Rock On 1967
Track Listings
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1. Happy Together - The Turtles
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2. Expressway to Your Heart - The Soul Survivors
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3. Georgy Girl - The Seekers
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4. Gimme Some Lovin' - The Spencer Davis Group
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5. Knight in Rusty Armour - Peter & Gordon
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6. On a Carousel - The Hollies
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7. Little Bit O' Soul - Music Explosion
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8. By the Time I Get to Phoenix - Glen Campbell
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9. Ode to Billie Joe - Bobbie Gentry
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10. Tell It Like It Is - Aaron Neville
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11. Skinny Legs and All - Joe Tex
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12. Come Back When You Grow Up - Bobby Vee
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Rock On 1967,Various Artists,Madacy Records,AM Pop,Album Rock,British Invasion,Pop,Pop-Soul,Pop/Rock,Rock,Rock/Pop Collections,Soul,V/A Compilations
Rock On 1967
Average customer rating:
- Chocolate Watchband-'Melts In Your Brain,Not On Your Wrist:The Complete Recordings-1965-1967' (Big Beat)
- PRETTY GOOD!!!
- The complete, untangled history of San Jose garage legends
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Melts in Your Brain Not on Your Wrist: The Complete Recordings 1965 to 1967
The Chocolate Watchband
Manufacturer: Big Beat UK
ProductGroup: Music
Binding: Audio CD
General
| Alternative Rock
| Styles
| Music
Garage Rock
| Rock
| Alternative Styles
| Alternative Rock
| Styles
| Music
General
| Rock
| Styles
| Music
Psychedelic Rock
| Classic Rock
| Styles
| Music
Pop Rock
| Pop
| Styles
| Music
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- Listen, Listen: The Definitive Collection
- The Best of ? & the Mysterians: Cameo Parkway 1966-1967
- Before the Dream Faded
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- Dark Sides: The Best of the Shadows of Knight
ASIN: B0007RFONE
Release Date: 2005-05-02 |
Tracks:
- Let's Talk About Girls
- Sweet Young Thing
- Baby Blue
- Blues Theme: The Hogs
- Loose Lip Sync Ship: The Hogs
- Don't Need Your Lovin'
- Sitting There Standing
- Misty Lane
- She Weaves A Tender Trap
- Are You Gonna Be There (At The Love In)
- No Way Out
- In The Midnight Hour
- Come On
- Gone And Passes By
- I'm Not Like Everybody Else
- I Ain't No Miracle Worker
- Milk Cow Blues
- Medication
- 'Til The End Of The Day
- Psychedelic Trip
Tracks:
- Let's Talk About Girls
- In The Midnight Hour
- Hot Dusty Roads
- Gossamer Wings
- Baby Blue
- Medication
- Don't Let The Sun Catch You Crying
- Since You Broke My Heart
- Uncle Morris
- How Ya Been
- Devil's Motorcycle
- I Don't Need No Doctor
- Flowers
- Fireface
- And She's Lonely
- Dark Side Of The Mushroom
- Expo 2000
- Voyage Of The Trieste: The Yo-Yoz
- In The Past: The Yo-Yoz
- The Inner Mystique: The Yo-Yoz
- The Uncharted Sea AKA Voyage Of The Trieste: The Yo-Yoz
- Let's Go, Let's Go, Let's Go: The Inmates
- Let's Go, Let's Go, Let's Go: The Inmates
Product Description
Format: CD
Customer Reviews:
Chocolate Watchband-'Melts In Your Brain,Not On Your Wrist:The Complete Recordings-1965-1967' (Big Beat).......2007-02-10
A 2-CD, 43 track complete coverage (not compilation), but reportedly a complete repetoire of Chocolate Watchband's recordings. Cuts from their three 'proper' albums, 'No Way Out' ('67), 'The Inner Mystique' ('68) and 'One Step Beyond' ('69). See my reviews of all three. Plus,there are several exclusive cuts here that I've never seen available anywhere before. Like a couple of nicely done covers, Ray Davie's "Til The End Of The Day" and Don Everly's "Since You Broke My Heart".Plenty of other must-hear Watchband tunes here,like "Let's Talk About Girls","Don't Need Your Loving","Misty Lane","In The Midnight Hour",the jammin' "Milk Cow Blues", "Psychedelic Trip" and heavy-tripping "Voyage Of The Trieste" (seriously,if this cut doesn't get your toes tapping,you should seek professional help). Recently caught their club performance in an old movie 'Riot On Sunset Strip' (sort of like a movie version of the old Dragnet TV show). So highly recommended,it hurts.
PRETTY GOOD!!!.......2007-02-04
bands sound is very much in tune with the times then...i think you will like it, give it a try!...just do yourself a favor, and steer clear of this other group who calls themselves "the merry go-round", ugggh, the worst...ever! but these guys are a-ok.
The complete, untangled history of San Jose garage legends.......2005-07-15
Ace compilation producer Alec Palao has done a heroic job of untangling the convoluted history of one of garagedom's most revered bands. In doing so, he rewrites their not-quite-a-one-hit-wonderness into a compelling story of a great garage band that was completely undone by their producer, label and themselves. Fermented in the same San Jose, CA scene that produced The Count Five and Syndicate of Sound, the Watchband never managed a national chart breakthrough, and their signature recording, "Let's Talk About Girls," isn't wholly a product of the group. Their albums are at turns even more distant, featuring whole tracks recorded by other groups!
The entire history of the band - and more importantly the releases dropped under the name "The Chocolate Watchband" - is essayed here in excellent detail. Palao sorts through the various versions of the group, identifies the tracks that were altered by their producers (with substitute lead vocals from non-group members dubbed onto finished tracks), and highlights cuts recorded by completely separate bands and released under the Watchband's moniker. Interviews with the band's members help flesh out the various machinations involved in constructing these recordings, including the group's albums, all three of which were released after the Watchband disbanded.
What stands out most strongly is how good the results were - original, dubbed, and recorded by others. And even more surprising, how homogenous it seems. Even with the discography in hand, it's hard to internalize the crazy circumstances involved in waxing these sides. The best example is the band's signature cover of The Tongues of Truth's "Let's Talk About Girls." Watchband vocalist Dave Aguilar's original lead was scrubbed and replaced by non-band member Don Bennett's, who, in fact, was instructed to imitate Aguilar's original. This "original" Bennett version - the one most listeners are familiar with - is included alongside a version with a new Aguilar vocal dubbed in place. A similar pairing is included for the band's cover of "Medication." The newly cut vocals are truly more than a gimmick - they sound great and give a good idea of the band's original visions for these tracks.
Big Beat's double CD has it all - the albums, the singles, the oh-so-tangled story in words and pictures and poster reproductions. The discs also include bits of extra studio chatter, which are mildly interesting once and (due to the lack of separate CD index marks) intensely annoying on repeated plays. Worse, the chatter for a particular song is attached the end of the preceding track, necessitating manual editing (Goldwave, anyone?) of any rips that you make. This is a nit in the context of such a fine compilation, but one that Big Beat should think about for future releases.
Average customer rating:
- Transitional Treasures
- A lot of music for the money and it doesn't sound dated to me.
- Reissue of the MGM tracks
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Movin' On: 1967-68
Ian & Sylvia
Manufacturer: Universal/Polygram
ProductGroup: Music
Binding: Audio CD
General
| Alternative Rock
| Styles
| Music
General
| Folk
| Styles
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Traditional Folk
| Folk
| Styles
| Music
Revival
| Folk
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Canada
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Similar Items:
- The Beginning of The End
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- Long Long Time
ASIN: B00000IO64
Release Date: 1999-03-10 |
Tracks:
- Windy Weather
- Hang On To A Dream
- I Don't Believe You
- Where Did All The Love Go
- Mr Spoons
- National Hotel
- Sunday
- Pilgrimage To Paradise
- Reason To Believe
- Big River
- Trilogy
- Lovin' Sound
- Here's To You
- I Learned From Leah
- Woman's World
- Mr Spoons
- Shinbone Alley
- Please Think
- Stories He'd Tell
- Jickson Johnson
- Tears Of Rage
- Minstrel
Album Details
Legendary Canadian Folkies. Twofer Reissue of 'lovin' Sound' from 1967 and 'full Circle' from 1968.
Customer Reviews:
Transitional Treasures.......2006-07-03
A quick little story: I once met Ian Tyson at a hotel restaurant in Taos, New Mexico, where a sculptor who knew him introduced me. Tyson was having his dinner, so my friend and I only spoke with him very briefly. Mr. Tyson was in town to do a show at that hotel's ballroom a little later that same evening, and of course, we had tickets. During the course of our very brief conversation I couldn't help but gush about some of my favorite music that he and his former wife and musical partner had created so many years earlier. I mentioned how much I loved all of the Vanguard albums, but that the first one I had ever heard had been the later MGM record, THE LOVIN' SOUND. Mr. Tyson's face visibly drooped. We moved on; later, my friend explained that this was Tyson's least favorite record and that he actually hated it and wished it was not out there to tarnish an otherwise fine body of work. Some of us are our own harshest critics...
THE LOVIN' SOUND does have its charms, but I can sort of see why Tyson doesn't care for it. It is almost a pop record, and it belongs in neither the folk-folk/rock category with the Vanguard classics, or the later, more country-leaning records, THE GREAT SPECKLED BIRD and YOU WERE ON MY MIND (the latter is one I'm still hoping will eventually see a CD reissue), and certainly not the entire cowboy music canon of Tyson's great solo career. But because it was the first vinyl album I ever owned by Ian & Sylvia, I have a sentimental attachment to it. "Windy Weather" is almost a jazz piece, while "National Hotel" is an amusing, old-timey tune with a vaudeville flavor. The other songs are harder to pin down, stylistically, and hover somewhere between folk and pop, with the beautiful "Where Did All The Love Go" and Johnny Cash's "Big River" headed in a decidedly country direction. "Hang On To A Dream" is my favorite song on the original LP, and their version of "Reason To Believe" tops any other rendition of the song that I've heard. According to the booklet, THE LOVIN' SOUND was recorded before the expiration of their contract with Vanguard, so Ian & Sylvia did one more studio record for that label, a very country oriented affair, appropriately titled NASHVILLE. That came together during the same period of time in which The Byrds created their breakthrough country-rock album SWEETHEART OF THE RODEO. Ian & Sylvia, Joan Baez and Buffy Sainte-Marie all made pilgrimages to Nashville to record albums when the rest of the folk acts were gravitating towards rock, fading into obscurity, or vanishing altogether. In retrospect, these acts can be seen as pretty cutting edge. Even Bob Dylan hopped onto the country bandwagon with his NASHVILLE SKYLINE album. In this stellar company, Ian & Sylvia were way ahead of the curve that headed eventually toward what became known as "alt.country." The current stars of the genre owe the above roster of folk pioneers a debt of gratitude, which, indeed, the more knowledgeable among them freely admit.
Next came Ian & Sylvia's second album for MGM, FULL CIRCLE, which continued down the country music path, and sealed their fate with what Sylvia calls "the Folk Nazis," who just couldn't bear the sight of an electric or pedal steel guitar on stage, and went "running for the exits!" In fact, it was during these few years when I think both singer/songwriters determined that they had finally come back to their roots and home. Country music had always been popular in Canada, and they had grown up listening to it. After their marriage and artistic partnership ended, they both stayed in the country genre. Tyson had the bigger, more successful career and all of his albums are worth investigating. FULL CIRCLE features some odd bedfellows, though. "I Learned From Leah" is really lovely and features some gorgeous pedal steel work, but then we have an amazing folk-rock epic with changing tempos called "Stories He'd Tell," and "Jickson Johnson" is a terrifying folk tale of robbery, abduction and murder, that has been done in many versions by several American and British folk acts through the years under various titles. It's a real nail-biter. There is a primo version of Dylan's "Tears Of Rage," too, so you can see that FULL CIRCLE, even with it's distinctive country-styled instrumentation is a rather eclectic project. In conclusion, LOVIN' SOUND and FULL CIRCLE are quite different, yet make an illuminating pair.
A lot of music for the money and it doesn't sound dated to me........2006-02-21
I bought this just to get "Lovin' Sound" which was a big hit in the United States when it was released. I have the 45 that my father bought back then. In fact, I bought this just to play that tune for him on a remastered CD (I assume) through a good stereo so he could hear all the detail he'd never heard before.
However, I ended up liking the whole disc much more than I thought I would. These two were good. Sylvia's voice is beautiful, more beautiful then most of the whiney guitar strumming coffehouse rock chicks of today.
So, why not give it a try? I'm not into folk and I like it. If you're into folk music you should love this stuff I would think.
Reissue of the MGM tracks.......2004-03-10
This set appears to combine the two albums Ian and Sylvia recorded for MGM after leaving Vanguard. While you can still hear the folk influence, there are clear pop influences as well, particularly in "Sunday", which I used as the theme for a television program in the early seventies.
"Reason to Believe" is the best cover I've heard of the Tim Hardin song--"If I listened long enough to you/I'd find a way to believe that it's all true/Knowing that you lied straight faced while I cried/Still I look to find a reason to believe"--recently covered by Rod Stewart.
There's also great humor in "National Hotel" and a wistful love song to their child in "Mr. Spoons". This may be a bit more for Ian and Sylvia true believers than their folk era tunes, but it's a great collection.
Average customer rating:
- Fans can never be objective...
- Classic Fairport Convention!
- An awesome anthology!!!
- Simply one of the best compilations ever!
- Disc One Will Become a Favorite CD!
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Meet On The Ledge: The Classic Years (1967-1975)
Fairport Convention
Manufacturer: A&M
ProductGroup: Music
Binding: Audio CD
British Folk
| Traditional British & Celtic Folk
| Folk
| Styles
| Music
General
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Traditional Folk
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ASIN: B00000JNMO
Release Date: 1999-07-27 |
Tracks:
- Chelsea Morning
- Fotheringay
- Mr. Lacey
- Book Song
- I'll Keep It With Mine
- Tale In Hard Time
- Meet On the Ledge
- Genesis Hall
- A Sailor's Life
- Who Knows Where TheTime Goes
- Percy's Song
- Come All Ye
- Matty Groves
- Tam Lin
- Crazy Man Michael
- Farewell, Farewell
Tracks:
- Now Be Thankfull
- Bonny Bunch Of Roses
- Walk Awhile
- Sloth
- Poor Will And The Jolly Hangman
- Journeyman's Grace
- John Lee
- Rosie
- The Plainsman
- The Hexhamshire Lasxs
- Polly On The Shore
- Bring 'Em Down
- Rising For The Moon
- White Dress
- Stranger To Himself
- One More Chance
Amazon.com essential recording
Fairport Convention in its early years was to British folk-rock what the Byrds were to the genre's American bookend. Boasting in their heyday a frontline of Sandy Denny, Richard Thompson, and Iain Matthews, the group's impact has, if anything, grown in the years since the classic lineup split up. Fairport's stature is largely attributable to the ongoing popularity of Brit-folk touchstones Liege and Lief and Unhalfbricking, as well as Thompson's continued high-caliber solo work. Meet on the Ledge offers 32 tracks on two CDs, ranging from the band's somewhat awkward pre-Denny 1967 recordings and on into the mid-'70s, nearly a half-decade after Thompson had moved on. Instructive liner notes and a smattering of rare and previously unreleased tracks make this anthology an exceptional starting point for those who haven't immersed themselves in Fairport Convention and the movement they cultivated. --Steven Stolder
Customer Reviews:
Fans can never be objective..........2006-04-26
From the OBJECTIVE reviewer...before Richard Thompson's over rated solo years there was his underrated Fairport Convention Years. This is a great over view and the best FC collection.
Classic Fairport Convention!.......2004-08-15
"Meet on the Ledge" covers Fairport Convention's recording career from their first Polydor album from 1967 till "Rising from the Moon" from 1975; the last one to feature Sandy Denny.
On their first 3-4 albums the Fairports were a more pop/rock oriented band than many people may realise. It wasn't until Dave Swarbrick's entry in 1969 that they grew into the traditional-folk/rock group that has become their trademark since.
Their first album, with Judy Dyble, is only represented by Joni Mitchell's "Chelsea Morning". It's a fine song from an album that had its fine moments, but lacked clear direction.
Their next two albums, on the other hand is very well reprented here.
5 songs from "What we did in our Holidays" and close to 27 minutes from "Unhalfbricking".
These two albums show great song-writing from both Richard Thompson and Sandy Denny. Sandy Denny's "Fotheringay" and "Who Knows Where the Time Goes" are both among her finest. Thompson contributes fine songs like "Meet on the Ledge" and "Genesis Hall"
Both albums feature covers of obscure Bob Dylan songs like "I'll Keep it With Mine" and "Percy's Song". I particularly like the latter, which was one of the songs that really turned me on to the band.
Their inspiration from traditional British music shows on both albums; especially on their 11 minute version of "A Sailor's Life", which features guest appearance of Dave Swarbrick ( on violin ) , who was soon to be a permanent member.
Their next album, the folk-rock classic "Liege and Lief", was Fairport Convention in a new line-up. Ian Matthews and Martin Lamble had been replaced by Dave Mattacks and Dave Swarbrick, both key members in Fairport history.
The album features traditional songs and great new originals like "Farewell Farewell" ( Thompson ), "Crazy Man Michael" ( Thompson/Swarbrick ) and "Come All Ye" (Denny/Hutchings ) . Their songwriting was very much in a traditional folk-style; so the album is very consistent and an all-time classic of folk-rock. It is very well represented with five tracks out of eight. One of my favourites from the album "The Deserter" is oddly enough not featured, though.
After "Liege and Lief" Sandy Denny and Ashley Hutchings were next to leave. Sandy was not replaced and Dave Pegg ( another key person in their history ) took over the bass, and added brilliant mandolin-picking to their style.
The new line-up recorded a great single "Now Be Thankful" by Thompson and Swarbrick, which is obviously included here.
Their 1970 album "Full House" is another milestone in folk-rock. The vocals of Swarbrick, Thompson and to a lesser extent Simon Nicol are so great that the voice of Sandy Denny is not missed here. The album is represented by Thompson's and Swarbrick's "Walk Awhile" and the live-favourite "Sloth". Two more songs from that period is included here. Their early 10 minute version of "Bonny Bunch of Roses" and the "Full House" outtake "Poor Will and the Jolly Hangman"; another Swarbrick/Thompson compostion which was pulled from the album in the last moment, which was really a big shame - a great song which is now included in its right place on the CD reissue of that album.
Strangely enough their next album "Angel Delight" is only represented by Swarbrick and Thompson's "Journeyman's Grace". Thompson had left the band by then and is not credited on the album except as a co-writer on "Journeyman's Grace" and "Sickness and Diseases".
The album may not be quite as consistent as "Full House", but still a very good album, and I think songs like "Banks of the Sweetprimroses" and "Angel Delight" had deserved a place on this compilation.
Their next album "John Babbacombe Lee" (1971) was a concept album, telling the story of the hanging of John Lee which never succeeded. Though it's a great album, and probably very much a Dave Swarbrick project, it is only represented by one track. This probably makes good sense, as the songs obviously work best as a whole.
Their next album "Rosie" was slightly more pop/mainstream oriented. Simon Nicol had left ( the last original member ) and had been replaced by Jerry Donahue and Trevor Lucas.
From the album we have Dave Swarbrick's beatiful "Rosie", which must be one his greatest songs. Very moving to hear Sandy Denny's and Linda Thompson's voices on the chorus. Richard Thompson is also playing on the track. The deep voice of Trevor Luces can ve heard on the other "Rosie" track "The Plainsman", which is also a fine song.
This line-up recorded one more album "Nine". Of the three track included from that album Dave Pegg's "Polly on the Shore" is by far my favourite; great vocals from Trevor Lucas. Dave Swarbrick's "To Althea From Prison" been a great addition from that album. The exquisite guitarplaying of Jerry Donahue is shining on many of the "Nine"-tracks.
The next album, and the last one to be represented here, is "Rising for the Moon" for which Sandy Denny had rejoined the band. After this album the band made a total change of direction ( into acoustic traditional folk ) with the commercially ( and artistically? ) flop of "Gottle o Geer", which was also to be their final original album for Island Records.
"Rising for the Moon" marks a fine end to a great era. With great songs from Sandy Denny ( the title track, "Stranger to Himself", "What is True", "After Halloween" and "One More Time" and Dave Swarbrick's "White Dress" and "Nighttime Girl". Sandy Denny is clearly the dominating personality here. The four songs selected for this compilation represent the album perfectly.
This compilation is highly recommendable; and if you want more of the same Island Records have reissued most of the Fairport Convention albums with great bonus-tracks.
An awesome anthology!!!.......2004-04-07
Of all the bands I have heard from Britain, especially around the 60s and 70s era this is one of my favorite bands. I was first drawn to them by Sandy Denny's beautiful voice which I first heard from Led Zeppelins song "Battle of Evermore" on "Stairway to Heaven." The songs I like are Fotheringay, Mr. Lacey, Book Song, Meet on the Ledge, Genesis Hall, Come All Ye, Matty Groves, and Tam Lin. On Disc 2 there are some some songs on there that I do like, but I don't play it as much as Disc 1. All in all this is still a great anthology.
Simply one of the best compilations ever!.......2002-02-05
From the most under-rated bands of all time....a great compilation of their music. Contrary to some of the other reviews in this section, Disc #2 is phenominal! They became a different group with each new release and I loved all of them. Especially: 'Full House', 'Angel Delight' and 'Nine'. Great stuff with Trevor Lucas and Jerry Donahue in the mid-seventies. Long live Swarb, Peggy, DM, and Simon for those latter years and beyond!
Heck, I'm listening to 'Gottle o' Geer' right now!!!
Disc One Will Become a Favorite CD!.......2001-11-16
Disc One is a great collection.
1)Chelsea Morning(Mitchell). This song isn't my favorite and I often skip it but since it was a radio hit....from the self titled first album.
2-7)Fotheringay, Mr. Lacey, Book Song,I'll Keep it With Mine(Dylan), Tale in Hard Time, Meet on the Ledge. I love all these songs from their second and much better What We Did on Our Holiday, thoughtful and thoughtfully played sixties folk rockers.
8-11)Genesis Hall, A Sailors Life, Who Knows Where The Time Goes, Percys Song(Dylan). I'm not a big Sandy Denny ballad fan so that third one "Who knows..." not a favorite but this is a very energetic group of folk rock with emphasis on the latter,those first two are rollicking epic tales, from their classic Unhalfbricking album.
12-16)Come All Ye,Matty groves, Tam Lin, Crazy Man Michael, Farewell Farewell. These are all Celtic rockers from the album that created that genre, Liege& Lief. Those first three will blow your British Isle socks off.
I highly recommend this first disc or several of the original albums on disc. However I can't recommend disc two, because it documents the band as members started leaving and whereas that first disc is one breakthrough recording after another, the second disc just repeats with ever diminishing success what was done on those early records.
Disc One is five stars. Disc Two is two stars for though it contains an occasional highlight the disc is for the most part filled out with material that is not really up to the Fairport standard set on disc one.
Average customer rating:
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Right On! Breakbeats and Grooves from the Atlantic and Warner Vaults 1967-1
Various Artists
Manufacturer: Wea
ProductGroup: Music
Binding: Audio CD
General
| Dance & DJ
| Styles
| Music
General
| Dance Pop
| Dance & DJ
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General
| Jazz
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| Funk
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Similar Items:
- Right On! Vol. 4
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- Cold Heat: Heavy Funk Rarities 1968-1974, Vol. 1
ASIN: B000025ALA
Release Date: 2000-10-24 |
Tracks:
- For What It's Worth-Cher
- General Confessional-The Electric Prunes
- Fat Mama-Herbie Hancock
- Captain Buckles-David Newman
- Headless Heroes-Eugene McDaniels
- The Shadow Of Your Smile-Jack McDuff
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- Spinning Wheel-Wade Marcus
- Bad Tune-Earth Wind & Fire
- Mr Cool-Rasputin's Stash
- Don't Cha Hear Me Calling To Ya-Junior Mance
- Stepping Stones-Johnny Harris
- Zimba Ku-Black Heat
- Soul Train-Charles Wright
- Got Out Of My Life Woman-Grassella Oliphant Quartette
- Feeling Alright-Lulu
- Crosswind-Billy Cobham
Album Description
Break beats and grooves from the Atlantic, Warner & Reprise label vaults, all recorded between 1967-1975. Many of these 17 tracks have been sampled by many top urban stars of the '90s, including Janet Jackson, A Tribe Called Quest, Cypress Hill and The Jungle Brothers. Includes cuts by Cher, The Electric Prunes, Herbie Hancock, Brother Jack McDuff, Archie Bell & The Drells, Earth Wind & Fire, Lulu and Billy Cobham. 1999 release.
Album Details
Break Beats and Grooves from the Atlantic and Warner Vaults 1967-1975.
Average customer rating:
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Rock On 1967
Various Artists
Manufacturer: Madacy Records
ProductGroup: Music
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- Rock On 1966
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ASIN: B000159E8S
Release Date: 2004-04-20 |
Tracks:
- Happy Together - The Turtles
- Expressway to Your Heart - The Soul Survivors
- Georgy Girl - The Seekers
- Gimme Some Lovin' - The Spencer Davis Group
- Knight in Rusty Armour - Peter & Gordon
- On a Carousel - The Hollies
- Little Bit O' Soul - Music Explosion
- By the Time I Get to Phoenix - Glen Campbell, Glen Campbell
- Ode to Billie Joe - Bobbie Gentry
- Tell It Like It Is - Aaron Neville
- Skinny Legs and All - Joe Tex
- Come Back When You Grow Up - Bobby Vee
Average customer rating:
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Put on Your Best Dress: Sonia Pottinger's Rock Steady 1967-1968
Various Artists
Manufacturer: Attack UK Old
ProductGroup: Music
Binding: Audio CD
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ASIN: B0000083PT
Release Date: 1995-12-12 |
Tracks:
- What A Agony
- Blam Blam Fever
- Move Up
- Play It Cool
- Swing And Dine
- Young Wings Can Fly
- Pata Pata Rock Steady
- All In One
- Put On Your Best Dress
- Tell It To me
- Hard To Confess
- Won't You Come Home
- Little Nut Tree
- Creation Version
- I Need Your Loving
- Say You
Average customer rating:
|
Rock on 1967 Vol 2
Various
Manufacturer: Madacy
ProductGroup: Music
Binding: Audio CD
ASIN: B000N0QXSK
Release Date: 2006-06-20 |
Rock Music:
- Runaway With//Hats Off to [Import]
- Sacred Love [Enhanced] [Extra tracks] [Import]
- See This Through & Leave [Import]
- self-untitled [Explicit Lyrics]
- Shine [Import]
- Sing the Big Hits
- Skelleftea [Import]
- Smash Hits: Party Mix
- Sock It to Me!
- Sound It Out [Import]
Rock Music
rock music