Evening Games [Import]

evening games [import]

Track Listings

1. Evening Games

2. Never Never

3. Rush

4. Love Is Around You

5. Why

6. Beautiful World

7. Evening Overture

8. Take It As It Is

9. I'll Gollow The Rain

10. You Know And I Know

Evening Games,Satellite,Metal Mind,Rock

Evening Games [Import]

Hairspray (Soundtrack to the Motion Picture)

Average customer rating:

Love the Broadway Cast recording? Give this a second chance...
Two Tons of Fun!
DISAPPOINTED
WEAK!
Feel Good Soundtrack to Feel Good Film

Hairspray (Soundtrack to the Motion Picture)

Manufacturer: New Line Records
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

Movie Soundtracks | Soundtracks | Styles | Music

General | Soundtracks | Styles | Music
Similar Items:

Legally Blonde (2007 Original Broadway Cast)
The Pirate Queen (2007 Original Broadway Cast)
Curtains (2007 Original Broadway Cast)
High School Musical 2
110 in the Shade (2007 Broadway Revival Cast)

ASIN: B000PUAID4
Release Date: 2007-07-10

Tracks:

"GOOD MORNING BALTIMORE" - Nikki Blonsky
"THE NICEST KIDS IN TOWN" - James Marsden
"IT TAKES TWO" - Zac Efron
"(THE LEGEND OF) MISS BALTIMORE CRABS" - Michelle Pfeiffer
"I CAN HEAR THE BELLS" - Nikki Blonsky
"LADIES' CHOICE" - Zac Efron
"THE NEW GIRL IN TOWN" - Brittany Snow
"WELCOME TO THE 60's" - Nikki Blonsky & John Travolta
"RUN AND TELL THAT" - Elijah Kelley
"BIG, BLONDE & BEAUTIFUL" - Queen Latifah
"BIG, BLONDE & BEAUTIFUL reprise" - John Travolta & Michelle Pfeiffer
"(YOU'RE) TIMELESS TO ME" - John Travolta & Christopher Walken
"I KNOW WHERE I'VE BEEN" - Queen Latifah
"WITHOUT LOVE" - Zac Efron, Nikki Blonsky, Elijah Kelley & Amanda Bynes
"(IT'S) HAIRSPRAY" - James Marsden
"YOU CAN'T STOP THE BEAT" - Nikki Blonsky, Zac Efron, Amanda Bynes,
"COME SO FAR (GOT SO FAR TO GO)" - Queen Latifah, Nikki Blonsky, Zac
"COOTIES" - Aimee Allen
"MAMA, I'M A BIG GIRL NOW" - Nikki Blonsky, Marissa Jaret Winokur & Rikki Lake

Amazon.com

What fun! This soundtrack of the film adaptation of the Broadway musical overflows with glossy, ol' fashioned '60s-style pep. It won't win any awards for innovation, but it may well be one of the most feel-good releases of the year. While not quite as super-energetic as the original Broadway cast, the new crew ain't too shabby: Nikki Blonsky delivers as Tracy Turnblad and Zac Efron (High School Musical) makes for a devoted boyfriend, and the supporting cast gleefully embraces the show's silly-but-generous spirit. John Travolta (who gets to utter the particularly ironic line "it's been years since someone asked me to dance") goes drag as Tracy's mom, Edna, while Michelle Pfeiffer's slight stiffness is appropriate for her uptight character, especially on the cha-cha "(The Legend of) Miss Baltimore Crabs." After Mama Morton in Chicago, Queen Latifah puts in another brassy turn as Motormouth Maybelle ("Big, Blonde and Beautiful," which is then reprised by Travolta and Pfeiffer). The show's authors, Marc Shaiman and Scott Wittman, have written three new numbers for the movie: the rollicking (and first single) "Ladies' Choice," "New Girl in Town" and "Come So Far." In addition, the CD also includes two tracks that aren't in the film but were in the show: "Cooties," sung by Aimee Allen, and "Mama, I'm a Big Girl Now," sung by all three Tracy Turnblads: Blonsky, Ricki Lake (from the source movie) and Marissa Jaret Winokur (from the original Broadway cast). --Elisabeth Vincentelli

Album Description

The Hairspray soundtrack will feature 17 songs from the film, including three original numbers that were created specifically for the film version of the hit Broadway musical - "Ladies' Choice," "New Girl In Town," and "Come So Far." Also featured on the soundtrack are the songs "Good Morning Baltimore," "Welcome to the `60s," "Nicest Kids In Town," and "You Can't Stop The Beat." The songs are performed by cast members John Travolta, Queen Latifah, Michelle Pfeiffer, Zac Efron, Amanda Bynes, Brittany Snow and Elijah Kelley among others.

The Hairspray soundtrack is produced by Marc Shaiman and features music by Shaiman and lyrics by Scott Wittman and Shaiman. It features tracks mixed by Ed Cherney (Rolling Stones, Bette Midler) and Peter Mokran (Pussycat Dolls, Christina Aguilera).

Sixteen years after the release of the original film, New Line Cinema is bringing a feature film adaptation of the Tony Award-winning Broadway production of Hairspray to life. Featuring new and original material based on John Waters' 1988 cult classic about star-struck teenagers on a local Baltimore dance show, the comedy features a remarkable collection of talent including John Travolta, Queen Latifah, Michelle Pfeiffer, Christopher Walken, Amanda Bynes, Allison Janney, Brittany Snow, Zac Efron, Elijah Kelley, producers Craig Zadan and Neil Meron (Chicago), and director Adam Shankman (Bringing Down The House). The new screenplay for Hairspray was written by Leslie Dixon (Freaky Friday, Outrageous Fortune).

Customer Reviews:

Love the Broadway Cast recording? Give this a second chance..........2007-07-14

When I first put in this CD and heard "Good Morning Baltimore", I was utterly disappointed. In fact, by the end of the first run-through I was almost prepared to write-off the movie. Almost.

If, like me, you're a fan of the stage production and the Broadway Cast recording, then you have to remember -- like I came to -- that this is the soundtrack to a movie (re-)adaptation.

You might, initially, be annoyed by the changes in the lyrics of certain songs, the addition of certain songs, the removal of "The Big Dollhouse", and the change in the order of songs. I still trying to get the putting of "Mama, I'm A Big Girl Now" at the end (since it was early on in the stage production)!

I think the movie is going to be great. But you can't compare the stage production and the movie directly -- it's really not fair, because they're entirely different mediums, and perhaps, more or less, aimed at different audiences (i.e., the movie is more for the masses).

You might need to listen to the CD a couple of times before you get into it. I'm on my third go-round now, and it's growing on me with every go (except for the song "Cooties"!).

Two Tons of Fun!.......2007-07-14

I thought "You Can't Stop the Beat" in the movie trailer sounded a bit lifeless but WOW! The soundtrack's ensemble sounds fantastic!
They POP! Tons of energy!
The chorus of "Beat" positively explodes at the end.

The new and augmented arrangements are dazzling also! Overall the soundtrack has much fuller sound over the original cast recording."Good Morning Baltimore" opens the cd, sounding much like "Be My Baby" with a big Phil Spector Wall of Sound...it just jumps out at'cha

Nicki Blonsky is a little less vocally demonstrative than the Broadway's Tracy, Marisa Winokur, but has a bright, appealing voice minus Winokur's more nasal quality.Michelle Pfeiffer's vocals doesn't match original cast member Linda Hart's growly belt but she has an interesting vibrato filled punch on her more sustained notes. Queen Latifah is not as dynamic or as powerful as Mary Bond Davis on the original but she sounds sassy on "Big, Blonde and Beautiful" and gives a understated performance on "I know Where I've Been". Travolta's renditions are lacking personality but he redeems himself on "Timeless to Me"

I don't know that this recording replaces the OBC (it doesn't feel quite as coherent or like a total experience) but it is very upbeat. The new songs are okay and totally fit in the style of the show. The score is reminiscent of 60s pop with lots of musical and vocal references to 60s hits (everything from "Wipe Out" to "Shout"),including an instrumental nod to "La Vie En Rose" during the charming Travolta/Walken "Timeless" duet.

My first listen gave me the same exultation and high I felt walking out of the theater after first seeing the show on Broadway!

DISAPPOINTED.......2007-07-13

Having just purchasesd and listened to the Hairspray soundtrack, I was very disappointed about how flat it all sounds? While the broadway show and the movie should be judged as two separate entities (due to casting), I enjoyed the broadway soundtrack because there was a sense of joy, enthusiasm and fun in the voices of the cast. This cast, however, only seems to be "singing" the songs, but the feeling just isnt there. While everyone is praising Queen Latifah, I found her renditions just lacking any emotion. Dont get me started on John Travolta...and Amanda Bynes? Michelle Pfeifers version is just too droll....but Zac Efron does a very good job of bringing his songs to life. If this is any indication of the movie, I might be avoiding it.

WEAK!.......2007-07-13

This is weak compared to the original broadway sdtk! I'm a huge Hairspray fan...There is a definate lack of energy on the movie sdtk...I hope the movie doesn't turn the same fate.

Feel Good Soundtrack to Feel Good Film.......2007-07-13

Saw a sneak preview last night of the film and it was fun! Did not have high expectations after seeing Hairspray on Broadway and again on a touring show but it was great. I like Nikki Blonsky's Tracy over Marissa Winokur's Tracy. This soundtrack as additional songs and sounds better than the orginal Broadway cast. Only wish Cooties was in the movie, hopefully it will be on the DVD version whenever. Glad it made it on the CD. See the movie, buy the soundtrack. John Travolta was OK as Edna, better than I expected but sometimes his voice reminded me of Mike Myers's Dr. Evil somehow. His dancing in "fat" costume was funny.

Average customer rating:

Can't put my finger on what this reminds me of, but it's something good
Great Back to Basics Music
Good, not great
A NATURAL SURPRISE!
An amazing new talent discovered

Undiscovered
James Morrison
Manufacturer: Interscope Records
ProductGroup: Music
Binding: Audio CD

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Similar Items:

These Streets
Back to Black
Introducing Joss Stone
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ASIN: B000MGUZ9I
Release Date: 2007-03-13

Tracks:

Under The Influence
You Give Me Something
Wonderful World
The Pieces Don't Fit Anymore
One Last Chance
Undiscovered
The Letter
Call The Police
This Boy
Better Man
The Last Goodbye

From Amazon.co.uk

Young James Morrison has "success story" written all over him. Drawing influence from soul greats like Cat Stevens, Otis Redding, and Van Morrison, debut album Undiscovered reveals this Rugby-born vocalist has the sort of world-weary voice and songwriting chops to take the Later...With Jools Holland path to mainstream success that's formerly made stars of Damien Rice, James Blunt, and former tour-mate Corinne Bailey Rae. In keeping with his soul influences, much of Undiscovered has a full, warm multi-instrumental sound neatly rendered by Martin Terefe, producer for the likes of KT Tunstall and Ron Sexsmith. "Under the Influence", a passionate upfront love song, is borne along on florid piano and Beatles-esque string arrangements, while the tear-stained "Wonderful World" matches its emotional message ("I know that it's a wonderful world/But I can't feel it right now") with optimistic brass and cascading percussion. Album stand-outs come with "You Give Me Something" and the closing "Better Man", a solo acoustic number that really showcases the range of Morrison's voice. Purists may still baulk at the prospect of a white lad from the North of England singing soul, but the sure success of Undiscovered ought to prove that a strong voice will always be the bottom line. --Louis Pattison

Customer Reviews:

Can't put my finger on what this reminds me of, but it's something good.......2007-07-05

James Morrison's vocals and songwriting style may seem really familiar, but the more I think about it, the less I can think of someone to compare him to. There are R&B and soul influences here, but nothing so strong that you could compare him to any one artist or any one sound. His vocal style is simply one of a kind, and each track on this album could be a hit pop song. I was really impressed with this debut.

Great Back to Basics Music.......2007-07-03

After seeing the video "You Give Me Something" I bought the CD "Undiscovered" to hear what other tunes James put together. I was pleasantly surprised and really liked what I heard. My favorite songs are "You Give Me Something", "Under The Influence", and "Call The Police". This is a great CD, and I definitely recommend buying it.

Good, not great.......2007-06-14

Kinda reminds me of Elliot Yamin, but with more talent and charisma. Gets better the more you listen to it.

A NATURAL SURPRISE!.......2007-06-10

I happened upon James Morrison's video on VH1 and just before I was about to change the channel because "Oh here we go again..another soulful skinny white guy moaning into the camera" but I stopped. It was the timbre of his voice and the fact that I IMMEDIATELY started humming along. I watched the video to the end and then wrote down his name. With much tepidation (one cut and I know it will be trash) I bought it. I was absolutely and pleasantly surprised that I loved every single one of the songs on this cd. Mr. Morrision is talented and his music comes from his soul. I'm glad he's only in his twenties because that means we've got a lifetime to hear his music. You cannot put a price on a CD that exceeds your expectations and that you can't put down for a loooonnnggg time. I have yet to open up my other purchases because I keep allowing his CD to continue to play and I'm still not tired of it yet. Great artist, great purchase and I look forward to hearing more.

An amazing new talent discovered.......2007-06-07

I've played this CD non-stop since I purchased it last night; by far this is the best CD I've heard to date. This CD should be nominated for next year's 2008 Grammy Awards for best album and best new artist. Please be sure to read his album notes because his inspiration is Steve Wonder, Al Green and Otis Redding and you can definitely hear it in this album. I can't wait for his next CD!!

Average customer rating:

Beverly Sills - The Best
Beverly Sills' highs are breathtaking!
THE 2005 OPERA CD OF THE YEAR
EMI Does It Again: Beverly Sills - A Tribute
Glad To Be The First Review- Beverly Sills Treasury Of Arias

The Very Best of Beverly Sills

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

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French | Languages | Opera & Vocal | Styles | Music

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Operettas | Opera & Vocal | Styles | Music
Similar Items:

The Great Recordings
Art of Beverly
Beverly Sills: Made in America
Donizetti's Lucia di Lammermoor: Complete Opera (with full libretto and translation)
Verdi: La Traviata / Sills, Gedda, Panerai; Ceccato

ASIN: B0006VYELE
Release Date: 2005-04-26

Tracks:

Una Voce Poco Fa - Sherrill Milnes
Dunque Io Son - Sherrill Milnes
Contro Un Cor - Sherrill Milnes
Ah, Qual Colpo Inaspetatto! - Sherrill Milnes
E Il Sol Dell'anima... Addio! Speranza Ed Anima - Ambrosian Opera Chorus
Gualtier Malde... Caro Nome - Ambrosian Opera Chorus
Tutte Le Feste Al Tempio... Compiuto Pur Quanto... Si, Vendetta - Ambrosian Opera Chorus
V'ho Ingannato... Lassu In Cielo - Ambrosian Opera Chorus
Quel Guardo Il Cavaliere... So Anch'io La Virtu Magica - Ambrosian Opera Chorus
Pronta Io Son... Vado, Corro - Ambrosian Opera Chorus
Via, Caro Sposino - Ambrosian Opera Chorus
Tornami A Dir Che M'ami - Ambrosian Opera Chorus
La Morale In Tutto Questo - Ambrosian Opera Chorus

Tracks:

Vilia - Beverly Sills
Ah! Je Suis Seule... Dis-Moi Que Je Suis Belle - Beverly Sills
Cielo! Che Diverro?... Si, ferite... Dal Soggiorno... Ah! Che Spiegar - Beverly Sills
Libiamo Ne' Lieti Calici - John Alldis Choir
Un Di Felice, Eterea - John Alldis Choir
E Strano... Ah, Fors'e Lui... Follie! Follie!... Sempre Libera - John Alldis Choir
Pura Siccome Un Angelo... Ah! Dite Alla Giovine - John Alldis Choir
Che Fai? - John Alldis Choir
Addio Del Passato - John Alldis Choir
Parigi, O Cara - John Alldis Choir

Amazon.com

Beverly Sills hardly needs an introduction. She sang on the radio as a child and on the operatic stage as a teenager; her meteoric international career was launched by appearances in several virtually unknown bel canto operas at the New York City Opera. This compilation of arias and ensembles from some of her signature roles, recorded in the 1970s, with splendid partners like Nicolai Gedda, Alfredo Kraus, and Sherrill Milnes, displays her unique vocal and dramatic artistry at its peak. Her voice, effortlessly produced over an enormous range, is bright, pure, infinitely variable in color, inflection and intensity. Her intonation is impeccable even in huge leaps, and her breath is endless. The coloratura roulades are like strings of perfect, luminous pearls, clearly articulated in seamless legato. But this stunning technique (whose only flaw is a sometimes wide, wobbly vibrato) is never used for show; every note has life and expression, serving the music and the dramatic situation. Indeed, her characters are flesh-and-blood human beings, whose thoughts, emotions and interactions, from inwardness to ecstasy, from lamentation to overflowing joy, she projects with riveting concentration. Rosina in Rossini's The Barber of Seville is a charming, mischievous minx who succumbs to delighted tenderness; Pamira's great scene from his Siege of Corinth shows clearly why her Metropolitan Opera debut in that role was a sensation. In Verdi's Rigoletto, Gilda's hopeful innocence turns into hopeless despair: she dies, palpably, on a floating, celestial pianissimo. In his La traviata, Violetta's initial cool, hesitant restraint gradually melts as she opens herself (and her voice) to Alfredo's ardor and the bliss of love. The vocal balance in their final duet is uncanny; its tremulous tenderness in the shadow of death breaks the heart, as does her duet with Germont. Massenet's Thais is sensuous; Donizetti's Don Pasquale and Lehár's The Merry Widow provide comic relief. --Edith Eisler

Album Description

Details TBA. EMI. 2005.

Customer Reviews:

Beverly Sills - The Best.......2007-04-01

What a voice. No coloratura can compare, and she makes it seem so easy.

Beverly Sills' highs are breathtaking!.......2006-09-18

Adio del Passato is incredible! Beverly's high, floating coloratura is no less than ethereal which takes you to another world. Her voice has given me so much joy that it is hard to say one recording is better than another because I love her Mozart album equally with her Bellini/Donizetti. It is so wonderful to have these recordings captured on CD! Enjoy!

THE 2005 OPERA CD OF THE YEAR.......2006-08-19

THIS CD WAS THE BEST OPERA CD ISSUED LAST YEAR, AND HAS CAUGHT THE WORLD'S EAR IN NO TIME. I WAS BUSY WRITING IN SÃO PAULO, BRAZIL, WHILE THE STATEOWNED FM RADIOSTATION, DEDICATED TO CULTURE, WAS SOFTLY PLAYING OPERA ARIAS IN THE BACKGROUND. SUDDENLY I HEARD THE MOST FANTASTIC RENDERING OF "SEMPRE LIBERA" FROM "LA TRAVIATA". I GOT UP, SAT BY THE RADIO AND WAITED TO KNOW WHO WAS SINGING... THEN GOT BACK TO THE COMPUTER TO ORDER THIS CD FROM AMAZON! INCREDIBLE: ONLY 17 BUCKS FOR THIS, WHILE QUITE A BIT OF TRASH IS SOLD FOR 30.40 AND MORE...
A LADY FRIEND ONCE TOLD ME SHE COULD NOT LISTEN TO THE DUET IN "MADAMA BUTTERFLY" WITH MIRELLA FRENI AND LUCIANO PAVAROTTI (RECORDED IN 1974, BY VON KARAJAN) WITHOUT CRYING. WELL, YOU CANNOT LISTEN TO SILLS IN "LA TRAVIATA" DRY-EYED, NO MATTER WHO THE TENOR IS. SHE PROJECTS THE SAME DRAMATIC FEELING OF "LA DIVINA" CALLAS WITHOUT THOSE SHRIEKED HIGHNOTES; SHE OFFERS THE SAME COLORATURA VOCAL GYMNASTICS AS "LA STUPENDA" SUTHERLAND BUT WITH WARMTH... WHEN BEVERLY SANG, AS IN EVERYTHING ELSE SHE DID, SHE ALWAYS GAVE HER UTMOST. SHE WAS "LA GENEROSA" TO BE SURE.
DON'T JUST SIT THERE READING WHAT OTHERS THINK.
ORDER THIS CD NOW AND MARVEL AT HOW THIS GREAT AMERICAN LADY, IN SO MANY OTHER WAYS, ALSO COULD SING!

EMI Does It Again: Beverly Sills - A Tribute.......2005-07-22

EMI's "Very Best Of" series are perfect introductions to operatic singers of the 20th century. Once you hear these artist tribute albums (much like The Singers series) you will get hooked on the singer and seek out their full-length studio recordings. Beverly Sills was the first truly famous American opera star. One may argue that she was not, that she was merely a continued tradition of American divas such as Mary Garden and Lily Pons and which still continues today with Renee Fleming, Elizabeth Futral and Susan Graham. Beverly was raised in New York City, which is still her home, and which is the home of the New York City Opera and the Met, opera houses which rocketed her to fame. Her first success (not featured in this recording...UH WHY ?) was Cleopatra of Handel's Julius Caesar, a performance she sang opposite the illustrious baritone Norman Treigle. Those performances were legendary because coincidentally at the same time the Met was opening its new theatre and season with what became a disastrous Samuel Barber's Antony and Cleopatra starring Leontyne Price in an overblown, big-budget, epic fiasco. The great roles that followed the 1965 Cleopatra were Manon, Queen Elizabeth I in Roberto Deveraux, Maria Stuarda and Anna Bolena in the Donizetti Tudor Queen operas, Pamira in The Siege of Corinth (which were Sill's La Scala and belated Met debut. None of the Queens are featured in this recording, though its supposedly the Very Best Of. An aria from Rossini's Siege of Corinth is featured here however. What we are treated to however are fine lyric roles- Beverly Sills shone brightly and acted convincingly as Gilda in Rigoletto (the final scene is featured here) as Violetta in La Traviata, Thais, The Merry Widow (the beautiful Vilja is featured here)and the ingenue role of Norina in Don Pasquale is also showcased here. To each of these roles, Beverly Sills delivered an authenticity and dramatic interpretation, not ot mention beautiful, sweet tone. I love her pianissimos, her high notes, her chest register. It was the voice of Beverly Sills who first hooked me into opera. For a recording that should showcase her best work, Manon is not featured nor any of her prized French heroines- Marie in The Daughter of the Regiment and the heroines in Tales of Hoffman. Also not in here is the role that was her first success- the Broadway opera Ballad of Baby Doe. Even as such, the arias here are gorgeous. The Barber of Seville is in here and as Rosina she is playful and charming. Sills was a modern singer, with a voice that was beautiful but willing to sacrifice beauty for the sake of dramatic content. When Sills was once asked what she thought of the supposed rivalry with Joan Sutherland (which was never real and only gossip from partisan fans) Beverly said something to this effect -Joan and I are apples and oranges in our take on opera, we are Picasso and Monet. She would do anything for the effect of beauty and tone, I'd sacrifice beauty for the sake of dramatic text. Even as such, I see no ugliness to any of the roles here. All of them are beautiful to hear, full of rich floating celestial tones. It would have been nice to hear the roles that did call for Sills to step up the tense drama - Norma, will her recording ever be reissued by EMI ? Also, few people know that Beverly Sills sung role most would consider dangerous for her voice (though she sang them long before her career even took off)- Aida and Carmen!!

Glad To Be The First Review- Beverly Sills Treasury Of Arias.......2005-04-29

At last EMI's "The Very Best Of" series has issued some of the finer recorded documented arias of the incomparable soprano Beverly Sills. Fans of this down-to-earth, warm patron of music and the most unique lyric-coloratura-dramatic soprano, will be in Heaven. Sure, this is only some of the arias in only a small number of the many operas Sills performed. To be truthful, this is not what I'd personally regard as the best of Beverly Sills. Other albums of hers do use greater vocal masterpieces she sang- the best being "The Singers" Series, and another EMI edition called The Art of Beverly Sills Volume 2 and then there's the rare and brilliant "Sillsiana". Nevertheless, this album has its charm and appeal. Beverly Sills sings arias from Rossini's Barber of Seville, Verdi's Rigoletto and Traviata. This recording seems to highlight mostly her mastership of the bel canto repertoire and Verdi. Gilda and Violetta were roles she sang with supreme dramatic integrity and sweetness and purity of vocal line. Yet, it is hardly "the best of". Where are scenes from the masterful interpretations of Donizetti, truly Sills strongest suit- Lucia Di Lammermoor, Anna Bolena, Maria Stuarda and Roberto Devereaux, where is Sills' Manon, which even she hails as her best ? And when will her recorded Norma ever see the light of day ? Sills also excelled in the French repertoire- Faust, Thais, La Fille Du Regiment, The Tales of Hoffman and she was an incredible Queen Shemakha in Korsakov's Coq D'Or. True, Sills had a light, girlish, delicate voice, bright and small, but this worked in her favor in tragic roles. Dramatically, she could get into character as passionately and convincingly as Maria Callas. When she could darken her voice and use her chest voice for dramatic effect it was often thrilling. This is the latest recording in a number of recordings that are coming out, further promoting a great singer of the past. Beverly Sills. She was the working man's soprano. She worked hard to get to the top. She was the reigning singer of the NYC Opera where she starred in such great operas as Handel's Giulio Ceare Sills as Cleopatra (also not on this recording) and Tales of Hoffman singing opposite the great but underrated bass Norman Treigle. Sills is a wonderful human being and she has a beautiful voice that I cannot get out of my mind. She will always be the greatest to me. She got me hooked into opera.

Average customer rating:

Fun to drive with Cars!
great cd
Cars
My boys love it!
Great music

Cars

Manufacturer: Disney
ProductGroup: Music
Binding: Audio CD

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Cars (Widescreen Edition)
Cars: Lightning McQueen's Fast Tracks
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ASIN: B000EUMPBS
Release Date: 2006-06-06

Tracks:

Real Gone - Sheryl Crow
Route 66 - Chuck Berry
Life Is A Highway - Rascal Flatts
Behind The Clouds - Brad Paisley
Our Town - James Taylor
Sh-Boom - The Chords
Route 66 - John Mayer
Find Yourself - Brad Paisley
Opening Race
McQueen's Lost
My Heart Would Know - Hank Williams
Bessie
Dirt Is Different
New Road
Tractor Tipping
McQueen And Sally
Goodbye
Pre-Race Pageantry
The Piston Cup
The Big Race

Amazon.com

Cars is a typical Disney-Pixar animated movie in that it deals with an anthropomorphic character (here, a car) and the heartwarming values of family and friendship. (Alas, we'll have to wait a little while longer for the company to take on greed and selfishness.) The accompanying soundtrack is equally typical in that it's split between catchy pop songs and a score by Randy Newman. The clear highlight of the pop tracks is Sheryl Crow's boisterous, huge-sounding "Real Gone" (her best song in ages). Rascal Flatts also cover Tom Cochrane's 1991 hit "Life Is a Highway," while John Mayer rocks out on "Route 66" (Chuck Berry's elegantly lean version is included as well). For his part, Newman continues his distinguished association with quality animation by supplying a nimble score. It's fun to hear him deploy riffs that wouldn't be out of place on a Quiet Riot album on the bombastic "Opening Race," while the bluesy "Bessie" does George Thorogood with a tuba. The CD's overall Southern flavor is emphasized by the frequent use of banjo and slide guitar, as well as by score tracks cantering about, like "McQueen and Sally." And, as usual, Newman delivers a nostalgic, misty-eyed song--in this case "Our Town," performed by that master of sensitive laid-back charm, James Taylor. --Elisabeth Vincentelli

Customer Reviews:

Fun to drive with Cars!.......2007-07-13

Used Cars Gotta love it! The movie's great and having the music in the car makes it a fun ride!

great cd.......2007-07-10

Great movie soundtrack cd. Lots of good songs and music; if you've seen the movie, you can almost see the action going on with the different orchestral pieces. The kids love the songs. We've only had the cd a couple of weeks but the kids are already singing along with the songs; the kids are 2 and 5.

Cars.......2007-06-14

My son loved the movie and we love the soundtrack. Sheryl Crow's song is great!

My boys love it!.......2007-05-25

I love this CD as much as my boys do. It is so upbeat and fun! We listen to this in the car all the time and the boys love to tell me what scene is happening with each different song. They even like listening to the back half of the CD and describing each part that is going on. I would definitely recommend this for any Cars fan - it's great!

Great music.......2007-05-21

I bought this CD for our son who is obsessed with the cars movie and the characters. Our son listens to it in the car and also while he is playing with his cars. It's a nice addition to the movie.

Average customer rating:

James is the BEST
Great Compilation
Best of James Taylor
Mellow and cheerful holiday songs.
James Taylor Will Always Be . . . "Sweet Baby James"

The Best of James Taylor
James Taylor
Manufacturer: Rhino / Wea
ProductGroup: Music
Binding: Audio CD

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James Taylor - Greatest Hits, Vol. 2

ASIN: B00007IT8S
Release Date: 2003-04-08

Tracks:

Something In The Way She Moves
Sweet Baby James
Fire And Rain
Country Road
You've Got A Friend
You Can Close Your Eyes
Long Ago And Far Away
Don't Let Me Be Lonely Tonight
Walking Man
How Sweet It Is (To Be Loved By You)
Mexico
Shower The People
Golden Moments
Steamroller (Live)
Carolina In My Mind
Handy Man
Your Smiling Face
Up On The Roof
Only A Dream In Rio
Bitter Sweet (Previously Unreleased)

Amazon.com

Any good singer can interpret a song, but it takes a stylist to make it his own. James Taylor is a stylist. This 20-track anthology obviously can't chronicle much more than the hits and high points of Taylor's career, but it nonetheless captures the artistic essence of a performer who's become a virtual synonym for "singer-songwriter" since his emergence in the late '60s. A lot of ink has been spilled ruminating about Taylor's role in soothing a '60s-burned generation, but given his own well-known demons (depression, addiction) his gentle voice often sounds like the physician wisely healing himself. His muse seems fully formed from the opening "Something in the Way She Moves," a track cut for the Beatles' Apple label in late `68 (and one that seems to share some symbiotic relationship with George Harrison's own classic "Something" from the period), its tone at once familiar and inviting--if ripe for a few decades of parody--as it wends its way from his seminal early '70s hits through a slate of later originals, R&B ("How Sweet It Is," "Handy Man") and pop ("Up On the Roof") covers. Tellingly, he delivers those chestnuts with an offhand confidence and illumination that makes them his own, a sense that informs even his jazz and Brazilian ("Only a Dream a Rio") flirtations. The set's newly recorded bonus cut, John Sheldon's "Bittersweet," is a pleasant pop confection that showcases Taylor's knack for being laconic and upbeat in the same breath. --Jerry McCulley

Album Description

20 of his greatest singles and most popular album tracks released on Apple, Warner Bros. and Columbia/Sony. Slipcase. 2003.

Album Details

Packaged with UK Only Slipcase Artwork.

Customer Reviews:

James is the BEST.......2007-04-04

If you are a James Taylor fan, you have to own this one, if not, get it. You will love it. If you ever get a chance to see him in concert (no matter what the price)DO IT!! The best show you will ever see.

Great Compilation.......2007-03-20

This CD has all of James Taylor's hits. I reccomend this for anyone who wants an all-in-one CD with the best of the best from Taylor. Great music!

Best of James Taylor.......2007-01-16

All the best of James Taylor - just like it says. I'm in love!

Mellow and cheerful holiday songs........2007-01-09

James Taylor's voice is as amazing and as enjoyable as ever. Hard to believe that one can enjoy this album as much as one did 35 years ago in college. This guy is timeless and even my own college kids now enjoy his music.

James Taylor Will Always Be . . . "Sweet Baby James".......2006-12-01

"These songs come from a dozen different albums, recorded over a 35-year stretch. I never thought they'd be collected like this; I never thought much at all beyond one tune at a time `till you've got an album's worth. Then in you go, and out they come, so you can begin again." ~ James Taylor ~

Last night, November 29, 2006, I watched the PBS television special presentation of a concert tribute to an exceptional singer/songwriter/guitarist and one of my all-time favorite musicians, James Taylor, honoring him as the 2006 MusiCares "Person of the Year." My deepest congratulations to Mr. Taylor for a well-deserved recognition.

It was a very enjoyable show and he was honored by some of the renowned contemporary singers of today namely: Sting, Bruce Springsteen, Bonnie Raitt, Dixie Chicks, Keith Urban, Sheryl Crow and Carole King, among others. Each of them marvelously rendered a James Taylor song to the enjoyment of the audience and home viewers as well. I especially like the performance of Carole King singing "You've Got A Friend" while playing the piano and JT joined her in the middle of the performance for a much-applauded duet. Another moving moment is the finale "How Sweet It Is to Be Loved by You, which JT described as the song that "summed up his feelings for that night." He was backed by his brother, Livingston, while his cute twin young sons joined them on stage dancing and jumping. JT re-appeared for an encore and he sung one of his hit songs, "Fire And Rain." After watching the show, I was so touched and it prompted me to pull this CD out from my collection and listened to it before turning in to bed. It also moved me to write a review on this CD, which was being offered by PBS together with the DVD of the show as pledge gift with a donation of $150.00.

Flashback: I became a fan of Sweet Baby James when I first heard "You've Got A Friend" and was totally hooked with his music and ever since I've been a faithful fan. Some of my very favorites are compiled in this collectible album such as "Sweet Baby James," "Don't Let Me Be Lonely," "How Sweet It Is To Be Loved By You," "Fire And Rain," "Long Ago And Far Away," "Up On The Roof," "Shower The People," "Your Smiling Face" and "You've Got A Friend."

This CD is a collector's item and very essential to any Sweet Baby James fan. You'll take pleasure in listening to some of his biggest hits of all-time, which are all self-penned. He is joined by a great line-up of musicians and guest singers, who are all his long-time collaborators during the three decades of his musical career, the likes of Carole King, Joni Mitchell, David Sanborn, Michael Brecker and Ralph McDonald, to mention a few.

"Surprising how casual it all was. Mostly, we were just amusing ourselves, with little concern for how the thing would be received in the great world. It was lucky that some of you liked some of it enough to listen. Enough to allow it to continue. Don't think I'm not grateful." ~ James Taylor ~

Yes, I'm one of the myriad of fans who loved all of his recordings, enough to listen to it and enough to allow the recordings to continue. And I just wish he will continue recording for as long as he can - standards, maybe. Why not? I've truly enjoyed his renditions of "My Romance," "The Way You Look Tonight" and "The Nearness of You." And he delivers so well. An album of standards coming soon? ;)

Average customer rating:

RICK SHAQ GOLDSTEIN SAYS: ?WHAT DO YOU GET WHEN YOU MIX, MUDDY WATERS, COTTON & WINTER? ANSWER:" OLD-TIME COOKING BLUES!"
As wonderful as you'd expect
Bringin' It Back

Breakin' It Up, Breakin' It Down
Muddy Waters
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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In the Palace of the King
Live at Theresa's 1975
Close as You Get
Muddy "Mississippi" Waters Live
Old School

ASIN: B000PA9Q6E
Release Date: 2007-06-05

Tracks:

Medley: Black Cat Bone/Dust My Broom
Can't Be Satisfied
Caledonia
Dealin' With the Devil
Rocket 88
I Done Got Over It
How Long Can a Fool Go Wrong
Mama Talk To Your Daughter
Love Her With a Feeling
Trouble No More
Got My Mojo Workin'

Amazon.com

Muddy Waters had his second coming 30 years ago, when longtime friend and disciple Johnny Winter and his Blue Sky label returned him--after a series of listless recordings aimed at the rock audience--to the raw, powerful authenticity of his timeless Chess material with a series of powerful albums. Beginning with 1977's acclaimed Hard Again, a subsequent tour produced Muddy "Mississippi" Waters Live, recorded onstage in Detroit, New York, and Philadelphia with Muddy's band, Winter, and harmonica player/vocalist James Cotton. Enough live material remained for Legacy to release an expanded version with an entire second disc of unissued concert material. It seems even that wasn't the end. This collection returns again to those remarkable concerts, featuring Muddy on five tracks, among them a rousing "I Can't Be Satisfied," "Trouble No More," "Caldonia," and the closing "Got My Mojo Workin'." Winter and Cotton are no less powerful, Cotton redoing Jackie Brenston's hit "Rocket '88'" and Winter ripping up John Lee Hooker's "I Done Got Over It" and "Mama Talk to Your Daughter." --Rich Kienzle

Customer Reviews:

RICK SHAQ GOLDSTEIN SAYS: ?WHAT DO YOU GET WHEN YOU MIX, MUDDY WATERS, COTTON & WINTER? ANSWER:" OLD-TIME COOKING BLUES!".......2007-07-14

This cd is a new release of a concert tour in 1977 with Muddy Waters, Johnny Winter and James Cotton. I vacillated for days before I bought this. I have deducted, that listening to the thirty second sound bites, are worthless, especially when making a decision on electric blues. In 30 seconds, the guy might not even be done tuning his guitar! I'm going to attempt, to help you, not to have to go through, the anguish, that I went through, before I made the decision to buy this cd. First of all, you can tell how much these three guys like each other. Since this is a live performance, you hear them kidding each other throughout each song. One guy sings: "Your mother ought to know..." And one of the guys not singing lead, is yelling: "Yea tell em!" or you hear enthusiastic screams like: "Ow!" "Yea" "Do it James!" "Do it Johnny", etc. I personally think James Cotton, and his mind blowing "harp" (For you non-experienced blues neophytes, that's his harmonica! Please make a note of that!) steals the whole show. That magic harp of his, is either screeching, scratching, waling, and always cooking. If I were to try to draw a verbal picture for you, of the type of blues these fella's are playing, I'd say, think about an old black and white detective movie, and you're inside a bar, smoke is slowly circling its way to the ceiling, and in the background you hear the blues. That's the kind of blues on this cd. James Cotton, when he's not blowing the "harp", showcases a voice, that sounds like its seen, a lot of cigarettes, a lot of whiskey, a lot of women, and left it with the blues. This entire cd, is old-time "roadhouse", feeling good, blues. There are 11 songs, totaling just under sixty minutes. This is a classic taste, of old-time jamming, ELECTRIC BLUES, with the "harp", being the pulse, that never misses a blue beat! Buy this!

As wonderful as you'd expect.......2007-06-14

They were only together for one album and tour, but the Hard Again band was the most kickass assemblage of blues talent there has ever been. They simply never played anything, either live or in studio, that was not of extraordinarily high quality. This disc absolutely smokes, and it's a welcome treat that Cotton and Winter each get a couple turns on lead vocals. It's very encouraging that there's still this much great stuff left over after after the two disc edition of Muddy "Mississippi" Waters, because that means there's likely more on the way.

Bringin' It Back.......2007-06-14

Muddy Waters' work on Chess Records from the late 1940s to the early 1970s is truly amazing. He was the most powerful blues artist and one of the best songwriters. Many fans think he was in decline in the mid-1970s when "Breakin' It Up, Breakin' It Down" was recorded. This concert document should dispel those thoughts. It might have taken Muddy longer to build up a head of steam, but when he got rollin', he was as "mannish" as ever. With old pal James Cotton blowing away on harp and Johnny Winter (who ignited Muddy's revival by producing his later records on Blue Sky Records) as his co-stars on the 1977 tour, Muddy was pushed to the heights he regularly reached in his 1950s and 1960s heyday ("Pinetop" Perkins on piano, and Bob Margolin on guitar also shine). The live version of "Can't be Satisfied" - the second cut on the disc - is as strong as any live recording in his career. I saw this band at Constitution Hall in Washington, D.C. and the three stars were on fire and having a whale of a time. When I bought "Breakin' It Up, Breakin' It Down," I thought, "there is no way this recording will be as good as I remember the show." But not to worry, it's all here and hearing it again made me smile at the memories of Muddy, James, and Johnny pouring out electric blues. A rousing "Got My Mojo Working" (the encore) finishes things up nicely. Someone once said, "In Muddy Waters' hands 'the blues' is a misnomer."

Average customer rating:

Love this cd?
Love it, love it, love it
IT'S ALL GOOD
boring
unbelievable!!!!

Back to Bedlam
James Blunt
Manufacturer: Atlantic / Wea
ProductGroup: Music
Binding: Audio CD

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Daniel Powter
Life In Slow Motion
Eye To The Telescope
How To Save A Life
Eyes Open

ASIN: B000301YY8
Release Date: 2005-10-04

Tracks:

High
You're Beautiful
Wisemen
Goodbye My Lover
Tears and Rain
Out of My Mind
So Long Jimmy
Billy
Cry
No Bravery

Amazon.com

As a piece of propaganda, James Blunt's album Back to Bedlam does more for changing the face of the British Army than a series of television adverts ever could. Swapping a rifle for a guitar, the former cavalryman's ballad-heavy debut is a clearly aiming to win the battle for the public's hearts and minds. The U.K. success of singles like "You're Beautiful" and "No Bravery" (inspired by his time stationed in Bosnia) are both heartfelt and sensitive, the latter packing an additional emotional punch beyond the typical lovelorn ballads of his contemporaries like Damien Rice. But Blunt also sings with conviction about matters of the heart, and that's the territory that most of Back to Bedlam visits, with songs of loss like "Goodbye My Lover", "So Long Jimmy" and "Billy". And throughout, the arrangements remain understated yet effective, thanks to the input of such heavyweight producers and songwriters like Linda Perry and Guy Chambers. All of which prove that there's a lot of depth to this modern, musical hero. --Robert Burrow

Album Description

Simply put, James Blunt is the most successful debut artist of the year in the UK! However, he isn't one of those guys who finished school and set off to become a musician. The one time British army captain (and latest ina long line of Blunts in the armed forces) served stints as a peacekeeper in Kosovo and guard at Buckingham Palace before hanging up his uniform. His days of carrying a gun behind him, Blunt quickly began turning heads with his soaring vocals and stirring songs. His debut album, Back to Bedlam, has earned widespread praise, including comparisons to the likes of Damien Rice, David Gray and a young Elton John.

Album Description

Debut album through Atlantic/Custard, recorded in Los Angeles and produced by Tom Rothcock (Beck, Elliott Smith, Badly Drawn Boy), Back To Bedlam takes the listener through heartfelt songs of unattainable romances, lost loves and friend's failures before climaxing with James' first-hand experience of war. 2004.

Album Details

Recorded in Los Angeles and Produced by Tom Rothrock (Beck, Elliott Smith, Badly Drawn Boy), "Back to Bedlam" Takes the Listener Through Heartfelt Songs of Unattainable Romances, Lost Loves and Friend's Failures Before Climaxing with James's First-hand Experience of War.

Customer Reviews:

Love this cd?.......2007-07-16

I love this cd! I understand that sometimes profanity is the only way to truly express how you feel but, I wouldn't listen to it with my grandchild for fear that he may learn some not so choice words.

Love it, love it, love it.......2007-07-02

I bought this album for one particular song...gee, can you guess which one? "You're Beautiful", of course! I just love his voice and I especially love the sentiment he expresses in this song. The rest of the songs are good, too, but I was hooked by just the one.

Joyce Marie Taylor-Author and Poet

IT'S ALL GOOD.......2007-06-09

I think Blunt's music tends to be a little winey. But the more I listened to the CD the better it got. Every song is a winner.

boring.......2007-06-03

Great idea it was to get back at an old girlfriend by selling her memory, but did you have to get back at listeners with a pretty boring set of unmemorable songs?

Endless. Maybe I'll leave this disc on the subway.

unbelievable!!!!.......2007-06-01

My CD collection runs the gamut - from Roger Miller, to Elton John, to Def Leppard and I can tell you this is an incredible CD from start to finish. My favorite is So Long Jimmy but I like them all and I usually skip through at least a few songs on every CD. My parent don't usually like ANY of my music but I put this on to play Memorial Day while we were grillin' burgers and they loved it! He has a haunting, and amazing voice - buy it - you won't regret it.

Average customer rating:

Voice of pure silk
Etta James/At Last
At Last - Used this song at a wedding
etta
At Last - Music Worth Listening To!

At Last!
Etta James
Manufacturer: Mca
ProductGroup: Music
Binding: Audio CD

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Love Songs
Blues to the Bone
Her Best : The Chess 50th Anniversary Collection
Love Songs
What's Going on

ASIN: B00000JNNY
Release Date: 1999-07-27

Tracks:

Anything To Say You're Mine
My Dearest Darling
Trust In Me
A Sunday Kind Of Love
Tough Mary
I Just Want To Make Love To You
At Last
All I Could Do Is Cry
Stormy Weather
Girl Of My Dreams (Rendered As 'Boy Of My Dreams)
My Heart Cries
Spoonful
It's A Crying Shame
If I Can't Have You

Amazon.com essential recording

This is Etta James's first full-length album, recorded for Chess Records' Argo subsidiary in 1960. It taps all aspects of her then-blossoming talent. There's the crooning rock ballad "My Dearest Darling" and the elegantly symphonic "Sunday Kind of Love." Her classic, brokenhearted "All I Could Do Was Cry" follows the sweet title track and the bawdy blues stomper "I Just Want to Make Love to You." And there's a version of Harold Arlen's "Stormy Weather," which Lena Horne made famous. James's fine way with such a wide embrace of material wouldn't again be this well displayed on a single album until she was united with producer Jerry Wexler for 1977's Deep in the Night. --Ted Drozdowski

Amazon.com

The R&B queen's classic collection is augmented this time around by a long-overdue digital remastering, plus a few bonus tracks, presumably for those who found the original album a little on the brief side. In addition to James's well-known hits, including "I Just Want to Make Love to You" and "Stormy Weather," there are four additional songs: "My Heart Cries," "Spoonful," "It's a Crying Shame," and "If I Can't Have You." Although one might cynically suggest that these were added to give Etta fans something to purchase besides The Essential Etta James, it's definitely true that these tracks are worth hearing. --Genevieve Williams

Customer Reviews:

Voice of pure silk.......2007-06-26

I am enjoying this CD. All my friends that listen to it tell me what was going on in their lives when it came out. Thank you Etta for such sweet memories with your voice of pure silk. Johnalita

Etta James/At Last.......2007-06-08

I needed this for my daughter to learn this song and it worked out very well

At Last - Used this song at a wedding.......2007-04-04

We used the song "At Last" at my daughter's wedding as the recessional when they left the ceremony. It was so cute. Great CD with the "old" sound.

etta.......2007-03-16

One of the great divas of the 20th century. Only Aretha and Dinah come close.

At Last - Music Worth Listening To!.......2007-03-16

My husband and I played At last at our wedding, Classic!

Average customer rating:

You GO Girl!
If you like the movie you'll like the album.
If you want to live the Dream, this CD will always be there...
Great Movie, Even Better MUSIC...
I love it....I dooooo!

Dreamgirls

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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B'day
Dreamgirls (Two-Disc Showstopper Edition)
Dreamgirls (1982 Original Broadway Cast)
Not Too Late
Corinne Bailey Rae

ASIN: B000J103YI
Release Date: 2006-12-05

Tracks:

MOVE
FAKE YOUR WAY TO THE TOP
CADILLAC CAR
STEPPIN' TO THE BAD SIDE
LOVE YOU I DO
I WANT YOU BABY
FAMILY
DREAMGIRLS
IT'S ALL OVER
AND I AM TELLING YOU I'M NOT GOING
WHEN I FIRST SAW YOU
PATIENCE
I AM CHANGING
I MEANT YOU NO HARM/JIMMY'S RAP
ONE NIGHT ONLY
ONE NIGHT ONLY (DISCO)
LISTEN
HARD TO SAY GOODBYE
DREAMGIRLS (FINALE)
WHEN I FIRST SAW YOU (DUET)

Amazon.com

The big question about this soundtrack is: how's she doing? No, not Beyoncé, silly--how's Jennifer Hudson doing? And more specifically, how's she doing by "And I Am Telling You I'm Not Going"? To this reviewer's ears, she doesn't top the original Effie, Jennifer Holliday--or even Lillias White, from the 2001 Dreamgirls in Concert. On the other hand, Hudson isn't afraid to pullout all the stops, whipping herself up into a total diva frenzy as the song getscaught up in an unstoppable crescendo. As for Beyoncé, she adapts superbly to the 1960s- and 1970s-tinged material, though "Listen"--a ballad that also appears on her own B'day album--lacks the spirit that infuses the classic tunes on this album. For make no mistake: this is hard-hitting, high-octane music, infused with an urgency and passion that makes most contemporary R&B albums sound timid. When Hudson and Beyoncé duke it out on "It's All Over," or when the "One Night Only" ballad gets reinvented as the dance-floor burner "One Night Only (Disco)," the sheer energy flowing from the speakers is transporting.

Note that the two-CD Deluxe Edition features a larger booklet and additional tracks, including dance remixes of "One Night Only" and "And I Am Telling You I'm Not Going," as well as composer Henry Krieger's demo of "Patience." --Elisabeth Vincentelli

More from the Dreamgirls Cast

B'day, Beyoncé

American Idol season 3: Greatest Soul Classics, (Featuring a track from Jennifer Hudson)

Unpredictable, Jamie Foxx

Customer Reviews:

You GO Girl!.......2007-07-12

This music, this movie, this Script is so awesome! An amazing portrayal of a struggle for stardom. Beyonce' is beyond beautiful and "represents" the icon "supremely" (sorry...had to go there!). The music is so well written, I love each and every track! Enough has been said about Jennifer Hudson, she has won her due, but ALL the actors did an amazing job.

If you like the movie you'll like the album........2007-07-11

Great music from the movie. My only complaint is it's literally pulled from the movie, so it's a little weird to listen to it while not watching the movie, the singing dialog from the movie. Jennifer Hudson is the highlight throughout the album.

If you want to live the Dream, this CD will always be there..........2007-06-16

If you want to live the Dream, this CD will always be there...

I love this CD...it takes me right through all the emotions and action of the movie. Nothing is left out, all of my favorites are included even the less commercial cuts like Eddie Murphy's "Jimmy Got Soul" which gives the CD a well rounded feel.

Great Movie, Even Better MUSIC..........2007-06-16

Dreamgirls IS the best musical since GREASE... HANDS DOWN!! great songs and great performances by Jennifer Hudson, Beyonce, Jamie Fox, Anika Noni Rose, and especially Eddie Murphy... that boy did his thang acting and definatley singing. i almost forgot that eddie murphy had a really good singing voice...

of course the showstopper "and i am tellin u (im not going)" is my favourite song. im only 23 and im familiar with the original version performed by jennifer holiday. i love the original but to me J-Hud Killed it!!!! i perfered her version just because it was heartfelt and she performed it OUTSTANDINGLY in the movie. i cried in the theaters when she performed it... STANDING OVATION!!!!

my other favourite track is "i meant you no harm/jimmy's rap". i love the beginning of the song. eddie murphy SANG that song. then it threw me off when he started rappin. that rap was too funny!

all the other songs were great but here are my joints:
"move"
"one night only" (original)
"one night only" (Disco) (my favourite of the 2)
"cadillac car"
"I want you baby"
"dreamgirls"

this does not have all the songs on the movie. you have to purchase the deluxe edition of get "heavy" 'effie sing my song" and more...

this is probably my favourite SDTK i own and i definantly reccomend this SDTK to anyone... and the movie is as good and the songs!!!

I love it....I dooooo!.......2007-06-13

Great CD! A total sing along. Puts me in a great mood!

Average customer rating:

Harry Potter moves on.. and so does the music
The Magic is Gone
Atmospheric...But That's About All
Musically Spellbinding
Wonderful as always

Harry Potter & the Goblet of Fire

Manufacturer: Warner Bros / Wea
ProductGroup: Music
Binding: Audio CD

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Harry Potter & the Prisoner of Azkaban
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The Chronicles of Narnia: The Lion, the Witch and the Wardrobe

ASIN: B000BGH22W
Release Date: 2005-11-15

Tracks:

Story Continues
Frank Dies
Quidditch World Cup
Dark Mark
Foreign Visitors Arrive
Goblet of Fire
Rita Skeeter
Sirius Fire
Harry Sees Dragons
Golden Egg
Neville's Waltz
Harry in Winter
Potter Waltz
Underwater Secrets
Black Lake
Hogwarts' March
Maze
Voldemort
Death of Cedric
Another Year Ends
Hogwarts Hymn
Do the Hippogriff
This Is The Night
Magic Works

Amazon.com

Big news on the Harry Potter musical front: After scoring the first three installments in the series, John Williams has been replaced by Patrick Doyle. Still, Williams never feels far away. His main theme pops up here and there, and a track like "Voldemort," which eloquently illustrates the soul of a blacker-than-black wizard with thunderous cymbal crashes, shrieking horns, tumultuous strings, and a stately finish, firmly belongs in the Williams mode. Overall, Doyle acquits himself well. He can do light when needed ("The Quidditch World Cup," which starts out like some kind of jig), but mostly he's required to be ominous ("The Quidditch World Cup," which ends in martial war chants). Among the highlights are the aforementioned "Voldemort," but also the frantic, overpowering "The Dark Mark." Note that the CD concludes on a jarringly different note with three songs by the Weird Sisters, the group that performs at Hogwarts' Yule Ball. Led by Pulp frontman Jarvis Cocker, the ad hoc band also includes members of Radiohead and Cocker's side project Relaxed Muscle. "Do the Hippogriff" is a fast-paced rocker that somehow comes across like a grungy hybrid of Billy Idol's "White Wedding" and "Dancing with Myself." The other two songs--"This Is the Night" and "Magic Works"--are less obvious, and much better. Still, the contrast between these tracks and the instrumental score that precedes them may not be to everybody's taste. --Elisabeth Vincentelli

Album Description

Harry Potter and the Goblet of Fire, the fourth film (and soundtrack album) in the massively successful Harry Potter franchise-nearly $1 billion in U.S. box office alone-features a score by Academy Award-nominated composer Patrick Doyle and three songs written by modern rocker Jarvis Cocker, and performed by Cocker, Jonny Greenwood, Phil Selway, Steve Claydon and Jason Buckle-with all these musicians also appearing in the movie.

Customer Reviews:

Harry Potter moves on.. and so does the music.......2007-05-23

As a collector of movie soundtracks, it was unthinkable not to get this fourth album of the Harry Potter series. After reading the mixed reviews, I was apprehensive as to whether it would sit on my shelf collecting dust or get a good workout in the CD player.

I own all four albums, and as avid a fan as I am of John Williams, I would have to say "The Goblet of Fire" rates up there with "The Philosopher's Stone" (which really did set the standard for the rest of the following albums). In fact, I would have to say that "The Goblet of Fire" is my favourite. The music is quite simply beautiful and atmospheric. Standouts are "Harry In Winter" (this particular track I can't help but have on repeat mode in the car), "Death of Cedric" and "Foreign Visitors Arrive". "The Quidditch Cup" makes me want to catch the next plane to Ireland! And call me old-fashioned, but "Neville's Waltz" and "Potter Waltz" are pleasant and lovely to the ear.

As for the rock songs at the end, I usually bypass them. Some complain about the jarring disconnect between the orchestral aspect of the soundtrack and the loud rock of the end - well, at least they're at the end and not in the middle! And let's face it. How many people would have grumbled that those songs that featured at the Winter Ball were left out?

I've always loved the work of Patrick Doyle (e.g. "Sense and Sensibility" and "Much Ado About Nothing"), and this soundtrack is no exception. He didn't 'fill' John Williams' shoes on this score. He pretty much created a new pair. Harry's story and personality have shifted on. It would be remiss of us to think the music wouldn't evolve as well.

So has this soundtrack lost that feeling of magic? I would have to say a resounding 'no'. It's certainly a lot more listener-friendly than "Chamber of Secrets"!

The Magic is Gone.......2007-05-10

John Williams is not simply a hard act to follow...he's THE hard act to follow. Nonetheless this score falls far short. There was once magic in the land of Hogwarts.. themes were stated boldly and elevated the story, flurries of woodwinds nurtured scenes of flight. Doyle's score does dare to quote William's melodies at 3 points in this score. They are harmonized poorly and treated even worse. The rest of the score just goes downhill from here. He does introduce his own new "themes." These are presented as boring quarter note string lines that you can't seem to remember 10 seconds after you hear them. The rest of the scoreat it's best is a prime example of dated cliches. The dialogue scenes are overly sappy and the action scenes become hokey in an almost silent film music stlye. Watch the graveyard scene again and laugh, check out the dance scene where characters get lifted in the air as simple scales comically mirror their moves. The most common reaction to the music after viewing the film is "I don't really remember it as being good or bad." If you go back and watch it again I think you story will change. The magic is gone.

Atmospheric...But That's About All.......2007-03-31

One of the joys for me of the John Williams "Harry Potter" scores are the lush, melodic leitmotifs. On "The Chamber of Secrets" album alone there are wonderful themes for Fawkes, Dobby and Gilderoy Lockhart, not to mention Colin, Hedwig and The Flying Car. They're charming, evocative pieces that stand alone apart from the moodier, more percussive tracks composed to accompany the actual movie. Unfortunately, there's nothing that even comes close to these in Doyle's "Goblet of Fire" score. There's certainly drama ("The Maze") and pathos ("Death of Cedric"), but nothing thematic that you'd want to hear over and over again. And what themes there are ("Neville's Waltz" for instance) I find woefully banal. (And don't get me started on the acid rock songs that close the album.) So this is a true movie score in the sense that it's pretty much all background music; it certainly creates atmosphere and serves as a reminder of the film's superlative visuals. But what works well in the theater doesn't translate very well for the home audio listener.

Musically Spellbinding.......2007-01-09

This album is a must for an Harry Potter fan, both young and old, from the mild to the extreme. I also recommend the entire collection of soundtracks to the movies. Each one is full of calm, soothing melodies we have come to enjoy from Harry Potter.

Wonderful as always.......2007-01-04

It is easy to become totally absorbed in this rendition. Believable voices.

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