Stop All the World Now [Import]

stop all the world now [import]

Track Listings
1. Brace Yourself
2. Perfect Time Of Day
3. Collide
4. Trouble In Here
5. Sunday Morning Song
6. I'll Take You On
7. She Says
8. Numbness For Sounds
9. You And A Promise
10. End Of Our Days
11. Come Lay Down
12. Standing In The Sun
13. So, Goodbye

Stop All the World Now,Howie Day,Sony Japan,Adult Alternative Pop/Rock,Chamber Pop,Pop,Rock,Rock/Pop,Singer/Songwriter

Stop All the World Now [Import]
Stop All the World Now
Average customer rating: 4.5 out of 5 stars
  • Howie Day - Stop All The World Now
  • I've changed my mind - this cd's amazing
  • A must have...
  • :o)
  • WOW !!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
 Stop All the World Now
Howie Day
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Australia
  2. Chariot Stripped (Bonus CD)
  3. Lifehouse
  4. Wreck of the Day
  5. How To Save A Life

ASIN: B0006A9GO0
Release Date: 2004-11-16

Tracks:

  1. Brace Yourself
  2. Perfect Time Of Day
  3. Collide
  4. Trouble Is Here
  5. Sunday Morning Song
  6. I'll Take You On
  7. She Says
  8. Numbness For Sound
  9. You & A Promise
  10. End Of Our Days
  11. Come Lay Down
  12. This Time Around
  13. Standing In The Sun
  14. Brace Yourself (Acoustic)
  15. Collide (Acoustic)

Customer Reviews:

4 out of 5 stars Howie Day - Stop All The World Now.......2007-01-31

Well, a lot of you looking at this album may only know Howie Day for his one song 'Collide'(Well thats who anyone in England who's heard of Howie Day knows him for!!). You might be thinking 'Is it worth buying the album for just the one song?' Well I can tell you I was in the same position. I took the gamble and brought the album because I hate singles!
Well after listening to the album, starting for the very beginning I found the gamble had worked. Songs such as 'She Says' are beautifully written and sound good if not better than 'Collide'. Throughout the Album Howie Day desplays his lyrical and musical ability, the music gets better as you go through the album.
Those of you who are into 'Lifehouse', 'Switchfoot' and to an extent '3 Doors Down' and 'Goo Goo Dolls', this is really a must have, but those who are still confused - BUY the album because you get a lot more for your moneys worth than just getting the single.
Listening to it now, its one you can't get bored of because its not an artist they overplaye on the radio consistently. I'm looking up to a follow up on this album!!

5 out of 5 stars I've changed my mind - this cd's amazing.......2007-01-25

I made a review on his earlier cd, before I heard this one, saying that "Australia" and the "Madrigals EP" both were so much better than this one - that on this one, he had sold out. But i was pleasantly surprised when I randomly picked this cd up in a CD lot on ebay - it was amazing. I was reluctant to let go of my previous assumptions on Howie, but even with the full band and not as much acoustic playing (I mean, "She Says" on the "Australia" CD is acoustic - and then he remade it on this one. Both are great, if you think about it.), but even so, Howie's a showstopper!! His technique and singing style are unmatched. PICK AUSTRALIA UP FIRST, THOUGH. Both CDs rock, but get a sense of his growth first. He's a versatile performer and that's one of the best things about him. CHECK HIS MUSIC OUT - NOW. You won't be sorry. :)

5 out of 5 stars A must have..........2006-10-28

Great great cd, I mean it is a must have. Howie shows his great class and this clearly puts him in a league of his own in this genre of music. I simply can't have enough of his music.
Enough said...

4 out of 5 stars :o).......2006-03-13

Beautiful voice, lyrics and melody ! How could you resist to "collide" ?
Nice atmospheric musics. Just enjoy !

5 out of 5 stars WOW !!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!.......2006-03-03

Great album, great flow, great eliciting of emotions and great times.

Must be heard to be truly experienced.

Enough said.
Broadway - The American Musical (PBS Series)
Average customer rating: 5 out of 5 stars
  • Fabulous for any Broadway-lover
  • Top Shelf
  • TERRIFIC CD'S
  • Great Collection of Broadways greatest Songs
  • Great Compilation!
 Broadway - The American Musical (PBS Series)

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

BalletsBallets | Ballets & Dances | Classical | Styles | Music
All Works by BernsteinAll Works by Bernstein | Bernstein, Leonard | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
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Similar Items:
  1. The Best of Broadway - The American Musical (PBS Series)
  2. Broadway: The American Musical
  3. Broadway: The American Musical
  4. Broadway - The American Musical (PBS Series)
  5. Somewhere over the Rainbow: The Golden Age of Hollywood Musicals

ASIN: B00064ADMK
Release Date: 2004-10-19

Tracks:

  1. Give My Regards To Broadway- Joel Grey
  2. Swanee- Al Jolson
  3. When The Moon Shines On The Moonshine- Bert Williams
  4. A Pretty Girl Is Like A Melody- John Steel
  5. My Man- Fanny Brice
  6. Fascinating Rhythm- Fred Astaire, Adele Astaire
  7. If You Knew Susie (Like I Know Susie)- 78rpm Version Eddie Cantor
  8. Someone To Watch Over Me- Gertrude Lawrence
  9. Bill- 78 rpm Version Helen Morgan
  10. Ol' Man River- Paul Robeson
  11. Ain't Misbehavin'- Louis Armstrong & His Orchestra
  12. Ten Cents A Dance- Ruth Etting
  13. Body And Soul- Libby Holman
  14. Brother, Can You Spare A Dime- Bing Crosby
  15. Night And Day- Fred Astaire
  16. Heat Wave- Ethel Waters
  17. Smoke Gets in Your Eyes- Tamara
  18. You're The Top- Ethel Merman
  19. Summertime- Anne Brown
  20. September Song- Walter Huston
  21. My Heart Belongs To Daddy- Mary Martin
  22. It Never Entered My Mind- Shirley Ross
  23. Bewitched, Bothered, Bewildered- Vivienne Segal
  24. Oh, How I Hate To Get Up In The Morning- Irving Berlin
  25. Oh, What a Beautiful Mornin'- Alfred Drake

Tracks:

  1. New York, New York- Cris Alexander,Adolph Green,John Reardon
  2. If I Loved You- John Raitt,Jan Clayton
  3. Come Rain Or Come Shine- Ruby Hill,Harold Nicholas
  4. There's No Business Like Show Business- Ensemble
  5. How Are Things In Glocca Morra? From "Finian's Rainbow"- Ella Logan
  6. Once In Love With Amy- Ray Bolger
  7. Wunderbar- Alfred Drake,Patricia Morison
  8. Some Enchanted Evening- Ezio Pinza
  9. Lost In The Stars- Todd Duncan
  10. Diamonds Are A Girl's Best Friend- Carol Channing
  11. Luck Be A Lady- Robert Alda,Guys
  12. Getting To Know You- Gertrude Lawrence
  13. Who Cares?- Jack Carson,Betty Oakes
  14. Stranger In Paradise- from " Kismet" Doretta Morrow,Richard Kiley
  15. Ballad Of Mack The Knife- Gerald Price
  16. Hey There- from "The Pajama Game" John Raitt
  17. Whatever Lola Wants- Gwen Verdon
  18. I Could Have Danced All Night- Julie Andrews
  19. Standing On The Corner- from "The Most Happy Fella, 1956" Shorty Long,John Henson,Alan Gilbert
  20. The Party's Over- Judy Holliday
  21. Glitter And Be Gay- Barbara Cook
  22. Tonight- Larry Kert, Carol Lawrence

Tracks:

  1. Seventy-Six Trombones- Robert Preston
  2. I Enjoy Being A Girl- from "Flower Drum Song, 1958" Pat Suzuki
  3. Everything's Coming Up Roses- Ethel Merman
  4. My Favorite Things- from "The Sound Of Music" Mary Martin
  5. Put On A Happy Face- from "Bye Bye Birdie" Dick Van Dyke
  6. Try To Remember- Jerry Orbach
  7. Camelot- from "Camelot" Richard Burton
  8. Love Makes The World Go 'Round- Anna Maria Alberghetti
  9. I Believe In You- Robert Morse And Co.
  10. The Sweetest Sounds- Diahann Carroll,Richard Kiley
  11. Comedy Tonight- Zero Mostel
  12. What Kind Of Fool Am I?- Anthony Newley
  13. As Long As He Needs Me- Georgia Brown
  14. Hello, Dolly!- Carol Channing,Cast
  15. People- Barbra Streisand
  16. Anyone Can Whistle- from "Anyone Can Whistle" Lee Remick
  17. If I Were A Rich Man- Zero Mostel
  18. Night Song- Sammy Davis, Jr.
  19. The Impossible Dream- Richard Kiley
  20. If My Friends Could See Me Now- Gwen Verdon
  21. Open a New Window- from Mame Voice

Tracks:

  1. Willkommen- from "Cabaret" Joel Grey
  2. Let The Sunshine In- James Rado,Lynn Kellogg,Melba Moore,Cast
  3. I'll Never Fall In Love Again- Jill O'Hara,Jerry Orbach
  4. The Ladies Who Lunch- from "Company" Elaine Stritch
  5. Tea For Two- Roger Rathburn,Susan Watson
  6. I'm Still Here- Yvonne De Carlo
  7. I Don't Know How To Love Him- Yvonne Elliman
  8. We Go Together- Adrienne Barbeau,Barry Bostwick,Walter Bobbie,Cast
  9. Corner Of The Sky- John Rubinstein
  10. Send In The Clowns- Glynis Johns
  11. Ease On Down The Road- Stephanie Mills,Tiger Haynes,Ted Ross,Hinton
  12. One- from "A Chorus Line" Cast
  13. All That Jazz- Chita Rivera,Ensemble
  14. Tomorrow- Andrea Mcardle
  15. Don't Cry For Me Argentina- Patti Lupone
  16. Come Follow The Band
  17. Lullaby Of Broadway- Jerry Orbach
  18. And I'm Telling You I'm Not Going- Jennifer Holliday
  19. The Bells Of St. Sebastian- Raul Julia

Tracks:

  1. Memory- Betty Buckley
  2. I Am What I Am- George Hearn
  3. Move On- Bernadette Peters,Mandy Patinkin
  4. Do You Hear The People Sing?- Michael Maguire,Cast
  5. The Music Of The Night- Michael Crawford
  6. You're Nothing Without Me- James Naughton,Gregg Edelman
  7. The American Dream- Jonathan Pryce,Cast
  8. Doctor Jazz- Gregory Hines,Company
  9. With One Look- Glenn Close
  10. On Broadway- Adrian Bailey,Frederick B. Owens,Ken Ard,Victor Trent Cook
  11. Le Jazz Hot- Julie Andrews,Ensemble
  12. Seasons Of Love-
  13. Hakuna Matata- Max Casella,Tom Alan Robbins,Scott Irby-Ranniar,Jason Raize
  14. I Wanna Be A Producer- Matthew Broderick,Ensemble
  15. Dancing Queen- Louise Plowright,Jenny Galloway
  16. Good Morning Baltimore- Marissa Jaret Winokur
  17. Movin' Out- Michael Cavanaugh,Band
  18. I Go To Rio- Hugh Jackman,Company
  19. Defying Gravity- Kristin Chenoweth,Idina Menzel

Customer Reviews:

5 out of 5 stars Fabulous for any Broadway-lover.......2007-01-30

Packs into 5 CD's a sampling of Broadway tunes from the 20's thru (almost) today, mostly from original cast recordings. Includes not just well-known hits, but also some lesser-known gems. Sound quality is first rate, booklet is informative too. Have given this as a gift to several friends with rave reviews.

5 out of 5 stars Top Shelf.......2007-01-04

This is THE definitive collection of Broadway hits. I have other collections, and none of them measure up. A great deal of care was obviously taken in compiling and presenting this box set. It covers a lot of ground, starting with some long-forgotten but still very enjoyable hits from the days of yore, and finishing with present-day favorites. To the best of my knowledge, the recordings are by those who made them famous. You won't be disappointed.

5 out of 5 stars TERRIFIC CD'S.......2006-03-23

THESE BROADWAY MUSICALS CD'S ARE A BROADWAY LOVERS DREAM. WITH EACH SONG, MEMORIES COME FLOODING BACK. BOTH THE FAMILIAR AND THE FORGOTTEN SONGS ARE A TRUE LISTENING PLEASURE. IF YOU LIKE BROADWAY, YOU'LL LOVE THIS SET.

5 out of 5 stars Great Collection of Broadways greatest Songs .......2005-06-14

This Collection was perfectly made it has almost all the most famous Broadway songs on this 5 cd set. The Music is great and has Broadways greatest treasures like "Memory""People""With One Look""Give my regards Too Broadway" just to name a few of this numerous cd set with over 100 songs. This is a great buy if you like musicals or The music of Broadway

5 out of 5 stars Great Compilation!.......2005-01-17

If you are a fan of the Broadway Musicals, this is a collection that you should purchase. Since I got the 5 disc set I've enjoyed listening to it. The majority of the songs are done by the original singers. The collection is priceless considering that you will have over 100 songs from popular musicals since the beginning of Broadway
Stop All The World Now
Average customer rating: 4.5 out of 5 stars
  • CD
  • ON time.
  • Very awesome CD
  • Beautiful
  • Simply Brilliant
 Stop All The World Now
Howie Day
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Alternative Rock | Styles | Music
Singer-SongwritersSinger-Songwriters | Alternative Rock | Styles | Music
Chamber PopChamber Pop | Indie & Lo-Fi | Alternative Rock | Styles | Music
Singer-SongwritersSinger-Songwriters | Pop | Styles | Music
Pop RockPop Rock | Pop | Styles | Music
Adult AlternativeAdult Alternative | Pop | Styles | Music
GeneralGeneral | Rock | Styles | Music
Similar Items:
  1. Australia
  2. Lifehouse
  3. Beneath These Fireworks
  4. How To Save A Life
  5. Wreck of the Day

ASIN: B0000BYM3J
Release Date: 2003-10-07

Tracks:

  1. Brace Yourself
  2. Perfect Time Of Day
  3. Collide
  4. Trouble In Here
  5. Sunday Morning Song
  6. I'll Take You On
  7. She Says
  8. Numbness For Sound
  9. You & A Promise
  10. End Of Our Days
  11. Come Lay Down

Customer Reviews:

4 out of 5 stars CD.......2007-07-16

I got this for a gift for my friend. She likes it so I'm happy.

5 out of 5 stars ON time........2007-01-09

This was a present for my mother in law,came on time and looked new.

5 out of 5 stars Very awesome CD.......2006-12-16

Think for a minute about all your favorite songs and albums. Now think of how few you own about which you can say you really like every single song. How rare is it for you to put in a store-bought CD and not have any desire at all to skip a single track? This album is one of those really special experiences for me. Oddly enough, it didn't start out that way. I didn't love every song the first time I heard it - some of them took a while to worm their way into my heart. But now this is one of the few albums where that I listen to without ever going anywhere near the Skip feature! It goes into the ranks of Sarah McLachlan's "Fumbling Towards Ecstacy", Pink Floyd's "Dark Side of the Moon" or "Momentary Lapse of Reason" and Nina Gordan's "Tonight and the Rest of My Life". I highly recommend you give this album a try.

5 out of 5 stars Beautiful.......2006-01-02

Howie Day is one of the most underrated singers out there! This album is amazing! My favorite is the one that is played everywhere and most often: Collide. It's beautiful and to me, it never gets old (which is rare!!)

Highly recommended!

5 out of 5 stars Simply Brilliant.......2005-11-08

There are not many cd's that I can listen to over and over again, loving ALL of the songs equally, but Stop All The World Now is defenately one of them. Howie Day's music and vocals are just the right blend of familiar and nostalgic, yet captivating and thought-provoking. You can be in almost any mood while listening, making this the perfect cd for many occasions. I highly reccommend you give this brilliant rising artist a chance; he will be around for a long time to come.
The Michael Feinstein Anthology
Average customer rating: 4.5 out of 5 stars
  • Mixed feelings
  • Your love for this superb collection will be here to stay...
  • He's done it again
  • Absolutely 'S WONDERFUL!
  • A beautiful 2 disc CD-another hit for Michael
 The Michael Feinstein Anthology

Manufacturer: Elektra / Wea
ProductGroup: Music
Binding: Audio CD

All Works by GershwinAll Works by Gershwin | Gershwin, George | ( G ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by PorterAll Works by Porter | Porter, Cole | ( P ) | Featured Composers, A-Z | Classical | Styles | Music
Rodgers, RichardRodgers, Richard | ( R ) | Featured Composers, A-Z | Classical | Styles | Music
Film ScoresFilm Scores | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music
GeneralGeneral | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music
General ModernGeneral Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
GeneralGeneral | Classical | Styles | Music
GeneralGeneral | Jazz | Styles | Music
GeneralGeneral | Opera & Vocal | Styles | Music
Musical TheaterMusical Theater | Vocal Non-Opera | Opera & Vocal | Styles | Music
GeneralGeneral | Pop | Styles | Music
GeneralGeneral | Oldies | Pop | Styles | Music
Traditional PopTraditional Pop | Oldies | Pop | Styles | Music
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Similar Items:
  1. Romance on Film/Romance on Broadway
  2. Hopeless Romantics
  3. Isn't It Romantic
  4. Nice Work If You Can Get It: Songs by the Gershwins
  5. Michael & George (Feinstein Sings Gershwin)

ASIN: B000065DVH
Release Date: 2002-05-21

Tracks:

  1. Nice Work If You Can Get It
  2. Isn't It Romantic
  3. Swinging On A Star
  4. Ask Me Again
  5. Rhode Island Is Famous For You
  6. 'S Wonderful
  7. Wonder Why
  8. Too Marvelous For Words
  9. Where Do You Start
  10. Theme From The Bad And The Beautiful
  11. Easy To Love
  12. Alexander's Ragtime Band
  13. Who Are You Now?
  14. You're An Education
  15. You Are There
  16. Sophisticated Swing
  17. Love Can Change The Stars
  18. Come Out, Come Out Wherever You Are
  19. Half Of April (Most Of May)
  20. Marianne
  21. They Can't Take That Away From Me
  22. I Love A Piano

Tracks:

  1. That's Entertainment
  2. My Favorite Year
  3. Ten Feet Off The Ground (With Rosemary Clooney)
  4. I Never Felt Better
  5. Someone To Watch Over Me
  6. Kiss Her Now
  7. The Ugly Bug Ball
  8. For You, For Me, Forever More
  9. The Mole People
  10. And So To Bed
  11. You're All The World To Me
  12. Old Friend
  13. Isn't It A Pity (with Rosemary Clooney)
  14. Pattisserie
  15. Open Your Eyes
  16. For Love Alone
  17. I Won't Send Roses/Time Heals Everything
  18. Get Out And Get Under The Moon (with Page Cavanaugh)
  19. My Romance
  20. Love Is Here To Stay
  21. Violin (with Liza Minnelli)

Amazon.com

The line between evangelist and entertainer has always been somewhat indistinct. But as showcased on this 43-track, double-disc collection culled from his '87-'96 recordings for Elektra/Nonesuch/Atlantic, Michael Feinstein's dedication to spreading the gospel of the American song often blurs it beyond recognition. While the singer's pedigree for the task is impeccable (a long-term stint as Ira Gershwin's assistant and early career sponsorship by Liza Minnelli), his interpretations often succeed by playing off a tense axis of fervent emotionalism and a joyous sense of irreverence.

If his readings of romantic standards can sometimes tend toward the precious, they're often balanced here by sheer dramatic power and telling insights ("Isn't It Romantic" fairly bristles with ironic chauvinism) and a few loopy curves ("The Mole People," the Sherman Brothers' "The Ugly Bug Ball," and the previously unreleased "Rhode Island Is Famous for You"). Feinstein's dedicated song archaeology is also showcased on several gems: "Violin," a duet with Liza Minnelli; "My Favorite Year," a rejected ballad for the film of that name; the sublime "lost" Gershwin classic "Ask Me Again."

Sprinkled with live performances (the forum where Feinstein's talents seem most energized) and studio outtakes and featuring a lengthy print interview with the singer, the set chronicles both the pioneering efforts of one of pop music's most successful revivalists and, crucially, the cream of his beloved American songwriters, from stalwarts Gershwin, Berlin, and Porter to later legends like Herman, Styne, Lane, Martin, and Mercer. --Jerry McCulley

Album Description

The definitive collection of performances by the Grammy nominated singer features 43 tracks from 14 albums released by Elektra, Elektra Nonesuch, and Atlantic labels from 1987-1996. Plus 8 previously unreleased live tracks only available here 'Rhode Island is Famous For You', 'S Wonderful', 'Alexander's Ragtime Band', 'I Love A Piano', 'Patisserie', 'Get Out And Get Under The Moon' (with Page Cavanaugh), 'Love Is Here To Stay' & 'Violin' (with Liza Minnelli). 2 Digipacks housed in a slipcase with a booklet. Rhino Records. 2002.

Customer Reviews:

3 out of 5 stars Mixed feelings.......2005-10-05

This album has some GREAT songs on it; sophisticated swing being one of my favorites. However many of the other songs are too operatic and lame. I give three stars but this album is definatly worth it just for some of the better songs.

5 out of 5 stars Your love for this superb collection will be here to stay..........2002-07-18

The magnificently talented Michael Feinstein has made one wonderful album after another for nearly two decades. Now that Elektra and Rhino have put together this anthology, I am blown away by the versatility and diversity in Feinstein's recorded output. Such amazing rare gems, combined with the most beloved favorites in the history of American Popular Song. Assembled with wit, intelligence, and obvious affection on the part of the record company, this set is a keeper. You'll love it!

5 out of 5 stars He's done it again.......2002-07-15

Is there anything this man can't sing? This collection is so varied as to be the definitive collection of songs for any occassion.

This is perfect background music for a dinner party for a whole group but especially for two. Light, romantic and just gorgeous. You just can't go wrong when Michael Feinstein is your musical choice.

Way to go Michael, you've done it again!

5 out of 5 stars Absolutely 'S WONDERFUL!.......2002-06-10

There are very few contemporary performers who can hold their own with the truly great interpreters of American popular song. Michael Feinstein is truly the ONLY performer of the "younger" generation who really understands what these songs are all about. His incredible knowledge of this music, and his enthusiasm and passion for it have fueled his career. Rhino Records has done a truly outstanding job of putting together an anthology that exemplifies why Mr. Feinstein has become so beloved by audiences around the world. The packaging is excellent, and filled with interesting photos and background information about many of the selections.

This collection not only contains all the favorites one would expect, but a neat group of surprises too. I especially love the duets with people like Liza Minnelli and Rosemary Clooney, and the various collaborative efforts with songwriters like Jule Styne and Burton Lane accompanying Michael at the piano.

This collection is a classic to be treasured. Bravo Michael!
Bravo Rhino!

5 out of 5 stars A beautiful 2 disc CD-another hit for Michael.......2002-06-09

I have every CD Michael has ever made and this is by far one of the best ones because of Michael's range in singing and his wonderful singing voice. I love his duets with Rosemary Clooney and Liza Minelli. He is a wonderful performer on this double CD and am looking foward to the next CD.
Stop All the World Now
Average customer rating: 4 out of 5 stars
  • A gem! Don't let it slip away!
 Stop All the World Now
Howie Day
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Alternative Rock | Styles | Music
Singer-SongwritersSinger-Songwriters | Alternative Rock | Styles | Music
Chamber PopChamber Pop | Indie & Lo-Fi | Alternative Rock | Styles | Music
Singer-SongwritersSinger-Songwriters | Pop | Styles | Music
Pop RockPop Rock | Pop | Styles | Music
Adult AlternativeAdult Alternative | Pop | Styles | Music
GeneralGeneral | Rock | Styles | Music
Similar Items:
  1. Australia
  2. Madrigals (Bonus DVD)
  3. Lifehouse
  4. Something to Be
  5. Heavier Things

ASIN: B0009A1BNG
Release Date: 2005-05-31

Tracks:

  1. Brace Yourself
  2. Perfect Time Of Day
  3. Collide
  4. Trouble In Here
  5. Sunday Morning Song
  6. I'll Take You On
  7. She Says
  8. Numbness For Sound
  9. You & A Promise
  10. End Of Our Days
  11. Come Lay Down

Customer Reviews:

4 out of 5 stars A gem! Don't let it slip away!.......2006-07-30

I heard Howie with some regularity on XM and finally broke down and made the purchase. It's a great collection; I like this CD a LOT. His voice has an edge, but it remaims true. I love the entire CD and can't really say that there's a weak spot. Stand outs: The pop perfections of "She Says" and the gritty "You & A Promise". You can't go wrong.
Wagner: The Rhinegold
Average customer rating: 4.5 out of 5 stars
  • A Rose By Any Other Name...
  • "Thus I salute the stronghold, safe from dread and dismay!
  • Free at last!
  • I Love This Recording
  • The Goodall Ring - 1975 - Restored and Remastered
 Wagner: The Rhinegold
English National Opera
Manufacturer: Chandos
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Siegfried (Goodall Ring Cycle/Chandos Opera in English)
  2. Wagner: The Valkyrie
  3. The Twilight of the Gods (Goodall Ring Cycle/Chandos Opera in English)

ASIN: B00005B550
Release Date: 2001-05-22

Customer Reviews:

5 out of 5 stars A Rose By Any Other Name..........2007-07-02

The figure of speach may not be completely correct in this instance, but, well, I hope you get the point. In any case, for a Dutch speaking person, like I, to hear 'The Ring' in a language other than the original German feels - almost shockingly(?) - natural. Certainly, this modern English translation, to me, is as least immediate, and probably even more immediate, than the original (archaic) German text. And in music drama, immediacy is essential. Maybe it is also the wonderfully natural translation, I don't know, but it works for me, the Ring in English.
But most of the credit has to go to the music, the singers, and the recording as such. I believe that this (originally analogue) remastered recording has one of the best recorded sounds and acoustics of any Ring, studio or 'live'. It is wonderfully clear but warm, kind of velvety (very unlike Solti), with beautifully natural balaces between voices and orchestra. Audience noises can be heard (including a delightful little ripple of laughter) but never really obtrusively so, thankfully. And I love the thunderclap-sound effect when Donner strikes his hammer against the rocks - very tastefully done, and lending extra power to the scene.
All the time one reads in reviews everywhere of the very slow speads at which the music is conducted by Sir Reginald Goodall. Well, that may be so, but I, for one, am certainly endeared to Sir Reginald Goodalls 'caressing' of the music, as a result of which wich the Leitmotifs come out more clearly than ever. The slow - but nonetheless very concentrated, and always involved - playing has, to me, an almost mesmerizing effect. Certainly, compared to many other recordings, the music may sound stretched almost beyond breaking point. But in the end, I think it is really just that: a matter of speed, no more. The concentration never falters and the dramatic arc never saggs. There is live 'music magic' going on here, I feel, even if the English National Opera Orchestra may not be (as precise or as diciplined as) a Wiener Philharmoniker or a Bayreuther Festspielorchester. Certainly, Sir Reginald Goodall must have loved this music and these opera's: one feels a slowly beating but constant loving pulse that energizes the drama and the music.
But we also have the singers. And what a great singers! While the best may be yet to come (with Alberto Remedios as Siegmund and Siegfried, and Rita Hunter as Brunnhilde), we here, in The Rhinegold, already have one of the most commanding of Wotans (Norman Bailey, with wonderful burnished timbre). Also, Emile Belcourt stands out as a wonderfully sleek but full-voiced Loge. Derek Hammond-Stroud's Alberich may not be as black as Gunther von Kannen's (for Barenboim), for example, but there is enough anguish, frustration and anger to lend his character a convincing reality and depth. And the giants too, are a winning pair. Especially Fafner (Clifford Grant) is as imposing and powerful as one may ever wish.
With all the rave reviews, here and elsewhere I can't wait to hear The Valkyrie, (especially) Siegfried and Twilight of the Gods. This certainly is a winning 'Ring', to be kept alongside any other 'great' recorded 'Ring' out there, IMHO. To me, it can hold its own alongside any other favorite recordings.
Please, sample this Ring (try for example the Chandos website for fragments of all of the music) and decide for yourself. Highly recommended.

4 out of 5 stars "Thus I salute the stronghold, safe from dread and dismay!.......2007-06-12

Okay, so we have the Solti, Bohm, Karajan, Levine, Janowski, Goodall, and Sawallisch Rings on the market (I haven't listened to the other Ring recordings yet, sorry to say). And all of these leave me to one conclusion: the many differences lead me to believe that all of these ring sets have their own authenticities and setbacks. And here they are:

TIMING (Estimate):
Solti's Ring: 14 hours, 30 minutes
Bohm's Ring: 13 hours, 30 minutes
Karajan's Ring: 14 hours, 50 minutes
Goodall's Ring: 16 hours, 50 minutes
Janowski's Ring: 14 hours, 0 minutes
Levine's Ring: 15 hours, 20 minutes
Sawallisch's Ring: 14 hours, 0 minutes

CONDUCTING:
Solti: Solti's conducting is driven with sheer muscle, but sometimes he makes the Ring overemotional. His Walkure & Gotterdammerung Preludes are clear examples: they're annoyingly bombastic. Nonetheless he almost seldom loses control with anything. His clear focus on the drama is astonishing.

Bohm: I must say his live Bayreuth recording brings out some of the best. He puts more faith in the orchestral score, but he also gives it more intensity. His tempi are some of the quickest, but they still don't seem rushed at all (except maybe "Wohin schleich'st du eilig und schlau"). I especially like his "Forging Scene" & "Hagen Summons the Vassals"; both are the most energetic on disc.

Karajan: Karajan's chamber approach is very interesting. Instead of going for the drama or the energy, the conductor goes for the beauty. Almost everything in his Ring sounds very ethereal because of his excessive use of lyricism. His orchestral preludes (except Walkure Act 1) sound more beautiful than others, and much of the soft parts (such as Siegfried Act Three Scene Three) are controlled nicely. His "Funeral March" and "Immolation" are recommendable. Siegfried Act Three Scene Two could have improved with more tension.

Goodall: Oh, boy. While I do praise Goodall with his amazing attention to detail, his ridiculously sluggish tempi will tick some Wagnerites off: everything is slower than adagio moderato. But I did enjoy listening to the slow beauty of his "Wotan's Farewell/Magic Fire Music". This was recorded live and sung in English.

Janowski: This is a very classical Ring. Instead of bombast, spacious, or lyrical passion, maestro Janowski gives us the straightforward approach. He goes straight for Wagner's original intentions (precise tempi, dynamics, flow of leitmotivs, etc.), which makes this another exquisite Ring. "Hagen Summons the Vassals" is probably the fastest I've ever heard (along with Sawallisch's). Rheingold Scene Four can be best described as "sensational".

Levine: While he does stay true to the score like Bohm, this conductor makes for a somewhat dull Ring. His handling of the orchestra is nice, but the moderately slow tempi he chooses is flawed. It should be more animated. His beautiful "Funeral March" and "Erda's Warning" are two of the few flawless features.

Sawallisch: I guess you can say that Sawallisch is half-Karajan, half-Janowski. While he does stay true to the orchestral score like Janowski, he also puts in a little Karajan-like lyricism. At some points he loses track with orchestra and singers (as does every live recording) but Bohm has more control. This was also recorded live.

ORCHESTRA:
Solti's Vienna Philharmonic: The woodwinds are the most beautiful in Solti's Ring (the "Forest Murmurs" is clear evidence of that). French horns and Wagner tubas make this a recommended listening. The strings in "Heda Heda Hedo" could've added a bit more work, but they are strikingly spectacular everywhere else. The orchestra gives it their all in Siegfried Act Two & Three, but they are at their weakest in Walkure Act One & Three (Bohm's Bayreuth does it better). Overall, it's the loudest and certainly most bombastic out of all the Ring orchestras combined.

Bohm's Bayreuth Festival: The ultimate Wagnerian orchestra gives it their all. The brass both high and low are the most powerful, while the woodwinds are the most delicate. The strings are muffled only a few times, otherwise the eighteen anvils are perfectly loud and clear. Erda's scenes aren't as effective as Janowski's, but the entire Walkure is more successful than Janowski's when it comes to tone & technique. Overall, this orchestra is the most dramatic.

Karajan's Berlin Philharmonic: The entire orchestra sounds polished, not to say that it is bad. Indeed the drama is still there, but much of the suspense is lacking (the scenes with Fasolt and Fafner come to mind). The brass sometimes overpowers the strings, which can be a serious problem. Gotterdammerung "Three Norns" Scene sounds very mysterious, very eerie.

Goodall's English National Opera: This orchestra sounds nice, even if the sluggishness can bring them down at times. The Flight of the Valkyries doesn't sound too good in a slow tempo, but the entire orchestra does sound lucid here. Siegfried Act One Prelude is the creepiest. All of the leitmotivs are heard loud and clear, just like in Janowski's version.

Janowski's Staatskapelle Dresden: This orchestra has the same force & flair as does Bohm's Bayreuth Festival, only Dresden sounds much clearer due to the fantastic digital sound. Even minor details are found in this Ring. I can hear harps in Flight of the Valkyries! The strings imitate the Siegfried forest very well, while the woodwinds representing the songbird are wonderful (but not as wonderful as Solti's songbird). Dresden's "Magic Fire Music" (along with Berlin's) is the most extravagant.

Levine's Metropolitan Opera: The brass and woodwinds are the true stars. The strings sound too tired to continue on in Siegfried & Gotterdammerung. The Finale to Rheingold is absolutely stunning (the trumpets and trombones will not disappoint), and the Second Act of Walkure is the most impressive, the most refined.

Sawallisch's Bavarian State: Wrong notes in this live recording won't matter, as the entire orchestra gets everything going in all four nights at the opera. The strings never surrender to imperfection, and the winds are marvelously aligned. I just wish that some of the singers would keep up with the orchestra.

SINGERS:
-Wotan
Solti: Hans Hotter is the superior Wotan. He sounds powerful throughout the Ring (except Rheingold, in which a less stellar George London performs).

Bohm and Janowski: Theo Adam in Bohm's live recording is another treat. While he is not as equally impressive as Hotter, he can certainly conjure up everlasting emotions. Adam sounds weaker in Janowski's studio recording, but he still doesn't disappoint.

Karajan: Dietrich Fischer-Dieskau plays Wotan in "Rheingold," while Thomas Stewart replaces Fischer-Dieskau in "Walkure" and "Siegfried". I don't think Fischer-Dieskau was a good choice; he sounds too humane and too light. Stewart makes an astounding improvement in both "Walkure" and "Siegfried".

Goodall: Norman Bailey has that divine spark that Hotter used to cherish. He's heavy and unblemished, and he handles the English text with flair and sheen.

Levine: James Morris is a notch below Hotter, Adam, and Bailey, but he overpowers Fischer-Dieskau pretty much throughout the Levine's Ring.

Sawallisch: I may be biased, but Robert Hale just didn't do it for me. He sounded dull and tedious, and his Wotan's Farewell wasn't enough to sadden me.

-Brunnhilde
Solti and Bohm: Birgit Nilsson is the best Brunnhilde on the market. Her Valkyrie cry is delightful, and her final scene in Gotterdammerung is brilliant beyond belief.

Karajan: Regine Crespin is without a doubt one of the finest Brunnhildes after Nilsson. She's fantastic in Walkure Act Three. I just wish she stayed on as the Valkyrie later on in the Ring (Helga Dernesch is no good in Gotterdammerung, sorry to say).

Goodall: Rita Hunter is at her strongest in Walkure and Siegfried. She is at her weakest in Gotterdammerung. What may have caused her downfall in the fourth installment? "The world may never know."

Janowski: Jeannine Altmeyer is basically the most controversial Brunnhilde on CD. Some people say that she's too light and weak, while others say she sounds young and very enchanting. I'm with those who think Altmeyer was a good choice, but you yourself (the shopper) are going to have to decide whether she's good or not.

Levine and Sawallisch: Hildegard Behrens is just like Nilsson and Crespin: while she's not the best, she is definitely another perfect Brunnhilde of choice. She's at her most dazzling when she performs Walkure (Levine) and Siegfried (Sawallisch).

-Siegmund & Sieglinde
Let's see. For the Siegmunds, we have James King for Solti and Bohm. Jon Vickers for Karajan, Alberto Remedios for Goodall, Siegfried Jerusalem for Janowski, Gary Lakes for Levine, and Robert Schunk for Sawallisch. For the Sieglindes, we have Regine Crespin for Solti, Leonie Rysanek for Bohm, Gundula Janowitz for Karajan, Margaret Curphy for Goodall, Jessye Norman for both Janowski and Levine, and Julia Varady for Sawallisch. Hmm . . . Jerusalem is good . . . and so is Vickers . . . Janowitz is charming, and so is . . . Oh, what the heck? All the singers for Siegmund and Sieglinde are fantastic. Two exceptions, though: Robert Schunk doesn't sound heroic enough, and Jessye Norman for Levine's Ring doesn't sound young and innocent enough.

-Siegfried
Solti and Bohm: Wolfgang Windgassen may very well be the best Siegfried for the ages. His `Forging Scene" in both renditions are defiantly inspiring. His last scene in Gotterdammerung is celestial and overwhelming.

Karajan: Jess Thomas (Siegfried) and Helge Brilioth (Gotterdammerung) may not be as ideal as Windgassen, but they do know how to be a magnificent heldentenor. Thomas pulls it off with Act One and Three.

Goodall: Wow! What a singer that Alberto Remedios! He never drags in either of the last two installments, and he uses the correct emotions in every scene that he is in.

Janowski and Sawallisch: Rene Kollo's Siegfried is a poetically expressive one. In Janowski's version he sounds playful when he's in Mime's home, and he sounds willed when he's in the Gibich Hall. He is not good enough in Sawallisch's version, however. His tiresome "Forging Scene" is obvious evidence of that.

Levine: Oh, Reiner Goldberg. At least you tried. Seriously, he sounds too tedious (especially in Gotterdammerung Act Three Scene Two) and too old. I don't know Levine should've chose Kollo when he recorded his Ring.

-Alberich
Solti and Bohm: Gustav Niedlinger has a heaviness that overwhelms a few other baritones. When he sings his only sequence in Gotterdammerung Act Two Scene One, his emotion is so pure that his son Hagen would've drowned himself in tears (Too melodramatic? Sorry about that.). The only problem is that his character sounds too one-dimensional. Alberich isn't just some cardboard-cutout bad guy. He has a very good reason why he wants to take revenge on the world. Overall, Niedlinger is amazing throughout Wagner's Ring (He deserves many awards for "Bin ich nun frei?").

Karajan: I guess you can say that Zoltan Kelemen tries his best throughout. He is not good in Rheingold, but he gets better in Siegfried and Gotterdammerung.

Goodall: Derek Hammond-Stroud is three-dimensional, but not that much. Still, he can sound very demanding in Rheingold Scene One and Siegfried Act Two Scene One.

Janowski: Siegmund Nimsgern may be the most humane Alberich yet, but it's all good. He sings with more passion than Kelemen and more robustness than Hammond-Stroud. Niedlinger's ferociousness puts him below, however. "Schaf'st du, Hagen, mein sohn?" is noteworthy.

Levine and Sawallisch: Ekkehard Wlaschiha is one hell of a vigorous Alberich. I praise him in Rheingold Scene One and Three. His performance in Siegfried (both versions) could've improved with more distrustfulness towards Mime and the Wanderer.

-Mime
Solti and Karajan: Gerhard Stolze is the creepiest Mime ever known to humankind. This dwarf outsings other Mimes on the market. When he sings "Die stucken! Das Schwert!" his anger and fear is the most effective to almost all Ring listeners.

Bohm: Erwin Wohlfahrt wins second place. He gives a first-rate performance in Siegfried Act One, but loses some of his edge in Act Two. He is an exceptional Mime nonetheless. Look for him in Karajan's Rheingold, also.

Goodall: Gregory Dempsey isn't emotional enough. He doesn't sound fearful or depressed at all, which makes him the dullest Mime for the Ring.

Janowski: Peter Schreier is for Siegfried, while Christian Vogel is for Rheingold. Vogel is less than perfect, while Schreier is way beyond outstanding. Schreier is less ghoulish and more benevolent, more three-dimensional than Stolze and Wohlfahrt. The only flaw I can find is his handling of "Die stucken! Das Schwert!" He could've added a bit more fear in that sequence.

Levine: Heinz Zednik is yet another excellent mime. He is equal to Schreier when it comes to humaneness and lyricism. His performance in Rheingold Scene Three is pure gold, while his performance in Siegfried (particularly "Willkommen, Siegfried!") is a stunning achievement.

Sawallisch: Helmut Pampuch is just like Schreier and Zednik: he's very VERY good. Nuff said.

-Loge
Solti: Set Svanholm may be the weakest Loge. He is not very ominous throughout all of his scenes, and his lack of a sinister atmosphere is greatly affects the entire Rheingold. But he'll soon be forgotten later on in the Ring.

Bohm: Why the heck would the conductor have Wolfgang Windgassen play both Siegfried AND Loge? The demi-god needs to sound different from a son of a Walsung. Still, it's satisfactory, and his "Ihrem ende eilen sie zu" gives great foreshadowing.

Karajan: Gerhard Stolze is easily the most entertaining Loge to listen to. His scenes in Scene Three are delightful.

Goodall: Emile Belcourt isn't as good as Stolze, but he certainly can make some of the best of an English-speaking Loge.

Janowski: Peter Schreier is the most eccentric out of all of them, and that's a fact. Much of his singing involves imagination, peril, vengeance, and deviousness. Belcourt depends only on imagination and deviousness, Stolze only vengeance and deviousness, and Windgassen only peril. His odd conversations with Alberich and the gods/goddesses are classic.

Levine: Siegfried Jerusalem doesn't seem like a good choice for Loge. He's better off playing Siegmund or Siegfried, but not a demi-god.

Sawallisch: Robert Tear is on par with Stolze and Schreier. Sometimes he takes things too low, but all is forgiven with his management of character development.

-Everyone Else
Uh-huh, what can I say? Everyone else does a good job in all Ring recordings (maybe not in Swarowsky's version). Matti Salminen is the perfect Hagen (Janowski, Levine, and Sawallisch), while Kirsten Flagstad is the most brilliant Fricka (Solti). The Norns and Rheinmaidens do a splendid job in Solti, Janowski, and Levine. The Vassals (male choir) are at their unsurpassed in Bohm and Goodall. The only flawed Erda is Anne Collins (Goodall), maybe too light and too heavy at times. All in all, no one here is graded C or lower.

CONCLUSION: I have yet to listen to Barenboim's Bayreuth presentation and the essential mono recordings (Furtwangler, Krauss), but I'm pretty sure that have their advantages and disadvantages. So there you have it. We have the histrionic Solti, the energetic Bohm, the otherworldly Karajan, the spacious Goodall, the calculated Janowski, the relaxed Levine, and the serious Sawallisch Rings. They have their own authenticities and setbacks, and they certainly have their own significances for Ring listeners everywhere.


Sir Georg Solti: Wagner - Der Ring des Nibelungen (Ring Cycle) / Sir Georg Solti

Karl Bohm: Wagner: Der Ring des Nibelungen

Herbert von Karajan: Der Ring des Nibelungen / Karajan / Berlin Philharmonic

Goodall: Wagner: The Ring Cycle (Box Set)
-The Valkyrie (Part 2): Wagner: The Valkyrie
-Siegfried (Part 3): Siegfried (Goodall Ring Cycle/Chandos Opera in English)
-Twilight of the Gods (Part 4): The Twilight of the Gods (Goodall Ring Cycle/Chandos Opera in English)

Marek Janowski: Wagner: Der Ring des Nibelungen

James Levine: Der Ring Des Nibelungen

-Wolfgang Sawllisch: Wagner - Der Ring des Nibelungen (Ring Cycle) / Sawallisch, Bayerischer Staatsoper

5 out of 5 stars Free at last!.......2004-09-18

I've enjoyed listening to the Ring cycles by Solti, Bohm, and Furtwangler, but my pleasure has always been dampened by the necessity to follow the dramas with a German/English libretto. This performance freed me from that burden and allowed me to listen to the Ring with my ears alone for the first time. And what a delightful experience it was! I found I could understand about half the words the first time through. but that was enough for me to understand what the characters were saying and concentrate on Wagner's great music. Some of the characters (Loge and Alberich, for example) are almost perfectly comprehensible, while others (Fricka in particular) might as well be singing in German. The sound itself is superb, with perfect balances between orchestra and voices. Goodall's conducting is famously slow (about half an hour longer than usual), but he is never slack and he reveals a wealth of detail in the orchestration. The singers are a mixed lot, with Loge, Alberich, and Mime particularly effective. Bailey is hardly the grandest of Wotans, but he is solid and convincing. In any event, for us non-German listeners, this recording is a real treat. I would not recommend it as a first Ring (Bohm is a good choice, though some of his tempi are rather hectic), but as a supplement to a recoding in the original language, it is hard to beat. Give it a try! As for me, I'm ready to go on to "Die Walkure" (pardon me, "The Valkyrie").

5 out of 5 stars I Love This Recording.......2002-04-05

I was a little suspicious when approaching this English-language version of Das Rhinegold. I was considering assembling this as my third RING set (behind Solti and Levine) and had listened to THE VALKYRIE (Die Walkure) with a little initial disappointment. Although the live sound quality was very interesting, the tempo was much slower than I was used to and thus a little disconcerting, and the English words were harder to understand than I had hoped. Nevertheless, I persevered and listended to THE RHINEGOLD (probably my favorite of the four RING operas, although I know this puts me in a minority) and was amazed. Best of all, after listening to this album I revisited the Goodall VALKYRIE and discovered a new appreciation! Now the Goodall set ranks as one of the best I've heard. It just needed to get under my skin a bit.

What's so good about it? Three things stand out for me: First, the slow tempi that were a litle rough at first actually allow, upon repeated listenings, a new discovery and understanding of Wagner's unfathomable genius. Every nuance is slowed down just enough to be fully accessible. Second, the modern English translation really does make this a different experience...my initial mistake was thinking that English lyrics could allow me to listen to this as background music, and that's not the case. However, if one devotes the same attention to this as a German recording, the time wil be richly rewarded. Finally, the smaller orchestra creates an almost chamber music-esque setting, which compliments the music in an undefinable way. Despite being in English, this is almost more Germanic than original-language recordings.

I still probably wouldn't get this as the first foray into Wagner's RING (I still think Solti or Levine are the choices for that). But for someone who already has some familiarity with the work, this will provide a lifetime's enjoyment. Cudos to Chandos for resurrecting these recordings!

4 out of 5 stars The Goodall Ring - 1975 - Restored and Remastered.......2001-06-08

I have been curious about this for years. When I saw the packaging, I wondered whether this was the same Ring that has been kicking around for a couple of decades from the Sadler's Wells performances of the mid-70s. News flash: It's the same. However, the box says that it's been re-mastered with something called 24-bit digital mastering. Since I never heard the old records, I have no idea if this is better. Judged on its own, the sound is terrific. This live recording really places the listener in the theater with clarity and authentic spaciousness. So often, a live recording will capture the audience up close, then the orchestra, then the singers, cataloguing every throat being cleared and every bow being tapped. Somewhere in the distance, the singers voices follow their heavy tread over the stage. Not here. There is an intimacy to the sound here that approximates sitting in about the tenth row back in a large hall. It doesn't sound like the opera's being played in your room; it sounds as though your room has been transformed into a medium sized theater. I found it uncanny.

As to the experience of the drama in English, that too is remarkable, at least for someone like me whose home-tongue is English. The drama takes on an immediacy that I have never experienced before. This factor alone is why you should explore this Ring. I can't overemphasize the impact on me that this recording had on me because it was in English and because it was well-acted. Surely this is what Wagner meant, at least dramaturgically (obviously allowing that you can't actually see the action).

Overall, the singing is competent, and in some places, it's excellent. None of the cast really stands out musically. Norman Bailey's wobbly Wotan could have certainly benefitted from a deeper, richer tone. Still, and perhaps more importantly, he creates a god who is clearly unsure of where the moral highground is, even when he's standing on "an open space on a mountain summit." Everyone, for that matter, is dramatically convincing, especially Emile Belcourt (Loge) and Derek Hammond-Stroud (Alberich) and Robert Lloyd (Fasolt), all of whom, by the way, have excellent diction. And speaking of diction, I almost could have done without the libretto when the men were singing. Not so with the women, whose diction was uniformly wanting.

Goodall's pace is notoriously glacial. Still, it's interesting to hear it parsed in this way, and I never had the feeling that I was going to fall off the world. Which is to say that the tempos were deliberate, not affected. This was definitely a labor of love for RG and the English National Opera. The orchestra is a little thin sounding, and perhaps, not entirely up to the score. Occasionally a horn mis-blew and a cello creaked. This is unavoidable in live performances, I suppose. Still, there is a surprising sense of smallness to the ensemble, even though there's never a moment when the balance between singers and players is lost. As a result, the overall effect is a balance of clarity and urgency that is clearly the upside of Goodall's idiosyncratic "vision" of the score. Not a huge or "erotic" sound, but always committed, intelligent, and sometimes impassioned.

For all of its flaws, this is an astonishing and, for me, an indispensible recording because it made me listen to this opera with new ears. While it's not the most lyrically pleasing recording (Karajan) or musically authoritative (that would be Solti, IMHO), dramatically, this Rhinegold excells any recording I know of. I will definitely buy the rest of the set.
Stop All The World Now (Special Package with Bonus DVD)
Average customer rating: 4.5 out of 5 stars
  • This COULD'VE been a great album
  • 5 stars is not enough
  • sophomore slump
  • One of My Favorite Albums
  • It was okay
 Stop All The World Now (Special Package with Bonus DVD)
Howie Day
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

Singer-SongwritersSinger-Songwriters | Pop | Styles | Music
Pop RockPop Rock | Pop | Styles | Music
Adult AlternativeAdult Alternative | Pop | Styles | Music
GeneralGeneral | Rock | Styles | Music
Singer-SongwritersSinger-Songwriters | Alternative Rock | Styles | Music
Chamber PopChamber Pop | Indie & Lo-Fi | Alternative Rock | Styles | Music
Similar Items:
  1. Madrigals (Bonus DVD)
  2. Australia
  3. Live From...
  4. Stop All the World Now
  5. Eyes Open

ASIN: B0000BYM3I
Release Date: 2003-10-07

Tracks:

  1. Brace Yourself
  2. Perfect Time Of Day
  3. Collide
  4. Trouble In Here
  5. Sunday Morning Song
  6. I'll Take You On
  7. She Says
  8. Numbness For Sound
  9. You & A Promise
  10. End Of Our Days
  11. Come Lay Down

Customer Reviews:

3 out of 5 stars This COULD'VE been a great album.......2006-03-28

People may think I'm crazy for giving Howie Day's album Stop All the World Now three stars, but I just don't think it's as great an album as it could have been. I was interested in checking the album out after hearing "Perfect Time of Day" and "Collide", but after listening to the entire disc, I said something I've said before: "Well, at least he's releasing the right songs."

The main problem I found with this album is the songwriting. Take the first track, "Brace Yourself". Lyrics include "I would hold every part of you that I could hold." Sheesh. Questionable lyrics further prevail in "I'll Take You On" and also "She Says", a rather ineffective song that has Howie taunting a guy who lost a girl to him. And I don't think overproduction is as abundant as another reviewer said, but it IS evident at the end of the otherwise stellar "Come Lay Down".

Even when other songs seem good, they're ruined by bad adlibbing, like on "End of Our Days"; and sorry, but Howie sounds TERRIBLE singing the chorus to "You & a Promise". And he sounds like he's boring himself on the acoustic version of "Collide" because toward the end of the song he sounds like he's yawning instead of singing.

That also brings me to the ironic fact that this is another one of those albums where the bonus tracks are better that the regular tracks (see "This Time Around" and "Standing In the Sun"). Another thing is that it seems like Howie is trying to pull a Steve Winwood in that several of the 6+ minute songs are that long only because there's two to three minutes of extra music (maybe that's to make up for the average songwriting?). In fact, I pondered giving this album 2-1/2 stars because the fact that it took four years to come up with lyrics like these boggles the mind. At any rate, people say Howie Day's live performances are a sight to see, so maybe he has THAT going for him, but I still think Stop All the World Now is just okay.

Anthony Rupert

5 out of 5 stars 5 stars is not enough.......2004-05-10

The first time I heard Howie Day, I instantly fell in love with his music. Ever since I got his CD's, I barely listen to anything else, and there isn't anything I've heard from this incredible musician that I don't love. He even somehow performs covers better than the originals. It's his voice. Once described by Rolling Stone as "emotionally naked," it will captivate you with intensity through lyrics that anyone can relate to. He has a bold sound, and is talented with the guitar and piano as well. If you get this CD, you will be wanting his other ones before long. Hell, if you get more now, you could probably get free shipping. They include Australia and Madrigals EP, and he also has a track on the I am Sam soundtrack.

3 out of 5 stars sophomore slump.......2004-04-04

Howie Day's story is a bit of an odd one. His debut, Australia, was recorded a song at a time for the most part. He'd tour some, make money for recording, record a song, tour some more, and make money for the next track. Which in theory isn't a bad way to record as it allows for proper road testing of songs in front of live audiences. Australia was finally completed in 2003 and Howie continued to tour non-stop pushing his release. What made a live Howie Day show unique at the time was his use and mastery of guitar pedals quite literally building up an orchestra of sound with just his voice and his acoustic guitar. Howie eventually ended up opening for acts such as Tori Amos, Dave Matthews Band, Jack Johnson, and most recently the Barenaked Ladies. (Like Dave Matthews Band, Howie encourages not-for-profit trading recordings of his live shows.) Non-stop touring and word of mouth lead to indepedent sales of 30,000 records - virtually unheard of for an independent debut release by a new artist. Australia became the little album that could as it was eventually picked up for distribution by Epic selling an additional 100,000 copies and adding Howie Day to the label's roster with the likes of Ben Folds, Indigo Girls, Pearl Jam and Travis.

Stop All The World Now sounds sophomoric, appropriately so, and unfortunately a little overproduced. It's by no means a bad release, it just doesn't hold quite the same energy as Madrigals and even Australia. It begins well enough with perhaps the disc's three best songs. "Brace Yourself" kicks things off, and may be one of my favorite Howie tracks ever confronting the listener from the beginning with a wall of sound unheard on either of the previous releases. The first single, "Perfect Time Of Day," has received enough airplay for him to sell out the local rock club, and is more enjoyable and energetic than anything I've heard from two of his wider-known contemporaries, John Mayer and Josh Kelley. "Collide" is also another contender for best Howie song ever except it's severely limited by the rather cartoonish "doot doot doo"'s. "Collide" is also the first of several tracks on Stop to include the 25-piece London Session Orchestra, but wisely keeps the simple acoustic guitar strum that begins the song in the front of the mix with his voice. "Trouble In Here" explodes at the choruses so strongly it drowns the orchestra out of the mix, and would be a smart choice for the disc's second single. The cartoonish backing vocals that brought down "Collide" would actually help the slower "Sunday Morning Song." Immediately following is "I'll Take You On" which is perfectly appropriate for a lazy Sunday afternoon with it's gentle sway. "She Says" from Australia gets another go-round on Stop but for the life of me I can't figure out why as they don't employ the orchestra. If any song off Australia needed an orchestra treatment (other than "Ghost") it's "She Says." The new version is by no means bad, but if you're going to reinvent, reinvent. "Numbness Of Sound" sounds like it isn't fully realized in terms of its sonic texture. I keep expecting something heavier, something stronger to kick in, something a little more rock to add to his voice and the swelling string section. Stop features a more realized version version of "You & A Promise" that unfortunately, while is a great version, the added production puts a layer of separation between the listener and the track. The fade down ending to "You & A Promise" segues beautifully into the lilting "End Of Our Days." Disc closer "Come Lay Down" is a wash of effects, brooding bass, and soaring vocals. The limited edition of Stop All The World Now also includes a dvd with about thirty minutes of recording footage, interview footage, and general man-about-town footage plus a solo live piano version of "End Of Our Days."

If you're going to buy a Howie Day release, I would begin with Madrigals. It's a perfect sampling of all things Howie. If you like more produced poppier stuff, go with Stop All The World Now. Hopefully his next release will be a little more stripped down, a little more authentic, a little more original, a little more intimate. I was pretty disappointed when I saw him a few months ago at the 9:30 Club. Hopefully he'll return to what made him a little more unique.

5 out of 5 stars One of My Favorite Albums.......2004-03-03

I love listening to Howie Day, and to put myself in a good mood all I have to do is put Stop All The World Now into my cd player. I have recommended this album to all of my friends and they have all purchased this album. And they all love it! I would definately recommend this album to anyone. Howie is a very talented young musician. I would also strongly recommend either of his previous albums.

3 out of 5 stars It was okay.......2004-02-10

I had been a devoted follower of Howie's growing magnification, and lately I've felt a little let down ...
This comment probably makes no difference since Howie and his supporters are very successful without my opinion. However, I simpy wanted to mention that my first experience with Howie Day was when he opened-up for Tori Amos at the Auditorium Theatre in Chicago a few years back. I fell in love!!! He had amazing solo stage-presence. I enjoyed him so much, that I went out & bought AUSTRALIA the next day, and I completely fawned at the MADRIGALS release.
I was so excited when I found out he was headlining Chicago's Vic Theatre in October (2003) & immediately bought tickets. A few days later, I purchased STOP ALL THE WORLD NOW. I loved the piano ballad, but otherwise I was disappointed in the rather "poppy" sound in a majority of the album, but figured the upcoming live show would make up for it.
The show at the Vic was even more disappointing than his new release. His cheesy backup band really turned me off. I am much more fond his solo performances with sinewy, emotional vocals and echoing guitar rifs... They were much more powerful, and I wish I could hear more! Until then, I've strayed away. I miss the "old Howie"!!!
Stop All the World Now
Average customer rating: Not rated
    		Stop All the World Now
    Howie Day
    Manufacturer: Phantom Sound & Vision
    ProductGroup: Music
    Binding: Audio CD
    ASIN: B000BRII92
    Release Date: 2004-01-01
    Stop All the World Now
    Average customer rating: Not rated
      		Stop All the World Now
      Howie Day
      Manufacturer: Sony Japan
      ProductGroup: Music
      Binding: Audio CD

      Singer-SongwritersSinger-Songwriters | Pop | Styles | Music
      Pop RockPop Rock | Pop | Styles | Music
      Adult AlternativeAdult Alternative | Pop | Styles | Music
      GeneralGeneral | Rock | Styles | Music
      Singer-SongwritersSinger-Songwriters | Alternative Rock | Styles | Music
      Chamber PopChamber Pop | Indie & Lo-Fi | Alternative Rock | Styles | Music
      Alternative RockAlternative Rock | Imports | Stores | Music
      RockRock | Imports | Stores | Music
      ASIN: B0001N1OJ2
      Release Date: 2004-05-03

      Tracks:

      1. Brace Yourself
      2. Perfect Time of Day
      3. Collide
      4. Trouble in Here
      5. Sunday Morning Song
      6. I'll Take You On
      7. She Says
      8. Numbness for Sounds
      9. You and a Promise
      10. End of Our Days
      11. Come Lay Down
      12. Standing in the Sun
      13. So, Goodbye
      {Club / Dance Music CONTAINS 51 SONGS ON A 4 CD Set} Pulsating Rhythms Vol. 3 / Dance Pool Vol. 1 / Dance Party Vol. 3 / Club Mix 96 Vol. 2
      Average customer rating: Not rated
        		{Club / Dance Music CONTAINS 51 SONGS ON A 4 CD Set} Pulsating Rhythms Vol. 3 / Dance Pool Vol. 1 / Dance Party Vol. 3 / Club Mix 96 Vol. 2
        INTUITION - dance with me, VISIONS OF SHIVA - perfect day, URBAN HYPE - the feeling, ERIRE - i just can't give you up CONTAINS 51 SONGS ON 4 CDs: DAYEENE - around the world , JULIETTE JAIMES - we got it all, LEE ROGERS - love is the most, RAGE - run to you, CULTURE BEAT - inside out, M.D.A. - amor DEBBIE MALONE - running from my love , KLEPH & LOCK - share your lovers - DJ COMPANY - holiday in the land of love, TEQUILA feat. TANJA MARIA - with a boy like you, CLAUDIA CHIN - stop trippin' UPLIFTERS - mr. real , D-DEL-H - move sur ce rythme, HECTOR - luv me, E-SENSUAL - you should be dancing, BLA BLA POSSE - bouguez - SHIKISHA - pretty vacant, LEA KISS - don't stop the night DEDE - party , BLACK MAGIC - freedom, TAYLOR DAYNE - say a prayer, VANESSA DAOU - sunday afternoons, SANDY B - make the world go round NUYORICAN SOUL - mind fluid , KENLOU III - what a sensation, FRESH FISH - bang da bush, SOUL SOLUTION - can't stop love, JOI CARDWELL - you got to pray, D'STILL'D - stop go GROOVE COLLECTIVE - i want you , ACE OF BASE - don't turn around, SISTER SLEDGE - we are family (live), KOOL & THE GANG - take my heart (live), COMMODORES - baby this is forever PLANET SOUL - set u free , THE JACKSON FIVE feat. MICHAEL JACKSON - under the boardwalk, JAMES BROWN - it's too funky in here, DIVINE - native love REAL THING - can't get by without you (live) , THREE DEGREES - i'm doin' fine now, SABRINA - all of me, KOOL & THE GANG - joanna (live), AL JARREAU - ain't no sunshine, LATOYA JACKSON - sexual feeling ROSE ROYCE - car wash (live) , and JAMES BROWN - sex machine, THREE DEGREES - when eill i see you again SISTER SLEDGE - he's the greatest dancer (live)
        ProductGroup: Music
        Binding: Audio CD
        ASIN: B000QU6HCY

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