Low Life

low life

Track Listings
1. Death Rattle
2. Low Life
3. Disengage
4. Locomotive
5. Barrier
6. Wheeling Vultures
7. Curved Dog
8. Abasement
9. Land One
10. Tingle Hairs
11. Last Detective

Low Life,Bill Laswell,Peter Brotzmann,Celluloid Records,Ambient,Avant-Garde,Classic Jazz,Experimental,Fusion,M-Base,Modern Creative,Pop,Rock,Rock/Pop

Low Life
Instruments of the Orchestra
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Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4
  2. The Life and Works of Ludwig van Beethoven
  3. What to Listen for in Music
  4. Study of Orchestration, Third Edition
  5. The Life and Works of Frédéric Chopin

ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

  1. Overture To 'Tannhauser'
  2. Domna, Pos Vos Ay Chausida
  3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
  4. Hungarian Dance No.7
  5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
  6. Violin Concerto In D Major (Adagio)
  7. But For A Long Time It Was Seen As The Instrument Of The Devil.
  8. The Soldier's Tale: Triumphal March Of The Devil
  9. The Manipulative Seductiveness Of The Gypsy Violin.
  10. Csardas Music
  11. The Violin And The Initiation Of Nature
  12. The Four Seasons (Spring, Mvt 1)
  13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
  14. The Four Seasons (Summer, Mvt 1)
  15. Like The Devil, The Violin Is A Master Of Disguise.
  16. Old Viennese Dance No.3 'Schon Rosmarin'
  17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
  18. Tzigane
  19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
  20. Caprice No.24
  21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
  22. Variations On A Theme Of Frank Bridge (No.7)
  23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
  24. Romeo And Juliet: Act IV
  25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
  26. The Four Seasons (Winter, Mvt 1)
  27. The Violin Muted
  28. Clair De Lune
  29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
  30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
  31. The Pizzicato Violin
  32. Pizzicato Polka
  33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
  34. Violin Concerto No.2 In G Minor (Slow Mvt)
  35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
  36. The Planets (Mars - The Bringer Of War)
  37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
  38. Hungarian Dance No.4
  39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
  40. The Four Seasons (Autumn, Mvt 1)
  41. Now The Same Technique, But The Sound Might Have Come From Another World.
  42. Bolero
  43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
  44. Cadenza To The Violin Concerto By Brahms
  45. Now Compare That With A Real Violin Duet.
  46. Forty-Four Duos (No. 1: Teasing Song)
  47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
  48. Forty-Four Duos (No.2: Maypole Dance)
  49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
  50. Concerto In D Minor For Two Violins (Largo)
  51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
  52. Violin Concerto No.1 In D Major (Mvt 2)
  53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
  54. Symphony No.1 'Titan' (Mvt 1, Opening)
  55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
  56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
  57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
  58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
  60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
  61. Also Sprach Zarathustra (Of The Afterworldsmen)
  62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
  63. Variations On A Theme Of Frank Bridge (No. 4)
  64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
  65. Four Sea Interludes (Dawn) From 'Peter Grimes'
  66. To End This Outing With The Violins, A Charming Little Elfin Dance
  67. Elfenreigen

Tracks:

  1. Introduction To The Viola
  2. Viola Concerto (Mvt 1)
  3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
  4. Gayane Suite No.1 (Armen's Solo)
  5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
  6. Passacaglia, Op.33b From 'Peter Grimes'
  7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
  8. Harold In Italy (Mvt 4)
  9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
  10. Cypresses (No.9)
  11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
  12. Symphony No.4 (Mvt 3)
  13. The 'Period' Viola In Bach
  14. Brandenburg Concerto No.6 (Last Mvt)
  15. The Cello: A Voice Of Unique Nobility
  16. Suite No.1 For Unaccompanied Cello (Prelude)
  17. Brahms And The 'Soul' Of The Cello
  18. Piano Concerto No.2 In B Flat Major (Mvt 3)
  19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
  20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
  21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
  22. Symphony No.3 'Eroica' (Finale)
  23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
  24. Elfentanz, Op.39
  25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
  26. The Protecting Veil (Opening)
  27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
  28. Flamenco
  29. Double-Stopping In The Lower Reaches Of The Cello's Range
  30. Solo Suiet For Cello And Piano (Sardana)
  31. It's In The Middle Register That The Cello Really Comes Into Its Own.
  32. Oriental Dance, Op.2 No.2
  33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
  34. Symphony No.9 (Finale)
  35. Introduction To The Double-Bass
  36. The Carnival Of The Animals (The Elephant)
  37. But The Double-Bass Can Be Intensely Expressive And Graceful.
  38. Elegy No.1 In D Major
  39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
  40. Capriccio Di Bravura
  41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
  42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
  43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

  1. The Antiquity And Magic Of The Flute
  2. Prelude A L'Apres-Midi D'Un Faune
  3. The Versatility And Agility Of The Flute
  4. Orchestral Suite No.2 In B Minor (Badinerie)
  5. The Flute In Fifteenth-Century Spain
  6. Sa'Dawi
  7. Other Flutes: The Bass And Alto
  8. Chamber Music No.II
  9. The Piccolo - Aptly Named
  10. La Naissance D'Osiris (Mvt 6)
  11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
  12. Suite No.1 For Small Orchestra (Valse)
  13. A Variety Of Techniques
  14. Chamber Music No.II
  15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
  16. The Nutcracker (Act II, No.2: Scene)
  17. From The Transverse To The Vertical: The Baroque Recorder
  18. Recorded Suite In A Minor (Menuet II)
  19. An Unfamiliar, Early Vision Of The Instrument
  20. Naelden, Naelden
  21. The Bachian Oboe
  22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
  23. Introduction To The Cor Anglais Or 'English Born'
  24. Symphony No.9 'From The New World' (Mvt 2)
  25. The Loneliness Of The Cor Anglais
  26. The Swan Of Tuonela
  27. The Cor Anglais Joins The French Horn In Haydn.
  28. Symphony No.22 'The Philosopher' (Opening)
  29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
  30. Bolero
  31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
  32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
  33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
  34. Gayane Suite No. 1 (Mvt 5)
  35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
  36. The Range Of The Normal Clarinet Parts Goes Quite High...
  37. The Snow Maiden (Scene 5: Melodrama)
  38. ...And Quite Low.
  39. Peter And The Wolf (The Cat)
  40. The Clarinet As Concerto Soloist
  41. Clarinet Concerto In A Major (Rondo)
  42. But That's Not The Instrument Mozart Wrote It For; This Is:
  43. Clarinet Concerto In A Major (Rondo)
  44. Introduction To The Saxophone
  45. Hary Janos Suite (Mvt 4)
  46. The Soprano Saxophone Has Quite A Different Feel To It.
  47. L'Arlesienne Suite No.1 (Minuet)
  48. The Little Sopranino Sax Goes Even Higher.
  49. Bolero
  50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
  51. Pictures At An Exhibition (The Old Castle)
  52. The Saxophone Can Be Quite Contagiously Good-Humoured.
  53. Sax-O-Phun
  54. The Puffa-Puffa Image Of The Bassoon
  55. Peter And The Wolf (Grandfather)
  56. The Bachian Bassoon, In Accompanimental Mode
  57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
  58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
  59. And Ravel, Also In Spanish Mode, Does Likewise.
  60. Bolero
  61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
  62. Symphony No.3 (Opening)
  63. The Eerie Bassoon In Its Highest Register
  64. The Rite Of Spring (Opening)
  65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
  66. The Firebird Suite (1919, Berceuse)
  67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
  68. Bassoon Concerto In G Minor (Finale)
  69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
  70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  71. The French Horn Under Its Woodwind Hat
  72. Wind Quintet, Op.43 (Last Mvt)
  73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
  74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
  75. The Horn In Harmonious Blend With Strings In Another Quintet
  76. Horn Quintet, K.407 (Finale)

Tracks:

  1. The Trumpet As Virtuoso Soloist
  2. Brandenburg Concerto No.2 (Last Mvt)
  3. The Special Brillance Of Paired Trumpets
  4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
  5. The Ceremonial Trumpet
  6. Fanfare For The Common Man
  7. Trumpets And Drums - An Incomparable Alliance
  8. Messiah (The Trumpet Shall Sound)
  9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
  10. Piano Concerto In F (Slow Mvt)
  11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
  12. Carmen Suite No.2 (Habanera)
  13. The Trumpet As The Voice Of Strength And Courage
  14. Carmet Suite No.2 (Toreador's Song)
  15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
  16. Billy The Kid
  17. The Trumpet As Character Actor
  18. Pictures At An Exhibition (No.6)
  19. The Trumpet As The Voice Of God
  20. Mass In B Minor ('Et Exspecto')
  21. The Birth Of The Trombone
  22. Aenmerckt Nu Hier
  23. The Birth Of The Brass As A Family
  24. Canzon 12 In Double Echo
  25. The Trombone In The Eighteenth Century
  26. Trombone Concerto In B Flat Major (Finale)
  27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
  28. Hosannah
  29. The Trombones Become Part Of The Orchestra.
  30. Symphony No.5 (Finale)
  31. The Wagnerian Trombone:/Overture To 'Tannhauser'
  32. The Trombone As Caricaturist
  33. Pulcinella (No.19: Vivo)
  34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
  35. The Horn And The Hunt
  36. Horn Concerto No.4 In E Flat, K.495 (Finale)
  37. The Challenging Horn Of The Baroque
  38. Abaris Ou Les Boreades (Menuet)
  39. The Scarcity Of First-Rate Players In Handel's Time
  40. Walter Music (Minuet 1)
  41. The Horn As Magician/The Firebird Suite (1919, Finale)
  42. Horns And The Sound Of Nobility
  43. Overture To 'Tannhauser' (Opening)
  44. The Special Sound Of The Horn In Its Higher Register
  45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
  46. The Trumpet-Like Sound Of Massed Horns
  47. Symphony No.3 (Mvt 1, Opening)
  48. The Tuba - Unfairly Maligned?
  49. Symphony No.6 (Mvt 3)
  50. The Tuba Perfectly Cast By Ravel
  51. Pictures At An Exhibition (Bydlo)

Tracks:

  1. Introduction. And We Begin With A Bang.
  2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
  3. At The Opposite Extreme Is The Triangle.
  4. Piano Concerto No.1 In E Flat (Scherzo)
  5. Categories Of Percussion: Tuned And Untuned. The Side Drum
  6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
  7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
  8. The Tambourine. One Of The Oldest Instruments In The World
  9. Den Hoboecken Dans
  10. Even Older Is The Originally Oriental Gong.
  11. Ma Mere L'Oye - Mother Goose (Laideronette)
  12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
  13. Gymnopedie No.2
  14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
  15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
  16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
  17. Rodeo (Hoe-Down)
  18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
  19. Scherzi Musicali (Damigella Tutta Belle)
  20. A Still Earlier Example From Fifteenth-Century Spain
  21. Yo M'Enamori D'Un Aire
  22. The Birth Of The Bongo
  23. Symphonic Dances From 'West Side Story'
  24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
  25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
  26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
  27. Onwards To The Tuned Percussion. First, The Timpani
  28. Also Sprach Zarathustra (Introduction)
  29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
  30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
  31. Taking Advantage Of Tunability
  32. Music For Strings, Percussion And Celeste (Mvt 2)
  33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
  34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
  35. Saint-Saens And The Xylophone
  36. The Carnival Of The Animals (Fossils)
  37. Ravel And The Xylophone
  38. Ma Mere L'Oye - Mother Goose (Laideronette)
  39. Introducing The Marimba/Carmen Suite (First Intermezzo)
  40. Introducing The Vibraphone
  41. The Treasure Of The Sierra Madre (Narange Dolce)
  42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
  43. Introducing The Hungarian Cimbalom
  44. Folk Dances
  45. The Cimbalom And The Symphony Orchestra
  46. Hary Janos Suite (Mvt 3)
  47. Introducing The Tubular Bells
  48. Hary Janos Suite (Viennese Musical Clock)
  49. A More 'Up-Front' Approach From Rodion Shchedrin
  50. Carmen Suite (Introduction)
  51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  52. Introducing The Celeste
  53. The Nutcracker (Dance Of The Sugar Plum Fairy)
  54. Magic, In The Use Of Collective Percussion
  55. Miroirs (La Vallee Des Cloches)
  56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
  57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
  58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
  59. Brandenburg Concerto No.2 (Slow Mvt)
  60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
  61. Petrushka (Russian Dance)
  62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
  63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

  1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
  2. Symphony No.3 'Organ' (Finale)
  3. But Things In Handel's Day Were Very Different.
  4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
  5. The Organ Is Difficult To Classify.
  6. An Unexpected, Organ-related Guest
  7. Concerto Pour Zampogna (Last Mvt)
  8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
  9. Les Miserables (Drink With Me)
  10. Outside Artefacts And The Power Of Association
  11. Mahler's Sleighbells
  12. Symphony No.4 (Opening)
  13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
  14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
  15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
  16. Don Quixote (Variation VIII)
  17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
  18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
  19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
  20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
  21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
  22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
  23. The Sitar Of India/Evening Raga: Bhapoli
  24. The Accordion For France (Especially Paris)/Paris Canaille
  25. The Zither For Vienna/The Third Man (Theme)
  26. The Cimbalom For Hungary/Folk Dances
  27. The Guitar As An Integral Part Of The Orchestra/Rondena
  28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
  29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  30. Nocturnes
  31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
  32. The Carnival Of The Animals (The Cuckoo)
  33. The Flute As An All-purpose Aviary
  34. The Carnival Of The Animals (The Aviary)
  35. The Oboe As Duck
  36. Peter And The Wolf (The Duck)
  37. The Recording Of Reality. Does It Work As Well?
  38. The Pines Of Rome (The Pines Of The Janiculum)
  39. The Recording Of Reality Electronically Reborn In New Guises
  40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
  41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
  42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
  43. Some Improbable Casting: The Violin As Braying Donkey
  44. The Carnival Of The Animals (Persons With Long Ears)
  45. A Truly Orchestral Hee-haw To Be Reckoned With
  46. Overture To 'A Midsummer Night's Dream'
  47. A Thunderstorm In A Million
  48. Symphony No.6 'Pastoral (Allegro-Allegretto)
  49. the Instrumental Depiction Of A Silent World
  50. The Carnival Of The Animals (The Aquarium)
  51. Saint-Saens' Menagerie Takes A Curtain Call.
  52. The Carnival Of The Animals (Finale)

Tracks:

  1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
  2. Forty-Four Duos (No.4)
  3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
  4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
  5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
  6. String Trio In B Flat (Menuetto)
  7. The String Quartet: Two Violins, Viola, And Cello
  8. String Quartet In F, Op.18 No.1 (Mvt 3)
  9. The String Quintet - When The Extra Instrument Is A Second Viola
  10. String Quartet No.5 In D, K.593 (Adagio)
  11. The String Quintet - When The Extra Instrument Is A Second Cello
  12. String Quintet In C (Mvt 3)
  13. The String Sextet: Two Violins, Two Violas, And Two Cellos
  14. String Sextet In B Flat (Mvt 2)
  15. The String Octet: The Standard String Quaret Times Two
  16. Octet In E Flat, Op.20 (Mvt 1)
  17. Double The String Octet: A Fully Fledged String Orchestra
  18. String Symphony No.2 (Finale)
  19. The Massed Strings Of A Symphony Orchestra
  20. Fantasia On A Theme Of Thomas Tallis
  21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
  22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
  23. In The First Variation It's The Horn That Gets The Lion's Share.
  24. Wind Quintet In A Minor, Variation 1
  25. In Variation Two The Torch Is Handed To The Bassoon.
  26. Wind Quintet In A Minor, Variation 2
  27. In Variation Three The Oboe Leads.
  28. Wind Quintet In A Minor, Variation 3
  29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
  30. Wind Quintet In A Minor, Variation 4
  31. And Variation Five is Dominated By The Clarinet.
  32. Wind Quintet In A Minor, Variation 5
  33. The Next To Be Featured Is The Virtuoso Flute.
  34. Wind Quintet In A Minor, Variation 6
  35. Individual Farewells And A Closing Chorus
  36. Wind Quintet In A Minor, Variation 7
  37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
  38. Octet In F (Mvt 3)
  39. The Early Classical Symphony Orchestra Of Haydn And Mozart
  40. Symphony No.29 In A, K.201 (Finale)
  41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
  42. Canzon 28
  43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
  44. Symphony No.5 (Finale)
  45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
  46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
  47. Symphoy No.6 'Tragic' (Mvt 1)
  48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
  49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
  50. When Large Doesn't Necessarily Mean Loud: Debussy
  51. Images (Gigues)
  52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
  53. Turangalila Symphony (Chant D'amour 1)
  54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
  55. Balle De Xerxes (Gavotte En Rondeau)
  56. Computer And Synthesiser: Friends Or Foes?
  57. Concerto In D Minor For Two Violins (Largo)
  58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

5 out of 5 stars Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

5 out of 5 stars Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

5 out of 5 stars Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

3 out of 5 stars Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

5 out of 5 stars Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Low-Life
Average customer rating: 4.5 out of 5 stars
  • O.K., but far from their best
  • The Definitive Work By The Splendid New Order
  • the pinnacle of all their brilliance
  • Off the Hook!
  • "Tonight I Should Have Stayed At Home..."
 Low-Life
New Order
Manufacturer: Qwest / Wea
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Brotherhood
  2. Power, Corruption & Lies
  3. Technique
  4. Movement
  5. Substance

ASIN: B000002L7S
Release Date: 1990-10-25

Tracks:

  1. Love Vigilantes
  2. The Perfect Kiss
  3. This Time Of Night
  4. Sunrise
  5. Elegia
  6. Sooner Than You Think
  7. Sub-Culture
  8. Face Up

Amazon.com essential recording

With the 1985 release of Low Life, New Order put forth their most commercially accessible effort to date. While some of the dark-wave drippings of their Joy Division roots are evident, high energy progressions, which would carry them for years to come, began to emerge here. Hits like "Perfect Kiss" and "Sub-Culture," with their synth hooks, club-stomping accents, and visceral lyrics, helped bridge the gap for growing synth-pop audiences who bolstered their success. Other refined techniques on the album became standard New Order conventions: sweeping analogue rolls, live and sequenced drum percussion, tight bass melodies, and edgy guitar leads. Sustained by a peerless level of emotional involvement, the vocals and lyrics further entice the listener with the obliquely nuanced style of Bernard Sumner. Standing the test of time, this release is a must-have in order to understand the origins of introspective pop-wave culture. --Lucas Hilbert

Customer Reviews:

3 out of 5 stars O.K., but far from their best.......2006-06-09

For those fans more into New Order's 80's techno-brit-pop sound, I suppose "Low-Life" might be a favorite. To me though, the band really came into its own with the lusher and more layered sounds of "Republic," "Get Ready," and "Waiting for the Sirens' Call," N.O.'s last three albums. While "Sub-Culture" is certainly one of their dance classics, it really doesn't have the resonance of "Age of Consent" or "Blue Monday." "Love Vigilantes" and "Perfect Kiss" are certainly fun, but hardly stand out. The other tracks (other than "Elegia" and "Sunrise," which are discussed below) hardly make an impression. In general Bernard Sumner's vocals and lyrics on "Low-Life" are sub-par.

There are two songs on "Low Life" I like quite alot. The instrumental "Elegia" strongly reminds me of the soundtrack from the "Phantasm" movies, and that, by itself, is enough for me to really like the song. What truly puzzles me though is that the other reviewers don't unanimously acknowledge what is clearly the best song on the album by far: the amazing "Sunrise." Finally we hear what the boys can sound like playing real instruments -- scintillating guitars, riveting bass-line, real drums, and Bernard Sumner singing with soul. Oh yeah, and let's not forget the song's obvious connection to The Cure's monumental "A Forest." Surely the opening notes are a dead giveaway that the comparison is meant to be made.

With these earlier albums, those with my taste heard alot of potential in New Order, but may have been somewhat put off by the all too frequent reliance on 80's styled synthesizers and drum machines. But the best was yet to come, as Bernard Sumner continued to grow into his role as the creative force of the band, both musically and lyrically.

5 out of 5 stars The Definitive Work By The Splendid New Order.......2005-12-19

"Low Life" is New Order's definitive work, and a defining moment in 80's music. Finally finding their post-Joy Division voice after the splendid but less confident "Power, Corruption & Lies", New Order joyfully arrive fully formed on "Low Life". Every song bristles with energy and is celebratory, even when dark. Starting with the haunting but deceptively upbeat "Love Vigilantes" it's game on. "The Perfect Kiss" follows, yet another New Order classic, and "Low Life" is chock full of them. There is the darkly sophisticated "Sooner Than You Think", club favorite "Sub-culture", and the gorgeous, and I mean gorgeous instrumental "Elegeia". The incredibly buoyant "Face Up" ends things. The sound of "Low Life" is everything that made New Order so very unique, and what still sets them apart as absolute originals; no one else sounds like them. Musically the relentlessly inventive and energetic counterpoint of synth, bass, guitar, and percussion create a sound that simply compells and propels every song. Bernard Sumner's lyrics and enigmatic vocals bring the sinister contrast to the almost ebullient chemistry of the music. "Low Life" is a midnight sun of happy darkness, and one of the very best albums of the 80's.

5 out of 5 stars the pinnacle of all their brilliance.......2005-06-04

This album is a cut above everything else they've ever done, and that's saying a lot. Even with New Order's long and magnificent career, I think this album truly stands out as something special. It has that special quality that can only be attained when Bernard is "Pumped Full of Drugs."

New Order has had so many songs with vague and hard-to-puzzle lyrics, but "Love Vigilantes" actually narrates the story of a man fighting in Vietman. Not my favorite song on the CD, but a good one.

If you're considering buying this album, you've probably already heard "The Perfect Kiss," and you know just how complex and beautiful this song is. If you haven't heard it, then you need to buy the album just to experience this one song. A lot of people prefer the longer version found on Substance, but I've always prefered the shorter one... it's just a rush.

The first time I listened to "This Time of Night," I thought to myself, "Wow, this is so 80's." The drums definitely give it a very typical 80's feel and in some ways I think it is exemplary of mid-80's synthpop, but it still kicks the ass of anything else like it.

"Sunrise" is the only song here that I've ever seen receive any real criticism. The guitar is very heavy, almost too heavy, and maybe the song isn't quite up to the standards of the rest of the album, but it's still New Order, and damn good.

"Elegia" perfectly lives up to its title and is one of my favorite instrumental tracks. The song is a line drawn between the first and second parts of the album, but in a good way.

"Sooner Than You Think" is always overlooked. Hard not to be, when it shares a disc with such greatness, but it stands on its own. The song starts in a mellow sort of way (following "Elegia," it almost has to), but after a minute or so, there's a kick-in with the sort of subdued energy that no one does like New Order.

"Sub-culture" is one of those songs that has caused New Order to be labelled "dark pop." Bernard's voice is almost monotone and emotionless at times, and it complements the song much more than any sort of lyric-matching wailing would have.

"Face Up" is a mood-lifter after Sub-Culture. I think others would agree that this one is reminiscent of "The Village" on Power, Corruption, and Lies. An all around good song, and a nice closer to their best of albums.

5 out of 5 stars Off the Hook!.......2005-05-11

This an awfully good album. I picked this up after purchasing Substance and Brotherhood back in the day.

I remember lying in my bed thinking this band is ridiculously good. Only two of these songs appear on Substance when realistically Love Vigilates would be the high point of most bands careers.

Pick it up and discover what the 80's were all about!

5 out of 5 stars "Tonight I Should Have Stayed At Home...".......2004-08-24

Here you have it, New Order's first full fledged masterpiece. Flawless in every way, shape, and form. Band members Sumner, Morris, Hook, and that fine fox Gillian hit every note. "Low-Life" is sort of the theme for the whole album, because throughout the album the members of New Order make it blatently clear that they are in fact "low-lifes". If they are "low-lifes", they are some of the most talented, charismatic, hot (one member anyway) "low-lifes" I've ever heard. Now that you've seen my sneaky ploy to use the term "low-life" as many times as I can in a two sentence period let's get down to reviewing this album. This is one of the few albums where I don't think about how hot Gillian is when listening to it, and that takes a lot of willpower. That shows how good this album really is. "Love Vigilantes" starts off the album and is more or less a metaphor for Sumner being lost, alone, and confused for so long from Ian Curtis's death, but he finally finds his way home. Just so you know, that interpretation was probably a bunch of bullcrap, as I am really bad at interpreting lyrics. No matter what hidden message lies in the song, it doesn't change anything as the song is great, very, very poppy, but not overly sugar coated as to where it leaves a bad taste in your mouth, like that candy "Warheads". The second track, "The Perfect Kiss", is the most masterful use of synths I've ever heard. The song is just so elegant, and it's arguably the most complex song with synths ever recorded, screw The Cure. The rest of the album is great. "This Time Of Night" is probably the best dark and gritty song that New Order wrote, leagues above their Movement stuff. "Elegia" is one of my favorite instrumentals every, and it lives up to it's title. Every song is excellence, there's no reason to go in and review every song from you. I will tell you this though, "Face Up" has, in my opinion, the best vocal performance by Sumner ever. Uplifting and spirtual. Every song on here is a ten out of ten. And that is why it's my favourite album of all time.
Kurt Weill: The Centennial
Average customer rating: 5 out of 5 stars
  • Kurt Weill: Re-discovery...
  • Incredible Live Album
 Kurt Weill: The Centennial
Kurt Weill , Brock Peters , Carole Cook , Charlotte Rae , Nancy Dussault , Norm Lewis , Peter Becker , Rod McKuen , Shirley Jones , Tim Curry , and Steve Orich
Manufacturer: Lml Music
ProductGroup: Music
Binding: Audio CD

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ASIN: B00005U8HM
Release Date: 2002-01-08

Tracks:

  1. Act 1: Pirate Jenny - Charlotte Rae
  2. Act 1: I'm A Stranger Here Myself - Jodi Stevens
  3. Act 1: Economics - Jane A. Johnston
  4. Act 1: Is It Him Or Is It Me? - Pam Dawber
  5. Act 1: Barbara Song - Linda Purl
  6. Act 1: Lullaby - Kathryn Skatula
  7. Act 1: That's Him - Nancy Dussault
  8. Act 1: Don't Look Now - Sharon Lawrence
  9. Act 1: Apple Jack - Norm Lewis
  10. Act 1: Speak Low - Sally Kellerman
  11. Act 1: September Song - Rod McKuen
  12. Act 1: Ice Cream Sextet - David Holladay

Tracks:

  1. Act 2: Wouldn't You Like To Be On Broadway? - David Holladay
  2. Act 2: What Good Would The Moon Be - Melissa Dye
  3. Act 2: It Never Was You - Hugh Panaro
  4. Act 2: We'll Go Away Together - Hugh Panaro
  5. Act 2: Tschaikowsky - Jack Noseworthy
  6. Act 2: The Saga Of Jenny - Carole Cook
  7. Act 2: Surabaya Johnny - Tim Curry
  8. Act 2: My Ship - Shirley Jones
  9. Act 2: Mack The Knife - Loretta Devine
  10. Act 2: Lost In The Stars - Brock Peters

Customer Reviews:

5 out of 5 stars Kurt Weill: Re-discovery..........2006-11-10

I am so impressed and pleased to have found this recording on Amazon.com. I am always amazed when I find these seemingly obscure recordings, and thrilled to know they exist. What a wonderful history of our musical world---and what a chance to hear interesting, challenging, and unusual performances from so many well-known people. The songs live on--the composer is 'new' again, and this recording becomes part of history re-discovered. Thank you Amazon.com for your continued professionalism and for having these recordings available.

5 out of 5 stars Incredible Live Album.......2002-02-10

This incredible concert (which i attended) benefitting The Actors' Fund of America, contains some absolute MUST performances for any Broadway collector.

For me, the highlights are HUGH PANARO ("It Never Was You"), NANCY DUSSAULT ("It's Him") and TIM CURRY singing "Surabaya Johnny" in German!

Loretta Divine, Brock Peters, they're all great!
Anne Sofie von Otter - Speak Low ~ Songs by Kurt Weill / Gardiner
Average customer rating: 4.5 out of 5 stars
  • Very Good
  • Excellent Weill Alternative to Lenya and Lemper
  • Everything is right but the style
  • Intelligent reading from both singer and conductor
  • Brilliant--The best of the 7 Deadly Sins recordings
 Anne Sofie von Otter - Speak Low ~ Songs by Kurt Weill / Gardiner
Kurt Weill , John Eliot Gardiner , Anne Sofie von Otter , Bengt Forsberg , Hannover North German Radio Orchestra , Karl-Heinz Lampe , Frederick Martin , Christfried Biebrach , and James Sims
Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

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ASIN: B000001GM3
Release Date: 1995-03-14

Tracks:

  1. Die Sieben Tods Prologue
  2. Die Sieben Tods No. 1 Faulheit (Sloth)
  3. Die Sieben Tods No. 2 Stolz (Pride)
  4. Die Sieben Tods No. 4 Zorn (Anger)
  5. Die Sieben Tods No. 5 Vrei (Gluttony)
  6. Die Sieben Tods No. 6 Unzucht (Lust)
  7. Die Sieben Tods No. 6 Habsucht (Avarice)
  8. Die Sieben Tods No. 7 Neid (Envy)
  9. Die Sieben Tods No. 8 Epilog
  10. My Ship
  11. One Life To Live
  12. Buddy On The Nightshift
  13. Nannas Leid
  14. Bilbao - Song
  15. Surabaya - Johnny
  16. Das Leid Von Der Harten Nuss
  17. Je Ne T'amie Pas
  18. Schickelgruber
  19. Der Abscheidsbreief
  20. Foolish Heart
  21. Speak Low
  22. I'm A Stranger Here Myself

Amazon.com

Kurt Weill's ballet with songs is one of this century's greatest theatrical works. It has all the wit and melodic appeal of The Threepenny Opera and social conscience of Mahagonny, but more warmth and musical sophistication than either. It's also all over with in about 40 minutes. Some critics believe the piece was intended as a sort of love poem to Weill's wife, Lotte Lenya; given the tenderness of much of the music, it's hard to disagree. Lenya herself recorded the piece in the 1950s (a recording recently reissued by Sony) and this very much newer performance is welcome particularly for Anne Sofie von Otter's highly intelligent and musical way with the text. The other songs, from both Weill's Berlin and Broadway periods, make the perfect filler. --David Hurwitz

Customer Reviews:

4 out of 5 stars Very Good.......2006-01-03

This is a very nice selection of Weill pieces showing the full range of his output. These range from the ambitious Seven Deadly Sins to songs from Happy End to some of his Broadway work. All are very interesting. The performers, particularly Von Otter, are excellent. Recommended strongly.

5 out of 5 stars Excellent Weill Alternative to Lenya and Lemper.......2005-09-29

`Speak Low Songs by Kurt Weill' is a great addition to the performances of Herr Weill's works by the prominent mezzo-soprano, Anne Sofie Von Otter. I have listened to many performances by Weill specialists from the archetype, Weill's wife, Lotte Lenys, for whom many of the songs were originally written to Ute Lemper and Gisela May, who lean heavily toward Lotte Lenya's gravel-voiced interpretation of Weill's songs.

Anne Sofie Von Otter breaks with this tradition and gives us what are easily the sweetest interpretations of Weill's songs from both his German and English works, which I have heard anywhere.

The flagship performance on this disc is `Die Sieben Todsunden' (`The Seven Deadly Sins') which was a cycle of songs to be sung on the stage, accompanied by dances done by a second performer. This takes the first nine (9) tracks and is at least as good as what I have heard from Weill specialist, Lemper. This album is the first time I have noticed that there are two versions of this work, and that Ms. Von Otter is performing the version for soprano.

But, I think the most moving performances come later, especially in von Otter's performances of the three numbers from `Happy End', `Bilbao-Song', `Surabaya-Johnny', and `Das Lied von der harten Nuss' (Song of the Big Shot). I have heard these done by many people, but never so sweetly. These numbers are so lovingly performed that I insist that you ignore the fact that the lyrics are in German. The accompanying booklet gives English translations, which I simply ignore and enjoy the musical talent with no filter. My understanding German has nothing to do with this, as I do the same with French, which I can just barely make out.

Kurt Weill may not be the most important influence on American musical theatre in the 20th century, but he is easily in the top five, along with the Gershwins, Irving Berlin, Richard Rodgers and collaborators, and Cole Porter.

Ms. Von Otter is ably accompanied on this disk by her favorite pianist, Bengt Forsberg plus the Norddeutch Rundfunk orchestra directed by John Eliot Gardiner. While I really like her selection on this disk, the collection makes me wish Ms. Von Otter would do some more Weill and spend less time hanging out with Elvis Costello, but that's a different story.

3 out of 5 stars Everything is right but the style.......2005-09-24

Weill and Brecht defined a nasty age with nasty art, writing some of the grittiest satire in the history of music. In this CD von Otter misses that edge, skirts all the dangerous, sleazy implications, and ultimately sounds too much the opera singer slumming it for an hour. Her earnestness is no subtitute for the right period style, a la Lotte Lenya.

4 out of 5 stars Intelligent reading from both singer and conductor.......2005-01-27

THE SEVEN DEADLY SINS is such a brilliant mini-masterpiece (and, to me, the pinnacle of the Brecht-Weill years) that it is hard to screw up. It is a testament to the staying power of this work (and to the brilliance of Weill's music in general) that it can be performed by the likes of Lotte Lenya, Julia Migenes, Ute Lemper, Judy Kaye, Marianne Faithfull, Teresa Stratas, and -- as here -- Anne Sofie von Otter, and STILL work... and EACH of these women are totally successful in the piece on their own terms.

Here, Anne Sofie von Otter gives us an intelligent (and highly musical) rendering of the text, keeping the musical line very much intact. She sings with vibrato at times, and then will turn around and use straight-tones at moments where it is dramatically appropriate to do so. She balances the performance well, shifting gears between cool detachment (which she is often criticized for) and impassioned outbursts (which her critics often fail to notice).

John Eliot Gardiner surprised me with how easily this music seemed to come to him, especially as he seems to be a man more at home with "Period-Instrument-Mozart" than highly charged 20th century works. However, his reading of "The Rake's Progress" by Stravinsky was totally staggering. For example, his choice beginning the climactic moment of the score ("Envy") as slowly as he does caught me very much off guard at first, and I didn't really care for it at all. However, with each successive listen, I find myself "getting" this choice more and more.

Finally, the "filler." As to be expected, she is more successful with the European material than she is with the songs from Weill's Broadway years. But this is the case with about 99.9% of all opera singers who try to sing Weill's Broadway scores. You will never hear any singer give "Je ne t'aime pas" a more hauntingly beautiful, passionately intense performance than Anne Sofie von Otter. Truly, the ultimate interpretation of one of my favorite Weill songs. "Nannas Lied," "Der Abschiedsbrief," and the HAPPY END selections. However, "My Ship" and "One Life to Live" seem to fail at catching fire -- the former because it is marred by an attempt to sound like a "pop singer," the latter because von Otter sings English better than native speakers (she knows where the ACTUAL emphasis in the phrase "nothing: the thing is to have fun" goes, as opposed to where Ira Gershwin placed it). I also -- surprisingly enough -- don't care for her performance of "Schickelgruber" -- she just seems totally lost to me. (I really think that this song is foreign territory to 'legit' sopranos and mezzos -- I don't even care for the Stratas rendition.) Just when I thought I would have to suffer through another bad batch of "opera-crossover," Anne Sofie turned around and surprised me by giving highly successful performances of the numbers from ONE TOUCH OF VENUS (especially on "I'm Stranger Here Myself").

All in all, a worthy purchase: highly recommended to all fans of THE SEVEN DEADLY SINS and Kurt Weill enthusiasts.

5 out of 5 stars Brilliant--The best of the 7 Deadly Sins recordings.......2002-10-12

Weill, and particularly anything Brecht-Weill, has suffered for too long with interpertations based on tired ham theatrics, burlesques of Lenya's style, to the point where we have come to expect it as the only way to sing this music. Lenya herself is said, late in life, to have commented that a better singer (specifically Stratas at that time) would be more appropriate for properly interpreting Weill's music.

Here, after countless CD releases of the Seven Deadly Sins, is the first recording sung in the key the composer originally intended! The result is relevatory, sublime and magnificent.

Ms. Von Otter interprets the rest of the songs with mixed results--all are lovely, several are excellent, though several others have been handled better by singers with more "theatrical" talents. Nevertheless, this recording stands alone, head and shoulders above the others.
Low Life Lullabies
Average customer rating: Not rated
    		Low Life Lullabies
    Tiger Lillies
    Manufacturer: Misery Guts Music
    ProductGroup: Music
    Binding: Audio CD

    GeneralGeneral | Hard Rock & Metal | Styles | Music
    Experimental RockExperimental Rock | Rock | Alternative Styles | Alternative Rock | Styles | Music
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    1. The Sea
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    ASIN: B000DN6DBO
    Release Date: 2006-03-31

    Tracks:

    1. Same Old Story
    2. Pimp Song
    3. Pervert
    4. Picadilly Lilly
    5. Queen Fora Day
    6. Bankrobbers Blues
    7. Gas Bill
    8. Maxwell
    9. Billys Blues
    10. Crude
    11. If You Knew
    12. Soho News
    13. Havre
    14. Dead
    Life Styles Of The Slow & Low : 17 Classic Oldies
    Average customer rating: 5 out of 5 stars
    • Sweet Soul Treasures
    • lifestyles of the slow & low; 17 classic oldies
    		 Life Styles Of The Slow & Low : 17 Classic Oldies
    Various Artists
    Manufacturer: Quality Records
    ProductGroup: Music
    Binding: Audio CD

    DiscoDisco | Dance & DJ | Styles | Music
    GeneralGeneral | Pop | Styles | Music
    Pop RockPop Rock | Pop | Styles | Music
    GeneralGeneral | Oldies | Pop | Styles | Music
    OldiesOldies | Compilations | Pop | Styles | Music
    GeneralGeneral | R&B | Styles | Music
    GeneralGeneral | Soul | R&B | Styles | Music
    Quiet StormQuiet Storm | R&B | Styles | Music
    GeneralGeneral | Rock | Styles | Music
    GeneralGeneral | Oldies & Retro | Rock | Styles | Music
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    Dance PopDance Pop | Dance & DJ | Indie Music | Stores | Music
    GeneralGeneral | R&B | Indie Music | Stores | Music
    GeneralGeneral | Rock | Indie Music | Stores | Music
    Oldies & RetroOldies & Retro | Rock | Indie Music | Stores | Music
    Similar Items:
    1. Lifestyles of the Slow and Low, Vol. 2
    2. Underground Oldies, Vol. 2
    3. Underground Oldies, Vol. 3
    4. Underground Oldies, Vol. 8: Rare & Hard to Find
    5. Underground Oldies, Vol. 4

    ASIN: B000001YYD
    Release Date: 1996-03-26

    Tracks:

    1. Rock 'N' Roll Gangsta - Aalon
    2. If My Heart Could Speak - The Manhattans
    3. Baby Baby Please - Timothy Wilson
    4. Lowrider Girl - Don Julian
    5. I'm Still Here - The Notations
    6. My Cloud - Joe Bataan
    7. You've Got The Makings Of A Lover - The Festivals
    8. I'm Just An Average Guy - The Masqueraders
    9. Be My Girl - The Dramatics
    10. I Ain't Got To Love Nobody Else - The Masqueraders
    11. The Party's Over - The Latinos
    12. Ain't No Big Thing On You - The Radiants
    13. Jealous Kinda Fella - Garland Green
    14. Somebody Loves You - The Delfonics
    15. When You're Gone - Brenda & The Tabulations
    16. Hey Romeo - The Sequins
    17. Let It Be Me - Tiera

    Customer Reviews:

    5 out of 5 stars Sweet Soul Treasures.......2000-12-13

    I was elated when I first ran across this CD some years ago. It contains songs, I thought, I would never hear again. I used to own many of these songs on vinyl back in the day, many of which are now rare collectables. Of the hundreds of CD's I own, this is still one of my favorites. Sweet Soul is my main music interest and this CD, in my opinion, is one of the sweetest. I encourage all sweet soul aficianados, definitely pick this one up. I gaurantee you will be just as elated.

    5 out of 5 stars lifestyles of the slow & low; 17 classic oldies.......2000-09-29

    this compilation of oldies, notations

    this compilation of oldies, notations, dramatics, etc is fabulous i enjoyed every song on this cd. i would strongly urge serious listeners who enjoy oldies to make this their next purchase. if you enjoy oldies like, dells, temprees, manhattans, madlads, five stairsteps this is the one one cd that you will like that will impress you. happy listening.

    , dramatics, etc is fabulous i really enjoyed every song this cd offered.
    Kurt Weill from Berlin to Broadway - a selection
    Average customer rating: Not rated
      		Kurt Weill from Berlin to Broadway - a selection

      Manufacturer: Pearl
      ProductGroup: Music
      Binding: Audio CD

      All Works by WeillAll Works by Weill | Weill, Kurt | ( W ) | Featured Composers, A-Z | Classical | Styles | Music
      General ModernGeneral Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
      GeneralGeneral | Classical | Styles | Music
      GeneralGeneral | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music
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      Modern & 20th CenturyModern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music
      GermanGerman | Languages | Opera & Vocal | Styles | Music
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      Similar Items:
      1. Kurt Weill: The Centennial
      2. Lotte Lenya Sings Kurt Weill / Levine, Lenya, Armstrong, Gilford, et al
      3. Kurt Weill / Songs Volume 2 - A Centennial Anthology
      4. Kurt Weill / Songs Volume 1 - A Centennial Anthology
      5. Knickerbocker Holiday

      ASIN: B00004WZTK
      Release Date: 2000-10-24

      Tracks:

      1. The Threepenny Opr: Mack The Knife - Harald Paulsen With Orch
      2. The Threepenny Opr: Cannon Song - Harald Paulsen With Orch
      3. The Threepenny Opr: Pirate Jenny - Lotte Lenya With The Lewis Ruth Band/Theo Mackeben
      4. The Threepenny Opr: Babarasong - Lotte Lenya With The Lewis Ruth Band/Theo Mackeben
      5. The Threepenny Opr: Lied Von Der Unzulanglichkeit Menslichen Strebens - Bertolt Brecht With Theo Mackeben And His Orch
      6. Happy End: Mandalay Song - Lewis Ruth Band
      7. Happy End: Surabaya Johnny - Lotte Lenya With Pno
      8. Rise And Fall Of The City Of Mahagonny: Moon Of Alabama - Lotte Lenya With The Three Admirals And Orch
      9. Rise And Fall Of The City Of Mahagonny: Denn Wie Man Sich Bettet - Lotte Lenya With Pno
      10. Knickerbocker Holiday: September Song - Walter Huston With Orch/Maurice Abravanel
      11. Knickerbocker Holiday: There's Nowhere To Go But Up - David Brooks With Orch/Maurice Abravanel
      12. Knickerbocker Holiday: The Scars - Walter Huston With Orch/Maurice Abravanel
      13. Lady In The Dark: One Life To Live - Gertrude Lawrence With Orch/Leonard Joy
      14. Lady In The Dark: The Princess Of Pure Delight - Danny Kaye With Orchestra/Maurice Abravanel
      15. Lady In The Dark: And Other Russians - Danny Kaye With Chor And Orch/Maurice Abravanel
      16. Lady In The Dark: The Saga Of Jenny - Gertrude Lawrence With Chor And Orch/Leonard Joy
      17. Lady In The Dark: My Ship - Gertrude Lawrence With Chor And Orch/Leonard Joy
      18. One Touch Of Venus: I'm A Stranger Here Myself - Mary Martin With The 'One Touch Of Venus' Orch/Maurice Abravanel
      19. One Touch Of Venus: Westwind - Kenny Baker With The 'One Touch Of Venus' Orch/Maurice Abravanel
      20. One Touch Of Venus: Foolish Heart - Mary Martin With The 'One Touch Of Venus' Orch/Maurice Abravanel
      21. One Touch Of Venus: Speak Low - Mary Martin/Kenny Baker With The 'One Touch Of Venus' Orch/Maurice Abravanel
      22. One Touch Of Venus: That's Him - Mary Martin With The 'One Touch Of Venus' Orch/Maurice Abravanel
      23. Ulysses Africanus: Lost In The Stars - Walter Huston With Orch/Victor Young
      24. Ulysses Africanus: Lover Man - Lotte Lenya With Pno
      25. One Touch Of Venus: Very, Very, Very - Kurt Weill
      26. One Touch Of Venus: Wooden Wedding - Kurt Weill
      27. One Touch Of Venus: Jersey Plonk - Kurt Weill
      28. One Touch Of Venus: The Trouble With Women - Kurt Weill
      Thixotropic
      Average customer rating: 5 out of 5 stars
      • Evan Bliss <3
      • You gotta get this CD!
      • buy this album!
      • Listen Up!
      • This is some damn good music
      		 Thixotropic

      Manufacturer: The Low Life III
      ProductGroup: Music
      Binding: Audio CD
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      1. Repossess: A Live Album

      ASIN: B0002FE82E

      Product Description

      13 Full Tracks released 2003

      Customer Reviews:

      5 out of 5 stars Evan Bliss <3.......2007-07-09

      I met Evan Bliss, the lead singer of this band, on a internet video game 4 years ago. Since hearing his music, I've probably been one of his number one fans. I've only ever talked to this guy online, and I do a bit, but I know the lyrics to almost every single song this band has ever written.
      He's done solo work since the bands split.

      If you liked this cd, which you probably did, you should also look into Evan Bliss and the Welchers. It's probably the only CD they'll have released being he's gotten married and moved to Ireland.

      The CD is absolutely amazing. "Fiona" is one of my favorite songs on the entire cd. The message in the song is well delivered. My absolute favorite is "Bag of Money". The first time I heard this song, I had hounded Evan on MSN on how he came up with such a glorious song. "It was a dream I had one night".

      The CD is filled with hits left and right. While the song "thixotropic" is just an instrumental, it's still worth listening.

      This is one of my favorite CD's in my entire collection (4500+ songs)

      5 out of 5 stars You gotta get this CD!.......2006-02-21

      The only word is WOW! I may not agree with their morals or politics but man, the music is just AWESOME! I just can't stop
      listening.

      5 out of 5 stars buy this album!.......2004-09-10

      You won't stop tapping your foot along with The Low Life. This album was giving to me by a friend and I haven't stopped listening to it. I love all the songs, but You Are Everything is my favorite. This album, or anything by The Low Life, is a great buy! :-)

      5 out of 5 stars Listen Up!.......2004-07-29

      Let me be honest. I, at first, did not like this cd. It was given to me by a friend of a friend who wanted to get the band's name out. I played it, and put it away. Maybe it was cause i was in the middle of a video game, I just wasn't interested in it at the time. But when I pulled it out a second time, I loved what I heard. Every song has very memorable opening sounds. My favorite opening has to be "Work You Did". You can't help but bob your head to the beat. My favorite songs on the album are "Bag of Money" and "You are Everything". I always love the idea of a story in a song, and "Bag of Money" has that. "You are Everything" speaks to every guy that has had a very annoying girlfriend that just can't take a hint. There are very memorable songs on the album, but those two are the two i skip to over any others. My only problem with the lyrics is this: at some points the words run together and you can't understand what they are saying. But this mostly happens when the lead singer hands the mic over to someone else for a short phrase or two. But for the most part, this cd is a very good buy. If only I knew they were playing at Artscape in Baltimore, I woulda been there. Definitaly get this cd.

      5 out of 5 stars This is some damn good music.......2004-06-23

      The low life is the best band to come out of maryland. i just saw them in concert in towson and it couldent get any better.Some of there better songs are Bag Of Money, They're coming, You Are Everything and well the whole cd is good. they also came out with a live cd which is not as good but still high quality music.Trust me you will be a fan after hearing just one of there songs.
      London Double Bass Sound
      Average customer rating: 3.5 out of 5 stars
      • I really enjoyed this cd
      • For Doublebass players
      • London Double Bass Sound
      		 London Double Bass Sound

      Manufacturer: Cala Records
      ProductGroup: Music
      Binding: Audio CD

      All Works by BlochAll Works by Bloch | Bloch, Ernest | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
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      ViolinViolin | Strings | Instruments | Classical | Styles | Music
      GeneralGeneral | Symphonies | Classical | Styles | Music
      GeneralGeneral | Classical | Styles | Music
      GeneralGeneral | Chamber Music | Classical | Styles | Music
      GeneralGeneral | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music
      GeneralGeneral | Opera & Vocal | Styles | Music
      Modern & 20th CenturyModern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music
      Musical TheaterMusical Theater | Vocal Non-Opera | Opera & Vocal | Styles | Music
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      1. Bach Unaccompanied Cello Suites: Performed on Double Bass
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      5. Tarantella

      ASIN: B00003G1O5
      Release Date: 1999-12-07

      Tracks:

      1. Elephant
      2. Mosses Fantasy
      3. I Love You, Samantha
      4. Satin Doll
      5. Carmen Fantasy
      6. Prayer
      7. Ol' Man River
      8. Wannabe
      9. American Basses
      10. Frere Jacques Fantasy
      11. Scherzo
      12. Tea for Two
      13. When I Fall in Love
      14. Take Five
      15. When I'm Sixty-Four

      Customer Reviews:

      4 out of 5 stars I really enjoyed this cd.......2004-03-19

      Being a bass player myself I really enjoyed this cd becuase of the variety of music featured on it! I hope other people can enjoy it and appriciate it as well!

      4 out of 5 stars For Doublebass players.......2000-04-30

      Nice arrangements, wonderful sound, a wide variety of songs but I wanted to listen more to Gary Karr. The interpretation of Moses Fantasy is better that the one played with the RSO Berlin Orchestra. If you are a DoubleBass player, this is a must. If you aren't, you'll hear what a doublebass can do and how sensitive it could be. I couldn't stop laughing when I heard for the first time the "sarcastic" version of Wannabe. This album is like a Raritie. If your're really looking for a serius album to know better the doublebass, this is not the first one that I'll chose. But it's really fun!

      3 out of 5 stars London Double Bass Sound.......2000-04-27

      This CD is certainly an interesting concept, however musically speaking it doesn't quite hit the mark that it intended. Fans of Gary Karr should certainly consider buying this CD because his performances are inspiring and the ensemble does a nice job of accompanying, however the selection of repetoire does not always help the bassists' fight for serious recognition. "The Elephant" sounds grotesque enough with only one bass playing it, but here there are four basses on the solo line. The jazz tunes are nice, but lack a certain excitement and the inclusion of the Spice Girls' "Wannabe", as humorous as it may have intended to be, may set the double bass back a few steps in the eyes of the general, non bass playing public.
      Life After Love
      Average customer rating: Not rated
        		Life After Love
        Low vs Diamond
        Manufacturer: Marrakesh Records
        ProductGroup: Music
        Binding: Audio CD
        ASIN: B000RWIUL2

        Product Description

        (1) Life After Love, (2) Stay Awake, (3) This Is Your Life, (4) I'll Be Produced by Mark Williams (Bloc Party, Nine Black Alps).

        Rock Music:

        1. Mercury Music Prize 2003 [Extra tracks] [Import]
        2. More Party Classics
        3. Motion
        4. Never Be Alone Again [CD-single] [Import]
        5. No Fear Pt.1 [CD-single] [Import]
        6. No Fear Pt.2 [CD-single] [Enhanced] [Import]
        7. Oh Mickey [Import]
        8. Over the Rainbow: the Songbird Collection [Import]
        9. Party Animals [Limited Edition]
        10. Pepsi More Music V.6 [Import]

        Rock Music

        rock music