah McLachlan, which is to say she's all softness, warmth, and sincerity. Vocally, she's a ringer for Amy Lee of the rock band Evanescence, minus the goth fixation. And categorically, her closest fit within the wide world of pop is classical crossover. Consider her the female Josh Groban then, with the multilingual skills to match: In addition to a haunting and miraculously un-awful rendition of Aerosmith's "Dream On," she busts out a French track, "Je T'aime," that sends out summery flutters; a Sanskrit song from the film "Gladiator," "Now We Are Free," that impresses with its depth of feeling; and an Italian number, "Giorno Dopo Giorno," that ripples with tenderness and sentimentality. Sweet is a songbird with a wide wingspan; her debut mostly soars. --Tammy La Gorce

Album Description

Not your typical pop record in any way, shape or form, WE ARE ONE has a much more ambitious sensibility than those being heard on Top 40 radio today. With songs sung in English, Italian, French, and Sanskrit, and melodies that partake of both jazz and classical influences, WE ARE ONE conveys a sense of depth, intimacy and sophistication not often heard in today's pop landscape. The magnificent "Giorno Dopo Giorno" couples Sweet's soaring vocals with a thrilling string arrangement, bringing listeners the kind of intense joy that can usually only be experienced in the world's finest opera houses. "The song originally had English lyrics," says Sweet, "and it was called `Who Can I Believe In?' We felt that the melody was too European and didn't work with the lyrics, so we asked Marco Marinangelli, who writes Italian lyrics for Josh Groban, to translate the words into Italian. It came out beautifully." Sweet says she has always gravitated to the beautiful sounds of languages other than English. "I was classically trained beginning at the age of 11," she says, "and that's when I began to sing in other languages. It always came very easily to me."

WE ARE ONE, then, is that rarest of musical experiences--a seamless emotional journey that deeply touches listeners of all ages with its beauty, grace, individuality, and courage. But perhaps to call Sweet courageous is overstating something that is really much simpler. "This music is not about me," she says. "It's about the soul in all of us. I am just happy to have a voice to convey these things to the world."

And the world is certainly a better place because of it.

Customer Reviews:

Really Sweet.......2007-07-05

This CD was more than I expected. Saw Kelly Sweet on a local TV station perform and was intrigued. I am a rock and roll fan for many years and found this CD refreshing. You can't go wrong with this purchase. There is no way I want to wait for her next Cd but I guess I must. It seems Kelly has made me a Blues fan also. Her voice is soothing and beautiful.

beautiful voice, good songs.......2007-06-28

I had never heard of Kelly Sweet until I heard her single, Raincoat, on Delilah's radio show one night. Kelly has a very beautiful, soothing voice. Her songs remind me of Sarah McLachlan, Norah Jones, and the classical crossover stuff of Josh Groban. If you are looking for some worthwhile pop music with some substance and maturity, Kelly's album is definitely worth checking out.

Blown Away!.......2007-06-14

Kelly Sweet has the most awesome voice I have ever heard in my entire life. I am sitting here in tears as I listen to her. If she is any where near, run to see her. Oh my God! Every song on this cd should be a Grammy winner. Five stars is an insult. If I never hear anyone else sing again, just hearing Ms. Sweet has completed my life.

Sultry...Sexy...Sweet.......2007-06-09

I bought this album on a whim after hearing "Raincoat" on the radio and falling in love with it. Sometimes it is worth buying a CD even when you do not know what the songs are going to be like just because the voice makes it worth it. With this album, however, I was NOT disappointed. Every song is fantastic and I absolutely LOVE Sweet's voice. Her songs range from classical to a sexy pop sound. The only thing that does not change is the beauty in her voice. Few people could pull such an album off- but she certainly does. "We Are One" is my current favorite, but I love her version of Aerosmith's "Dream On" also as well as "Crush". Buy it and enjoy it over and over and over again- I am.

Sweet Music.......2007-05-12

This album is awesome!!! When I first heard Kelly Sweet it was on myspace. One song that really caught me was "Dream On" (Aerosmith's song). If you like Josh Groban, than I know you will like her also. Thats how she tagged me. If you're looking for something beautiful and moving than you should get this album.

Average customer rating:

You're so cold... but you feel alive... lay your hand on me one last time...
Their best cd.
good cd
allways improving
We Are Not Alone

We Are Not Alone
Breaking Benjamin
Manufacturer: Hollywood Records
ProductGroup: Music
Binding: Audio CD

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Crossfade

ASIN: B0002A2VS2
Release Date: 2004-06-29

Tracks:

So Cold
Simple Design
Follow
Firefly
Break My Fall
Forget It
Sooner Or Later
Breakdown
Away
Believe
Rain

Album Description

All sharp hooks and hefty beats, We Are Not Alone starts off with the Middle Eastern melody of the roaring lead single "So Cold," a riff-heavy track that showcases the fretwork of guitarist Aaron Fink, an expressive guitarist with a flair for both color and crunch. Employing a palette of quirky pedal effects, distorted textures and throttled power chords, he amplifies the emotion in each song, be it the confrontational rage in "Believe" or the sweeping emotional plea of "Break My Fall." "Aaron really stepped up on this record," says vocalist/guitarist Ben Burnely. "He's not so much a riff guy as someone who creates atmosphere. His talents really shine through here."

The perfectly paced album is anchored by the propelling rhythms of drums and bass as well as being driven by Burnley, who brings each melody to life with a voice that's both graceful ("Rain") and Godzillian ("Away"). He soars over the mile-high chorus of "Follow," delivering the insistent hook with unbridled passion and grit. "Touring helped develop my singing ability and allowed me to try new things on this record," he says. "It gave me a sense of confidence that was really liberating."

The band credit producer David Bendeth for the album's adventurous spirit, saying that he encouraged them to reach higher by digging deeper. "David has a great ear and helped pull better performances out of us," says Fink. "He also added a lot of flavor to the record. Unlike the first album, which was all bass, drums and guitar, this record is filled with all sorts of tasty ear candy. It's definitely headphones-worthy."

Customer Reviews:

You're so cold... but you feel alive... lay your hand on me one last time..........2007-05-21

Breaking Benjamin is an awesome band! I really love their song So Cold. The whole CD is awesome!!!

Their best cd........2007-05-09

One of the leaders in modern hard rock. This is their breakthrough album. Check 'em out and stay away from all the Nickelback clones!

good cd.......2007-02-24

this cd is pretty good, i bought it for my brother for his birthday and he really liked it

allways improving.......2006-11-04

Each cd better than the last. On there way to becoming one of top groups around.

We Are Not Alone.......2006-10-19

This album is awesome. Every song is good on this cd. Buy it.
1.So Cold - 5/5 First single Awesome song Very dark sound
2.Simple Design - 5/5 One of my favorites love the guitar and lyrics
3.Follow - 5/5 My favorite on the album I never get tired of it
4.Firefly - 5/5 Love the Lyrics
5.Break My Fall - 5/5 I like this song a lot
6.Forget It - 5/5 Slower song Love it
7.Sooner or Later - 5/5 Second Single Another one of my favorites
8.Breakdown - 5/5 Love the lyrics and guitar Another Favorite
9.Away - 5/5 Good Lyrics
10.Believe - 5/5 Harder Song He Yells in this one sometimes
11.Rain - 5/5 Perfect ending I love the lyrics and Acoustic sound
12.Rain (2005 Version) - 5/5 Adds the full band i think it sounds better

Average customer rating:

amatuer at best! I am very displeased with this album given the hype
3.5 stars. Decent.
One of the most beautiful things in recent memory
Good Stuff
we are pilots

We Are Pilots
Shiny Toy Guns
Manufacturer: Umvd Labels
ProductGroup: Music
Binding: Audio CD

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ASIN: B000HXDETE
Release Date: 2006-10-17

Tracks:

You Are The One
Le Disko
Starts With One
When They Came For Us
Don't Cry Out
Chemistry Of A Car Crash
Waiting
Rainy Monday
Jackie Will Save Me
Shaken
We Are Pilots

Amazon.com

There's something so apt about the band name chosen by Chad Petree and his Shiny Toy Guns playmates. Synth-driven, bright, and relentlessly safe, the plastic pop sound on We Are Pilots references the '80s even more explicitly than the Duran Duran-loving Killers. But despite the occasional chirpy electro (most directly referenced in "Le Disko") and the Human League makeup it's intensely modern, closer to emo than New Wave. The band's debut features a two-vocal combination, with Petree's young-man-in-love tenor rubbing up against Carah Faye's artier edge; she gives a song like "Jackie Will Save Me" a bratty boost. But more often, the band's peppy tragedies ("Chemistry of a Car Crash") and pretty heartaches ("Waiting") sound too tailored for alternative radio. The glossy production sheen, flawless execution, and overall glitz, however, make it easy to forget they're essentially just a tarted-up pop pastiche. In the midst of a quick, passionate fling, you could care less how meaningless and disposable it is... you just know it's hot. Your relationship with Shiny Toy Guns may be a similarly brief--if intense--affair, but you'll always have those first three or four listens. --Matthew Cooke

Customer Reviews:

amatuer at best! I am very displeased with this album given the hype.......2007-06-20

Shiny pilot poo poo yeah. I bought this album based on so many 5 star reviews and the claim that they were pop synth fun for the 21st century. I was thinking okay Cat, you are gonna like these cats, they are gonna be like space cowboys or maybe even something like pet shop boys or whatever. This album has little substance, this music is "lite" to say the least, the waning voice of the singer really does not do anything for me. The songwriting itself shines at times but overall the sound of this entire CD is just flat out FLAT. I was just really disappointed and was expecting a much greater showcase of talent. I would have to say bands like Coldplay or Modest Mouse fare much better in this category because these guys are trying to bring back a certain style of music that they obviously do not have the talent to perform.

3.5 stars. Decent........2007-06-20

I purchased this album having heard the songs "Le Disko" and "Don't Cry Out". Both songs were a great introduction to what seemed to be an extremely talented band that professionally mixed electronic elements with synth-pop and soft rock.
Unfortunately though, when I purchased the album, I found that, the female singer, one of the basic things that I thought made the two songs I had been exposed to so great, barely sang at all. Shiny Toy Guns apparently also has a male singer who definitely doesn't meet the high vocal standards that the female singer holds him to. So, his vocals on the CD basically ruined most of the songs for me.

Still, though, the LP has its high points. "We are Pilots", "Jackie Will Save Me", "Don't Cry Out" and "Le Disko" are all amazing songs that instantaneously grab your attention. The music, itself, is also pretty original for the most part.

So, if male singers that aren't just quite as good as female singers on a CD don't bother you too much and you're interested in hearing some generally unique and catchy music, I'd suggest you give this album a try.

One of the most beautiful things in recent memory.......2007-06-13

Shiny Toy Guns has a completly unique signature to their music. "We Are Pilots" was refreshing to listen to, as the work really sets itself apart from most of the current albums out there. I would recommend this to anyone who enjoys music. All of the tracks are great, and the price is very reasonable.

Good Stuff.......2007-05-26

Great chillout album, with some nice hooks. It was quite unexpected for me, as I must admit that I made the purchase based on the single "Le Disko". However, I found the second single - "You are the One" - more in line with the flavour of the album and I find it has better replay value for me than "Le Disko" in any case.

we are pilots.......2007-03-11

Shiny Toy Guns may not be doing anything incredibly novel on this album, but it sounds great nonetheless. The songs aren't by any means rough, yet not over-polished, still allowing enough of their artistic abilities to show through and not sounding like a run-of-the-mill pop record, or worse, like a rather pointless band that scenesters will worship for a month and then forget about. The vocal performances on the opening track, "You are the One", "Don't Cry Out" and "We are Pilots" are fantastic, in my opinion. The singers have the ability to be intense and push their limits without sounding whiney. The whole album seems to centre around a sort of sci-fi theme, and even the album art is stylised in the same way, with the photography of the band portraying them as futuristic, almost super-human figures. It's really a great album. It has just the right blend of guitars, rhythm, and dancey electronica. My only complaint rests with the track "Chemistry of a Car Crash." Far too many bands out there have sang about car crashes. It's tired; it really doesn't add anything to the album. Fortunately, the other songs more than make up for it, and I still think it's still a superb record.

Average customer rating:

Too busy
good product and fast service
what a road trip
Mesmerized and moved mom to tears
Daughter loves it

Mozart's Magnificent Voyage

Manufacturer: Children's Group
ProductGroup: Music
Binding: Audio CD

Quartets | Chamber Music | Classical | Styles | Music

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ASIN: B0000061XU
Release Date: 1998-10-13

Tracks:

Horn Concerto, K.495, Movt 3
Clarinet Quintet, K.581, Movt 2
Symphony No.1, K.16, Movt 2
Piano Sonata In F, K.332, Movt 3
Medley: We Are Three Spirits ('Drei Knabchen')/Magic Flute, K.620
Overture, Marriage Of Figaro, K.492
Arrival At Court: Child's Minuet in C
Medley: Symphony No.1, K.16, Movt 1/Variations On 'La Ci Darem,' By Beethoven
Evening Falls ('Abendempfindung'), K.523
Flute Quartet, K.285, Movt 2
Symphony No.40, K.550, Movt 1
Arrival In Rome
Miserere Mei, By Allegri
Cassation in C, K.63
Minuet, Don Giovanni, K.527
Medley: Barrel-Organ Var On 'Deh Vieni,'/Don Giovanni, K.527
Variations On 'Twinkle, Twinkle, Little Star,' K.265
Letter Duet, ('Canzonetta Sull'aria'), Marriage Of Figaro, K.492
Eine Kleine Nachtmusik, K.525, Movt 4
Ave Verum Corpus, K.618
Medley: Waldstein Sonata, Op.53, By Beethoven/Piano Concerto in C, K.467, Movt 1...
Medley: Piano Sonata in A, K.331, Mvt 1/Gran Partita, K.361, Movt 7
Blow Softly, You Breezes ('Soave Sia Il Vento'), Cosi Fan Tutte, K.588...

Product Description

GENERAL FEATURES: The Dream Children are about to be written out of Mozart's most famous opera. Hoping to change their fate, they enlist the help of the composer's young son Karl. Together the children embark on an incredible journey that takes them back in time to Mozart's childhood as well as far into the future. Along the way, Karl learns much about his father and comes to understand his legacy of timeless music. Educational entertainment for all ages.

Customer Reviews:

Too busy.......2006-07-14

I was hoping for more music - there's just too much storytelling for my and my kids' taste. We love the Beethoven's Wig series and were hoping this would be similar.

good product and fast service.......2005-09-11

Product arrived in ample time overseas and was pleased with quality of product!

what a road trip.......2005-02-21

i bought this item after reading some of the reviews on amazon for my nephews who are 2 and 4 years of age. two months after christmas their mom was explaining how they request the cd everytime they are in the car. she groaned when i was in the car and they boys wanted to show me how much they liked the cd. during the trip i witnessed a mother humming along to the music with her children, the boys singing to excerpts, and an overall execptional learning experience about music, culture, and history. if you are looking for something that all children will like, passes the time on a road trip, and teaches important lessons about life without being pretentious then get this cd, it is a guaranteed crowd pleaser.

Mesmerized and moved mom to tears.......2005-01-26

This CD is awesome, the music great, the story captivating. But it's Mozart, you already know about the music. Other reviewers have already discussed the story and I agree with their assessments that it's very good. The reason for this review is to say that my very active, never stopping, constantly in motion 5 year old SAT DOWN AND LISTENED without fidgeting or fiddling for a full 20 minutes and then sat but fiddled for the remainder of the CD. Maybe this is not a big deal to moms of "normal" energy level children -- but this simple act of being still for 20 minutes moved me to tears. I said nothing before putting the CD in, I just put it in while he was doing his running around. Within seconds of hearing the story start he sat down on the floor, crossed his legs, and listened while looking at the speakers. I have never seen this behavior from my child before, ever. Please note that this is a child who is not ADD, he just cannot be still. He listens to hundreds of hours of stories we read to him -- while he's doing something else. He "watches" videos -- while he's doing something else. He reads, while clapping or tapping out the beat of the syllables. I cannot remember my child ever stopping what he was doing to JUST LISTEN. When it was over he said, "That was a cool story," and got up to run around. That was it, but that's high praise from this child. To see my child sitting still for a full 20 minutes, you cannot begin to imagine my awe. I am running right out to get the rest of the series! Bravo to the producers!

Daughter loves it.......2003-03-27

My daughter is 5 and loves to hear this CD over and over in the car.

Gladiator: More Music From the Motion Picture

Average customer rating:

Essential
HANS ZIMMER IS THE GREATEST PRESENT DAY COMPOSER!!!
Excellent Extention!
beautiful music
Disappointing companion to the Oscar nominated score.

Gladiator: More Music From the Motion Picture

Manufacturer: Decca U.S.
ProductGroup: Music
Binding: Audio CD

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Gladiator: Music from the Motion Picture
More Music From Braveheart (1995 Film)
The Last Samurai
Braveheart: Original Motion Picture Soundtrack
King Arthur

ASIN: B000058TJG
Release Date: 2001-02-27

Tracks:

Duduk of the North
Now We Are Free (Juba's Mix)
The Protector Of Rome (featuring Russell Crowe as Maximus and Richard Harris as Marcus Aurelius)
Homecoming (featuring Joaquin Phoenix as Commodus and Russell Crowe)
The General Who Became A Slave
The Slave Who Became A Gladiator (featuring Oliver Reed as Proximo and Russell Crowe)
Secrets
Rome is the Light
All That Remains
Maximus (Guitar by Heitor Pereira)
Marikesh Marketplace
The Gladiator Waltz (featuring Russell Crowe/Original synth demo version by Hans Zimmer)
Figurines Yan Ching by Lisa Gerrard
The Mob
Busy Little Bee (featuring Connie Nielsen as Lucilla and Russell Crowe)
Death Smiles At Us All (featuring Russell Crowe and Joaquin Phoenix)
Not Yet (featuring Djimon Hounsou as Juba)
Now We Are Free (Maximus Mix)

Amazon.com

If there's one thing film producers and record executives like more than Success, it's Success: Part 2. Thus when Ridley Scott's high-tech sword 'n' sandal epic scored both Golden Globe wins and Academy Award nods for Best Film and Best Score, it was a sure bet that another volume of Hans Zimmer's and Lisa Gerrard's music for the film couldn't be far behind. Though not exactly leftovers, the tracks here sometimes point to the fact that there wasn't enough fresh material to fill this volume out, hence we get some remixed cues, a handful of familiar music with dramatic dialog excerpts edited and superimposed (or misplaced, with decidedly mixed results), and even a beat-heavy, dance-club mix of "Now We Are Free." With a little over half an hour of entirely fresh material and some souvenir dialog snippets over the rest, there's enough here to please Gladiator die-hards. Also of note: guitarist Heitor Pereira's flamenco-flavored flourishes are better showcased throughout; and "The Gladiator Waltz" serves up one of Zimmer's original synth demos (with a dash of Russell Crowe dialog up front)--a dramatic amp-up of Holst's "Mars, the Bringer of War" that's a prime example of the composer's state-of-the-art digital orchestral conjuring. --Jerry McCulley

Customer Reviews:

Essential.......2006-12-30

One of those pivotal soundtracks. Unfortunately, there is dialogue over a few of the tracks, but it is well worth sitting or fast-forwarding through. There is a duduk (the sound used for that thing Mr. Tumnus plays in 'Narnia'), and I have fallen in love with it. There is the use of a female voice (Lisa Gerrard) wailing in another language, which had become something of a trend ('Troy', 'Munich', 'Narnia' again, and many others). "Now We Are Free" is the kind of song that first intrigues you, then entraps you, and then takes you on an emotional ride. The soundtrack is intensely bittersweet, exciting ("The Gladiator Waltz"--yes, you're supposed to giggle--Hans did!), and just very consumable. If you were impressed by movie--and I haven't run into anybody yet who wasn't--then consider this soundtrack an equivalent of that experience, but audio.

HANS ZIMMER IS THE GREATEST PRESENT DAY COMPOSER!!!.......2005-10-23

I HAVE TO SAY HANS ZIMMER IS THE GREATEST OF HIS ERA. I HAVE PURCHASED ALMOST ALL OF HIS MAJOR SCORES FROM RAIN MAN, CRIMSON TIDE, GLADIATOR, AND EVEN THE LATEST BATMAN AND I KNOW I HAVE PLENTY OF MORE THAT COULD BE LISTED. I FIRST WAS WEIRY ABOUT BUYING THE SECOND SCORE TO GLADIATOR THINKING IT WOULD BE JUST LIKE THE FIRST ONE. IT IS AWESOME AND JUST AS GOOD OR BETTER, IF YOU ARE A TRUE ZIMMER FAN YOU HAVE TO ADD THIS TO YOUR COLLECTION. I HOPE HE KEEPS MAKING MUSIC FOR YEARS TO COME.

Excellent Extention!.......2005-10-22

Gladiator may be the best middle eastern score ever written. The Duduk was incredible!

The first CD was amazing as well, however, I believe this disc to have a few advantages.

First of all, "The Gladiator Waltz." This song TOTALLY improves upon "The Battle" from disc 1. The original stopped way before the new track. The synth sounds are very good, and don't take away from the beauty at all!

Another highlight is "Homecoming" this is a sad, angry song that will have your blood pumping. If you've seen the movie, you remember the scene where Maximus escapes execution, and rides home like a mad man, only to find his wife and son Crucified. A truly angry and intense song.

"Secrets" is a sneaky evil track, portraying the violent insanity of Commodus.

I have mentioned the highlights, but all the rest are great too! A must have CD, even if you own the first!

beautiful music.......2005-07-28

This is just what the title says: more great(beautiful) music from the motion picture, including some "spiced-up" remixes. This album also features sound clips from the movie. Listening to it will make you think you're in Rome again.

Disappointing companion to the Oscar nominated score........2005-05-28

The original score for Gladiator was a grand triumph for composer Hans Zimmer. Unfortunatly, this cd follows a trend during the latter half of the 1990's. When you have a successful score cd, follow it up with a cd full of dialogue, demo tracks and occassional new music. That is what this cd is full off. I expected more of the great music from the movie, instead I was disappointed bitterly.

Average customer rating:

Excellent Score -- Very Unique
One of the few good things about this wretched film
The score elevates the film
Good Soundtrack!
Nice...but a little overrated,

The Village

Manufacturer: Hollywood Records
ProductGroup: Music
Binding: Audio CD

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Signs (Score)
Lady in the Water
Unbreakable
The Sixth Sense: Original Motion Picture Soundtrack
The Village (Widescreen Vista Series)

ASIN: B0002IQJSC
Release Date: 2004-07-27

Tracks:

Noah Visits
What Are You Asking Me?
The Bad Color
Those We Don't Speak Of
Will You Help Me?
I Cannot See His Color
Rituals
The Gravel Road
Race To Resting Rock
The Forbidden Line
The Vote
It Is Not Real
The Shed Not To Be Used

Amazon.com

In the wake of his Sixth Sense triumph, young director M. Night Shyamalan shrewdly marketed himself as a marquee draw, a thriller auteur in the vein of Hitchcock and DePalma. In the process he's also run headlong into one of Hollywood's truest adages: There's no such thing as a sure thing. But while his tale of an isolated hamlet ringed by mysterious, threatening 'others' met with tepid reviews and disappointing box office, it also underscored another filmmaking truism: So-so films can still be blessed with magnificent musical scores. This hauntingly beautiful, yet thoroughly contemporary orchestral soundtrack by James Newton-Howard distinguishes itself at every turn, becoming a clear standout in the ongoing collaboration between the composer and Shyamalan. While similar fusions of minimalist and post-modern musical influences can sometimes seem not much more than hollow intellectual exercises, Newton-Howard inhabits his hypnotic arpeggios and droning rhythms here with an evocative undercurrent of the mysterious and mystical. The composer leans heavily on solo violin to conjure a mock folk tradition of indistinct origins, wedding it to a contemporary classical sense that's as seamless as it is distinguished. -- Jerry McCulley

Customer Reviews:

Excellent Score -- Very Unique.......2007-02-22

I have long been a film-score aficionado. My favorite composers are Hans Zimmer, James Horner, Jerry Goldsmith, John Williams -- only the best of the best. I had always known about James Newton Howard and his work, and always respected his unique abilities and talents.

It was with this score that he really caught my attention. The central theme of the film is a love story, and the characters just happen to be caught up in a nightmarish scenario. The score reflects this perfectly; some of the pieces are classically romantic, quiet pieces, while others are thunderous and frightening to reflect the danger and terror portrayed in the film.

James Newton Howard's later works, like "King Kong" (2005) and his co-score with Hans Zimmer on "Batman Begins" (2005) continued to show that he is rightly considered one of Hollywood's A-list composers for big films.

One of the few good things about this wretched film.......2006-11-05

I admit I absolutely hated "The Village". The film started out rather good. The build up in suspense was flawlessly executed but then the second half of the film totally went downhill for me. One of the few things I enjoyed about "The Village" is the film score by James Newton Howard. The combination of the orchestral film score and dark cinematography was perfect. Both complimented each other. Violinist Hilary Hahn was what really gravitated me to the music. A lot of film scores have a terrible tendency to be loud and bombastic (like John Williams and Hans Zimmer) but James Howard Newton's score is subtle and never overwhelming to a person's ears.

The score elevates the film.......2006-08-09

'The Village' was panned pretty harshly in critical circles, but whatever you think of the film, James Newton Howard's score for it is a beautiful piece of work. It lends a haunting, lyrical quality to the film, and it is wonderful to listen to by itself, whether or not you like or have even seen the movie.

While there are a couple pieces in the score that are a little more high-octane in terms of suspense, most of the music is very low-key. Still suspenseful, even spooky at times, but in a very understated and thoughtful way. In some ways similar to Howard's score for 'Signs', which also used repeated rhythms and themes throughout in different ways, the music for 'The Village' differs from the standard "scary movie" score by having pieces which establish a real emotional depth and presence. 'The Village' is a film about love and loss, and much of the music expresses those themes perfectly.

A big part of how the music gets to the depths of emotion is the solo violin performances of Hilary Hahn, present to some extent in almost every piece. From the opening strains of "Noah Visits," the first piece on the CD, her violin speaks the language of the heart and draws the listener into a beautiful world of haunting music, inescapable and compelling. I am amazed by her versatility here. From the fast rhythmic notes of "The Gravel Road" to the high strains of "I Cannot See His Color" to the final, bittersweet tones of "The Vote," Hahn's violin creates a steady thread through the whole score, unifying it and making it unique at the same time. I've listened to several of Hahn's classical performances as well, but I have to say that of what I've heard, her performance for 'The Village' may be her most unique and most compelling yet.

The combination of James Newton Howard's compositions and Hilary Hahn's lush performance have created some beautiful music for 'The Village'. Whether you love the movie or hate it, or even if you're just looking for some rich orchestral music with a beautiful violin performance, this score is well worth owning and listening to many times over.

Good Soundtrack!.......2006-08-03

I'll admit I bought this soundtrack for the music that played during the rescue scene when Phoenix grabbed Howard's hand---that part alone was worth the buy--beautiful music. Anyway, if you like scary music, there's plenty of that on here, but I usually skip those. So let's get down to it---how many tracks do I play over and over and never get sick of them? Numbers 9, 8, and 4's second half-- it switches from scary to the scene mentioned above. Those three are hauntingly beautiful. Numbers 1 and 5 are also very pretty if you are in a very relaxed state. The rest I don't really listen to simply because they're scary. But, if I can find a cd with at least 3 songs I really like, I consider it worth buying...so I recommend this soundtrack. Plug--- recommend the movie even more, even though the music is scarier than the movie itself. That movie has the best chic flic moment I've seen (guess which scene I'm talking about). Also, "Good afternoon Lucius..."--- that part is hilarious!

Nice...but a little overrated,.......2006-06-08

I'm a sucker for film scores. I can't get enough of em'. I've listened to a lot, and based on the reviews James N. Howard's score was getting for "The Village", I decided to buy it.
I have mixed feelings--the music is definitely very pretty, very soothing (or agressive when needed), but I never really felt like I was listening to anything but just 'another' score here. There really isn't anything especially beautiful or stand-out, and I have heard orchestral scores from independent films (see 2002's "Stranded", a low-budget sci-fi film made for only about four million clams that boasts one of the most gorgeous scores you will ever hear)that are more memorable and evocative.
This, I hate to say it, just kinda felt "blah" to me.
Not bad.
Just...kinda..."Blah".

Somewhere over the Rainbow: The Golden Age of Hollywood Musicals

Average customer rating:

They were right--there is NO business like the show business they did way back when !!!
One of the best cds I ever bought.
Never Sounded Better
Somewhere Over The Rainbow
"Hollywood Musicals of the Golden Age are still among us"

Somewhere over the Rainbow: The Golden Age of Hollywood Musicals
Various Artists
Manufacturer: Rhino / Wea
ProductGroup: Music
Binding: Audio CD

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Ultimate Broadway
Only Broadway CD You'll Ever Need
The Best Of Broadway (Cast Recording Anthology)
Greatest Hits: Broadway
That's Entertainment!: The Best Of The M-G-M Musicals - Motion Picture Soundtrack Anthology

ASIN: B000066RO5
Release Date: 2002-06-04

Tracks:

Singin In The Rain - Gene Kelly
Theres No Business Like Show Business - Betty Hutton, Howard Keel, Keenan Wynn & Louis Calhern
'S Wonderful - Gene Kelly & Georges Guetary
Thats Entertainment! - Fred Astaire, Jack Buchanan, Nanette Fabray & Oscar Levant
Stranger In Paradise - Ann Blyth & Vic Damone
Easter Parade - Judy Garland & Fred Astaire
Lullaby Of Broadway - Winifred Shaw, Dick Powell & Chorus
Get Happy - Judy Garland
Night And Day - Fred Astaire
True Love - Bing Crosby & Grace Kelly
Honeysuckle Rose - Lena Horne w/ Benny Carter & His Orchestra
They Cant Take That Away From Me - Fred Astaire
Milkman, Keep Those Bottles Quiet - Nancy Walker & The M-G-M Studio Chorus w/ Tommy Dorsey & His Orchestra
Baby, Its Cold Outside - Esther Williams & Ricardo Montalban
For Me And My Gal - Gene Kelly & Judy Garland
Puttin On The Ritz - Clark Gable & Co.
Hallelujah! - Tony Martin, Vic Damone, Kay Armen, Ann Miller, Debbie Reynolds, Clark Burroughs & Co.
Bless Yore Beautiful Hide - Howard Keel
Taking A Chance On Love - Ethel Waters & Eddie "Rochester" Anderson
As Time Goes By - Dooley Wilson w/ Elliot Carpenter (Bonus Track)
Laras Theme (Main Title) - The M-G-M Studio Orchestra (Bonus Track)

Tracks:

Over The Rainbow - Judy Garland
Its A Most Unusual Day - Jane Powell
Wunderbar - Kathryn Grayson & Howard Keel
Cant Help Lovin Dat Man - Ava Gardner
Going Hollywood - Bing Crosby
The Trolley Song - Judy Garland, The M-G-M Studio Chorus
Gigi - Louis Jourdan
I Got Rhythm - Judy Garland, Mickey Rooney & Co.
Aba Daba Honeymoon - Debbie Reynolds, Carleton Carpenter & M-G-M Studio Chorus
The Lady Is A Tramp - Lena Horne
The Best Things In Life Are Free - June Allyson & Peter Lawford
Cheek To Cheek - Fred Astaire
A Kiss To Build A Dream On - Louis Armstrong
Put 'Em In A Box - Doris Day & The Page Cavanaugh Trio
If Swing Goes, I Go Too - Fred Astaire
Almost Like Being In Love - Gene Kelly
Lets Face The Music And Dance - Fred Astaire
Be A Clown - Gene Kelly & Judy Garland
Embraceable You - Connie Francis
On The Atchison, Topeka And The Santa Fe - Judy Garland & Co.
One For My Baby (And One More For The Road) - Fred Astaire

Amazon.com

The "Golden Age" referred to here spans The Jazz Singer and the advent of the talkies to the death throes of the old studio system in the 1960s. So vast was the era's musical landscape that even this 42-track, double-disc anthology can't encompass all its peaks. Not surprisingly, the bulk of this collection originated with the Tiffany's of the screen musical, M-G-M, a body of work whose riches here encompass both pop-cultural bedrock ("Over the Rainbow," "Singin' in the Rain," "There's No Business Like Show Business," etc.) and some less familiar, if equally delightful star turns: Clark Gable gamely "Puttin' On the Ritz"; the sassy, 1948 original of "The Lady Is a Tramp" by Lena Horne; and a loopy duet of "Baby, It's Cold Outside" by Esther Williams and Ricardo Montalban. Fred Astaire's elegant, epochal reign at RKO and M-G-M is represented by "Night and Day," "Let's Face the Music and Dance," and three others, while Metro mainstays Gene Kelly and Judy Garland share equal time and billing. It's not perfect--Cagney's "Yankee Doodle Boy" and/or some Sinatra seem more logical choices than the odd "bonus" duet of Casablanca's "As Time Goes By" and "Lara's Theme" from Dr. Zhivago that close out disc one--but it's a stunning, surprisingly comprehensive primer on the Hollywood film musical nonetheless. --Jerry McCulley

Customer Reviews:

They were right--there is NO business like the show business they did way back when !!!.......2006-11-18

Everything that happens in life
Can happen in a show
You can make 'em laugh
You can make 'em cry
Anything
Anything can go....

The clown with his pants falling down
Or the dance that's a dream of romance
Or the scene where the villain is mean
That's entertainment!

The lights on the lady in tights
Or the bride with the guy on the side
Or the ball where she gives him her all
That's entertainment!

The plot and the hot simply teeming with $ex
A gay divorcee who is after her ex
It could be Oedipus Rex
Where a chap kills his father
And causes a lot of bother

The clerk who is thrown out of work
By the boss who is thrown for a loss
By the skirt who is doing him dirt

The world is a stage,
The stage is a world of entertainment!

This two CD set amply proves that the musical melodies and lyrics from the golden age of the Hollywood musical remain unsurpassed to this day. This generous two CD set offers 42 incredible songs from Hollywood classic musicals. Most of these fine numbers are indeed from MGM, as Amazon correctly notes; but there are some RKO numbers and even a little from Warner Brothers. Thank goodness, though, that most of these songs came from MGM movies; MGM was the only studio that could boast that it truly had "more stars than there are in the heavens."

I love so many songs on these two CDs. Of course, there's the unforgettable classic "Over The Rainbow" sung by Judy Garland; she also performs "Easter Parade" and "Get Happy" on this two CD set and she carries most of the tune for "I Got Rhythm" even though Mickey Rooney helps her a little. I love "Baby, It's Cold Outside" for its' romantic overtones; and Lena Horne's "The Lady Is A Tramp" is flawless! We also get a rare chance to hear Clark Gable sing in "Puttin' On The Ritz;" and Bing Crosby's "Going Hollywood" may be brief but it's a fun song anyway.

There are two "bonus" tracks on the first CD: "As Time Goes By" from Casablanca and "Lara's Theme" from Doctor Zhivago. "As Time Goes By" is a good choice; it is another unsurpassed classic song that brings back memories and touches even the hardest of hearts. "Lara's Theme," however, is from the mid 1960s and I don't consider this period to be part of the "golden age" of Hollywood musicals.

The liner notes are excellent and they offer wonderful photos of the stars as well. The cover art is well done and the reverse cover art tells which movie each song is from and who is performing each song. Moreover, the quality of the sound is excellent especially when you consider that these numbers were recorded quite a few decades ago.

In short, this superlative two CD highlights the glory of the Hollywood musical when a certain type of sophistication dominated professional movie production. I highly recommend this CD for fans of Hollywood musicals, classic pop vocals and fans of the artists and actors who perform on this two CD set.

One of the best cds I ever bought. .......2006-06-07

What an amazon collection of songs! This is bar none my favorite cd just because of the variety and the quality of songs on it. I love music from this era, and this cd is the perfect companion to my life. Love it! Buy it, you won't regret it for a moment!

Never Sounded Better.......2006-03-16

Apart from the great selection of soundtracks, what really makes this compilation top value is the quality of the sound processing. Executed with finesse, these tracks sound better than when first issued and many are unedited, fuller versions: like "Singing In The Rain", for example. Throw in the great price, and this double disc set is a "must have" for all lovers of classic movie music.

Somewhere Over The Rainbow.......2006-02-24

A Sensational CD with Lots of Showtunes that Keep You Happy and makes You Want To Sing Along With!!!

"Hollywood Musicals of the Golden Age are still among us".......2005-07-13

Rhino Records and Turner Classic Movies Music present - "SOMEWHERE OVER THE RAINBOW: THE GOLDEN AGE OF HOLLYWOOD MUSICALS", some of the long ago musicals and stars that will never be forgotten...a 2-CD-Set covering several decades from 1935-1965 with many of the show stoppers of that time...some rare moments from entertainers that you haven't heard or thought of in sometime.

The lineup is fantastic and gives the listener a variety of what musicals were all about in the "Golden Age of the Hollywood Musicals"
June Allyson, Kay Armen, Louis Armstrong, Fred Astaire, Ann Blyth, Jack Buchanan, Louis Calhern, Bing Crosby, Vic Damone, Doris Day, Nanette Fabray, Connie Francis, Ava Gardner, Judy Garland, Kathyrn Grayson, Georges Guetary, Lena Horne, Betty Hutton, Louis Jourdan, Howard Keel, Gene Kelly, Grace Kelly, Peter Lawford, Oscar Levant, Ann Miller, Ricardo Montalban, Page Cavanaugh Trio, Debbie Reynolds, Winifred Shaw, Nancy Walker, Ethel Waters, Esther Williams, Dooley Williams and Keenan Wynn.

On Disc One 21 Classic Songs from great musicals with songs in alphabetical order:
AS TIME GOES BY - Dooley Wilson with Elliot Carpenter, pianist (1942)
BABY, IT'S COLD OUTSIDE - Esther Williams & Ricardo Montalban (1949)
BLESS, YORE BEAUTIFUL HIDE - Howard Keel (1954)
EASTER PARADE - Fred Astaire & Judy Garland (1948)
FOR ME AND MY GAL - Gene Kelly & Judy Garland (1942)
GET HAPPY - Judy Garland (1950)
HALLELUJAH! - Tony Martin, Vic Damone, Kay Armen, Ann Miller, Debbie Reynolds, Clark Burroughs (for Russ Tamblyn) (1955)
HONEYSUCKLE ROSE - Lena Horne with Benny Carter & His Orchestra (1943)
LARA'S THEME (MAIN TITLE) - M-G-M Studio Orchestra (1965)
LULLABY OF BROADWAY - Winifred Shaw & Dick Powell (1935)
MILKMAN, KEEP THOSE BOTTLES QUIET - Nancy Walker with Tommy Dorsey & His Orchestra (1944)
NIGHT AND DAY - Fred Astaire (1934)
PUTTIN' ON THE RITZ - Clark Gable & Company (1939)
'S WONDERFUL - Gene Kelly & Georges Guetary (1951)
SINGIN' IN THE RAIN - Gene Kelly (1951)
STRANGER IN PARADISE - Ann Blyth & Vic Damone (1955)
TAKING A CHANCE ON LOVE - Ethel Waters & Eddie "Rochester" Anderson (1943)
THAT'S ENTERTAINMENT - Fred Astaire, Jack Buchanan, Nanette Fabray & Oscar Levant (1953)
THERE'S NO BUSINESS LIKE SHOW BUSINESS - Betty Hutton, Howard Keel, Keenan Wynn & Louis Calhern (1950)
THEY CAN'T TAKE THAT AWAY FROM ME - Fred Astaire (1949)
TRUE LOVE - Bing Crosby & Grace Kelly (1956)

On Disc Two more memorable performances from the Golden Age of Hollywood Musicals:
A KISS TO BUILD A DREAM ON - Louis Armstrong (1951)
ABA DABA HONEYMOON - Debbie Reynolds & Carleton Carpenter (1950)
ALMOST LIKE BEING IN LOVE - Gene Kelly (1954)
BE A CLOWN - Judy Garland & Gene Kelly (1948)
BEST THINGS IN LIFE ARE FREE - June Allyson & Peter Lawford (1947)
CAN'T HELP LOVIN' DAT MAN - Ava Gardner (beautiful woman, who my youngest grandaughter is named after...Avalon) (1951)
CHEEK TO CHEEK - Fred Astaire (1935)
EMBRACEABLE YOU - Connie Francis (1965)
GIGI - Louis Jourdan (1958)
GOING HOLLYWOOD - Bing Crosby (1933)
I GOT RHYTHM - Judy Garland & Mickey Rooney (1943)
IF SWING GOES, I GO TOO - Fred Astaire (1946)
IT'S A MOST UNUSUAL DAY - Jane Powell (1948)
LADY IS A TRAMP - Lena Horne (1948)
LET'S FACE THE MUSIC AND DANCE - Fred Astaire (1936)
ON THE ATCHISON, TOPEKA AND THE SANTA FE - Judy Garland & Company (1946)
ONE FOR MY BABY (AND ONE MORE FOR THE ROAD) - Fred Astaire (1943)
OVER THE RAINBOW - Judy Garland (became her theme song for the rest of her life) (1939)
PUT 'EM IN A BOX - Doris Day & the Page Cavanaugh Trio (1948)
THE TROLLEY SONG - Judy Garland & MGM Studio Chorus (1944)
WUNDERBAR - Kathryn Grayson & Howard Keel (two of MGM's favorite singing duos) (1953)

It was once said by the songwriters of that era - "There are two artists you want perform your songs on the big screen, they are Fred Astaire and Judy Garland they sing it just the way we wrote it, for which you will have a guaranteed hit on your hands"...well, this collections certainly has some merit to that statement...because with Judy Garland and Fred Astaire performing seven songs each, there must be something to it.

This collection of musicals still has the magic that we remember from those bygone years...but as long as we have the labels and networks who play and show these wonderful films of yesteryear, they will never be forgotten...hats off to Rhino Records, George Feltenstein (producer) and Doug Schwartz (engineer) and Turner Classic Movies for sharing those 42 selections from 42 films...celebrating decades of the tunes and artists that gave it their all...from what it commonly called "The Hollywood Dream Factory"...The Golden Age of Hollywood Musicals is still among us...gotta love it!

Total Time: 2-CD-Set ~ Rhino Records 78323 ~ (6/02/2002)

Average customer rating:

Wonderful, but not my first choice
THE BEST recording of the BEST oratorio ever...
Too bad there are so few recordings of Elijah

Mendelssohn: Elijah

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

General | Symphonies | Classical | Styles | Music

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Mendelssohn - Elijah / Terfel, Fleming, Bardon, Ainsley, Fulgoni, Paul Daniel
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Brahms: Ein deutsches Requiem [A German Requiem]

ASIN: B0002XV31A
Release Date: 2005-02-15

Tracks:

Introduction: As God The Lord Of Israel Liveth
Overture
No.1 Help, Lord! Wilt Thou Quite Destroy Us?
No.2: Lord! Bow Thine Ear To Our Prayer!
No.3: Ye People, Rend Your Hearts
No.4: If With All Your Hearts
No.5: Yet Doth The Lord See It Not
No.6: Elijah! Get Thee Hence
No.7: For He Shall Give His Angels Charge Over Thee
Recitative: Now Cherith's Brook Is Dried Up
No.8: What Have I Do To Do With Thee?
No.9: Blessed Are The Men Who Fear Him
No.10: As God The Lord Of Sabaoth Liveth
No.11: Baal, We Cry To Thee: Hear And Answer Us!
No.12: Call Him Louder, For He Is A God!
No.13: Call Him Louder! He Heareth Not!
No.14: Lord God Of Abraham, Isaac And Israel!
No.15: Cast Thy Burden Upon The Lord
No.16: O Thou, Who Makest Thine Angels Spirits
No.17: Is Not His Word Like A Fire?
No.18: Woe Unto Them Who Forsake Him!
No.19: O Man Of God, Help Thy People!
No.20: Thanks Be To God!

Tracks:

No.21: Hear Ye, Israel; Hear What The Lord Speaketh
No.22: Be Not Afraid, Saith God The Lord
No.23: The Lord Hath Exalted Thee
No.24: Woe To Him, He Shall Perish
No.25: Man Of God, Now Let My Words Be Precious
No.26: It Is Enough; O Lord Now Take My Life
No.27: See, Now He Sleepeth
No.28: Lift Thine Eyes To The Mountains
No.29: He, Watching Over Israel, Slumbers Not
No.30: Arise, Elijah, For Thou Hast A Long Journey
No.31: O Rest In The Lord
No.32: He That Shall Endure To The End, Shall Be Saved
No.33: Night Falleth Round Me, O Lord!
No.34: Behold! God The Lord Passed By!
No.35: Above Him Stood The Seraphim
No.36: Go, Return Upon Thy Way
No.37: For The Mountains Shall Depart
No.38: Then Did Elijah The Prophet Break Forth
No.39: Then Shall The Righteous Shine Forth
No.40: Behold, God Hath Sent Elijah
No.41: But The Lord, From The North Hath Raised One
No.41a: O Come Everyone That Thirsteth
No.42: And Then Shall Your Light Break Forth

Customer Reviews:

Wonderful, but not my first choice.......2007-04-07

I believe this was the first recording of Elijah in English that used an "international" conductor and some international singers. Fruhbeck gives a good, dramatic sweep to the piece, with some wonderful dramatic moments. This is an old fashioned performance, with only a solo quartet, and if there is a semi-chorus, I can't tell the difference. This means that the soprano is the Widow, and an Angel, the mezzo the Angel and Queen Jezabel, etc. You really should have a libretto, but you don't get one at this price.
Fischer-Dieskau roughens up his voice for the role, and therein lies a problem. The voice spreads and his diction suffers because of it; that and his unidiomatic pronounciation, with far too many rolled "r"s. He does the drama well, but what works well in lieder works here less well on the large scale. Odd, given his success as on opera singer (check out his Iago), that here he frequently comes off blustery.
Dame Gwyneth Jones belies her reputation and gives a contolled, dramatic performance, using her "edge" to advantage in "Hear Ye, Israel". Gedda's diction is amazing, with exactly the right color for this literature, and projecting a little more blood than an English tenor.
Dame Janet Baker is my star in this performance. Dramatic, heart-rending when need be, and in wonderful voice. She'll chill your blood when she tells the people of Baal to "slaughter him, do what he hath done!".
And as for the people of Baal, the Philharmonia Chorus is wonderful. Incisive and dramatic, with beautiful tone. I could do without the trick of the boy choir for "Lift Thine Eyes", and I miss the small ensembles, but all in all a fine performance, and good recording, circa 1968.
First choice in English, Daniels/Terfel: better Elijah in Terfel, better recording, more authentic orchestra, small vocal ensembles (as per the score) but inferior women (including Fleming: beautiful tone, but where's her head?). In German, it's Sawallisch/Adam all the way.
But if you're singing Elijah, and have a score, this is a good choice.

THE BEST recording of the BEST oratorio ever..........2006-08-15

Okay, I'm gonna admit I'm biased- I first sung in the chorus of Elijah when I was 14 and it made a BIG impression on me!
This recording is in every way wonderful. Starting with Dietrich Fischer-Dieskau. He IS Elijah to me. His singing is perfection. He has amazing phrasing and his diction makes it possible to understand the lovely, inspired libretto to this heavenly music. There are so many pieces that are ephemeral, but a couple of my favorites are: #14, Lord God of Abraham and #37, For the Mountains shall Depart. Dieskau does a great job of what I think of as compassionate, heartfelt singing. His interpretation sounds like the voice of God himself. It has a quality of kindness and yet he sounds just as convincing reprimanding the people of Baal. He is the true highlight of this recording.

That said, the rest of the cast is wonderful as well. Gwyneth Jones has a lovely, silvery voice that has a clarion bell-like tone that rings over the large orchestra with ease. She has occasional "misfire" but is a consistent performer. Dame Janet Baker and Nicolai Gedda both perform at a consistently lovely level. The orchestra and chorus are both wonderful. #15, Cast thy Burden upon the Lord, #32 He that Shall Endure to the End, and #38 Then Did Elijah are all highlights.

All said, for me the main reason to get this recording is Dieskau's Elijah- after all, he's the main character. But don't forget the lovely music. This story is exciting and passionate and sacred all at the same time. For me, it's the best oratorio that has a moving story and great music too.

Too bad there are so few recordings of Elijah.......2006-07-03

This is a good recording of an oratorio that deserves more attention. The chorus and soloists are very good--I just wish Fischer-Diskau wouldn't slide around so much in singing the title part!

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