Outside Out Ep [CD-single] [Import]

outside out ep [cd-single] [import]

Track Listings

1. Outside Out

2. Let Me Go Down

3. If I Told You

Editorial Reviews
Product Description
Televise Are a London Band Formed by Simon Scott (Formerly of Slowdive, Inner Sleeve and Lowgold). 'outside Out' is their Debut 3-track Single Echoes of 4ad's Finest Moments, Thrill Jockey's Freedom and Creation's Greatest Signings Are Clues to their Sound. 'outside Out' is Pure Shoegaze Pop, Reverb, Delay, Distortion, Digital Silence and Analogue Destruction, Recalling Ride, Swervedriver, Spiritualized at their Best. Recorded by Legendary Producer Pat Collier, Televise have a Lush Sound that Betrays their Roots While Still Sounding Fresh and Full of Energy, While the Two B-sides Are More Thoughtful and Hint at Great Things to Come.

Outside Out Ep,Televise,Club Ac30,Rock

Outside Out Ep [CD-single] [Import]

Average customer rating:

Buy this cd now!!
Beautiful- an unexpected gem.
Oh My Go#.
Waiting for Heaven &Hell to battle never happened
Paradise isn't lost on this album.

Paradise Lost
Symphony X
Manufacturer: inside out
ProductGroup: Music
Binding: Audio CD

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Ghost Opera
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Systematic Chaos
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ASIN: B000I8ON6Q
Release Date: 2007-06-26

Tracks:

Oculus Ex Inferni
Set The World On Fire (The Lie Of Lies)
Domination
The Serpentís Kiss
Paradise Lost
Eve Of Seduction
The Walls Of Babylon
Seven
The Sacrifice
Revelation (Divus Pennae Ex Tragoedia)

Album Description

The masters of Symphonic Power Metal are back!

Symphony X are recognized by-and-large as one the most important acts in the worldwide metal scene. After the release of their hugely successful CD, The Odyssey - and after nearly five years - Michael Romeo and his band have returned with what is already being praised as their best work to date. Paradise Lost has all the trademarks that have come to be associated with Symphony X: Incredibly intricate and powerful, yet-melodic compositions that showcase every member's unrivaled technical skill as instrumentalists. However, once again it must be said that the spotlight is squarely on the ferocious vocal force of singer Russell Allen and the almost inhuman pyrotechnics of guitarist Michael Romeo.

The North American version of Paradise Lost features a fantastic foldout and diecut digipack that was designed by Warren Flanagan, who has done art-direction for major motion picture blockbusters such as I Robot, X-Men and Blade.

This is thee guitar release of the summer!

Customer Reviews:

Buy this cd now!!.......2007-07-15

As a metal fan for over 25 years, this cd is as good musically as the best albums from Black Sabbath, Judas Priest and Iron Maiden. The genre may be a little different than the first 2 bands, this is the level of musicianship that most bands should aspire to reach. Should get 6 stars, simply phenominal.

Beautiful- an unexpected gem........2007-07-14

I have always been a casual Symphony X fan. I only picked up "Paradise Lost" because I wanted some good power prog metal, and the Blind Guardian remasters haven't made it to US shores yet. However, I was pleasantly surprised upon listening to it. This album lacks most of the cheesy elements they are known for. The lyrics are better and the keyboard solo parts are much more tastefully done. Finally, the concept of the whole album is very cool- I've yet to see a band do Milton's "Paraside Lost" yet, but Symphony X have risen the bar very high for any band that might like to try in the future.

In short, this album is the band's new weapon. It's a masterpeice. It blows everything I've heard by them (at least half of their discography) to peices. It makes "Twilight in Olympus" look like amateur work. It's good enough to make up for Dream Theater's recent failure, and it's everything the new Manowar album aspired to be, but more. If you like prog, metal, both, or just moving music, buy this album. The title song "Paradise Lost" is worth the price of admission alone.

Oh My Go#........2007-07-13

I am currently reviewing my religious affiliation due to this release, so I cannot comment any further than to say, that the Albumn is incredible.
Mindbending, and Blowing to say the least...

Paradise is not lost for the true metal listener, it is somewhere between track 5 and 9. This is the best I've heard in ...well ok, forever...

Waiting for Heaven &Hell to battle never happened.......2007-07-09

Truthfully,I was waiting for a lot more in SX's cd.In the following,I will try to tell why I feel this is lacking in creativity,drive and progressiveness.

First of all,the wait for the new cd,to fans,seemed eternal.When it was finally released,the fans expected something spectacular,what we got was something that lacked creativity. The story-line,for one is patchy,when cross-efferenced to Milton's epic novel.That's alright,but at least,give the fans something to think about and sink their teeth into.The lyrics are similar to an abridged version of a literary masterpiece.

Musically,the boys still have their chops but the song writing needed to be distributed fairly.It's basically a Allen/Romeo concept,Pinella had nothing to do with it,he's mixed out real good.That's what made The Oddessy and V,Mythology Suite great,the mixture of all writers.Allen's phrasing is too cliché,instead of flirting with other patterns,he sticks to Wings of Divine Tragedy and even totally disgusts me when in the should be apex song, Paradise lost,there is a point where he sings something like Michael Bolton.The raspiness is also annoying in some parts.The whole originality of it it lost.

Progressively,it lacks when compared to their others.It's too commercial,that's what happens when success creeps up the door,it's happened to the best.The cd is not bad,it's just not great.In a summer,when progressive music could have had 4 great releases: Dream Theater,Kamelot,Rush and Symphony X,only Rush's Snakes and Arrows proves to be the best.
Now,as for the designer of the cd packaging ,they should be slapped with a dirty ,stinky salmon fish and hung upside down.The quality of the packaging is low budget and low imagination........ouch,this review hurts me as well !!!!!!!

Remember,small minds,this review is simply my opinion based on my expectations of a great progressive group.

Paradise isn't lost on this album........2007-07-09

Symphony X has been a big part of the progressive metal movement. While not as popular as other bands in the genre, like Dream Theater, Opeth, Therion, Symphony X has still been able to make a name for themselves with their neo-classical style of playing, the superb vocals of Russell Allen, and the mesmerizing guitar work of Michael Romeo.

Symphony X has released a concept album based on the classic poem by John Milton, Paradise Lost. The album is being hyped as one of the darkest and edgiest albums Symphony X has ever made.

"Oculus Ex Inferni"
This song is an instrumental that sets the album's mood and tenor for the rest of the album. The instrumental successfully builds tension as the listener hears an epic choir.

"Set the World on Fire!"
This song is blazing fast, with precise drumming and shredding riffs and keyboards. The chorus is good. The song dives into a brilliant unison solo between Romeo and Pinnella before ending with a tremendous riff.

"Domination"
This song starts off with a bass solo before the whole band joins in. The sound continues in the style of the last track. Russell Allen gets a special mention in this track as he almost sounds crazed in a few sections of this song, with his growling vocals really taking form. The middle section of "Domination" is highlighted by another spectacular Romeo solo and some great keyboard work by Pinnella.

"Serpent's Kiss"
This song starts off a bit slow, the opening riff is slow and straight ahead. The song does pick up speed. The song, while not having the same impact as the last two tracks, is a solid track that leads into the first ballad of the album.

"Paradise Lost"
This song is the first of two ballads that help to show the softer side of Symphony X. "Paradise Lost" starts off with superb piano and acoustic guitar. The song picks up and the piano and acoustic guitar drive the melody throughout the track. Russell Allen is finally able to really sing. Mention should be made to Pinnella. While his influences on the past couple of songs haven't been as strong as in the past, he is still able to stand out with his keyboard playing.

"Eve of Seduction"
This song brings back the frantic pace from the first half of the album. Romeo has an opening solo that would make any other metal guitarist proud. The song is fast, yet brings some groove and melody to the chorus by slowing the track down a bit. Romeo pulls out one of his craziest solos on the album so far and that helps to make the track stand on the album.

"The Walls of Babylon"
This song is over eight minutes long and is the first of three epic tracks. The song is so epic that the vocals don't even come in until the second half of the song! A choir of voices is used in the first half, which helps to make the track sound very creepy. The instrumental section isn't fast, but it is very technical, with some good riff changes and bass playing. The second half is not as spectacular as the first half, but the guitar work is solid and the vocals are full of power and rage.

"Seven"
This song which is the 8th track, is the second epic, at a bit over seven minutes. The song is one of the heaviest on the album, and also has the best interlude on the album, which goes on for over two minutes. The highlight of this interlude is two Romeo solos, the return of the creepy choir, and a superb bass section.

"The Sacrifice"
This song is the second ballad and is 1 heck of a ballad. Piano and acoustic guitars are the flavor of the song. However, the acoustic guitars are more of a stand out in this track than "Paradise Lost." Allen puts in his best vocal performance of the album with an emotional performance. Romeo even gets a chance to show off his acoustic skills at the end of the track, when he plays a forty second solo with the an acoustic guitar. I feel this ballad is much better than the title track, but both are very good and short enough to not be repetitive.

"Revelations (Divus Pennae Ex Tragoedia)"
This song is the last epic track, and the longest track on the album, clocking in nearly the nine and a half minute mark. Starting with an epic sounding guitar introduction, the track shows off the band's progressive nature. Romeo plays a fast riff while Pinnella plays a piano in the background. Eventually, Allen's vocals come in and the song picks up in intensity, but the piano is continued to be played in the background. The song changes pace about two minutes in, slowing down to let the band show off their technical playing ability. The interlude comes out of nowhere, with keyboards taking over. Pinnella keyboard skills are in full form in the interlude, as he gets the chance to let loose on the piano and keyboard. Romeo, of course, gets in a great solo before the band slows down yet again. The pace picks up for its exceptional conclusion, where a lonely acoustic guitar and piano fade out as a choir sings of the apocalypse, which is a good end to Paradise Lost.

I feel this album is one of the strongest releases in 2007. The darker music makes for some interesting riffs and song ideas. While some songs don't stand out as much as others, and there is no defining epic track. Paradise Lost still stands out in the progressive metal field.

Average customer rating:

To Infinity and Beyond
Skip this one..
Sellouts?....No. Dissapeared off the radar?....uh no. Follow up to a great debut?....Yes!
FOB RULZ!!!!!!!!!!!!!!!!1111
Now, press repeat!!

Infinity on High
Fall Out Boy
Manufacturer: Island Records
ProductGroup: Music
Binding: Audio CD

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Emo | Hardcore & Punk | Alternative Rock | Styles | Music

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The Black Parade
From Under the Cork Tree
The Best Damn Thing [CLEAN]
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ASIN: B000LC4ZIK
Release Date: 2007-02-06

Tracks:

Thriller
The Take Over, The Break's Over
This Ain't A Scene, It's An Arms Race
I'm Like A Lawyer With The Way I'm Always Trying To Get You Off (Me & You)
Hum Hallelujah
Golden
Thnks Fr Th Mmrs
Don't You Know Who I Think I Am?
The (After) Life Of The Party
The Carpal Tunnel Of Love
Bang The Doldrums
Fame-Infamy
You're Crashing, But You're No Wave
I've Got All This Ringing In My Ears And None On My Fingers

Amazon.com

After the success of From Under the Cork Tree, Fall Out Boy earned the right to indulge their whims. Fortunately, their instincts tend to serve them well (not counting those infamous cell-phone photos). On their most adventurous album, Def Jam prez Jay-Z introduces "Thriller," while Kenneth "Babyface" Edmonds produces groove-heavy hit "This Ain't a Scene, It's an Arms Race" and "Thnks fr th Mmrs." A few new flourishes aside, however, like guitarist Joe Trohman's Metallica moves on "Thriller," the Chicago-bred band remains true to their punk-pop roots, even if vocalist Patrick Stump sounds like Mr. Sexyback on "This Ain't a Scene" and "I'm like a Lawyer with the Way I'm Always Trying to Get You Off (Me + You)." You can thank bass player/songwriter Pete Wentz for the unwieldy song titles. As he explains in "Fame < Infamy," "I am God's gift / Why would he bless me with such wit without a conscience." Whether spicing up their recipe with R&B swagger or playing it straight, FOB are at their best when they crank up the volume. Hence, the piano-based "Golden" is the weakest track on an otherwise solid outing. Hey, maybe they just wanted to see what a stadium looks like bathed in the glow of a thousand lighters. Taking its title from a letter Vincent Van Gogh sent to his brother Theo ("Be clearly aware of the stars and infinity on high"), Fall Out Boy's fourth seems likely to follow its predecessor into the platinum stratosphere. --Kathleen C. Fennessy

Customer Reviews:

To Infinity and Beyond.......2007-07-10

The follow-up to Fall Out Boy's breakout "From Under the Cork Tree" finds them infused with a new-found confidence and an arena rock cockiness. Fortunately for them, they manage to aim for the Stadium Nose-Bleed seats and succeed. From the opening braggadocio of their label Prez Jay-Z to the funky beats that undercoat "I'm Like A Lawyer..." (produced by none other than Babyface Edmonds) to quoting Leonard Cohen in "Hum Hallelujah," Pete Wentz shows he and his mates have no intention of playing it passive.

They also come up with hooks a-plenty. The slapping drum and bass that kicks "The Take Over The Breaks Over" is irresistible. The hit "This Ain't A Scene It's An Arms Race" will have you football cheering and stamping your feet in no time flat. There are so many memorable moments on this CD that pointing them out is beyond the point...they just craft themselves elegantly into each song. The Choir in "You're Breaking But You're No Wave" is probably my personal favorite.

Be that as it may, there are times when the band teeters close to smart-aleky. Especially the unwieldy song titles and frequent self-referencing. There is a touch of the clever-clever here that makes me wonder if the band can transcend "being poster boys for the scene" (as they sing in "Thriller") in the way My Chemical Romance did on "The Black Parade." But for the 14 catchy rocking tunes on "Infinity On High," Fall Out Boy show that they are hungry for more.

Besides, any band that can work both The Simpsons and Vincent VanGogh into their overall view is OK by me.

Skip this one.........2007-07-06

Just buy the singles that you like on the radio. This album is crap. I dont know why they put JayZ in there and most of the critical reviews on amazon pretty much summed it up. I really believe some people are frocing themselves to like this album.

Sellouts?....No. Dissapeared off the radar?....uh no. Follow up to a great debut?....Yes!.......2007-07-03

What can I say? I love this album to death! I've been a FOB fan since early 2005. Now that's not reeeeally a long time, since that's when they kinda started to get noticed. I wish I was there from the start, but personally, if you didn't live in the Greater Chicago area, I think maybe that would have been a bit hard. (Hey. I might be TOTALLY wrong).
Anyway. Great hooks, Great melodies, Great lyrics (which don't really have a "plot" or "story" to 'em, but hey who cares!). One million out of ten. And will ALWAYS be in my top 3 albums ever.

FOB RULZ!!!!!!!!!!!!!!!!1111.......2007-06-18

Omg FOB iz the best emo baNd there iz!!! this cd rocks as much as FOB duz lolzZzZ!!!!!!!!!!!!!!!!!!! especially thnks fr th mmrs that title iz just SOOOO deep and meaningful bcuz itz soooo kewl and unique. Omg I just luv FOB!!!1111

Now, press repeat!!.......2007-06-17

Fall Out Boy are an alternative punk rock group, if ever they could be classified, and their latest CD "Infinity on high" has already topped the Billboard album charts. The album comprises 14 songs with ambitious titles, averaging 3 minutes each.

Opening with an introduction from Jay Z (yes) as well as on outro, opening cut "Thriller" is an energetic number with machine gun-like guitars.

"The take over, the break's over" is a catchy upbeat song, while lead off single (and US & UK #2 hit) "This aint a scene, it's an arms race" - one of those rare FOB cuts to feature the song title in the song - shifts tempo from plodding to frenetic. It is produced by Babyface, as is "Thnks Fr Th Mmrs" (great jangly guitars).

Other standouts are the hand clap filled "Don't you know who I think I am", the more downtempo "I'm Like A Lawyer With The Way I'm Always Trying To Get You Off (Me & You)", "The (after) life of the party", "The carpal tunnel of love", the sing-a-long "Bang the doldrums" (which is remniscent in parts of The Smiths), and wickedly catchy "Fame infamy" which seems to race at the speed of light.

"You're Crashing, But You're No Wave" is a Killers/Franz Ferdinand-like rocker with lyrics telling the story of a court case. Brilliant!!

Lead singer Patrick Stump, has an earthy, soulful voice, sometimes remniscent of Terence Trent D'arby.

Like the voice says at the end of the disc, "Now, press repeat!"

10 Days Out (Blues from the Backroads)/ (CD/DVD)

Average customer rating:

Blues greats, best of blues artists
Outstanding
Great!
As real as you can get
AMAZING cd...

10 Days Out (Blues from the Backroads)/ (CD/DVD)
Kenny Wayne Shepherd
Manufacturer: Reprise / Wea
ProductGroup: Music
Binding: Audio CD

Contemporary Blues | Blues | Styles | Music

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ASIN: B000IFQLSW
Release Date: 2007-01-23

Tracks:

Prison Blues
Potato Patch
Honky Tonk
The Thrill Is Gone
Tina Marie
Born in Louisiana
Chapel Hill Boogie
Tears Come Rollin' Down
Knoxville Rag
Big Daddy Boogie
U-Haul
Red Rooster
Sittin On Top Of The World
Spoonful
Grindin' Man

Amazon.com

This "back-to-the-roots" road-trip documentary CD/DVD from blues-rocking guitarist Kenny Wayne Shepherd can be viewed in two ways--it's either the culmination of a long-held desire to promote and play with some unheralded blues veterans before they pass away (as six had already done since the recording was made, 2½ years before its early 2007 release) or a way to regain the blues audience Shepherd all but alienated on his artistically and commercially disappointing 2004 hard-rock release, The Place You're In. Ultimately, it succeeds on both accounts. Regardless of the project's inspiration, the results by and large justify whatever the means might have been to get this show on the road--literally and figuratively. Shepherd hit the highway for a week and a half along with producer Jerry Harrison (ex-Talking Heads), a portable studio, and backup musicians including the rhythm section from Stevie Ray Vaughan's Double Trouble. He searched out blues artists both obscure (the late guitarist Etta Baker, who plays in her kitchen, is a highlight) and better known (Clarence "Gatemouth" Brown and B.B. King) for a series of acoustic and electric jams, all of which feature Shepherd--who, to his credit, generally keeps his hot-dogging tendencies in check. A closing concert featuring members of Howlin' Wolf and Muddy Waters' bands never quite generates the heat it should, but country bluesmen Cootie Stark, Neil Pattman, and harmonica ace Jerry "Boogie" McCain provide plenty of sparks. Shepherd seems sincere enough, but the real stars are the ageing musicians who have maintained their chops and intensity through a lifetime of performing music that clearly comes from the soul. --Hal Horowitz

Album Description

Kenny Wayne Shepherd's reverence for his musical roots are center-stage on Ten Days Out...Blues From The Backroads, a CD+DVD package that features the guitarslinger and Double Trouble rhythm section of bassist Tommy Shannon and drummer Chris Layton performing with some of the greatest blues players of our time as well as lesser-known but historically significant bluesmen. Traveling to their hometowns to record everywhere from juke joints to front porches, from New Orleans to Kansas, Shepherd celebrates and becomes part of blues history with Ten Days Out...Blues From The Backroads.

Customer Reviews:

Blues greats, best of blues artists.......2007-07-07

Wonderful DVD/CD chronicling major historic blues artists - one of a kind album - a 'must have' for the blues enthusiast. Highly recommend!

Outstanding.......2007-07-04

I bought this CD/DVD AFTER seeing KWS in concert at Viejas here
in San Diego. What a treat to see and hear Pinetop Perkins and
Hubert Sumlin among others! My estimation of KWS as a performer
and good guy increased by a quantum leap after seeing the show.
He may be one the best guitarists I've ever seen live, and he
respectfully kept that fiece talent in check when the others were
stepping out. He seems a real gentleman as well as lover of the
music and the people.

The package is excellent, a real gem. The interviews and background
materials are touching, especially of the folks that have since passed.

BUY THIS CD. THESE GUYS ARE THE REAL DEAL. YOU WON'T BE SORRY!

Great!.......2007-07-04

This is actually my second purchase of this item. When I purchased one for myself and realized how good it was, I purchsed one as a gift for a friend. Highly recommend for anyone who loves the blues.

As real as you can get.......2007-06-27

I stumbled on this by accident while looking for another blues cd (big blues fan). I read about how Kenny Wayne Sheperd wanted to connect with these old blues pioneers and it sounded like it might be worth a try.He and his crew have put together one of the most entertaining documentories
I have ever seen.The cd is fantastic as well with track after track of pure blues. If you are a blues fan this DVD/CD combo is a must. You won't be disappointed.

AMAZING cd..........2007-06-23

This is one of the best works of pure music I have bought in awhile. Not very often do you buy something where the artist really tried to make a statement with the music, but here, they do. For KWS and company to just go out, find the ROOTS of the music we listen to today, and make music on the spot with them is just amazing. Too bad they didnt bring more film to document even more than they already did. I could watch that footage for days. Everything here is beyond top notch. Very insightful, provides a glimpse of where the music came from and where it is going. If your a fan of ANY kind of blues, southern, or just guitar led music...you will love this.

Average customer rating:

Time Out for a Timeless Classic
A classic !
This CD Changed The Rules
Time out....Dave Brubeck Quartet
Brubeck in SACD...heaven

Time Out
Dave Brubeck Quartet
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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ASIN: B000002AGN
Release Date: 1997-03-25

Tracks:

Blue Rondo A La Turk
Strange Meadow Lark
Take Five
Three To Get Ready
Kathy's Waltz
Everybody's Jumpin'
Pick Up Sticks

Amazon.com essential recording

Boasting the first jazz instrumental to sell a million copies, the Paul Desmond-penned "Take Five," Time Out captures the celebrated jazz quartet at the height of both its popularity and its powers. Recorded in 1959, the album combines superb performances by pianist Brubeck, alto saxophonist Desmond, drummer Joe Morrello and bassist Gene Wright. Along with "Take Five," the album features another one of the group's signature compositions, "Blue Rondo a la Turk." Though influenced by the West Coast-cool school, Brubeck's greatest interest and contribution to jazz was the use of irregular meters in composition, which he did with great flair. Much of the band's appeal is due to Desmond, whose airy tone and fluid attack often carried the band's already strong performances to another level. Together, he and Brubeck proved one of the most potent pairings of the era. --Fred Goodman

Album Details

Limited Millennium Edition. Packed in a Heavy Weight Card Wallet that Faithfully Recreates the Original Vinyl Sleeve, Right Down to the Inner Bag. The Wallet Will Come in a Plastic Cover.

Customer Reviews:

Time Out for a Timeless Classic.......2007-07-04

This is a reissue of the 1959 studio session. Although Blue Rondo and Take Five are the signature pieces for the Quartet, the other tracks are in keeping with the innovative time signatures 5/4, 6/4 and variations of 4/4 and 3/4 time. What else can you say except it's a classic and belongs in evryone's collection.

A classic ! .......2007-07-01

This Cd is just GREAT and such a Jazz classic! The re-mastered version of this Album is absolutely wonderful---sounding so crisp and sharp!

The songs speak for themselves, as they are some of Brubeck's most famous hits.

This is a highly recommended re-mastered version of Dave's TIME OUT Album!

This CD Changed The Rules.......2007-06-16

This album changed the rules in jazz in two important ways. First, it introduced atypical time signatures to jazz performers. Performers were pushing ever other musical limit, including harmony (Miles Davis, Bill Evans, . . .), melody (John Coletrane, Eric Dolphy, . . .) and song structure in general (Ornette Coleman, Cecil Taylor, . . .). 4/4 and 3/4 time signatures were already optional in contemporary classical music and some ethic music. Brubeck opened up this fertile opportunity for the jazz world (and later rock like Led Zeppelin, Jethro Tull and Rush). Perhaps more remarkable was the fact that this album proved that the public was receptive to this new approach to popular music. Brubeck went pioneering and returned with no lethal arrows in him.

The best part about this album is that this new technique was not just a novelty; it was a path to creating timeless compositions like Take Five and Blue Turk a la Rondo. My favorite things about Brubeck are his range of expression (from cool and understated to highly muscular), and the unique voice of Paul Desmond's saxophone. Desmond's instrument has the bird-like sweetness of Charlie Parker combined with the lazer-focused tone of John Coletrane. The alternating solo voices really injects life and breath into the group.

The use of different time signatures did not did not get embraced as widely as one might expect in a genre built on creativity. Some felt that odd time signatures did not "swing" (although Brubeck and others disproved that), some may not have felt comfortable with or inspired by this new approach, and I suspect that the distinctiveness of this contribution by a white man made it "uncool" among many jazz musicians to do something that sounded "like Brubeck". The happy side effect for Brubeck is that this album stands out in jazz like few other works.

Time out....Dave Brubeck Quartet.......2007-06-01

A clear jazz master piece......remastered by Sony....better than the originaland better than todays Brubeck Quartet

Brubeck in SACD...heaven.......2007-05-17

Sony/Columbia did this superb sounding disc very well in this SACD transfer! This rivals the original edition Lp for lovely sound, and I think it is among the best single layer SACD's out there (Mingus ah um is THE best to these ears!). You know (or should know) the music, so don't hesitate getting it on SACD! I should add I am not into 5.1 for music. My sound review refers only to 2 channel stereo sound.

Orphans [Fold-out Digipak with 24-page booklet]

Average customer rating:

Quantity over quality
i assume 5 stars is appropriate
Absolute Favorite Singer!
It's Tom Waits, and therefore excellent
Why did I wait so long before buying this CD?

Orphans [Fold-out Digipak with 24-page booklet]
Tom Waits
Manufacturer: ANTI
ProductGroup: Music
Binding: Audio CD

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Children's Story
Heigh Ho
Army Ants
Books Of Moses
Bone Chain
Two Sisters
First Kiss
Dog Door
Redrum
Nirvana
Home I'll Never Be
Poor Little Lamb
Altar Boy
The Pontiac
Spidey's Wild Ride
King Kong
On The Road

Amazon.com

With these astounding 54 songs (plus two bonus tracks) Tom Waits has added a vital new work to his catalog. The title, Orphans, refers to the songs either being from a range of outside projects, various impulses, and whims, or simply not having found a place on the albums for which they were intended. While that scenario has constituted a stopgap measure for lesser artists, this set stands alongside Waits's finest work. He has shaped it into three separate discs, each one separately titled after the prevailing character of its tracks and playing with its own mood and dramatic arc. Brawlers favors raucousness and uptempo grinds and grooves, while Bawlers showcases balladry and the more overtly poetic. Bastards is a funhouse of angular characters, spiky anecdotes, shaggy dogs, and even a Kurt Weill cover. The set offers everything from the amped-up rockabilly hiccuping of "Lie to Me" to the breathtaking perfection of "Shiny Things," and from the outraged political reporting of "Road to Peace" to the closing-time lament of "Little Man." --David Greenberger

Description

The three disc set is packaged in a fold-out digipak with a beautifully designed 24-page booklet, including neverbefore-seen Waits' photographs.

Customer Reviews:

Quantity over quality.......2007-05-20

A bit disappointing. As usual with Tom Waits, some of the tracks are great -- Lucinda and Goodnight Irene are standouts. But too many, while not bad, are kinda ho-hum. With editing, this would have made a better 2-disc set, or a really good single CD.

i assume 5 stars is appropriate.......2007-05-10

I bought this CD a couple of weeks ago, but haven't heard it. My husband immediately took it from me & hasn't given it back. "Oh, I keep forgetting it at work." He said it's great. Based on that & the other reviews, I'm giving it a 5 star rating anyway. :)

I plan on getting it by this weekend or going out to buy my own copy.

Absolute Favorite Singer!.......2007-05-04

I bought this the second I found out it was available for my husband who is a HUGE Waits fan. A gotta have!

It's Tom Waits, and therefore excellent.......2007-04-06

Nobody does grizzled and world-weary quite like Tom Waits, and coming off 2004's incredible Real Gone, the mammoth three-disc collection Orphans is yet more proof of his bizarre genius. Even putting aside the abundance of great music it contains, it is, if nothing else, a fitting tribute to Waits's persistently uncommercial, marketing-be-damned approach to his music. Comprised of a whopping 54 songs (both Waits originals and covers) and clocking in at about three hours, Orphans is vintage Waits from beginning to end-unvarnished, unconventional, and uncompromising. Given the enormous amount of variety to be found here, everyone's going to have their personal favorites, but whichever tracks one prefers there's no denying that Orphans makes the perfect testament to Waits's endless creativity, stinging wit and gritty, PhD-in-life sensibility.

Waits has long been a a man of many personas-demented carnival barker, old testament prophet, Jesus freak, depression-era bluesman-and even more than his more traditional albums Orphans shows off his chameleonic nature to the fullest extent. With its ample available space, Orphans allows Waits to induldge in genre exercises ranging from rockabilly (Lie To Me); to baroque pop (Little Drop of Poison); to swamp blues (Buzz Fledderjohn); to gospel (Lord I've been changed) without ever sounding like just an imitator of his varied influences. That said, Waits is still at his best when he dwells in a musical territory all his own, be it noisy, free-form experimentation or more reflective, sparsely instrumented balladry.

Each disc brings with its own unique feel, with the first one feeling the most like a proper Waits album in the vein of such all-encompassing classics as Rain Dogs and Bone Machine. Waits gets his classic-rock fix taken are of early with the scorching Low Down, whose big, brash guitar riffs wouldn't sound out of place in the '60's. The clamorous percussion and dizzying time signatures of Fish in the Jailhouse should please fans of Waits's more eccentric side, or just those like this writer who crave something abrasive and weird. Providing a sharp contrast to these tunes, but still very much in line with Waits's overall approach, are the downcast resignation of the bluesy, guitar-driven Road to Piece (a seven-minute examination of the conflict in Israel) and the closing lament of Rains on Me.

The ballad-heavy second disc, while occasionally a tad forgettable, is still home to some of the most brilliant material of Waits's career. The triumphant Take Care of All of My Children is driven by a stirring, martial drum beat, while the following Down There by the Train manages to expertly combine sadness, regret, and hope through Waits's singularly poetic lyrical imagery ("There's no eye for an eye/There's no tooth for a tooth/I saw Judas Iscariot carryin' John Wilkes Booth"-brilliant). In somewhat of a curveball for Waits, Never Let Go is inspiring and poignant in its straightforward message of devotion. There's also a great, booze-sodden lament in Goodnight Irene, which finds Waits's nicotine-stained voice at its most raw and unhinged.

The third disc is a nod to every side of the schizophrenic last two decades of Waits's career, with unstructured noise explorations (the mutant jazz-blues-rock workout Heigh Ho is hard-edged and ominous even for Waits) to a slew of spoken-word pieces to some more tender ballads. Waits starts off the disc by breaking out his classic rasp on the delightfully malevolent What Keeps Mankind Alive, and backs himself up with some inspired vocal beat-boxing on the Spidey's Wild Ride and King Kong. The latter track is especially interesting, with Waits's pained wail augmented by some ear-piercing guitar squeals and a subterranean bass line as he declaims the tragic story of, well, King Kong, with all the gravity of a character delivering the closing monologue of a Shakespearean tragedy.

Why did I wait so long before buying this CD?.......2007-03-24

I've been aware of Tom Waits for many years and have purchased a few of his more popular songs online. However, this is the first album of his that I've bought. My criteria for album purchases is that the album price must be competitive with the sum of the download prices for all the songs that appeal to me when reviewing samples. I was not disappointed and will likely go back and buy some of his older albums.

For me, 4 stars is about as good as it gets because I reserve the 5 for perfection. The biggest negative for me was the lack of lyrics in the the lower cost edition.

Average customer rating:

MacRae and Jones head a superb and O.K. adaptation
Broadway in a movie setting at it's very best!
Wonderful
Beauiful
Oh, what a beautiful sound!

Oklahoma! (1955 Film Soundtrack)
Jay Blackton , Charlotte Greenwood , Shirley Jones , Gene Nelson , Gloria Grahame , Rod Steiger , James Whitmore , and Gordon MacRae
Manufacturer: Angel Records
ProductGroup: Music
Binding: Audio CD

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ASIN: B00005A7XB
Release Date: 2001-03-13

Tracks:

Overture - Rodgers & Hammerstein
Main Title - Rodgers & Hammerstein
Oh, What A Beautiful Mornin' - Gordon MacRae
The Surrey With The Fringe On Top - Gordon MacRae/Shirley Jones/Charlotte Greenwood
Kansas City - Gene Nelson/Charlotte Greenwood/Men's Chorus
Kansas City Ballet - Rodgers & Hammerstein
I Cain't Say No - Gloria Grahame
Many A New Day - Shirley Jones/Girls' Chorus
Many A New Day Ballet - Rodgers & Hammerstein
People Will Say We're In Love - Gordon McaRae/Shirley Jones
Pore Jud Is Daid - Gordon MacRae/Rod Steiger
Out Of My Dreams - Shirley Jones/Girls' Chorus
Out Of My Dreams Ballet - Rodgers & Hammerstein
Entr' Acte - Rodgers & Hammerstein
The Farmer And The Cowman - Gordon MacRae/Charlotte Greenwood/Gene Nelson/J.C. Flippen/James Whitmore/Gloria Grahame...
The Farmer And The Cowman Ballet - Rodgers & Hammerstein
All Er Nuthin' - Gloria Grahame/Gene Nelson
All Er Nuthin' Ballet - Rodgers & Hammerstein
People Will Say We're In Love - Gordon MacRae/Shirley Jones
Oklahoma - Gordon MacRae/Shirley Jones/Charlotte Greenwood/Gloria Grahame/Gene Nelson/Rod Steiger...
Finale: Oh, What A Beautiful Mornin' - Gordon MacRae/Shirley Jones/Charlotte Greenwood/Gloria Grahame/Gene Nelson/Rod Steiger...
Overture (LP Version) - Rodgers & Hammerstein

Customer Reviews:

MacRae and Jones head a superb and O.K. adaptation.......2007-03-16

The film adaptation of Oklahoma heralded a technological breakthrough in widescreen cinema just as the original stage musical ushered in the integrated book musical. As such this film adaptation was treated as a special occasion, well-supervised by the creators themselves. The soundtrack, featured here, boasts sterling performances from MacRae and Jones making the most of their portrayals of Curly and Laurey, backed by a charismatic cast and superb orchestrations. And of course let's not forget the enveloping stereo sound that holds up well even today.

Despite being a Hollywood star, Gordon MacRae performs the part of Curly as if he was born to play it even on the stage. He shines vocally in his renditions of Oh, what a Beautiful Mornin' and Surrey with the Fringe on Top. He is well-partnered by Shirley Jones as a fresh and pert Laurey, lending her beautiful voice to the part. Although we don't hear much of her on this soundtrack, her partnering MacRae in People Will Say We're in Love exudes a masterful chemistry, as if they were setting sparks off at each other in their rendition of the song. Gene Nelson makes a dashing Will Parker and is equally well-matched by Gloria Grahame as Ado Annie. Grahame renders I Cain't Say No splendidly and partners Nelson in All er Nothin'. The supporting cast is filled out by Charlotte Greenwood's suitably caustic Aunt Eller and Rod Steiger's Jud. It's a pity that the film cut the song Lonely Room, otherwise Steiger would have better demonstrated the dark hues of the character of Jud. Yet it all adds up to a wonderful renditionh of this classic musical, enough to elicit a spontaneous YEOW! during this year of the Oklahoma centenary.

This EMI-Angel reissue offers one the advantage of the dance music and the main titles. This means that the listener gets the Kansas City and Farmer and the Cowman dance sequences, as well as the extended Dream Ballet. The only downside is the extraneous sound effects lifted from a DVD copy of the movie. Yes I share many of your sentiments that these sound effects tend to grate, and long for Didier Deutsch to have used the original untainted studio vault versions. However, let's at least be thankful that the CD producers have offered us a more comprehensive version of the Oklahoma soundtrack that we could only have dreamt of in the past.

In short, this is a wonderful and valuable addition to the R&H discography, and is an equally celebrated rendition of the score like the original Broadway cast recording. Warmly recommended to those who seek even their first version of Oklahoma.

Broadway in a movie setting at it's very best!.......2007-03-06

I have the original Broadway version, but prefer this movie selection.
The CD is flawless and, in my opinion, there's nothing better than a Rodgers
and Hammerstein musical for music, lyrics and pure joy! This is the best!

Wonderful.......2007-01-30

A great way to introduce oneself to the world of the nearly extinct Hollywood musical.

Beauiful.......2006-06-05

A true musical theater classic. Wonderful melodies that will last for years to come.
Other classics not to forget about are:
Mary Poppins
My Fair Lady
The Wizard of Oz
Chitty Chitty Bang Band
The first Charlie and the Chocolate Factory
The Sound of Music
Oliver
West Side Story
Fiddler on the Roof
Singing in the Rain
The Wiz
Little Mermaid
Aladdin
Beauty and the Beast
Grease
The King and I
Oklahoma
The Music Man
South Pacific

My Voice Students are always asking me for recommendations so I though I'd post it for all! We can't forget about these great musicals!

Oh, what a beautiful sound!.......2006-03-26

Oklahoma has never sounded better as sung by Gordon MacRae and Shirley Jones in the 1955 movie version of Rodgers and Hammerstein's unforgettable Broadway musical. The memory of MacRae's beautiful voice lives on with this CD. I never tire of hearing this wonderful music. From the opening overture to the finale you will feel as though you're right in the theater.

Average customer rating:

Wasnt expecting much but got a whole lot more
**ckn awsome!
A Civil Attempt At Making It Big
I am very surprised
The CD that got me FOBSESSED!!

From Under the Cork Tree
Fall Out Boy
Manufacturer: Island
ProductGroup: Music
Binding: Audio CD

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ASIN: B000929AU0
Release Date: 2005-05-03

Tracks:

Our Lawyer Made Us Change The Name Of This Song So We Wouldn't Get Sued
Of All The Gin Joints In All The World
Dance, Dance
Sugar, We're Goin Down
Nobody Puts Baby In The Corner
I've Got A Dark Alley And A Bad Idea That Says You Should Shut Your Mouth (Summer Song)
7 Minutes In Heaven (Atavan Halen)
Sophmore Slump Or Comeback Of The Year
Champagne For My Real Friends, Real Pain For My Sham Friends
I Slept With Someone In Fall Out Boy And All I Got Was This Stupid Song Written About Me
A Little Less Sixteen Candles, A Little More "Touch Me"
Get Busy Living Or Get Busy Dying (Do Your Part To Save The Scene And Stop Going To Shows)
XO

Amazon.com

The cleverness of Fall Out Boy's lyrical content is immediately evident by looking at the song titles on their sophomore disc, From Under the Cork Tree. "A Little Less 'Sixteen Candles,' a Little More 'Touch Me,'" "I Slept with Someone in Fall Out Boy and All I Got Was This Stupid Song Written About Me" and "Sophomore Slump or Comeback of the Year" are but a small taste of the group's acerbic attitude. After FOB's indie debut hit the underground charts, the group's sudden indie-style success made for a fast growth spurt. Their appeal is obvious, from frontman Patrick Stump's Killer-esque pipes (especially evidenced in the disc-closing "XO") to their very melodic teen-angst anthems. While much of the disc operates at usual punk-pop speed, the highlight comes from a slower, emotion-laden cut called "I've Got a Dark Alley and a Bad Idea That Says You Should Shut Your Mouth." This song of living in the public while working through private pain is a beautiful, multilayered number that stays with you long after the album is over. --Denise Sheppard

Customer Reviews:

Wasnt expecting much but got a whole lot more.......2007-07-05

Got to say was not expecting much, I liked a few of the tracks off this album but when I bought it I was expecting the usual 'emo' moan moan, I hate life, my girlfriend left me rubbish but this was a whole lot more than that.

Good, well put together music with decent lyrics to match. A good sound production to back up produced a pretty powerful album this realy does represent a good progression for Fall Out Boy and got to say, not much of a fan of so called 'indie' bands who never seem to be off MTV but if they keep producing stuff of this quality I cant realy complain.

Well worth buying.

**ckn awsome!.......2007-05-19

can you get much better? maybe U2, but not many others can compete with FOB. thou i'm more partial to thnks fr the mmrs the song on this album are awsome as well. i really like sugar we're going down, and champagne for my real friends and real pain for my sham friends. they are awsome and really catchy. if you don't like FOB go die!

A Civil Attempt At Making It Big.......2007-04-22

Fall Out Boy consists of the members Joe Trohan, Patrick Stump, and Pete Wentz. Their album 'From Under The Cork Tree' was released in 2005.

1. Our Lawyer Made Us Change The Name Of This Song So We Wouldn't Get Sued - 8/10 - A very nice start to the album. The song puts you in a good mood and makes you want to hear more.

2. Of All The Gin Joints In All The World - 7/10 - There was nothing really horrible about this song except it just seemed like an extension to the first track. There's nothing memorable about it.

3. Dance, Dance - 10/10 - The album really takes off from this point. Dance, Dance is a vibrant, colorful song that will get you up and moving.

4. Sugar, We're Going Down - 10/10 - By far, the best track on the album. This is the song that you'll be humming or singing without realizing it.

5. Nobody Puts Baby In The Corner - 9/10 - Another catchy song that will have you dancing.

6. I've Got A Dark Alley And A Bad Idea That Says You Should Shut Your Mouth (Summer Song) - 8/10 - This song does have a slight taste of summer, but it definitely is not your summer anthem. Some of the parts were a little bland and repetitive, but for the most part it was a pretty song.

7. 7 Minutes In Heaven (Atavan Halen) - 7/10 - I find this song a little boring. There's nothing that special or unique about it except for a small break in the middle of the song.

8. Sophomore Slump Or Comeback Of The Year - 7/10 - Another not so memorable song. The beginning starts off great but it slowly goes downhill after that.

9. Champagne For My Real Friends, Real Pain For My Sham Friends - 9/10 - There's some irresistable chords in this song that will finally bring out more of the fun in the album.

10. I Slept With Someone In Fall Out Boy And All I Got Was This Stupid Song Written About Me - 6/10 - The title is creative, but nothing else is. Everything about this song makes it long and almost painful to listen to. My least favorite song on the album.

11. A Little Less Sixteen Candles, A Little More "Touch Me" - 7/10 - Nothing too great about this track either. It sounds like most of the previous songs that were forgettable.

12. Get Busy Living Or Get Busy Dying - 7/10 - The only really great part of this song is the end when all the music is taken away, and there is speaking. It shows what the whole song was about and makes its point nicely.

13. XO - 8/10 - The song starts off not so great, but it ends nicely. All in all, it's a pretty good closing to the album.

The album cover contains lyrics to all of the songs, pictures of the band members, and of course, the credits.

I would recommend listening to the clips of the songs that Amazon provides so you can get a real feel for them.

I am very surprised.......2007-04-05

I must to confess at the very beginning I guessed I had made a bad acquisition because I bought it, cause a couple of songs.
In less than an hour I changed my mind. GUAU!! I guess says everything.
Now I can not stop to play this CD.

Sugar... (for me, one of the best songs)
Sophomore Slump...
I Slept with Someone...
Get Busy Living...

Each of these deserve stop for a while and repeat again and again

The CD that got me FOBSESSED!!.......2007-03-12

I just love this CD, But because of a few skippable tracks, I've only given it 4 stars :] It's GREAT though! When my friend took my iPod home from the night and put the songs from this CD on it, and told me to listen to it, I never stopped thanking him after. xDDD It's just AWESOME, and got me hooked on Fall Out Boy. I downloaded the other two main albums from Limewire, and later on I recently purchased Infinity On High. I also had the HUGE pleasure of being allowed to go to a Fall Out Boy concert!!! I think I was one of the only twelve year old girls right up the front of the mosh pit getting absolutely squished to DEATH, but I tell you, it was the best thing EVER! I happen to be wearing my FOB t-shirt right now, in fact. xD Patrick has a FANTASTIC voice live, and they are such great crowd-pleasers. It was truly AMAZING.
Anyway, onto the ratage of the CD! =3

1) Our Lawyer Made Us Change The Name Of This Song So We Wouldn't Get Sued- 6/10. I just don't like this as much as the other songs, and I don't think it makes a good introduction track. :[ However, it's definitely not a track I skip, and the chorus is very catchy (though Patrick doesn't sing it the same live).

2) Of All The Gin Joints In All The World- 9/10. One of my absolute favourite Fall Out Boy songs!! The verses are so fun to sing along to, especially "I used to waste my time dreaming of being alive, Now I only waste it dreaming of you!". It's also awesome live, especially the "oh oh oh, oh oh, oh oh oh oh oh oh"'s at the start, near the end, and at the very end. Love it!

3) Dance, Dance- 8/10. When I first heard it, I absolutely loved it, but now I'm slightly more partial to it, after having heard plenty of other FOB song. "I'm two quarters and a heart down", and the rest of that pre-chorus is so catchy, I find myself singing along to it every single time. I wish they had included the verse that they left out but was displayed in the demo version (We'll leave you kicking and screaming, etc). Vocals in the chorus are great and Patrick can actually pull them off live (which did, admittedly, surprise me). A nice job on this song, definitely.

4) Sugar, We're Goin Down- 9/10. Pretty much anyone who listens to the radio, or MTV, will have heard of this song. I personally think more hype could have been created over some of the other songs in this CD (and some from their other CDs, too) The chorus is my least favourite part of the song, and I don't find it as catchy as the first and second verse. "Is this more than you bargained for yet? Oh, don't mind me, I'm watching you two from the closet, Wishing to be the friction in your jeans" is pure genius in my opinion. The music at the start is very fun to hum to, as a side note xDD Altogether, not my favourite, but definitely very up there.

5) Nobody Puts Baby In The Corner- 10/10. Love it! The quick little drum bit at the beginning, then the quick launch into the vocals is really great, and this song is so energetic, and fun to lipsynch and sing along to! The chorus is impossible to listen to without singing to, and the transition from SWGD to this song is awesome, too. Don't really have any critiscm for the song at all, every bit of it is very listenable, "Wear me like a locket around your throat, I'll weigh you down, I'll watch you choke" is fantastic, especially when it blends with the chorus at the end. This song is GREAT!

6) I've Got A Dark Alley And A Bad Idea That Says You Should Shut Your Mouth- 7/10. This one definitely grew on me. When I first heard it, I thought it was a bit dreary, slow, and boring, but when I did some research and found out what the song was about, I listened to it in a whole different light, and found the chorus irresistable to sing along to. Not exactly catchy at first, but think about the range Patrick displays in this song, and then appreciate it more. It's definitely not the sort of song that will stick in your mind the first time round, but listen to it a few times and you will begin to love it. As stated in Dead On Arrival, "The songs you grow to like never stick at first"!

7) 7 Minutes In Heaven- 9/10. Music at the start is fantastic to sing to, "da da da"'s in the middle (ft. Brendon Urie from Panic! At the Disco) just as great. "I keep telling myself, I keep telling myself, I'm not the desperate type" is lovely and fast, and incredibly catchy. Lyrical content in this song is incredibly clever and an upbeat way of describing a serious situation (fighting an addiction). Emphasis on the guitar in the chorus is very effective, as well. All in all, this song is awesome, and I never get tired of it!

8) Sophomore Slump Or Comeback Of The Year- 10/10. PURE LOVE!! The lyrics are genius, "The best part of believe is the lie", nobody but Pete Wentz could come up with something so clever! The chorus especially sticks in your mind, and the second verse and refrain, too. Very very clever, I don't know what else to say, it's just great! I could listen to it again and again and again and not get bored of it. =]

9) Champagne for my Real Friends, Real Pain for my Sham Friends- 8/10. The title is great, I just LOVE it. xDD It's awesome. Music at the start is fantastic for leading into the song, "You are a getaway car, Rush of blood to the head" gets you pumped up for sure! This song gets me really excited, it's nice and fast-paced. Great song, though *COULD* be considered a skippable filler track. I would disagree, though, 'cause I love this song. :]

10) I Slept With Someone In Fall Out Boy And All I Got Was This Stupid Song Written About Me- 6/10. Yeah, everyone loves the title, but I'm not so fond of the actual song...I can skip it. =/ Chorus is catchy enough, but I don't sing along with this one that much, it didn't really stand out for me, the only cool part for me is "I found the cure to growing older". Still a good song, just doesn't have something special, at least where vocals are concerned.

11) A Little Less Sixteen Candles, A Little More Touch Me- 10/10. It really doesn't get much better than this! :] Love this one to BITS. Since the first time I heard it, the insanely sticking chorus was in my mind and I was humming it everywhere I went. Lyrics, though repetitive a bit, are still fantastic, and the overall tune is so catchy. Vocals are nothing special, but such a cool song, I can't see how it's possible to dislike it! One of my faves! :D

12) Get Busy Living Or Get Busy Dying- 6/10. In my opinion, the chorus lets the verses down, and the screaming bits...just ergh. Sure, Pete might be a good screamer, but I wish he'd just left the otherwise-perfect vocals of this song to Patrick. D: The best bit of this song is "I know this hurts, it was meant to, it was meant to", the rest of the chorus is a bit mediocre, at least I think so anyway. :] The speech at the end of the song is FANTASTIC, though. The lyrics are very well thought-out, and I can't critisize the music at all, either. This song just didn't stick in my mind much at first, which is why I gave it a 6/10.

13) XO- 9/10. The singing in this song is GREAT, if you're listening to it with headphones on, here's a piece of advice; take one of the headphones out (you need to try with both) until you find the one which is playing the pure vocals at the start ("I comb the crowd...I swear, I say"), you will be amazed by the purity of Patrick's voice. The only letdown to this song for me was how much "To the love I left my conscience pressed" was repeated, I sometimes fastfoward through that bit. I sing this song everywhere I go, it's very addictive, the fast-paced verses remind me of a high-speed car chase, and it really puts me on the edge of my seat listening to it! Awesome song.

All in all, I prefer Take This To Your Grave, but From Under The Cork Tree is a fabulous album, though I think many people have a negative view towards it because of the two main singles on the album, SWGD, and Dance, Dance. Those songs definitely don't represent the best of Fall Out Boy, good though they are. :]

If you haven't already bought From Under The Cork Tree, I HIGHLY recommend going to get it now! Apologies for the insanely long review, I got a bit carried away!

Thanks for reading! :]

Average customer rating:

This is so much fun to listen to!
30 years later, "Bat Out of Hell" still rocks
Ultimate Loaf
Meatloaf---:Bat Out Of Hell"
An essential masterpiece

Bat out of Hell
Meat Loaf
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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ASIN: B000056VJ7
Release Date: 2001-01-30

Tracks:

Bat Out Of Hell
You Took The Words Right Out Of My Mouth (Hot Summer Night)
Heaven Can Wait
All Revved Up With No Place To Go
Two Out Of Three Ain't Bad
Paradise By The Dashboard Light: Paradise/Let Me Sleep On It/Praying For the End Of Time
For Crying Out Loud

Amazon.com

Overwrought and undeniable, Meat Loaf's Bat out of Hell remains both one of rock's biggest--and least likely--hit albums. The byproduct of a partnership between beefy singer Marvin Lee "Meat Loaf" Aday and fellow journeyman/National Lampoon Road Show cast member Jim Steinman, Bat out of Hell met 1977's vaunted Year of Punk with a blast of neo-operatic, Wagnerian-scaled bombast (based on Peter Pan, no less) that was as reactionary as anything the spiked set and their supporters could possibly imagine--13 million units worth, and counting. Bat seems to have thrived on the same formula that's made Andrew Lloyd Webber a multimillionaire knight: if you do kitsch, do it big. And what could be more kitschy and emblematic of the '70s than the ubiquitous "classic rock" (an overused adjective that applies all too well here) of "Two out of Three Ain't Bad" or the breathless nookie-quest, "Paradise by the Dashboard Light," replete with Phil Rizzuto calling the play-by-play? This digitally remastered edition also includes '78-vintage bonus live cuts of "Bolero" (the live show's equally over-the-top opener) and "Bat out of Hell" that showcase the production's energetic, perfectionist bent. The sonic upgrading here also underscores the oft-overlooked efforts of producer Todd Rundgren. --Jerry McCulley

Customer Reviews:

This is so much fun to listen to!.......2007-07-13

Fantastic! Catchy songs that are both rockin' and yet beautiful. This is one to have in your music collection. Good music! GREAT MUSIC!!! From start to finish it's fantastic.

30 years later, "Bat Out of Hell" still rocks.......2007-06-12

I pop this CD into the boombox, crank up the volume, and I'm seventeen-years-old again, angst-ridden but immortal.

Ultimate Loaf.......2007-03-11

Neither Jim Steinman nor Meat Loaf have ever been better than on this album. From the first time I heard the first notes of the opening track, I knew I was hearing something special, something that reached for the universal. Something that dared to live, ferociously.

"Bat I" is without a doubt the finest of the three "Bat" albums, achieving much more than its predecessors in 25 less minutes. It was completely plugged into the melodramatic teenage energy that presumably set Steinman on this path in the first place, and that is why it continues to rock new listeners.

Meatloaf---:Bat Out Of Hell".......2007-02-19

Great tape; I knew this when I purchases it....I was replacing a cassette tape of the same thing.

An essential masterpiece.......2007-02-10

Yes, I am using the word masterpiece in reference to a Meatloaf album; and I am not ashamed! Jim Steinman 'the writer of BOOH,' is one of the most overlooked songwriters/arrangers in rock and roll. Todd Rundgren, rock genius/producer/arranger/guitarist on the album, was the only person who agreed to produce the album and that was after a year of rejections for Meat and Steinman. Rundgren arranged all the background vocals as well and they sound just as good as they do on all his solo albums.

The title track is one of the best openers in history and is a Bruce Springsteen esque heavy metal track with the ultimate motor cycle lyrics and the infamous motorcycle guitar 'played by Rundgren in one take.' "Paradise by the Dashboard Lights" could be one of the catchiest songs ever written and would fit better in an Andrew Loyd Weber opera than on a 1970's rock album 'but that is the fun of the album.' "Two Out of Three Ain't Bad" is the best ballad on the album and in the words of many would "forever change the love song."

Yes, Meat Loaf has produced a lot of less-than-stellar albums in the 30 years since Bat I came out; however, this cd is truly essential listening for anyone who is a music fan and is not too proud to listen to Meat Loaf.

Average customer rating:

changes are sometimes good
atypical zep but still a classic
Led Zeppelin - 'In Through The Out Door' (WEA) 3 1/2 stars
4 1/2 stars-- A new sound for the band's swan song.
Hey, she's my baby/Let me tell you why

In Through the Out Door
Led Zeppelin
Manufacturer: Atlantic / Wea
ProductGroup: Music
Binding: Audio CD

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Presence
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ASIN: B000002JSP
Release Date: 1994-08-16

Tracks:

In The Evening
South Bound Saurez
Fool In The Rain
Hot Dog
Carouselambra
All My Love
I'm Gonna Crawl

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Though the band likely didn't know it at the time, this would prove to be the last studio record by one of the most famous rock & roll bands in the world. Drummer John Bonham died shortly after its release. Although nothing compares to early Led Zeppelin--and they lost many longtime fans in the late 1970s--this LP is nothing to be embarrassed by. They were quick to embrace and experiment with synthesizers, and while it wears a little thin by record's end (the synth-bloated "Carouselambra" and the slick AOR hit "All My Love"), it adds a certain majestic tone to the heavy-hitting opener, "In the Evening," and gives a rollicking good-time feel to "South Bound Suarez." Plant's howl and Page's bluesy guitars are in fine form on "I'm Gonna Crawl" and the lilting "Fool in the Rain" recalls the pretty numbers from their early career. --Lorry Fleming

Customer Reviews:

changes are sometimes good.......2007-07-15

In Through the Out Door has been the subject of mixed opinions for quite some time. True, the album wasn't regarded as a classic the year it came out, but over time I think people are slowly but surely beginning to realize the quality of the songwriting is pretty much on the same level that it used to be for the Zepsters.

My dad is convinced that "In the Evening" is the only song on the album that stands up with everything else the band had done previously. I might agree, to a certain extent. I mean, it's a really experimental type song that actually works well. "South Bend Saurez" is perhaps the most under-appreciated song on the entire album. It's SO catchy, I love it!

"Fool in the Rain" has a nice rhythm section and pretty good vocals too. It's the kind of vocal melody that grows on you, or more specifically, something you'll appreciate more when you're by yourself and listening to it on headphones. "Hot Dog" is just a short funny little rocker. "Carouselambra" is straight-up awesome because the sythns really give the song a futuristic feel, sort of like Michael J. Fox's first reaction upon entering the world of 2015 in Back to the Future II. It progresses into other themes that are equally as impressive. Maybe the best song on the album.

Everyone knows "All My Love" as being the famous ballad. We all know what the lyrics are about, and because of the importance of the lyrics, it's a very meaningful song where Robert Plant pours out his honest emotions. "I'm Gonna Crawl" reminds me of something Elvis Presley would do, had he been alive by this point in time.

Overall, good stuff. Worth owning. It's not a classic on the same level as previous Zeppelin albums, but by itself it stands tall.

atypical zep but still a classic.......2007-05-21

first, zep is one of the top 5 rock bands of all time, in this reviewer's opinion. though this, their last album, is not representative of the sound they forged in their earlier albums, in my opinion it is still a classic.

"in thru the out..." finds zep in a mellower mood, perhaps because they had matured, perhaps because of things happening in their lives, perhaps due to other musical influences [the advent of synthesizers, for one]. who knows. but this album still contains all the elements that made zep great -- the inimitable celtic-blues howl of robert plant; the masterful dynamics and production that marked all their work; the amazing rhythm section of bonham and jones; above all, the wide-ranging brilliant blues rock guitar of jimmy page. the songs still are primarily about love, loss, want and regret. and just the joy of rock n roll.

the texture of the music is still almost orchestral in its tapestry of sounds. the guitar playing, though more restrained, still runs the gamut from hard simple blues chords to intricate screaming solo's. the final two songs -- all my love and i'm gonna crawl -- end the album on a majestic, bluesy and masterful note. the latter in particular sounds like it comes the first decades of rock, but for plant's weary vocals and the powerful climax.

Led Zeppelin - 'In Through The Out Door' (WEA) 3 1/2 stars.......2007-05-21

Review no. 231. Originally released in the later part of 1979, I remember the very day this swansong of the mighty Led Zeppelin hit the stores. Myself and a few others planned on attending their concert in Chicago. But, of course their U.S. tour was sadly called off after the death of drummer Johm Bonham. Maybe not as great as Zeppelin's 'IV', 'Houses Of The Holy' or 'Physical Graffiti' (my personal favorites) but still a decent effort. Tracks that managed to make it to the late night 'FM staple play list' for at least awhile were the refreshing "In The Evening", "Fool In The Rain", the upbeat "Hot Dog", "All My Love" and the bluesy "I'm Gonna Crawl". Worthy of a place in your music collection.

4 1/2 stars-- A new sound for the band's swan song........2007-05-09

In the wake of punk and disco, Led Zeppelin in 1979 must have looked very old. For what would end up being their last album, "In Through the Out Door", the band responded by embracing synthesizers and new sounds. This may have had more to do with the dominant voice on the record being bassist John Paul Jones rather than guitarist Jimmy Page, who was absent for large portions of the sessions, but under Jones' guidance, the band produced perhaps their most unique album.

This change in sound is apparent from the outset-- the churning, ambient noise intro of "In the Evening" signals the change before cascading in a descending, sweeping dramatic riff that recalls the best of "Physical Graffiti". Topping off a great fierce vocal by Robert Plant amidst the keyboard swirl is a fantastic, almost blunting solo by Page. The rest of the record doesn't stick to this path though, exploring everything from a feature for Jones' boogie piano (the superb "Southbound Saurez"), an electric rock take on country and western (the highly entertaining "Hot Dog") and a couple absolutely fantastic pop songs (the lilting "Fool in the Rain", with a fuzz soaked solo from Page, the tender, synth-string driven power ballad "All My Love"). Along the way, there's even an extended cut ("Carouselambra"), that while it's long and melodramatic, manages to hold interest and a great blues closer ("I'm Gonna Crawl").

"In Through the Out Door" is probably not for everybody, it's a very different Led Zeppelin, but I've often thought it was among the best work they've ever done. Highly recommended.

Hey, she's my baby/Let me tell you why.......2007-03-16

A tough crowd, from all corners, has dogged "In Through the Out Door" for years and years, and I guess an album -- a document -- is ripe for the pickings through the eternities. The funny thing about all this "swan song" stuff is that Robert Plant, to just draw one of them out of a hat, was only 31 when this record dropped. Led Zeppelin played just about the best dinosaur rock ever made and then were made dinosaurs by the young, loud and snotty. Those folks too have come and gone -- Shane McGowan of the Pogues, is what? 49? last I read. Anyone who has seen the Holy Grail Led Zeppelin DVD sets released in 2003, knows it's futile to beef with hell's gods; they simply lord over the land no matter what the puny humans are up to in any given year. Compared to that stuff, which could easily be wrapped in gold and prayed over by the heathen rock worshippers that still lurk about in this fractured, screwed-up end-of-days world we live in, In Through the Out Door is thin gruel, indeed. But judged on its own terms, some very nice things are delivered. "All of My Love" was probably the only real pop hit this band ever had ("Stairway to Heaven" being a manufacture of fan favorite turning into tightening FM radio playlist staple; and "Whole Lotta Love" being more orgasm than song). That it doesn't sacrifice any dignity for the band is a pretty good point scored. "I'm Gonna Crawl," too, seems unjustly underrated in the canon -- an enormous, deep metal blues ballad tour de force by Plant that showed the band's ability to strip bombast (it's only not bombast compared to the rest of their work) while delivering a convincing emotional wallop. "In the Evening" is a conventional megaton blast that would have done well on "Presence" and there's also "Fool in the Rain," and the rest, well, doesn't do much of anything. So, that's two keepers, two pretty good ones and three that come along for the ride. Hence, three stars.

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Mr. Loaf's trilogy is complete
An Album for All Occasions
buena sorpresa
Lame bat
Great DVD

Bat Out Of Hell III
Meatloaf , and Meat Loaf
Manufacturer: Virgin Records Us
ProductGroup: Music
Binding: Audio CD

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ASIN: B000FQ4M58
Release Date: 2006-10-31

Tracks:

The Monster Is Loose
Blind As a Bat
It's All Coming Back To Me Now
Bad For Good
Cry Over Me
In The Land of the Pig, The Butcher Is King
Monstro
Alive
If God Could Talk
If It Ain't Broke Break It
What About Love
Seize the Night
The Future Ain't What It Used To Be
Cry To Heaven

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The long-awaited third record in the Bat Out of Hell trilogy, The Monster Is Loose, wears bombast, pretension, and pyrotechnics proudly on its album sleeve and across the bulging disc's 14 tracks. More a pop orchestral mishmash than a well-defined rock opus, Bat III is dark, seemingly hopeless at times, and über dramatic. Oddly enough, that's also its saving grace. Meat Loaf and company create a great escape into the realm of grand theatricality, with a bunch of radio-friendly rock tunes that sound 20 years old, and several lyrically memorable AOR ballads to sustain it all the way to Broadway. With collaborator (and occasional defendant in Meat Loaf lawsuits) Jim Steinman, producers Desmond Child and Todd Rundgren, the Meat man consistently has the big sound booming and his despair and his rage on to the point that listeners may feel his pain a little too often. Bat III ain't for sissies. Balanced by the powerful female voices of Marion Raven, Patti Russo, and Jennifer Hudson; along with guest musicians and songwriting help from Steve Vai, Marilyn Manson's John 5, Motley Crue's Nikki Sixx, Queen's Brian May, and others; Meat Loaf's Monster has roared the unlikely rock star back to life like a bat out of Baghdad. --Martin Keller

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Album Description

Bat Out of Hell III is Meat Loaf's long-awaited 3rd installment of the most successful rock music series of all time, with the two previous albums selling a total of 45 million copies around the world. Bat Out of Hell, released in 1977 and produced by Todd Rundgren, is the third best-selling album of all time, with 30 million copies sold worldwide, featuring such Meat Loaf/Jim Steinman standards as "Two Out of Three Ain't Bad," "You Took the Words Right Out of My Mouth" and the show-stopping "Paradise by the Dashboard Lights."

The Steinman-produced Bat Out of Hell II: Back Into Hell, which came out in 1993, has sold more than 15 million, with the classic "I'd Do Anything for Love (But I Won't Do That)," earning Meat Loaf a Grammy for Best Rock Vocal Performance.

Bat Out of Hell III continues the epic story in grand fashion, with contributions once again from Steinman and Rundgren, and produced by hitmaker Desmond Child. Bat Out of Hell III marks the triumphant return of the Bat Out of Hell saga, completing this remarkable trilogy!

Customer Reviews:

Mr. Loaf's trilogy is complete.......2007-07-12

First off I love Meatloaf, especially with ketchup. But instead of ketchup we get a lot of cheese with this release, and that's a good thing! Bat Out of Hell and Bat Out of Hell II are both classic albums, some of the best stuff in rock history--they had two important ingredients: 1. Meatloaf-one of the best singers in rock history--and 2. Jim Steinman--the second best songwriter in rock history (Bob Dylan numero uno) BOOH III is missing the later and the songs that are his on this album are 20-30 years old and some have been around the block with other singers. Meatloaf does conjure up some magic of old with Blind as a Bat, Its All Coming Back to Me Now, Bad For Good, Alive, The Future Aint What it Used to Be. Basically half the album is excellent, it just isnt brilliantly consistent as the first two. That being said it is still a must buy for Meatloaf fans and rock music lovers alike.

An Album for All Occasions.......2007-07-11

I am not exactly a die-hard Meat Loaf fan. From his discography, I have just the three recordings from the "Bat Out of Hell" series, obviously including this one.

I can tell that this is a great CD to enjoy. His collection of opera-rock tunes (like "The Monster Is Loose", "Alive", "In the Land of the Pig, The Butcher is King") blended with some soulful and touchy ballads ("It's All Coming Back to Me", "Cry Over Me" and "Seize the Night") sounds very good and decent, a perfect choice for any type of mood, just like any of the previous albums from the "Bat Out of Hell" trilogy.

Comparing this with his previous albums, one can realize that although the music and the production has changed a bit, the style and the intent was to keep the exact formula that made the previous editions to be so successful as they were.

buena sorpresa.......2007-07-06

Meat loaf presenta interpretaciones con la calidad de las letras, musica, instrumentación e interpretación sin igual

Lame bat.......2007-06-16

If you attach the name "Bat out of Hell" to an album, you have to accept that it's being compared to part I and II of those. And that's a problem. Although acceptable as a pure Meatloaf album and not much worse than let's say "Welcome tt Neighbourhood" putting "Bat" on it makes it a simple case of cashing in on a legend for the last time. No wonder Steinman pulled out of this. What is lacking here is the pure adrenaline the real anger and fear that "living on the edge" enviroment both Bat I&II had (on Bat one they simply fought to live on music and on Bat II Meatloaf needed a hit to recover from his bancruptcy). Here this is blatant pompous rock by the numbers without soul. The choice of Songs is very bad (B grade Steinman and wannabe Steinman imposters) at the end I was actually expecting "Out of the Frying Pan" too.

Stay clear of this one. It's got no soul. So it is of no importance.

And stay clear of Meatloaf live to, he's lost it somewhere in the last 5 years. I saw him twice and he utterly disappointed me. He should just retire his singing career and concentrate on acting.

Great DVD.......2007-06-14

My husband likes Meat Loaf so I got this for him as a little gift. He loves the DVD and the delivery was prompt and in excellent packaging.

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