Timothy B. [Import]

timothy b. [import]

Track Listings

1. Boys Night Out

2. Don't Give Up

3. Everybody Needs a Lover

4. Into the Night

5. Better Day Is Coming

6. Jazz Street

7. I Guess We'll Go on Living

8. Down Here People Dance Forever

Editorial Reviews
Product Description
Japanese reissue packaged in a limited edition miniature LP sleeve.

Timothy B.,Timothy B. Schmit,Universal Japan,Country-Rock,Pop,Pop/Rock,Rock,Rock/Pop,Soft Rock

Timothy B. [Import]

Average customer rating:

Rent - a Celebration of Financial, Hygenic and Moral Degeneracy Masquerading as Moving Drama
I'm Hooked!
It gets even better
LOVE LOVE LOVE... ALL TIME FAVORITE
Amazing

Rent (1996 Original Broadway Cast)
Jonathan Larson , Jeff Potter , Anthony Jackson , Daniel A. Weiss , Ira Siegel , Kenny Brescia , Steve Skinner , Adam Pascal , Aiko Nakasone , Anthony Rapp , Byron Utley , Daphne Rubin-Vega , Fredi Walker , Gilles Chiasson , Gwen Stewart , Idina Menzel , Jesse L. Martin , Kristen Lee Kelly , Rodney Hicks , Stevie Wonder , Taye Diggs , Timothy Britten Parker , and Wilson Jermaine Heredia
Manufacturer: Dreamworks
ProductGroup: Music
Binding: Audio CD

Musical Theater | Vocal Non-Opera | Opera & Vocal | Styles | Music

General | Musicals | Broadway & Vocalists | Styles | Music

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Smooth Jazz | Jazz | Styles | Music
Similar Items:

Wicked (2003 Original Broadway Cast)
Rent (Widescreen Two-Disc Special Edition)
Rent (2005 Movie Soundtrack)
Avenue Q (2003 Original Broadway Cast)
Aida (2000 Original Broadway Cast)

ASIN: B000005ALT
Release Date: 1996-08-27

Tracks:

Tune Up #1
Voice Mail #1
Tune Up #2
Rent
You Okay Honey?
Tune Up #3
One Song Glory
Light My Candle
Voice Mail #2
Today 4 U
You'll See
Tango: Maureen
Life Support
Out Tonight
Another Day
Will I?
On The Street
Santa Fe
I'll Cover You
We're Okay
Christmas Bells
Over The Moon
La Vie Boheme
I Should Tell You
La Vie Boheme B

Tracks:

Seasons Of Love
Happy New Year
Voice Mail #3
Happy New Year B
Take Me Or Leave Me
Seasons Of Love B
Without You
Voice Mail #4
Contact
I'll Cover You-Reprise
Halloween
Goodbye Love
What You Own
Voice Mail #5
Finale
Your Eyes
Finale B
Seasons Of Love

Amazon.com

Into Broadway's creative vacuum of revivals, movie adaptations, and Hollywood star vehicles comes Rent, the story of squatters, junkies, performance artists, struggling musicians, drag queens, aspiring filmmakers, and HIV-positives (and you thought Miss Saigon's helicopter landing was cool). Undoubtedly among the defining pop cultural events of 1996, Rent has already won four Tony awards and a Pulitzer Prize for Drama. More importantly, it threatens to bring substance back to the Great White Way.

Transposing Puccini's 100-year-old opera La Bohème into modern day Bohemia (19th-century Paris's Left Bank becomes late-20th-century New York's East Village where the scourge of tuberculosis becomes the plague of AIDS) Rent celebrates life among the young, sick, and unconventional. While Broadway shows are hardly the place for authentic portrayals of the latest marginalized hipsters, composer Jonathan Larson (who died at age 36, days before his musical opened) managed to sculpt vivid characters and scenes that bring Avenue A as close as it will ever come to 42nd Street. And by telling a socially relevant story of living without the guarantee of a future (renting, that is), Larson does his own little bit to define an X'ed generation. At worst, Rent is the Hair of the '90s.

For the majority of us who won't be seeing Rent anytime soon, the Original Cast Recording is more than just an after-show souvenir. Well-packaged with a complete libretto, the two-CD set is a worthwhile album separate of live performance. Full of songs that are funny and catchy, inspiring and touching, smart and hip and not overly sentimental, Rent mixes showtune pop with elements of rock, R&B, dance, gospel, and tango to make one of the best albums of the year--certainly the best rock opera in decades. La vie bohème, indeed. --Roni Sarig

Customer Reviews:

Rent - a Celebration of Financial, Hygenic and Moral Degeneracy Masquerading as Moving Drama.......2007-05-28

When I first received my copy of Rent's soundtrack, one of my friends had the good manners to warn me that I would "hate the message." I am not surprised at this assessment, but what is more unfortunate is that the production as a whole does not make up for that objectionable message enough to make this a worthwhile purchase for anyone uninterested in a mindless affirmation of the self-destructive "bohemian" lifestyle. The lyrics alternate between vapid pseudo-philosophical platitudes ("Measure in love, seasons of love") and ugly overtones of Marxist class envy ("Yuppie scum"). The voices of the singers are disputable in quality - the most impressive being Idina Menzel's boisterous, full-bodied rock vocals and Jesse L. Martin's poignant soul-inspired voice and the worst being Daphne Rubin Vega's rasping excuse for a voice, whose every note invokes simultaneous feelings of pity and revulsion. As for the music, while certain tunes hold a certain decadent charm, the overall style soon becomes repetitive and tiresome, with guitars assailing the ears almost as frequently as paeans to drug use, socialism and "loooooove". How this mediocre blasphemy against Puccini could possibly have won a Tony is beyond my understanding, and how anyone could bring themselves to spend more than a dime upon such a second-rate soundtrack should be equally beyond your belief. Avoid this record.

I'm Hooked!.......2007-05-01

I am a Renthead/Junkie for many years now. The cast recording has been with me for years due to a recommendation from a college friend. I have been playing this CD and know the words by heart.

I was the first in line when the movie came out and had a heartfelt emotional experience. And now it has finally happened...

I just saw the show for the first time on April 28th, 2007 and may I say GO SEE IT! The songs have not lost any relevance in the last 11 years. The cast of the tour is great and I hope one day to see the original cast perform.

Thank you Jonathan Larson! God speed and I love you :-)

It gets even better.......2007-04-27

Although the movie soundtrack is fantastic, I found this soundtrack is even better. Having originated from the play, it may provide another perspective that enhances your "Rent" experience overall.

Jonathon Larson rocks!

LOVE LOVE LOVE... ALL TIME FAVORITE.......2007-01-17

I saw the musical twice, once in L.A. and other in Chicago and it was GREAT!!! I'm a huge fan and pretty much know all the words. I never get sick of listening to this cd and others find it catchy too. I'm hoping my husband will let me watch it one more time in NY. :)

Amazing.......2007-01-12

This two disk CD hardly ever leaves my CD player. I actually went out and bought a bigger CD player just so that I could leave it in.

I have always thought that the comparations between "Rent" and "Hair" are totally unfair. In "Rent" we have a full cast with real and meaningful people without the false truths and lies that were around in the late 1960. Jonathan Larson is the Balzac of Generation X.

Average customer rating:

Typical Timothy Wright
Best CD Timothy Wright has ever made
mmm, mmm, good
Jesus, Jesus, Jesus
Timothy Wright - Jesus Jesus Jesus

Jesus, Jesus, Jesus
Rev. Timothy Wright
Manufacturer: Koch Records
ProductGroup: Music
Binding: Audio CD

General | Christian & Gospel | Styles | Music

Gospel | Christian & Gospel | Styles | Music

Christian Contemporary Music | Christian & Gospel | Styles | Music

Live Recordings | Christian & Gospel | Styles | Music
Similar Items:

It's Not Over
I Never Lost My Praise
We Praise You
Live: One Last Time
Grace: Live in Kenya

ASIN: B000I0QKLA
Release Date: 2007-02-27

Tracks:

Jesus, Jesus, Jesus
Enter His Gates
New Life
Be Right There (Hallelujah Anyhow)
Everything's Alright (Hold On)
He Will Do
My Needs
Pressing My Way
Count Your Blessings
You Must Come In At The Door
He Deserves The Glory
Jesus, I Love You
The Best Thing
The Best Thing

Customer Reviews:

Typical Timothy Wright.......2007-07-03

Since I was born and raised in Brooklyn, I have followed Rev. Wright for a long time. This album has a few of his classics, along with some new songs.

Best CD Timothy Wright has ever made.......2007-06-01

This is by far is the best CD that Timothy Wright has ever made. Starting with the theme song, the music is vibrant and diversified, a real change from the usual Timothy Wright CD's of the past. As always, the New York Fellowship adds its flair.

If you enjoy true praise, worship, and testimony this is the CD for you.

mmm, mmm, good.......2007-05-22

Not much to say. The songs are Wonderful, The choir is Marvelous, The musicians are Rocking. Wheather you play it at home, or in the car, "You gonna have some Church". Excellent traveling music also. The entire CD is GREAT!!

Jesus, Jesus, Jesus.......2007-05-13

This CD is awesome! This is my first experience with this artist but it surely will not be my last. I really appreciate the different genre of the artists. I have listened to this CD over and over again and always find something new to appreciate.

Timothy Wright - Jesus Jesus Jesus.......2007-05-07

I absolutely love my CD. This is one of his best.

Average customer rating:

spiritual americana
Rich Heritage
Superb
Can't walk away from it!
Mana from Heaven

American Angels

Manufacturer: Harmonia Mundi Fr.
ProductGroup: Music
Binding: Audio CD

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Classical | Imports | Stores | Music
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Gloryland
Wolcum Yule: Celtic and British Songs and Carols - Anonymous 4 with Andrew Lawrence-King
1000: A Mass for the End of Time / Anonymous 4
The Origin of Fire: Music and Visions of Hildegard von Bingen
A Portrait Of Anonymous 4

ASIN: B0001ADB4Q
Release Date: 2004-02-10

Tracks:

Holy Manna
Abbeville
Wondrous Love
Sweet Hour Of Prayer
Jewett
Dunlap's Creek
New Britain
The Morning Trumpet
Resignation
Poland
Wayfaring Stranger
Sweet By And By
Blooming Vale
Idumea (I)/Idumea (II)
Sweet Prospect
Shall We Gather At The River
Amanda
Invitation
Parting Hand
Angel Band

Amazon.com

This, Anonymous 4's final recording, is a break from their usual "early music" periods and locations; it presents American music, religious in nature, from the 18th and 19th centuries. And it's absolutely beautiful from start to finish. Their normal, exquisite technique and purity here blend to sound the way we imagined the ladies' choir in church meetings in America past might have sounded: sweet, sincere, and with harmonies recognizable yet somehow fresh. Some of the songs begin with the women singing "fa, so la" exercises, which was called "shape note" singing because some places taught singing with notes as shapes--circle, rectangle, diamond, triangle. But it's the music that counts, and there are treasures here. They include two versions of "Amazing Grace," one familiar, one with an unusual melody and a piece called "Blooming Vale" which is as sophisticated as anything on their previous albums. "Shall We Gather at the River" is performed with a clarity and loveliness that makes us forget that it's normally sung as background to movies about the Great Depression. The foursome sometimes sing in rich harmonies and occasionally alone or in pairs or trios. This is glorious Americana and highly recommended. --Robert Levine

Customer Reviews:

spiritual americana.......2007-01-06

I have some of the older Anonymous 4 recordings which are more medieval
and gregorian in style (I love them!). They move on to cover spiritual
basics of the 1800s. If you like classical music, perfect harmonies
and spiritual americina, then you will be blessed!

Rich Heritage.......2006-10-11

Anonymous 4 consistently produces exquisite and authentically beautiful recordings and this one presents early American hymns in ways few groups can manage. Some tunes are highly recognizable while others are 'new' to me but a refreshing reminder of the singing heritage of religious societies in times past. For those who enjoy old hymns and authentic renderings, this is a must buy.

Superb .......2006-08-07

This collection of American Christian music is not only an enthralling musical experience but a spiritually uplifting one as well. Anonymous Four have transferred their luminous vocal quality to a new space with perfect success.

Can't walk away from it!.......2006-08-07

My only "complaint" about the CD is that I absolutely HAVE to sit and listen to the entire thing whenever I start it up! I usually have music playing in the background while doing other things, but not this one! There are no tracks that I find myself wanting to skip over as in most collections. In fact, I usually find myself going back and listening to selected tracks again (and again and...) after taking the hour+ to listen to the whole thing through once.

These four ladies produce a unique and remarkable sound. I can't recommend it enough.

Mana from Heaven.......2006-05-08

I think the title of this CD is perfect. I first heard an interview for this CD on Public Radio and fell in love. I had never heard Anonymous 4 before then but look for all I can find of their music now. The title is perfect as the women sound like Angels and the music lifts the spirit. I find myself singing the old version of Amazing Grace all the time now. Incredible and a huge blessing to all who hear it.

Pride and Prejudice: The Original Soundtrack from the A&E Special Presentation

Average customer rating:

Excellent music but missing a few treasures
ambiance
The perfect music for Jane Austen's TV adaptation
Background Music
Pride and Prejudice Sound track

Pride and Prejudice: The Original Soundtrack from the A&E Special Presentation
Carl Davis , Melvyn Tan , Nicholas Bucknall , Jonathan Barritt , Timothy Brown , Levine Andrade , Nicolas Busch , Joseph Frohlich , Martin Gatt , Rusen Gunes , Michael Harris , Keith Harvey , David Juritz , Peter Lale , and Pauline Lowbury
Manufacturer: Angel Records
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

Movie Soundtracks | Soundtracks | Styles | Music

General | Soundtracks | Styles | Music
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Pride and Prejudice - The Special Edition (A&E, 1996)

ASIN: B000002SJ5
Release Date: 1996-05-21

Tracks:

Pride And Prejudice: Pride and Prejudice (Opening title music)
Pride And Prejudice: Dance Montage
Pride And Prejudice: Elizabeth Observed
Pride And Prejudice: Piano Summary (Episode one)
Pride And Prejudice: Canon Collins
Pride And Prejudice: Piano Summary (Episode two)
Pride And Prejudice: The Gardiners
Pride And Prejudice: Winter Into Spring
Pride And Prejudice: Parting
Pride And Prejudice: Rosings
Pride And Prejudice: Piano Summary (Episode three)
Pride And Prejudice: Telling The Truth
Pride And Prejudice: Farewell to the Regiment
Pride And Prejudice: Pemberley
Pride And Prejudice: Darcy Returns
Pride And Prejudice: Piano Summary (Episode four)
Pride And Prejudice: Thinking about Lizzy
Pride And Prejudice: Lydia's Elopement
Pride And Prejudice: Piano Summary (Episode five)
Pride And Prejudice: Lydia's Wedding
Pride And Prejudice: Return of Bingley
Pride And Prejudice: Darcy's Second Proposal
Pride And Prejudice: Double Wedding
Pride And Prejudice: Finale

Customer Reviews:

Excellent music but missing a few treasures.......2007-07-02

Although the score for Pride and Prejudice was fantastic, there were even more songs that I wish had been included on this disc"

My favorite part was Lizzy playing the piano at Pemberly: Voi Che Sapete from the Marriage of Figaro. I also loved the Netherfield Ball dances with Mr. collins and Mr. Darcy: The Shrewsbury Lasses and Mr. Beveridge's Maggot. (these are very difficult to find anwhere and I especially loved the arrangement in the movie. I would have loved to have a recording of these). Grimstock played by Mary at the Phillips Christmas Party is also a favorite. Also, Andante Favore by Beethoven played by Georgiana at Pemberly. Fortunatly, these are easily found on popular online music sites.

ambiance.......2007-06-06

c'est un pur plaisir de revivre cette série que j'adore en écoutant la bande son. une ambiance "austenante" !

The perfect music for Jane Austen's TV adaptation.......2007-05-13

I was very happy to receive this CD which is not sold in France. When I listen to the music, I can imagine the exact moment it corresponds in the film. I like very much the opening title music

Carl Davis's Music is excellent and permit to translate the sense of a small town at this period and the fortepiano produces a unique and fascinating sound, quite different from that oh the modern instrument.

This CD is a good choice for the fans of the series.

Background Music.......2007-03-14

The soundtrack is fabulous. I now have it as the only disc in my car, and I listen to it on both short daily trips and long "coastal" trips.

Pride and Prejudice Sound track.......2007-03-13

This sound track is lovely-- great to listen to, well produced and is very soothing.The Piano Summaries played by Melvyn Tan on the fortepiano capture the time the series was set in. Loved IT!!!!!

Average customer rating:

God of Music too...
Good Soundtrack!

God of War II

Manufacturer: System Recordings
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Movie Soundtracks | Soundtracks | Styles | Music

General | Soundtracks | Styles | Music

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God of War 2

ASIN: B000NJM6O6
Release Date: 2007-04-10

Tracks:

God of War II-Main Titles 2:59 Gerard K. Marino
The Glory of Sparta 3:10 Mike Reagan
The Way of the Gods 2:13 Gerard K. Marino
Colossus of Rhodes 2:22 Gerard K. Marino
The Bathhouse 2:02 Mike Reagan
Death of Kratos 4:12 Gerard K. Marino
The End Begins 1:57 Gerard K. Marino
Typhon Mountain 3:14 Mike Reagan
Waking the Sleeping Giant 1:49 Cris Velasco
Battle for the Skies 2:12 Mike Reagan
Exploring the Isle 2:19 Gerard K. Marino
The Isle of Creation 3:20 Cris Velasco
The Summit of Sacrifice 2:35 Ron Fish
An Audience with Cronos 2:07 Ron Fish
The Barbarian King Returns 2:00 Cris Velasco
Bog of Lost Souls 2:19 Ron Fish
Battle in the Bog 2:00 Mike Reagan
Crossing the Lowlands 2:07 Gerard K. Marino
Atlas 3:37 Ron Fish
Palace of the Fates 2:46 Ron Fish
Phoenix Rising 2:16 Cris Velasco
Ashen Spire 1:06 Gerard K. Marino
Athena 0:56 Mike Reagan
The Battle for Olympus 3:11 Gerard K. Marino
Junkie XL Colossus Remix 4:24 Junkie XL
Blood of Destiny 2:43 Shadows Fall
God-Like 2:14 George "TraGiC" Doman

Customer Reviews:

God of Music too..........2007-06-03

Wonderful, heavy, it's a complet class of soundtrack... punch since the beginning...the most impressive soundtrack from epic works... it really deserve an award for that...if you liked Conan, 300, Gladiator and Lord of the Rings, buy it now! but I warnning you...this is heaviest them all!!!

Good Soundtrack!.......2007-05-18

This is one great cd. If you love this game, pick up the cd now! The bonus tracks are the best of them all.

Beethoven: Symphonies Nos. 1-9 [Special Edition] [Hybrid SACD]

Average customer rating:

Worth every Penny !
Over all very good, in places great
smoothed out edges
Solid live performances, great sound, but a little identity crisis?
This latest Beethoven Symphonies cycle is not that great

Beethoven: Symphonies Nos. 1-9 [Special Edition] [Hybrid SACD]

Manufacturer: Lso Live UK
ProductGroup: Music
Binding: Audio CD

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

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Vivaldi: Four Seasons [Hybrid SACD]

ASIN: B000GUJYRE
Release Date: 2006-09-12

Tracks:

Allegro Con Brio
Marcia Funebre: Adagio Assi
Scherzo And Trio: Allegro Vivace
Finale: Allegro Molto
Leonore Overture No.2

Tracks:

Adagio-Allegro Vivace
Adagio
Allegro Vivace
Allegro Ma Non Troppo
Allegro Vivace E Con Brio
Allegretto Scherzando
Tempo Di Menuetto
Allegro Vivace

Tracks:

Allegro Con Brio
Andante Con Moto
Allegro
Allegro
Adagio Molto-Allegro Con Brio
Anadante Cantabile Con Moto
Menuetto & Trio: Allegro Molto E Vivace
Adagio-Allegro Molto E Vivace

Tracks:

Erwachen Heiterer Gefuhle Bei Der Ankunft Auf Dem Lande (Allegro Ma Non Troppo)
Szene Am Bach (Andante Molto Mosso)
Lustiges Zusammensein Der Landleute (Allegro)
Gewitter, Sturm (Allegro)
Hirtengesang-Frohe, Dankbare Gefuhle Nach Sem Sturm (Allegretto)
Adagio Molto-Allegro Con Brio
Larghetto
Scherzo & Trio: Allegro
Allegro Molto - Tim Hugh

Tracks:

Poco Sostenuto-Vivace
Allegretto
Presto
Allegro Con Brio
Allegro - Tim Hugh
Largo - Tim Hugh
Rondo Alla Polacca - Tim Hugh

Tracks:

Allegro Ma Non Troppo, Un Poco Maestoso - London Symphony Chorus
Scherzo: Molto Vivace - London Symphony Chorus
Adagio Molto E Cantabile - London Symphony Chorus
Presto-Allegro Ma Non Troppo-Vivace-Adagio Cantabile - London Symphony Chorus

Amazon.com

Haitink's integral set of Beethoven Symphonies with the London Symphony has none of the stodginess that sometimes afflicted his earlier recordings with the Concertgebouw. His restudy of the works, and the presence of concert audiences translate into faster tempos, sharper accents, wider dynamic range and an overall sense of energy that imbue these nine masterpieces. Here, the Classic style is wed to Romantic expressivity but not to Romantic excess, Competition is abundant, ranging from Toscanini, Furtwängler, and the 1963 von Karajan to recent sets from the sometimes hyperkinetic Vanska, the more traditional Abbado, and the insightful Barenboim. But this new Haitink set, available in hybrid SACD/CD, is a solid contender.

The early First and Second symphonies benefit from Haitink's leaner, more vivacious approach. The Eroica also sounds fresher. Its slow movement is still a funeral march, but moves a hair faster this time, just enough to be the difference between a pace that drags and a pace that flows and retains interest. In the outer movements, there's a new spring to the rhythms and clarity in orchestral balances, and this Eroica has the cumulative intensity to make its full effect. Haitink's Fourth is in a grander mold than we usually hear. While never overblown, it has some of the wider scope and heroism of the odd-numbered symphonies. Like the Eroica, it is rhythmically vigorous and the prominent tympani and brass make an impact that sweeps the listener along. The Fifth can suffer from over-exposure but here it has a variety of tonal colors, tempos, and dynamics that make it seem newly minted while no less grand. The propulsive finale, with its pounding tympani and expertly played journey to transcendence, is especially memorable.

The Sixth, the Pastorale, has that same feeling, its flowing tempos and skillful interpretive choices make this one of the best Sixths since Böhm's, with plenty of excitement in the Storm and warmth in the final movement. The Seventh gets a buoyant reading, predominately lyrical without neglecting its powerful rhythms. The driven final movement is exhilarating without being hectic. The Eighth is often considered the slightest of the Nine but Haitink's brisk tempos make it dance and swagger; the lyrical sections played with engaging warmth. As for the Ninth, it is miles ahead of Haitink's earlier versions. The harmonic mist that opens the work is well delineated, the contrasts within movements carefully marked, the Scherzo bursting with energy, the incomparable Adagio sings at a more fluid tempo, the choral final movement as good as any in the catalogue, its structure crystal clear under Haitink's baton. The major filler in the set is the often scorned Triple Concerto, which gets a performance of warm lyricism that can only elevate its status.

The playing of the London Symphony is phenomenal, especially since these are live recordings. The violins' tone glows with radiance, their precise articulation helps make the rhythms energetic, the winds are uniformly excellent, the brass sleekly powerful, the potent percussion authoritative in climaxes. If a criticism can be made it would be that bass lines are sometimes weaker than desirable, perhaps a function of engineering that varies in clarity from disc to disc but is never less than good. In sum, a major addition to the Beethoven Symphony discography. --Dan Davis

Customer Reviews:

Worth every Penny !.......2007-06-25

I finally listened to every symphony after 2 weeks. I have to say, every performance sounded quite prestine. I especially enjoyed the 6th and the 9th.
I agree with one reviewer in that the first movement of the 5th seemed a tad fast. Honestly thats the only complaint I have of this collection. If you enjoy classical music and appreciate high fidelity music, this is a must have !

Over all very good, in places great.......2007-04-10

These recordings have outstanding sound quality, as other reviewers have said. None of them are less than worthwhile, and I think the rendition of the Eroica is sensational, the best I've heard. The 9th is also among the best. The 5th, though, is not in the same class. Another reviewer has commented on the tempo of the first movement, which I agree is too fast; unfortunately, so is much of the rest of the piece. (Bernstein's 1990 recording with the Vienna Philharmonic is much better.) Still, no one could fault the LSO's playing, or the sound. Worth the money for the Eroica and the 9th alone.

smoothed out edges.......2007-03-03

Unlike some other recordings of Beethoven's work, this compilation permeates the composer's will and presents a series of golden renditions. The assembly of London musicians is in top form (which is usual for them) and they seem motivated to convey all nuances throughout. For those who long to use these compositions for peace of mind, feel assured that that peace will indeed come.

Solid live performances, great sound, but a little identity crisis?.......2007-02-27

[This review refers to non-Hydrid SACD versions of these performances]

When I first listened through this cycle I was impressed and rated it 5-stars. I remain impressed, but something about these performances bothers me, a sort of unevenness that is overcome on first listen by the excitement. So I am re-reviewing with a 4-star rating.

I do not think, as some have suggested, that these are per se "historically informed performances" (what performance isn't historically informed, after all?). I would describe them as having (on balance) an updated traditional approach which benefits from generally well-balanced orchestral forces, brisk tempi, modest levels of conductor-induced drama and nuance, and remarkable sound quality that lets all the facets of the music shine through (the tympani occasionally jump out a bit too far for my tastes, as if they're perched on the conductor's podium). However, Haitink's cadences in these live recordings seems a little uneven to me, distracting ever so slightly from the natural momentum.

I found myself thinking that the the 1st, 2nd, 3rd and the 5th (at least in places) sound a bit like HIP performances, but the others (notably the 4th, which has a surprisingly big sound and broad, sweeping lines) sound like relatively brisk "big-band" treatments. Maybe that is simply Beethoven's music changing and not Haitink's interpretations, but I doubt it. I can't decide whether the legendary conductor is 1) pandering to HIP enthusiasts with a little extra speed here and there, 2) just can't decide how Beethoven in general ought to be played, or 3) is simply giving each symphony it's own identity (as he sees it). Those who love Haitink will presume the latter, and they might be right.

The Zinman cycle with Tonhalle Orchestra Zurich is currently my favorite -- I love the lean, wiry energy and brisk but controlled tempi Zinman delivers on modern instruments with a small orchestra -- and at this point I find myself judging everything against it. I am also very fond of the late Gunter Wand's forthright readings with the NDR. At present, despite my newfound reservations, this Haitink cycle would probably be my third choice, a step or two ahead of Harnoncourt/COE. I also think this cycle would work out well for anyone who finds merit in both HIP and traditional approaches and just can't decide. This is a big orchestra sound energetically delivered with small orchestra transparency.

If you don't need SACD, this collection can be purchased as a set from a leading download site for less than a single SACD disc. Getting sleepy?

This latest Beethoven Symphonies cycle is not that great .......2007-02-13

I already have 2 sets of Beethoven symphonies cycle, Karajan, released 12/6/2005, and Gardiner, released September 20, 1994, and many other individuals. Then I pruchased this set because of reviews in Amazon here and nomination of Grammy 2007. After listening to some of them(No,3,5,9), I would say they are not that fantastic. The No.5 sounds strange in paticular comparing others. It seemed played in different pace from others. Then the overall recording quality is rather poor. "SACD" in here is somewhat misleading. The live recording is more challanging than in studio. But SFS still could achieve well balanced and refined recording in live. Its Mahler NO.7 won Grammy classical award this year. However, I dont know it was recorded in live or studio.

I like Beethoven No.9 very much, not this one though. Try Osmo Vanska, released 10/24/2006. Its excellent performance and SACD recording even surpasses the Karajan.

Average customer rating:

Solid Christian Rock
fantastic
May be the album of the decade.....
Sounds like Delirious....only better
Now Is The Time...to buy this CD!

The Mission Bell
Delirious?
Manufacturer: Sparrow
ProductGroup: Music
Binding: Audio CD

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World Service
Now Is the Time: Live at Willow Creek (CD+DVD)
Glo
King of Fools
Everything Glorious

ASIN: B000CC3S96
Release Date: 2005-12-27

Tracks:

Stronger
Now Is The Time
Solid Rock
All This Time
Miracle Maker
Here I Am Send Me
Fires Burn
Our God Reigns
Love Is A Miracle
Paint The Town Red
Take Off My Shoes
I'll See You

Customer Reviews:

Solid Christian Rock.......2007-06-10

This album is full of high quality rock music and praise lyrics.

The focus is clearly on God. Each song is full of positive, Christ centered messages. The lead singer's voice is unique and adds a lot to some really excellent instrumentals.

This is an album that sounds better each time I listen to it.

fantastic.......2007-05-31

this album is simply fantastic. Delirious never fails to deliver something original, something different from their past albums. The artwork is beautiful, and the songs are luscious. The message, as always, is challenging, and yet still serves to encourage and inspire without condemnation. Thanks, d:boys!

May be the album of the decade............2007-03-26

There are some amazing Christian artist out today such as Delirious? and my favorite female artist Nichole Nordeman, but if you're looking for consistency in quality in music as well as all-out worship music, you will to go with Delirious? It is true I have not been a long-time Delirious? fan, I have known about them for 6 or 7 years, but was not interested in them until I heard "Inside/Outside" off of the "World Service" album(another great album by the way). I myself am a songwriter/singer and I am amazed by Delirious every time I listen to their albums, there is such consistency and fervor in their music the only band I can liken them to is U2(their older stuff, Joshua tree and before). Even doing that is to say that Delirious cannot stand by alone, which is entirely untrue.

The content of this album is rich and consistent all of the way through. From the first track "Stronger" to the last track "I'll see you"; there is a consistency that is in very few albums period. This is actually an album you WANT to listen to in its entirety. Yes, you can take the tracks separately and they are still outstanding, but listening to them together makes each track even stronger!

I wont rate tracks individually on how much better they are than the other because they are all outstanding, but rather on their stand-alone credibility. For me, honestly the best stand-alones are(In no particular order): 1. Paint this town red: because it is my alarm clock song, and yet even this track flows so well into the next. 2. All this time: I just love this song "I'm a father and a son, I've been a lover with just one, but this world can get me so undone, and I feel like I'm the only one." these lyrics are just amazing. 3. Miracle Maker: This was my 1st alarm clock song from this album, but was too mellow in the beginning. It is possibly the crux of the album. "Just one touch is not enough..." 4. Here I am send me: I could listen to this song all day! This is probably because prophets fascinate me, and it talks about one of my favorite prophets "Elijah". These are the tracks that I like to listen to on their own, and pare probably my personal favorite tracks. I would not necessarily say they are the best (well, I would for me); this is because this is an album where it seems everyone has their own favorite since every track on here is awesome!!!

The bottom line is this: If you have not purchased this album yet, DO IT NOW!!!! You are depriving yourself of not just probably the best Christian music out today, but the BEST music PERIOD!!!

God Bless ~Amy

Sounds like Delirious....only better.......2007-03-16

Some bands who have been around for awhile depart from their original sound, and early fans don't like the new stuff anymore (eg Jars of Clay).

Delirious has blown it out of the water with this album. It sounds like Delirious, so if you love their original sound, you'll love this album. And yet, it doesn't sound like Delirious, because they have broadened their range and incorporated new sounds with their old sound.

Some things I expected on this album that did not disappoint - intriguing lyrics, driving rock rhythms, contrasting with a smooth lyrical melodies, strong instrumentation, perfect order of songs, dynamic changes and builds...

Some things I did not expect, that if you told me ahead of time I would have thought wouldn't work with Delirious' sound, but they DO!: a tiny bit of rap (and I usually hate rap), a rich and full sounding choir (I want to say black choir because it had that amazing sound, but I could be wrong), a female vocal every once in a while in just the right places, and driving quarter notes from one of the instruments on every song (adds so much movement and strength to the songs - feels very powerful).

If you are a musician, this album is right up your alley. I love to learn stuff by listening to them play!

Now Is The Time...to buy this CD!.......2007-02-14

There's one thing you can always expect with a Delirious? CD...passion. They write passionate songs that explore their deep faith and love for Jesus, and you can tell that they mean every word they sing. I was almost sure I would be let down by this CD (since I loved "World Service" so much and thought it wouldn't measure up), but I wasn't disappointed in the least. Although this CD does not have a song as good as "Majesty (Here I Am)," there are enough songs in here to keep this CD in your rotation. "Stronger" is a great first track, and makes you know that great things are to come. "Fires Burn," "Miracle Maker," "Now Is The Time," "Solid Rock," "Take Off My Shoes," and "Our God Reigns" are incredible tracks where Martin Smith's vocals shine powerfully, ranging from low notes to ridiculously long higher notes. I would have to agree with reviewer Brian Reaves, in that "Paint The Town Red" is a little weak and almost seems out of place in this album. But other than that, this is an amazing CD and I am looking forward to see where Delirous? goes from here.

Average customer rating:

IMPRESSED
St. Paul's Cathedral ImpressiveCollection of Anglican Hymns
Excellent Cathedral Organ & Choral
LACK OF DICTION?!!!
Marred by lack of diction

The Music of St. Paul's Cathedral

Manufacturer: Hyperion UK
ProductGroup: Music
Binding: Audio CD

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Praise to the Lord - Hymns From St. Paul's Cathedral
Treasures of English Church Music
The Psalms of David from Kings Choir of Kings College, Cambridge, Vol. 1
A Vaughan Williams Hymnal
Music of the Westminster Cathedral Choir

ASIN: B00004U2KC
Release Date: 2000-08-15

Customer Reviews:

IMPRESSED.......2007-05-21

AS A FIRST TIME BUYER AT AMAZON,I AM IMPRESSED AT THE QUALITY OF CD AND TIME OF SERVICE

St. Paul's Cathedral ImpressiveCollection of Anglican Hymns.......2007-01-24

St. Paul's Cathdral is the second largest cathedral church in the basilican style, exceeded only by St. Peter's Rome. New York City's St. John the Divine is larger than St. Paul's, but with decidely gothic elements. All three cathedrals have fine choirs, but St. Paul's and St. John's continue the noble and unique sound of boys and men in the English tradition. St. Paul's great organ is one of the world's finest, with a decay of seven seconds. The great hymns are all here, conducted by John Scott, only recently appointed organist of St. Thomas' Church, Fifth Avenue, New York City. This is a recording will a be prized addition to your library of choral music. You will not be disappointed.

Excellent Cathedral Organ & Choral .......2006-02-24

This selection of recordings by The Choir of St. Paul's Cathedral contains pieces representative of traditional Anglican musical liturgy. The technical aspects of this production on compact disk seem to be outstanding, but beware that the original recordings were in some cases less than stellar. Another reviewer points out that on some tracks the lyrics sung by the choir are overwhelmed by the superb organ playing, which no doubt occurred due to inadequate microphone placement during the recording sessions. That said, I nevertheless rate this presentation of the St. Paul's Choir highly. It provides a mixture of musical types. In addition to the choir, the CD presents the work of four organists, including a marvelous organ solo, as well as several pieces sung a cappella by the choir and its boy treble soloists. I especially recommend this choir's rendetion of Gregorio Allegri's "Miserere," which features the voices of two boy trebles, a boy alto and a bass, which yeilds a mesmerizing experience. Unless one is acquiring full sets of the St. Paul's Choir's music, this compact disk should delight anyone interested in traditional cathedral organ and choral music.

LACK OF DICTION?!!!.......2003-11-12

Obviously the individual who wrote the review including the "marred by lack of diction" remark is not too familiar with the traditional boychoir sound. I am moved to sickness that they were so openly compared with the sound of the all-too-familiar MTC. THOSE WERE ADULTS!!! These are boys! Boys cannot give the kind of sound of the MTC because their voices are not developed enough. The greatest hope a boychoir has of wowing audiences is in their contrast in dynamics. They model this beautiffully in their acapella pieces. In their accompanied pieces, I feel they hold their own above the (sometimes blearing) organ.
Know the genre a little better before you slander a great performance.

Marred by lack of diction.......2003-04-22

The singing is beautiful, melodious and full of harmony. The organ would make Bach proud.

But the lyrics do not stand out. In fact, they are obliterated by the surrounding melodies.

I hate to do this, but I am comparing with the Mormon Tabernacle Choir. These little boys would learn from them.

Tracks:

Drumming, Pt. 1 - Bob Becker, Russ Hartenberger, James Preiss
Drumming, Pt. 2 - Bob Becker, , , Tim Ferchen, Ben Harms, Russ Hartenberger, Martin Laba, Steve Reich, Glen Velez

Tracks:

Drumming, Pt. 3 - Bob Becker, Russ Hartenberger, James Preiss, Steve Reich, Leslie Scott, Glen Velez
Drumming, Pt. 4 - Bob Becker, , , Tim Ferchen, Ben Harms, Russ Hartenberger, James Preiss, Steve Reich, Glen Velez

Customer Reviews:

Repetition in a truly fascinating way...........2007-05-17

Originally released in 1973, this version is the re-released updated version of the seminal work of composer and minimalist "Steve Reich". Taking the central theme and idea of drumming and using rhythmic arrangements that owe a heavy debt to minimalist" or "trance" music at its best; rhythmic and melodic, using a variety of performers and percussionists, to bring these compositions to life, it's like a lengthy composition that ebbs and flows, and hits with tightly woven passages of sound, with subtle variations, which fall perfectly into line, and then gradually begin to fall out of synch, but done in such a slight and streamlined way, that you tend not to notice of the first few listens, and it's only subsequent gradual listens, that begin to unearth the intricacy of the music.

It's a sound that is minimal in its aesthetic...yet the deceptive almost trance-like nature of the sound, revel an undulating undercurrent to the music, that given the right conditions to truly appreciate the music, can be as intense and powerful as that of dynamic rock music. It strangely boundless, and unconcerned with similarly derived music, yet it can on occasion feel warm and organic, this is partly due to Reich's brilliance as a composer...which revels him to be determined, and single-minded in his approach, and seemingly able to give his arrangement a transitional sound, which gives way to an almost muscular and propulsive sound.

It's repetition, defined in the best possibly sense, and arguably those not familiar with Reich's work, may well find this tough going, as there are no vocal accompaniments to latch onto.....or any dramatic shifts in approach to change the mood, or even any real surprising U-turns to prepare for. Instead what you get is a subtly shifting music, heavy in texture and surprisingly thick in complexity, whereby melodies are challenging, with everything taking on a more Cerebral and hypnotic, near-clinical arrangement. It's epic listening, with no patience for people that like their music which is short and easily digestible. And instead these are long passages of resonating music, harmonically repeated and spread out over great lengths, allowing the listener to submerge themselves in the music, which will eventually mutate into fluid, linear songs.

I'll admit straight away, that I'm no Reich expert, I love his work...and I have several of his albums, which I enjoy greatly, but I'm a novice as far as his work is concerned (although I'm willing to learn), and for a casual listeners standpoint, I'd have to say that this is not only one of my favourite Reich pieces (along with "Music for 18 Musicians"), but possibly one of his more accessible pieces. It's a remarkable piece of work, and so long as your prepared to try and truly appreciate, what's going here....this is truly sublime stuff, and a whole hearted recommendation, for those unsure of where to start with Reich's work. Tremendous!!!

Quite enjoyable.......2007-01-11

The music brings back memories of West African drumming but is more familiar to the American ear.

Back to Basics.......2007-01-10

Back in the mid-80s when Reich, Glass, Adams, Riley, and Nyman moved from fringe to big time, they all got commissions from larger ensembles. I thought Reich's work was best of all. The thrill of Reich's propulsive beat under long serene (or ominous) tones was enormous. I must admit, though, that he seemed to hit a wall sometime soon after THE DESERT MUSIC and VERMONT COUNTERPOINT. Several "counterpoint" pieces for other instruments followed the same template. Ditto, new pieces echoed DESERT MUSIC, beginning even with the same chord.

This new recording of DRUMMING (the only one I've heard) reminds me why I loved Reich in the first place. At first, it's audaciously simple to the point that a casual listener would call idiotic. Very gradually, with incredible precision and patience, the ensemble gradually shifts out of synch, then starts filling in spaces. Eventually (but not for a long time!) Reich brings in variety with tones and different timbres.

It's dry and clean, it's virtuosic and athletic (what stamina and concentration they must have!), and it's fun.

A philosophical work.......2006-02-19

I first heard "Drumming" on my car radio (of all places, of course it was probably WBAI-FM in New York) when it first came out in the early seventies. I pulled over to the side of the road to listen, so hypnotic was its rhythm. I have the original three-LP Deutch Grammophone version (the third disk contains two other pieces), which I put on tonight for the first time in many years, and came here to Amazon in hopes of finding a DVD-based version that would play straight through without interruption. (I guess that's still in the future.)

What "Drumming" has always conjured up for me are images from fractal geometry, chaos theory, and evolution - it asserts that the human being is the product of inevitable processes of differentiation and elaboration, as subtle phase shifts produce beat frequencies and harmonics, starting with a simple syncopated drumbeat, and calling forth the existence of marimbas, flutes, glockenspeils, and eventually the human voice, in order to reach its final expression.

I'm not usually a fan of classical music - jazz is my thing, since it expresses human individuality and group cooperation with a blues-based scale that's a *harmonic* syncopation - but "Drumming" transcends musical categories. As Duke Ellington always said, there are only two kinds of music: good music and bad music.

Amazing, absolutely amazing.......2005-12-20

I could blather on about this album for a good while and since the other reviewers take you into a more in depth analysis of such an extraordinary album I'll just say this venture into minimalism is incredibly relaxing. While listening to it subconciously you seem to pick out tunes even when it sounds to be incredibly cluttered. Gradually if you're still listening by the time you pop the second CD, it becomes less aggressive, less cluttered and more peaceful, calming, tranquil and then picks the pace up yet again but still sound somewhat slightly different all the time. It's a sheer masterclass of beauty. I hate using words like that normally because it usually makes you sound like a pompous fool but this however deserves the term. It's quite simply astonishing and if you feel overly frustrated or exhausted with your life, this could prove to be the perfect tonic for those with an open mind towards music. It's a pure aural pleasure. Surrender subconsciously and the rewards are great!

Average customer rating:

Great,but
Rapture!
I'm ordering more copies of Nicole!
Wonderful!
Nice, but I do tend to want more than "nice"

Soprano

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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Richard Strauss: Four Last Songs
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Gitano

ASIN: B000M9BTP4
Release Date: 2007-05-08

Tracks:

Quando Me N'vo
Ah! Je Veux Vivre
What a Curse For a Woman Is a Timid Man!
Dieu! Quel Frisson Court Dans Mes Veines!...Amour, Ranime Mon Courage
O Mio Babbino Caro
Les Filles De Cadix
Summertime
How Can I Cherish My Man In Such Days
Les Belles Fleurs!...Entre L'amour Et Le Devoir
Depuis Le Jour Ou Je Me Suis Donnee
Eccomi In Lieta Vesta...Oh! Quante Volte
Chi Il Bel Sogno Di Doretta
'Quel Guardo Il Cavaliere...'...So Ancho'io La Virtu Magica

Amazon.com

Nicole Cabell, the winner of the 2005 Cardiff Singer of the World Competition, is a full-voiced lyric soprano with ease of production, a free top, and a basically lovely sound. This ambitious recital - we get chestnuts (Musetta's Waltz, "O mio babbino caro," "Je veux vivre," "Summertime," etc) as well as rarities (the selections from The Old Maid and the Thief and Tippett's A Child of our Time as well as Teresa's big aria from Benvenuto Cellini) - shows a curious mind and versatility. On the technical side, her prominent vibrato occasionally sounds like the start of a beat in the voice that could cause trouble, and her diction can be mushy. In addition, as of now, Cabell isn't much of an interpreter. "Les filles de Cadix" exhibits a strange lack of either Latin flavor or flirtatiousness; Musetta's Waltz is straightforward and lacks an individual stamp. On the plus side, as mentioned, the sound of her voice itself is very appealing. "Depuis le jour" and Doretta's Dream (from Rondine) are beautifully floated, even if they don't erase memories of Price, Fleming, or several other singers. The Menotti aria is well-articulated and makes its point. Conversely, "O mio babbino caro" is simply boring, lacking in girlish charm. "Summertime" is deliciously sung, and Norina's aria from Don Pasquale has plenty of flavor. It will be interesting to see how she develops; at the moment some troublesome traits are mixed in with great promise. Sir Andrew Davis lends fine support. --Robert Levine

Album Details

28 Year Old American Soprano Nicole Cabell Came to the Attention of the Opera World Overnight When, in June 2005, She Won What Has Become the Most Important Competition for Young Opera Singers and was Crowned BBC Cardiff Singer of the World. The Competition Jury Included Legendary Singers Dame Joan Sutherland and Marilyn Horne and the Win Placed Nicole Cabell in a Distinguished Line of Cardiff Prize-winners that Includes Karita Mattila, Dmitri Hvorostovsky and Bryn Terfel.

Customer Reviews:

Great,but.......2007-07-07

A great recording, but I don't know this artist and have nothing to compare it with. I will try to get other performances by this artist to uase as comparison

Rapture!.......2007-06-28

I had written a review previously, but for some reason, I cannot find it. As I am not well versed in classical music, it is probably for this reason that I feel compelled to write a review of this CD, because Ms.Cabell has inspired me with a new passion to learn more of opera, and classical music. I was lucky enough to witness her win at the 2005 Cardiff Singer of the World competition in Wales, and have been a fan since that marvelous performance. Nicole's voice has such an astounding beauty. Chi il bel sogno di Doretta, (track #12) moves me to tears every time I listen to it. We all feel that she will be a true star, and would like to send her CD to all of our friends as well.

I'm ordering more copies of Nicole!.......2007-06-18

just played this for friends who have sung,taught and judged opera for all their lives.
They were thrilled by Nicole's voice. I am now ordering more copies as gifts.

Wonderful!.......2007-06-10

I think that this CD is some of the best, if not better, soprano work since Fleming (sorry Renee I am a huge fan but I think this is an amazing first album). It slaps Netrebko and Gheorghiu.

The songs in here are sung with great ease. Some of the work in here isn't what you hear as often while some of it is. Most people make a huge fuss about singing the tracks that "everyone" sings, but Cabell dos this well.

Her technique is amazing. Her voice is very fluid and legato; in addition to that, she has such an evenness of tone production. The bottom notes are as focused as her top ones which is something many sopranos, even the famous ones, struggle with.

She is on her way to the top!

Nice, but I do tend to want more than "nice".......2007-05-28

I do not own this recording. I listened to excerpts at a music shop, as I almost always do with recordings of singers who are new to me. So please do bear in mind that my review is based on selected listening - I did listen to perhaps two minutes of each track, except in the case of the Puccini, to which I listened only for about 30 seconds.

I didn't like what I heard. I don't mean it's an unpleasant voice. It was perfectly pleasant. I'm sure that in places the voice is lovely, but it was not so lovely in the recording that I felt impelled to hear more. I heard nothing - nothing - that made me want to hear more.

There are so many singers with nice voices - especially sopranos. I do not feel this is a voice of EXCEPTIONAL beauty, and I do not feel at all that this singer has an interpretative ability that shines in the singing. I felt unmoved - and it was on that basis that I switched off the headphones and shook my head when asked if I was purchasing the CD.

The cover of this CD is utterly gorgeous - I think it will attract a lot of people. I can only speak for my own taste when I say the voice itself doesn't interest me. I felt none of the charm, winsomeness, rich emotional involvement and sense of individuality that would lift these arias and songs out of the ordinary. And I have so many recordings (over 3000) that I did not feel I'd miss anything by not having this recording.

I do want to stress that this is my own taste... my own opinion based on my personal reaction to Ms Cabell's voice. The really odd selection of pieces in this recording wouldn't have bothered me if I'd fallen in love with this voice - but I haven't done that... and that's the caveat for me.

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