Attic Thoughts [Original recording remastered] [Import]
Track Listings
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1. Attic Thoughts: March/Repose/Wandering
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2. Time and Space
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3. Waiting...
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4. Waltz for Interbeings
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5. Time for Great Achievements
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6. Hybrills
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7. Rabbit Music: General Woundwort/Fiver
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8. Day and Night
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9. Happy Prank
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10. Crystal Suite: Crystals/Memories of Darkness/Light Again [*]
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Editorial Reviews
Product Description
Remastered reissue of the Swedish progressive rock act's 1975 album includes one previously unreleased bonus track 'The Crystal Suite a. Crystals b. Memories Of Darkness c. Light Again'. EMI. 2004.
Attic Thoughts,Bo Hansson,EMI Int'l,Pop,Prog-Rock/Art Rock,Rock,Rock/Pop
Attic Thoughts [Original recording remastered] [Import]
Average customer rating:
- Mamma Mia
- Mamma Mia Musical CD
- JUST GREAT MUSIC
- Mamma Mia
- Not good at all
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Mamma Mia! The Musical Based on the Songs of ABBA: A Decca Broadway Original Cast Recording (1999 London Cast)
Benny Andersson , Julian Poole , Jenny Galloway , Nicolas Colicos , Paul Clarkson , Bjorn Ulvaeus , Lisa Stokke , Eliza Lumley , Melissa Gibson , Siobhan McCarthy , Louise Plowright , Jenny Galloway , Bjorn Ulvaeus , and Stig Anderson
Manufacturer: Decca Broadway
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- ABBA - Gold: Greatest Hits
- Hairspray (2002 Original Broadway Cast)
- Movin' Out (Based on the Songs and Music of Billy Joel) (2002 Original Broadway Cast)
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ASIN: B000031WEN
Release Date: 2000-10-17 |
Tracks:
- Overture/Prologue
- Honey, Honey
- Money, Money, Money
- Thank You For The Music
- Mamma Mia
- Chiquitita
- Dancing Queen
- Lay All Your Love On Me
- Super Trouper
- Gimme! Gimme! Gimme!
- The Name Of The Game
- Voulez-Vous
- Entr'acte
- Under Attack
- One Of Us
- S.O.S.
- Does Your Mother Know
- Knowing Me, Knowing You
- Our Last Summer
- Slipping Through My Fingers
- The Winner Takes It All
- Take A Chance On Me
- I Do, I Do, I Do, I Do, I Do
- I Have A Dream
Amazon.com
Put together by Abba's own Benny Andersson and Björn Ulvaeus, Mamma Mia! manages to cram over 20 of the Swedish supergroup's songs into a threadbare plot. It goes a little like this: Young Sophie is getting married and she's trying to identify which of three men is her father. That's about it. Wisely, the musical doesn't mess around with the songs, save for the insertion of some dialogue or for having some of them performed by a man (it works amazingly well). Abba fans will jump on this import of the London production, but traditional fans of musical theater should consider it as well. After all, Andersson and Ulvaeus's songs have always felt as if they were more than isolated pop gems and actually belonged to a longer narrative. --Elisabeth Vincentelli
Customer Reviews:
Mamma Mia.......2007-03-22
I have not stopped playing this cd. It is just great! It makes any trip in my car most enjoyable Happy I bought it!
Mamma Mia Musical CD.......2007-03-21
This is a grand list of songs from the original musical when it was first introduced in England. The songs from ABBA are very recognizable even if you haven't seen the show. But, making a trip to NY to see the Broadway production is a plus. ENJOY!
JUST GREAT MUSIC.......2007-03-08
I RECENTLY SAW THE SHOW MAMMA MIA IN LAS VEGAS. ALWAYS LIKES THE MUSIC OF ABBA, AND THOUGH THE PLOT WAS THIN, THE MUSIC WAS WELL PERFORMED. IN THIS PARTICULAR ALBUM, THE ENGLISH ACCENTS WERE A BIT MUCH, BUT THE SONGS WERE GREAT. ALL I CAN SAY IS THANK YOU FOR THE MUSIC, ABBA.
Mamma Mia.......2007-01-29
Every time I hear the music and songs it brings back memories of seeing the Broadway Show
Not good at all.......2007-01-09
This is not what we wanted. The British accents throw it was off. We just saw it in NY and this is not what we were looking for.
Average customer rating:
- Great, definitely go with this and TAC
- Awesome
- Bought it used - thank God!
- magnificent!
- Mixed Feelings
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Les Miserables - The Complete Symphonic Recording
Claude-Michel Schonberg
Manufacturer: Relativity
ProductGroup: Music
Binding: Audio CD
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ASIN: B000003BVK
Release Date: 1990-05-22 |
Tracks:
- Prologue
- Valjean's Soliloquy (What Have I Done?)
- At The End Of The Day
- I Dreamed A Dream
- Lovely Ladies
- Fantine's Arrest
- The Runaway Cart
- Who Am I?-The Trial
- Fantine's Death
- The Confrontation
- Castle On A Cloud
- Master Of The House
Tracks:
- The Bargain-The Waltz Of Treachery
- Look Down
- The Robbery-Javert's Intervention (Another Brawl)
- Stars
- Eponine's Errand
- The ABC Cafe-Red And Black
- Do You Hear The People Sing?
- Rue Plumet-In My LIfe
- A Heart Full Of Love
- The Attack On Rue Plumet
- One Day More!
- At The Barricade (Upon These Stones)
- On My Own
- Building The Barricade
- Javert's Arrival
- Little People
- A Little Fall Of Rain
- Night Of Anguish
- First Attack
Tracks:
- Drink With Me
- Bring Him Home
- Dawn Of Anguish
- The Second Attack (Death Of Gavroche)
- The Final Battle
- The Sewers-Dog Eats Dog
- Javert's Suicide
- Turning
- Empty Chairs At Empty Tables
- Every Day (Marius And Cosette)
- Valjean's Confession
- The Wedding Chorale- Beggars At The Feast
- Epilogue (Finale)
- Bonus Track
Customer Reviews:
Great, definitely go with this and TAC.......2005-08-31
Right now, there are four official English-language versions of Les Miserables: the Original London Cast Recording, the Original Broadway Cast Recording, the Complete Symphonic Recording, and the 10th Anniversary Concert Recording. Les Mis' addicts are best served by purchasing all recordings, as they showcase different stages (as in the OLC and the OBC) of the development of this mega-musical, as well as the interesting variations in presentation and performances by the different casts and orchestras.
If you're the average musical-theater listener who can't afford to buy all available English-language recordings, however, my advice would be to get the CSR (due to the fact that it's "complete") and the TAC recording (due to the fact that performer- and performance-wise, it's leaps and bounds better than all of the other recordings). You deserve no less.
Awesome.......2005-07-03
I can't believe all the negative comments about Gary Morris. He is so much better in the role than Colm Wilkinson. I've seen Gary perform the part three times and there is NO better Jean ValJean (seen the play 14 times). It's an international cast and some of the accents do take time getting used to. But the power of the music supercedes it all. Listen with your heart people. It's so incredible.
Bought it used - thank God!.......2005-06-17
"Les Miserables" is a marvelous musical; a stunningly faithful interpretation of Victor Hugo's masterpiece, with an inspiring storyline and unforgettable characters. There are 2 reasons for buying a Les Mis CD - (1) you've seen a performance and want ONE CD to remind you of it or (2) you've become a les Mis junkie (like me) and want multiple versions so you too can hold forth on the rival merits of Andy Warlow vs Michael Maguire, Patty LuPone vs Ruthie Henshaw, Frances Ruffelle vs Kaho Shimada vs Lea Solonga. If you are in the first category, you really want the Tenth Anniversary Concert. The TAC has the complete storyline (albeit slightly abridged), it was recorded live (so there's an unique intensity and chemistry between performers), and from top to bottom it has by far the best cast.
However, if you're a serious Les Mis fan, you should buy this CD (in addition), simply because it does have the complete score. (The trouble with THAT is that it includes practically the only misstep in the whole script - if Jean Valjean has his number branded on his chest, then how is it credible that someone else will be convicted in his place?) I bought it for that reason and to hear other interpretations of the roles (in particular Andy Warlow's). I have all 4 versions, and they have all have their pluses and minuses, but frankly, I'm glad I didn't pay full price for this one. This version has a rather weak cast in general, but that does add to the fun arguing about it. On the plus side, it has Philip Quast ( THE BEST Javert, but he's even better on the TAC), Michael Ball (THE BEST Marius, also on the OLC and TAC versions), and Andy Warlow (a stirring Enjorlas for sure, but not THAT much better than Michael Maguire on the OBC and TAC). The scenes at the barricade are the best part of the CD. Kaho Shimada is an uneven Eponine, OK sometimes, less so at others. Debbie Byrne (Fantine) is OK, but I don't find her as moving as Patty LuPone (OLC) or Ruthie Henshaw (TAC). Tracy Shayne (Cosette) is irratating, not nearly as sweet as Judy Kuhn (OLB and TAC) or even Rebecca Caine (OLC). I find Barry James and especially Gay Soper (M. and Mme. Thenardier) grating as well.
I really miss Colm Wilkinson (OLC, OBC and TAC). OK, he has a unique singing style, but such heart. Not always perfect, but so powerful and emotional. All his solos and "Confrontation" just stop me dead in my tracks. The sweetness and purity of his "Bring Him Home" and "Epilogue" move me to tears. But really, there must be someone else who can do at least an adequate job or the show wouldn't have run so long in so many venues. I am willing to listen to another interpretation, but not this one. This is the central role in the play, it really can't survive without a good performance here. Gary Morris is horrible as Jean Valjean, cringe-provoking at times, merely weak at others. He's totally overmatched by Quast in "Confrontation" and by everyone in "One Day More" and "Epilogue". I haven't tried the recommendation of one reviewer of listening while squinting and shaking my head hard, but I don't see how that will help. Morris's "What have I done?", "Bring Him Home" and "Valjean's Confession" make me cover my ears or send me running for the fast forward button, although "Who am I?" isn't so bad. (I just tried the head shaking trick, it didn't help.)
magnificent!.......2005-06-15
Ok, I admit it. I have long been a fan of musicals, but I was only exposed to Les Mis a few months ago. My roommate loaned me this recording, and I fell in love. I played nothing but this soundtrack for the next several weeks.
As this is the only recording I've heard fully, I cannot give any comparisons between the performers here and those on other versions, but I do wish to give my general impression of the cast.
*Gary Morris (Valjean) - he has a strong, clear voice with which it is hard to find fault. He sings with emotion and passion, and I cannot imagine ever tiring of hearing him as Jean Valjean. If I had to give a complaint, it would be that I could imagine a voice with a little more distinct character...something a little riskier for the part of someone so complex.
*Philip Quast (Javert) - wow, I love deep voices, and his is so rich! I love when he hits the low note near the beginning of "Confrontation" ...I've seriously replayed that part over and over again just because it sends shivers through me...haha, I think you get the idea. This guy is good.
*Debbie Byrne (Fantine) - her voice took some getting used to because at first it seemed to me a little uncontrolled, almost like she could capture the fullness of the sound but not quite hit the notes. However, the more I listen to her, the more I enjoy her. Her voice has a wonderful texture, something you totally miss when listening to the super-clear, trilling sopranos that seem to be found all over most other musicals.
*Kaho Shimada (Eponine) - her voice took a little getting used to as well. I was a little confused until I realized she was Japanese, for though I wouldn't say you hear an accent, her voice does have a very different quality to it. Still, I enjoyed her performance very much. Her voice is trembling with emotion the entire time, almost like she can hardly control it...it is quite moving.
*Tracy Shayne (Cosette) - wow. I'm sorry, is Cosette supposed to be this shrill? Turn it off! While I'm impressed at some of the notes she hits, I don't think it's supposed to make you want to cover your ears.
*Michael Ball (Marius) -Ball makes Marius, a rather annoying character if you ask me, into someone actually likable, if not lovable. He's passionate and romantic, but not vapid. Probably my favorite vocal performance.
*Gay Soper and Barry James (the Thernardiers) - their voices are rather grating, but that's the point, right? Very entertaining performances...particularly in "Master of the House" (which, it's true, somehow manages to be stuck in your head all day).
*Anthony Warlow (Enjorolas) - very appropriate voice...manly and vibrant. If he doesn't make you want to go out and fight, then there's no help for you!
Overall, the performances were wonderful. I highly recommend this CD. A great recording of a great musical!
Mixed Feelings.......2005-04-20
I bought this recently, and it was an object lesson in why I ought to research an item before purchasing it.
For me, it's truly a toss-up as to whether this is a recording worth purchasing. The main benefit-a far from insignificant one-is that it is a complete recording full of much more materiel than can be found on the London or Broadway cast recordings. Basically, I was far from satisfied. The liner notes are error ridden, and the casting was not as good as possible. Gary Morris struck me as too young for the part, and Gay Soper (Mme. Thenardier) has a voice akin to the sound of fingernails on a chalkboard. But, in the absence of a complete Broadway recording, this still may be the best version available to buy. Be sure, however, to supplement it with another version. (The Tenth Anniversary recording might be the best.)
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