What I Want [CD-single] [Import]

what i want [cd-single] [import]

Track Listings

1. What I Want

2. Diamond

3. Ruby

4. Stone

Editorial Reviews
Product Description
The D4's second single to be released off Out of My Head will probably get a heads up from a wider audience mainly because of its infectious chorus belted out by vocalist Jimmy and backed-up with some screeching "yeahs" from guitarist Dion. Poptones. 2005.

What I Want,D4,Poptones,5-Inch CD Singles,Rock

What I Want [CD-single] [Import]

Man of La Mancha: A Decca Broadway Original Cast Album (Original 1965 Broadway Cast)

Average customer rating:

Check out Other Versions. Don't be swayed by Others' Reviews.
beautiful music for a haunting story.....
Man of LaMancha As Good As Ever
Don Quixote
Magnificent voices

Man of La Mancha: A Decca Broadway Original Cast Album (Original 1965 Broadway Cast)
Mitch Leigh , Joe Darion , Richard Kiley , and Joan Diener
Manufacturer: Decca Broadway
ProductGroup: Music
Binding: Audio CD

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Camelot (1960 Original Broadway Cast)
Man of La Mancha
Fiddler on the Roof (1964 Original Broadway Cast)
My Fair Lady (1956 Original Broadway Cast)
The Music Man (1957 Original Broadway Cast)

ASIN: B00005A8KE
Release Date: 2001-03-06

Tracks:

Overture
Man Of La Mancha (I, Don Quixote)
It's All The Same
Dulcinea
I'm Only Thinking Of Him
I Really Like Him - Joan Diener
What Do You Want of Me - Joan Diener
Little Bird, Little Bird
Barber's Song/Golden Helmet
To Each His Dulcinea (To Every Man His Dulcinea)
The Impossible Dream
The Combat (Previously Unreleased Reissue Track)
Dubbing (Knight of the Woeful Countenance) - Joan Diener
The Abduction
Aldonza - Joan Diener
A Little Gossip
Dulcinea (Reprise) /The Impossible Dream (Reprise) /Man of Mancha (Repr - Joan Diener
Finale (The Impossible Dream) - Joan Diener

Amazon.com

Man of La Mancha, the show that introduced "The Impossible Dream" to the world (and lounge singers everywhere), was the hit of the 1965 Broadway season. Richard Kiley is magnificent in his career-defining performance as the deluded wannabe knight Don Quixote. His leading lad Joan Diener sings the role of the kitchen wench Aldonza with just the right balance of dignity and vulgarity. Irving Jacobson turns in a fine comic performance as the Don's faithful squire, Sancho Panza. The score, with music by Mitch Leigh and lyrics by Joe Darion, was revolutionary in its time. The orchestra had no violins--just brass, woodwinds, percussion, and flamenco guitars. Man of La Mancha is one of Broadway's most inspiring musicals and it well deserves its high reputation. --Michael Simmons

Customer Reviews:

Check out Other Versions. Don't be swayed by Others' Reviews........2007-06-09

I've never seen this show on stage and my first exposure to the music was the Sony CD Man of La Mancha featuring Placido Domingo, Pandy Patankin, and Julia Migenes-Johnson. Despite lackluster reviews of the disk, I enjoy it, and when I saw this version at a second hand book/music store, I decided check it out too. My initial impression was that the Sony version was the better disk but decided to compare both versions by setting up a playlist in Media Player, playing tracks from both version back-to-back.

After that test, I have to agree with the reviews here that Richard Kiley is the superior Don Quixote. Domingo's voice is, of course wonderful, but Kiley acts the role better on the CD and Domingo's accent is a major distraction.

In the role of Aldonza - no contest. Julia Mingenes-Johnson's singing and performance on the Sony version is far superior to Joan Diener's. I didn't have to hear the tracks back-to-back to realize that. Ms. Diener's performance just grated on my ears from the beginning.

Bucking the crowd, I prefer Mandy Patankin's Sancho (Sony version) to Irving Jacobson's. I may be biased, having had more exposure to the Sony version, but Patankin seemed to be trying to inject a bit more feeling into the character. Jacobson, singing in an annoying, scratchy voice, came across almost like a cartoon trying to fit in among live characters. It seems like most people either like Patankin or hate him. Guess I'm one of the former.

The Orchestration does seem brighter/clearer in this version compared to the Sony version, but, in general, the tempo on most tracks seems slower than the same tracks on the Sony version. I preferred the up-tempo, Sony versions of "The Barber Song", "Little Bird, Little Bird", "The Dubbing" and "A Little Gossip".

In Summary: For Kiley's Don Quixote, you'll probably want this version, but for tracks featuring Aldonza (and maybe Sancho) you'll want to check out the Sony version. Since I have both disks, I will probably come up with a mix of my favorite tracks, in general, favoring the Sony disk but substituting the tracks that feature Richard Kiley's Don Quixote where I can.

beautiful music for a haunting story............2007-06-07

I remember reading excerpts from Cervantes' DON QUIXOTE, as a Spanish student, way back in junior high school. The saga of the madman fighting windmills and pursuing his illusions [and delusions] was very sad, but very romantic at the same time. When the musical adaptation, MAN OF LA MANCHA, was brought to the stage in 1965, Richard Kiley (as the title character, Don Quixote) absolutely transfixed the audience with his sensitively heartfelt portrayal of the tragic madman. The plight of Don Quixote, who travels on horseback, with his faithful companion, Sancho Panza (Irving Jacobson), and absolutely lovestruck by kitched wench Aldonza (Joan Denier), is alternately pathetic and profound. Perhaps one of the best known (and most remade) songs in the repertoire from LA MANCHA, is "The Impossible Dream." Richard Kiley really make it his own, here, and after you hear his version, it's hard to listen to others' versions of it. It's just not the same. Though, this story is anything but joyful, the music will glide through your ears and carry you on a surrealistic journey through attempted triumph and (ultimately) tragedy.

Man of LaMancha As Good As Ever.......2007-05-07

Very pleased with ourchase of this item. Quality is great as was the price. Delivery was timely. Easy transaction! A++++++++

Don Quixote.......2006-09-14

Back in High School my band leader, Mr. DeYoung, decided (agianst much opposition from those of us in the band let me tell you) to have us perform select pieces from this musical

I hated the idea. But when we began to play, he even had us watch the musical, I fell in love with the melody. The many songs of a man who believes the best in the world. YOu find that in Dulcinea, The Impossible Dream, etc.

From one maginificently rendered song to another, you can be lost in its melodic elegance.

My favorite song is the initial rendition of 'Little Bird, Little Bird'. It's a soft song, sung as a love ballad. In the musical you discover it's being sung to a local whore by a bunch of randy men. Despite that, I still like it.

This along with others are among the great works of the stage!

Magnificent voices.......2006-07-05

Voices and music make a revival of this beautiful play. Full of passion.

Average customer rating:

Sophomore anti-slump
A real artist
Truly one of the best Pop-Rock albums in history
Fans can never be objective...
I Do Not Want What I Haven't Got

I Do Not Want What I Haven't Got
Sinéad O'Connor
Manufacturer: Capitol
ProductGroup: Music
Binding: Audio CD

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The Lion and the Cobra
Universal Mother
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ASIN: B000003JB7
Release Date: 1990-02-28

Tracks:

Feel So Different
I Am Stretched On Your Grave
Three Babies
The Emporer's New Clothes
Black Boys On Mopeds
Nothing Compares 2 U
Jump In The River
You Cause As Much Sorrow
The Last Day Of Our Acquaintance
I Do Not Want What I Haven't Got

Amazon.com

Before Sinead O'Connor became conservative America's most reviled musician when she ripped up a picture of the Pope on TV and refused to perform live at a New Jersey venue following "The Star Spangled Banner," she vocally supported the IRA at home in Ireland and generally roused the rabble. Indeed, she's one female pop star who's truly earned her army boots. Though her once meteoric musical career has suffered due to her outspokenness, the powerful voice and presence found on her second album is beyond reproach. Best known as the source of O'Connor's breakthrough cover of Prince's "Nothing Compares 2 U," this is a moving, intensely passionate work full of dark beauty and longing, constructed with a fierce independence and a taste for the unique. This undeniably pop album (albeit with modern-rock and folk elements) has more than held up through the years. --Lorry Fleming

Customer Reviews:

Sophomore anti-slump.......2007-06-18

I vividly remember picking up "The Lion and the Cobra" on vinyl while I was visiting my grandparents as a college sophomore, 17 years ago. For most of that week, I was plunking it down on their ancient turntable and listening on headphones after everyone else had turned in. I adored it then and still do, and there was clearly no way that Ms. O'Connor was ever going to top it, except...

Oh. Wait. It gets better?

Yes, it does. From the moment she launches into the Serenity Prayer in the stunning orchestral opener, "Feel So Different," you get the sense that this might not be your typical pop album. You might even worry that it intends to bash you over the head. Fortunately, she's much smarter than that.

While O'Connor's big Pope controversy was yet to occur, you can hear it brewing in the form of "Black Boys on Mopeds," when she sings, "These are dangerous days / To say what you feel is to dig your own grave." She knew that her words were going to get her into trouble sooner or later, and they did, and it sent her spiraling off, as far as I can tell.

And then she recovered, and came back with more seriously wonderful music. But that's another story. This album crystallizes a moment in time: it's about a woman struggling to find her voice and doing a dangerously good job of it.

A real artist.......2007-05-03

What can I say about this record, it's one of the best in history. A real voice that has a lot to say.

Truly one of the best Pop-Rock albums in history.......2006-12-29

Forget everything you (or the media) seem to know about O'Connor. She didn't win a Grammy (Best Alternative Rock Performance) or Rolling Stone Artist of the Year for nothing in 1990. One of the amazing things about this album was that it was even better than her stunning, million-selling 1987 'Lion & Cobra' debut. THAT was the album that made her an alt-rock star....this one made her a mainstream, Madonna-sized superstar (lest we forget O'Connor's 1990-91 "Bald Ambition" tour?). Her Prince cover (Nothing Compares 2 U) remains truly immortal, but it was the collection of 9 other, BETTER songs that made the mainstream realize that this woman was something else. Brilliantly self-written, arranged, and sung, the album is a song cycle of loss and redemption that is as good as anything Dylan or Morrison ever created. Every song is a masterpiece. Every one. In fact, 'Nothing Compares' is the most "out of place" track here--and the obvious reason the whole set "snuck" into such mass-market consciousness. Yet, it is songs like "Three Babies," "Emperor's New Clothes," "Black Boys on Mopeds," and "Last Day of Our Acquaintance" that generated for O'Connor a lasting fan-base that would allow her to keep selling millions of records around the world long after she rebelled against mega-stardom with the political posturing so unbecoming of what the post-modern world "desires" in its mega-stars.

Moreover, this album begs to differ with the crass VH1 classification of O'Connor as some "one-hit wonder" -- "Emperor's New Clothes" wound-up as the No. 1 Billboard Modern Rock hit of 1990, reminding us that this vibrant, tortured, influential artist has really always been an alt-rock artist with a string of notable hits in her true genre. "Nothing Compares" was simply a 'crossover' hit on an undeniably classic modern rock masterpiece-of-an-album.

Fans can never be objective..........2006-04-21

From the OBJECTIVE point of view...forget her hit song "Nothing Compares 2 U" written by Prince, with songs like "You Cause As Much Sorrow" (a masterpiece), "Last Day of Our Aquaintence" and "Three Babies" this is nothing short of perfect.

I Do Not Want What I Haven't Got.......2006-03-24

This album has great vocals, but some of the songs are a little too political for my taste. Overall, I was pleased, though.

Average customer rating:

Absolutely peerless
once-in-a-lifetime greatness
We love this album
Simply great
Porgy and Bess

Porgy & Bess
Ella Fitzgerald , and Louis Armstrong
Manufacturer: Polygram Records
ProductGroup: Music
Binding: Audio CD

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Porgy and Bess
Gershwin: Porgy & Bess [With Members of the Original Cast]
Porgy & Bess: High Performance
George Gershwin - Porgy & Bess / Trevor Nunn · Sir Simon Rattle · W. White · C. Haymon · Glyndebourne Opera
Ella & Louis Again (Dig)

ASIN: B0000046Z5
Release Date: 1990-10-25

Tracks:

Overture
Summertime
I Wants To Stay Here
My Man's Gone Now
I Got Plenty O'Nuttin'
Buzzard Song
Bess, You Is My Woman Now
It Ain't Necessarily So
What You Want Wild Bess?
A Woman Is A Sometime Thing
Oh, Doctor Jesus
Medley: Here Come De Honey Man/Crab Man/Oh, Deh's So Fresh And Fine (Strawberry Woman)
There's A Boat Dat's Leavin' Soon For New York
Bess, Oh Where's My Bess
Oh Lawd, I'm On My Way

Amazon.com

Getting the two most personable voices in jazz to sing an hour's worth of George Gershwin's opera Porgy & Bess (Ella doing all the female parts, Satchmo all the male) was a good idea, but not quite as great as it sounded. Armstrong savors the down-and-dirty Charlestonisms that inspired the cadences of the music and lyrics, and they fit his happy rasp like an old shoe; Fitzgerald, conversely, sounds almost prissy every time she has to sing the word "ain't," though her melodic genius gets Gershwin's bold, supple tunes over. The arrangements are full-throttle Broadway, with a few leaps into Dixieland (including some fine Armstrong trumpet solos), but the disc works best when the vocalists break character and let their jazz side out. --Douglas Wolk

Customer Reviews:

Absolutely peerless.......2006-11-17

"Porgy and Bess" has just opened (with some controversy) in London's West End, though as a musical and not as an opera as it was originally conceived. Reviews have been promising and I aim to go down and see it soon. I decided to listen to this CD to put myself in the mood. I hadn't listened to it for years and I'd completely forgotten how good it actually is. Ella's voice blends with Louis' perfectly and Russell Garcia's orchestration gives them a dreamy landscape to perform against. I have one or two other CDs by Louis and Ella but this one is by far my favourite. The CD opens with "Overture" and its orchestral performance of classics like "Summertime", "I Wants To Stay Here", "I Got Plenty O' Nuttin'" and "It Ain't Neccessarily So" set the tone nicely, leaving one ever so keen for the vocal versions. Louis Armstong has a very rough tone to his voice but the emotion he packs with it is moving, most especially on the mournful "Bess, Oh Where's My Bess?" And we get all this and Louis' wonderful trumpet playing too?

Gershwin and Gershwin must be among the top composers of the last century and this opera showcases their talents more than anything I've heard. Ella and Louis are peerless as a vocal duo and though I doubt the West End performance will capture the magic in the same way they did, I still remain very keen to go see it. Is it opera or is it a jazz performance? I don't really know. I just know that I love it. And strongly recommend it.

once-in-a-lifetime greatness.......2006-10-06

Two thousand five hundred musicians have recorded "Summertime" --- it's a classic. (I bet most Americans can name Janis Joplin and no other singer.) As for "Porgy and Bess," the folk opera from which "Summertime" springs, it's such a classic that it's hard to believe anyone ever had a harsh word to say about it.

But after its premiere in 1935, no less than Duke Ellington said, "It has grand music and a swell play, but the two didn't go together. It does not use the Negro musical idiom --- the times are here to debunk Gershwin's lampblack Negroisms."

A quarter of a century later, the producers of the film version had trouble assembling a cast. Harry Belafonte rejected their offer to play Porgy. Sidney Poitier took the part --- and wished he hadn't. Poitier later wrote that the movie insulted black people; when he chose clips of his best performances for his tribute at the American Film Institute, he picked nothing from "Porgy and Bess."

And in 1985, when Grace Bumbry was a sensation as Bess in a Metropolitan Opera production, she slammed the opera: "I thought it beneath me, I felt I had worked far too hard, that we had come far too far to have to retrogress to 1935."

All that may be. All I know is that I have, in a long life, rarely been confronted with more genius than in the Fitzgerald/Armstrong recording of "Porgy & Bess." Set aside the achievement of George and Ira Gershwin in transforming DuBose Heyward's novel into a folk opera. Let's just focus on Armstrong and Fitzgerald, who were at the peak of their popularity when this record was made in 1957.

"Summertime" --- the first song --- sets the tone. A baleful horn figure, then violins. And then Armstrong's trumpet: slow, steady, dignified. But wait --- here comes a slurred note. And a cool little improvisation. Just enough of each. Very tasty.

Fitzgerald sings a verse. She is cool and formal. A lady. Not to be taken lightly. Now it's Armstrong's turn. Tender, but let's not kid ourselves --- this is not singing as others define it. This is melodic speech: rough, gutteral. And thus he is ideally cast: His Porgy may have his charms, but he'll have to stretch to keep Bess.

And so it goes throughout the CD. Trumpet mastery --- Armstrong has dazzling control. His tone is bright, but never shrill; there's a warmth in his playing no one else could produce. And Fitzgerald is just a study in inevitability; to hear her is to wonder how anyone could sing these songs any other way.

"I Got Plenty O' Nuttin'." "Bess, You Is My Woman Now." "A Woman Is a Sometime Thing." "There's a Boat Dat's Leavin' Soon for New York." "Bess, Oh Where's My Bess?" "Oh Lawd, I'm on My Way."

All brilliantly conceived, orchestrated and recorded.

The greatest trumpet player in this history of jazz.

The father of scat singing.

The queen of the jazz vocal.

There are no-brainers, and then there is this Ella Fitzgerald-Louis Armstrong collaboration --- music that imprints on your soul.

We love this album.......2006-08-22

We hope they will someday bring this beautiful story back to the stage

Simply great.......2006-03-04

The fusion between the great two voices and the orchestra is just brilliant. Very good brass and violins that accompany Fitzeralds and Armstrongs magic voices leaves you with your mouth open.

A must have for everyone!

Porgy and Bess.......2005-10-14

Could not find this anyway locally. It is a great recording

Average customer rating:

Linda Eder - Great Voice
Not a voice.......an instrument
the best female singer of the great american standards.
The powerful and beautiful voice of Linda Elder
Linda Eder shines with her Broadway album

Broadway, My Way
Linda Eder
Manufacturer: Atlantic / Wea
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Binding: Audio CD

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By Myself: The Songs of Judy Garland
It's Time
Christmas Stays the Same
It's No Secret Anymore
Storybook

ASIN: B000088E4T
Release Date: 2003-02-18

Tracks:

I Am What I Am (from "La Cage aux Folles")
Anthem (from "Chess")
On The Street Where You Live (from "My Fair Lady")
What Kind of Fool (from "Stop The World I Want to Get Off")
Some People (from "Gypsy")
I'll Be Seeing You (from "Right This Way")
Gold (from "Camille Claudel")
Don't Rain On My Parade (from "Funny Girl")
The Impossible Dream (from "Man of La Mancha")
A New Life (from "Jekyll & Hyde")
Edelweiss (from "The Sound of Music")
Unusual Way (from "Nine")
Man of La Mancha (from "Man of La Mancha")

Amazon.com

The people who felt betrayed when Linda Eder covered several pop songs on 2002's Gold will be relieved that her follow-up, Broadway My Way, is a return to the Great White Way. As if to prove that she isn't limited to either the songs of Frank Wildhorn or ballads, Eder tackles some well-known show tunes. The ballads tend to be overwrought, so it's best to look for the uptempo numbers. The singer's take on "Some People" is technically fine but so va-va-voom showbiz that it lacks the deranged edge that makes the song so compellingly dramatic. Things work a lot better on "I Am What I Am": while Eder doesn't take it to the top (or rather over the top), this is as close as she gets to Mermanizing a number. Elsewhere, "Don't Rain on My Parade" (immortalized by Streisand) and "Man of La Mancha" are appropriately brassy and triumphant, with Eder roaring her way through both songs. Fans of both Eder and Wildhorn should note that the singer reprises her Svengali's "Gold," the title track from her previous album, and an excerpt from his long-in-the-works Camille Claudel. --Elisabeth Vincentelli

Album Description

On the eagerly awaited Broadway My Way, Atlantic recording artist and acclaimed Broadway sensation Linda Eder performs classics including 'On the Street Where You Live' (from My Fair Lady), 'Edelweiss' (from The Sound of Music), 'Don't Rain On My Parade' (from Funny Girl) and 10 other great broadway songs performed in a whole new voice. 2003.

Customer Reviews:

Linda Eder - Great Voice.......2007-07-06

This lady has one great voice. She can certainly sell a song. My only reservation about her is that she's a bit cocky. I think she could use some humility.

Not a voice.......an instrument.......2007-02-17

Unbelievable breath control, phrasing, and style. My 10 yr. old Granddaughter who heretofore has listened and loved the usual rap
and hip-hop, heard me playing this disc and begged me to buy her
one........and I did, and she plays it all the time, and to her
friends. Linda Eder exceeds the Streisand mystique by far.

the best female singer of the great american standards........2006-07-24

i am turning 60 years old this year. i went to my 1st.broadway
musical in 1960. over the years i have had the honor to see
almost all of the giants of american song, garland, streisand,
patti lupone, lena horne, betty buckley, barbaracook etc. in
"broadway, my way" linda eder cements her place as the best of the best. from an anthem like "i am what i am" to the lovely
"on the street where you live" captures you body and soul.
i loved this album, and don't ever miss a chance to see her live. JOHN POWER

The powerful and beautiful voice of Linda Elder.......2006-02-23

A great selection of songs. Tremendous amount of energy in Linda's voice. I just love it.

Linda Eder shines with her Broadway album.......2006-02-18

Wow! Linda Eder has an outstanding voice. She sells Broadway in the styles of Judy Garland and Barbra Streisand. After hearing this you will want more.

The Apple Tree (1966 Original Broadway Cast)

Average customer rating:

Very good show which I hadn't heard of...
THE APPLE TREE (1966 ORIGINAL BROADWAY CAST)
I still remember these songs after 40 years
Really 2.5
Boring material that you forget very easily

The Apple Tree (1966 Original Broadway Cast)
Sheldon Harnick
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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ASIN: B0000027WD
Release Date: 1992-11-24

Tracks:

Eden Prelude
Here In Eden
Feelings
Eve
Friends
The Apple Tree (Forbidden Fruit)
Beautiful, Beautiful World
It's A Fish
Go To Sleep, Whatever You Are
What Makes Me Love Him?/Eden Postlude
The Lady Or The Tiger? Prelude/I'll Tell You a Truth/Make Way
Forbidden Love (In Gaul)
The Apple Tree (Reprise)
I've Got What You Want
Tiger, Tiger
Make Way (Reprise)/Which Door/I'll Tell You a Truth (Reprise)
Passionella Prelude
Oh, To Be A Movie Star
Gorgeous
(Who, Who, Who, Who) Who Is She?
I Know
Wealth
You Are Not Real
Passionella Postlude/Finale

Customer Reviews:

Very good show which I hadn't heard of..........2007-05-13

I was very into theatre in high school and college and thought I was up on most musicals, but had never heard of this show until recently. It's comprised of three short stories which were adapted into the musical format. The first two stories are tied together very well, although the last seems tacked on. But the songs are catchy and it's fairly easy to figure out what's happening simply by listening to the songs. There are two songs which are tied for my favoritism: "It's a Fish" from Adam and Eve and "You Are Not Real" from Passionella. Check it out.

THE APPLE TREE (1966 ORIGINAL BROADWAY CAST).......2007-04-10

IT WAS EXACTLY WHAT I WAS LOOKING FOR. I WENT TO THE REVIVAL OF THE APPLE TREE ON BROADWAY IN NEW YORK CITY AND LOVED THE SCORE BUT THERE WASN'T A SOUNDTRACK AVAILABLE SO I PURCHASED THE ORIGINAL VERSION AND I ABSOLUTELY LOVE IT!

I still remember these songs after 40 years.......2006-11-05

I saw this show on the stage when it first ran, and have never forgotten it. The key to a good Broadway show is this question: Are you humming the songs when you leave the theatre? In the case of The Apple Tree, the answer is a resounding "Yes." I have been waiting 40 years for this show to be revived, and I have tickets for the revival opening in December at the Roundabout. I hope not to be disappointed, for the trio of Barbara Harris, a very young Alan Alda, and the late Larry Blyden were terrific. The three-part concept can be jarring because just when you're getting into the story, it ends -- but just enjoy the kind of songs they just don't write anymore.

Really 2.5.......2006-07-25

SO this is another show thats actually three one acts. The first "The Diary of Adam and Eve" is the best by far. It has really cute songs and nice plot. Thats the only reason I rounded this up from 2.5 to 3 stars. The rest of the show is nothing great. "Lady and Tiger" is short and boring. And "Passionella" is exactly what it sounds like, a knock off of Cinderella. But hey, its a good show for collectors and "The Diary of Adam and Eve" is nice. Favorite Song: "Its A Fish"

Boring material that you forget very easily.......2006-06-29

According to some reviews, this musical was supposed to be very good and I bought it. Unfortunately, I was quite dissapointed. It's composed of three different tales, the first one referring to the Adam & Eve biblical story. The lyrics here are very silly and tedious. The second tale, "The Lady or the Tiger?" contains songs that are simply awful, probably the worst ever written for a Broadway show. The third story, "Passionella", contains music that does nothing to make things better. The album contains a good informative booklet in English, German, French & Italian (as Sony uses to do)which says that Time magazine defined this show as "three moldy figs". I entirely agree. I would recommend this musical to those suffering from insomnia: it will put them to sleep right away.

Average customer rating:

Great music
awesome film, and even better soundtrack
Songs on the album fit the movie
Nice overall
Wonderful soundtrack

What Women Want (2000 Film)
Various Artists - Soundtracks
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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Sleepless In Seattle: Original Motion Picture Soundtrack
Return to Me: Music from the MGM Motion Picture Soundtrack
More Songs for Sleepless Nights: A Collection Inspired by "Sleepless in Seattle"
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What Women Want

ASIN: B000054A5C
Release Date: 2000-12-12

Tracks:

Something's Gotta Give - Sammy Davis Jr.
Too Marvelous For Words - Frank Sinatra
The Best Is Yet To Come - Nancy Wilson
I Won't Dance - Frank Sinatra
Bitch - Meredith Brooks
The Good Life - Tony Bennett
Mack The Knife - Bobby Darin
I've Got You Under My Skin - Frank Sinatra
If I Had You - Nnenna Freelon
What A Girl Wants - Christina Aguilera
Nobody But Me - Lou Rawls
Night And Day - The Temptations
I've Got The World On A String - Peggy Lee
Everything About You - Alan Silvestri

Amazon.com

Mel Gibson may learn What Women Want by listening in on their thoughts, but it doesn't take an eavesdropper to know what moviegoers expect in a romantic-comedy soundtrack. Nancy Meyers, the movie's director and soundtrack album executive producer, has compiled an interesting mix of old and new, borrowed and blue. The emphasis is on the pre-rock age of big-band swing, whether it's performers from that era or others emulating them. Three cuts from Frank Sinatra (arranged and conducted by Nelson Riddle) and entries from Sammy Davis Jr., Nancy Wilson, and Tony Bennett sew up the soulful crooning of the velvet age. Lou Rawls and the Temptations replace their modern soul grooves with lush orchestrations that perfectly fit the mood. Only teeny-dance-bopper Christina Aguilera and alternative rocker Meredith Brooks, who chime in with a couple of recent hits, sound woefully out of place. --Rob O'Connor

Customer Reviews:

Great music.......2007-06-09

Since this seems to be the last movie Mel Gibson made while he was still a sane man, the music was well chosen for this picture as well. Great listening!

awesome film, and even better soundtrack.......2007-05-12

I loved the movie, and the soundtrack was just as good. I am into the old music like Dean Martin, Frank Sinatra, so if your into them then this is an excellent CD to buy. Also has a range of other music which is good for people who like all kinds of music.

Songs on the album fit the movie.......2007-05-02

Unlike some of the previous reviewers, I didn't find the more modern songs to be out of place. It fits in with the father/daughter struggle that takes place in the movie. If you're offended by the title "Bitch", this may not be the album for you, but if you enjoyed the movie and understand the song's message, I would highly recommend this.

Nice overall.......2005-08-05

However, some of the selections can feel a little jarring; specifically, tracks 5 (Bitch) and 10 (What a Girl Wants). They're great songs on their own, but everything surrounding them is classic 60s pop and it's a little startling to be jolted from the smooth sound of Sinatra to Meredith Brooks' harder modern beat. It breaks the mood.

However, all the songs on this disc are lovely, particularly if you're in a romantic-comedy mood to begin with. And, unlike many soundtracks, all these songs can be enjoyed out of context with the film. For a quality selection of classics, old and new, you can't go wrong with "What Women Want."

Wonderful soundtrack.......2004-01-17

Some of the greatest artist are one this soundtrack. It has a great bluesy, jazzy trend. The only bad points are the two modern artist that disrupt the flow of the albumn. This is a great albumn to have a romantic evening to or just kicking it on a lazy Sunday morning. Just skip the two modern songs.

Broadway - The American Musical (PBS Series)

Average customer rating:

Fabulous for any Broadway-lover
Top Shelf
TERRIFIC CD'S
Great Collection of Broadways greatest Songs
Great Compilation!

Broadway - The American Musical (PBS Series)

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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The Best of Broadway - The American Musical (PBS Series)
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ASIN: B00064ADMK
Release Date: 2004-10-19

Tracks:

Give My Regards To Broadway- Joel Grey
Swanee- Al Jolson
When The Moon Shines On The Moonshine- Bert Williams
A Pretty Girl Is Like A Melody- John Steel
My Man- Fanny Brice
Fascinating Rhythm- Fred Astaire, Adele Astaire
If You Knew Susie (Like I Know Susie)- 78rpm Version Eddie Cantor
Someone To Watch Over Me- Gertrude Lawrence
Bill- 78 rpm Version Helen Morgan
Ol' Man River- Paul Robeson
Ain't Misbehavin'- Louis Armstrong & His Orchestra
Ten Cents A Dance- Ruth Etting
Body And Soul- Libby Holman
Brother, Can You Spare A Dime- Bing Crosby
Night And Day- Fred Astaire
Heat Wave- Ethel Waters
Smoke Gets in Your Eyes- Tamara
You're The Top- Ethel Merman
Summertime- Anne Brown
September Song- Walter Huston
My Heart Belongs To Daddy- Mary Martin
It Never Entered My Mind- Shirley Ross
Bewitched, Bothered, Bewildered- Vivienne Segal
Oh, How I Hate To Get Up In The Morning- Irving Berlin
Oh, What a Beautiful Mornin'- Alfred Drake

Tracks:

New York, New York- Cris Alexander,Adolph Green,John Reardon
If I Loved You- John Raitt,Jan Clayton
Come Rain Or Come Shine- Ruby Hill,Harold Nicholas
There's No Business Like Show Business- Ensemble
How Are Things In Glocca Morra? From "Finian's Rainbow"- Ella Logan
Once In Love With Amy- Ray Bolger
Wunderbar- Alfred Drake,Patricia Morison
Some Enchanted Evening- Ezio Pinza
Lost In The Stars- Todd Duncan
Diamonds Are A Girl's Best Friend- Carol Channing
Luck Be A Lady- Robert Alda,Guys
Getting To Know You- Gertrude Lawrence
Who Cares?- Jack Carson,Betty Oakes
Stranger In Paradise- from " Kismet" Doretta Morrow,Richard Kiley
Ballad Of Mack The Knife- Gerald Price
Hey There- from "The Pajama Game" John Raitt
Whatever Lola Wants- Gwen Verdon
I Could Have Danced All Night- Julie Andrews
Standing On The Corner- from "The Most Happy Fella, 1956" Shorty Long,John Henson,Alan Gilbert
The Party's Over- Judy Holliday
Glitter And Be Gay- Barbara Cook
Tonight- Larry Kert, Carol Lawrence

Tracks:

Seventy-Six Trombones- Robert Preston
I Enjoy Being A Girl- from "Flower Drum Song, 1958" Pat Suzuki
Everything's Coming Up Roses- Ethel Merman
My Favorite Things- from "The Sound Of Music" Mary Martin
Put On A Happy Face- from "Bye Bye Birdie" Dick Van Dyke
Try To Remember- Jerry Orbach
Camelot- from "Camelot" Richard Burton
Love Makes The World Go 'Round- Anna Maria Alberghetti
I Believe In You- Robert Morse And Co.
The Sweetest Sounds- Diahann Carroll,Richard Kiley
Comedy Tonight- Zero Mostel
What Kind Of Fool Am I?- Anthony Newley
As Long As He Needs Me- Georgia Brown
Hello, Dolly!- Carol Channing,Cast
People- Barbra Streisand
Anyone Can Whistle- from "Anyone Can Whistle" Lee Remick
If I Were A Rich Man- Zero Mostel
Night Song- Sammy Davis, Jr.
The Impossible Dream- Richard Kiley
If My Friends Could See Me Now- Gwen Verdon
Open a New Window- from Mame Voice

Tracks:

Willkommen- from "Cabaret" Joel Grey
Let The Sunshine In- James Rado,Lynn Kellogg,Melba Moore,Cast
I'll Never Fall In Love Again- Jill O'Hara,Jerry Orbach
The Ladies Who Lunch- from "Company" Elaine Stritch
Tea For Two- Roger Rathburn,Susan Watson
I'm Still Here- Yvonne De Carlo
I Don't Know How To Love Him- Yvonne Elliman
We Go Together- Adrienne Barbeau,Barry Bostwick,Walter Bobbie,Cast
Corner Of The Sky- John Rubinstein
Send In The Clowns- Glynis Johns
Ease On Down The Road- Stephanie Mills,Tiger Haynes,Ted Ross,Hinton
One- from "A Chorus Line" Cast
All That Jazz- Chita Rivera,Ensemble
Tomorrow- Andrea Mcardle
Don't Cry For Me Argentina- Patti Lupone
Come Follow The Band
Lullaby Of Broadway- Jerry Orbach
And I'm Telling You I'm Not Going- Jennifer Holliday
The Bells Of St. Sebastian- Raul Julia

Tracks:

Memory- Betty Buckley
I Am What I Am- George Hearn
Move On- Bernadette Peters,Mandy Patinkin
Do You Hear The People Sing?- Michael Maguire,Cast
The Music Of The Night- Michael Crawford
You're Nothing Without Me- James Naughton,Gregg Edelman
The American Dream- Jonathan Pryce,Cast
Doctor Jazz- Gregory Hines,Company
With One Look- Glenn Close
On Broadway- Adrian Bailey,Frederick B. Owens,Ken Ard,Victor Trent Cook
Le Jazz Hot- Julie Andrews,Ensemble
Seasons Of Love-
Hakuna Matata- Max Casella,Tom Alan Robbins,Scott Irby-Ranniar,Jason Raize
I Wanna Be A Producer- Matthew Broderick,Ensemble
Dancing Queen- Louise Plowright,Jenny Galloway
Good Morning Baltimore- Marissa Jaret Winokur
Movin' Out- Michael Cavanaugh,Band
I Go To Rio- Hugh Jackman,Company
Defying Gravity- Kristin Chenoweth,Idina Menzel

Customer Reviews:

Fabulous for any Broadway-lover.......2007-01-30

Packs into 5 CD's a sampling of Broadway tunes from the 20's thru (almost) today, mostly from original cast recordings. Includes not just well-known hits, but also some lesser-known gems. Sound quality is first rate, booklet is informative too. Have given this as a gift to several friends with rave reviews.

Top Shelf.......2007-01-04

This is THE definitive collection of Broadway hits. I have other collections, and none of them measure up. A great deal of care was obviously taken in compiling and presenting this box set. It covers a lot of ground, starting with some long-forgotten but still very enjoyable hits from the days of yore, and finishing with present-day favorites. To the best of my knowledge, the recordings are by those who made them famous. You won't be disappointed.

TERRIFIC CD'S.......2006-03-23

THESE BROADWAY MUSICALS CD'S ARE A BROADWAY LOVERS DREAM. WITH EACH SONG, MEMORIES COME FLOODING BACK. BOTH THE FAMILIAR AND THE FORGOTTEN SONGS ARE A TRUE LISTENING PLEASURE. IF YOU LIKE BROADWAY, YOU'LL LOVE THIS SET.

Great Collection of Broadways greatest Songs .......2005-06-14

This Collection was perfectly made it has almost all the most famous Broadway songs on this 5 cd set. The Music is great and has Broadways greatest treasures like "Memory""People""With One Look""Give my regards Too Broadway" just to name a few of this numerous cd set with over 100 songs. This is a great buy if you like musicals or The music of Broadway

Great Compilation!.......2005-01-17

If you are a fan of the Broadway Musicals, this is a collection that you should purchase. Since I got the 5 disc set I've enjoyed listening to it. The majority of the songs are done by the original singers. The collection is priceless considering that you will have over 100 songs from popular musicals since the beginning of Broadway

Average customer rating:

Tubes: What do you want form life LIVE
Tubes live forever in this CD!
One of the best live rock albums of all time
GREAT LIVE RECORDING - "FINALLY"
Quintessential Tubes

What Do You Want from Live
The Tubes
Manufacturer: Polygram Int'l
ProductGroup: Music
Binding: Audio CD

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White Punks on Dope
Now
The Tubes
The Completion Backward Principle
Outside Inside

ASIN: B0000074LA
Release Date: 1994-09-05

Tracks:

Overture: Up From The Deep
Got Yourself A Deal
Show Me A Reason
What Do You Want From Life?
God Bird Change
Special Ballet
Don't Touch Me There
Mondo Bondage
Smoke (La Vie En Fumer)
Crime Medley: Sound Effect-Siren/Theme From Dragnet/Theme From Peter Gunn/Theme From Perry Mason/Theme From The Untouchables
I Was A Punk Before You Were A Punk
I Saw Her Standing There
Drum Solo
Boy Crazy
You're No Fun
Stand Up And Shout
White Punks On Dope

Album Description

1994 reissue on A&M of their 1978 double live LP for the label, with all 17 original tracks on one CD! Recorded at the Hammersmith Odeon, London, in November of 1977, it features 'White Punks On Dope', 'Don't Touch Me There' and 'Show Me A Reason'. Double slimline jewel case.

Album Details

Recorded at London's Hammersmith Odeon in November of 1977, 'what Do You Want from Live' Captures the Tubes in Rare Form and on their Way Up. Originally Unleashed in 1978, A&m Rereleased 'what' in 1994. Includes 'white Punks on Dope', 'don't Touch Me There', 'show Me a Reason', a Humorous Medley of TV Crime Show Themes, a Take on Lennon and Mccartney's 'i Saw Here Standing There' and Much More.

Customer Reviews:

Tubes: What do you want form life LIVE.......2007-04-10

This is the epitome, the Apocalypse NOW of the Tubes, live, great recording, never heard before material, it is the real deal in Rock N Roll history.
If you like some Tubes songs, then you simply must check out this album as this would be the best Tubes album of all times.
No matter what anyone else says, unless you have bootleg recordings that are re-mastered, this is what it was like at a Tubes concert without the visuals. It is too bad that Spooner, Waybill, Welnick, Steen, Prince or Cotten or anyone else in the band does not get some tapes and make an awesome DVD of one of the most awesome acts to come out of San Francisco since 1969. although this band is long gone, they should never be forgotten, this transcended the generation gaps of the late 60's into the late 70's and into and crossing over into the 80's. It is so obvious that this band was cutting edge material that if you do get to research them, see some pictures and find out what they did, you truly have missed out on something critically special that birthed movements of many bands to come, people's opinion, and the way acts were performed. This is Rock N Roll history maybe even more than Kiss, and Foreigner put together with a drop of Frank Zappa as flavor....
OOOhhhh that smell, that change from rock 2 disco 2 punk 2 hard rock 2 and 4 you.

Tubes live forever in this CD!.......2007-01-06

Although you can sense the digital divide in this CD (when the Tubes went to Todd Rungren as their producer), it is still the greatest way to hear the band which even today makes GREAT rock and roll.

One of the best live rock albums of all time.......2005-01-02

I saw The Tubes for the first time about six months after this album was recorded, and the show was just beyond description (especially for a 17-year-old!). It completely changed the way I thought about rock music, and completely changed my standards for what a good rock performance should look and sound like. I really wish someone had been able to document the late '70s Tubes shows for posterity on video--these guys were just awesome. I've seen the band now a total of eight times, and "What Do You Want From Live?" is a pretty amazing aural representation of the band at that time--I still have the album in my car, 27 years later (now on CD, but I used to have it on 8-track!). With two drummers, two keyboardists, two guitarists, a bass player and a singer, the band's sound at the time was as dense, tight and hard-hitting as anything in rock--then or now. DEFINITELY check this album out--you won't be sorry....

GREAT LIVE RECORDING - "FINALLY".......2004-11-02

I saw the TUBES many times in the 70's, 80's and 90's and even in 2002 and had been waiting for this to get to CD. This is BY FAR one of the GREATEST SOUNDING LIVE RECORDINGS ever made. I was amazed back in 78 when this record came out and how good ("CLEAN") the sound is on this record. It's what a LIVE album SHOULD sound like. Even if your NOT a TUBES fan, take a little time and check this out, it's worth it. BTW, the TUBES are NOT a punk band, they are a rock-n-roll band that were WAY AHEAD of their time. They had ALOT of fun at this time (78) I agree, they were in their prime. This was right after "NOW" came out and before "REMOTE CONTROL". Also, if your looking for CLASSIC TUBE matl, be sure to check out the 1st album "THE TUBES" and "YOUNG and RICH"! Even though I could have cared less about 80's stuff, I was happy that they were making some WELL DESERVED $$!! This is a GREAT LIVE record, a MUST for TUBES fans, and ANYONE that wants to check them out, I recommend this as very good value. Have fun, it's GREAT!!

Quintessential Tubes.......2004-08-18

The Tubes are one of the best American bands that seems to get overlooked at every turn. Despite the exceptional mix of musicians, creativity and catchy tunes for all genres, the Tubes just never seem to be on top, which they should be.

"What Do You Want From Live" is a perfect example of why the Tubes will, when the history books are written, be seen as a quintessential band in rock and roll history. The music is flawless. The sheer pagentry of they songs along with the antics of Fee Waybill demontrate the appeal the Tubes had in the late 70s. This isn't just a live album, this is a performance piece of fine art.

For a live album from the seventies, the production of this classic is better than most live CDs presented today. The overture sets a great stage with mixes of punk, rock, and lounge just teasing the listener. From there, you get to hear such Tubes classics as "What Do You Want From Life," "Don't Touch Me There," and "Mondo Bondage." The first half of the music ends with a wonderfully orchestrated song called "Smoke" in which the only thing missing is the DVD showing the stage production that went along with this song.

Next, we hear the set up for law and order and that is followed by some great music focusing on the mishaps of "Johnny" one of Fee Waybill's alter egos. The music is fun, silly, outrageous and great. Of course, the show wraps up with the song that put the Tubes on the charts, the satirical "White Punks on Dope."

Although the Tubes had greater commercial success with "The Completion Backwards Principal" and "Love Bomb," the heart and soul of the Tubes can be found in this production. It is worth the cost and it will be listened to over and over again.

Dreamgirls in Concert (2001 Concert Cast)

Average customer rating:

Dreamgirls 2001
Not the real "DREAM" experience
Absolutely brilliant!
Amazing!!!!!!
One Night Only

Dreamgirls in Concert (2001 Concert Cast)
Henry Krieger , Audra McDonald , Brian Stokes Mitchell , Emily Skinner , and Darius de Haas
Manufacturer: Nonesuch
ProductGroup: Music
Binding: Audio CD

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Dreamgirls (1982 Original Broadway Cast)
Dreamgirls: Music From The Motion Picture [2-CD Deluxe Edition]
Dreamgirls
Company (2006 Broadway Revival Cast)
Grey Gardens - A New Musical (2006 Original Broadway Cast)

ASIN: B00005Y4P4
Release Date: 2002-02-26

Tracks:

I'm Looking for Something, Baby
Goin' Downtown
Takin' the Long Way Home
Move (You're Steppin on My Heart)
Scene: Fifty bucks says the Dreamettes don't win
Fake Your Way to the Top
Scene: It ain't working, Marty
Cadillac Car
Cadillac Car (On the Road)
Cadillac Car (Recording Studio)
Scene: I don't believe they can do that
Steppin' to the Bad Side
Scene: I'm working on a long shot
Party, Party
I Want You, Baby
Scene: I'm a woman now
Family
Scene: What are you doing to that girl?
Dreamgirls
Press Conference
Heavy
Walkin' Down the Strip/Scene: Las Vegas
It's All Over
And I Am Telling You I'm Not Going

Tracks:

Opening Act II: Dreams Medley
Scene: Effie White is the best singer you're gonna find
I Am Changing
Vogue Sequence
When I First Saw You
Ain't No Party
I Meant You No Harm
The Rap
I Miss You, Old Friend
One Night Only
One Night Only (Disco Version)
I'm Somebody
Hard to Say Good-bye
Dreamgirls (Reprise)

Amazon.com

A Chorus Line may be better known, but Dreamgirls was a towering achievement for director Michael Bennett. Loosely based on the Supremes' story, the 1982 musical told a typical show-biz tale of fame, backbiting, and survival. As is often the case for one-night only events, the cast in this concert version (recorded in New York on September 24, 2001) is led by an eye-popping assortment of Broadway powerhouses: Lillias White (The Life), Audra McDonald (Ragtime, Marie Christine), and Heather Headley (Ragtime). McDonald reveals a previously undisclosed comic streak, while Headley confirms her status as a rising star. Reprising the role of Effie Melody White (created by Jennifer Holliday), White belts the classic "And I Am Telling You I'm Not Going." But the beauty of Dreamgirls is that it's so packed with catchy, Motown-influenced R&B numbers that each lead can sink her teeth into some prime material and get a turn in the spotlight. This double-CD set really makes you wish you'd been there when the show was recorded: you can hear the crowd going berserk at times, and the temptation is strong to do the same thing in the comfort of your living room. --Elisabeth Vincentelli

Customer Reviews:

Dreamgirls 2001.......2007-06-27

This was the worst reproduction of Dreamgirls that I ever heard. I was so disappointed the CD went into the garbage. This is one CD that I would not sell to the public because I expect so much and get so little.

Not the real "DREAM" experience.......2007-04-04

Forget about the film sountrack. Get this CD set. And it's far better than the original cast recording which goes lacking. More songs and more everything that makes a live performance just what it is. Live (compared to film where anything can be done to enhance a performance!) -- the energy, the excitement and the performances make this a rare treat for anyone wanting to share in the real DREAM experience.

Isn't a full Broadway revival long over due. But wait: I've heard rumors that a rvial may be "in the works. I certainly hope so. Maybe this time it will receive the Tony award it deserved in the first place.

Absolutely brilliant!.......2007-01-28

There is atleast 5 new songs on this album that were not in the movie! These girls kill it I mean they are just amazing singers, and this all live! This is needed for any Dreamgirls fanatic like me! You are gonna love it! Enjoy! love live laugh :)

Amazing!!!!!!.......2006-12-04

As a theatre lover, this recording is amazing. I actually prefer this recording to the OBC. Sheryl Lee Ralph is okay, but can't touch Audra's Deena. The first time I heard Ms. White's "And I Am Telling You..", goosbumps all over my body. The only weak cast member in my opinon is Heather Headly. Vocally, she just isn't there. Too much Aida, not enough Dreamgirls. But all in all, a great live recording of a great show.

One Night Only .......2006-07-19

I was lucky enough to attend this One Night Only concert performance of Dreamgirls and it was a night I will never forget!! The cast was brilliant and the cd is as good if not better than the Broadway cast recording because it is the entire show not just the songs. Bravo to everyone involved !!!

Stop the World - I Want to Get Off (Original Broadway Cast)

Average customer rating:

Stop the World I Want to Get Off, Broadway cast
a classic score of the 60's
Great musical with great classic songs
NOT ALONE ANYMORE
Anthony Newley's Finest Hours!

Stop the World - I Want to Get Off (Original Broadway Cast)
Anthony Newley , and Leslie Bricusse
Manufacturer: Decca Broadway
ProductGroup: Music
Binding: Audio CD

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Similar Items:

The Roar Of The Greasepaint - The Smell Of The Crowd (1965 Original Broadway Cast)
I Do! I Do! (1966 Original Broadway Cast)
Fiorello! (1959 Original Broadway Cast)
On A Clear Day You Can See Forever: The Original Broadway Cast Recording
Carnival (1961 Original Broadway Cast)

ASIN: B000008L6L
Release Date: 2001-05-15

Tracks:

Overture/The A.B.C. Song/I Wanna Be Rich
Typically English
Lumbered
Glorious Russian/Meilinki Meilchick
Gonna Build A Mountain
Typische Deutsche
Family Fugue/Nag! Nag! Nag!
Once In A Lifetime
All American
Mumbo Jumbo
Someone Nice Like You
What Kind Of Fool Am I?

Customer Reviews:

Stop the World I Want to Get Off, Broadway cast.......2005-09-04

If you are a fan of Anthony Newley you will find this superb C.D. a welcome addition to your collection. It is easy to understand why this musical is considered Newley's finest. In addition to playing the lead role, he wrote, directed and composed many memorable pieces of music including "What Kind of Fool Am I", "Once I In a Lifetime", "Gonna Build a Mountain", and many, many more. His genious is well defined in this piece, it's a joy.

Dottie Conlon

a classic score of the 60's.......2005-04-27

STOP THE WORLD - I WANT TO GET OFF is one of the most fascinating musical theatre scores of the 1960s, the `new-style musical' was written by Leslie Bricusse and Anthony Newley and was largely tailored to Newley's vocal style.

Rarely has the score been bettered than on the original Broadway cast album, crisply reissued here on the Decca Broadway label. Anthony Newley and his pert leading lady, underrated British performer Anna Quayle, perform the score with flash and verve. The entire score is fantastic though the penultimate number "Someone Nice Like You" must count as one of the most beautiful love songs ever written for the musical stage.

Anna Quayle is a marvellous performer, sadly only really remembered for her role as the Baroness in the movie of CHITTY CHITTY BANG BANG (a role that is great but does not represent all she was capable of), and Anthony Newley, who also headed the London company to perhaps ever greater acclaim, is in his element.

A top cast album.

Great musical with great classic songs.......2003-07-13

This Bricusse-Newley musical is still fresh today. Some of the songs are classic. They include "What Kind of Fool am I" and "Once in a Lifetime". Newley's voice and vocal range was at its height when this album was recorded. If you like the music in this show then you will also like the music from "Roar of the Greasepaint, Smell of the Crowd".

NOT ALONE ANYMORE.......2002-10-03

I THOUGHT I WAS THE ONLY ONE WHO LIKE HIM, SILLY ME . THIS WAS MY SECOND ALBUM I BOUGHT OF HIS ,IN A LONG LIST . NEWLEY'S STRONG VOICE AND PERSONALITY ARE THE VERY BEST.

YOU CAN ALMOST SEE THAT VERY EXPESSIVE FACE OF HIS, IT WA SA SHAME HIS PERFORMANCE WAS NOT CAPTURED ON FILM, STILL EVEN WITH OUT SEEING HIM. THE BLENDING OF SONG AND STORY ARE TIME LESS, THAT IT COULD BE ON BROADWAY TODAY WITHOUT BEING DATED.

THE STORY OF LITTLE CHAP AND EVIE , COULD BE ANY ONE OF US GOING THROUGH LIFE'S UP AND DOWNS.

Anthony Newley's Finest Hours!.......2002-09-25

To say that 'Stop the World' was a revolutionary musical in the days of sugar and spice, nicey-nicey musicals would be an understatement. To suggest that Anthony Newley was one of the finest singer-songwriter-performers of our time would be like saying the Pope is Catholic. To say that Decca has done us all a favour by finally reissuing this tuneful cast recording on CD would however be ACCURATE!
Anthony Newley died in April 1999 after losing his battle with cancer. The battle of fame he never lost and left behind a wonderful collection of musicals, songs, tv and cabaret performances that we can love again and again. But the finest of all of Newley's output was this musical. Co-wrote with Leslie Bricusse, Anthony Newley made the role of Littlechap totally his own. Not even Sammy Davis Jnr, Joel Gray or Tony Tanner in the film version could match that unique quality of style and originality that Newley exudes in this fantastic tour de force role.
For fans of musicals unfamiliar with Newley's work, you will not be sorry when you buy this CD. For Newley fans - why haven't you already bought your copy!!
Enjoy, one and all, Anthony Newley at his very best.
Paul Goodhead - President
Anthony Newley Society Worldwide.

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