I'll Keep You Here
Track Listings
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1. Dans la Misere
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2. Day of Mourning
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3. Weak Traveller
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4. Dream It Away
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5. Will Tomorrow Wake Me Up
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6. Red Dress
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7. Deadly Quiet
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8. Whispering Somewhere
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9. Intermission
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10. En Haute Mer
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11. Little Friend
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Editorial Reviews
Product Description
Introducing the debut album from Kristiansand-based Merry November! Racing Junior discovered the band at one of their first concerts during the Norwegian Alarm Awards in 2002. Racing Junior saw the talent in their beautiful music, and sent them into the studio immediately. In fact, directly after the concert, they recorded their first song! Merry November consists of songwriters Andreas and Charlotte Ronja Knudsen. Andreas has, since the mid 90s, been an important part of the Norwegian underground in groups like Ring, 10th Floor Orchestra, Emily Lang, St. Thomas and Magnetic Tapes. I'll Keep You Here is an album of great beauty: fragile vocals, French duets and dream-pop that have been compared to Low, Gram Parsons, Tindersticks, Nick Cave and Einstürzende Neubauten. Between the whispery opening track and the inferno of the ending track, the moods change naturally, taking you away with them
I'll Keep You Here,Merry November,Racing Junior,Pop,Rock,Rock/Pop
I'll Keep You Here
Average customer rating:
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Menuhin & Grappelli Play...
Manufacturer: EMI Classics
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Similar Items:
- Menuhin & Grappelli Play Berlin, Kern, Porter & Rodgers & Hart
- The Very Best of Grappelli and Menuhin
- Menuhin and Grappelli Play "Jealousy" and Other Great Standards
- Anything Goes, With Yo Yo Ma
- Jazz in Paris: Oscar Peterson-Stephanie Grapelli Quartet, Vol. 1
ASIN: B0002Z83LG
Release Date: 2005-02-15 |
Tracks:
- Fascinatin' Rhythm
- Soon
- Summertime
- Embraceable You
- Liza
- A Foggy Day
- 'S Wonderful
- The Man I Love
- I Got Rhythm
- He Loves And She Loves
- They Can't Take That Away From Me
- They All Laughed
- Funny Face
- Our Love Is Here To Stay
- Lady Be Good
- These Foolish Things
- Laura
- April In Paris
- Autumn Leaves
- Autumn In New York
Tracks:
- Cheek To Cheek
- Isn't This A Lovely Day?
- Change Partners
- Top Hat, White Tie And Tails
- I've Got My Love To Keep Me Warm
- Heat Wave
- The Way You Look Tonight
- Pick Yourself Up
- A Fine Romance
- All The Things You Are
- Why Do I Love You?
- I Get A Kick Out Of You
- Night And Day
- Looking At You
- Just One Of Those Things
- My Funny Valentine
- Thou Swell
- The Lady Is A Tramp
- Blue Room
- Jealousy
- Skylark
Customer Reviews:
Most beautiful music.......2005-08-17
This is happy music.
Just plain happy, instrumental music.
Highly recommend to everyone.
Average customer rating:
- English is an asset and a drawback
- You Will Love Opera After Hearing Carmen In English
- A wholly credible "Carmen" -- finally!
- I love Carmen!
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Carmen (Sung in English)
Bizet , Bardon , Gavin , Plazas , Magee , and Parry
Manufacturer: Chandos
ProductGroup: Music
Binding: Audio CD
General
| Opera & Vocal
| Styles
| Music
Operettas
| Opera & Vocal
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General
| Classical
| Styles
| Music
Similar Items:
- Mozart: The Magic Flute
- The Barber of Seville / B. Ford, D. Jones, A. Opie; G. Bellini [in English]
- Verdi: La Traviata
- Mozart: The Marriage of Figaro
- Mozart - Don Giovanni / Garry Magee · Cullagh · Banks · Plazas · Shore · Tierny · PO · David Parry
ASIN: B00007JGRN
Release Date: 2003-03-11 |
Tracks:
- Prelude
- In The Plaza
- Just Look At That Delicious Morsel
- Here Come Our New Soldier Boys
- Jose! There Was A Girl Here Looking For You Just Now
- Off With You Old Soldier Boys
- Corporal! Sir!
- We Have Heard The Bell Summon Us To Meet Here
- Ah, Just Look!
- But Why Hasn't She Come, Our Carmencita?
- Love's A Bird Wild As Any Rebel
- Carmen! We Will Follow You High And Low!
- The Cheek Of It!
- Give Me News Of My Mother!
- Your Dear Mother And I Were Leaving Church This Morning
- I See My Mother's Face!
- Wait A Moment - I'm Going To Read The Letter
- Come And Help
- So, Corporal: Tell Me What Happened
- Well, Carmencita: What Do You Have To Say For Yourself?
- Where Are You Taking Me?
- There's An Old Bar In The City
- Careful - It's Lieutenant!
- Entr'acte
- From Far Away Mysterious Sounds
- Bravo, Bravo! More! Keep Dancing!
- Hurrah! Hurrah! The Torero!
- Who's That? It's Escamillo, The Bullfighter From Granada
- Hurrah! Hurrah! The Torero!
- You're Most Kind
- We'll Come With You, Senor Torero
- Toreador, Be Ready!
- At Last! We Got Rid Of Them As Quickly As We Could
- There's A Little Job That We're Starting!
- Being In Love Is Not A Reason
Tracks:
- To Bid You Welcome To Our Bar
- La La La La La La La La...
- Back To Camp!... Go At Once!
- That Flow'r You Threw To Me I Treasured
- No, It's Not Love At All!
- Hello! Carmen!
- Lieutenant Fair, It's True
- The Sky Above The Open Road
- Entr'acte
- Keep Going, Dear Old Friend, Kep Going!
- Right! Let's Stop For A While
- Shuffle! Cut Them!
- In Vain You Would Avoid The Bitter Things They're Saying
- You're Back!
- As For That Man, It Should Be Easy!
- Is This The Place?
- I Say That There's Nothing To Fear
- It's Him! I'm Sure It's Him Over There!
- Escamillo Is My Name, And I Come From Granada
- She Had A Lover Here
- Hola! Hola! Jose!
- You Should Take Care, Carmen
- Alas! Jose, Your Mother Is Ill
- Entr'acte
- A Few Cuartos! A Few Cuartos!
- Here They Come! Here They Come!
- If You Love Me, Carmen
- It's You! It's Me!
- Viva! Viva! What A Corrida!
Customer Reviews:
English is an asset and a drawback.......2004-07-20
The best thing about this recording of Carmen is the libretto. Conductor David Parry penned this facile and dramatic English translation. He avoids the pitfalls of literal translation to achieve an idiomatic flow that matches the rhythm of the original lyrics. I use this as a reference libretto for any of the French Carmens.
Unfortunately, the performance suffers from being sung in English. The singers declaim their parts with such proper British diction that Carmen comes across as a school marm. The spoken dialog is delivered beat for deliberate beat and is dripping with reverb. It makes the plaza, tavern and mountain pass all sound like a sewer pipe.
This is a good first Carmen for someone trying to understand the work. The libretto itself is a good investment for further listening. For an enjoyable performance with an emphasis on character and action, I recommend Regina Resnik on the London Double Decker set.
You Will Love Opera After Hearing Carmen In English.......2004-02-09
What a perfect introduction to opera. This newly released recording will surely get you hooked into opera. Carmen, a French opera by Georges Bizet, is the most recognizable and most popular in the opera world. It's famous melodies- the overture, the Habanera, The Toreador Song have all been featured in everything from cellular phone ring tones to Superbowl Commercial (last year's Superbowl with The "Opera In English" label has been making Italian operas into English for a number of years now. Also on the market are Verdi's La Traviata in English (with soprano Valerie Masterson as Violetta) Handel's Julius Caesar with Janet Baker and even Wagner's epic Ring Of The Nibeling sung in English. This is a terrific recording and I highly recommend it if you want to get into opera. Listen to this version first and then try the real, original French version Bizet had written. Patricia Bardon is sensational, sexy and dramatic as Carmen.
The real strength of this version is the dynamic drama. With the advantage of being sung in English, we get better insight on characters' emotions and motives, and we understand the drama a lot better. Carmen is all about great drama. Bizet drew the plot from the French writer Prosper Merimee's dark short story. Carmen is the ultimate femme fatale- a devil-may-care, sexy Gypsy living in Spain, seduces the conservatively raised soldier Don Jose, stealing him away from his fiancee, the passive Micaela, living a life of underground smuggling and rowdy taverns. "Habanera" and "The Gypsy Song and Dance" are very expressive of Carmen's extraordinarily liberal lifestyle. Don Jose, however, has fallen deeply in love- as he shows us in his song/aria "The Flower Song". But Carmen soon becomes tired of his constancy. Don Jose wants a committed, monogamous relationship with Carmen. But Carmen will not submit to love, since she is first and foremost a carnal creature. Eventually, she falls for the handsome Toreador Escamillo. Don Jose, consumed by jealousy, stabs Carmen at a bullfight after Carmen declares her love for Escamillo and rejects Don Jose's love. Don Jose's crazed, obscessive personality shines through in the English version as well. This tragedy has been done in English before so don't think this is the first time. Back in the 50's, there was a film, starring black actors "Carmen Jones" which was treated the same way as this opera- more like an English Broadway musical and with the dubbed singing voice of Marilyn Horne as Carmen. All in all, this recording is excellent.
A wholly credible "Carmen" -- finally!.......2003-09-17
This recording really sells "Carmen" as a drama. Although I have two other recordings of this opera and have seen it performed several times, it never quite worked for me dramatically. But thanks to the fine performances, conducting, and translation here, I've become a "Carmen" convert. Producing a good English-language performance of a foreign opera, especially a warhorse like "Carmen," is much more difficult than it might appear. You need performers who not only can sing the parts (of course) but also can sing *English* and make it halfway intelligible and make it sound like English and make it dramatically convincing to English-speakers. The singers on this recording do an excellent job all around. Don't be put off if you don't recognize their names -- they are up to the task musically and (especially) in their acting. Admittedly, as with *all* English-language recordings, some passages are very hard to understand without reading along, but most of the time the words are clear and effective. I would recommend this recording to any opera beginner or opera lover, even those who normally turn up their noses at performances in translation.
I love Carmen!.......2003-08-15
I do. I can think of no other opera with more melodic inventiveness, and few others with so sure a dramatic pulse. Carmen is popular and it thrills me to say that it is also a very good opera - not always true of popular things.
And what of this recording? Carmen sits well in English, so it is good to hear in translation, although some of the detais in the text jar. Escamillo refers to Jose as "my dear", which sounds rather peculiar, and the guide's line to Micaela: "it's not exactly inviting, is it?" sounds distinctly Middle England rather than Rural Spain. Some of the performers, not least Carmen herself, make the words work, although there are long tracts, especially with the chorus, where the language is distinctly indistinct.
The soloists are, by and large, strong. Patricia Bardon's deep, Handel-friendly voice adapts well to Carmen and she colours the music with phenomenal detail, sounding sexy and provocative from the start with an edge of pride and anger that emerges as the show goes on. She is out of her depth above the stave, though, and some extra top notes in the second act don't show her off to her best advantage. I have previously said that Julian Gavin is poorly served by recordings, though here he sounds much more even and gives a thrilling and musical performance (but his wooden spoken lines let him down). Mary Plazas is a lovely Micaela, rich-voiced and sincere (and word-perfect), but Garry Magee sounds miscast as Escamillo, lacking the ballast at the bottom of the voice to do justice to this tricky role.
The supporting cast is good (Mary Hegarty seems to do nothing but Frasquita these days!) but the really treasurable thing is the conducting. Stepping out of Italian Ottocento, David Parry turns his hand to this French Comedie with an appropriate lightness of touch. His pacing and handling of the set pieces is exemplary and the enrtractes go with a real swing.
A pleasure, then, for the Carmen naive or a novelty for the Carmen-acquainted. I nearly wrote Carmen-weary - but I don't think it's possible.
Average customer rating:
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Great Operatic Arias
Manufacturer: Chandos
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Binding: Audio CD
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ASIN: B0000DIGLK
Release Date: 2004-01-20 |
Tracks:
- 'La La La Lera, La La La La. Here At Your Service To Do Or Die Am!'
- All Is Deserted - In The Stars That Shine Above Me - My Hour Of Joy Approaches
- On The African Shores - Lisbon Fair, Beloved Homeland
- You Seem Unhappy - Trembling, I Feel The Horror - All In Vain Do You Try To Waken Tender Feelings
- Since The Day When Firs I Say You - You're Ernani! At Once I Despise You
- I Am Alone, Here In Private - How My Old Heart Beats Wildly
- Will You Go? Why Are You So Anxious
- Keep Very Still Now: Kneel Down Before Me
- Peace Is Concluded - From Everlasting Mountains - So My Fate Has Been Decided
- Charlemagne Inspire Me
- Prologue
Average customer rating:
- A strange experience...
- Menuhin&Grappelli
- always a winning pair
|
Menuhin & Grappelli Play
Manufacturer: EMI Classics
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ASIN: B000026BYI
Release Date: 1999-11-02 |
Tracks:
- Fascinatin' Rhythm
- Soon
- Summertime
- Embraceable You
- Liza
- A Foggy Day
- 'S Wonderful
- The Man I Love
- I Got Rhythm
- He Loves And She Loves
- They Can't Take That Away From Me
- They All Laughed
- Funny Face
- Our Love is Here to Stay
- Lady, Be Good
- These Foolish Things
- Laura
- April In Paris
- Autumn Leaves
- Autumn In New York
Tracks:
- Cheek To Cheek
- Isn't This A Lovely Day?
- Change Partners
- Top Hat, White And Tails
- I've Got My Love To Keep Me Warm
- Heat Wave
- The Way You Look Tonight
- Pick Yourself Up
- A Fine Romance
- All The Things You Are
- Why Do I Love You?
- I Get A Kick Out Of You
- Night And Day
- Looking At You
- Just One Of Those Things
- My Funny Valentine
- Thou Swell
- The Lady Is A Tramp
- Blue Room
- Jealousy
- Skylark
Customer Reviews:
A strange experience..........2003-11-03
They're both brilliant violinists but in very different genres, and Menuhin by his own admission never learned to improvise (unlike many of today's classical performers): he was trained in the post-Liszt, pre-jazz window when improvisation had died out in classical music and even cadenzas followed the score strictly (if Beethoven didn't write one, play Kreisler's). And it shows, rather painfully. He achieves a brilliant tone but that's about it: he plays these Broadway tunes completely "straight", and any student could do that equally well.
The CD is worthwhile for its curiosity value, but you'd get much better musical value buying Grappelli's jazz and Menuhin's classical recordings separately.
Menuhin&Grappelli.......2002-08-17
Music just does not get any better than this CD! I am a musician and hearing these two artists is a thrill. This is a CD for all music lovers. You will not be sorry if you purchase this CD
always a winning pair.......2001-01-29
You simply can't go wrong with a combination of two of the most talented violinists of our time. This cd is a wonderful showcase for them both and the choice of music is the greatest classics. It's a fun, winner of a cd.
Average customer rating:
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I'll Keep You Here
Merry November
Manufacturer: Racing Junior
ProductGroup: Music
Binding: Audio CD
General
| Rock
| Styles
| Music
Pop Rock
| Pop
| Styles
| Music
ASIN: B0002QO3MS
Release Date: 2004-09-07 |
Tracks:
- Dans la Misere
- Day of Mourning
- Weak Traveller
- Dream It Away
- Will Tomorrow Wake Me Up
- Red Dress
- Deadly Quiet
- Whispering Somewhere
- Intermission
- En Haute Mer
- Little Friend
Album Description
Introducing the debut album from Kristiansand-based Merry November! Racing Junior discovered the band at one of their first concerts during the Norwegian Alarm Awards in 2002. Racing Junior saw the talent in their beautiful music, and sent them into the studio immediately. In fact, directly after the concert, they recorded their first song! Merry November consists of songwriters Andreas and Charlotte Ronja Knudsen. Andreas has, since the mid `90s, been an important part of the Norwegian underground in groups like Ring, 10th Floor Orchestra, Emily Lang, St. Thomas and Magnetic Tapes. I'll Keep You Here is an album of great beauty: fragile vocals, French duets and dream-pop that have been compared to Low, Gram Parsons, Tindersticks, Nick Cave and Einstürzende Neubauten. Between the whispery opening track and the inferno of the ending track, the moods change naturally, taking you away with them
Average customer rating:
- A valuable collection.
- A good sampling of the last days of an inimitable artist.
|
Count John McCormack-The Final Recordings
Manufacturer: Pearl
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ASIN: B000000WQ6
Release Date: 1995-10-17 |
Tracks:
- God Keep You Is My Prayer
- At The Mid Hour Of Night
- When I Awake
- Down By The Sally Gardens
- She Rested By The Broken Brook
- Jesus Christ The Son Of God
- Jesu, Joy Of Man's Desiring
- Silent Noon
- The Street Sounds To The Soldiers' Tread
- Loveliest Of Trees
- While In The Moon The Long RoadLies
- The Dawn Will Break
- The Village That Nobody Knows
- Praise Ye The Lord
- Linden Lea
- The White Peace
- Little Boats
- She Moved Through The Fair
- No, Not More Welcome
- The Green Bushes
- Bantry Bay
- Maureen (Irish Cradle Song)
- Our Finest Hour
- Our Finest Hour
- Smilin' Through
Tracks:
- The Devout Lover
- Oh, Promise Me (Romanaza)
- A Rose Still Blooms In Picardy
- Jerusalem
- A Rose Still Blooms In Picardy
- Will You Go With Me
- Night Hynm At Sea
- Still As The Night
- Off To Philadelphia
- Come Back My Love
- Here In The Quiet Hills
- God Bless America
- The Battle Hymn Of The American Republic
- Interview And Conversation - The Gentle Maiden
- I'll Walk Beside You
- By The Lakes OF Killarney
- Love Thee, Dearest, Love Thee
- A Children's Prayer In Wartime
- One Love Forever
- Say A Little Prayer
- Ave Verum Corpus
- To Chloe
- Waiting For You
Customer Reviews:
A valuable collection........2003-01-12
Admirers of this very major singer may well judge this to be the very best collection of John McCormack reissues on the market. It gathers together everything he recorded in the last twenty months of his singing life. Joining with accompanist Gerald Moore at London's Abbey Road Studios, he recorded sometimes as many as six items at a recording session.
Gerald Moore, in his autobiography, recalled that John McComack was averse both to rehearsing and to recording more than one take of each song. Of the dozens of items here, almost all derive from a first take. Only once was there a tiny error. It occurred in the song "The Green Bushes". Listen carefully, and you will hear John McCormack begin to sing "So sweetly she sang" before correcting it, in the nick of time, to "So sweetly sang she". There was never a chance to do another take, but fortunately the item was eventually issued after McCormack's death. Indeed, there are many items here that were issued posthumously, and at least six published here for the first time. A couple of duets with Maggie Teyte have had little or no circulation. One of them here sounds to be copied from a slightly faulty but perhaps only existing copy.
In the old-fashioned, sentimental and imprecise terminology of his day, McCormack sang from his heart, and aimed to touch the hearts of his hearers. It is fortunate that sound recording caught these performances so well, before emphysema silenced McCormack forever, and it is fortunate that Pavilion Records and supervisor Brian Fawcett-Johnston make them available today.
A good sampling of the last days of an inimitable artist........1999-04-21
By the time these performances were put to wax, McCormack's voice was twenty or more years past it's prime. But, unlike most classically trained singers, McCormack's vocal limitations appear to have encouraged a more musically adventurous approach to his singing. His later recordings have an immediacy and sponteneity that is absolutely unique to a singer of his era and training. His singing is, in fact, more like that of a "pop" singer, in that the voice takes a back seat to the phrasing, and ablility to convey a lyric with honest emotion instead of histrionics. The clarity of tone, and the ring of the high notes is gone in these recordings, but the "presence" of McCormack the songster is stronger than ever. The transfers are excellent, as we have come to expect from Pearl. While the fidelity is not what most expect from today's recording techniques, to my ear they are more satisfying. The voice is recorded up-front and very clearly, and we can revel in the knowledge that it was all originally recorded "honestly"; that is, without edits and without electronic alterations of any sort. McCormack was a great artist who never became boring. In this day of bellicose tenors who are content to sing the same repertoire in the same manner year after year, that is saying a lot. If McCormack's singing is new to you, do yourself a favor and get this one. Also pick up one of his youthful operatic recitals, and you will come to know just what a great performer and amazingly varied artist he was. Enjoy, for his like will probably not be heard again.
Rock Music:
- Implosion
- Infrared Roses
- In Strum Mental
- Inui, Vol. 3
- Is My Head Still on [Import]
- Live in Seattle [Limited Edition] [Live] [Import]
- Living Is the Best Revenge
- Living or Dying
- Loud New Shit
- Machine Punch Through [Import]
Rock Music
rock music