Straight to the Heart [Import]
Track Listings
| 1. Run Away |
| 2. Straight to the Heart |
| 3. Mystery |
| 4. Realengo |
| 5. There's a War |
| 6. Already Here |
| 7. Can You See Me |
| 8. Night Falls |
| 9. It's About Time |
| 10. Save Your Goodbyes |
Editorial Reviews
Product Description
Reissue of the 1978 album with original tracklisting and artwork in a special collector's digipak. Also features 6 tracks from '77 album 'Listen' feat. Carole King. 2000 release.
Straight to the Heart,Navarro,Magic,Pop,Rock/Pop
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Straight to the Heart
David Sanborn Manufacturer: Warner Bros / Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002L6N Release Date: 1990-10-25 |
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Raw and Live: Sanborn -- the Original -- at His Best.......2006-08-24
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SIZZLIN' WITH TASTE!!!.......2005-02-02
COOKS!!!.......2004-06-09
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Walk the Worn out Floor
Julie Wolf Manufacturer: Palimpest Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005Y954 Release Date: 1997-10-16 |
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Better than Nora.......2004-12-24
What I've been missing!.......2004-04-24
Elegance.......2002-08-05
"If I Loved You" a song first penned by the duo of Rodgers and Hammerstein becomes Julie's. I'm taken aback time and time again by the maturity in her phrasing, not only on this song, but on so many of the songs in this collection. A gorgeous melancholy and quiet introspection live and breathe on this track. She posseses the ability of being able to deliberately hang on a phrase, a note, and then, allow it fall a bit behind the song's natural rhythm.
Listening to "Love is Like a Cigarette" I'm always taken aback by the softness, the gentle air that resonates in the woman's voice. "Trust in Me" a song by Denny Goodhew, is sung to perfection. The interplay between the words, her piano and her voice, astounds me. She touches me with the 'feeling' of all three as they merge into one, imparting an opening of the soul.
She does an interpretation of Keith Jarrett's "My Song". This song is just to beautiful, it kills me, leaves me in a gorgeous restful place-everytime. The lyrics written by Rhiannon, a friend of Julie's, overlap and seemingly decode the sax melody played on the original version. "A Mountain Atop a Mountain" is breathtaking. Close your eyes and you're floating totally free as the airiest of cellos plays the melody, it's quietly taken over by Hans Teuber's flute, flying just abit higher and then the sweetness of Julie's voice, holds you as the same melody is finished as it should be, with her angelic tones in duet with the flute. Listening to her arrangement of "Baby Plays Around", you hear an ominous series of basslines being played behind the lyrics, by John Silverman. It darkens the music and for myself, matches the many moods being sung by Ms. Wolf. Julie weaves many emotions as she sings the lyrics. She moves from a sad timbre, a voice of anger, of worry, for what is to become of both of them. She touches on a complicated matter of factness. A place where a person finds acceptance of the truth in someone they love beyond measure, beyond longing, beyond reason yet deep remorse in finally having let go. A proud love but one that may make you ashamed to have fallen so deeply for them.
"Don't Go to Strangers" not only showcases Julie Wolf's voice but also her extremely tasteful soloing. I really don't know what jazz pianists she's studied, but I hear bits of everyone from Jarrett, a bit of Corea, a touch of Zawinul, colors of Lyle Mays' solo work, a sprinkle of Donald Fagen.
Ah, what an artist. She moves quite easily from the melodies of Annie Lennox to Rodgers & Hammerstein to a self penned song called "The Wall". This song, "The Wall", is a promising look into what the woman could offer us if we could only get another Julie Wolf solo cd. Julie left me wanting to know more about the character she's singing about...and that's exactly the intent. We all put up walls in our lives, for protection of our hearts, for the sake of diverting someone who's getting alittle to close, or just a wall to put up the memories. On "Daisy Petals on My Head", a cd by her sister Kate, you can hear one song co-written by Julie, yet I would love to hear more of Julie's solo music.
There really isn't to much on Julie Wolf out in 'webland', I've looked. It's a shame that an artist of her ability, her promise, her grace is for our purposes, living a musical life of such anonymity. The talent of this woman is immense. I'm so proud to know of her talent. I'm so very happy that I've come to know her music. Her touch on the piano is as delicate as her voice, yet her ability for interpretation is so far beyond what has become celebrated in today's 'so called music'. To have Julie Wolf acknowledged by today's standards of artistry would be a giant step downward to mediocrity.
I'm very proud to have met Ms. Wolf in person. She left me feeling a wonderment, a melancholy that only a person of that kind of elegance could bring.
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Customer Reviews:
With inspiring enthusiasm, electrifying rhythms that recall Sandi Patty's finest moments, and a radiant, clear voice she speaks in her songs about God's strength and majesty that pass our understanding, about Jesus' sacrifice at Calvary, about the encouragement and hope we can find in life's often difficult and ugly circumstances, and last, but not least she tells us that we are all God's creation and can be His children, loved ones, called to take His love into this world.
The professional singer with a Bachelor's degree in music who performed with well-known artists such as Bryan Duncan, Al Denson and Patty Cabrera was among the Top 25 Finalists in the 2001 Do Good Music Competition. She is a very talented performer of narrative, inspirational ballads such as One King, Two Crowns and Artist Of My Soul, and beautiful yet simple songs such as Fernando Ortega's Give me Jesus, a song she performed on her first album One King, Two Crowns (2000) with a beautiful, clear voice and a moving cello interlude. The arrangements of her ballads are smooth, dominated by piano or guitar, and powerfully orchestrated in her up-tempo songs. The meaningful lyrics and her voice stand in the center.
Apart from the United States she has a heart for people in Japan. As a spokeswoman for Asian Access / Life Ministries she longs to bring the gospel to the Asians. And it's for them in particular that she sings a beautiful, somehow Asiatic version of Iesuo Kudasai (Give me Jesus) and He Is Exalted (translated Syuo Homeyo Takarakani).
Jilleen-a fresh, beautiful voice with a clear and important message! Look for her latest CD, Summon Your Power (released in Sept. 2003, Jilleen's Records, Mission Viejo, California), with beautiful ballads such as Alabaster Box (Janice Lyn Sjostrand) and How Could I Ask For More (Cindy Morgan), and more energetic, sharper rhythms in songs like In Not Of or Summon Your Power! It's worth listening to!
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"One of my favorite albums of the year." --Bill Binkelman, KFAI-FM, Minneapolis
"Soulful ... sculptures of sound." --Larry Parnass, Daily Hampshire Gazette, Northampton, Mass.
"Spellbinding lullabies for children and adults alike. A perfect gift." --Mara Applebaum, New Age Retailer
"Listen to this CD and try to *not* feel your breath deepen, your body soften, and your mind relax and begin to melt. Go ahead. I dare you." --Sudhir Jonathan Foust, president of Kripalu Center for Yoga and Health, Lenox, Mass.
* * *
The artistry of a classical musician.
The serenity of a yoga teacher.
NIGHTINGALE, the solo recording debut of the orchestral flutist-turned-improvisational artist Sarah Swersey, cuts straight to the heart, transporting the listener on a deeply inward journey to a place of emotion and stillness.
These improvised lullabies are far from being mere sleep aids--they're ideal accompaniment for yoga (Sarah is a Kripalu-trained teacher), massage, meditation, and relaxation, and the stunning solo flute sound most definitely stands up to active listening as well.
Half of the tracks in this enchanting collection are based on traditional melodies from a world of cultures: the Yiddish children's song "Alef Bas," the Sephardic lullaby "A La Nana y La Buba," and "Arrorro," a graceful Spanish song that Sarah used to perform in concert halls around Europe during her days as principal flutist with the Orquesta Sinfonica de Tenerife in the Canary Islands. True to her classical roots, Sarah also plays sweet variations on the Brahms Lullaby.
Perhaps most engaging, though, are Sarah's original compositions, particularly the emotionally charged 16-minute "Nina's Peace," dedicated to a cousin who died young. Another original, "Mozaique," evokes the sounds, sights, and smells of a family trip to Israel when Sarah was 7 years old.
NIGHTINGALE was co-produced by 2002 Grammy nominee David Darling, the innovative cellist who has featured Sarah's flute on three of his most recent improvisational recordings.
Customer Reviews:
Sarah began playing at the early age of 9 and then later earned her master's degree at Yale University School of Music. She has toured the United States, Soviet Union and Europe with the American Soviet Youth Orchestra. She also spent years as principal flutists with Oruesta Sinfonica de Tenerife in the Canary Islands. Since her return to her native New York, she has performed at Weill Recital Hall at Carnegie Hall and at the Tanglewood Music Festival. Her music has been featured in Yoga Journal and Body & Soul.
She is also a trained and accredited Kripalu Yoga Teacher and her music does speak of the inward journey. She seems to excel at spontaneous expression and when she leaves the cage of sheet music at home, her true inner beauty is set free in spellbinding sounds.
It is as if you are being called by a dancing spirit winding its way into a mountainous region where the notes echo in the most mysterious of ways. Or perhaps it is a magical nightingale singing sweetly to you as you remember moments of your childhood when you felt safe and nurtured as you fell into a contented sleep. These are the dreams of babies or the fulfilled longings of the soul. Either way, this music will take you back to the most peaceful place in your life.
"Sounds echoing off walls of caves in the distance" explains the haunting quality, but doesn't even explain the sweet innocence and heart stirring elements of Sarah's playing. Then, there are elements of wistfulness, a lingering and delicate ambiance and mesmerizing elements that will lead you to a state of complete peace.
A number of tracks in this collection are improvised lullabies based on cultural favorites. This collection is haunting, calming, beautiful and inspired! A must-have CD for your relaxation collection. Sarah Swersey's music frees the heart.
~TheRebeccaReview.com
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Rock Music:
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Straight to My Heart: The Music of Sting
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"Blue Island" is one of the more upbeat tracks, and opens the CD with a swirling and sparkling feeling. I had the pleasure of seeing Brenda Warren perform some of the tracks from this album live, and "Remembering You" is so emotional that it still deeply effects her every time she plays it. The mournful cello and violin accompaniment adds even more depth to the feeling of loss and remembrance. This is an amazing piece. "Sitting On A Star" is a bit lighter in mood. Dreamy and gentle, one can feel the peace of sitting on a star, watching the wind, moon, and other stars. "Waterfall" reminds me a lot of Janie Horton's fluid, melancholy music. Very improvisational in feeling, this piece is both peaceful and evocative. "Ancient One" is one of my favorites. Dark and mysterious, this is an ensemble work with piano and string quartet. It reminds me a little of the theme from "Requiem For a Dream," with an unsettled mood and a lot of inner turmoil. I like this one a lot! "Moonlight" is another favorite. Dark, but very peaceful, it is both flowing and graceful. "Goodnight" follows "Moonlight" almost as a continuation of the mood. "In the Light Again" is another beauty, full of hope and moving forward.
Brenda Warren has produced a stunning collection of piano solo and ensemble works with "As Years Go By."
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Mostly Carolina beach music, which is not a good thing .......2006-02-28
"Carolina Beach Music", music so awful that outside of the the two Carolinas, Georgia, maybe Virginia, no one knows what it is or could stand to listen for long. While in the majority of the known universe, the term "shag" refers to the sex act, the ironic thing is that "shag" refers to something altogether different in the Bible-Belt extremist conservative southeastern US (and thank God, nowhere else), that being a sped-up swing dance done to mostly really bad local R&B music performed by really talentless groups of the region. That is the garbage you will hear in this compilation.
While the word "shag" speaks to the sex act, the shag dance is definitely a mood-killer for any normal human being. You've got to see it done to see what a total sexual turn-off this dance is - it's about as sexy as a Texas two-step, yet an entire culture of mediocrity that only exists in the south Atlantic has grown up around this effeminate, laughable Lindy done at warp-speed. It's definitely more embarrassing to witness when performed by a male of the species, but is still pathetic when done by anything with two legs.
Notwithstanding their on-stage outfits of the period, the Beach Boys music of their golden days in the 1960's had much too much class and sophistication to qualify as beach music (plus, you can't shag dance to it), but those unsuspecting people who move to the southeast from other parts of the US or world always assume that is what is meant by "beach music". Maybe that is true in the universe at large, but not in the southeast. Although the great songs of the Drifters and many classic Motown songs have been unfortunately labeled as "beach music" by those involved in the culture, "Carolina Beach Music", more specifically, is much more often than not simply embarrassingly awful music written and performed by bands from the Carolinas, usually aging white men wearing Sansabelt pants and Hawaiian shirts. The Band of Oz, the Embers, the Breeze Band, the Poor Souls, Billy Scott and the Prophets, the Catalinas, the Fantastic Shakers, are but a few of the local bands that make tons of money in the southeast and that could not get arrested off of their home turf. The popularity of this garbage being confined to the Carolinas says alot about the taste of the residents of those two states.
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Straight to the Heart
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