Folk Scene

folk scene

Track Listings
1. Folkscene (Artiforg): Harmengi-The Tower Becomes a Sun
2. Folkscene (Artiforg): Winter of Frozen Mornings
3. Folkscene (Artiforg): The High Rate of Ass Vibration
4. Folkscene (Artiforg): Vokalis-The Fauna Inverts Itself in the Sway of t
5. Folkscene (Artiforg): Atrocity Jukebox
6. Folkscene (Artiforg): I Didn't Know That Hajji Smoked/Id Can Hear the M
7. Folkscene (Artiforg): Qualify for Evolution
8. Folkscene (Apolune): Herkimer Man
9. Folkscene (Apolune): J Sculpy's (Leibniz 2)
10. Folkscene (Apolune): Micromelodiodes
11. Folkscene (Apolune): Soma Enthusiast
12. Folkscene (Apolune): Pituitous Became
13. Folkscene (Apolune): Honey Sü>the Seeker Ladder
14. Folkscene (Apolune): I Guess I'll Get the Vapors and Go Home
15. Folkscene (Apolune): Lustré King
16. Folkscene (Apolune): Moon Raga
17. Folkscene (Apolune): Rock and Roll (As Fucked Up as You Think)
18. Folkscene (Apolune): Portable Old Band>Heavenly Blues
19. Folkscene (Apolune): Folkscene (Apolune): Post War Mariachi
20. Folkscene (Apolune): The Shape That Has No Shape
See all 22 tracks on this disc

Folk Scene,Tower Recordings,Communion Records,Alternative Pop/Rock,Indie Rock,Pop,Rock,Rock/Pop

Folk Scene
Prokofiev: Romeo and Juliet
Average customer rating: 3.5 out of 5 stars
  • Decent interpretation marred by terrible intonation
  • excellent choice for Romeo & Juliet
  • Superior interpretation, same remastering
 Prokofiev: Romeo and Juliet

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Tchaikovsky: The Sleeping Beauty
  2. Tchaikovsky: Swan Lake (complete ballet); Wolfgang Sawallisch; Philadelphia Orchestra
  3. Prokofiev: Cinderella; 'Classical' Symphony
  4. Prokofiev: Cinderella, Op. 87; Glazunov: Seasons Op67
  5. Prokofiev: Cinderella

ASIN: B0002XV310
Release Date: 2005-02-15

Tracks:

  1. No.1 Introduction
  2. No.2 Romeo
  3. No.3 The Street Awakens
  4. No.4 Morning Dance
  5. No.5 The Quarrel
  6. No.6 The Fight
  7. No.7 The Prince Gives His Order
  8. No.8 Interlude
  9. No.9 Preparing For The Ball
  10. No.10 Juliet As A Young Girl
  11. No.11 Arrival Of The Guests
  12. No.12 Masks
  13. No.13 Dance Of The Knights
  14. No.14 Juliet's Variation
  15. No.15 Mercutio
  16. No.16 Madrigal
  17. No.17 Tybalt Recognises Romeo
  18. No.18 Departure Of The Guests (Gavotte)
  19. No.19 Balcony Scene
  20. No.20 Romeo's Variation
  21. No.21 Love Dance
  22. No.22 Folk Dance
  23. No.23 Romeo And Mercutio
  24. No.24 Dance Of The Five Couples
  25. No.25 Dance With The Mandolins
  26. No.26 The Nurse

Tracks:

  1. No.27 The Nurse Gives Romeo The Note From Juliet
  2. No.28 Romeo With Friar Laurence
  3. No.29 Juliet With Friar Laurence
  4. No.30 The People Continue To Make Merry
  5. No.31 Folk Dance
  6. No.32 Tybalt Meets Mercutio
  7. No.33 Tybalt And Mercutio Fight
  8. No.34 Mercutio Dies
  9. No.35 Romeo Decides To Avenge Mercutio's Death
  10. No.36 Finale
  11. No.37 Introduction
  12. No.38 Romeo And Juliet (Juliet's Bedroom)
  13. No.39 The Last Farewell
  14. No.40 The Nurse
  15. No.41 Juliet Refuses To Marry Paris
  16. No.42 Juliet Alone
  17. No.43 Interlude
  18. No.44 At Friar Laurence's
  19. No.45 Interlude
  20. No.46 Juliet's Bedroom
  21. No.47 Juliet Alone
  22. No.48 Morning Serenade
  23. No.49 Dance Of The Girls With The Lillies
  24. No.50 At Juliet's Bedside
  25. No.51 Juliet's Funeral
  26. No.52 Death Of Juliet

Customer Reviews:

2 out of 5 stars Decent interpretation marred by terrible intonation.......2007-04-06

I had great difficulty restraining myself from turning this off when listening to it for the first time, because London does such a terrible job of being anywhere near in tune for much of it. Combined with many missed notes in the brass, messy passagework in the strings, and woodwind playing that seems intent on doing anything BUT creating any sort of phrase, it's doubtful this is worth even the small price Amazon has it listed for.

For a budget recording of this that's actually decent, I'd be much more inclined to buy Naxos' release of the National Symphony Orchestra of Ukraine's version under Andrew Mogrelia.

5 out of 5 stars excellent choice for Romeo & Juliet.......2006-04-14

I am writing mainly in response to Sarman (Sweden). I own the fforte edition and have played this many years on several systems. On Onkyo DR-UN7 dvd receiver driving Epos 22's, the sound is excellent, as it was using Panasonic dvd player, NAD amplifier, and Epos 11's. Previn is one of best interpreters of Prokofiev--after all, he is a Russian born in Berlin. I don't know who could call either the playing or the re-mastering "dull". The natural alternative is Gergiev, re-issued on Philips great 50 recordings at medium price. That is also quite good. I would avoid the others.

4 out of 5 stars Superior interpretation, same remastering.......2006-04-01

This interpretation is dramatic and organic, for example the "Death of Tybalt" is real spooky, whereas in "the people continue to make merry" the orchestra sounds like a local band in a parade, and so on. It sounds Prokofiev ingenious to me. This is clearly my favourite out of R&J recordings. The Ancerl/CPO heartbreaking recording of some 10 scenes might be the most delicious of them all, but again it does not diminish the Previn recording.

Someone called this Previn recording "lackluster". It could have to do with the recording technique, the sound is slightly dull at times. This is the same remastering as previously released on EMI double forte. However at times I think it sounds fine. It might have to do with my HiFi system or small speakers, I might try another pair. I'd appreciate comments from other reviewers on this.
Instruments of the Orchestra
Average customer rating: 4.5 out of 5 stars
  • Instruments of the Orchestra - Great Reference Material!
  • Beginner or Expert
  • Very Informative and Enjoyable
  • Frank's view
  • Excellent Intro for Those Not Familiar with the Orchestra
 Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4
  2. The Life and Works of Ludwig van Beethoven
  3. What to Listen for in Music
  4. Study of Orchestration, Third Edition
  5. The Life and Works of Frédéric Chopin

ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

  1. Overture To 'Tannhauser'
  2. Domna, Pos Vos Ay Chausida
  3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
  4. Hungarian Dance No.7
  5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
  6. Violin Concerto In D Major (Adagio)
  7. But For A Long Time It Was Seen As The Instrument Of The Devil.
  8. The Soldier's Tale: Triumphal March Of The Devil
  9. The Manipulative Seductiveness Of The Gypsy Violin.
  10. Csardas Music
  11. The Violin And The Initiation Of Nature
  12. The Four Seasons (Spring, Mvt 1)
  13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
  14. The Four Seasons (Summer, Mvt 1)
  15. Like The Devil, The Violin Is A Master Of Disguise.
  16. Old Viennese Dance No.3 'Schon Rosmarin'
  17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
  18. Tzigane
  19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
  20. Caprice No.24
  21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
  22. Variations On A Theme Of Frank Bridge (No.7)
  23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
  24. Romeo And Juliet: Act IV
  25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
  26. The Four Seasons (Winter, Mvt 1)
  27. The Violin Muted
  28. Clair De Lune
  29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
  30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
  31. The Pizzicato Violin
  32. Pizzicato Polka
  33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
  34. Violin Concerto No.2 In G Minor (Slow Mvt)
  35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
  36. The Planets (Mars - The Bringer Of War)
  37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
  38. Hungarian Dance No.4
  39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
  40. The Four Seasons (Autumn, Mvt 1)
  41. Now The Same Technique, But The Sound Might Have Come From Another World.
  42. Bolero
  43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
  44. Cadenza To The Violin Concerto By Brahms
  45. Now Compare That With A Real Violin Duet.
  46. Forty-Four Duos (No. 1: Teasing Song)
  47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
  48. Forty-Four Duos (No.2: Maypole Dance)
  49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
  50. Concerto In D Minor For Two Violins (Largo)
  51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
  52. Violin Concerto No.1 In D Major (Mvt 2)
  53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
  54. Symphony No.1 'Titan' (Mvt 1, Opening)
  55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
  56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
  57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
  58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
  60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
  61. Also Sprach Zarathustra (Of The Afterworldsmen)
  62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
  63. Variations On A Theme Of Frank Bridge (No. 4)
  64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
  65. Four Sea Interludes (Dawn) From 'Peter Grimes'
  66. To End This Outing With The Violins, A Charming Little Elfin Dance
  67. Elfenreigen

Tracks:

  1. Introduction To The Viola
  2. Viola Concerto (Mvt 1)
  3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
  4. Gayane Suite No.1 (Armen's Solo)
  5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
  6. Passacaglia, Op.33b From 'Peter Grimes'
  7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
  8. Harold In Italy (Mvt 4)
  9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
  10. Cypresses (No.9)
  11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
  12. Symphony No.4 (Mvt 3)
  13. The 'Period' Viola In Bach
  14. Brandenburg Concerto No.6 (Last Mvt)
  15. The Cello: A Voice Of Unique Nobility
  16. Suite No.1 For Unaccompanied Cello (Prelude)
  17. Brahms And The 'Soul' Of The Cello
  18. Piano Concerto No.2 In B Flat Major (Mvt 3)
  19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
  20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
  21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
  22. Symphony No.3 'Eroica' (Finale)
  23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
  24. Elfentanz, Op.39
  25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
  26. The Protecting Veil (Opening)
  27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
  28. Flamenco
  29. Double-Stopping In The Lower Reaches Of The Cello's Range
  30. Solo Suiet For Cello And Piano (Sardana)
  31. It's In The Middle Register That The Cello Really Comes Into Its Own.
  32. Oriental Dance, Op.2 No.2
  33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
  34. Symphony No.9 (Finale)
  35. Introduction To The Double-Bass
  36. The Carnival Of The Animals (The Elephant)
  37. But The Double-Bass Can Be Intensely Expressive And Graceful.
  38. Elegy No.1 In D Major
  39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
  40. Capriccio Di Bravura
  41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
  42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
  43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

  1. The Antiquity And Magic Of The Flute
  2. Prelude A L'Apres-Midi D'Un Faune
  3. The Versatility And Agility Of The Flute
  4. Orchestral Suite No.2 In B Minor (Badinerie)
  5. The Flute In Fifteenth-Century Spain
  6. Sa'Dawi
  7. Other Flutes: The Bass And Alto
  8. Chamber Music No.II
  9. The Piccolo - Aptly Named
  10. La Naissance D'Osiris (Mvt 6)
  11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
  12. Suite No.1 For Small Orchestra (Valse)
  13. A Variety Of Techniques
  14. Chamber Music No.II
  15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
  16. The Nutcracker (Act II, No.2: Scene)
  17. From The Transverse To The Vertical: The Baroque Recorder
  18. Recorded Suite In A Minor (Menuet II)
  19. An Unfamiliar, Early Vision Of The Instrument
  20. Naelden, Naelden
  21. The Bachian Oboe
  22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
  23. Introduction To The Cor Anglais Or 'English Born'
  24. Symphony No.9 'From The New World' (Mvt 2)
  25. The Loneliness Of The Cor Anglais
  26. The Swan Of Tuonela
  27. The Cor Anglais Joins The French Horn In Haydn.
  28. Symphony No.22 'The Philosopher' (Opening)
  29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
  30. Bolero
  31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
  32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
  33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
  34. Gayane Suite No. 1 (Mvt 5)
  35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
  36. The Range Of The Normal Clarinet Parts Goes Quite High...
  37. The Snow Maiden (Scene 5: Melodrama)
  38. ...And Quite Low.
  39. Peter And The Wolf (The Cat)
  40. The Clarinet As Concerto Soloist
  41. Clarinet Concerto In A Major (Rondo)
  42. But That's Not The Instrument Mozart Wrote It For; This Is:
  43. Clarinet Concerto In A Major (Rondo)
  44. Introduction To The Saxophone
  45. Hary Janos Suite (Mvt 4)
  46. The Soprano Saxophone Has Quite A Different Feel To It.
  47. L'Arlesienne Suite No.1 (Minuet)
  48. The Little Sopranino Sax Goes Even Higher.
  49. Bolero
  50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
  51. Pictures At An Exhibition (The Old Castle)
  52. The Saxophone Can Be Quite Contagiously Good-Humoured.
  53. Sax-O-Phun
  54. The Puffa-Puffa Image Of The Bassoon
  55. Peter And The Wolf (Grandfather)
  56. The Bachian Bassoon, In Accompanimental Mode
  57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
  58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
  59. And Ravel, Also In Spanish Mode, Does Likewise.
  60. Bolero
  61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
  62. Symphony No.3 (Opening)
  63. The Eerie Bassoon In Its Highest Register
  64. The Rite Of Spring (Opening)
  65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
  66. The Firebird Suite (1919, Berceuse)
  67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
  68. Bassoon Concerto In G Minor (Finale)
  69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
  70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  71. The French Horn Under Its Woodwind Hat
  72. Wind Quintet, Op.43 (Last Mvt)
  73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
  74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
  75. The Horn In Harmonious Blend With Strings In Another Quintet
  76. Horn Quintet, K.407 (Finale)

Tracks:

  1. The Trumpet As Virtuoso Soloist
  2. Brandenburg Concerto No.2 (Last Mvt)
  3. The Special Brillance Of Paired Trumpets
  4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
  5. The Ceremonial Trumpet
  6. Fanfare For The Common Man
  7. Trumpets And Drums - An Incomparable Alliance
  8. Messiah (The Trumpet Shall Sound)
  9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
  10. Piano Concerto In F (Slow Mvt)
  11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
  12. Carmen Suite No.2 (Habanera)
  13. The Trumpet As The Voice Of Strength And Courage
  14. Carmet Suite No.2 (Toreador's Song)
  15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
  16. Billy The Kid
  17. The Trumpet As Character Actor
  18. Pictures At An Exhibition (No.6)
  19. The Trumpet As The Voice Of God
  20. Mass In B Minor ('Et Exspecto')
  21. The Birth Of The Trombone
  22. Aenmerckt Nu Hier
  23. The Birth Of The Brass As A Family
  24. Canzon 12 In Double Echo
  25. The Trombone In The Eighteenth Century
  26. Trombone Concerto In B Flat Major (Finale)
  27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
  28. Hosannah
  29. The Trombones Become Part Of The Orchestra.
  30. Symphony No.5 (Finale)
  31. The Wagnerian Trombone:/Overture To 'Tannhauser'
  32. The Trombone As Caricaturist
  33. Pulcinella (No.19: Vivo)
  34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
  35. The Horn And The Hunt
  36. Horn Concerto No.4 In E Flat, K.495 (Finale)
  37. The Challenging Horn Of The Baroque
  38. Abaris Ou Les Boreades (Menuet)
  39. The Scarcity Of First-Rate Players In Handel's Time
  40. Walter Music (Minuet 1)
  41. The Horn As Magician/The Firebird Suite (1919, Finale)
  42. Horns And The Sound Of Nobility
  43. Overture To 'Tannhauser' (Opening)
  44. The Special Sound Of The Horn In Its Higher Register
  45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
  46. The Trumpet-Like Sound Of Massed Horns
  47. Symphony No.3 (Mvt 1, Opening)
  48. The Tuba - Unfairly Maligned?
  49. Symphony No.6 (Mvt 3)
  50. The Tuba Perfectly Cast By Ravel
  51. Pictures At An Exhibition (Bydlo)

Tracks:

  1. Introduction. And We Begin With A Bang.
  2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
  3. At The Opposite Extreme Is The Triangle.
  4. Piano Concerto No.1 In E Flat (Scherzo)
  5. Categories Of Percussion: Tuned And Untuned. The Side Drum
  6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
  7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
  8. The Tambourine. One Of The Oldest Instruments In The World
  9. Den Hoboecken Dans
  10. Even Older Is The Originally Oriental Gong.
  11. Ma Mere L'Oye - Mother Goose (Laideronette)
  12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
  13. Gymnopedie No.2
  14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
  15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
  16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
  17. Rodeo (Hoe-Down)
  18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
  19. Scherzi Musicali (Damigella Tutta Belle)
  20. A Still Earlier Example From Fifteenth-Century Spain
  21. Yo M'Enamori D'Un Aire
  22. The Birth Of The Bongo
  23. Symphonic Dances From 'West Side Story'
  24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
  25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
  26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
  27. Onwards To The Tuned Percussion. First, The Timpani
  28. Also Sprach Zarathustra (Introduction)
  29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
  30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
  31. Taking Advantage Of Tunability
  32. Music For Strings, Percussion And Celeste (Mvt 2)
  33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
  34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
  35. Saint-Saens And The Xylophone
  36. The Carnival Of The Animals (Fossils)
  37. Ravel And The Xylophone
  38. Ma Mere L'Oye - Mother Goose (Laideronette)
  39. Introducing The Marimba/Carmen Suite (First Intermezzo)
  40. Introducing The Vibraphone
  41. The Treasure Of The Sierra Madre (Narange Dolce)
  42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
  43. Introducing The Hungarian Cimbalom
  44. Folk Dances
  45. The Cimbalom And The Symphony Orchestra
  46. Hary Janos Suite (Mvt 3)
  47. Introducing The Tubular Bells
  48. Hary Janos Suite (Viennese Musical Clock)
  49. A More 'Up-Front' Approach From Rodion Shchedrin
  50. Carmen Suite (Introduction)
  51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  52. Introducing The Celeste
  53. The Nutcracker (Dance Of The Sugar Plum Fairy)
  54. Magic, In The Use Of Collective Percussion
  55. Miroirs (La Vallee Des Cloches)
  56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
  57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
  58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
  59. Brandenburg Concerto No.2 (Slow Mvt)
  60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
  61. Petrushka (Russian Dance)
  62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
  63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

  1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
  2. Symphony No.3 'Organ' (Finale)
  3. But Things In Handel's Day Were Very Different.
  4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
  5. The Organ Is Difficult To Classify.
  6. An Unexpected, Organ-related Guest
  7. Concerto Pour Zampogna (Last Mvt)
  8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
  9. Les Miserables (Drink With Me)
  10. Outside Artefacts And The Power Of Association
  11. Mahler's Sleighbells
  12. Symphony No.4 (Opening)
  13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
  14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
  15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
  16. Don Quixote (Variation VIII)
  17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
  18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
  19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
  20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
  21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
  22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
  23. The Sitar Of India/Evening Raga: Bhapoli
  24. The Accordion For France (Especially Paris)/Paris Canaille
  25. The Zither For Vienna/The Third Man (Theme)
  26. The Cimbalom For Hungary/Folk Dances
  27. The Guitar As An Integral Part Of The Orchestra/Rondena
  28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
  29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  30. Nocturnes
  31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
  32. The Carnival Of The Animals (The Cuckoo)
  33. The Flute As An All-purpose Aviary
  34. The Carnival Of The Animals (The Aviary)
  35. The Oboe As Duck
  36. Peter And The Wolf (The Duck)
  37. The Recording Of Reality. Does It Work As Well?
  38. The Pines Of Rome (The Pines Of The Janiculum)
  39. The Recording Of Reality Electronically Reborn In New Guises
  40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
  41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
  42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
  43. Some Improbable Casting: The Violin As Braying Donkey
  44. The Carnival Of The Animals (Persons With Long Ears)
  45. A Truly Orchestral Hee-haw To Be Reckoned With
  46. Overture To 'A Midsummer Night's Dream'
  47. A Thunderstorm In A Million
  48. Symphony No.6 'Pastoral (Allegro-Allegretto)
  49. the Instrumental Depiction Of A Silent World
  50. The Carnival Of The Animals (The Aquarium)
  51. Saint-Saens' Menagerie Takes A Curtain Call.
  52. The Carnival Of The Animals (Finale)

Tracks:

  1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
  2. Forty-Four Duos (No.4)
  3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
  4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
  5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
  6. String Trio In B Flat (Menuetto)
  7. The String Quartet: Two Violins, Viola, And Cello
  8. String Quartet In F, Op.18 No.1 (Mvt 3)
  9. The String Quintet - When The Extra Instrument Is A Second Viola
  10. String Quartet No.5 In D, K.593 (Adagio)
  11. The String Quintet - When The Extra Instrument Is A Second Cello
  12. String Quintet In C (Mvt 3)
  13. The String Sextet: Two Violins, Two Violas, And Two Cellos
  14. String Sextet In B Flat (Mvt 2)
  15. The String Octet: The Standard String Quaret Times Two
  16. Octet In E Flat, Op.20 (Mvt 1)
  17. Double The String Octet: A Fully Fledged String Orchestra
  18. String Symphony No.2 (Finale)
  19. The Massed Strings Of A Symphony Orchestra
  20. Fantasia On A Theme Of Thomas Tallis
  21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
  22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
  23. In The First Variation It's The Horn That Gets The Lion's Share.
  24. Wind Quintet In A Minor, Variation 1
  25. In Variation Two The Torch Is Handed To The Bassoon.
  26. Wind Quintet In A Minor, Variation 2
  27. In Variation Three The Oboe Leads.
  28. Wind Quintet In A Minor, Variation 3
  29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
  30. Wind Quintet In A Minor, Variation 4
  31. And Variation Five is Dominated By The Clarinet.
  32. Wind Quintet In A Minor, Variation 5
  33. The Next To Be Featured Is The Virtuoso Flute.
  34. Wind Quintet In A Minor, Variation 6
  35. Individual Farewells And A Closing Chorus
  36. Wind Quintet In A Minor, Variation 7
  37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
  38. Octet In F (Mvt 3)
  39. The Early Classical Symphony Orchestra Of Haydn And Mozart
  40. Symphony No.29 In A, K.201 (Finale)
  41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
  42. Canzon 28
  43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
  44. Symphony No.5 (Finale)
  45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
  46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
  47. Symphoy No.6 'Tragic' (Mvt 1)
  48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
  49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
  50. When Large Doesn't Necessarily Mean Loud: Debussy
  51. Images (Gigues)
  52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
  53. Turangalila Symphony (Chant D'amour 1)
  54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
  55. Balle De Xerxes (Gavotte En Rondeau)
  56. Computer And Synthesiser: Friends Or Foes?
  57. Concerto In D Minor For Two Violins (Largo)
  58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

5 out of 5 stars Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

5 out of 5 stars Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

5 out of 5 stars Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

3 out of 5 stars Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

5 out of 5 stars Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
A to Z of Classical Music
Average customer rating: 4.5 out of 5 stars
  • LETTER PERFECT CLASS(ICAL) ACT!
  • Great Tracks -- Great Value -- Great Book, Who Can Complain?
  • At this price, how can one complain?
 A to Z of Classical Music

Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

BalletsBallets | Ballets & Dances | Classical | Styles | Music
DancesDances | Ballets & Dances | Classical | Styles | Music
WaltzesWaltzes | Ballets & Dances | Classical | Styles | Music
QuartetsQuartets | Chamber Music | Classical | Styles | Music
GeneralGeneral | Chamber Music | Classical | Styles | Music
All Works by J.S. BachAll Works by J.S. Bach | Bach, Johann Sebastian | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by BeethovenAll Works by Beethoven | Beethoven, Ludwig van | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by BerliozAll Works by Berlioz | Berlioz, Hector | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by BrahmsAll Works by Brahms | Brahms, Johannes | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by BrittenAll Works by Britten | Britten, Sir Benjamin | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
Byrd, WilliamByrd, William | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by ChopinAll Works by Chopin | Chopin, Frédéric | ( C ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by CorelliAll Works by Corelli | Corelli, Arcangelo | ( C ) | Featured Composers, A-Z | Classical | Styles | Music
GeneralGeneral | Couperin, François | ( C ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by DittersdorfAll Works by Dittersdorf | Dittersdorf, Karl Ditters | ( D ) | Featured Composers, A-Z | Classical | Styles | Music
GeneralGeneral | Dvorák, Antonín | ( D ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by DebussyAll Works by Debussy | Debussy, Claude | ( D ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by ElgarAll Works by Elgar | Elgar, Sir Edward | ( E ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by HandelAll Works by Handel | Handel, George Frideric | ( H ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by Franz Joseph HaydnAll Works by Franz Joseph Haydn | Haydn, Franz Joseph | ( H ) | Featured Composers, A-Z | Classical | Styles | Music
Hildegard of BingenHildegard of Bingen | ( H ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by Wolfgang Amadeus MozartAll Works by Wolfgang Amadeus Mozart | Mozart, Wolfgang Amadeus | ( M ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by MendelssohnAll Works by Mendelssohn | Mendelssohn, Felix | ( M ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by OrffAll Works by Orff | Orff, Carl | ( O ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by PachelbelAll Works by Pachelbel | Pachelbel, Johann | ( P ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by RespighiAll Works by Respighi | Respighi, Ottorino | ( R ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by RossiniAll Works by Rossini | Rossini, Gioacchino | ( R ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by RachmaninovAll Works by Rachmaninov | Rachmaninov, Sergei | ( R ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by SchubertAll Works by Schubert | Schubert, Franz | ( S ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by Robert SchumannAll Works by Robert Schumann | Schumann, Robert | ( S ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by StraussAll Works by Strauss | Strauss, Richard | ( S ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by StravinskyAll Works by Stravinsky | Stravinsky, Igor | ( S ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by TchaikovskyAll Works by Tchaikovsky | Tchaikovsky, Peter Ilyich | ( T ) | Featured Composers, A-Z | Classical | Styles | Music
Telemann, Georg PhilippTelemann, Georg Philipp | ( T ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by VerdiAll Works by Verdi | Verdi, Giuseppe | ( V ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by VivaldiAll Works by Vivaldi | Vivaldi, Antonio | ( V ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by WagnerAll Works by Wagner | Wagner, Richard | ( W ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by WeberAll Works by Weber | Weber, Carl Maria von | ( W ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by GlassAll Works by Glass | Glass, Philip | ( G ) | Featured Composers, A-Z | Classical | Styles | Music
Concerto GrossiConcerto Grossi | Concertos | Forms & Genres | Classical | Styles | Music
GeneralGeneral | Concertos | Forms & Genres | Classical | Styles | Music
PreludesPreludes | Forms & Genres | Classical | Styles | Music
DivertimentosDivertimentos | Serenades & Divertimentos | Forms & Genres | Classical | Styles | Music
SonatinasSonatinas | Sonatas | Forms & Genres | Classical | Styles | Music
SuitesSuites | Forms & Genres | Classical | Styles | Music
ClassicalClassical | Symphonies | Forms & Genres | Classical | Styles | Music
RomanticRomantic | Symphonies | Forms & Genres | Classical | Styles | Music
Incidental MusicIncidental Music | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music
Tone PoemsTone Poems | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music
GeneralGeneral | Telemann, Georg Philipp | Composers | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music
GeneralGeneral | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music
Vocal & SongVocal & Song | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music
Chamber MusicChamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music
GeneralGeneral | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music
Vocal & SongVocal & Song | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music | Cantatas | Romances
GeneralGeneral | Early Music | Historical Periods | Classical | Styles | Music
Sacred & ReligiousSacred & Religious | Early Music | Historical Periods | Classical | Styles | Music | Requiems
Vocal & SongVocal & Song | Early Music | Historical Periods | Classical | Styles | Music | Requiems
SymphoniesSymphonies | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
General ModernGeneral Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
Sacred & ReligiousSacred & Religious | Renaissance (c.1450-1600) | Historical Periods | Classical | Styles | Music
Ballets & DancesBallets & Dances | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music
Chamber MusicChamber Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music
Theatrical, Incidental & Program MusicTheatrical, Incidental & Program Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music
Vocal & SongVocal & Song | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music
TrumpetTrumpet | Brass | Instruments | Classical | Styles | Music
GeneralGeneral | Keyboard | Instruments | Classical | Styles | Music
ClarinetClarinet | Reeds & Winds | Instruments | Classical | Styles | Music
ViolinViolin | Strings | Instruments | Classical | Styles | Music
GeneralGeneral | Symphonies | Classical | Styles | Music
Modern & 20th CenturyModern & 20th Century | Symphonies | Classical | Styles | Music
GeneralGeneral | Classical | Styles | Music
CompilationsCompilations | Classical | Styles | Music
GeneralGeneral | Opera & Vocal | Styles | Music
Baroque (c.1600-1750)Baroque (c.1600-1750) | Historical Periods | Opera & Vocal | Styles | Music
Classical (c.1770-1830)Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music | Cantatas | Romances
Romantic (c.1820-1910)Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music
Renaissance (c.1450-1600)Renaissance (c.1450-1600) | Historical Periods | Opera & Vocal | Styles | Music
GermanGerman | Languages | Opera & Vocal | Styles | Music
ItalianItalian | Languages | Opera & Vocal | Styles | Music
OratoriosOratorios | Opera & Vocal | Styles | Music
CantatasCantatas | Vocal Non-Opera | Opera & Vocal | Styles | Music
ChantsChants | Vocal Non-Opera | Opera & Vocal | Styles | Music
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GeneralGeneral | Instructional | Miscellaneous | Styles | Music
$9.99 and Under$9.99 and Under | Classical Music Blowout | Stores | Music
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Bach, Johann SebastianBach, Johann Sebastian | ( B ) | Composers, A-Z | Classical Music Blowout | Stores | Music
Beethoven, Ludwig vanBeethoven, Ludwig van | ( B ) | Composers, A-Z | Classical Music Blowout | Stores | Music
Berlioz, HectorBerlioz, Hector | ( B ) | Composers, A-Z | Classical Music Blowout | Stores | Music
Brahms, JohannesBrahms, Johannes | ( B ) | Composers, A-Z | Classical Music Blowout | Stores | Music
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Dvorák, AntonínDvorák, Antonín | ( D ) | Composers, A-Z | Classical Music Blowout | Stores | Music
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ASIN: B00004YYRT
Release Date: 2000-10-17

Tracks:

  1. De Profundis - Nova Schola Gregoriana
  2. Alleluia - O Virga Mediatrix - Oxford Camerata
  3. Gloria - Oxford Camerata
  4. Pavane - Red Byrd
  5. Canon - Capella Istropolitana
  6. Vivace - Grave - Capella Istropolitana
  7. Prelude - Laurence Cummings
  8. Allegro - Takako Nishizaki
  9. Adagio - Miroslav Kejmar
  10. Air On The G String - Capella Istropolitana
  11. Hallelujah Chorus - Scholars Baroque Ensemble
  12. Menuetto: Allegretto - Capella Istropolitana
  13. Andante - Failoni Orchestra
  14. Allegro - Capella Istropolitana
  15. Adagio - Jeno Jando
  16. Andante - Ernst Ottensamer
  17. Quis Est Homo - Hungarian State Opera Chorus

Tracks:

  1. Ave Maria - Ingrid Kertesi
  2. Un Bal - Pinchas Steinberg
  3. Wedding March - Slovak Philharmonic Orchestra
  4. Minute Waltz - Idil Biret
  5. Larghetto - Alexander Rahbari
  6. Ride Of The Valkyries - Uwe Mund
  7. Prelude - Alexander Rahbari
  8. Hungarian Dance No.3 - Budapest Symphony
  9. Scene - Ondrej Lenard
  10. Slavonic Dance No.1 - Balazs Szokolay
  11. Nimrod - Bournemouth Symphony Orchestra
  12. Clair De Lune - Keith Clark
  13. Also Sprach Zarathustra (Opening) - Slovak Philharmonic Orchestra
  14. Prelude In C Sharp Minor - Idil Biret
  15. Fountain Of The Villa Medici At Sunset - Royal Philharmonic Orchestra
  16. Overture - Bournemouth Sinfonietta
  17. O Fortuna - Slovak Philharmonic Chorus
  18. Playful Pizzicato - Bournemouth Sinfonietta
  19. Violin Concerto - Adele Anthony

Amazon.com

Is it a two-CD set with a particularly thick booklet, or a 562-page book with a compilation album attached? Either way, the unpretentious text by Keith Anderson offers an introduction to the lives and works of dozens of composers, together with recommended recordings from the Naxos and Marco Polo catalogs. Anderson includes a useful 59-page glossary of musical terms and an extensive listing of classical pieces used in films. The odd thing about the 36 extracts and complete pieces on the CDs is that they do not form an A-to-Z at all. Rather, they are arranged chronologically, from 1,000-year-old Gregorian chant to the opening movement of contemporary composer Philip Glass's Violin Concerto. Between these two points is the early music of Palestrina and Byrd; the Baroque glories of Vivaldi and Bach; the 19th-century Romantic masters, from Beethoven to Tchaikovsky; and such 20th-century greats as Rachmaninov and Stravinsky. Opera, song, and chamber music are barely represented, but only so much can fit into 151 minutes. Essentially a deluxe sampler of the vast Naxos catalogue, the discs offer a good introduction to some of the most famous and melodic music ever composed, while the book will be very useful to newcomers to the potentially confusing world of classical music. --Gary S. Dalkin

Album Description

A-Z of Classical Music is a remarkable 562-page, illustrated bok, detailing the lives of all the great composers as well as many less known, but equally fascinating, musical masters. Like the Naxos range of recording itself, A-Z of Classical Music is a rich source of inspiration for anyone either just embarking on a lifetime of musical enjoyment or for whom classical music has long been a way of life. Included within is an extensive glossary of musical terms plus a unique guide to classical music used in acclaimed films. Two-and-a-half hours of the finest music from across the centuries are contained in the accompanying CDs.

Customer Reviews:

4 out of 5 stars LETTER PERFECT CLASS(ICAL) ACT!.......2003-01-19

It's only natural we sometimes hit the high seas....make that Cs. This is one box set about which we sing praises. This set features more than two hours of the finest music from across the centuries by such composers as Schubert, Chopin, Mozart, Handel, Stravinsky and Glass. The set also comes with a 562-page illustrated book, detailing the lives of hundreds of composers, a
glossary of musical terms and a unique guide to the classical music used in 360 top films.

5 out of 5 stars Great Tracks -- Great Value -- Great Book, Who Can Complain?.......2002-08-30

Naxos is a fabulous label -- you will not get samples of the best classical music through the ages at no better price. These tracks are as good as any of the over-priced major orchestras and in some cases better. This is a great starter set for a beginner or anyone who just wants to "taste" the classics. If you prefer Opera I would suggest the A to Z of Opera -- most of the tracks on A to Z Classical are orchestral. I was so impressed with this collection that I purchased the Discover the Classics Vol's 1-3 which will give you a more detailed look at the great classics. Take a look at the Naxos web site at NAXOSUSA.COM -- what you will see will blow your mind -- there are literally thousands of pieces that you could listen too!

4 out of 5 stars At this price, how can one complain?.......2001-09-30

This is pretty much a CD version of a mini-Naxos and Marco Polo catalog. All the pieces and extracts are ordered chronologically on the 2 CDs and are of very acceptable quality, but don't expect excellence in every track. Personally, I was particularly disappointed with one of my favourite Pachelbel pieces. The Naxos Canon & Gigue lacks all the emotion of my favourite versions.

Still, any possible weaker performances are of little importance after you get your hands on the fat booklet with over 500 pages. The booklet offers a short intro about the great composers, a glossary of musical terms, a list of works used in films and dozens of illustrations of several composers.

Overall, at this price, this is a must-have pack for any beginner, and might be useful for the occasion "quick check" of the work of many composers. Do not expect many detail, nor references to all the works of some composers; I often got frustrated with the lack of detail in some cases, but in general, the booklet is very effective for a quick reference.
You will need more titles that offer more complete information, and you won't truly learn to love classical music just by reading it, but it is small and compact.

It really puzzles me why Naxos did not include a full index of composers, a serious omission. To find a particular composer you will have to look for it yourself in over 500 pages. Also, the separation of the text is not so good, making the search even a bit slower. The lack of the index is truly annoying and I am sure it will be corrected in future editions.

Even with a few weaker pieces and the lack of the index, at this price, there isn't much to argue about. This is truly a bargain that you should not miss. I would also recommend the A-Z of Opera, which offers a bigger booklet with over 700 pages, focusing on opera works and mentioning several composers that are absent from the A-Z of Classical. That other booklet has a very complete index, and much clearer text layout and separation, that's the way both booklets should have been designed.

The two sets complement each other very well. Highly recommended.
Live at the Cellar Door
Average customer rating: 5 out of 5 stars
  • Bluegrass As It's Meant To Be Heard...Live!
  • Classic Seldom Scene
  • Good 'grass with a little acid
  • Best of the Best
  • Best SS I've heard
 Live at the Cellar Door
The Seldom Scene
Manufacturer: Rebel Records
ProductGroup: Music
Binding: Audio CD

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  1. Old Train
  2. Best of Seldom Scene
  3. Scene 20: 20th Anniversary Concert
  4. Act Two
  5. Act 1

ASIN: B00000023A
Release Date: 1992-12-16

Tracks:

  1. Doing My Time
  2. California Cottonfields
  3. Band Intros
  4. Panhandle Country
  5. Muddy Waters
  6. Rawhide
  7. Baby Blue
  8. City Of New Orleans
  9. Grandfather's Clock
  10. The Fields Have Turned Brown
  11. Hit Parade Of Love
  12. Will The Circle Be Unbroken
  13. Pick Away
  14. Dark Hollow
  15. Small Exception Of Me
  16. If I Were A Carpenter
  17. Old Gray Bonnet
  18. C & O Canal
  19. Georgia Rose
  20. Colorado Turnaround
  21. He Rode All The Way To Texas
  22. White Line - Seldom Scene
  23. Rider - Seldom Scene

Customer Reviews:

5 out of 5 stars Bluegrass As It's Meant To Be Heard...Live!.......2007-06-03

Studio recordings never have the same energy as a live recording. So after four stellar albums, The Seldom Scene recorded their shows at the Cellar Door Dec. 27 and 28, before an appreciative hometown audience. The result is one of the finest albums of their storied career.

The band could have simply cherry picked highlights from their first four albums. Instead, over the course of 22 tracks and more than an hour of music, the audience is treated to no less than 18 songs previously not recorded by one of the best bluegrass bands of all time.

For the most part, the band keeps things fairly traditional--at least by Seldom Scene standards. The set opens with the classic "Doing My Time" and continues with songs by Bill Monroe (three in all), Carter Stanley, and Jimmie Martin. And while there is a hint of parody in their version of Martin's "Hit Parade of Love," it's obvious the sendup is done with affection for the material. Also, there are no fewer than four instrumentals--five, if you count the mostly instrumental "Panhandle Country." Especially enjoyable is hearing basist Tom Gray in the spotlight on "Grandfather's Clock."

The Seldom Scene, however, do not entirely abandon their progressive ways. [Listen to the end of "Panhandle Country" when one of the band members mutters "Look out, New Grass Revival."] They cover Bob Dylan's "Baby Blue." John Duffey takes the lead vocal on Tim Hardin's "If I Were a Carpenter." And they expand "Rider" (from ACT 3) to nearly seven minutes. All told, this is a welcome addition to the Seldome Scene catalog and one of the most influential bands in bluegrass. [Running Time - 66:53] VERY HIGHLY RECOMMENDED

5 out of 5 stars Classic Seldom Scene.......2002-01-15

One of their best. Traditional bluegrass with modern influences at its finest. Grateful Dead fans will absolutely love the version of Rider. This is from the original lineup of the 'Scene, with John Starling on vocals and guitar and Tom Gray on Bass.

5 out of 5 stars Good 'grass with a little acid.......2001-11-22

If you can accept urbanized bluegrass this is the ultimate CD. It's a long way from here to Ralph Stanley but the Seldom Scene impress with the quality of their music. This is a live album, but exceptionally well-recorded (especially since it was made about 1975). Every jack-hammer note of the banjo and painfully high pic of the mandolin comes through sharp, crisp, and clean. Although some may disagree, I enjoy the inane banter of the band and their weak attempts at humor. The SS even poke a little fun at the dead-serious bluegrass traditionalists.
The music is outstanding, especially the opening and closing numbers. The SS clown their way through "Doing my Time" but the harmonies and the instumental solos are of near unbeleivable qualtiy. And "Rider" a version of a Dead song, belongs among bluegrass's all time hits. Bob Dylan's "It's all over now, Baby Blue" is another standout. I guess I like the SS best when they're doing a 'grass version of a un-grass song.
One of the things I like is the exotic -- non country --sounds the SS sometimes get out of their instruments. Some of the notes they hit would be appropriate as back up music for "Star Wars" or a yoga class. You don't have to like country music or bluegrass to enjoy the Seldom Scene. They are quality musicians by the most exacting standards.

5 out of 5 stars Best of the Best.......2001-07-13

I own every Seldom Scene album that is in current release. I love all of them, but this one without any doubt is my favorite. I particularly enjoy the original lineup with John Duffey and John Starling providing most of the lead vocals. The live club recording is a refreshing departure from the standard studio recording. The vocal and instrumental range on this album is awesome. If you are interested in either Bluegrass or the Seldom Scene, buy this album. You won't be disappointed.

5 out of 5 stars Best SS I've heard.......2000-07-17

The feel of this album is unquestionably that of a live show by a band in its hayday. I spent some time getting frustrated because the group stopped to have fun in the middle of their brilliant jams, but I got over it. The music is so pure and tight that the live forum is obviously their only outlet for goofing off.

I have just about worn out the CD. Muddy Water, Fields have Turned Brown- they are as tight as seams on a submarine. Their Rider is the only version that compares to and exceeds the Dead. I own 4 of their albums. If I had to pick one, this would be it
Act Two
Average customer rating: 5 out of 5 stars
  • Excellent Sophomore Effort
  • Great Newgrass Album
  • Second Is Best
  • Too Seldom Seen and Heard
  • No Offense to the Weavers, But "Wasn't That A Time"
 Act Two
The Seldom Scene
Manufacturer: Rebel Records
ProductGroup: Music
Binding: Audio CD

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  1. Act 1
  2. Act 3
  3. Old Train
  4. Act Four
  5. Live at the Cellar Door

ASIN: B000008QST
Release Date: 1995-12-12

Tracks:

  1. Last Train From Poor Valley
  2. Gardens And Memories
  3. Paradise
  4. Small Exception Of Me
  5. Train Leaves Here This Morning
  6. Keep Me From Blowin' Away
  7. Hello Marry Lou
  8. Lara's Theme
  9. I've Lost You
  10. The Sweetest Gift
  11. Reason For Being
  12. Smokin' Hickory
  13. House Of Gold

Customer Reviews:

5 out of 5 stars Excellent Sophomore Effort.......2007-06-03

Following the success of their 1972 debut, The Seldom Scene did little to alter the formula on their follow-up the next year. There were traditional numbers like the poignant "Small Exception of Me" and Hank Williams' "House of Gold." And like the previous album, there were more contemporary numbers like a hopped-up version of the Ricky Nelson hit "Hello Mary Lou," a cover of John Prine's "Paradise," and a gorgeous version of Gene Clark and Bernie Leadon's "Train Leaves Here This Mornin'"--the song first appeared on 1968's THE FANTASTIC EXPEDITION OF DILLARD & CLARK.

What DOES set this album apart from ACT 1 is the emergence of the band members as songwriters. Guitarist John Starling penned the lovely "Gardens and Memories," mandolinist John Duffey wrote the melancholy "Reason for Being," and banjoist Ben Eldridge wrote the rollicking instrumental "Smokin' Hickory."

The original lineup of the Seldom Scene couldn't make a bad record and this is one of their best. [Running Time - 34:31] VERY HIGHLY RECOMMENDED

4 out of 5 stars Great Newgrass Album.......2004-05-07

This would be worth the money just for the first cut, Last Train from Poor Valley, a great Norman Blake song. The harmonies on that song are so beautiful you'll think you're in heaven. Lots of other great stuff too, such as Paradise, and Small Exception of Me. And Hello, Mary Lou sounds great in a bluegrass context.

This is a great cd to introduce someone to bluegrass/newgrass. Also recommended is Live at the Cellar Door.

5 out of 5 stars Second Is Best.......2004-03-05

I grew up in the Washington DC area and spent many Thursdays seeing the Seldom Scene at the old Birchmere in the late 1980s and early 90s. I have most of their recordings and this one is my favorite. John Duffey's lead singing on "Small Exception of Me" is fabulous, so is the Scene's treatment of Hank Williams' "House of Gold." Duffey's voice blended so well with Auldridge and Starling, and thanks to his georgeous high tenor singing, I would argue that that this album has the definitive versions of Norman Blake's "Last Train From Poor Valley," Gene Clark's Train Leaves Here This Morning," and John Prine's "Paradise." And that's no small statement since I love Blake, Clark, and Prine. I really miss John Duffey and I'm glad I will always have his music.

5 out of 5 stars Too Seldom Seen and Heard.......2000-02-26

If you like classic songs, beautiful harmony, masterful musicians, intelligent production, you'll want to own Seldom Scene's ACT II.

This CD and each of the thirteen songs I rate 5 stars each. Each song is poignant and profound, as sung by Starling, Duffy, and company. When you've heard any of them by these fine musicians/singers, you've heard the definitive version of the song. Duffy's tenor will pierce your heart and Starling's voice can sing any song better than anyone. That dobro and mandolin are signature Seldom Scene. And the songs: "The Sweetest Gift" always brings me to tears; "Reason for Being" is the best statement of love I know; "Gardens and Memories," "Keep Me From Blowin' Away," "Small Exception of Me," and "Train Leaves Here This Morning" will touch the soul of anyone who has lived and loved and lost; "House of Gold" speaks of values convincingly. I could go on and on, but words can't convey the experience of the music.

If you hear ACT II (not on computer but on a good sound system), you'll buy it (or I wouldn't want to know you).

5 out of 5 stars No Offense to the Weavers, But "Wasn't That A Time".......2000-02-22

I was working in Washington D.C. in the summer of 1974. During the previous fall, which was the first semester of my junior year in college, I had been "seduced" by the sounds of the Stanley Brothers. A guy at UNC had played RANK STRANGER for me and I was hooked. (Gillian Welch ain't the only English major in history who freaked over the Stanleys). Immediately after that experience, I went to the local Roses Dept. Store and bought THE STANLEY SOUND AROUND THE WORLD by Ralph and the Clinch Mtn. Boys. I paid the full price for this one which was about $4.99 at the time. I also bought THE ANGELS ARE SINGING by the Stanley Bros., a Flatt & Scrugss, and a Jim and Jesse for $0.99 each.

Prior to this introduction to the "true" sounds of American Folk, I had been a big fan of Bob Dylan, James Taylor, The Burritos, and The Eagles. Somehow, bluegrass seemed to fit right in. During this short term employment in DC, I had the opportunity to listen to legendary Alexandria, Va. disc jockey, Red Shipley. I believe that it was on a Saturday morning that I first heard the Seldom Scene do TRAIN LEAVES HERE THIS MORNING. It knocked me out. I was very familiar with the Eagles version and somewhat less familiar with the Dillard and Clark version, but I loved them all.

I began desperately to find out who this "Seldom Scene" was. Lo and behold, they were from right there in the Washington area and played at a place called the Red Fox Inn on Thursday nights. I had a chance to see them and was immediately hooked. The first album that I bought was ACT II. I took it back to North Carolina and became a Johnny Appleseed of sorts. I converted several people to blugrass with this record. The very first weekend that I returned to N.C., I hitchhiked to Chapel Hill with my duffle bag and ACT II in hand.

This original version of the SS is the best in my opinion. Eldridge, Duffy, Gray, Auldridge and Starling (still the favorite singer of my wife although I will, on occasion, argue in behalf of Otis Redding.) had everything. The voices, the harmonies, the chops, the songs, they covered the gauntlet of acoustic artistry. Subsequent versions of the band were great and I bought records as they were produced, but they never quite got to that pinnacle established by these guys.

26 years later this album (now CD) continues to excite me. LAST TRAIN FROM POOR VALLEY, SMALL EXCEPTION OF ME, PARADISE, every song is great. Many people in my circle of music listener friends, prefer the more traditional sounds in both instrumentation as well as vocals. Sorry guys, this is the best bluegrass record ever made. If you're just getting interested in this kind of music, invest in this CD. If you're disappointed, send me a bill.
Act 3
Average customer rating: 5 out of 5 stars
  • The Seldom Scene Repeat Their Formula for Success
  • Great bluegrass
 Act 3
The Seldom Scene
Manufacturer: Rebel Records
ProductGroup: Music
Binding: Audio CD

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  1. Act Two
  2. Act 1
  3. Act Four
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ASIN: B000000246
Release Date: 1994-08-25

Tracks:

  1. Chim-Chim-Cher-Ee
  2. Little Georgia Rose
  3. Another Lonesome Day
  4. Willie Boy
  5. Faded Love
  6. Rider
  7. Muddy Water
  8. Mean Mother Blues
  9. Sing Me Back Home
  10. Hail To The Redskins
  11. Don't Bother With White Satin
  12. Heaven

Customer Reviews:

5 out of 5 stars The Seldom Scene Repeat Their Formula for Success.......2007-06-03

The Seldom Scene returned to the studio on July 15 and 21, 1973, to record their third album in less than two years. The attitude in the studio must have been don't mess with a successful formula. Like the two previous albums, this is a mixture of traditional and contemporary. They cover the Bill Monroe number "Little Georgia Rose," a loving version of Merle Haggard's "Sing Me Back Home," and a stellar version of the Bob Wills instrumental "Faded Love."

The album opens with a short (less than a minute and a half) version of "Chim-Chim-Cher-Ee" that features only John Duffey on lead guitar, Mike Auldrige on Dobro, and Tom Gray on bass. They also perform two new songs by Phil Rosenthal, "Willie Boy" and "Muddy Water." [Rosenthal would later replace guitarist John Starling when Starling returned to his medical practice in 1977.] They also perform a group arrangement of "Rider," a song that had long been a staple in the Grateful Dead's live shows. And with a playing time of 5:23, it is by far the longest track on the album. "Rider" is also notable for the use of outside musicians for the first time on a Seldom Scene recording. Ricky Skaggs plays fiddle, and he also plays fiddle and viola on "Sing Me Back Home." Another guest musician is guitarist Clayton Hambrick who plays lead on the Starling original "Mean Mother Blues."

In addition to each member being a master of his instrument, another component to the band's success is their tight three-part harmonies. If you are looking for an excellent introduction to the Seldom Scene, any of their first three albums is a great way to start. [Running Time - 33:25] VERY HIGHLY RECOMMENDED

5 out of 5 stars Great bluegrass.......2000-07-04

Seldom Scene is the premier bluegrass group. Their craftmanship is almost on another planet. This album/CD turned me on to bluegrass music. Little Georgia Rose and Another Lonesome Day are great tunes played by great musicans. 'Dead fans will like Seldom Scene's version of Rider. Overall a great CD.
Scene 20: 20th Anniversary Concert
Average customer rating: 5 out of 5 stars
  • The Seldom Scene -- A national, as well as a Wasington-Md-Va-WVA-PA area treasure
  • A Classic
 Scene 20: 20th Anniversary Concert
The Seldom Scene
Manufacturer: Sugarhill [Country]
ProductGroup: Music
Binding: Audio CD

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ASIN: B000000EYJ
Release Date: 1993-03-16

Tracks:

  1. Intro - Gary Oelze
  2. I Haven't Got The Right To Love You
  3. Gardens and Memories
  4. House Of Gold
  5. Pictures From Life's Other Side
  6. Satan's Jeweled Crown
  7. Will You Be Ready To Go Home
  8. Mean Mother Blues
  9. Were You There When They Crucified My Lord
  10. The Weary Pilgrim
  11. Leavin' Harlan
  12. Take Him In
  13. Stompin' At The Savoy
  14. Something In The Wind
  15. Muddy Water
  16. Open Up The Window, Noah

Tracks:

  1. Breaking New Ground
  2. Old Train
  3. Wait A Minute
  4. Blue Ridge Cabin Home
  5. Gypsy Moon
  6. Walk Through This World With Me
  7. In The Pines
  8. And On Bass
  9. Another Lonesome Day
  10. Have Mercy On My Soul
  11. House Of The Rising Sun/Walk Don't Run
  12. In The Midnight Hour

Customer Reviews:

5 out of 5 stars The Seldom Scene -- A national, as well as a Wasington-Md-Va-WVA-PA area treasure.......2007-03-29

I was lucky enough to attend this concert and I will never forget it. The musicianship was inspiring. One of the most illuminating things about the concert was the incrediblygenerous and giving quality projected by Linda Ronstadt. She has a superb voice, as everyone knows, but she also pitched in so gamely on songs she had not expected to sing. It was a great gift to the audience, and a fitting tribute to the Seldom Scene.

5 out of 5 stars A Classic.......2005-04-17

I love this CD set. It is every bit as good as their 15th anniversary set. These guys are a national treasure. My favourites are Satan's jewelled crown and Pictures from life's other side. Usually live recordings are a bit of a flop with me. These guys do great live recordings.I love John Starling in particular,but they are all great players and/or singers. Fantastic music. This is a labour of love. These guys would sing and play for their supper
Old Train
Average customer rating: 5 out of 5 stars
  • Eleven Amazing Songs And One Classic
  • Possibly the best Seldom Scene album...
  • Mother's Milk to me...
  • Fireflies, honey sweet humid nights, and bluegrass
  • The old group is the best of the best.
 Old Train
The Seldom Scene
Manufacturer: Rebel Records
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Country | Styles | Music
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  1. Live at the Cellar Door
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  4. Act 3
  5. Best of Seldom Scene

ASIN: B000000248
Release Date: 1994-08-25

Tracks:

  1. Appalachian Rain
  2. Wait A Minute
  3. Different Roads
  4. Old Train
  5. Through The Bottom Of The Glass
  6. Old Crossroads
  7. Pan American
  8. Working On A Building
  9. Walk Through This World With Me
  10. Maybe You Will Change Your Mind
  11. Traveling On And On
  12. C And O Canal

Customer Reviews:

5 out of 5 stars Eleven Amazing Songs And One Classic.......2007-06-03

This is the Seldom Scene's fourth album in two years, and it's everything you come to expect from this gifted Washington, D.C.-based band. First rate musicianship, tight harmonies and excellent song selection (including a couple of John Starling originals: "Different Roads" and "C & O Canal"). This album so closely folows the pattern set by their first three albums, it's surprising they didn't simply entitle it ACT FOUR.

This is a multi-faceted bluegrass band. They can be traditional. Just listen to John Duffey's high lonesome vocals on the old standard "Working on a Building" and the gospel number "Traveling On And On." But they can be progressive, too. The first five tracks feature guest guitarist/songwriter Paul Craft. You may not recognize the name, but he's written hundreds of songs, including "Midnight Flyer" (covered by the Egles), "Take Another Swing at Me" (covered by Randy Travis), and "Teardrops Will Kiss the Morning Dew" (by Alison Krauss). On this album, Craft wrote the instrumental "Appalachian Rain" and "Through the Bottom of a Glass," arguably the finest song recorded by the Seldom Scene, with a stellar vocal by John Starling backed by Linda Ronstadt and John Duffey, punctuated by Mike Auldridge's always tasty Dobro playing. Ricky Skaggs also shows up on three tracks playing either fiddle or viola.

I can think of no other bluegrass band whose first four albums were of such uniform excellence. If you are looking for a solid introduction to the Seldom Scene, you can't go wrong with any of them. However, I give the nod to this album simply for the inclusion of "Through the Bottom of a Glass." [Running Time - 32:30] VERY HIGHLY RECOMMENDED

5 out of 5 stars Possibly the best Seldom Scene album..........2006-04-20

This album was part of my collection since many years now, as I own both the original LP and the CD. This album is a TREASURE GEM in bluegrass music, and especially in the Seldoms music. It features the original band, wich was possibly the best formation EVER.
Artist are the late great John Duffey on mandolin and tenor-lead vocal, John Starling on guitar and vocal, Mike Auldridge on dobro and baritone vocal, Ben Eldridge on banjo (and what a banjo!) and Tom Gray on bass.
Plus there's a handful of guests: Paul Craft on lead guitar, Linda Ronstad, Bob Williams on the harmonica, and Ricky Skaggs on fiddle.
If this is your first seldom scene LP you won't be disappointed, and you'll became a Seldom Scene fan forever.

5 out of 5 stars Mother's Milk to me..........2002-04-18

My mother and dad were pickers in a bluegrass band when i was "kneehigh to a grasshopper" and my home was kerville, and glen rose, and hugo, and if you hear these names and a smile comes to your lips, you KNOW what bluegrass is about. i get an odd sense of satisfaction when i hear some kid with a tongue ring at Border's rave about the "new" nitty gritty dirt band cd... my mother had it on vinyl before i was born. we were bluegrass. and the seldom scene was my security blanket and my pillow at night, and on rare occasions, they were the boys in the next room who, with my parents, picked on into the night not caring who got to sleep. we never cared either. if you want to get in on the latest "trend" that is bluegrass, for heaven's sake do it right and cut your teeth on the seldom scene.

5 out of 5 stars Fireflies, honey sweet humid nights, and bluegrass.......1999-11-24

I first heard the Seldom Scene in an open air concert in rural West Virginia in 1973, a stone's throw from the C&O canal, and their music is never far away from me.

This was, I believe, this first album and the music never grows old -- always fresh, bright, and crisp. Unlike some of their other albums, this is an marred by the caprice of exuberant concert goers competing with the musicians.

Makes you want to sing, dance, hum, and even do house work with a smile.

I was never a "Dead Head" but I became a "Scene Head" and if you get this album you might understand why.

5 out of 5 stars The old group is the best of the best........1999-05-13

Any of the Seldom Seen discs will make any music fan get knots in their stomach, and a new and everlasting fan for life. They are top of the line. If you can wear out a C-D disc, mine will all be worn out soon.
The Art of Fritz Wunderlich
Average customer rating: 5 out of 5 stars
  • Correction
  • Fritz Wunderlich can do no wrong....
  • The Wonder of Wunderlich
  • I wish I could give this release more than 5 stars: it's terrific!!!
 The Art of Fritz Wunderlich

Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. The Magic of Wunderlich [Includes Bonus DVD]
  2. Fritz Wunderlich: Great German Tenor
  3. Schumann: Dichterliebe / Wunderlich, Giesen
  4. Schubert: Die Schöne Müllerin, 3 Lieder / Fritz Wunderlich
  5. Very Best of

ASIN: B0009PLMQW
Release Date: 2005-09-13

Tracks:

  1. Duetto And Chorus: Kommt, Eilet Und Laufet
  2. Aria: Sanfte Soll Mein Todeskummer
  3. Recitative And Chorale: O Schmerz! Hier Zittert Das Gequalte Herz
  4. Aria With Chorus: Ich Will Bei Meinem Jesu Wachen
  5. Recitative: Mein Jesus Schweigt Zu Falschen Lugen Stille
  6. Aria: Geduld!
  7. Duet: Et Misericordia
  8. Aria: Deposuit Potentes
  9. Recitative: So Stehe Denn, Du Gottergeb'ne Seele
  10. Aria: Adam Muss In Uns Verwesen
  11. Chorus: Jauchzet, Frohlocket, Auf, Preiset Die Tage
  12. Recitative: Es Begab Sich Aber Zu Der Zeit
  13. Aria: Frohe Hirten, Eilt, Ach Eilet
  14. Aria: Ich Will Nur Dir Zu Ehren Leben
  15. Recitative: Und Liess Versammeln Alle Hohenpriester
  16. Terzetto: Ach! Wann Wird Die Zeit Erscheinen
  17. Recitative: Und Gott Befahl Ihnen Im Traum-Genug, Mein Schatz Geht Nicht Von Hier
  18. Aria: Nun Mogt Ihr Stolzen Feinde Schrecken

Tracks:

  1. Overture
  2. Aria: Hier Soll Ich Dich Denn Sehen
  3. Recitative And Aria: Konstanze, Dich Wiederzusehen, Dich!/O Wie Angstlich, O Wie Feurig
  4. Aria: Wenn Der Freude Tranen Fliessen
  5. Quartet: Ach! Belmonte! Ach, Mein Leben!
  6. Aria: Ich Baue Ganz Auf Deine Starke
  7. Recitative And Aria: Welch Ein Geschick!/Wie, Du Solltest Fur Mich Sterben!
  8. Aria: Dies Bildnis Ist Bezaubernd Schon
  9. Zum Ziele Fuhrt Dich Diese Bahn
  10. Wie Stark Ist Nicht Dein Zauberton
  11. Der Welcher Wandert Diese Strasse Vol Beschwerden
  12. Tamino Mein! O Welch Ein Gluck!

Tracks:

  1. Duet: Strahlt Auf Mich Der Blitz Des Goldes - Hermann Prey
  2. Duet: Hier Nimm Den Ring Der Treue
  3. Scene And Duet: Ich Denk Ihn Lieber Mir Von Meinem Stande/Liebe Ist Seligkeit, Ist Licht Und Leben
  4. Toast: O Freunde, So Leeret In Vollen Zugen - Chor Des Bayerischen Rundfunks
  5. Duet: Ich Sah Euch Lieblich Und Engelsschon - Chor Des Bayerischen Rundfunks
  6. Duet: O, Lass Uns Fliehen Aus Diesen Mauern - Chor Des Bayerischen Rundfunks
  7. Scene And Duet: er Ist's! Carlos! Mein PRinz!/Gott, D