Madame George

madame george

Track Listings
1. Brown Eyed Girl
2. He Ain't Give You None
3. T.B. Sheets
4. Spanish Rose
5. Goodbye Baby (Baby Goodbye)
6. Ro Ro Rosey
7. Midnight Special
8. Beside You
9. It's Alright
10. Madame George
11. Joe Harper Saturday Morning
12. Chick-A-Boom
13. I Love You (The Smile You Smile)

Madame George,Van Morrison,Pazzazz,Blue-Eyed Soul,Folk-Rock,Pop,Pop/Rock,R&B,Rock,Rock/Pop

Madame George
World's Very Best Opera for Kids... in English!
Average customer rating: 5 out of 5 stars
  • Great Intro to Operas
  • A Sampler of Greatest Hits and Karaoke, Too
  • World's Very Best Opera for Kids... in English
  • Great for adults too!
  • impressed
 World's Very Best Opera for Kids... in English!

Manufacturer: Children's Group
ProductGroup: Music
Binding: Audio CD

All Works by HandelAll Works by Handel | Handel, George Frideric | ( H ) | Featured Composers, A-Z | Classical | Styles | Music
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ASIN: B0000C5ROP
Release Date: 2003-09-23

Tracks:

  1. The Barber Of Seville: Largo Al Factotum - Gregory Dahl
  2. Carmen: Habanera - Jean Stilwell
  3. The Marriage Of Figaro: Non Piu Andrai - Allan Monk
  4. The Magic Flute: Papageno's Song - Daniel Lichti
  5. Carmen: The Toreadors Song - Brian Banion
  6. La Boheme: Donde Lieta Usci - Addio Di Mimi - Laura Whalen
  7. The Magic Flute: Der Hoole Rache (The Queen Of The Night's Aria) - Aline Kutan
  8. Rigoletto: La Donna E Mobile - Michael Schade
  9. Tales Of Hoffman: The Doll Song - Tracy Dahl
  10. Die Walkure: Ride Of the Valkyries - Laura Whalen
  11. The Marriage Of Figaro: Voi, Che Sapete - Erin Thrall
  12. Madame Butterfly: Un Bel Di Verdremo - Natalie Choquette
  13. Xerxes: Ombra Mai Fu - Daniel Taylor
  14. Rigoletto: Caro Nome - Lambroula Maria Pappas
  15. Habanera - The Budapest Concert Orchestra MAV
  16. Non Piu Andrai - The Budapest Concert Orchestra MAV
  17. Papageno's Song - The Budapest Concert Orchestra MAV
  18. La Donna E Mobile - The Budapest Concert Orchestra MAV
  19. Voi, Che Sapete - The Budapest Concert Orchestra MAV

Customer Reviews:

5 out of 5 stars Great Intro to Operas.......2006-10-16

THE WORLD"S VERY BEST OPERA FOR KIDS is a collection of fourteen of the best loved arias in the world. The whole family will enjoy this CD, which is a unique version of these famous arias in that these are all sung in English so your child (and you) can appreciate and imagine the story that it illustrates. It is a wonderful introduction to opera and will have the whole family humming the memorable melodies, which are sung by some of the best of famous voices. You will be inspired to read the storylines of the operas to your children for a wonderful educational and delightful family hour. The CD includes an insert with the words so you can sing along

5 out of 5 stars A Sampler of Greatest Hits and Karaoke, Too.......2006-04-05

It really doesn't get much better than this CD. The primary benefit of the music is that it is a terrific selection of funny and touching arias from the classical genre. I am an opera lover and bought this for myself to memorize the words in English, as prompts when I listen to the pieces untranslated. I started listening to the CD while I was driving, and within a week had bought about a dozen CDs to distribute to family members and friends, with kids (and without). Everyone loves it. And at the end of the CD are several tracks of just the music, so you can sing along, which is a hoot. Your friends and colleagues, who hear you barking along to beats, will think you have taken leave of your senses. The lyrics (in English) are in the liner notes. I would suggest not reading the liner notes while driving.

Second CD benefit. The time you spend listening to this will be the equivalent of an afternoon at the beach or a walk in the mountains. The calming factor is amazing.

4 out of 5 stars World's Very Best Opera for Kids... in English.......2006-01-30

I listen to this with my 3 year old and we both enjoy it. I am not an operatic expert and to my lay ears the performances here sound great, and my daughter likes hearing the words to some of her favorite music ("Play the Torreadores again Mommy!") Its a nice break from some more traditional kids songs that we listen to.

5 out of 5 stars Great for adults too!.......2005-08-15

I never had an interest in opera until I made a trip to Italy and dined in an opera cafe. I appreciate it even more thanks to this CD. Now that I can hear the lyrics in english and read a synopsis of the story, I appreciate and enjoy opera even more.

5 out of 5 stars impressed.......2005-08-03

We loved the music but it was a shock to have to pay almost the same price again for the CD when we collected it from the post office due to tax added on entry to Sweden - we would have liked to be warned about that.
Renee Fleming: By Request
Average customer rating: 4 out of 5 stars
  • Not all the arias were her best
  • DIDN'T QUITE FULFIL MY REQUEST
  • Fair Enough
  • Fleming's High Points Well Covered in Compilation CD
  • Beautiful indeed!
 Renee Fleming: By Request
Vincenzo Bellini , Alfredo Catalani , Antonin Dvorak , George Gershwin , Erich Wolfgang Korngold , Jules Massenet , Wolfgang Amadeus Mozart , Giacomo Puccini , Sergey Rachmaninov , Richard Rodgers , Richard Strauss , Giuseppe Verdi , Heitor Villa-Lobos , Georg Solti , James Levine , Jeffrey Tate , Patrick Summers , Sir Charles Mackerras , Lee Ritenour , Chamber Orchestra of Europe , and Renee Fleming
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

Bellini, VincenzoBellini, Vincenzo | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
GeneralGeneral | Dvorák, Antonín | ( D ) | Featured Composers, A-Z | Classical | Styles | Music
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ASIN: B0000C3ICO
Release Date: 2003-09-16

Tracks:

  1. O Mio Babbino Caro
  2. Ebben? ... Ne Andro Lontana
  3. Porgi, Amor
  4. Come Scoglio
  5. Casta Diva
  6. E Strano...Ah Fors E Lui...Sempre Libera
  7. Un Bel Di Vedremo
  8. Je Marche Sur Tous Les Chemins...Gavotte
  9. Mesicku Na Nebi Hlubokem (O Silver Moon)
  10. Vocalise
  11. Cacilie
  12. Marietta's Lied
  13. Summertime
  14. Bachianas Brasileiras No.5: Aria (Cantilena)
  15. You'll Never Walk Alone

Amazon.com

This is a compilation--plus three previously unreleased selections--of some of the glorious Renée Fleming's finest work, 15 selections covering 13 composers. The rose-in-full-bloom quality of the voice is staggeringly beautiful: Her rendition of Rusalka's "Song to the Moon" is justly famous and is, alone, worth the price of this CD. Other highlights are Marietta's Lied from Korngold's Die tote stadt, an odd arrangement of the aria from Villa-Lobos's Bachianas Brasilerias No. 5, Manon's Gavotte, and a knock-down-gorgeous reading of Gershwin's "Summertime." The three new recordings are of Violetta's big first-act scene from La traviata, which features one of the most perfect trills heard since Joan Sutherland, a thrilling Cäcilie (R. Strauss), and a version of "You'll Never Walk Alone" which is so over the-top that it might make you look away in embarrassment. On the basis of this CD, one would have to acknowledge that Fleming is more interested in--and more successful at--pure singing than she is at character delineation (Butterfly sounds oddly like Wally who sounds too much like Norma), but it's not hard to tell why she's a superstar. Her voice and technique are one in a million. --Robert Levine

Album Details

"by Request" is a Collection of Fleming's Greatest and Most Popular Recordings Including Works by Mozart, Bellini, Pucchini, Verdi and Dvorak. Featuring Recordings from Renee Fleming's Outstanding Decca Discography Together with Two Glorious Tracks Strauss "Cacilie" and Verdi's "la Traviata" a Role Fleming Performed to Critical Aclaim Earlier in 2003.

Customer Reviews:

3 out of 5 stars Not all the arias were her best.......2005-01-15

There is something lacking. Although most of these are indeed her "Best" releases, some things could have been left out. Her O Mio Babbino Caro and her Casta Diva weren't her best efforts at all. Casta Diva, sung to perfection by other revered artists, sounded too breathy and fearful here. It has good chest notes, and it is definitely better than Joan Sutherland's Norma though. Her O Mio Babbino Caro is the usual aria sung in its usual way, without leaving any trace of awe at an ability of a singer to interpret the aria. Rachmaninov's Vocalise was good, and it was great of Decca to release her Song to the Moon on this disc. However, some new additions weren't all that good as well. For example, if you listen to her excerpt from La Traviata, you will find that she sounds like she was singing jazz when uttering out "Gioir!". I think Decca should have issued the live performance version of this instead. That was so much better. Also, they should have showcased more of the bel canto repertoire she had specialized in. That would have made this CD a gem!

4 out of 5 stars DIDN'T QUITE FULFIL MY REQUEST.......2004-11-22

THIS CD DEFINITELY BRINGS OUT THE BEST IN HER REPERTOIRE. SHE IS SOLID, WARM, AND BRILLIANT ON MOST OF THE SONGS. SINCE I OWN MANY OF HER CDS MOST OF THE TRACKS I HAVE IN DUPLICATE. EVEN SO EACH VERSION HAS A DIFFERENT FEEL TO IT. HER "O MIO" IS GREAT BUT GENERALLY I FEEL THAT KIRI TE KAWANA IS A LITTLE CLEARER THAN RENEE. HER "Ebben?...Ne Andrò Lontana" IS ALWAYS BRILLIANT FROM HER HIGH ENDS TO THE NECESSARY LOW NOTES TO FINISH THIS GLORIOUS TRACK. HER COUNTESS HAS ALWAYS BEEN A STRONG AND POWERFUL CHARACTERIZATION AND HER BUTTERFLY TEETERS ON HAPPINESS AND PAIN. THESE RICH LYRIC ROLES DESERVE A SOPRANO LIKE RENEE. I WAS HOWEVER, VERY DISAPPOINTED THAT SHE ADDED "SEMPRE LIBERA" TO THIS CD AS SHE'S NEVER BEEN A COMPELLING VIOLETTA AND CAN'T EVEN MUSTER THE HIGH "C" WE ALL EXPECT NOW A DAYS. HER RUSALKA IS ALWAYS MESMERIZING AND HER SIMPLICITY ON GLUCK'S "Das Mir Verblieb" WAS AN INCREDIBLE SURPRISE. I FOUND THE OTHER SONGS BORING DUE TO THE FACT THAT I DON'T LIKE THEM AND I KIND OF WISHED SHE WOULD HAVE REPLACED THEM WITH SOME BETTER WORKS. I MISSED HER SOFT AND DEFEATED "AVE MARIA" FROM OTHELLO OR HER FULL BODIED SPOILED MUSETTA IN "QUANDO MEN VO" OR HER RICH SADNESS IN "DOVE SONO"

4 out of 5 stars Fair Enough .......2004-10-01

This is a compilation. I can't say love them I think thatpeople want to be surprised by new things, instead of um things they already own.On the other hand a die hard fan wouldn't mind having an extra cd by their favorite artist.Fair Enough.There was one aria that was new to me"Cantilena Brasileras"by Villa Lobos that was very striking.Her voice flows like an unimpeded stream with a lush vibrato.Like I read in one kid's review "Renee has a silky,creamy, instrument that is very beautiful and caresses the ear",couldn't have said it better myself. I agree. One smart kid!!! One thing that I have to comment on that will not escape is the dull cover picture. Renee get a better photographer;you're far more beautiful than that. I'm sounding like her mother,dear lord! She is a fox!

4 out of 5 stars Fleming's High Points Well Covered in Compilation CD.......2004-09-06

Just one listen to the high points of this disc will make you realize why Renée Fleming is an opera superstar. Covering a ten-year period, this compilation disc covers a most fertile period for Fleming, absolutely one of the world's leading lyric and dramatic sopranos. What is particularly impressive is how many different styles she has covered, ranging from Italian bel canto to French Romanticism to Rodgers & Hammerstein. She effortlessly sings in six different languages, including what sounds like flawless Czech on Dvorak's "Měsíčku na nebi hlubokén" (which goes back to her family roots). Her powerful voice is expressive, almost buttery, which allows the listener to enjoy the coloratura agility she has mastered over the years and the tonal qualities she specifically defines for each aria. This is most evident on my two personal favorites - "Ebben?...Ne scoglio" from Catalani's "La Wally" (which will sound familiar to fans of the French eighties noir film, "Diva") where her crystalline voice complements the increasing power of the melody, and the haunting "Mariettas Lied" from Korngold's "Die tote Stadt".

Fleming also has a good sense of the characters she is portraying, for instance, on the "La traviata" aria, "È stano...Ah, fors'è lui...Sempre libera", one gets a strong sense of Violetta's conflict between the attractions of true love versus the free life of a courtesan. She also gets some sturdy help from tenor Joseph Calleja as Alfredo in this piece. But even in this number, the effect of her daunting runs and trills can be a bit overwhelming. She does keep this in check with the slower-paced tracks like "Casta diva" from Bellini's "Norma", which uses a choir in the background to great effect, and Rachmaninov's lovely "Vocalise". The well-worn "Summertime" from Gershwin's "Porgy and Bess" is nicely covered here, and it certainly invites comparisons to even Leontyne Price's definitive version. Fleming ends the disc with a rousing version of Rodgers & Hammerstein's "You'll Never Walk Alone" from "Carousel" that grows a bit too bombastic for listening comfort. Regardless, this disc provides a nice sampling of what this truly great singer has done over the past decade. A treat for her fans and highly recommended for anyone who wants an ideal introduction to her range of talent.

5 out of 5 stars Beautiful indeed!.......2004-07-19

I'm very happy with this CD. She has a lovely voice! And what a fox! ;)
A - Z of Opera (includes 762 page booklet)
Average customer rating: 5 out of 5 stars
  • AN OPERA OPUS THAT'S A MUST!
  • The Best
  • Superb Modestly Priced Favorite Arias Collection!!!
  • Wonderful introduction to opera
 A - Z of Opera (includes 762 page booklet)
Puccini , Thomas Harper , Ingrid Kertesi , Scholars Baroque Ensemble , and Hungarian State Opera Orchestra
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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ASIN: B00004YYRR
Release Date: 2000-10-17

Tracks:

  1. L'Orfeo: Sinf/Ecco Pur Ch'a Voi - Cappella Musicale Di S. Petronio Di Bologna/Sergio Vartolo
  2. Dido And Aeneas: When I Am Laid In Earth - Kym Amps
  3. Rinaldo: Lascia Ch'io Pianga - Ingrid Kertesi
  4. Serse: Ombra Mai Fu (Largo) - Ingrid Kertesi
  5. Orfeo Ed Euridice: Dance Of The Blessed Spirits - Slovak State PO/Johannes Wildner
  6. Alceste: Ombre Larve - Theresa Ringhoz/Drottningholm Theatre Chor
  7. Don Giovanni: Madamina! (Catalogue Aria) - Andrea Martin
  8. Cosi Fan Tutte: Soave Sia Il Vento (Terzetto) - Joanna Borowska/Rohangiz Yachmi/Peter Mikulas
  9. The Marriage Of Figaro: Non Piu Andrai - Natale De Carolis
  10. Die Zauberflote: Der Holle Rache (Aria Of The Queen Of The Night) - Helen Kwon/Hungarian Festival Chor
  11. Fidelio: Abscheulicher! - Inga Nielsen/Hungarian Radio Chor
  12. Der Freischutz: Huntsmen's Chor - Slovak Phil Chor
  13. The Barber Of Seville: Largo Al Factotum - Roberto Servile
  14. L'Elisir D'Amore: Una Furtiva Lagrima - Vincenzo La Scola
  15. I Puritani: Qui La Voce Sua Soave - Luba Orgonasova
  16. La Traviata: Un Di Felice (Love Duet) - Monika Krause/Yordy Ramiro
  17. Nabucco: Va Pensiero (Chor Of The Hebrew Slaves) - Slovak Phil Chor (Bratislava)
  18. Aida: Grand March - Nat SO Of Ireland/Rico Saccani
  19. Falstaff: E Sogno? O Realita - Roberto Servile

Tracks:

  1. Rigoletto: La Donna E Mobile - Yordy Ramiro/Slovak Phil Chor
  2. Die Walkure: Ride Of The Valkyries - Czecho-Slovak RSO/Uwe Mund
  3. Tannhauser: Begluckt Darf Nun Dich (Pilgrims' Chor) - Slovak Phil Chor
  4. La Wally: Ebben, Ne Andro Lontana - Miriam Gauci
  5. Rusalka: O, Silver Moon (Song To The Moon) - Jana Valaskova
  6. Gianni Schicchi: O Mio Babbino Caro - Luba Orgonasova
  7. La Boheme: Che Gelida Manina - Jonathan Welch
  8. Madama Butterfly: Un Bel Di Vedremo - Miriam Gauci
  9. Tosca: E Lucevan Le Stelle - Giorgio Lamberti
  10. Turandot: Nessun Dorma - Thomas Harper/Slovak Phil Chor
  11. Lakme: Dome Epais (Flower Duet) - Adriana Kohutkova/Denisa Slepkovska
  12. Thais: Meditation - Janos Selmeczi
  13. Carmen: L'Amour Est Un Oiseau Rebelle (Habanera) - Graciela Alperyn/Slovak Phil Chor/Bratislava Children's Chor
  14. The Pearl Fishers: Au Fond Du Temple Saint (Duet) - Janez Lotric/Igor Morozov
  15. Pagliacci: Recitar!... Vesti La Giubba - Nicola Matinucci/Slovak Phil Chor
  16. Cavalleria Rusticana: Intermezzo - Czecho-Slovak RSO/Alexander Rahbari
  17. Andrea Chenier: Come Un Bel Di Di Maggio - Thomas Harper
  18. King Roger: Roxana's Aria - Barbara Zagorzanka
  19. Die Tote Stadt: Gluck, Das Mir Verblieb (Marietta's Lied) - Katarina Dalayman/Thomas Sunnegardh/Tomtberga School Children's Chor/Royal Swedish Opr Chor

Album Description

A-Z of Opera is a 762-page, illustrated book, accompanied by two-and-a-half hours of opera's most glorious and moving moments on two CDs, and reflects the ever-growing Naxos catalog of recordings ranging from Monteverdi to the contemporary. A-Z of Opera provides a wide range of information on operas and their composers, from Handel's Rinaldo to Mozart's Die Zauberflote, and beyond. It features plot synopses, background details and cast lists for hundreds of operas including well-known standards as well as opera rarities. In addition, there is a wealth of information about all the great composers and a glossary of key musical and operatic terms.

Customer Reviews:

4 out of 5 stars AN OPERA OPUS THAT'S A MUST!.......2003-01-19

Oh, such letter-perfect perfection! This marvel features a two-hour-plus showcase of well-known arias from "Cosi Fan Tuti," "Aida," "Carmen," "Madame Butterfly" and "The Barber of Seville." It also comes with a book --- 762 pages of remarkable facts, figures and illustrations.Encore!

5 out of 5 stars The Best.......2002-06-09

This is, by far, the best introduction to opera on the market. It also contains some gem performances for anyone who already has a serious opera collection. Several tracks on this collection of mostly Eastern European singers rival those of their Western counterparts. This is a collection for EVERYONE - from the opera novice to the person who has long collected all the major Western stars. At this price, it's the best opera bargain in the world. GET IT NOW!!! Thank you, Naxos! I hope that some of these Eastern European singers at last get the attention they deserve.

5 out of 5 stars Superb Modestly Priced Favorite Arias Collection!!!.......2001-02-12

I received this as my 20th birthday gift from my bestfriend and I was amazed at the quality and the content of this CD. Some of the arias which I am immensely fond of are included, i.e. "Habanera" from Bizet's "Carmen." And who would have guessed that the soprano on track 10 performing Queen of the Night's Aria from Mozart's "Die Zauberflote" was none other than Hellen Kwon? Amazing!

I really love this gift from my bestfriend for it was thoughtful and well, what can I say that this makes an excellant gift for opera neophytes (though I am not an opera neophyte).

The highlight of this CD is track 13, Rossini's "Largo al Factotum" from "The Barber of Seville." When I first heard this, I was contemplating to myself as to where have I heard this before. Then it hit me: Michigan J. Frog's signature tune! (In case people are wondering who on earth is Michigan J. Frog is, he is the Warner Brother's frog; the frog can be seen on WB network channel). I love this track! Buy this for yourself if not this makes a perfect gift for your opera neophyte friend(s)! This track brings joy and smiles on my face everytime I hear this piece!

5 out of 5 stars Wonderful introduction to opera.......2000-12-16

More than just a promotional sampler, the Naxos (8.555037-38) contains not only 2 CDs crammed with 39 excerpts from that company's seemingly bottomless catalogue, but also a 762 page book. The text offers plot summaries of almost every important opera and many of far lesser renown (Delius' "The Magic Fountain," Mascagni's "Iris," for example), a brief biography of the composers, a glossary, and finally a discography. The recorded examples are in chronological order from Monteverdi to Korngold. The entries in the book, however, are in alphabetical order--so be careful to look for "Zauberflote," not "Magic Flute," and so on.

Of course, Big Names do not appear on many Naxos opera sets; but this set is an introduction to that vast area of culture and is meant to be an educational (and of course a promotional ) device. Nevertheless, many of the selections on the CDs are beautifully sung, a very few lack characterization (the arias from"Don Giovanni" and "Nozze di Figaro" for two). But at this incredibly low budget price, who can complain?

As soon as I saw what this set had to offer, I immediately ordered a copy as a seasonal gift for a friend who wants to "get into" opera. I could think of no better gift.

There is a sister set titled (8.555319-20) that uses the same format. There are 2 CDs with 36 selections from Gregorian Chant to Glass. The 562-page book gives us the major facts about "the Great Composers and Their Greatest Works, " a glossary, and a 45-page list of classical music heard in films. The discography is included in the composers section. Again, the value of this set as an educational tool is enormous and well worth the extremely low price Naxos is asking.
Leontyne Price: The Ultimate Collection
Average customer rating: 5 out of 5 stars
  • The Incomparable LEONTYNE PRICE: "The Stradivarius of Singers"!!
  • Leontyne Price: The Ultimate Collection
  • The true prima donna asoluta
  • Fabulous singing, Overblown orchestras
  • Fabulous!
 Leontyne Price: The Ultimate Collection

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

All Works by BarberAll Works by Barber | Barber, Samuel | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
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Purcell, HenryPurcell, Henry | ( P ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by StraussAll Works by Strauss | Strauss, Richard | ( S ) | Featured Composers, A-Z | Classical | Styles | Music
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Barber, SamuelBarber, Samuel | A to B | Featured Composers, A-Z | Opera & Vocal | Styles | Music
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Similar Items:
  1. The Essential Leontyne Price: Spirituals, Hymns & Sacred Songs
  2. Rediscovered (Dig)
  3. Leontyne Price Christmas Songs Chants de Noel.Weihnachtslieden Wiener Philharmoniker Herbert Von Karajan
  4. Verdi: Aida/Il trovatore/Puccini: Madama Butterfly/La Rondine/Tosca/Turandot
  5. In Concert

ASIN: B00000J912
Release Date: 1999-05-25

Tracks:

  1. Aida: Ritorna vincitor
  2. Turandot: Signore, ascolta
  3. Le nozze di Figaro: Porgi amor
  4. Madama Butterfly: Un Bel Di
  5. Manon: Adieu, notre petite table
  6. Manon Lescaut: In quelle trine morbide
  7. Dido & Aeneas: Thy hand...when I am laid
  8. Il Trovatore: Che piu... Tacea la notte ...Di tale amor
  9. Les Nuits D'ete: Sur les lagunes
  10. Porgy & Bess: Summertime
  11. La rondine: Chi il bel sogno
  12. Carmen: Habanera
  13. La forza del destino: Son giunta...Madre.
  14. Vier letzte Lieder: Im Abendrot
  15. Ariadne auf Naxos: Es gibt ein Reich

Tracks:

  1. Aida: O Patria Mia
  2. TOSCA: Vissi d'arte
  3. Turandot: Tu che di gel cinta
  4. Le nozze di Figaro: Susanna
  5. Il Trovatore: Siam giunti
  6. Un Ballo in Maschera: Morro ma prima in grazia
  7. Carmen: Sequidille
  8. Il re pastore: L'amero
  9. Don Carlo: Tu che la vanita
  10. Suor Angelica: Senza Mama
  11. Anthony and Cleopatra: Give me my robe
  12. Madame Butterfly: Tu? tu?
  13. La forza del destino: Pace, pace mio Dio

Customer Reviews:

5 out of 5 stars The Incomparable LEONTYNE PRICE: "The Stradivarius of Singers"!!.......2006-08-14

This collection is a wonderful, affordable, and welcome overview of one of Opera's greatest and beloved aritsts:the phenomenal American Superstar soprano LEONTYNE PRICE.

For those Opera-lovers who first encountered Ms. Price's magical vocalism from the recording studio, this collection includes the the entire legendary "Blue Album" which many operaphile consider to be one of the finest recordings ever. The selections gathered here vividly demonstrate the reason why Leontyne Price is regarded as the supreme VERDI soprano of her generation (30 years to date) a renowned PUCCINI specialist, and one of the greatest artists of all time. Recorded in the early 60's, Ms. Price's instrument was, in her own words "a juicy lyric". The intrinsic lyricism of her voice was aligned to warm, lustrous tone that pulsated in the middle voice, yielded a dark, uniquely sensuous sound in the lower regions, and gleamed with a distinctive, fast, liquid vibrato in the upper voice. That unique vibrato was elemental to this diva's ability to infuse Verdi and Puccini's most dramatic phrases with surging power (without pushing), and still produce lovely pianos in alt - soaring there with an ease that was singular to her, and that continued to her retirement in the 2002. Elsewhere the listener is treated to the rewards of Ms. Price's natural vocal evolution, wherein her voice developed into a full spinto with the middle throbbing, creamy, and lush, the low voice alternately chesty or breathy, slightly weaker -but retaining its smoky quality. It is in her upper voice, already superb, however, that Ms. Price revealed the rewards of maturation. The upper voice became rounder, less vibrant perhaps but refulgent with greater strength at the top, meeting the out-sized demands of STRAUSS and WAGNER (missing in this compilation) amongst others, while spinning out soft, exquisite pianos, and luxuriating in the long phrases of any number of composers, not the least of which were MOZART, VERDI and PUCCINI.

Leontyne Price recorded arias and scenas from every standard repertory VERDI opera with few exceptions (Nabucco/Luisa Miller/Vespri/Falstaff) in superlative fashion. Her onstage roles included the "Il Trovatore" Leonora, the role of her sensational MET debut (that resulted in a record 42 minute ovation), thrice recorded by her, and a signature role throughout her career. The selections on this recording were culled from her first complete recording of the opera. Here Ms. Price soars effortlessly to the heights repeatedly in "Tacea la notte", and sings the cabaletta fluently. "D'amor sull ali rosee" (once the sole property of Ms. Price's Verdian predecessor Zinka Milanov) is enhanced by the soprano's expert trills, musical nuances, and the glorious vibrato that carries her gossamer tones to the floated high C in alt. She was also the leading interpreter of Verdi's other Leonora -di Vargas- in "La Forza del Destino" which the diva recorded twice. There is also a Live MET performance available on DVD, recorded when the diva was nearing her retirement from Opera. (The two selections here also hail from her first complete recording of this work) "Son giunta!...Madre pietosa Vergine" is one of Verdi's most demanding scenas for soprano, but THIS soprano was a mistress of Verdian sweep, and supplies a wealth of dynamic shadings that illustrate the desperation of the hapless Leonora. Ms. Price produces silvery, vibrant, pulsing tone with amplitude that rises to the forte climaxes, riding them without overpowering the orchestra. This role was one of her most riveting potrayals from a dramatic viewpoint. The second "Forza" aria is the great lament "Pace, pace mio Dio" and is synonymous with Leontyne Price to this day. The diva sang this aria onstage more often than any other Verdi aria throughout her long career. Here she infuses the music with sorrow and despair, her voice in service to the text, and caps the aria with her stirring cries of "Maledizione!!" on a sustained forte high Bflat. Ms. Price's successful outings as Amelia are represented by the Act II aria "Morro, ma prima in grazia" from her stellar complete recording of "Un Ballo in Maschera". She sings the aria in a hushed, somber manner, climaxing on a brilliant high C, and with a lovely diminuendo at its end. One of the several operatic roles Ms. Price sadly did not assume onstage was Queen Elisabetta from "Don Carlo". We must be grateful for her warm, glowing, majesterial account of "Tu che le vanita", replete with burnished, opulent tone throughout. The leading newspaper of Italy said of Ms. Price that "..our great Verdi would have her the ideal Aida" and that sentiment has been adopted the world over. The "Aida" selections here are the first ones recorded by the American diva, and remains a revelation. In "Ritorna vincitor" the soprano's lyric instrument is indeed "juicy", declaiming her fierce opposition to the Egyptian invaders of her Ethiopian homeland with energetic and powerful vocalism. She then masterfully delineates the young princess' dilemma with fervent and youthful passion, ending with a prayerful "Numi pieta" suffused by warm, sable-colored tone. "O Patria mia" is another of Ms. Price's most revered performances, indeed the aria that garnered her a (5) five minute ovation on live television at her "farewell to Opera" performance in the same opera. The soprano injects Aida's farewell to her homeland with rich, smoky, plangent tones that rise effortlessly to a shining high C that bedeviled some of her most illustrous rivals, and would be bettered in the future only by the wonderful Spanish soprano Montserrat Caballe - and Ms. Price herself!!

Leontyne Price performed the veristic music of PUCCINI onstage in a number of his operas that included "Manon Lescaut"/"Tosca"/Madama Butterfly"/"La Faniculla del West"/"Il Tabarro"/ and "Turandot", albeit with less frequency than with Verdi. She brought a luminous, womanly quality to all of the composer's music. Here, she sings with particular intensity and emotion as the geisha girl Cio-Cio San (her favorite Puccini role)and offers limpid, melting tone as the fiery Roman prima donna Floria Tosca -the complete opera twice-recorded and highly-acclaimed. Puccini's music for the doomed Chinese slave-girl Liu are exquisitely sung, while "In quelle trine morbide" and "Senza mamma" benefit from the voluptuous, sensuous vocalism of the more mature Price. The most outstanding qualities of this diva in Puccini's music was a femininity and humanity, inherent in all of her singing, but most pronounced with this composer. She also fearlessly sang his highest phrases with a vocal splendor and freedom unrivalled by anyone, nowhere more than as the tragic Butterfly. However, until she retired from public singing, one aria remained a trademark for this diva: Chi bel sogno di Doretta" from Puccini's rarely performed operetta "La Rondine". The performance here was her first recording of it, and is a classic in its own right. Ms. Price's voice shimmers throughout, singing the high C with astonishing purity, and caressing, velvety tone elsewhere.

MOZART's operas also brought deserved glory to Ms. Price. Her plush-toned voice was considered to be almost too rich for some early in her career. This was amply belied by the rapturous reception her onstage performances brought her, most notably as Donna Anna, the leading lady of "Don Giovanni", ironically not included in this collection. Another aria Ms. Price enjoyed singing in concert, "Come scoglio" ("Cosi Fan Tutte") is missing here as well, though she performed the role of Fiordiligi at the MET. The soprano never performed in "Le Nozze di Figaro", but sang the scena "Dove sono" often in her live concerts, understandably, because of the smooth, elegant vocalism she lavished on this music. It is truly a pity that she didn't either record or perform the entire role. "Porgi amor" (also from Le Nozze) and "L'amero" (Il Re Pastore) were extracted from a Mozart aria recording, and are well-sung, if not as memorably as other Mozarteans.

It is good that RCA included several French selections, for Ms. Price's talents were marvellously well-suited to the Gallic idiom. Leontyne Price sang the leading role of Madame Lidoine in the American premiere of POULENC's "Dialogues des Carmelites", a few performances of MASSENET's "Thais" onstage (both sadly missing from this compilation) in addition to her celebrated recordings of BIZET's "Carmen" and BERLIOZ's song cycle "Nuits D'ete". She lent a deliciously silken tone to the more nuanced passions of the French repertoire. The "Carmen" excerpts are exceptionally vivid in Price's hands, successfully capturing the earthy, sultry qualities of one of Opera's more mercurial creatures. Ms. Price's lower register is richly displayed in the Berlioz song, while Manon's wistful, poignant "farewell" is sung with delicacy and shimmery tone.

The German wing is represented by music that Ms. Price sang onstage, and recorded as well. While the diva recorded Richard STRAUSS' entire "Four Last Songs" song cycle as well as the title heroine in a complete opera recording of "Ariadne auf Naxos" , the listener gets a good sampling of the potency, range, and the "dunkel" qualities she brought to this music. Fortunately, there is a CD of Richard Strauss arias sung by Ms. Price mid-career that is impressive in its breadth, and vocally sumptuous.

Versatility was a Price by-word. In the recording studio she stylishly performed the music of composers that ranged from the early music of PURCELL's "Dido & Aneas" to the 20th Century musings of Samuel BARBER, who wrote the opera "ANTONY & CLEOPATRA" for Ms. Price to open the New MET in 1966 - another historic milestone. Both selections included here are superbly rendered by the artist. The "Dido" aria is sung with a fuller, richer tone than is usually associated with this period (though it should be noted that two great Wagnerian sopranos Kirsten Flagstad and more recently Jessye Norman have been much admired in this music), but with no loss of style, her vibrato evoking pathos and beauty in this plaintive music. The "Antony" scena is sung with all of the majesty, seductive guile, and courage of Cleopatra, one of history's most storied women - and Ms. Price shines in this music written expressly for her voice. RCA also includes the diva's inimitable performance of "Summertime" the opening aria of GERSHWIN's American opera "Porgy and Bess".

This compilation is a superb introduction to the glories of this magnificent artist for a neophyte...and a treasure trove of musical excellence for the connoisseur of great voices, and they come no greater than America's diva assoluta soprano LEONTYNE PRICE.

5 out of 5 stars Leontyne Price: The Ultimate Collection.......2005-07-20

This was the first time I ordered anything from you. I was very happy with my selection. Delivery was fast and accurate, I immediately played my CD and have enjoyed it since.

Rolande M. Collins

5 out of 5 stars The true prima donna asoluta.......2002-05-23

Ms. Leontyne Price is the quentisential diva. I fell in love with her when I started studying music at the conservatory level. Her phrasing, tone, quality, and endless range are breathtaking. This CD features selections from when she was vocaly at her best. Even though I could go without the Ariadne and Cleopatra, the rest of the CD is simply marvelous. I cannot stop listening to D'amor sull'ali rosee, which I think is the best interpretation and performance of the piece that I have ever heard!!! I prefer Price over Sutherland, Caballe, Freni, and Fleming any day. Her high tones give you the feeling of floating on clouds. This is one of the best CD's in my entire classical/Opera collection. Whoever purchases this CD, it will be worth your while.

4 out of 5 stars Fabulous singing, Overblown orchestras.......2002-04-10

When I was first getting interested in opera, during the late 1960s - early 1970s, Leontyne Price was still singing at the Met, but I could never get a ticket because she only sang five performances a year (later, three). She said this was to "preserve" the voice but, as I learned from those who actually did hear her in person, her mid-range was deteriorating at that time until it was practically inaudible (though her high notes and lower range still sounded great). Also, to be honest, as a youngster I was put off by the promotion of her albums...all those fancy pictures of her in diamonds and furs just seemed so ostentatious to me, and listening to her on records was not always a pleasurable experience. Her voice so often sounded swamped by those loud, blaring, overblown orchestras.

But then I heard a remastering of the famous 1961 "Aida" with Vickers, Gorr and Merrill, and I realized how great a singer she was. That's when I started listening more seriously, and discovered a soprano who had a thorough command of her voice from the late '50s to the late '60s, not only in terms of vocal color but also in terms of phrasing. Listening to Price in her prime is incredible...she almost sounds as if she never breathed, her phrasing is so beautifully bound and poised. At the same time, however, I was disappointed by RCA's choice of partners for her on recordings. ...

This set goes a long way towards restoring the legend. Stripped of her sub-par partners (with the exception of Corelli's belting in the "Seguidilla" from "Carmen"), one can listen to Price's voice uncompromised, and it is a thrill. Even when the orchestra sounds detached and uninteresting, as it often does, Price seems to be on an entirely different wavelength, giving out with passion and great musicality. As for the selections chosen, they represent an excellent cross-section of Price's best work, even though the Purcell and Berlioz sound awfully heavy by today's standards and I can live without the "Anthony and Cleopatra" selection or the Strauss song.

One caveat I have is the lack of discographical information. No dates, orchestras or conductors are given. This is a grave injustice, even though the backup does not always meet expectations. On the plus side, all of the legendary "blue album" (her first recital discs for RCA in 1961) is presented complete, including the two selections from the July 1959 "Il Trovatore" that were on that LP...and in MUCH better, more focused sound. For this, and the heavy orchestral sound, I give the set only 4 stars...but for the singing alone I would give it eight!!

5 out of 5 stars Fabulous!.......2002-01-19

The only alternative to Joan Sutherland. An equally gorgeous and fabulous voice. A true diva that puts me to tears. Sensational recital of so many gems.
Opera's Greatest Duets
Average customer rating: 5 out of 5 stars
  • Excellent selections
 Opera's Greatest Duets

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

Bellini, VincenzoBellini, Vincenzo | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by GershwinAll Works by Gershwin | Gershwin, George | ( G ) | Featured Composers, A-Z | Classical | Styles | Music
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All Works by OffenbachAll Works by Offenbach | Offenbach, Jacques | ( O ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by PucciniAll Works by Puccini | Puccini, Giacomo | ( P ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by VerdiAll Works by Verdi | Verdi, Giuseppe | ( V ) | Featured Composers, A-Z | Classical | Styles | Music
GeneralGeneral | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music
General ModernGeneral Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
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ASIN: B000003FRB
Release Date: 1994-09-27

Tracks:

  1. Otello: Gia nella notte
  2. Les pecheurs des perles: Au fond du temple saint
  3. Il Trovatore: Se m'ami ancor ... Ai nostri monti
  4. Don Giovanni: La ci darem la mano
  5. Madama Butterfly: Scuoti quella fronda (Flower Duet)
  6. La forza del destino: Solenne In quest'ora
  7. La Boheme: O soave fanciulla
  8. Les Contes d'Hoffmann: Belle nuit (Barcarolle)
  9. Don Carlo: E lui! desso! l'Infante! ... Dio, che nell'alma infondere
  10. Porgy And Bess: Bess, You Is My Woman Now
  11. La Traviata: Parigi, o cara
  12. La Boheme: In un coupe? ... O Mimi, tu piu non torni
  13. Norma: Mira, o Norma
  14. Otello: Ah! mille vite ... Si, pel ciel marmoreo giuro!

Customer Reviews:

5 out of 5 stars Excellent selections.......2001-12-26

Excellent opera selections. Good range of different operas. The singers themselves are well known. Highly recommended to anyone getting into classical music.
Heavenly Adagios
Average customer rating: 5 out of 5 stars
  • Two and a half hours of divine music...what more can I say?
 Heavenly Adagios

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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ASIN: B0000DJZ7H
Release Date: 2003-11-04

Tracks:

  1. Jesu, Joy Of Man's Desiring - Karl Munchinger
  2. Meditation - Nigel Kennedy
  3. In Paradisum - Iwan Edwards
  4. Gymnopedie No. 1 - Charles Dutoit
  5. Flower Duet - Joan Sutherland
  6. The Swan - Jascha Silberstein
  7. Sleepers Awake - Raymond Agoult
  8. Humming Chorus - Vienna State Opera Chorus
  9. Nimrod - Sir Georg Solti
  10. Walk To The Paradise Garden - Sir Charles Mackerras
  11. Pavane, Op. 50 - Iwan Edwards
  12. Panis Angelicus - Julian Lloyd Webber
  13. Ombra Mai Fu (Largo) - Anthony Way
  14. The Lark Ascending - Iona Brown

Tracks:

  1. Clair De Lune - Pascal Roge
  2. Sheep May Safely Graze - Karl Munchinger
  3. Symphony No. 3 - Second Movement (Excerpt) - Joanna Kozlowska
  4. Stabat Mater - Judith Raskin
  5. Ave Maria - Julian Lloyd Weber
  6. Adagio - Miklos Perenyi
  7. Ave Verum Corpus, K618 - Peter White
  8. Andante Molto Mosso: Scene By The Brook - Hans Schmidt-Isserstedt
  9. Dance Of The Blessed Spirits - Karl Munchinger
  10. Largo - Colin Davis
  11. Wiegenlied (Lullaby), Op. 49 No. 4 - Marisa Robles
  12. Adagio - Valery Gergiev
  13. Air On A G string - Sir Neville Marriner

Customer Reviews:

5 out of 5 stars Two and a half hours of divine music...what more can I say?.......2006-02-27

Well, a lot! And since no one else has taken the trouble to review my favorite Adagios collection, I'm just gonna hafta go an' do it myself, won't I?

Starting with the stunningly gorgeous 'Jesu, joy of man's desiring' by Bach, this tape reels you in instantly. I'm not much of a fan of 'slow' and 'peaceful' music; I like the beautiful, sublime type that just makes you tingle all over whenever you hear it. (If only Canon in D was in this tape my cup of joy would overflow) Anyway, don't stop listening because Delibes' 'Flower Duet' comes soon after and it is the very meaning of divine. I listen to the taoe just to hear that one song over and over--but not too much, or it'll loose it's touch. This is a Opera duet (sorry, don't know technical terms, my passion is music, not the science of) sung by two women, for those of you out there like me who know practically nothing!! Gorgeous! Sugoi!! (That's Japanese)

Ahem.
The lovely 'Ombra mai fu' (which, I believe Elizabeth Bennet's sister horribly sings in the BBC Pride and Prejudice miniseries) is another memorable piece (hear the previews of these titles, please) and finally, William Vaughan's 'The Lark Ascending' a sixteen minute piece of violin heaven played so expertly you will see larks flying in circles about your head--or is that because your noggen got whacked?

Well, as for the second CD, it wasn't quite as memorable, but it's up against perfection, ok? Brahms' 'lullaby' (yes, THAT lullaby) is really sweet and of course there's 'Claire de Lune', a favorite of the Adagios collection, besides 'Sheep may safely graze' and 'Air on a G string'. (Honestly, does EVERY Adagios collection have that one? It's not even that wonderful.)

But what am I going on and on for?
BUY IT!!!!

NOW!!!!

STOP THINKING ALREADY AND BUY IT!!!
=^-^= Bedroom Adagios
Average customer rating: 5 out of 5 stars Bedroom Adagios

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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ASIN: B0000BWVBV
Release Date: 2003-09-09

Tracks:

  1. Concerto For Harpischord, Strings, And Continuo No. 5 In F Minor, BWV 1056 - Raymond Leppard
  2. Concerto Grosso In B Minor, Op. 6, No. 12 - The Academy Of St Martin-In-The-Fields
  3. Pavane For A Dead Princess - Steve Erquiaga
  4. Romance For String Orchestra - The Academy Of St Martin-In-The-Fields
  5. Carnival Of The Animals - Pittsburgh Symphony Orchestra
  6. Bachianas Brasileiras No. 5 - Alexandre Lagoya
  7. En Bateau - l'ochestre de la suisse romande
  8. Humming Chorus - BBC Concert Orchestra
  9. Sicilienne - Steve Erquaiaga
  10. Italiana - The Academy Of St Martin-In-The-Fields
  11. Una Furtiva Lagrima - BBC Concert Orchestra
  12. Chanson De Matin, Op. 15, No. 2 - BBC Concert Orchestra
  13. Suite In E Major For Lute, BWV 1006A/1000 - Eduardo Fernandez
  14. Touch Her Soft Lips, And Part - Bournemouth Symphony Orchestra
  15. Suite for Cello Solo No. 3 In C Major, BWV 1009 - Pepe Romero
  16. Jesu, Joy Of Man's Desiring - Julian Lloyd Webber
  17. Pavane - Nicholas Kraemer
  18. Serenade For Strings In E Major, Op. 22 - The Academy Of St Martin-In-The-Fields

Tracks:

  1. O Mio Babbino Caro - BBC Concert Orchestra
  2. Cavatina - Goran Sollscher
  3. La Fileuse - L'Orchestre De La Suisse Romande
  4. Flower Duet (Sous Le Dome Epais) - BBC Concert Orchestra
  5. Pied-En-L'Air - Nicholas Kraemer
  6. Arioso - Steve Erquiaga
  7. Two Aquarelles - English Chamber Orchestra
  8. In Paradisum - Stephen Cleobury
  9. After A Dream - Steve Erquiaga
  10. Suite For Cello Solo No. 1 In G Major, BWV 1007 - Mischa Maisky
  11. My Bonny Boy - The Academy Of St Martin-In-The-Fields
  12. Concerto For Guitar In D Major, RV 93 - Eduardo Fernandez
  13. Un Bel Di - BBC Concert Orchestra
  14. Holbert Suite, Op. 40 - Gothenburg Symphony Orchestra
  15. Concerto For Oboe In D Minor, BWV 1059 - Heinz Holliger
  16. Vissi D'Arte - BBC Concert Orchestra
  17. Sheep May Safely Graze - William Bennett
  18. Fantasia On Greensleeves - William Bennett

Customer Reviews:

5 out of 5 stars Exceptional Collection.......2003-12-31

I have heard many, many classical "mood" collections, and this is one of the best, with many surprise selections.
It is consistently restful and calming.
I recommend it highly.
25 Opera Favorites
Average customer rating: 3 out of 5 stars
  • No Words to Describe
  • AWESOME!
  • I agree
  • herlea is non-human...
 25 Opera Favorites

Manufacturer: Vox (Classical)
ProductGroup: Music
Binding: Audio CD

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