Old & Wise [Import]

old & wise [import]

Track Listings
1. Say You Don't Mind
2. Old & Wise
3. Caroline Goodbye
4. Andorra
5. I Don't Believe In Miracles
6. She's Not There
7. Tell Her No
8. Time Of The Season
9. What Becomes Of The Broken Hearted
10. Tracks Of My Tears
11. Walking In The Rain
12. She's Not There '98
13. Still Burning Bright
14. Don't Feel The Pain No More
15. Your Love Is Like The Sun
16. Walking In The Rain
17. Seventh Heaven
18. Send Me Your Broken Hearts
19. Hearts That Turn
20. Till We Try Again
See all 26 tracks on this disc

Editorial Reviews
Product Description
A Double Disc Collection of Songs from the Voice of the Zombies and Argent. Includes the Songs "She's Not There", "Time of the Season" , a 1998 Version of "She's Not There", "Seventh Heaven" and Many More.

Old & Wise,Colin Blunstone,Superior,Rock,Rock/Pop

Old & Wise [Import]
The Civil War - Traditional American Songs And Instrumental Music Featured In The Film By Ken Burns: Original Soundtrack Recording
Average customer rating: 5 out of 5 stars
  • Great Job
  • Very relaxing
  • A great peice of Civil War history.
  • Music Befitting This Most Tragic of Wars
  • Capitivating sounds for Confederate or Union Ancestors
 The Civil War - Traditional American Songs And Instrumental Music Featured In The Film By Ken Burns: Original Soundtrack Recording

Manufacturer: Nonesuch
ProductGroup: Music
Binding: Audio CD

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  1. Songs of the Civil War
  2. The Civil War - A Film by Ken Burns
  3. Civil War Classics
  4. Gettysburg: Music From The Original Motion Picture Soundtrack
  5. The Lovers' Waltz

ASIN: B000005J0O
Release Date: 1990-12-29

Tracks:

  1. Drums Of War - Old Bethpage Brass Band
  2. Quote - Oliver Wendall Holmes
  3. Ashokan Farewell - NA
  4. The Battle Cry Of Freedom - NA
  5. We Are Climbing Jacob's Ladder - NA
  6. Dixie/Bonnie Blue Flag - The New American Brass Band
  7. Cheer Boys Cheer - The New American Brass Band
  8. Angel Band - Russ Barenburg
  9. Johnny Has Gone For A Soldier - Jacqueline Schwab
  10. Lorena - Jay Ungar
  11. Parade - The New American Brass Band
  12. Hail Columbia - The New American Brass Band
  13. Dixie - Bobby Horton
  14. Kingdom Coming - Jay Ungar
  15. Battle Hymn Of The Republic - Matt Glaser
  16. All Quiet On The Potomic - Jacqueline Schwab
  17. Flag Of Columbia - Jacqueline Schwab
  18. Weeping Sad And Lonely - Jacqueline Schwab
  19. Yankee Doodle - The Old Bethpage Brass Band
  20. Palmyra Schottische - The New American Brass Band
  21. When Johnny Comes Marching Home - The Old Bethpage Brass Band
  22. Shenandoah - John Colby
  23. When Johnny Comes Marching Home - M. Manson
  24. Marching Through Georgia - J. Ungar
  25. Marching Through Georgia(Lament) - Jacqueline Schwab
  26. Battle Cry Of Freedom - Jacqueline Schwab
  27. Battle Hymn Of The Republic
  28. Ashokan Farewell/Sullivan Ballou Letter - Paul Roebling

Customer Reviews:

5 out of 5 stars Great Job.......2007-05-13

I can always count on Amazon to have products I can't find anywhere else.
I love it......
The Service with Amazon is excellent too.

Thanks for being there.

5 out of 5 stars Very relaxing.......2007-03-31

This CD is nearly as relaxing as a Deepak Chopra CD. I am a voice in the chorus in that I originally bought it for use in a U.S. History class, but the Cd is great in its own right. Especially with tracks like Ashokan Farewell, and Battle Hymn of the Republic, this CD really is an amazing peace of work (although Ashokan Farewell isn't actually from the Civil War).

4 out of 5 stars A great peice of Civil War history........2007-02-14

This CD is a good buy for any Civil War buff. Even though it was intended for use as a soundtrack I would recomend it. It has many of the time honored songs that we associate with the period and the sound quality is great. I bought this CD with the intention of useing it in a high-school U.S History class, but it as has good non-educational merit.

5 out of 5 stars Music Befitting This Most Tragic of Wars.......2007-02-12

Why does it seem that some music becomes intrinsically connected to an event? Perhaps I should have said why is there such an affinity between certain soundtracks and the subject material? One thinks of films as wide-ranging as Twelve Monkeys (Astor Piazzolla), Lonesome Dove (Basil Poledouris) or Schindler's List (John Williams) and the music seems as integral to the film as the dialogue. That's the way it is in this case. That soulful, rising and falling sound of the violin, the rustic tunes with rural roots - all accentuate those terrible times with beauty and pathos. To put it bluntly, I find it difficult to believe that there will ever be a greater match between the visual and audible than is the case here. My Grade - A

5 out of 5 stars Capitivating sounds for Confederate or Union Ancestors.......2007-01-10

If You Love America and would like to hear music that will haunt Your Soul forever then I recommend this CD. This music helps You form a better understanding of who we were in America over 100 years ago. I recommend this CD for all ages.
Beyond
Average customer rating: 4.5 out of 5 stars
  • Beyond Expectations
  • Beyond belief
  • Lou Barlow Back for Beyond
  • Sounds Like What 'Green Mind'
  • Holy Cow S**t
 Beyond
Dinosaur Jr.
Manufacturer: Fat Possum [Old]
ProductGroup: Music
Binding: Audio CD

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  1. Dinosaur Jr.: Live in the Middle East
  2. Sky Blue Sky
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  5. New Moon

ASIN: B000OCZ9R8
Release Date: 2007-05-01

Tracks:

  1. Almost Ready
  2. Crumble
  3. Pick Me Up
  4. Back To Your Heart
  5. This Is All I Came To Do
  6. Been There All The Time
  7. It's Me
  8. We're Not Alone
  9. I Got Lost
  10. Lightning Bulb
  11. What If I Knew

Amazon.com

Since bassist Lou Barlow left Dinosaur Jr. in 1989, the band--whose last record was 1997's expansive Hand It Over--has largely become an alter-ego moniker for guitarist/vocalist J Mascis. But now the original trio (including drummer Emmett "Murph" Murphy) has reunited for the first time since Barlow's split, and the 11-song outcome makes one ask: Why did they wait so long? Mascis's thunderous "Almost Ready," featuring both his combustible guitar and weary vocals, is the perfect blast-off, allowing Murphy's backbeat to set a turbulent pace early, and while songs like "Been There All the Time" and the Neil Young accolade "This Is All I Came to Do" have Mascis as primed as ever, Barlow (whose '90s-era Sebadoh set the bar for lo-fi bands) reappears with two of the record's strongest tracks: the poppy "Lightning Bulb" and "Back to Your Heart," which recalls late-in-the-game Hüsker Dü. These 50 minutes of music are as cohesive as they are conquering, and whether the same can be said of the once-prickly relationship between Mascis and Barlow will ultimately decide if this is a one-off reunion or if the real Dinosaur Jr. is back for awhile. --Scott Holter

Customer Reviews:

4 out of 5 stars Beyond Expectations.......2007-07-04

Mr Mascis, Barlow and Murph (original band lineup) are back to deliver this new incredible D Jr. album. Is a nice mixture of raging rock, ballads and country rock the only way this guys can do. I recommend the crushing opener "Almost Ready" and also for the first time on a D Jr. album is included a Barlow's song, the beautiful "Back to Your Heart". Definitely recommended for the non- or die hard D Jr. fan.

5 out of 5 stars Beyond belief.......2007-07-04

What can I say>?
Green Mind changed my life forever. It was *the* album to live by when I was in college, some 15+ years ago. It defined a thoughtful, angsty existence for a thinking, feeling American adolescent. And the drums, bass, vocals, guitar... they were all amazing. Honed to fuzzy sonic perfection. Mascis ranks near to Neal Young for literally being able to speak volumes with his guitar work. He just goes and goes and goes. The newer albums never lived up to the perfection of the classics, from the original "Dinosaur" to "Bug" and "You're Living All Over Me." But they all had 3 or 4 great songs that made them worth the while.
When I heard a new album was coming out, I was very skeptical to say the least.
Now I am in disbelief.
This new album, "Beyond," is amazing. Some of the best alt-rock songs recorded to date. And Barlow, who could be annoying and self-indulgent in the past, has actually performed some real winners.
This album is a gift to the music loving public.
I can't say enough good things about it.

4 out of 5 stars Lou Barlow Back for Beyond.......2007-06-29

To me, this is the best album Dinosaur Jr. has put out since 'Green Mind' in 1991. I probably am one of the few who didn't care for 'Where You Been'.
Of course those two albums didn't have the original Dinosaur lineup. By 1989 bassist Lou Barlow was kicked out of the band and that same year formed Sebadoh and later on Folk Implosion.
Only a couple of years ago Merge Records re-released the original Dinosaur classics (the first 3) and soon re-issued 'Green Mind' w/ three bonus tracks and 1993's 'Where You Been' (I only liked the opening song: "Out There").
Soon a whole new fanbase of Dinosaur Jr. sprouted and I do believe it helped ignite this reunion of the three original members: J, Lou & drummer Murph.
Yes! Lou Barlow is back and he writes/sings two of the eleven songs on 'Beyond' - "Back to Your Heart" and "Lightning Bulb" -which should bring a smile to any Dino-fan, that's followed the band since 1988's 'Bug'.
I haven't been a fan for that long, but I have been a devoted fan for about 12 years now, even when two of the worst Dinosaur Jr. albums were released 'Without A Sound' and 'Hand It Over'-

At the start of 'Beyond' from the opening chords of "Almost Ready" you just know Dinosaur Jr. are back with that fully charged noisy jangly bliss, they are known for!
Then on to two other near perfect Dino tracks, the swooning "Crumble" and the soaring "Pick Me Up".
As always exceptionally awesome guitar playing from J. Mascis. Yeah he's still got it! A highly under-rated guitarist that the mainstream should be taking notes from.
One of my favorite tracks is the In-your-face onslaught of "Been There All the Time" an instant classic for sure and just as good as most of the songs on my favorite Dinosaur Jr. album - 'Bug'.
I also really like J 's softest track on 'Beyond' the song "I Got Lost"-

Lets hope the original Dinosaur Jr. lineup is here to stay because this is the band's best in over 15 years.

5 out of 5 stars Sounds Like What 'Green Mind'.......2007-06-26

would have been had Lou not left the band after 'Bug'. Not much else to say...brilliant!

5 out of 5 stars Holy Cow S**t.......2007-06-26

Such a great sound. I read a review that rang so true; it's the Lou Barlow driving bass and of course J, but a J more confident than ever. It has the sound of earlier Djr, but also Green Mind, but also something "Beyond" all of that.
And they still Rock harder than any B-S that is out there currently. If Young MTVers don't get into these guys now, then the superfluous shallowness of our "celebrity" loving youth has truly hit it's watermark.

It used to be that the best artists and the best music became famous because nothing could hold it back, and people wanted the best. You didn't have people listen to Pink Floyd because it was getting saturated on the airwaves. No way, they were good, so people bought their stuff.

Here's hoping that albums like this one help our youth in America find there own way. The 30 somethings (I am one) that have corrupted our youth into materialistic celebrity slavery can't hold onto the youths' attention if albums like this become a new trend. Yes, record companies and MTV decide airplay a lot, but when something is great and people take notice without MTVs help, then MTV, etc. cannot help BUT play it. If the public demands, it gets. My more pessimistic nature tells me this album is an aberration, and will not be a new norm, but who knows, maybe J., Lou, and Murph can keep going at this high level. If so, soon enough the general public will have to take notice.

If not, then I get to keep being a Music Snob, knowing music most others don't. Whoopity do, I'd rather the world experience Dinosaur Jr. and the like.

I heard some Grammy talk below. That would be sweet. Arcade Fire got screwed a couple years ago on that, Wu-Tang also years before, I don't take too much stock in Awards, but like that poster said, I wouldn't miss J.'s acceptance speech for the world!!!!! They definitely have the best Rock Album of the Year. Buy it!
O.C.M.S.
Average customer rating: 4.5 out of 5 stars
  • Old Crow Medicine Show
  • OCMS
  • Great CD
  • Awesome!
  • Wagon Wheel
 O.C.M.S.
Old Crow Medicine Show
Manufacturer: Nettwerk Records
ProductGroup: Music
Binding: Audio CD

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  1. Big Iron World
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ASIN: B00019JQHI
Release Date: 2004-02-10

Tracks:

  1. Tell It To Me
  2. Big Time In The Jungle
  3. Poor Man
  4. Tear It Down
  5. Hard To Love
  6. CC Rider
  7. Trials & Troubles
  8. Hard To Tell
  9. Take 'em Away
  10. We're All In This Together
  11. Wagon Wheel

Amazon.com

During the "folk music-scare" of the early 1960s, a bunch of white middle-class youths with names like the Greenbriar Boys and the Even Dozen Jug Band discovered the mountain music of the Stanley Brothers, Skillet Lickers, and Uncle Dave Macon and set about introducing it to the country's college kids. Four decades later, the members of OCMS fit the profile of those early revivalists, yet if anything they have tapped deeper into the primal elements of an American art form. As demonstrated on their debut, they have assimilated not just the sound--banjos, harmonicas, acoustic guitar and bass--but more importantly the haunting spirit of music that was made to keep hard times at bay. How else to explain their ability to take a well-worn chestnut like "CC Rider" and infuse it with an energy that reveals once again why it is a classic? Not content to live completely in the past, they wrote "Big Time in the Jungle," which, though it is about Vietnam, could easily be transposed to 2004's desert conflicts. Kindred spirit and producer David Rawlings (Gillian Welch's longtime collaborator) has kept their energy intact, but one can only wonder what sort of magic they must deliver live. --Michael Ross

Customer Reviews:

3 out of 5 stars Old Crow Medicine Show.......2007-06-12

These guys are too young to sound like old hillbilies. I was looking for a little bit more current genre.

5 out of 5 stars OCMS.......2007-03-28

These are very talented young men, their voices, their visions. With this combination of traditional and self-written music, Old Crow has given us a lively and poignant sense of life. And did I mention that they have talent? Check the insert; see who is playing which instrument.
If you have the opportunity to see these guys perform live, go. They are a gift.

4 out of 5 stars Great CD.......2007-01-16

Great CD. I love most of the songs. One or two are a bit too blue grassy. Overall great CD good pick up.

5 out of 5 stars Awesome!.......2007-01-09

Old Crow Medicine Show is awesome. I love all the songs on the CD. Especially wagon wheel. That has to be my fav. Keep on rockin' guys!!

5 out of 5 stars Wagon Wheel.......2006-11-07

i just wanted to clear this up as a review mentioned that wagon wheel is a rip-off of a dylan tune. well... it's a poor assumption. the chorus from wagon wheel was written by dylan for the movie "Pat Garrett and Billy the Kid" for which they gave Dylan writing credit. The chords were used for the rest of the song [which is not a crime considering that the progression used (1 5 6 4) is VERY common and is used in a countless number of songs including "Knockin' on Heaven's Door" by Dylan himself] and the rest of the song's lyrics were written by OCMS with a different melody. if it was a rip-off, they wouldn't have purposely given Dylan some credit for the song. In fact, if you look in the album sleeve it gives Dylan FULL credit for the song. So... if you believe Wagon Wheel is a rip-off, i don't think you really KNOW what a RIP-OFF is.
Big Iron World
Average customer rating: 4.5 out of 5 stars
  • This aging fanboy...
  • Cool Beans
  • yowch
  • love it
  • It's been growing on me
 Big Iron World
Old Crow Medicine Show
Manufacturer: Nettwerk Records
ProductGroup: Music
Binding: Audio CD

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  1. O.C.M.S.
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  3. Hello Love
  4. Modern Times
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ASIN: B000FNO1DE
Release Date: 2006-08-29

Tracks:

  1. Down Home Girl
  2. Cocaine Habit
  3. Minglewood Blues
  4. My Good Gal
  5. James River Blues
  6. New Virginia Creeper
  7. Union Maid
  8. Let It Alone
  9. God's Got It
  10. I Hear Them All
  11. Don't Ride That Horse
  12. Bobcat Tracks

Amazon.com

A concept album about gigantic household appliances taking over the world? No such luck. As the images of Hank Williams, Bob Dylan and Sun-era Elvis floating in the background might indicate, this Nashville band is strictly old school, singing about unemployed riverboat workers, covering Woody Guthrie and plucking banjos like there was no tomorrow. Produced by David Rawlings, Big Iron World boasts the expected barnstormers ("Cocaine Habit") and late-night meditations ("God's Got It") alongside a handful of folkie sing-a-longs ("Down Home Girl") and a thoroughly unexpected reference to Karl Rove. And where else are you going to hear songstress Gillian Welch banging away on the drums? --Aidin Vaziri

Customer Reviews:

5 out of 5 stars This aging fanboy..........2007-06-25

loves Old Crow Medicine Show, and this album is another winning entry! "I Hear Them All" is worth the price of admission by itself, but there are other choice bits; "Cocaine Habit" "Down Home Girl" and "My Good Gal" stand out, as well as the tongue-in-cheek (I think ;) "New Virginia Creeper".

4 out of 5 stars Cool Beans.......2007-06-08

I really have enjoyed this CD. The music is invigorating and the lyrics are funny. I have just ordered another one to send to my son-in-law!

1 out of 5 stars yowch.......2007-05-12

Good god, these guys are overrated. Hipster old time music at its worst. They sure would look good in a Details magazine spread, though...

5 out of 5 stars love it.......2007-04-01

i love OCMS and there music keeps getting better and better. if you love their last album, buy this one.

4 out of 5 stars It's been growing on me.......2007-02-21

Having only really listened to the most recent previous album, I didn't know what to think of Big Iron World at first; it seemed quite a bit more bluesy than O.C.M.S., and I wasn't sure the change was for the better. After a dozen or so times through, though, I've got to say, they've got an uncanny ability to bring even a reluctant audience around.

There are a few songs on the album that I still don't love: Down Home Girl has a pretty monotone, repetitive sound; Union Maid is too obviously a throw-back; and Bobcat Tracks is just hokey.

Now that I got my complaints out, though, what a great album. My Good Gal is reminiscent of my favorite Louvin Brothers song (Knoxville Girl); New Virginia Creeper demands dancing; and I Hear Them All is up there with the best of American folk political protest songs. Just a great time, great musicians, and I wish they'd come play live in New England.
1776 (1969 Original Broadway Cast)
Average customer rating: 4.5 out of 5 stars
  • Before Sondheim's COMPANY and after MAN OF LA MANCHA...
  • Overrated Tony Award Winner
  • Brilliant, Definitive and Remarkably Accurate!
  • Saw this on Broadway
  • Quite a premise
 1776 (1969 Original Broadway Cast)

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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  1. 1776 (Restored Director's Cut)
  2. 1776: The New Broadway Cast Recording (1997)
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  5. Camelot (1960 Original Broadway Cast)

ASIN: B0000027WJ
Release Date: 1992-05-19

Tracks:

  1. Overture - Orchestra
  2. Sit Down, John
  3. Piddle, Twiddle And Resolve/Till Then
  4. The Lees Of Old Virginia
  5. But, Mr. Adams
  6. Yours, Yours, Yours
  7. He Plays The Violin
  8. Cool, Cool, Considerate Men
  9. Momma Look Sharp
  10. The Egg
  11. Molasses To Rum
  12. Is Anybody There
  13. Finale

Amazon.com

Evidence that one can make a musical about anything, Exhibit A: 1776. As one might expect, the whole concept of making a musical about the creation and signing of the Declaration of Independence was greeted in the late 1960s with, well, ridicule. The show debuted on Broadway in 1969, and three years later, when its run finally ended, it was its producers who had the last laugh. In addition, it toured for an additional two years and beat out Hair (in 1969 yet!) for a Tony Award. This recording, with the original Broadway cast, includes many of the same actors who went on to star in the film, the version with which most audiences today are probably familiar. One notable exception is Rex Everhart, who replaced Howard da Silva at some performances and on this recording. But there's still William Daniels as John Adams, though in some cases his performance is more subdued than it was on film. Musically, 1776 is an odd creation, considering when it came into being. As one might expect, there's a lot of fife and drum going on, especially in the opening number and during "The Lees of Old Virginia." For those less than familiar with the plot, it hinges on the idealism of Adams, who's trying his best to back up the American Revolution with some legislative action, and spends much of his time arguing with either the Continental Congress or God, as in "Piddle, Twiddle, and Resolve": "A second flood, a simple famine / Plagues of locusts everywhere / Or a cataclysmic earthquake / I'd accept with some despair / But no, you sent us Congress / Good God, sir, was that fair?" (One could argue that he gets further with God.) While not entirely historically accurate, and containing some rather peculiar numbers (Franklin, Jefferson, and Adams sitting around debating what their new country's national bird is going to be ranks among the oddest), there's no questioning 1776's staying power. --Genevieve Williams

Customer Reviews:

5 out of 5 stars Before Sondheim's COMPANY and after MAN OF LA MANCHA..........2007-04-30

For me, 1776 is a great companion to MAN OF LA MANCHA as one of the most entertaining AND intellectually worthy amalgams of music, lyrics, book, theme, plot, characterizations and dialogue to ever come out of pre-1970's Broadway musical theatre. Each song is like a little gem, and displays the broad range of emotions and ideas with which 1776 brims. Satiric, romantic, hilarious, heartbreaking, disturbing, dark, inspiring, thoughtful, humane, and even a little bawdy, the songs glide and tromp all over the map, as does the show itself. As with LA MANCHA, 1776 broke open the Broadway musical, making it a pitch-perfect example of what can truly make a musical more than a toe-tapping time killer... while never becoming tedious, pompous, windy, or dull. If anything, it crackles with suspense.

And as to the reviewer who was shocked that it would win out over HAIR? Listen to "Mamma Look Sharp" or "Molasses to Rum to Slaves" to hear exactly the play's political and often-unflattering ideological landscape. This was definitely a Vietnam-era play whose content was as disturbingly pertinent, then, as it is, now. And, despite all of this, the score and play never become leaden or preachy. On the contrary, each performance is a gem, and each character is witty and unique. Who knew that history could be a passionate and fun adventure?

1 out of 5 stars Overrated Tony Award Winner.......2006-06-16

How could this musical win the Tony award having as a competitor a play like HAIR which - for many people - stands as an emblematic theatre piece of the 60's? Who remembers a tune out of this musical? On the contrary, "Aquarius", "I Got Life" or "Walking in Space" are still popular and they play all over the world. Even ZORBA and PROMISES PROMISES - both candidates for the award in the same year - have songs that are still remembered. 1776 may wake up patriotic feelings to American listeners which is quite understandable but the music and songs are old-fashioned, overrated and awfully boring.

5 out of 5 stars Brilliant, Definitive and Remarkably Accurate!.......2005-12-18

1776 has become an institution, thanks to the motion picture which was made of this original Broadway show, and which starred most of the cast from the theatrical production. It gets rerun every July 4th week on some movie channel or local station!

William Daniels IS John Adams to many people, and even though the story of the birth of the United States probably wasn't this lyrical and lively, Composer Sherman Edwards was historically accurate in the facts of the tale.

In addition to learning about the signing of the Declaration of Independence, this is also love story... in fact two love stories, with John Adams and his wife Abigail, separated by circumstance and interacting only in his mind, and Thomas Jefferson and his wife, Martha, here, played by the big throated (and now legendary) Betty Buckley.

There is also a sense of fraternity, with the members of the Continental Congress grappling with the concept of breaking away from a tyranical ruler. And even though you know the outcome, the story is still filled with tension and excitement in the mechanics of it. Just how DID this country get formed?

The disc's liner notes explain the show's libretto and give you some rare behind-the-scenes info about the creation of the musical, the challenges it faced before becoming the standard that it now is, and a bit about the amazing Mr. Edwards, which is a story worthy of being told as well.

It's an Independence Day must!

5 out of 5 stars Saw this on Broadway .......2005-11-12

Saw this show, with original cast, on Broadway in '69 and it has stayed with me ever since then. Every time I listen to these songs, I laugh. The historical figures (done with some tongue-in-cheek) are highly entertaining and even better if you see the movie. I would recommend the dvd for a great, lighthearted evening, and good family entertainment. You can't miss with this one! A winner on all fronts.

4 out of 5 stars Quite a premise.......2005-07-20

Though it seems an odd choice to write a musical about, it works well. The whole thing seems a bit dated now, it still has great songs. Most dimpressive song, definately "Molasses to Rum". I gave it 4 stars for THAT song.
Licensed to Ill
Average customer rating: 4.5 out of 5 stars
  • Always a classic
  • The Beginning of the Beastie Boys' Dynasty
  • The Joke Is...
  • A near-excellent album
  • Let there be ill
 Licensed to Ill
Beastie Boys
Manufacturer: Def Jam
ProductGroup: Music
Binding: Audio CD

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ASIN: B0000024JN
Release Date: 1995-03-28

Tracks:

  1. Rhymin & Stealin
  2. The New Style
  3. She's Crafty
  4. Posse In Effect
  5. Slow Ride
  6. Girls
  7. Fight For Your Right
  8. No Sleep Till Brooklyn
  9. Paul Revere
  10. Hold It Now, Hit It
  11. Brass Monkey
  12. Slow And Low
  13. Time To Get Ill

Amazon.com essential recording

The joke of Licensed to Ill's cover--that the Beasties could crash their jet into the side of a mountain and keep on tickin'--serves as a good metaphor for a career that even some of their 1986 admirers thought might be over after the one-time-only shock of this full-length debut. That thousands of funk-junkie wannabes have since failed at re-creating its groove, breaking-the-law vibe, and ear-splitting mix of rock and rap is an even better joke. And funniest of all is the record itself, which packs dexterous boasts, aural puns, and lots and lots of yelling into a disc that can still be listened to with as much pleasure as it gave in '86. --Rickey Wright

Customer Reviews:

5 out of 5 stars Always a classic.......2007-06-09

I finally had to replace my old copy of this. I love it! Beastie Boys' classic album mixes their "new style" lyrics (one-liners as I like to think of them) with all the classic party/dance tracks: No Sleep 'til Brooklyn, Fight for Your Right to Party, and Brass Monkey, not to mention "GIRLS". What fun it is, they obviously had so much fun with this album.

5 out of 5 stars The Beginning of the Beastie Boys' Dynasty.......2007-06-05

License to Ill--

Formerly a punk-rock outfit called the Young & the Useless, New Yorkers Mike D, MCA and King Ad-Rock hooked up with Def Jam founder Rick Rubin in the mid-1980's to create a hip-hop masterpiece. Released in the fall of 1986, License to Ill took both the hip-hop world and mainstream pop culture by storm. Though this was their debut LP, the three MC's traded verses like veterans. Hip-hop rhythm tracks were combined with guitar licks for one of the first rap/rock fusion efforts, sowing seeds for the sub-genre's late 90's resurgence in the likes of Limp Bizkit and Rage Against the Machine.

Lyrically, the Beasties are basically college-age party animals throughout the album, telling wild stories about getting kicked out of White Castle, get-togethers stocked with Budweiser, and related tales of cheerful, hedonistic mayhem. In interviews, band members admitted to having a Schoolly-D fixation at the time, and so there are also some casual gun references here and there. "Slow and Low" covers an unreleased Run-DMC song, with the unforgettable line "White Castle fries only come in one size.." "Rhymin' & Stealin'" is pre-gangster rap pirate fantasy, where the Boys vow to send sucker MC's "to Davy Jones' locker.." "No Sleep `til Brooklyn" has a great guitar contribution by Slayer's Kerry King, as the Boys vow to keep the party going "eight days a week.."; the now-legendary "Paul Revere" is a cowboy fantasy (co-written with Run DMC) where the Beasties play desperadoes on the frontier, set to a reverse-drum track rhythm: "MCA was with it, and he's my ace, so I grab the piano player and I punched him in the face; piano player's out, the music stopped; his boy had beef, and he got dropped.."

The album's signature song was the top-10 pop smash "(You Gotta) Fight for Your Right". The rocker is almost out of place amidst all the straightforward hip-hop, but it's just as well that it was the album's closer. The Beasties expanded the cultural diversity of rap as well as expanding its cultural acceptance worldwide.

As of 2007, the LP's 20th anniversary has already passed; a deluxe re-release is in order; it should include any unreleased songs (such as the early "Rock Hard" EP; also, bootleg releases have included rare songs like "Scenario", "I'm Down" and an alternate take of "Fight for Your Right"), as well as a DVD version of the now-rare VHS home video compilation.

5 out of 5 stars The Joke Is..........2007-05-08

In response to Rickey Wright's editorial review (this guy's an editor and didn't see this?)...

The joke, Mr. Wright, is not them crashing their jet into the side of a mountain and surviving, but rather what the image turns into when you unfold the album cover and hold it length-wise with the tail-end up. It's the image of a 'joint' being mashed out (like a cigarette in an ashtray). So I think the genius behind it works, making the obvious - unobvious.

Also, the call letters on the rear of the plane (3MTA3) actually spell 'EAT ME' when viewed in reverse - which is what is usually done when you're smokin' a fatty and 'Jake' is on ya.

As for the album itself - CLASSIC! True Beastie Boy gold!

4 out of 5 stars A near-excellent album.......2007-03-09

Who didn't listen to the Beastie Boys back in the '80's? Their crossover appeal to rap and rock fans made the group one of the biggest hits during that era. The album was indicative of their unique style of rap, along with their penchant for including heavy rock sounds/backgrounds into their music. Although some thought that this album was a bit commercialized, it didn't keep it from becoming one of the most popular releases during that time. "Brass Monkey" is a memorable track that almost every Beastie fan can sing along to, and "Fight For Your Right" almost became an anthem for party-crazed teens in the '80's. "Time To Get Ill" was one of my favorite songs on this album, since it displayed skilled Dj'ing and catchy backdrop beats. Lyrics were also easy to memorize, which always helps when you feel like rappin' along with the track being played in your car. "Hold It Now, Hit It" is still one of the most sampled tracks in today's rap songs, and its catchy beat and rhythm allows for regular play in many listener's stereos. "She's Crafty" and "The New Style" were less-known hits, but still allows for fans to enjoy, as beats and sounds are similar to other hits... but, just different enough to keep the album from being boring. With their unique style and memorable lyrics, who wouldn't want to buy this album for the right price?

5 out of 5 stars Let there be ill.......2007-03-09

I've waited way too long to buy this album. This album is definitely a must-have in my book, not only for pioneering the area of Caucasian rap, but also for the unique style of rap that they brought. As I get older, it makes me sad when I see the generation gap, and "Fight For Your Right" and "No Sleep Till Brooklyn" isn't part of the new generation's collective memory. If I ever have a child, I'm buying the casette tape for this album, sticking it a boombox, putting that boombox on my shoulder, and blasting "Paul Revere" as the child exits the womb. These songs are simply classics, and it's a crime for kids today to not know what they are.
The Lord of the Rings: Fellowship of the Ring - The Complete Recordings
Average customer rating: 5 out of 5 stars
  • Beautiful
  • Awesome
  • Excellent Music tracks from Movie
  • Complete?
  • Great Collection, Poor Packaging
 The Lord of the Rings: Fellowship of the Ring - The Complete Recordings
Howard Shore
Manufacturer: Reprise / Wea
ProductGroup: Music
Binding: Audio CD

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  5. The Lord of the Rings Trilogy (Theatrical and Extended Limited Edition)

ASIN: B000BNI90O
Release Date: 2005-12-13

Tracks:

  1. Lord of the Rings: The Fellowship of the Ring/Prologue: One Ring ...
  2. Lord of the Rings: The Fellowship of the Ring/The Shire
  3. Lord of the Rings: The Fellowship of the Ring/Bag End (Featuring ...)
  4. Lord of the Rings: The Fellowship of the Ring/Very Old Friends
  5. Lord of the Rings: The Fellowship of the Ring/Flaming Red Hair
  6. Lord of the Rings: The Fellowship of the Ring/Farewell Dear Bilbo
  7. Lord of the Rings: The Fellowship of the Ring/Keep It Secret, Keep ...
  8. Lord of the Rings: The Fellowship of the Ring/A Conspiracy Unmasked
  9. Lord of the Rings: The Fellowship of the Ring/Three Is Company
  10. Lord of the Rings: The Fellowship of the Ring/The Passing of the Elves
  11. Lord of the Rings: The Fellowship of the Ring/Saruman the White
  12. Lord of the Rings: The Fellowship of the Ring/A Shortcut to Mushrooms
  13. Lord of the Rings: The Fellowship of the Ring/Strider
  14. Lord of the Rings: The Fellowship of the Ring/The Nazgul ...

Tracks:

  1. Lord of the Rings: The Fellowship of the Ring/Weathertop
  2. Lord of the Rings: The Fellowship of the Ring/The Caverns of Isengard
  3. Lord of the Rings: The Fellowship of the Ring/Give Up the Halfling
  4. Lord of the Rings: The Fellowship of the Ring/Orthanc
  5. Lord of the Rings: The Fellowship of the Ring/Rivendell
  6. Lord of the Rings: The Fellowship of the Ring/The Sword That Was ...
  7. Lord of the Rings: The Fellowship of the Ring/The Council of ...
  8. Lord of the Rings: The Fellowship of the Ring/The Great Eye
  9. Lord of the Rings: The Fellowship of the Ring/Gilraen's Memorial
  10. Lord of the Rings: The Fellowship of the Ring/The Pass of Caradhras
  11. Lord of the Rings: The Fellowship of the Ring/The Doors of Durin
  12. Lord of the Rings: The Fellowship of the Ring/Moria
  13. Lord of the Rings: The Fellowship of the Ring/Gollum
  14. Lord of the Rings: The Fellowship of the Ring/Balin's Tomb

Tracks:

  1. Khazad-Dum
  2. Caras Galadhon (featuring Lament for Gandalf, performed by Elizabeth Fraser)
  3. The Mirror of Galadriel
  4. The Fighting Uruk-hai
  5. Parth Galen
  6. The Departure of Boromir
  7. The Road Goes Ever On (part 1)
  8. May It Be (composed and performed by Enya)
  9. The Road Goes Ever On (part 2. featuring In Dreams, perfomed by Edward Ross)
  10. Lord of the Rings: The Fellowship of the Ring/Khazad-D
  11. Lord of the Rings: The Fellowship of the Ring/Caras Galadhon ...
  12. Lord of the Rings: The Fellowship of the Ring/The Mirror of Galadriel
  13. Lord of the Rings: The Fellowship of the Ring/The Fighting Uruk-Hai
  14. Lord of the Rings: The Fellowship of the Ring/Parth Galen
  15. Lord of the Rings: The Fellowship of the Ring/The Departure of Boromir
  16. Lord of the Rings: The Fellowship of the Ring/The Road Goes Ever ...
  17. Lord of the Rings: The Fellowship of the Ring/May It Be
  18. Lord of the Rings: The Fellowship of the Ring/The Road Goes Ever ...

Amazon.com

As fans of Peter Jackson's Lord of the Rings trilogy know, each film exists in two versions: the theatrical one and the extended one that appeared on DVD. This luxurious box set--which also comes with a detailed essay on the movie's musical themes--features the full extended score, so many cues not on the CDs of the individual movies are included. Granted, the majority of listeners will be perfectly happy with the shorter versions of the scores--it's a safe bet that most people can live without hearing, say, Ian McKellen's 35-second-long ditty "The Road Goes Ever On" at the beginning of "Bag End," or Viggo Mortensen's performance of his own composition, "The Song of Lúthien," within the track "The Nazgûl." But if you're a completist and/or a devotee of Howard Shore's pounding tympani and overwhelming choral compositions (featured particularly prominently on disc 3, a large chunk of which is devoted to a battle scene), then this set is a dream come true. Audiophiles should note that the fourth disc, a DVD, offers the score in Dolby Digital 5.1 Surround Sound. Fire up those speakers so the whole shire can hear. --Elisabeth Vincentelli

Album Description

An epic film score receives epic treatment with The Lord of the Rings: Fellowship of the Ring/Complete Recordings. Released for the first time on CD, the complete score for the first film in the Lord of the Rings trilogy contains more than 180 minutes of music on three CDs plus a DVD-Audio disc of the entire score in Surround Sound. Breathtaking and majestic, the 2001 Oscar and Grammy winning score compsted by Howard Shore also includes Enya's Oscar nominated "May It Be." For fans of any of The Lord of the Rings films, the Fellowship of the Ring/Complete Recordings is an essential experience.

Customer Reviews:

5 out of 5 stars Beautiful.......2007-06-15

I picked up this set because I am both a LOTR fan, movies and books and I need music to help me work. There are some tracks that I skipped over, like the short little ditties in the bar, but many of the songs, such as the Elvish chants are easy to get lost in - its just too bad they don't last longer. The packaging really is well done, though the DVD disc was loose when I received it in the mail, but unharmed. I will have to wait until the price on the second set comes down a little more, but I can't wait for ROTK.

5 out of 5 stars Awesome.......2007-06-12

This is by far the editon to get if you loved the lord of the rings soundtrack. It has every song on it from the extended edition. and the DVD-A version is very nice.

5 out of 5 stars Excellent Music tracks from Movie.......2007-05-03

Brings the movie back as you listen to the full version of the track.

3 out of 5 stars Complete?.......2007-04-07

This CD collection is wonderful; it has much of the material from the movie that was only included in the extended edition DVD, but it is far from complete. While it does have the complete version of "The Passing of the Elves" and two versions of "The Road Goes Ever On", many of the songs are highly incomplete and inferior to the originals. "Aniron," the theme for Aragorn and Arwen performed by Enya, is incomplete and the lyrics are hard to match to what is being sung. The sound quality for this song is even worse on the accompanying DVD, which is supposed to have all of the music in "superior sound". The song "Prophecy" is reduced to two barely-audible lines and "May It Be" is shortened and different than the original. $60 for this when there are more complete songs on the original soundtrack is ridiculous.

3 out of 5 stars Great Collection, Poor Packaging.......2007-04-03

I realy can't add to what others have said about this set, the music is simply the best LOTR soundtrack collection out there! It is all here, and the contents of this set will make any LOTR fan happy and the music DVD is a great one disc addition if you want to hear the entire score in one sitting (to which I have done a number of times already).
My only complaint is the somewhat flimsy cardboard box that houses the contents of this musical treasure. Mine came damaged, and considering the price, I expected better packaging. This is a minor quabble on my part and NO, I havent returned it due to the fact that the music itself Is what I truly treasure, It just would have been nicer to have recieved it undamaged.

Music-5
Packaging-3

*for the record I had rated this Item 5 stars not the 3 stars that is showing at the top of my review*
Waterloo, Tennessee
Average customer rating: 5 out of 5 stars
  • What a sound!
  • Another Excellent CD
  • Woohoo for Waterloo!
  • Excellent
  • Should be your favorite uncle...
 Waterloo, Tennessee
Uncle Earl
Manufacturer: Rounder / Umgd
ProductGroup: Music
Binding: Audio CD

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ASIN: B000MTPAE0
Release Date: 2007-03-13

Tracks:

  1. Black-Eyed Susie
  2. The Last Goodbye
  3. One True
  4. Wish I Had My Time Again
  5. My Little Carpenter
  6. My Epitaph
  7. Buonaparte
  8. Bony On The Isle Of St. Helena
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  10. Streak O' Lean, Streak O' Fat
  11. D & P Blues
  12. The Birds Were Singing Of You
  13. Wallflower
  14. Drinker Born
  15. Easy In The Early ('Til Sundown)
  16. I May Never

Amazon.com

After switching to big-name British producer John Paul Jones (of Led Zeppelin fame; he also contributes some instrumental support), this female stringband quartet continues to go wider and deeper in its exploration of acoustic Americana. On their sophomore release, Uncle Earl's balance contributes to their range. Each of the four is a virtuosic musician, all contributing vocals that blend into the buoyant harmonies of "One True," the a cappella shape-note spiritual "Buonaparte," and the field hymn "Easy in the Early ('Til Sundown)." While uptempo fare spotlights the sprightly fiddle of Rayna Gellert, banjoist Abigail Washburn sings a stark meditation on mortality in the revival of Ola Belle Red's "My Epitaph," with guitarist Kristin Andreassen illuminating the vocal purity of A.C. Carter's "The Birds Were Singing of You." As for percussion, Gillian Welch provides guest drums on "The Last Goodbye," and Andreassen's clogging serves as a rhythm track behind Gellert's fiddle on "Sisters of the Road." --Don McLeese

Customer Reviews:

5 out of 5 stars What a sound!.......2007-05-28

This is my first exposure to Uncle Earl and I must say that they are phenominally talented. The fact that they could get John Paul Jones to produce this album is a huge plus because I have always been a huge fan of his picking. This is definetly a good disk to pick up.

5 out of 5 stars Another Excellent CD.......2007-05-07

I have really been enjoying this CD. It certainly meets the high expectations I have for this group!! I want to see them live now more than ever.

4 out of 5 stars Woohoo for Waterloo!.......2007-04-16

I like that this cd has its dark moments (The Last Goodbye, My Epitaph, The Birds were Singing of You), but also manages to find room to get frisky (Black-Eyed Susie, Streak O' Lean/Streak of Fat, Easy in the Early). I often find myself effortlessly identifying with the characters in these songs. The vocal chemistry of these gals is extraordinary and I like the steady rotation of lead vocal duties. And of course, this cd is packed full of fiddles, banjos, violins, acoustic guitars, and mandolins which are played just as sharply as the singing. A sterling addition to any bluegrass collection.

5 out of 5 stars Excellent .......2007-04-11

Uncle Earl again showed excellent talent. If you like old timey music or more traditional blue grass, you will fall in love with these girls.

5 out of 5 stars Should be your favorite uncle..........2007-03-24

As unusual as it is for a relatively new group's second offering to surpass their first, the women known as Uncle Earl have pulled it off. Their blend of wonderful traditional pieces and great original works, performed with joy and virtuosity are a marvel to behear and behold it you're lucky enough to catch them in concert and don't even get me started on their unique harmonies... Do yourself and acoustic music a favor, buy it.
Overture of the Wicked
Average customer rating: 3.5 out of 5 stars
  • Very cool return
  • IE Shouldn't Look Back
  • NOOOOOOOOOOOO!!!!!!
  • This really didn't need to be done. But it's still pretty cool.
  • Fantastic single, but the redone material loses something in translation
 Overture of the Wicked
Iced Earth
Manufacturer: Steamhammer/SPV
ProductGroup: Music
Binding: Audio CD

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ASIN: B000PA9PME
Release Date: 2007-06-05

Tracks:

  1. Ten Thousand Strong 3:53
  2. Something Wicked Trilogy: Prophecy / Birth Of The Wicked / The Coming Curse 18:31

Album Description

America's most successful pure Heavy Metal band has returned with the kickoff for their most ambitious project to date! Iced Earth have long been known as the champions of American Metal and have consistently delivered absolute quality for their legions of fans. Overture Of The Wicked is the opening salvo in their forthcoming two-part series that continues their famed Something Wicked This Way Comes series. The Overture Of The Wicked CDS contains a brand new song along with a re-recording of some of the Something Wicked... material. The first shot has been fired and Iced Earth is back!

Customer Reviews:

4 out of 5 stars Very cool return.......2007-07-13

First off, I've been a fan of this band since I took a chance in the metal-dead environment of the late 90's and bought the wonderful 'Alive in Athens' CD (one of the greatest live albums of all time) in 1999. Like many, I felt very sorry about Matt Barlow leaving some years ago, the disintegration that followed and the multitude ill-turns suffered by leader Jon Schaffer.

So that's why I'm happy as hell for the return of the band and in this metal-happy musical climate of today I wholeheartedly wish Schaffer has finally his revenge and gathers the recognition that always eluded the band through 15 years of hard work and excellent music.

So what we have here is a taster of the forthcoming new album and a reworking of the classic "Something Wicked" trilogy from 1998's 'Something Wicked This Way Comes'.

Well, the new song "Ten Thousand Strong" is the first Iced Earth song we've heard written specifically for new singer Tim 'Ripper' Owens (since the 'Glorious Burden' album was written with Barlow in tow and only later was resung by Owens), and it shows; the guy is a monster singer. The song is pretty much 'Glorious Burden' fare, except perhaps a bit better. This is killer, even if simple, stuff.

No doubt the eyeopener here is the remake of the old trilogy, and so Ripper is *again* cast to repeat a Barlow performance, and one much loved by fans no less. And again, he falls short; clearly he is no match for Matt's tone and emotional delivery and comes across a bit forced and shrill sounding. The re-recording itself (I mean the music) is cool, even if I still prefere the original.

One very cool feature of this record is the return of 'Alive in Athens's excellent skinsman Brent Smedley, and if you fear after 8 years out of the band he may have lost his touch, well rest assured it's not the case because he is an absolute monster, even more than on the old days. If someone said it's Richard Christy playing, no one would doubt it, it's that good, stunning machine gun precision all the way. Another thing to mention are new axeman Tim Mills' lead guitar breaks, which are probably the best lead guitar ever featured in the band.

Finally a special mention to the excellent cover art, depicting the return of the Set Abominae character.

So all in all a very nice taster for what I hope is a killer CD to come in September, and one to finally put this great band where it has always deserved: at the top of the metal world :)

Let's just hope Schaffer manages to keep a lineup together long enough to see it happen.

3 out of 5 stars IE Shouldn't Look Back.......2007-07-05

If the new single is an indication of what to expect from the new album, then this will probably be the best since 'Wicked'. The problem with this disk lies in the re-recorded material. When judged on his own merits, Ripper has a great voice, and he shows it off on the first track. However, the 'Something Wicked' trilogy can't be listened to without comparing it directly to Barlow's version, and in this context, the Ripper just can't win. The original was nothing short of amazing, and could hardly be improved upon, Barlow's voice thick and powerful. In comparison, Ripper sounds hollow and weak. It's not a fair comparison to make, because the two singers have completely different styles, but it's a comparison that's impossible not to make when Ripper sings Matt's songs.
If Iced Earth and its fans can manage to look forward to the future instead of looking back at what was, then there is reason to be optimistic. This single will serve as a good primer for the full-length.

3 out of 5 stars NOOOOOOOOOOOO!!!!!!.......2007-07-03

I don't hate Tim Owens. I loved "The Glorious Burden", almost as a different Iced Earth than the ones previously. I love Tim Owens' voice for Iced Earth. I loved Matt Barlow's voice for Iced Earth.


This is only four songs on a single, and only one of them is new. The new song "Ten Thousand Strong" is great. It bears traces of old Iced Earth without being the same old crap or repetitive.


Why do I scream "NOOOOOOOOOOOO!!!!!!" for the title then? The other three tracks.

The other three tracks are not re-recordings, but new versions of the "Something Wicked..." trilogy at the end of "Something Wicked This Way Comes", "Prophecy", "Birth of the Wicked", and "The Coming Curse"

I don't mind having Tim Owens sing over songs that were originally done by Matt Barlow. But they completely RE-DID these songs! They sound very little, if anything like the originals. I am sort of a music traditionalist by nature. Cover songs don't appeal to me as much as originals, re-recorded albums are never better than originals unless it's an unchanged remastering.


It's not just the lack of Barlow's deeper, more husky voice in these songs, it's a completely new guitar, bass, and drum lines used. The rhythms are done at different speeds, the moods are changed. Where once "Prophecy" was a darkly moody, brooding song, it's now something resembling generic "demonic" metal.


I look forward to the new Iced Earth album. I love Iced Earth, and if Schaffer continues to get better with age like his previous albums, I will love it. What I do NOT like is the "rewriting of history" so to speak, the re-writing of these three classic songs of the "Wicked" trilogy. Please... if you don't want Barlow's voice on them, just record Owens over the song as it was! Don't totally rewrite the rhthyms, tempos, moods, etc! It ruins it for traditionalists who have stuck with IE through the ages.

3 out of 5 stars This really didn't need to be done. But it's still pretty cool........2007-07-02

I am going to be brief. "Something Wicked" was my first Iced Earth album, and the original trilogy sent chills down my spine when I listened to it. Iced Earth have changed the trilogy.

First off, the trilogy sounds more produced than ever. Some parts sound really cool and dark, but in general the song just sounds more computerized and polished than the original's. One good thing, however, is the ethnic addition. The song sounds very middle eastern now, which it sort of lacked before. Anyway, I'll take the original version any day. But this version is still pretty good. Makes for a good recap before the new album comes out, but like I said it just sounds too computerized and polished. Also, I like Owens, but he can't match this song which was written with Barlow in mind.

"10,000 Strong" is unremarkable. It's just a single, so I can't complain to much, but it doesn't feel as heavy as it should be. I blame this on the mix and the production.

3 out of 5 stars Fantastic single, but the redone material loses something in translation.......2007-06-28

Something Wicked was the first IE album I had bought. The trilogy in that album is the best thing the band has done next to Dante's Inferno. About the time I had gotten into the band, John Schaffer had mentioned his intent do make a whole album in the theme of Set, the subject of the trilogy. Five or so years later we finally have a taste... I do have some mixed feelings.

Ten Thousand Strong: This first track is the new single, fresh material from the upcoming album, and I have to say that I love it. The riffing is a little similar, perhaps reminiscent of Declaration Day or Attila from Glorious Burden, but this song in my opinion is better than anything from that album. The harmonizing between Ripper and the backround vocals is just amazing and Ripper himself is at the top of his game here. I admit that I'm not the biggest fan of Ripper as the IE vocalist (mostly because I'm still missing Barlow) but here I think he really works. The Glorious Burden felt like an album meant for Barlow but with Ripper filling the void. This track was meant for Ripper, and I can only hope the rest of the album sounds like this. Bravo to Schaffer! 9/10

Prophecy: Here I was not so pleased. As I said, I really love the original trilogy, perhaps a little too much to deal with the changes they've made to it. This song starts out interesting, almost on a more ominous tone, but the great part about the original track is the mellow tone in the first few minutes. Here the mellow tone is replaced with heavier slow tempo guitars, so when the actual main riff starts, it doesn't pack the same punch. And the main riff itself seems palm muted to the point of not even being the same riff anymore. Instead of the loud open chords we used to have, it sounds restrained and totally misses the same feel. Ripper's vocals are pretty good here, though of course he doesn't quite capture Barlowe's haunting tone. This is a fairly dissapointing take on this track. 5/10

Birth of the Wicked: The second track is more of a success. Not much is lost in the rerecording. The guitairs, while not as chunky as in the original, aren't as badly muted as in Prophecy. There are some interesting solos in here too, really impressive ones that I dig. Ripper's vocals work pretty well here as well. It is weird to hear the clocks after the song ends and not before however, but this change is fairly insignificant. Overall, while still not as good as the original, this is a good track. 7/10

The Coming Curse: Like Prophecy, this remake severely dissapoints. I loved the piano intro in the original and they decided to omit that here. It really provided a great buildup to this epic track and jumping right into the main riff doesn't have the same affect. And once again, the main riff is greatly muted and severely loses it's punch. The drums sound way too prominent over the guitars and I keep waiting for the riff to sound more meaty, but this really never happens. Another one of my favorite parts about the original was the backing vocals, the haunting choruses that were put in about halfway through. The vocals are similar, and still fairly haunting, but here it's not as prominent and not as affective. You can really tell it's just a couple of people instead of the overwhelming presense they gave before. This once has some interesting guitar work in the middle, and Ripper's vocals still work on some level, but overall I'm dissapointed. 5/10

The new material is great, and I hope the new album stays that way. The remade trilogy is interesting as an experiment, but by no means should it be a replacement. Perhaps it will work better incorporated into the album, I don't know. Overall, I'm still greatly anticipating this album. While the trilogy does lose something, musically it is still technical and harmonic just as we expect from Schaffer. I would still recommend getting this, just take into consideration what I said about the rerecordings and you might enjoy them. This is still one of my favorite metal bands and recommend them to any fan of old school metal.
Old School
Average customer rating: 4.5 out of 5 stars
  • Koko's Still Got It!
  • YES, WE ARE IN THE BACK STREETS BUT WE ARE NOT CRYING
  • koko
  • GREAT SINGER RETURNS
  • Traditional fare with some standout moments
 Old School
Koko Taylor
Manufacturer: Alligator Records
ProductGroup: Music
Binding: Audio CD

Chicago BluesChicago Blues | Blues | Styles | Music
GeneralGeneral | Blues | Styles | Music
Electric Blues GuitarElectric Blues Guitar | Blues | Styles | Music
Modern BluesModern Blues | Blues | Styles | Music
Alligator RecordsAlligator Records | Amazon.com Label Stores | Stores | Music
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ASIN: B000NA2744
Release Date: 2007-04-03

Tracks:

  1. Piece Of Man
  2. Gonna Buy Me A Mule
  3. Black Rat
  4. Money Is The Name Of The Game
  5. You Ain't Worth A Good Woman
  6. Better Watch Your Step
  7. Bad Avenue
  8. Bad Rooster
  9. Don't Go No Further
  10. All Your Love
  11. Hard Pill To Swallow
  12. Young Fashioned Ways

Amazon.com

Go ahead and call it a comeback. Despite her advancing years and frail health following a 2003 hospitalization, Old School shows that the Queen of Chicago Blues has no intentions of abdicating her throne just yet. Koko Taylor isn't terribly prolific--this is only her third album in 14 years--but she's also never released a lackluster effort, and this is no exception. As the title suggests, you should be prepared for tough, rugged Chicago blues sung by one of the masters of the genre, regardless of gender. Taylor's legendary booming voice does show some wear, but her husky pipes, wang-dang-doodle attitude, and sheer enthusiasm will convince any skeptics that the singer is far from phoning in her performance. The disc is split evenly between originals and covers of Willie Dixon, Magic Sam, and others, all powered by a gritty yet professional no-nonsense band featuring guitarists Steady Rollin' Bob Margolin and Criss Johnson, along with the harmonica great Billy Branch. Musically, there aren't many surprises, but at this stage Taylor isn't pushing boundaries with her meat-and-potatoes diet of grinding shuffles mixed with the occasional slow blues. Knocking off a tune or two from the hour-long program might have made this a more concise, compact statement, however. Yet with songs as frisky as "Bad Rooster"--possibly an answer to the classic "Little Red Rooster"--and a strutting version of Dixon's "Don't Go No Further," there's no doubt that Taylor remains as passionate and intense as when she was first claiming her crown, nearly four decades ago. --Hal Horowitz

Album Description

With her first album in seven years, the aptly titled Old School, Taylor once again shows the world what she does so well. From foot-stomping barnburners to powerful slow blues, Koko proves in an instant that her blues are joyous and life-affirming, powerful and soul-stirring.

With Old School, Taylor brings it all back home, supported by a band of veteran musicians and young revivalists. Singing like she did for Chess Records early in her career, Taylor belts out a set of material that could easily have topped the blues charts in the 1950s, and will certainly reach the top of the blues world today.

Koko Taylor, guitarist Criss Johnson and Alligator president Bruce Iglauer produced Old School. Recorded in Chicago, the 12 songs (including five new Taylor originals and songs by Willie Dixon, Magic Sam, Lefty Dizz, and E.G. Kight) all hearken back to Taylor's early years in the Windy City. They range from the humorous truth of Piece Of Man to the rocking blues advice of Better Watch Your Step to the tough street scene of Bad Avenue (done in classic Muddy Waters style), to Koko's version of Memphis Minnie's Black Rat, a song she used to sing as a teenager. "I put my heart and soul into everything that I do," says Taylor. "I worked long and hard on Old School, and I want my fans to enjoy it as much as I do."

Customer Reviews:

4 out of 5 stars Koko's Still Got It!.......2007-07-10

Koko Taylor has weathered lots in her lengthy career, but she shows no signs of aging or rust on "Old School," her latest release.

Her voice still strong, still able to plead, prod, cajole and coerce, Ms. Taylor proves that no one will be pretending to ascend to her Queen of The blues throne anytime soon.

If you've always loved Koko, you'll find that nothing has changed. And that's a good thing.

4 out of 5 stars YES, WE ARE IN THE BACK STREETS BUT WE ARE NOT CRYING.......2007-06-26

Koko Taylor was a lately acquired taste as I rambled through the Chicago blues milieu trying to figure out where the blues went after it left the Delta. By that I had became a devotee after Bessie Smith, Memphis Minnie and even Victoria Spivey. No question that Koko is now the reigning queen of that genre. Her big, big booming voice and forthright manner of telling her blues stories tells all as she does some remarkable covers of Willie Dixon tunes. And that is appropraite because if I recall Willie helped discover her for the old Chess Record label. But that is neither her nor there. For those who only know Koko from Wang Dang Doodle or Back Streets Crying then you are in for a treat.

3 out of 5 stars koko.......2007-06-16

Glad to know koko is back.lookin forward to new endeavers

4 out of 5 stars GREAT SINGER RETURNS.......2007-06-11

Koko Taylor is one of those artists who just doesn't have a big enough catalog--we could use a LOT more music from her. She sings with passion, conviction, and a real love of music. This is real blues music too--not crossover in any direction, but true to its own great heritage. Highly recommended for all blues fans.

4 out of 5 stars Traditional fare with some standout moments.......2007-05-24

The title of Koko Taylor's new CD, Old School, is a reaffirmation of the obvious. Taylor's formula hasn't wavered since she recorded Willie Dixon's "Wang Dang Doodle" in the early sixties. She makes no concession to modern musical styles, and she doesn't trouble herself with musical nuances like changes in dynamics: this is traditional, full-bore, overdriven Chicago Blues dressed in the same clothes it wore when it got off the Greyhound from Memphis.

So that begs the question: Given that unwavering consistency, why add yet another Taylor to the blues shelf?

The most compelling reason is the backup band. Although most of the arrangements here are typically too busy--it seems every musician has to be there on every beat--there are moments when Bob Margolin and Criss Johnson's guitars sting through the mix to remind us that there's yet some room left in the tradition-bound twelve-bar form for a bit of unique expression and exceptional fretwork. Most remarkable of all is the harmonica accompaniment of Billy Branch. Branch's full-throated harp on pieces like "Black Rat" is reminiscent of James Cotton's standout work with Muddy Waters, who was once Koko's male counterpart in the Chess rotation. Branch's work on "Money Is The Name of the Game," gives the tune a much-needed plaintive quality that Taylor's flat-out stridency (and tendency to lead the beat rather than lag it) fails to provide.

The benchmark of the album is the closer, Willie Dixon's, "Young Fashioned Ways." It's the only tune on the album where Taylor is backed by a band billed as "The Blues Machine." Sparse and muscular, The Blues Machine leaves space in the music where Taylor's energy has room to seep out. In this revived Dixon number, the 1950's Chess Records machine roars back to life.

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