Bear Me Away [Import]

bear me away [import]

Track Listings

1. Traitors Gate

2. Bear Me Away

3. Up On Fire (Live)

4. One More Time (Previously Unreleased Song Or Version)

5. Before Your Eyes (Previously Unreleased Song Or Version)

6. The Swagger (Previously Unreleased Song Or Version)

7. I Can Hear You

8. Some Cast Fire

9. Now And Forever

10. The Rustler

11. Every Second Of Time

12. Just One More (Live) (Previously Unreleased Song Or Version)

13. Lost And Alone (Previously Unreleased Song Or Version)

14. Jewess Tattooess (Previously Unreleased Song Or Version)

15. Ruby (Previously Unreleased Song Or Version)

16. Blood Is Red

17. Chain Of Gold (Previously Unreleased Song Or Version)

18. Hurricane

19. Gerrys Club

20. Jake On The Make (Live) (Previously Unreleased Song Or Versi

See all 30 tracks on this disc

Editorial Reviews
Product Description
Anthology of 30 rare tracks from 1992-2002, many on CD for the first time or never released before, including live tracks. Sweet Nothing Records. 2002.

Bear Me Away,Gallon Drunk,Sweet Nothing,Pop,Rock/Pop

Bear Me Away [Import]

Average customer rating:

What ??
Nice Voice, but not a nice person...(read on, pls.)
A let down
The definitive Paul Robeson compilation

The Essential Paul Robeson

Manufacturer: Asv Living Era
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

Traditional Folk | Folk | Styles | Music

Gospel | Christian & Gospel | Styles | Music

General | Opera & Vocal | Styles | Music

Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music

English | Languages | Opera & Vocal | Styles | Music

Singer-Songwriters | Pop | Styles | Music

General | Easy Listening | Pop | Styles | Music

General | Vocal Pop | Pop | Styles | Music

Traditional Pop | Oldies | Pop | Styles | Music

Movie Soundtracks | Soundtracks | Styles | Music

General | Soundtracks | Styles | Music

Traditional Vocal Pop | Broadway & Vocalists | Styles | Music

General | Broadway & Vocalists | Styles | Music

Classic Big Band | Swing Jazz | Jazz | Styles | Music
Similar Items:

Ballad for Americans
Paul Robeson Live at Carnegie Hall
Paul Robeson Sings "Ol' Man River" & Other Favorites
Songs of Free Men/ A Paul Robeson Recital
Ol' Man River: His 25 Greatest

ASIN: B00005B15R
Release Date: 2001-05-22

Tracks:

Ol' Man River
Steal Away
Joshua Fit De Battle Ob Jericho
Water Boy
Swing Low, Sweet Chariot
Deep River
Lonesome Road
Mighty Lak' A Rose
Rockin' Chair
When It's Sleepy-time Down South
Mah Lindy Lou
My Curly Headed Baby
Carry Me Back To Green Pastures
Lazy Bones
St. Louis Blues
Congo Lullaby
Canoe Song
Shenandoah
I Still Suits Me
Summertime
It Ain't Necessarily So
Just A-Wearyin' For you
Song Of The Volga Boatmen
Little Man, You've Had A Busy Day

Tracks:

Sometimes I Feel Like A Motherless Child/Minstrel Man
Git On Board, Li'l Children/Dere's No Hidin' Place
Go Down, Moses
Bear De Burden/All God's Chillun Got Wings
Nobody Knows The Trouble I've Seen
Got The South In My Soul
Blue Prelude
Fat Li'l Feller Wid His Mammy's Eyes/Shortnin' Bread
Wagon Wheels
The Banjo Song
Love Song
Climbing Up (Mountain Song)
All Through The Night
Mood Indigo
At Dawning
An Eriskay Love Lilt
Trees
Jerusalem
The Cobbler's Song
A Perfect Day
Sylvia
Sea Fever
King Joe (The Joe Louis Blues)
The Old Folks At Home (Swanee River)
My Old Kentucky Home

Customer Reviews:

What ??.......2006-12-10

The idiot from Virginia thought it a bit strange that an American black man would give the communists a chance. Looking back from modern perspective is easier than what he had to go on in the thirtes. Gee, I wonder why a black man would do that after all that southern hospitality, segregation, and steady work you gave the "black folk". Not to mention all those nighttime campfires you had going in their honor.
While I might be from New York I certainly would not be called a bleeding heart liberal but I can certainly understand why the poor soul was looking elsewhere. You are either ignorant of history and its influences on people or you are a totally unsympathetic jackass!!

Nice Voice, but not a nice person...(read on, pls.).......2006-01-07

Paul Robeson, who was brainwashed into
beleiving Communist rhetoric (which is
strange as hell for an Amer-I-can black
man). A good singing voice but all cover
songs! Come on, Paul!

A let down.......2004-09-24

I own several Robeson recordings and purchased this one with high hopes as it has a great selection of tracks. Unfortunately given the excellent recording quality of "Songs for Free Men" and "The Paul Robeson Oddyssey", the remasters from what I assume are 78's and possibly radio are a let down and mar what could have been an excellent album.

The definitive Paul Robeson compilation.......2003-09-19

This 2 CD set of Paul Robeson is the definitive collection providing a decent overview of his work in 50 tracks all wonderfully restored from 78s as usual for ASV, with spirituals, show tunes, Shakespeare-like readings, and more done with a trademark bass voice and orchestration that backs up Paul perfectly and he would later be one of the first civil rights activists. The first disc is a reissue of the single disc "Ol' Man River-His 25 Greatest" on ASV containing "Ol' Man River," "Mighty Like a Rose," "Joshua Fit De Battle Ob Jericho," "Carry Me Back To Green Pastures," "Lazy Bones," and many more classics which is also available here at Amazon for those who only want a single disc of Paul's work and the 2nd disc contains 25 more classics including "Nobody Knows The Trouble I've Seen," "The Old Folks At Home," "My Old Kentucky Home," "Wagon Wheels," "Git On Board, Little Children," and many more. In other words, all 50 of these tracks are essential to any early pop, folk, gospel, blues, etc. music fan and this is the set to introduce yourself to his work in a convenient 2 CD package with the usual great liner notes and details on the original 78s ASV provides with each CD released in their Living Era series.

Average customer rating:

Bear Me Away
Gallon Drunk
Manufacturer: Sweet Nothing
ProductGroup: Music
Binding: Audio CD

General | Alternative Rock | Styles | Music

General | Rock | Styles | Music

Pop Rock | Pop | Styles | Music

Rock | Imports | Stores | Music
Similar Items:

Fire Music

ASIN: B00006YXDJ
Release Date: 2002-11-25

Tracks:

Traitors Gate
Bear Me Away
Up On Fire (Live)
One More Time (Previously Unreleased Song Or Version)
Before Your Eyes (Previously Unreleased Song Or Version)
The Swagger (Previously Unreleased Song Or Version)
I Can Hear You
Some Cast Fire
Now And Forever
The Rustler
Every Second Of Time
Just One More (Live) (Previously Unreleased Song Or Version)
Lost And Alone (Previously Unreleased Song Or Version)
Jewess Tattooess (Previously Unreleased Song Or Version)
Ruby (Previously Unreleased Song Or Version)
Blood Is Red
Chain Of Gold (Previously Unreleased Song Or Version)
Hurricane
Gerrys Club
Jake On The Make (Live) (Previously Unreleased Song Or Versi
The Prowler
Can You Feel It
You Should Be Ashamed (Live) (Previously Unreleased Song Or
Losers Theme (Previously Unreleased Song Or Version)
At My Side (Previously Unreleased Song Or Version)
The Most Fertile Man In Ireland (Previously Unreleased Song
In The Long Still Night (Live) (Previously Unreleased Song O
Bear Me Away (Live) (Previously Unreleased Song Or Version)
Lament
Paper Ladies (Previously Unreleased Song Or Version)

Album Description

Anthology of 30 rare tracks from 1992-2002, many on CD for the first time or never released before, including live tracks. Sweet Nothing Records. 2002.

Average customer rating:

THE SHAPE OF THINGS TO COME
a voice teacher and early music fan

George Frideric Handel: Esther

Manufacturer: CORO
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Oratorios | Opera & Vocal | Styles | Music

Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music

Classical | Indie Music | Stores | Music
Similar Items:

Handel: Jeptha
Handel - Joshua / Kirkby, Bowman, Oliver, Ainsley, George, The King's Consort
Handel: Alexander's Feast
Handel: Joseph and his Brethren / Robert King
Handel - Judas Maccabaeus / Kirkby · Denley · Bowman · MacDougall · The King's Consort · King

ASIN: B0001B0A94
Release Date: 2004-06-01

Tracks:

Overture Andante - Larghetito - Allegro
Recitative Habdonah/Haman: " 'Tis greater far to spare"
Aria Haman: " Pluck root and branch from out the land"
Recitative Persian Officer: "Our souls with ardour glow"
Chorus: "Shall we the God of Israel fear?"
Recitative First Israelite: " Now persecution shall lay by her iron rod"
Aria: " Tune your harps to cheerfull strains"
Chorus: " Shall we of servitude complain"
Aria Israelite Woman: " Praise the Lord with cheerful noise"
Recitative Israelite Woman: " 0 God, who from the suckling's mouth"
Aria Second Israelite: " Sing songs of praise, bow down the knee"
Chorus: " Shall we of servitude complain"
Recitative Priest of the Israelites: " How have our sins provoked the Lord!"
Chorus: "Ye sons of Israel mourn"
Aria Priest ofc The Israelites: "0 Jordan, Jordan, sacred tide"
Chorus: "Ye sons of Israel mourn"
Andante
Allegro
Adagio
Allegro

Tracks:

Recitative Esther/Mordecai: " Why sits that sorrow on thy brow?"
Aria Mordecai: " Dread not, righteous Queen, the danger"
Recitative Esther: "I go before the King to stand"
Aria Esther: " Tears assist me, pity moving"
Chorus: " Save us, O Lord"
Recitative Ahasuerus/Esther: "Who dares intrude into our presence"
Duet Esther/Ahasuerus: " Who calls my parting soul from death?"
Aria Ahasuerus: "0 beauteous Queen, unclose those eyes!"
Recitative Esther: " If I find favour in thy sight"
Aria Ahasuerus: " How can I stay when love invites?"
Recitative Third Israelite/Fourth Israelite: " With inward joy his visage glows"
Chorus: " Virtue, truth and innocence"
Arioso Priest of the Israelites: " Jehovah, Crown'd with glory bright"
Chorus: " He comes, he comes to end our woes"
Recitative Ahasuerus/Esther: " Now, a Queen, thy suit declare"
Arioso Haman: " Turn not, a Queen, thy face away"
Aria Esther: " Flatt' ring tongue, no more I hear thee!"
Recitative Ahasuerus: "Guards, seize the traitor, bear him hence!"
Aria Haman: " How art thou fall'n from thy height!"
Chorus: "The Lord Our enemy has slain"

Album Description

Handel's oratorios vary greatly in their presentation. In many ways, Esther is a rarity;it is by far the most intimate, not surprisingly as it was composed for the Duke of Chandos. The Duke's Palladian palace near the village ofEdgware had not been completed in time for the first performance so this may have taken place (as did Acis and Galatea) in the intimate surroundings of a small church, St Lawrence, Whitchurch.

We decided, therefore, that we should attempt to convey that intimacy of performance on disc; so we performed in the round with microphones in the middle, the orchestra in front of me, the choir behind and the soloists alongside. The result is everything that chamber music should be where players and singers can enjoy every aspect of Handel's masterpiece.

"The 'sound' of Esther, superbly communicated in the recorded performance here, is pure enchantment... The choral singing has an exceptional grandure, and the instrumental playing a shimmering beauty. Among the soloists, none of whom is less than accomplished, Nancy Argenta and Michael Chance dominate... Both singers affirm a new golden age of Handel interpretation".

Customer Reviews:

THE SHAPE OF THINGS TO COME.......2007-01-26

Esther is the first of Handel's oratorios by a good many years, written when he was 33 and enjoying the patronage of the Duke of Chandos. When he later became his own impresario and was running into trouble as a composer and producer of Italian operas he turned to oratorio as a strategic alternative, but at this early date his concern was to deliver staged entertainments for the Duke, and Esther, contemporary with the work that later gained the title Acis and Galatea, seems to have been just an unusually serious specimen of its type.

As often with Handel, there is no fully official version of the score, and this particular score may not even be fully complete from any point of view. The libretto seems to have been the work of someone in the frivolously named association of big literary figures called the Scriblerus Club, perhaps Dr John Arbuthnot, dedicatee of Pope's great poetic Epistle, but Pope himself may have had a hand in it too. As we have it here, the work breaks into two very asymmetrical parts. Scenes 1 and 2 start with a recitative lasting only seconds from Habdonah followed by a longer one in which Haman announces his onslaught on the Israelites, and from there on feature only anonymous participants. Esther herself and the other named characters make their appearance first in scene 4, but the change of tone occurs in scene 3. At this point the music gains gravity first in the chorus Ye sons of Israel with its extraordinary modulations and then in the striking aria O Jordan, Jordan. I myself feel that this weightier tone is maintained to the end, whether or not the writer of the liner note is correct in saying that the long final chorus with solos is out of proportion to its context.

Throughout - in the first part as well as in scenes 3-6 - the instrumental writing is vivid and varied, with an extraordinary pizzicato accompaniment to Tune your harps and then an even more extraordinary obbligato from the harp itself at Praise the Lord. The harpist is no less than Jan Walters, but sometime I would like to see the score and check out what seem some odd rhythmic interactions here between her and the soloist Nancy Argenta. There are no fewer than ten vocal soloists in a work lasting a little over an hour and a quarter, and a very distinguished bunch they are. I was particularly pleased to find Michael Chance in the countertenor role of the Priest of the Israelites as I admire the strength of his tone, but there is no real weakness among them, unless Lynda Russell as Esther has a couple of very slightly awkward high notes in Flatt'ring tongue, which must be a little nerve-wracking to sing as she has to find her note for herself unaccompanied at the start and later at the reprise. You will see some big names among the instrumentalists too, with Crispian Steele-Perkins on the trumpet making a predictably fine contribution towards the end, and of course with Jan Walters in that marvellous harp part early on. The chorus gets some wonderful work to do, and rises to it fully. I really am unable to worry about the proportionateness of the final chorus when I hear that incomparable Handelian build of tone, sung by 18 singers and sounding as if there were 100.

There is a good liner note by Graydon Beeks Jr, not perhaps the last word in lucidity (neither is the plot of the libretto come to that) but worth re-reading. Harry Christophers himself contributes a short foreword largely concerned with the recording process and highlighting the contributions of Mark Brown and Mike Hatch, his long-time technical collaborators. I was interested to see also the name of Geoff Miles in a role described as `editor'. What responsibilities this involved is not stated and perhaps I ought to know without being told, but I know the work of Geoff Miles as recording engineer from elsewhere and it gave me confidence just to see that he is involved in the proceedings, and the technical work is predictably excellent.

My collection of Handel oratorios is now almost complete, and what a wonderful musical experience they are. Each is unique in its own way, but Esther is unique in some very special ways, and I suggest that you do not wait until you are my age to get to know it.

a voice teacher and early music fan.......2006-04-04

Handel began composing the oratorio 'Esther' in 1718. There is some confusion as to who actually worte the libretto for it, but the story follows very closely the biblical story of Esther in the Book of Esther in the old testament. The story tells of a plot of Haman, the Agagite (Michael George-bass) jealous and powerful vizier of King Xerses (Ahasuerus-Tom Randle-tenor) of Persia(485-464), to destroy in a single day all the Jews living in the Roman Empire. He is moved to this out of hatred for the Jewish servant Mordecai (Mark Padmore-tenor),who for religious motives refuses to render him homage. The day of the proposed massacre is determined by lot. Meanwhile, Esther,niece and adopted daughter of Mordecai, is chosen Queen by King Xerses. She averts the pogrom planned against her people and has the royal decree of extermination reversed against Haman and the enemies of the Jews. Mordecai replaces Haman, and together with Esther, works for the welfare of their people. As you can see this makes for an interesting Oratorio, which it truly is!
This is a "small" contribution compared to many of Handel's other works. However, it is not "small" in a musical sense. There is much creativity on the part of Handel as to orchestral scoring; he exploits his small orchestra and chorus in surprising ways, introducing new vocal and instrumental colours throughout the score, adding and subtracting instruments and voices in many and varied ways. This is a listening surprise as it moves along. And what a great performance on the part of the Christophers as well as some outstanding vocal soloists. Mark Padmore's (Mordecai) aria "Tune Your Harps to Cheerful Strains" was superb as was the Duet between Lynda Russell (Esther) and Tom Randle (Ahasuerus).But the aria that really drew me into the entire drama was sung by Michael Chance (Priest) "O Jordan, Jordan, sacred Tide." It was perfection itself!!!!The Chorus was extremely good and dictionally perfect. It is a great listening experience.

Peter Arnold Heise, Peter Erasmus Lange-Müller: Songs

Average customer rating:

Peter Arnold Heise, Peter Erasmus Lange-Müller: Songs

Manufacturer: Da Capo [Naxos]
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Tracks:

Druben Geht Die Sonne Scheiden
Trube Wird's, Die Wolken Jagen
Auf Geheimem Waldespfade
Sonnenundergang
Auf Dem Teich, Dem Regungslosen
Til En Veninde
Ved Huset
Henrykkelse
Skovensomhed
Advarsel
Bergmanden
Dengang Jeg Var Ung Og Elskovsfuld
Min Skat
Arnes Sang
En Sommernat
Glenten
Ingeborg, Min Sjael, Mit Hjerte
Verzogen, Verflogen
Die Du Bist So Schon Und Rein
Nimm Mich Auf, Uralte Nacht
Der Zimmermann
Die Heil'gen Drei Konige
Kaempens Sang
Himlen Ulmer Svagt I Flammerodt
Se Blygra Sky'r Mod Blygra Sky'r Sig Vaelte
Ved Solnedgang
Bjornen
Der Sta To Roser
Alt Daekker Nattens Vide Slaengkappe Land Og Byer
I Braendingen Ligger En Klippeblok
En Rand Af Diset Hede
I Skoven II
Yderst I Slaeber, Det Lette

Rock Music:

Rock Music

rock music

1. Traitors Gate
2. Bear Me Away
3. Up On Fire (Live)
4. One More Time (Previously Unreleased Song Or Version)
5. Before Your Eyes (Previously Unreleased Song Or Version)
6. The Swagger (Previously Unreleased Song Or Version)
7. I Can Hear You
8. Some Cast Fire
9. Now And Forever
10. The Rustler
11. Every Second Of Time
12. Just One More (Live) (Previously Unreleased Song Or Version)
13. Lost And Alone (Previously Unreleased Song Or Version)
14. Jewess Tattooess (Previously Unreleased Song Or Version)
15. Ruby (Previously Unreleased Song Or Version)
16. Blood Is Red
17. Chain Of Gold (Previously Unreleased Song Or Version)
18. Hurricane
19. Gerrys Club
20. Jake On The Make (Live) (Previously Unreleased Song Or Versi
See all 30 tracks on this disc