Touch Down
Track Listings
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1. Baffled Queen
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2. Shadow
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3. You're The One
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4. Professor Sunshine
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5. Touchdown
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6. Kid Domino
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7. Pendulum
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8. All Gone
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9. Salty Blues
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10. Debutainted
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11. How Happy
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12. Gypsy Soul
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13. Baffled Queen Reprise
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Touch Down,Stephanie Schneiderman,Papa J. Records,Pop,Pop/rock that showcases stunning, sultry, soulful vocals with production that is textured, blending roots in jazz, soul and pop. Imagine Nora Jones on tour with The Beatles somewhere in Texas.,Rock,Rock/Pop
Touch Down
Average customer rating:
- Instruments of the Orchestra - Great Reference Material!
- Beginner or Expert
- Very Informative and Enjoyable
- Frank's view
- Excellent Intro for Those Not Familiar with the Orchestra
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Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD
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- The Life and Works of Ludwig van Beethoven
- What to Listen for in Music
- Study of Orchestration, Third Edition
- The Life and Works of Frédéric Chopin
ASIN: B00006O0NT
Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!
Beginner or Expert.......2007-03-12
This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!
Very Informative and Enjoyable.......2006-11-20
Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!
Frank's view.......2006-08-19
This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Average customer rating:
- Bravos belong to beloved baritone Howard Keel
|
Bless Yore Beautiful Hide
Manufacturer: Asv Living Era
ProductGroup: Music
Binding: Audio CD
All Works by Porter
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Romberg, Sigmund
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Similar Items:
- And I Love You So
- Howard Keel
- The Incomparable...
- Only Make Believe: My Life in Show Business
- Lovely to Look at
ASIN: B0007KTBH6
Release Date: 2005-03-08 |
Tracks:
- My Defences Are Down - Adolph Deutsch, Howard Keel, MGM Studio Orchestra
- Girl That I Marry [From Annie, Get Your Gun] - Adolph Deutsch, Betty Hutton, Howard Keel, MGM Studio Orchestra
- They Say It's Wonderful [From Annie, Get Your Gun] - Adolph Deutsch, Betty Hutton, Howard Keel, MGM Studio Orchestra
- Anything You Can Do [From Annie, Get Your Gun] - Adolph Deutsch, Betty Hutton, Howard Keel, MGM Studio Orchestra
- Pagan Love Song [From Pagan Love Song] - Adolph Deutsch, Howard Keel, MGM Studio Orchestra
- House of the Singing Bamboo [From Pagan Love Song] - Adolph Deutsch, Howard Keel, MGM Studio Orchestra
- Tahiti [From Pagan Love Song] - Adolph Deutsch, Howard Keel, MGM Studio Orchestra
- Make Believe [From Show Boat] - Adolph Deutsch, Kathryn Grayson, Howard Keel, MGM Studio Orchestra
- You Are Love [From Show Boat] - Adolph Deutsch, Kathryn Grayson, Howard Keel, MGM Studio Orchestra
- Why Do I Love You? [From Show Boat] - Adolph Deutsch, Kathryn Grayson, Howard Keel, MGM Studio Orchestra
- Young Folks Should Get Married [From Texas Carnival] - Howard Keel, MGM Studio Orchestra,
- Lovely to Look At [From Lovely to Look At] - Carmen Dragon, Howard Keel, MGM Studio Orchestra
- You're Devastating [From Lovely to Look At] - Carmen Dragon, Kathryn Grayson, Howard Keel, MGM Studio Orchestra
- Touch of Your Hand [From Lovely to Look At] - Carmen Dragon, Kathryn Grayson, Howard Keel, MGM Studio Orchestra
- Higher Than a Hawk [From Calamity Jane] - Ray Heindorf, Howard Keel,
- I Can Do Without You [From Calamity Jane] - Doris Day, Ray Heindorf, Howard Keel,
- So in Love [From Kiss Me, Kate] - Kathryn Grayson, Howard Keel, MGM Studio Orchestra, Andrrevin,
- Were Thine That Special Face [From Kiss Me, Kate] - Howard Keel, MGM Studio Orchestra, Andrrevin,
- Wunderbar - Kathryn Grayson, Howard Keel, MGM Studio Orchestra, Andrrevin,
- I've Come to Wive It Wealthily in Padua [From Kiss Me, Kate] - Howard Keel, MGM Studio Orchestra, Andrrevin,
- Where Is the Life That Late I Led? [From Kiss Me, Kate] - Howard Keel, MGM Studio Orchestra, Andrrevin,
- Right Place for a Girl [From Rose Marie] - Howard Keel, MGM Studio Orchestra, Georgie Stoll's Trio
- Rose Marie [From Rose Marie] - Howard Keel, MGM Studio Orchestra, Georgie Stoll's Trio
- Bless Yore Beautiful Hide [From Seven Brides for Seven Brothers] - Adolph Deutsch, Howard Keel, MGM Studio Orchestra
- Sobbin' Women [From Seven Brides for Seven Brothers] - Adolph Deutsch, Howard Keel, MGM Studio Orchestra
- When You're in Love [From Seven Brides for Seven Bothers] - Adolph Deutsch, Howard Keel, MGM Studio Orchestra, Jane Powell
- Your Land and My Land [From Deep in My Heart] - Adolph Deutsch, Howard Keel, MGM Studio Orchestra
Customer Reviews:
Bravos belong to beloved baritone Howard Keel.......2005-08-30
Travel back in time to an era when songs were created to enjoy like a rich desert that your mom would make. Howard Keel and his various duet partners have done just this! This CD has a wonderful selection from the great musicals of the 1950's and makes you smile....sigh....and seek to hear them again and again. I would encourage you to add this to your collection as I have. I've even shared it with many of my friends who have come back with the same remarks of great music from one of the great singers of our recent past.
Average customer rating:
- Sinister, strong, dark and wierd
- waiting for the reunion tour
- Down for me is Up
- Another jesus lizard CD,similiar to the rest, but still good
- Very good, but not their best
|
Down
The Jesus Lizard
Manufacturer: Touch & Go Records
ProductGroup: Music
Binding: Audio CD
General
| Alternative Rock
| Styles
| Music
General
| American Alternative
| Alternative Rock
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| Alternative Rock
| Styles
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Noise
| Rock
| Alternative Styles
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| Hard Rock & Metal
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Similar Items:
- Shot
- Blue
- Show
- The Jesus Lizard
- Jesus Lizard - Live
ASIN: B0000019KC
Release Date: 1994-08-29 |
Tracks:
- Fly On The Wall
- Mistletoe
- Countless Backs Of Sad Losers
- Queen For A Day
- The Associate
- Destroy Before Reading
- Low Rider
- 50 Cents
- American BB
- Horse
- Din
- Elegy
- The Best Parts
Customer Reviews:
Sinister, strong, dark and wierd.......2005-12-20
Jesus Lizard are simply not as others. David Yow's lyrics and vocal delivery are like listening to the paranoid ramblings of a deeply twisted, and sensitive person broken by this absurd, violent, yet humorous world. Like some kind of punk rock Charles Bukowski, he deals in psychic pain and character observation (or confusion) unlike few others. He doesn't wallow in self-serving despair, rather his angst and anger is primarily directed outward in a kind of celebration of the absurd. His screams and pained vocal delivery provide a huge contrast to the surgically precise, yet no less disturbed math-metal-punk of guitarist Duane Denison, drummer Mac McNeilly, and uber bassist David Wm. Sims. They proceed like some kind of unending bad dream that you don't want to wake up from, that you can't wake up from. Relentless and abrasive and dark, yet not without humor, Jesus Lizard's Down is a unique listen from one of the odder and truly alternative bands of the '90s. Also recommended: Head/Pure (their first EP and album in one CD), Liar, Goat, and Shot.
Some lyrics from "Din":
Get me up from this terrible place
Because it's dangerous down here
There are splinters and splinters
Flying like arrows around
I turn around to see one huge black tongue
That means to lick my very being
And the sun is about to set
On the head of my shadow
so get me the hell out of here
so get me the hell out of here
waiting for the reunion tour.......2005-11-02
This is the best Jesus Lizard album, with its unique arrangements and stellar songwriting.
Or is it "Liar," with it's amped-up crunchiness?
Now that you mention it, "Goat" is pretty essential.
The singles/rarities collection "Bang" is also hard to beat.
"Head/Pure" might be more difficult to access until you're into them, but then you get even more of their best songs.
Heck, even "Shot" (despite being the "major label sellout post-Albini album") is most assuredly rocking.
Down for me is Up.......2003-03-02
This album is probably my favorite JL album, even compared to Liar.
It's just crushing, and bass lines (like on 50 cents) just don't come around often enough. While i am glad to see bands such as the Dennison Kimbel Trio rise from the ashes, the Jesus lizard are just so seminal, and i think this album really captures why.
Another jesus lizard CD,similiar to the rest, but still good.......2002-11-24
As the sonic maelstrom of "Fly on the Wall" is let loose, the understatement of the linear notes becomes painfully obvious. Jesus Lizard's deft musicianship, pummeling rhythms, and passionate howling vocals seem almost otherworldly in their intensity triggering a brutal assault on all fronts. To call "Down" simply an abrasive album wouldn't be giving it enough credit. This CD does not merely repel the senses like so many other "abrasive" recordings but instead launches a full-scale attack that continues at an unrelenting pace from beginning till end. Proving to be the true embodiment of noise rock itself, the individual member's talents easily rival those of legendary noise veterans. Recalling the heyday of Detroit's 1969 proto-punk acts, Dennison's riffs are as heavy as Wayne Kramer and as sloppy as Ron Asheton while David Yow's manic unintelligible rants are easily worthy of Iggy Pop himself. Holding down the bottom end, as always, is Jesus Lizard's first rate rhythm section with Mac McNeilly and David Wm. Sims literally beating every ounce of life out of their instruments. The band's veins course with aggression and power and with the help of Steve Albini's equally confrontational production work, Down proves to be a quite satisfying documentation of the band's raw energy. The only drawback to this CD would be that, although Jesus Lizard's sound is definitely as unique as it is massive, the actual songs tend to be very similar. In the grand scheme though, the repetitiveness of the individual songs tends to not really matter when coupled with the consistently striking overall sound and Down still remains a fairly strong effort. Although perhaps not as memorable as Liar or as innovative as the Head/Pure Eps, Down is another strong Jesus Lizard album, even if it is a largely repetative affair.
Very good, but not their best.......2002-02-10
"Head" and "Liar" are tied for first regarding Jesus Lizard recordings. You cant really go wrong getting any of them, so whatever your mega cd store can carry, fear not and buy it. This one will put an odd look on the faces of old Lizard fans, though. Its very slick, methodical, and muted somewhat. "Misletoe" is a ragged, jangled rant that ranks with their best, heaven knows what its about, but who really cares when its up loud? "Countless Backs of Sad Losers". from what I can tell, is either David Yow's attempt at a political statement, or about the way things are because of the travails of ruthless alpha males, or maybe Im just an idiot and should refrain from interpretation, especially of someone who is as obtuse and cryptic as Yow is. "50c" is what David Yow would pay your mother to screw the band...those are my favorites, the cd drags a bit at the end, but all in all, this is good money spent if you cant get any of the early ones.
Average customer rating:
|
Touch Back Down
Catherine Feeny
Manufacturer: EMI/Charisma
ProductGroup: Music
Binding: Audio CD
General
| Folk
| Styles
| Music
General
| Pop
| Styles
| Music
General
| Rock
| Styles
| Music
ASIN: B000QJLLG2
Release Date: 2007-06-18 |
Tracks:
- Touch Back Down (Radio Edit)
- Beltloops & Blue Jeans (Live)
Album Description
First CD single pulled from the 2007 repackaged version of her sophomore album Hurricane Glass. Features 'Touch Back Down' (Radio Edit) plus 'Beltloops And Blue Jeans' (Live At The Spitz). Charisma.
Album Details
A Tale of Truth Misplaced and Deception Long Undetected, "Touch Back Down" is the First Single from Catherine Feeny on the Charisma Label. With a Swelling Tide of Strings, a Gliding Vocal Melody and a Creeping Dawn of Realisation, "Touch Back Down" is the Sound of the Truth Unravelling. A Delicate Approach, Feeny's Honeycomb Vocals and Its Enveloping Americana, Prove a Deceptively Engaging Vehicle for Acerbic Lyrics and Challenging Themes.
Average customer rating:
- !!! never ceases to amaze me
- suck suck suck
- Shake it up!!!
- this cd is the shiznit!
- "(...)"
|
Me and Giuliani Down by the School Yard (A True Story)
!!!
Manufacturer: Touch & Go Records
ProductGroup: Music
Binding: Audio CD
General
| Alternative Rock
| Styles
| Music
Indie Rock
| Indie & Lo-Fi
| Alternative Rock
| Styles
| Music
General
| Rock
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4-for-3 Alternative Rock
| 4-for-3 Music
| Stores
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4-for-3 Pop
| 4-for-3 Music
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4-for-3 Rock
| 4-for-3 Music
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4-for-3 All Music
| 4-for-3 Music
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Similar Items:
- Take Ecstacy With Me/Get Up
- !!!
- Myth Takes
- Sound of Silver
- Lab Remix Series, Vol. 2
ASIN: B00009ATJR
Release Date: 2003-06-03 |
Tracks:
- Me And Giuliani Down By The Schoolyard (A True Story)
- Intensifieder (Sunracapellectrohshit Mix 03)
Customer Reviews:
!!! never ceases to amaze me.......2005-01-21
I've always loved !!!, and this single is no exception. Though a tad more flamboyant than their other works, this is another excellent piece on their part. A little out there, and quite artsy, !!! is a band that you generally need an aquired taste for-- much like the Blood Brothers, Xiu Xiu, Deerhoof, Q and not U, etc. Give it a chance. If you still don't like what you hear, what can I say, artsy and experimental compositions aren't for everyone, but personally I love their work.
suck suck suck.......2004-06-20
Everything from the lyrics to the musicianship to the vocals are less than average in execution. Although, I do have this positive thing to say about !!!, they work well for those of us who suffer from insomnia. The music is so derivative, played-out, unoriginal that it puts one to sleep.
Shake it up!!!.......2004-06-16
I saw !!! live at the 2004 Coachella festival and was blown away. People were dancing frenetically to what was a mixture of disco and punk, and I could help but smile while listening. I had read the Pitchfork review on !!! and figured I'd get the single. I think that the song "Me and Giuliani Down by the School Yard" is worth it alone, a really banging track. I've got to get the full-length just released.
this cd is the shiznit!.......2004-04-25
what can i say about this band? they are awesome, if you dont like them you suck.
"(...)".......2004-04-17
2003 was a great year for pale white boys to start (...) again. The Rapture. Hot Hot Heat. The Stills. Electric 6. After so many years . The title track is nine minutes of stacatto breakbeats, memphis horns, slap bass, and chiming guitars, with the riffs lifted straight out of old James Brown records. There's dissonant caterwauling and a few of those old Rolling Stones falsetto "woo-hoos" tossed in for good measure. And despite the fact it hangs together like one track, it's built up as at least 3 or 4 songs, like Radiohead's "Paranoid Android" or the Beatles "Happiness is a Warm Gun", moving through at distinct movements and melodies with three separate rythms and velocities that keep this from bogging down into one of Led Zeppelin's boring 9 minute opuses.
The question you're truly going to have to ask yourself is this:
Is one incredible 9 minute song worth $6?
The 2nd track, "Intensfier", is a remix of an older song, and is probably only included here to justify the cost. It's a repetive boring mundane piece of crap. Bear in mind, you will probably never listen to this track more than once or twice before you rip "Me and Giuliani" as an MP3 and tack it onto a "BEST OF 2003" mix with Franz Ferdinand and those unreleased Interpol songs that keep floating around KaZaA.
Average customer rating:
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Touch Down
Stephanie Schneiderman
Manufacturer: Papa J. Records
ProductGroup: Music
Binding: Audio CD
General
| Jazz
| Styles
| Music
General
| Rock
| Styles
| Music
Pop Rock
| Pop
| Styles
| Music
General
| Vocal Pop
| Pop
| Styles
| Music
Similar Items:
- Unbelievably Unbroken
- Live at Kung Fu Bakery
- Feels Like Home
- Come Away with Me
- Taking The Long Way
ASIN: B0001GWB6E
Release Date: 2004-03-02 |
Tracks:
- Baffled Queen
- Shadow
- You're The One
- Professor Sunshine
- Touchdown
- Kid Domino
- Pendulum
- All Gone
- Salty Blues
- Debutainted
- How Happy
- Gypsy Soul
- Baffled Queen Reprise
Customer Reviews:
Anytime listening.......2007-02-03
Stephanie's voice is amazing both live and recorded. Sultry, sweet and haunting at the same time. Definitely outside of the box. I find this cd easy to listen to anytime of the day, especially while I'm unwinding. All the songs are beautiful and I have no problem listening to the whole cd without skipping through it. I have recommended this to all of my friends.
Average customer rating:
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Symphony 9: Introduction to Dvorak
Dvorak
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD
General
| Symphonies
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
General
| Instructional
| Miscellaneous
| Styles
| Music
Similar Items:
- An Introduction to Brahms' Piano Concerto No. 2
- Classics Explained: Pastoral Symphony
- Classics Explained: Brandenburg Concertos 4 & 5
- An Introduction to Vivaldi's "The Four Seasons"
- Classics Explained: Rite of Spring
ASIN: B000069HGK
Release Date: 2002-09-17 |
Average customer rating:
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[2 CD Set, Enhanced CD Movie & full length soundtrack] Prophecy Records Presents a Snowborders Motion Picture Soundtrack: FEATURING: Sister Machine Gun, Blink 182, 30 Amp Fuse, Vibrolush, Cornelius, Down By Law, The Daylights, Milleneolin, Unleaded, Buck-O-Nine, Orbit Bubbles, Juno Reactor, Subminute Radio, Tranquility Bass, Primal Future
Torque - Sister Machine Gun / Enthused - Blink 182 , Blastin' Room - 30 Amp Fuse / Touch Yourself - Vibrolush , Count Five Or Six - Cornelius / Call To Arms - Down By Law , But Seriously - The Daylights / Twenty Two - Milleneolin , Exit - Unleaded / What Happened To My Radio - Buck-O-Nine , Johnny - Orbit Bubbles / Swamp Thing - Juno Reactor , Along The Way - Subminute Radio , Never Gonna End - Tranquility Bass , Sick - Primal Future , and DSMMPS Soundtrack - Various Artists
ProductGroup: Music
Binding: Audio CD
General
| Soundtracks
| Styles
| Music
ASIN: B000QJDWAK |
Average customer rating:
|
Sings Negro Spirituals: Songs of the Soul
Bertha (Underwood) Morgan
Manufacturer: Lgr Records
ProductGroup: Music
Binding: Audio CD
General
| Christian & Gospel
| Styles
| Music
Gospel
| Christian & Gospel
| Styles
| Music
ASIN: B000CADZM8
Release Date: 2003-02-25 |
Tracks:
- Try'n to Get Ready
- Gonna Lay Down My Burden
- No Room in the Inn
- Motherless Child
- Plenty Good Room
- Soon I Will Be Done
- Go Tell It on the Mountain
- Steal Away
- Walk with Me Lord
- Battle Hymn of the Republic
- History of Negro Nspirituals (Narrative)
- Swing Low Sweet Chariot
- Little David Play on Your Harp
Rock Music:
- Transcendence
- Transistor [Extra tracks] [Import]
- Tubeway Army [Import] [Original recording remastered]
- Uno
- Violent Silence
- We Will Fall: The Iggy Pop Tribute
- What's Your Name
- Where There's Smoke [Import]
- Wow [Import]
- Writing on the Wall
Rock Music
rock music