The Its!
Track Listings
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1. In Your Pocket
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2. Go On
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3. Take a Number
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4. Song for the Dead
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5. Consequences
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6. I Just Wanna
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7. You're Not My Girlfriend
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8. Why Don't You Leave
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9. No Reply
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10. Pay No Mind
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11. What's Goin' On?
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12. New Beginnings
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13. More More More
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14. Wake Up [#]
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15. In Your Pocket [MA & PA's Jukebox Version] [Version]
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16. What's Goin' On? [Live]
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The Its!,The Its!,Pwmd Records,Dance-Pop,Indie Rock,Pop,Rock,Rock/Pop,the clash meets the beatles meets the cure meets the ramones meets the strokes with a side of hot hot heat. But you make the call
The Its!
Average customer rating:
- Old Singers benefit too
- great cd
- Good training for your voice
- Practical
- If out of stock please purchase above NEW on Marketplace
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Voice Lessons To Go Volume 2: Do Re Mi Ear and Pitch Training
Ariella Vaccarino
Manufacturer: SheSingsOut
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Voice Lessons To Go Volume 1: Vocalize and Breath
- Singing Coach Unlimited
- Singing for Dummies
- Set Your Voice Free: How To Get The Singing Or Speaking Voice You Want
- Learn To Sing Like A Star
ASIN: B000297VQK
Release Date: 2004-01-15 |
Tracks:
- Introduction
- Starting Simple #1 higher or lower
- #2 same or different
- #3 more
- #4 two notes
- #5 melody
- Introduction to solfedge
- Solfedge Exercises #1 Do Re Mi Re Do
- #2 Do Re Mi Fa So
- #3 So Fa Mi Re Do
- #4 Up 5down 5
- #5 Major scale up
- #6 Major scale down
- #7 Major scale up and down
- #8 Major scale
- #9 Back to Do up scale
- #10 Back to do down scale
- #11 Ex.9&10 together
- #12 Chromatic up
- #13 Chromatic down
- #14 Chromatic up and down
- #15 Back to do Chromatic up
- #16 Back to Do Chromatic down
- #17 Ex. 15&16 together
- #18 Do So down
- #19 Do So up and down
- #20 Do Re plus
- Chord Exercises #1 Major
- #2 Augmented
- #3 Minor
- #4 Diminished
- #5 All four together
- Hearing Your Note #1 bottom note
- #2 Top note
- #3 Middle note
- #4 Switching off
- #5 One note on La
- #6 Two notes on La
- #7 Melody sing back
- #8 Two notes together
Album Description
Voice Lessons To Go! Volume 2 Do Re Mi Ear and Pitch Training
Voice Lessons To Go! is a great way to get going on your singing voice. Whether just beginning or as an addition to the work you have done. Now there is no excuse not to practice and improve because this CD makes it so convenient and easy.
Do Re Mi Ear and Pitch Training is the second CD to Ariella Vaccarino's series of Voice Lessons To Go (Please read about Volume One- Ocalize and Breath). Do Re Mi trains the ear through vocal exercises. First, start simple with tone recognition. Next, the heart of the CD, Solfedge, (Do Re Mi...)- In that you will concentrate on forms of the major and chromatic scales graduating into chord recognition. Finally, Do Re Mi ends with, Hearing Your Note, showing you how to sing specific notes out of a group.
This CD will be amazing in aiding you in your musicianship skills while continuing to strengthen your voice!
Do Re Mi is perfect for all levels of singers. Whether you are just a beginner who is interested in developing as a musician, or an advanced singer wanting to refine your musicianship skills.
You will be guided through the exercises with vocal examples and piano accompaniment by Ariella Vaccarino an excellent experienced voice teacher and professional singer from Los Angeles. Ariella's explanations are clear and easy to follow.
Developing your singing voice no longer has to be just for people trying to make a career with their voice, or those with disposable income who can afford private lessons. The weekly price for voice lessons averages $45-150 an hour depending on your city.
Who is this CD for?
Singers, Actors, Dancers- This is an inexpensive way for the struggling artist to get and keep their voices in shape.
Teenagers - Whether you are watching American Idol with pangs of desire to be on there, sing loudly along with your favorite pop stars, are trying out for the school musical, or dreaming of singing at the MET some day.
People who struggling singing- There are those out there who feel, (it could be true or not) that they can't sing and are embarassed when they have to be heard by others. This is an excellent private way to improve your singing with out having to deal with embarassment or shyness. This CD will increase your abilities and confidence.
Adults- Always singing in your car, shower, or doing Karaoke? -but just are not willing or able to shower yourself with private lessons yet.
Customer Reviews:
Old Singers benefit too.......2007-02-09
I have both Volume 1 and 2. I have been singing all of my life but after the birth of my last child almost 10 lbs I learned some really bad habits and what I was doing before wasn't working anymore. Both have helped me to gradually improve my voice. 1 Helped me to focus on breathing. Two is helping me to associate the solfege with the piano and concentration/focus. I haven't made it through the whole CD yet. Our choir is also using this CD for exercises. It's just a great all around CD!
THanks for a great product.
great cd .......2007-01-21
i have both vol.1&2
only one thing i'm not feel good is i can hear the noise(like car pass the street).
Good training for your voice.......2007-01-06
If you can't have a personal voice coach this CD is a good way to go to help you exercize your vocals and stay in top form.
Practical.......2006-09-09
I warm up with this cd in the hotel before a show. I waited a couple months to buy CD2 after I had CD 1. I had started taking vocal coaching and using cd 1 reinforced how important breathing is. I am glad I waited before buying this cd. By the time you get to the higher level exercises of CD 2, you'll need some concept of breathing properly.
This cd starts very simple with the first few tracks asking the listener to identify if two notes are higher, lower or the same. Then it proceeds to identifying if a voice part sung after a vocal part is the same or different. These ear exercises are direct and to the point and really do help. Don't worry, you start singing soon enough.
Solfedge is explained in a concise manner so if you don't know it you will, and if you do your money hasn't been spent on more than a few minutes of review.
The singing starts with Do Mi Sol Mi Dos. I'm a baritone and the singer I would guess is a soprano. Problem? Actually, the beneift was I had to focus and identify the same note a few octaves down. This extra "lesson" on my own is an unintended plus.
Major, minor, augmented and diminished chords are practiced. Your ear will improve and you will hear the chords sung more in songs after getting this down.
I've been using it on my drive to work in the mornings. I have had the cd a few weeks and am just reaching tracks 18 and 19 with confidence. Sometimes Ariella Vaccarino sings quite fast as the exercise proceeds. Simply hit the back button and start at the slower part at the beginning of the track.
It really is great to have this in the car or home as I am getting more out of my weekly voice lessons. Add to that, I don't have to play the piano myself. I can stand in front of the mirror and focus on posture.
This brings me back to cd 1. Though my breathing needs work, a weekly lesson and the time I spent with cd 1 before trying this out helps me recognize when I have tension in my throat or am not controlling my breath.
Why is this alone not enough? There is no way the cd can tell you you are leaning too far back and squeezing your lungs, give you a sense of how to raise your soft pallate or make sure to cover every point such as men usually jump straight from chest voice to falsetto at first while women have more of a gradual mid voice.
When I give this cd 5 stars it means for 15 dollars you are getting a product with no fluff that is the perfect compliment to some type of training. Even if the training is just a few lessons to get you started. You'll get out of it what you put into it.
If out of stock please purchase above NEW on Marketplace.......2006-08-15
Hey everyone, thank you so much for your great response to my CDs. Amazon is having a lot of trouble keeping them in stock. They are not ordering enough in time etc... Just so you know the other option is buying them off of Amazon Marketplace. At the top of this is the option to buy them new or used. I sell them directly new on it, (and they are actually cheaper so you can buy both volumes). Hope this tip helps. I've loved reading your responses and reviews. I think it is great that so many of you out there are singing!
Average customer rating:
- Connected...A decendent of the Makers of this Album.
- Great!
- Authenticity
- war between the states--MUSIC--REAL SOUNDS
- A history lesson on CD.
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The Civil War: Its Music and Its Sounds
Frederick Fennell , and Eastman Wind Ensemble
Manufacturer: Philips
ProductGroup: Music
Binding: Audio CD
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ASIN: B0000057L2
Release Date: 1990-12-10 |
Tracks:
- Band Music Of The Union Troops: Hail To The Chief
- Band Music Of The Union Troops: Listen To The Mocking Bird
- Band Music Of The Union Troops: Palmyra Schottische
- Band Music Of The Union Troops: Hail Columbia
- Band Music Of The Union Troops: Freischickstep
- Band Music Of The Union Troops: Parade
- Band Music Of The Union Troops: Port Royal Galop
- Band Music Of The Union Troops: Nightingale Waltz
- Band Music Of The Union Troops: La Marseillaise
- Band Music of the Confederate Troops: Dixie & Bonnie Blue Flag
- Band Music of the Confederate Troops: Cheer Boys Cheer
- Band Music of the Confederate Troops: Luto Quickstep
- Band Music of the Confederate Troops: Old North State
- Band Music of the Confederate Troops: Easter Galop
- Band Music of the Confederate Troops: Come, dearest, the daylight is done
- Band Music of the Confederate Troops: Maryland, My Maryland
- Band Music of the Confederate Troops: Waltz No. 19
- Band Music of the Confederate Troops: Old Hundreth
- Field Music Of Union And Confederate Troops: Camp, Garrison And Field Calls For Fifes And Drums: (The Girl I Left Behind)
- Field Music Of Union And Confederate Troops: Camp, Garrison And Field Calls For Fifes And Drums: (The Recruiting Sergeant)
- Field Music Of Union And Confederate Troops: Camp, Garrison And Field Calls For Fifes And Drums: (Jefferson and Liberty)
- Field Music Of Union And Confederate Troops: Camp, Garrison And Field Calls For Fifes And Drums: (Old 1812)
- Field Music Of Union And Confederate Troops: Camp, Garrison And Field Calls For Fifes And Drums: (Carry Me Back)
- Field Music Of Union And Confederate Troops: Camp, Garrison And Field Calls For Fifes And Drums: (Liverpool Hornpipe)
- Field Music Of Union And Confederate Troops: Camp, Garrison And Field Calls For Fifes And Drums: (Newport)
- Field Music Of Union And Confederate Troops: Camp, Garrison And Field Calls For Fifes And Drums: (Garry Owen)
- The General - Boots & Saddles - To Horse - Assembly - To Arms - To The Standard - March - The Charge - Rally - Reveille - Stable Call - Watering Call - Breakfast - Assembly OF Guard - Orders - Assembly of Buglers - Retreat - Fatigue Call - etc.
- The Sounds of the Conflict : Fort Sumner to Gettysburg
Tracks:
- Narration
- Band Music Of The Union Troops: Twinkling Stars Quickstep
- Band Music Of The Union Troops: O Kentucky, Kentucky
- Band Music Of The Union Troops: Come Where My Love Lies Dreaming
- Band Music Of The Union Troops: Un Ballo in Maschera Quickstep
- Band Music Of The Union Troops: St. Patrick's Day in the Morning
- Band Music Of The Union Troops: Grafulla's Quickstep
- Band Music Of The Union Troops: Gary Owen
- Band Music Of The Union Troops: Cavalry Quickstep
- Band Music Of The Union Troops: Storm Galop
- Band Music of the Confederate Troops: 26th Regiment Quickstep
- Band Music of the Confederate Troops: Lulu's Gone
- Band Music of the Confederate Troops: Tramp, Tramp
- Band Music of the Confederate Troops: Juanita
- Band Music of the Confederate Troops: Carry Me Back (To Old Virginny's Shore)
- Bugle Singmals For The Service Of Skirmishers: Forward - Halt - To The Left - To The Right - About - Rally On Chief - Trot - Gallo - Commence Fire - Diperse - Charge-Right - Charge-Left - Recall - Retreat
- Camp And Field Duty Calls For Fifes And Drums: Drummer's Call (I) - Drummer's Call (II) - Assembly - Long Roll
- Camp And Field Duty Calls For Fifes And Drums: Drill Call - Guard Mount - Retreat - Surgeon's Call - Adjutant's Call - Tatto - Assembly - Fatigue
- The Appomattox Bugle: Charge - Assembly - Taps
- Songs Of The Union And Confederate Soldiers: We Are Coming, Father Abra'am
- Songs Of The Union And Confederate Soldiers: Tenting Tonight on the Old Camp Ground
- Songs Of The Union And Confederate Soldiers: Goober Peas
- Songs Of The Union And Confederate Soldiers: Tramp. Tramp, Tramp
- Songs Of The Union And Confederate Soldiers: When Johnny Comes Marching Home
- Songs Of The Union And Confederate Soldiers: The Battle Hymn of the Republic
- Firearms of the Civil War
- The Sounds of Conflict: Gettysburg to Appomattox
Customer Reviews:
Connected...A decendent of the Makers of this Album........2006-04-22
I was 11 years old when this Album was made. It inspired me to become an Historical re-enactor, which I have done for the past 32 years.(Though I re-enact the RevWar era).
I spent many days with the Fine recording truck,and my grandfather (William Decker...listed in the small booklet in the album), and also have an original transparency foto taken by him of one REVIEWER NAMED " A MUSIC FAN" , him firing the cannon on the album cover.
I am immeasurably Happy to get this album in CD, the original I have is an old worn out LP record.If A MUSIC FAN has a way to write another review of this...I can contact him??? and share a few stories.
Great!.......2005-01-17
I live in Holland and just recieved this cd,
when I play online games, driving my car or any occasion this cd is really great to hear.
The narration is also nice to hear, clear and loud. The best songs are the marching songs with drums. The only reason why I have not given 5 stars is that I missed more songs. Most of the cd is instrumental. Bonnie Blue Flag for example is instrumental, to bad the cd doesnt have a vocal version of it.
If you like civil war music you must this cd!
Greetings from Holland :)
Authenticity.......2004-06-13
There is some misinformation in the reviews about the sound effects. The cannons, muskets, carbines and revolvers were fired on Excelsior Field, the battle field at Gettysburg, not at West Point. All firearms were original weapons. Likewise the mounted troop sounds were also recorded on horseback there.
I'm somewhat biased since the picture on the cover shows my personal rear end, firing the 12 pound Napoleon gun.
war between the states--MUSIC--REAL SOUNDS.......2004-03-01
HAVING ANCESTOR'S FROM THIS PERIOD I WAS FORTUNATE ENOUGH, MY GREAT-GRANFATHER I KNEW TILL AGE 11 WHEN HE DIED AT 88. HIS FATHER SERVED IN THE 56TH NC INFANTRY, CSA, 1861 TILL END OF THE WAR SURRENDERING AT APPOMATTOX, VA. 1865. MY GRANDFATHER TOLD ME OF WHAT HIS FATHER TOLD HIM AS TO EVENTS OF THE CONFLICT. THE STORIES OF GETTYSBURG AND THE SOUNDS OF THE CANNONS AND RIFLE FIRE. THUNDEROUS, EAR SPLITTING, WHISTLING OF THE BULETTS, THE SHARP THUDS.
FROM HIS ACCOUNTS, THIS RECORDING, IF YOU TURN IT UP OR IMAGINE MUTIPLIED 300 TO 900 TIMES, IS AS CLOSE AS WE WILL EVER EXPERIENCE SUCH FURY. RECOMMEND THIS TOP DRAWER, HAVE GIVEN 3 AS GIFTS,---- THIS IS IT!! MUSIC AND SOUNDS OF THAT WAR FROM A 2ND HAND SOURCE. SUPER CD!!!
A history lesson on CD........2001-07-19
This is not a just mere collection of music and songs from the Civil War era, but an actual attempt to teach the listener about the Civil War and its music.
As the other reviewers have noted, this double CD package reproduces the band music of the Civil War with authentic instruments and actual arrangements from the period. The viewer is treated to as close a fascimile of a Civil War regimental band as can be possible. However, there is a whole lot more to this collection than just brass band music. It also features fife and drum music, the bugle and drum calls used by the troops (including the actual "charge" which is very different from what we hear today in football stadiums), songs of the period sung by a male chorus accompanied by a lone banjo, and a narration which introduces several segments by giving background on the music and a brief history of the war. (I personally think the brief history of the war narration is the weakest part of the CD. The CD should have concentrated solely on the music and sounds of the war, and left the military history to writers and documentary makers.) Along with the music, the CD comes with other sounds of the war including the sounds of cannons, rifles, and carbines. Yes, the CD actually features the sounds of these weapons actually being fired on the firing range at West Point. If you ever wanted to hear what cannister being fired from a 12lb Napoleon really sounds like then this the CD for you!
Finally, this collection comes with a very thick little booklet which gives the listener tons of background on the making of the CDs and descriptions and historical information for everything on the CD's. It's particularly helpful in identifying the various bugle calls. This is a great collection for the serious Civil War buff.
Average customer rating:
- One of, if not THE BEST, Live Album In Existence.
- A Peak Experience
- It sharpened my pointed little head.
- The Jefferson Airplane soars in concert with this superb album
- Still a fair amount of audio defects
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Bless Its Pointed Little Head
Jefferson Airplane
Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD
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ASIN: B00028U6BI
Release Date: 2004-06-22 |
Tracks:
- Clergy
- 3/5 of a Mile in 10 Seconds
- Somebody to Love
- Fat Angel
- Rock Me Baby
- Other Side of This Life
- It's No Secret
- Plastic Fantastic Lover
- Turn Out the Lights
- Bear Melt
- Today [#][*]
- Watch Her Ride [#][*]
- Won't You Try/Saturday Afternoon [#][*]
Customer Reviews:
One of, if not THE BEST, Live Album In Existence........2007-04-29
Excellent, just excellent. Jefferson Airplane really was soaring over the top of the world when they performed at the Filmore East/West, and their originality sparkles on this album by giving a spin, heard nowhere else, to every track. The classic "Somebody to Love" is possibly even better here than on Surrealistic Pillow! The very same goes for "3/5 of a Mile in 10 Seconds" "Plastic Fantastic Lover" (...) Pretty much the whole album. The energy is gripping, the performance exhilirating, and the music a BLAST. Fly Trans-Love Airways. Getcha there on time.
A Peak Experience.......2007-01-29
I wasn't too surprised to read in Jeff Tamarkin's liner notes to this latest CD version of BLESS ITS POINTED LITTLE HEAD that it is the favorite JA album of EVERY single band member--bar none. OK, well, actually, I might not have been too taken aback if Grace--who reportedly enjoyed the studio process a great deal and liked getting the sound that she wanted nailed down--might have selected one of the studio releases, but then again, she comes off brilliantly on this live set (only two solos, but she's prominent on several other tracks, and there is no other recording that even begins to suggest the excitement of her vocal dueling with Marty) that it's really not all that surprising that its a favorite of hers as well.
The other claim that Tamarkin makes both here and in his excellent group bio GOT A REVOLUTION is that this was the unadulterated "live" Airplane--with no studio tricks, sweetening or clean ups. I recall once seeing a review that accused the Airplane of exactly that (finessing the record a bit in the studio). I remember wondering at the time if that were true, and if so, was it so bad? I mean, I certainly wasn't a jaded urban concertgoer in my youth but had been to enough live shows to know that even when they were great, they were seldom perfect soundwise. And if a record was going to be issued of any given live performance, a bit of polishing up or a bit of remixing might well be the order of the day.
Doesn't mean that the vocal trade offs between Marty, Grace and Paul were any less scintillating or that Spencer, Jack and Jorma weren't any less fiery instrumentally. It just means a cleaner recording, after all. Nothing misleading there. It is just enhancement of what's already there.
So I had decided years ago not to worry particularly whether this brilliant live disc was in any way "studio enhanced." If it's not--as Tamarkin insists--well, more power to 'em. If it really was the perfect recording of a really great couple of sets, well, how great that they were captured so well when at their absolute peak. They certainly were less well served by their second live record (their swan song 30 SECONDS OVER WINTERLAND, which while it does have its moments, pretty much documents their decline). And interestingly, the bonus tracks included with this release, supposedly recorded at the same time as the tracks that actually wound up on BIPLH, are inferior to the ones actually used.
Tamarkin suggests that it was only space considerations (the limits of vinyl) that kept these live versions of "Today," "Watch Her Ride," and "Saturday Afternoon/Won't You Try" of the original release. I can't quite swallow that whole. The bonus tracks are much sloppier vocally and much muddier acoustically than anything that actually made the cut originally. And even if the recording quality had been better none of the three tracks improves upon the original studio takes in any significant way.
Now of course, one could also argue that the SURREALISTIC PILLOW version of "Somebody to Love" is the definitive version, and in many ways, it probably is. But the live take included here is an almost complete recasting of the original. Others have commented on the funky opening riffs--not even remotely recognizable as an intro to one of the group's big hits--and Grace's jazz tinged, playfully cool take on the song similarly gives it a whole new dimension. Which is superior? Well, that will always remain the subject of debate among fans. What matters is that for this release, the group was bringing something new to the table.
In fact I've always asssumed that one of the reasons that so many of the tracks on BIPLH were re-do's of cuts from SURREALISTIC PILLOW was precisely because the earlier album, their first major commercial success, had been just a litte TOO commercial for this hippie band. Marty Balin sings "3/5 of a Mile In 10 Seconds" and "Plastic Fantastic Lover" like he's on fire. And the instrumentals are equally ferocious--with Jack's patented rumbling bass and Jorma's frenzied leads dancing around like a hot electrical wire. The polished PILLOW takes, recorded under the tutelage of an RCA house producer, are almost sterile by comparison. And of course, stuff from an even earlier era such as the previoiusly unreleased "Other Side of this Life" and TAKES OFF's once tentative sounding "It's No Secret" benefit from the band's newfound assuredness and boldness.
But boldness was precisely what the band's third record AFTER BATHING AT BAXTER'S did NOT lack for. In fact, when pressed to choose my own favorite Airplane record, I can never quite decide between their most experimental studio release (BAXTER'S) and their vibrant live release (POINTED HEAD). Had the group opted to include live versions of the two BAXTER cuts now offered here as bonus tracks, it would have been a real artistic mistake. "Watch Her Ride" and "Saturday Afternoon" are in no sense superior to the studio versions, and while I welcome having them now (completist that I am), they actually would have undercut the album's strengths in 1969).
In fact, I would encourage any Airplane "newbie" who gets ahold of this version of the CD to ignore the last three tracks the first time through. Abbreviated though it was, there was something magical about BIPLH's flow originally. In some ways, it really SHOULD end with the largely improvised (but brilliantly so) "Bear Melt." That track is a highligt for both Grace (who does a brilliant improvised vocal for the first half of the track) and for the instrumentalists who then turn it into an equally brilliant jam, ending with Grace coming in for the briefest of what Hendrix might have called "slight returns."
Hear it as it was--then go back for the bonus cuts. Best way to relate to them is to pretend that they're a welcome encore to an almost perfect set.
It sharpened my pointed little head........2006-11-14
I was not a major Jefferson Airplane fan and the only reason I owned this album is because I forgot to return the RCA Record Club card in time. Once I had it, however, I played it endlessly. (Well, OK, when I wasn't playing "Buffalo Springfield Again," "Strange Days" by the Doors, "Disraeli Gears" and a few others.) I remember being knocked out, probably due to the fact that at the time I was somewhat...uh..."perceptually enhanced" when I heard the first cranked riffs to "3/5 of a Mile In 10 Seconds" and later the almost funky intro to "Somebody to Love."
What I couldn't have known when I first bought the album is the influence the song "Fat Angel" would have. I was playing local coffeehouses as a solo acoustic guitar/vocal act. (Not a folkie, mind you--more of a rocker with an acoustic guitar.) It was during one of those aforementioned moments of enhancement that I came up with the idea of playing the song with the lower E-string of my guitar tuned down to D, providing resonance and the freedom to do an elongated acoustic jam. It was almost always my closing number and was usually well received (depending upon the "enhancement" level of the audience).
This album will always have special significance for me.
The Jefferson Airplane soars in concert with this superb album.......2006-09-30
From the heyday of the psychedelic rock era in San Francisco, the album, "Bless Its Pointed Little Head", is a fine recording of a live concert by one of the city's best-known and much-loved bands, The Jefferson Airplane. The concert was recorded, in late 1968, at the venerable rock temple, The Fillmore East, in New York City, and also at its sister venue in San Francisco, The Fillmore West, both owned by one-time Airplane manager, Bill Graham. Combining the powerful vocal mix of Grace Slick, Marty Balin, and Paul Kantner, with the musicianship of Jorma Kaukonen, lead guitarist extraordinaire, Jack Casady, bassist, and Spencer Dryden, drummer, you have an exceptional example here of psychedelic rock, San Francisco-style, at its best recorded live. For instance, give a listen to the intense interaction between the vocals of singer, Marty Balin, and the lead guitar work of Jorma Kaukonen on the song, "Plastic Fantastic Lover", something that is definitely missing on all studio recordings of this song. The energy is phenomenal. Or, give a listen to the intricate interplay, for more than six minutes, no less, between bass, rhythm guitar, and lead guitar on the song, "The Other Side of This Life". Superb.
With guidance from their friend, Jerry Garcia of the Grateful Dead, The Jefferson Airplane produced their breakthrough album in 1967 with their second studio effort, "Surrealistic Pillow." As a product of those sessions, the band had a huge hit during that year's Summer of Love with the song, "Somebody to Love", sung by Grace Slick. It certainly received plenty of radio airplay from coast to coast. This particular song along with several other memorable songs from the album, namely, "White Rabbit", "Today", and the instrumental, "Embryonic Journey", provided the band with national name recognition, something that all bands of that era sought as a step towards success, fame, and riches. Grace Slick, having had joined The Jefferson Airplane a year earlier, brought to the band a distinctive female voice, an unmatched stage presence, and songwriting ability. It certainly paid off. That same year, the band released its third studio album, "After Bathing at Baxters." And then, in 1968, with the release of the band's fourth studio album, "Crown of Creation", the band decided that it was time for the Airplane to release an official recording of one of its concerts. After all, other San Francisco bands, such as The Grateful Dead and Quicksilver Messenger Service, had similar thoughts in mind. Within a year, all three bay-area bands released recordings of their live shows. Quicksilver Messenger Service released an album entitled, "Happy Trails", that was an exceptional example of the fine San Francisco sound of that era. Additionally, the release of these albums was a way for management of each group to counter the sudden proliferation and popularity of illegal bootleg recordings that easily ate into each band's earnings.
Within a few years of the release of the album, "Bless Its Pointed Little Head", however, members of the Jefferson Airplane began to go their seperate ways. Internal problems within the band came to a head at a live concert at Altamont (California) in late 1969. This particular, and now infamous, free concert featured The Rolling Stones, with the Airplane scheduled to play ahead of them. However, the band, having had a gig in Miami the day before, suffered from exhaustion and jet-lag. In addition, some members of the band felt correctly that the atmosphere that day, at the speedway, was just not right. Tempers flared, and their set before a crowd of more than 300,000 did not go over well at all. It was the beginning of the end.
Jorma Kaukonen and Jack Casady left the Airplane altogether to concentrate on their other band, Hot Tuna. Spencer Dryden joined the country-rock band, New Riders of the Purple Sage, initially an off-shoot of the Grateful Dead with Jerry Garcia, once again, lending a helping hand. Grace Slick, Marty Balin, and Paul Kantner eventually formed an extension of the Airplane, and they named the band, The Jefferson Starship. Again, they received a helping hand from several neighborhood friends, among them being, David Crosby, Graham Nash, and Jerry Garcia. The new band included David Freiberg on bass and vocals, formerly of Quicksilver Messenger Service.
Still a fair amount of audio defects.......2006-09-02
I'm a huge Jefferson Airplane fan. Over the years, I've bought just about all their albums multiple times-first as an LP, then the original CD, then the remastered CD, etc.
"Bless Its Pointed Little Head" is one of my favorite live albums, but they have still missed the mark in the remastering. There is some improvement-the instruments sound clearer and less compressed, but parts of it still sound like an almost skipping record. This is especially apparent in the quieter passages, like the beginning of Bear Melt (which I absolutely love, unlike most people) or Today. I'm guessing that this may be a problem with the master tapes or the recorder used-remember this was from 1969.
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ASIN: B00006O0NT
Release Date: 2002-12-03 |
Tracks:
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- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
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- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
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- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
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- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
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- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
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- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
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- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!
Beginner or Expert.......2007-03-12
This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!
Very Informative and Enjoyable.......2006-11-20
Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!
Frank's view.......2006-08-19
This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Average customer rating:
- Excellent collection of all Doumbek rythms
- I like it
- Excellent intro
|
Drum and Dance / 30 Doumbek and Djembe Rhythms
T. Roy
Manufacturer: T. Roy Music
ProductGroup: Music
Binding: Audio CD
General
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| Poetry, Spoken Word & Interviews
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Similar Items:
- Doumbek Technique and Rhythms for Arabic Percussion, Bellydance, and Drum Circles
- The Quick Guide to Playing Doumbek (English/Spanish/Japanese)
- Air Mail Music: African Drums
- Dumbek Fever: Dumbek Instructional Kit
- Djembe: African Percussions
ASIN: B0006U4LM2
Release Date: 2004-01-01 |
Tracks:
- Intro
- Zar
- Ayoob
- Saudi
- Felahin
- Malfoof
- Karachi
- Maksoom
- Sahidi
- Nawari
- Wahida
- Beledi
- Bolero
- Chiftitelli #1
- Chiftitelli #2
- Masmoodi #1
- Masmoodi #2
- Elzafa #1
- Elzafa #2
- Egyptian 3
- Darag
- Tzamiko
- Shish Hasht
- Zebula
- Moroccan 6
- Turkish 5
- Armenian 10
- Leznoto
- Rachinitza
- Karislama
- Ziembeikiko
- All 30 Rhythms Spoken (no drumming)
- Outro
Album Description
On this hand drum CD, T. Roy clearly demonstrates how to play 30 of the most popular Middle Eastern Rhythms used in music and dance today. His "say it / play it" approach makes learning these ancient rhythms simple and fun. Included in the inset of this CD are the written and spoken phrases for each rhythm. The "cheat-sheet" inset, depicting each rhythm in plain-sentence, spoken verse (not musical notation or some strange code), along with the spoken-word only track of ALL the rhythms (for ease of memorization in the car etc.), are by themselves worth the price of this CD.
Simply put, this project is a "must have" for all serious hand drummers and dancers.
Customer Reviews:
Excellent collection of all Doumbek rythms.......2007-06-30
This CD contains all possible rhythems of Doumbek from middle east. The instruction is very clear and easy to follow. Also an excellent set of rhythms to practice various belly dancing styles.
I like it.......2007-05-17
I like this cd. He tells the rythm then plays it, it really helps with understanding for playing and dancing.
Excellent intro.......2005-08-31
This CD is an excellent complement to a live drumming class. When practicing at home, it provides clear vocalization of the rhythms, CD jacket has the rhythms written out, and there are simple and complex variations on each.
Average customer rating:
- Very nice...
- Songs and Speeches of hope and Inspiration
- Sing For Freedom
|
Sing For Freedom: The Story Of The Civil Rights Movement Through Its Songs
Various Artists
Manufacturer: Smithsonian Folkways
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Voices Of The Civil Rights Movement: Black American Freedom Songs 1960-1966
- Steal Away - Songs of the Underground Railroad
- Songs of Protest
- In Search Of Freedom: Excerpts From His Most Memorable Speeches [Spoken Word]
- MLK:MARTIN LUTHER KING TAPES
ASIN: B000001DHL
Release Date: 1992-07-13 |
Tracks:
- We Are Soldiers In The Army - Mary Ethel Dozier, Minnie Hendrick, Gladys Burnette Carter
- Keep Your Hands On The Plow - Mary Ethel Dozier, Minnie Hendrick, Gladys Burnette Carter
- This Little Light - Mary Ethel Dozier, Minnie Hendrick, Gladys Burnette Carter
- You Better Leave Segregation Alone - James Bevel, Bernard Lafayette, Joseph Carter, Samuel Collier
- Your Dog Loves My Dog - James Bevel, Bernard Lafayette, Joseph Carter, Samuel Collier
- Ain't Gonna Let Nobody Turn Me Around - Cordell Reagon, Bernice Johnson Reagon, Rutha Harris, Charles Neblett
- I Woke Up This Morning With My Mind On Freedom - Cordell Reagon, Bernice Johnson Reagon, Rutha Harris, Charles Neblett
- Keep Your Eyes On The Prize - Cordell Reagon, Bernice Johnson Reagon, Rutha Harris, Charles Neblett
- Oh Pritchett, Oh Kelly - Cordell Reagon, Bernice Johnson Reagon, Rutha Harris, Charles Neblett
- Up Above My Head - Betty Mae Fikes
- This Little Light - Betty Mae Fikes
- Brown Baby - Betty Mae Fikes
- Which Side Are You On? - Charles Neblett, Rutha Harris, Cordell Reagon
- I'm Gonna Sit At The Welcome Table - Charles Neblett, Rutha Harris, Cordell Reagon
- Mass Meeting And Prayer - Charles Neblett, Rutha Harris, Cordell Reagon
- Guide My Feet - Doc Reese
- I'm On My Way - Mamie Brown, Carlton Reece & The Birmingham Movement Choir
- Rev. Ralph Abernathy - Mamie Brown, Carlton Reece & The Birmingham Movement Choir
- Yes, We Want Our Freedom - Cleo Kennedy, Carlton Reece
- Rev. Martin Luther King, Jr. - Cleo Kennedy, Carlton Reece
- Ninety-Nine-And-A-Half Won't Do - Carlton Reece & The Birmingham Movement Choir
- Get On Board - Fannie Lou Hamer, Bob Moses
- No Danger In The Water - Bob Moses
- Medgar Evers Speaking - Bob Moses
- Keep Your Eyes On The Prize - Bob Moses
- We Shall Overcome - Cordell, Reagon, Bernice Johnson Reagon, Rutha Harris, Charles Neblett, Dorothy Cotton, Pete Seeger
Album Description
Hymns, speeches, spirituals, gospel songs, and prayers...a moving civil rights collection drawn from 1960s field recordings in Alabama, Georgia, Mississippi, and Tennessee. The compilation captures the irrepressible spirit of that era and reveals a determined and triumphant African American culture. A collection of glorious songs and heartstopping selections by The SNCC Freedom Singers, Martin Luther King, Jr., Ralph Abernathy, and others. "...there is wonderful singing here, great conviction, and the immediacy of living truth...powerful documentation of the most important social movement of our time." -- Sing Out!
Customer Reviews:
Very nice..........2003-01-25
If you're interested in Black History, then you'll love this CD.
Songs and Speeches of hope and Inspiration.......2001-06-06
If you ever need an emotional and spiritual pick-up, then this CD is for you. So much unknownn talent here. The Birmingham Freedom Choir would certainly give Kirk Franklin and Walter Hawkins a run for the money and the Montgomery Movement Singers have a singing style that's haunting in its simplicity. Like Brother Stack (BTW, I'm also a native of Spartanburg, SC, let's hang out and chat about this CD when I'm in town again), I've used this CD in my classes and my students have been moved by MLK's brief address ("If you can't run-WALK, and if you can't run-CRAWL, just KEEP MOVING ON!"). Raplh Abernathy's address is also surprisingly good and while the martyred legend Medgar Evers was not a spellbinding speaker, his sincerity comes through. The beauty of this CD is the courage the speakers and singers had in the danger of what they faced. This will inspire listeners to similar courage in the problems they may face today.
Sing For Freedom.......2001-01-29
I simple love this CD and all of the 26 songs. There is not one throw away song or segment on the CD recording. The CD chronicles the modern day civil rights movement through song from 1955 Montgomery bus boycott, to 1960 and the student lead demonstrations in Nashville, Tenn. to the 1963 Birmingham Mass Meetings. The artist are regional and have a wonderful quality to the singing. A must have...... I play this CD to my high school students every year and they are mesmerized. I play the CD in the teacher's lounge and they all want copies. I used some of the songs on the CD in a talk at my local Unitarian Universalist Church and got a standing ovation. I never tire of listening to the richness of the songs.
Average customer rating:
- Fat Update of the Chicago Blues Sound
- modern Chicago blues
- Worth every penny and more
- 75 minutes of open-mouthed listening
|
Sadie Mae
Nick Moss & the Flip Tops
Manufacturer: Blue Bella
ProductGroup: Music
Binding: Audio CD
Chicago Blues
| Blues
| Styles
| Music
General
| Blues
| Styles
| Music
Electric Blues Guitar
| Blues
| Styles
| Music
Modern Blues
| Blues
| Styles
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Similar Items:
- Live at Chan's
- Shades of Blue
- Nickels & Dimes
- Got A New Plan
- A Stone's Throw
ASIN: B0009QTRRW
Release Date: 2005-06-14 |
Tracks:
- Sadie Mae
- I Never Forget
- Check My Pulse
- Just Like That
- Ridin' At The Ranch
- One-Eyed Jack
- Grease Monkey
- The Money I Make
- Feel So Ashamed
- The Coldcut Stomp
- The Bishop
- You Got To Lose
- If I Could Get My Hands On You
- Crazy Woman Blues
- Everybody Got To Go
- Gone Hoggin'
Album Description
Born and raised near Chicago, guitarist/vocalist Moss has effectively captured the classic sound of 1950s-style Chicago blues as exemplified by Muddy Waters, Howlin' Wolf, Otis Rush and Buddy Guy. Before going out on his own, Nick went to "blues school" by going out on the road and recording with such artists as Jimmy Dawkins, the Legendary Blues Band, Willie "Big Eyes" Smith, Big Bill Morganfield and--most notably--legendary guitarist Jimmy Rogers, who was Nick's primary influence and mentor for the almost three years Nick was in his band as second guitarist.
The album's title refers to Nick's first child, born last May and named after Hound Dog Taylor and John Lee Hooker songs. "Sadie Mae" features 13 original songs, as well as his own smokin' interpretations of songs by Earl Hooker ("You Got to Lose"), Lefty Dizz ("If I Could Get My Hands on You") and Jimmy Rogers ("Crazy Woman Blues").
Nick's previous three albums all received critical acclaim from blues audiences around the globe, and his last two albums, Count Your Blessings (2003) and Got a New Plan (2001) both earned him W.C. Handy Award nominations. His band, the Flip Tops, includes some of the best young blues players around, including keyboardist Bob Welsh (Charlie Musselwhite, Rusty Zinn), harmonica player/guitarist Gerry Hundt, bassist Dave Wood and drummer Victor Spann. Out front and center is the incendiary guitar and vocals of Nick Moss, himself, who transports the listener back in time to a Southside juke joint with a few guitar licks or moanin' vocals.
Customer Reviews:
Fat Update of the Chicago Blues Sound.......2006-02-14
This is a great, great blues album. Nick and his band have a fat blues sounds that is heavily influenced by the Chicago Blues masters, but is has a very modern and fresh sound to it. Nick paid his dues playing for Jimmy Rogers and in the Lendary Blues band. This album see Nick come of age and into his own. Album was nominated for Blues Album of the year by the Blues Foundation and when you hear it you will understand why. It should have won IMHO!. I have not been this excited about a new blues artist since Stevie Ray and Texas Flood. This is a great blues album with excellent guitar playing and very good supporting band. Album is solid throughout and title track sounds best played loud. Also check out Nick's 'Got a New Plan' for another get new blues album. Nick is the real deal - You will not be disappointed.
modern Chicago blues.......2006-02-06
If you like Chicago-style blues, you gotta get this CD. This one covers all the styles with modern, fresh, clever lyrics; a tight band with killer keyboards; killer harp; and killer guitar playing. And lots of music for the buck (there's 16 tracks!). This is the best CD yet from Nick Moss and the Flip Tops. Go get it!
Worth every penny and more.......2005-12-16
I listen to a lot of blues, and have been playing blues guitar for 10 years. My main influences are Warren Haynes, Muddy Waters, T-bone Walker, John Lee Hooker, Buddy Guy, Duke Robillard, Ronnie Earl, Kenny "Blue" Ray, and Jimmy D. Lane among others. And now I can add Nick Moss to that list. In fact, he blows them all away if you ask me.
I had the pleasure (and luck) to see Nick Moss play live at the Waterfront Blues Festival in Portland Oregon a few years back, and he was the best performer there that day. Junior Watson, Phil Guy, and Kenny "Blue" Ray were there that same day but Nick Moss was the show stopper. This album is a real testament to how he sounds live.
His other albums are good but this one is great. If you enjoy blues at all, you are sure to love Nick Moss & the Flip Tops. You shouldn't call yourself a fan of blues music until you've heard this CD, because you're missing the best part of it all.
75 minutes of open-mouthed listening.......2005-06-16
Sadie Mae - the new album of Nick Moss & the Flip Tops - is certainly one of the greatest Blues events of this summer. 75 minutes of open-mouthed listening. With more evidence than ever Nick Moss demonstrates how contemporary may sound the tradition-based Chicago Blues. More than that - though, in the liner note, he affirms not to be "trying to take blues to the next level", - he does take the real, authentic Blues up to the level of classical music, where the words "old" and "new", "now" and "then" loose their sense in the face of an everlasting beauty. A not to miss album for all Blues lovers. Even more for those who aren't - these 75 minutes will make them change their mind!
Average customer rating:
- Spoken word at its best
- Memories that are classic
- One of the Greatest
- TIMELESS
- One of the Greatest!
|
Truth Is on Its Way
Nikki Giovanni & the New York Community Choir
Manufacturer: Collectables
ProductGroup: Music
Binding: Audio CD
General
| Christian & Gospel
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Gospel
| Christian & Gospel
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Similar Items:
- Like a Ripple on a Pond
- The Way I Feel
- In Philadelphia
- The Last Poets
- The Voice of Langston Hughes
ASIN: B00000095E
Release Date: 1993-09-14 |
Tracks:
- 'Great Pax Whitey'-Peace Be Still
- 'Nikki Rosa'-It Is Well
- 'My Tower'-Pretty Little Baby
- 'Alabama Poem'-I've Decided To Make Jesus My Choice
- 'Ego Tripping'
- 'All I Gotta Do'-I Stood On The Banks Of Jordan
- 'Second Rap Poem'-This Little Light Of Mine
- 'Poem For Aretha'-Nobody Knows The Trouble I've Seen
- 'Woman Poem'-Amazing Grace
- 'Poem For A Lady Of Leisure Now Retired'-Must Jesus Bear The Cross Alone
Customer Reviews:
Spoken word at its best.......2007-03-23
This DVD is Really good. If you dont have it make plans to get it. These artist have something to say and keep you entertained thoughout the whole process.
Memories that are classic.......2005-12-13
The first time I heard this album, and the previous Like A Ripple on a Pond, I was a freshman at Ohio State University, away from home and on my own for the first time in my life, and living around more white folks than I could imagine inhabited the planet. As only one of less than 1500 minority students of all races at a university that had over 40,000 students on its main campus, I felt as powerless and as insignificant as a gnat facing down a 100 watt light bulb. But then the word came down that Nikki Giovanni would be performing her poetry at the student union. I got to hear the sister speak live the words that I had repeated over and over as I listened to the albums on my record player. It was so good to be in a room full of folks like me who could speak every word of the poetry we had memorized as we played the albums over and over, time and again. The sister was church, a soulful experience. The gospel of Bernard Diggs and the New York Community Choir, the power of Sister Nikk's poetry made my small, cramped dorm space bearable. Nikki Giovanni, along with Dick Gregory, made the experience of being a speck of color in a sea of white bearable. Her poetry renewed my strength, gave me courage, and made me want to get past all the hurts and insults too often black students on all white campuses had to endure in those early days when we were the first vanguard of blacks that walked through the doors the civil rights movement had opened just a crack. And now years later I am a professor of English. I use the sister's peotry as often as I can, both Truth is on Its Way and Like a Ripple on a Pond. They are my most vibrant teaching tools as examples of free verse, imagery, rhyme and meter. I am happy to say that it is my younger white students who are the most swept up in the spirit after hearing How I Got Over or a Ripple on a Pond for the first time. I get the same reply, "Don't turn that off. I want to hear the whole CD." I am glad I can tell them where they can get it. Lord knows, a sister is tired of making copies.
One of the Greatest.......2004-01-25
This is one of the greatest albums of any genre. The poetry is outstanding and so is the gospel music. You will listen to this work over and over again.
TIMELESS.......2003-01-09
I first heard this in LP form at my grandmother's home when I was a child. Then, it was very popular in our family as well as our neighbors' families, especially Nikki being a Chicagoan. It was nice I thought, but I did not realize how important this work was until I grew into adulthood. The music is music for the soul and second to none. Superbly arranged and performed. The poetry is right on point, comforting, informative, and distressing but mostly comforting . Every American should have this work in their home and introduce it to their family and community.
One of the Greatest!.......2001-04-02
I bought this ALBUM 31 years ago, when I was 13. I memorized every poem on it. I played it so much, I wore the poor thing out. I was delighted when I came across the CD. I can't begin to express how this collection of poems touched my life. There is something for every mood and feeling. If you have never heard it, get it and get uplifted!
Average customer rating:
- Archeophone's "Real Ragtime" Second Edition
|
Real Ragtime: Disc Recordings from Its Heyday
Manufacturer: Archeophone Records
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Binding: Audio CD
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Similar Items:
- Stomp and Swerve: American Music Gets Hot
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- The Greatest Ragtime of the Century
ASIN: B000BKP5K4
Release Date: 2005-09-27 |
Tracks:
- Florida Rag (Vess L. Ossman)
- When Uncle Joe Plays a Rag on His Old Banjo (Arthur Collins)
- Booster Fox Trot (Victor Military Band)
- Berkeley March (Cullen and Collins)
- Hu-la Hu-la Cake Walk (Sousas Band)
- Dill Pickles Rag (Chris Chapman)
- Cakewalk (John J. Kimmel)
- Everybody Rag with Me (American Quartet)
- Creole Belles (Columbia Orchestra)
- By the Sycamore Tree Medley (Ossman and Hunter)
- The International Rag (Collins and Harlan)
- Silver Heels (Fred Van Eps)
- Canhanibalmo Rag (Arthur Pryors Band)
- A Coon Band Contest (Vess L. Ossman)
- Youre Talking Rag-Time (Arthur Collins)
- Sugar Plum (Samuel Siegel and Roy Butin)
- Whipped Cream (Fred Van Eps)
- Deiro Rag (Guido Deiro)
- Old Folks Rag (Van Eps Trio)
- Ragged William (Metropolitan Orchestra)
- Ragtime Temple Bells (Billy Murray)
- Russian Rag (Earl Fullers Rector Novelty Orchestra)
- Hungarian Rag (Pietro Deiro)
- Wild Cherry Rag (Eddie Morton)
- The King of Rags (Arthur Pryors Band)
- The Darkies Awakening (Vess L. Ossman)
- Cohans Rag Babe (Arthur Collins)
- Some Baby (Van Eps Banjo Orchestra)
- Ruff Johnsons Harmony Band (Gene Greene)
Product Description
From the introduction: This CD is the second edition of Archeophones very first release, which established our mission of providing detailed, scholarly, and unabashed reissues of the early recording industrys product in attractive and generous packages. With this newly remastered, freshly annotated edition, we are bringing our first and favorite release to the standards that you expect from the leader in acoustic-era reissues. To some music fans, the title of Real Ragtime sounded like a battle cry of authenticity, but the aim of the collection was and remains a simple one, grounded in the history of record buying a century ago: to show that the ragtime consumers were likely to find on records for more than 20 years was not the kind of ragtime we think of today. They were more likely to find banjos and brass bands playing ragtime than pianos, and their collections of disc recordings almost certainly had numerous examples of watered-down ragtimethe Tin Pan Alley knock-offs that really had no ragtime but called themselves rags just for the added marketability such a designation would bring. Ragtime was as much about a musical mood, a general feeling in the air, as it was about what scholars would identify as real ragtime. It was a trope that defined the early recording industry and pervaded the entire culture for a generation. These are the recordings people listened to, whether they were really ragtime or notand they were thought of, no doubt, as the genuine item.
Customer Reviews:
Archeophone's "Real Ragtime" Second Edition.......2005-10-09
This is the second edition of this CD to be released by Archeophone Records. It contains one additional tune and one substitution. The selections have been remastered, and the sound which was good the first time, has even been improved this time. Some of these recordings are over one hundred years old, and have no right to sound this good! This disc offers a good cross section of the music that was popular between 1898 and 1918. The booklet is done with a real attention to detail, and a lot of information is included along with photographs and first class graphics. This disc, along with the others from this company (I have them all), can stand tall alongside any other reissues by anyone!
Titles I especially enjoy are "Booster Fox Trot" by the Victor Military Band; "Dill Pickles Rag" by Chris Chapman; "The International Rag" by Collins and Harlan; "Cohen's Rag Babe" by Arthur Collins; and "Ragtime Temple Bells" by Billy Murray.
By the way, the substitution mentioned is a different version of "Dill Pickles Rag". The original version by Chris Chapman (1908), is included here, while the version by William H. Reitz (1922), was featured in the first edition of this CD. The additional tune is "Sugar Plum" by Samuel Siegel and Roy Butin.
For those who enjoy original recordings of the first quarter of the twentieth century, this disc is a good place to begin. Archeophone Records is the premier company reissuing this material, and I can recommend their CDs highly. They have released discs featuring Bert Williams, Billy Murray, Art Hickman, and The Benson Orchestra of Chicago; along with over twenty more titles, all of the highest quality sound that modern remastering will allow.
Average customer rating:
- Fresh
- www.glasswerk.co.uk review
- Hasn't left my CD player in 4 months
- distilled!
- What more can you say?
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Distillation
Erin McKeown
Manufacturer: Signature Sounds
ProductGroup: Music
Binding: Audio CD
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ASIN: B00004YBYQ
Release Date: 2000-10-10 |
Tracks:
- Queen Of Quiet
- Blackbirds
- Didn't They?
- La Petite Mort
- The Little Cowboy
- Daisy And Prudence
- Fast As I Can
- You Mustn't Kick It Around
- How To Open My Heart In 4 Easy Steps
- Dirt Gardener
- Love In 2 Parts
Amazon.com
Erin McKeown's quirky, folksy music weds the intimacy of the coffeehouse circuit with the braininess of her daytime gig as an ethnomusicology student at Brown University. Accompanying herself on guitar, piano, banjo, and the odd sampler, this precocious Virginia native has crafted a winning album of original songs that range from the coy minimalism of "Queen of Quiet" to the genuine beauty of "How to Open My Heart in 4 Easy Steps." McKeown infuses her songs with a droll wit and a keen awareness of jazz, blues, and Tin Pan Alley traditions (how many 23-year-olds cover Rodgers and Hart's "You Mustn't Kick It Around"?). With its echoes of Gillian Welch, k.d. lang, Suzanne Vega, and the Handsome Family, Distillation is an eclectic collection of mostly upbeat tunes that play nicely while the barn is burning. --Bill Forman
Customer Reviews:
Fresh.......2007-03-25
She's different than the rest -- some old fashioned sounds with an entirely unique style -- entirely McKeown.
www.glasswerk.co.uk review.......2003-04-09
The topics of uncertainty and love has never been so subtly expressed as Erin McKeown has managed to do so, and in her debut proper 'Distillation' she explores swing, folk and Tin Pan Alley jazz with beguiling consequences. Acoustic guitar number 'Queen of Quiet' is the first and the shortest song, with McKeown's Deep South drawl adding to the uplifting mood set by this opener. 'Blackbirds' develops with a more of a jazz/blues style, delivered with a great deal of swagger, and she manages to do that to more or a lesser degree in every song.
It is with lyrics that the 24 year old excels in the most. Subjects of death among others are dealt with humour and sensitivity, "....we both found heaven right then, you just chose not to come back...." in 'La Petite Mort' a country number with bluegrass roots, and touches on the topics of cocaine and roses in the poignant 'The Little Cowboy' where McKeown reaches Joni Mitchell levels of diva dizziness. The slim production of the record successfully brings out McKeown's ability to use an instrument both rhythmically and sonically. As a result of this the songs sound resolute and bright, with the result that the quieter moments on this record are at times the memorable and striking moments, especially on the quieter times on 'Daisy and Prudence' and the yearning 'Love In 2 Parts' which shows her songwriting to be strong and her delivery impeccable. Swing is also an obvious influence, and provides the jollier moments with a cover of Rodger and Hart's 'You mustn't kick it around' and the quirky 'Didn't They?'. Each song is intricate despite its simplicity, overflowing with invention and sentiment, and is sure to win the hearts of those who cross her path. With 'Distillation' Erin McKeown has proved that less is indeed much, much more.
Ricky
Hasn't left my CD player in 4 months.......2003-02-26
Wow, what can I say, the lady is the complete package, an intersting voice, the most original lyrics and the coolest guitar playing I've heard since Richard Thompson. Hearing blackbird once propelled me to buy Distillation and have not been dissapointed. It has occupied my #1 slot in my 6 disc changer for 4 months, obsessed? I guess!
distilled!.......2003-02-19
She's the queen of quiet and soon the UK is going to see what the US has been keeping from them when her debut album "Distillation" gets a UK release in February. Already very popular and well known among the folk community of the states, this is the 24 year old Erin McKeown's first major release after her two successful 2,500 cassette only releases, a self-titled debut and "Monday Morning Cold" (1998) and. One of America's best-kept secrets and well worth the wait.
Mrs McKeown in her songs achieves the goal of both being distinctly modern, living up to her post-Bjork and Moby comparisons and at the same time old fashioned brining swinging 1920's jazz onto such songs as "Blackbirds". Erin grew up in Virginia and it was at Brown University that she found her unique gift for combining music old and new into her own hybrid style. Very difficult to pigeonhole in one genre toying with everything from modern pop, swing jazz and cabaret. She showcases here all her past influences and love of music and movies. While it's easy to get caught up with the comparisons it must also be said that this is unlike anything else before it, Erin is the first of her kind and it's easier to imagine that in the future people will compare artists to her, instead of visa versa which is a view shared by many writers like Dar Williams, "Don't let anybody tell you that Erin McKeown is the 'next' anyone. She's the very first Erin McKeown, and she's great."
Another extraordinary thing is the production, or lack of it. All of this record is self financed and instead of confining her sound to a soulless generic recording studio Erin and producer David Chalfant relocated to a farmhouse out in Massachusetts. All of the tracks were recorded here and very few have any processed electronic tinkering on them .The songs are refreshingly real sounding and gritty without the usual re-mastering that occurs. What you get is what happened and this, for use of a better word makes it sound real and fresh. The whole thing from the recording to promotion (self promoted from word of mouth and her website) is all very down to earth and grassroots.
Plucky guitar opener "Queen of Quiet" the shortest of the songs offered here, introduces unusual and enchanting vocal stylings not to dissimilar to US singers Kd Lang, but more energetic and uplifting. It also showcases her brilliant song writing with lyrics confessing her to be "The kind of lover that won't run for cover, what kind of lover am I?". Then "Blackbirds", a jazzy, blues style number is so catchy and infectious with it's danceable blues guitar sounds and lovable lyrics harking back in many ways to the children's rhyme with the birds of the same name. If you don't get the urge to dance to this, then check for a pulse. All the songs have smart lyrics from an artist who is offering us everything she is and while some of the best are partly collages of other influences as used on "Blackbirds" she really comes into herself with the more coherent songs like "The Little Cowboy" with the haunting images of roses and cocaine. While we've had ladies giving us distinct and original vocals before, Alanis Morrisette or Ani Difranco for instance, it's the combination her of striking singing and skilful playing of whatever instrument she picks up be it a banjo or a guitar. Smart and very cool.
To the slow emotional "How to open my heart in 4 easy steps". Erin flexing her songwritting muscles again and asking kindly to "Untie these strings, from around my heart" and sadly confessing herself as "undone". That description is appropriate for this and many songs that are so open and overflowing with ideas and emotion. The perfect almost-a-love songs to complete the amazingly eclectic collection of songs.
So cheerful and instantly likable, so diverse that everyone will find something here to there taste. Fans of eclectic musicians like Badly Drawn Boy and the increasingly famous Polyphonic Spree will embrace this album openly. Buy this and then buy her previous albums on re-release soon.
What more can you say?.......2002-04-30
For those of you who feel you've out grown Ani Difranco because you don't like the way she's heading, give this lil gal a try. It's not all political riot grrl angst here. This 5 foot spit fire delivers prose like a emerson on benzedrine. Her Alternate tunings on her guitar change from song to song and give each one a distinctive feel that connects with each word that pours from her mouth. Her Songs move from theme to theme and genre to genre, never lulling in expectation. "Queen of Quiet" breaks it down in an almost contradictory spoken word speech. I've never heard a hop-along country song like "little cowboy" mosey along as if Roy Rogers and Jack kerouac collaborated On The "dusty" Road. Watch this one. She's gonna have more tricks up her sleeve.
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