Sylvie Desgroseilliers [Import]

sylvie desgroseilliers [import]

Track Listings

1. Lumiere

2. Aimer D'Amour

3. Where Peaceful Waters Flow

4. Cela Vaut Mieux

5. Maman Viens Chercher Ta Fille

6. Funkysation

7. Ta Chanson

8. Une Femme Avec Toi

9. L'Esclave

10. Un Peu Plus Haut, Un Peu Plus Loin

11. How I Got Over

12. Amazing Grace

Editorial Reviews
Product Description
Sylvie Desgroseilliers is one of the most noticed voices in the artistic scene. She plays the leading female part in Generation Motown and she holds one of the principal parts in the Belle et Bum program. 2005.

Sylvie Desgroseilliers,Sylvie Desgroseilliers,Universal,Rock,Vocal

Sylvie Desgroseilliers [Import]

Arnold Schoenberg: Serenade/Five Pieces For Orchestra

Average customer rating:

I guess I'm not as sophisticated as all of you...
A convert
Excellent performance
A Devastating Five Pieces - A desert island CD
BUY IT

Arnold Schoenberg: Serenade/Five Pieces For Orchestra

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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Schoenberg: The String Quartets
Arnold Schoenberg: Suite, Op. 29, for 2 Clarinets, Bass Clarinet, Violin, Viola, Cello & Piano / Verklärte Nacht, Op. 4 (Sextet for 2 Violins, 2 Violas & 2 Celli) - Ensemble Intercontemporain, Pierre Boulez
Schoenberg - Die Glückliche Hand · Variations for Orchestra, Op.31 · Verklärte Nacht / Nimsgern · BBC Orch. · NY Phil. · Boulez
Schoenberg: Chamber Symphony No1; Die Jacobsleiter
Berg: Chamber Concerto; Three Orchestral Pieces, Op. 6; Violin Concerto

ASIN: B000002818
Release Date: 1993-07-13

Tracks:

Serenade, Op. 24: I. Marsch
Serenade, Op. 24: II. Menuett
Serenade, Op. 24: III. Variationen
Serenade, Op. 24: IV. Sonett Von Petrarca: 'O Konnt' Ich Je Der Rach' An Ihr Genesen'
Serenade, Op. 24: V. Tanzscene
Serenade, Op. 24: VI. Lied (Ohne Worte)
Serenade, Op. 24: VII. Finale
5 Pieces for Orchestra, Op. 16: I. Vorgefuhle
5 Pieces for Orchestra, Op. 16: II. Vergangenes
5 Pieces for Orchestra, Op. 16: III. Farben
5 Pieces for Orchestra, Op. 16: IV. Peripetie
5 Pieces for Orchestra, Op. 16: V. Das Obligate Rezitativ
Ode To Napoleon Buonaparte, Op. 41

Amazon.com

Schoenberg's Serenade is comparable to Stravinsky's The Soldier's Tale. Both works are effective modernist parodies of classical genres. But unlike Stravinsky, Schoenberg's treatments of marches and waltzes are never coolly burlesque, but hyper expressive--indeed, expressionist. Pierre Boulez conducts his Ensemble InterContemporain, underlining the music's prickly sonorities and metallic edges. In his interpretation, the expertly separated timbres are the hinge of the composition. Also on the disc is a classic reading of the Five Pieces for Orchestra and the curious Ode to Napoleon, a work for ensemble with narrator. --Joshua Cody

Customer Reviews:

I guess I'm not as sophisticated as all of you..........2006-09-20

Depth? Genius? This stuff sounds like your watching an old Bugs Bunny cartoon. Its like the background sound effects when Yosemite Sam steps on a rake or Daffy does a double-take. Imagine being Ray Charles or Andrea Bocelli and "watching" old cartoons: it's the same experience. But in this case, I'd rather be Marlee Matlin.

A convert.......2006-05-09

I would like to speak in regards to what some reviewers are saying about the works of Schoenberg. I will admit that the first time I heard Schoenberg, I wrote him off as weird music that I would never like and was not worth listening to. In my defense, the first work I heard was "Pierrot Lunaire" which is a very hard work to understand. But I was assigned a paper of the Second Viennese School and its influences for music history and was forced to really listen to these works among others by much more extreme composers like Boulez and Cage (who I have yet to understand, but I am still young!) Once I stopped grumbling about how much I hated serialism and let myself really HEAR the music, I started to understand it and gained a begrudging respect for Schoenberg, which became a genuine liking. So in light of this, I dare anyone who is so willing to bash Schoenberg outright to really listen to his works and the works of those he influenced with an open mind and see if you can't at least respect the music for what it is.

Excellent performance.......2006-03-25

Having owned nearly all avaliable recordings of all Schonberg, I have found all of Boulez's recordings on Sony to my favorite.

It has been 3 yrs now that I first discovered Schonberg and my love for his music grows more everyday, high genius indeed.
I love almost everything he wrote, but as to his Pelleas, even Schonberg said he was only satisfied with the last part.

Now as to A Music Fan's comments on his This Music Stinks and Ong's in his World comming to an end, this might have been something I wrote back in my early to mid years of adventures in classical music, say 1980-2001.
But you see I grew in a psychological sense and my awareness of what great art is, had made a profound transition into the modern era.
(read all my reviews)

But for some to give either a vote of "no, not helpful", shows we still have way too many under the 13 year olds clicking the vote buttons.
Why even click the vote?
Sure I realize you strongly disagree with both, that you love Schonberg as much as I, maybe more, which I doubt, so why even bother with these 2 who may not ever come to know Schonberg while upon this earth.
That in itself is a big loss to their experience in life.

I see the same youths post on my reviews a "no, not helpful".
Well if you disagree with either Ong and A Music fan, write your own rebuttal to these 2 guys.
Just don't click a button , write a commen of your appreciation for Schonberg's genius.

The old form is clashing with the new. As the romantic and classical eras must give way to 20th century music, I forsee some contentions at the ineviatable changes that are about to occur.
Sure some will want to atke it to battle, as the other side really does not want to give up an inch of its power.
Thus, don't expect many of us modern fans to be at your shows.
The attendance numbers will dwindle, profits will shrink.
If you give us what we want, which is an all modern program, once in awhile, we'll gladly pay the price of the ticket.
Otherwise have fun at YOUR "program".

A Devastating Five Pieces - A desert island CD.......2005-07-15

I still remember the first time I heard this recording of Boulez conducting the Five Pieces. I had heard the work before but the degree of electricity here was something that came as a complete shock to me. From the first note to last this Five Pieces is totally devastating. This is a performance that makes Schoenberg's Mahlerian heritage absolutely clear only he is so much more concentrated and focused in his delivery that the results for me are just shattering. The rapport that Boulez enjoyed with the BBC orchestra at this time is something I have always marvelled at but this takes it to another level. Of course the inner movements are also allowed moments of hushed poetic repose but the outer movements really do remind me of what Robert Craft said of the final pages of the last of the Five Pieces - that it was the greatest thing written in the twentieth century. That statement really surprised me and I think maybe it was a spur of the moment outburst but Boulez does a greater job than anybody of convincing me of its truth.

As for the Seranade, I love this performance. Schoenberg always had a great awareness of early music - perhaps inherited from Brahms. Webern of course even wrote his PhD thesis on Heinrich Isaac's Choralis Constantinus and in his writings Schoenberg refers to composers such as Josquin reasonably frequently. It is highly likely he was also familiar with the madrigals of the late Renaissance period, referred to the Seconda Prattica by Monteverdi. Poets such as Petrach and Tasso were popular amongst madrigal composers and the madrigalian feeling is even further accentuated by the use of instruments such as the mandolin for accompaniment making it sound even more like a twentieth century madrigal. It is a charming and enjoyable work, quirky and mercurial.

The final work on this CD is the Ode to Napolean in which Schoenberg spits vitriolic hatred at Hitler. I have always found Schoenberg's command of English language inflections to be less than perfect - you can hear a slight German accent in the Sprechstimme. Musically by this time Schoenberg starts to also sound increasingly more and more like Brahms and the opening statement by the string quartet and piano has a theme vaguely reminiscent of the opening of the finale of the Brahms Opus 25 G minor piano quartet (the one Schoenberg transcribed for orchestra)! Boulez has always been critical of this tendency in the later Schoenberg but I must confess to liking it. The work is a tour de force - fiery and passionate, yet uplifting and hugely appealling such that I am always surprised it is not played more often, especially when it pays such glowing hommage in the closing passages to George Washington.

All in all this is a desert island CD for me - most especially for the Five Pieces, which is one of the greatest performances of anything I have yet to hear.

BUY IT.......2001-02-28

Somebody who dislikes the music presented on this CD wouldn't know good modern classical music if it smacked him/her across the face. This is quite a statement, I understand, but this music is simply brilliant - particularly 5 Pieces for Orchestra (perhas slightly less well-known than other Schoenberg works). This piece is a treatise on timbre that simply blows my mind. It relaxes you, enthralls you, terrifies you, and makes you very glad you spent the $11 on this CD. Buy it, and open your ears.

Véronique Gens - Nuit d'étoiles (Mélodies Française) / Vignoles

Average customer rating:

Lovely
An unexpected glimpse of happiness.
Enchanting recital of French Melodies
Nuit d'toiles - Melodies Francaises/ Gens, Vignoles
An Outstanding Vocal Performance

Véronique Gens - Nuit d'étoiles (Mélodies Française) / Vignoles
Gabriel Fauré , Claude Debussy , Francis Poulenc , Véronique Gens , and Roger Vignoles
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

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Véronique Gens ~ Berlioz - Les Nuits d'été · La mort de Cléopatre
Poulenc - Melodies / Ameling · Gedda · W. Parker · Sénéchal · Souzay · Baldwin
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Tragédiennes
Joseph Canteloube: Chants d'Auvergne

ASIN: B00003ZKR9
Release Date: 2000-04-11

Tracks:

Apres un reve, Op. 7 No. 1
Sylvie, Op. 7 No. 3
Au bord de l'eau, Op. 8 No. 1
Lydia, Op. 4 No. 2
Le papillon et la fleur, Op. 1 No.1
Mandoline, Op. 58 No. 1: 5 Melodies de Venise
Clair de lune, Op. 46, No. 2
Les berceaux, Op. 23 No. 1
3 Chansons de Bilitis: I. La flute de Pan
3 Chansons de Bilitis: II. La chevelure
3 Chansons de Bilitis: III. Le tombeau des Naiades
Fetes galantes: I. En sourdine
Fetes galantes: II. Fantoches
Fetes galantes: III. Clair de lune
Nuit d'etoiles
Beau soir
Fleur des bles
La Belle au bois dormant
Noel des enfants qui n'ont plus de maison
BANALITES: I. Chanson d'Orkenise
BANALITES: II. Hotel
BANALITES: III. Fagnes de Wallonie
BANALITES: IV. Voyage a Paris
BANALITES: V. Sanglots
2 Melodies de Guillaume Apollinaire: I. Montparnasse
2 Melodies de Guillaume Apollinaire: II. Hyde Park
Les chemins de l'amour - valse chantee

Customer Reviews:

Lovely.......2005-08-30

I recommend this to any art-song lover, and really, anybody at all. Gens does an excellent performance of a great collection of beautiful French songs. Her voice is enjoyable all the way, she has great expression, and a convincing mastery of the genre.

An unexpected glimpse of happiness........2001-07-21

Stendhal wrote that "the sight of anything extremely beautiful, in nature or in art, brings back the memory of what one loves, with the speed of lightning. That is, ... all that is beautiful and sublime in the world takes part in the beauty of what one loves, and this unexpected glimpse of happiness immediately fills the eyes with tears. This is how love of the beautiful and love give each other life." This is what Ms. Gens will do to you when you listen to this CD.

Enchanting recital of French Melodies.......2000-07-07

This is a most enjoyable release, all the more so because Veronique Gens, who is generally considered a baroque specialist on the lyric stage, may well be a torch-bearer of the elusive art of the French song in the coming decades. The voice of Gens, which is solid and well-integrated with an alluring dash of vibrancy embedded therein, is eminently suited to the repertoire represented in this new Virgin Classics release. Her secure technique (just a hint of strain in one or two high notes) also renders it possible for her to fine down her voice in the ending of phrases to a charming effect. Being a native French speaker certainly helps, too. Although hers is perhaps not the most strongly-etched of readings, she is able to inflect the text intelligently, and her subtle but heart-felt stresses on particular words not only serve to illuminate the poetic prose, but also meld beautifully with the notes that she sing.

The CD opens with songs by Faure, and while Gens may not possess the charm and naturalness of utterance of Maggie Teyte, whose recordings of Faure's songs are, in the opinion of this reviewer, unsurpassable, she can conjure up the right kind of feeling for every song as no one can. Her tempo for the popular "Apres un reve" is a trifle too laid back. Yet, she conveys to perfection the dream-like quality of the song, as well as the sense of confusion and regret at awakening. Her singing of "Le papillon et la fleur" is delightfully vivid, and her evocation of the feeling of sadness being kept in restraint in "Les berceaux" makes the performance both intimate and touching.

The Debussy group is no less impressive. Despite the innovative idiom in which most of these songs are composed, Gens is able bring them off effortlessly and stylishly. She is in total command whether in the serenity of "Beau soir", the romanticism of "Nuit d'etoiles", the rustic charm of "Fleur des bles", or the harrowing grimness of "Noel des enfants qui n'ont plus de maison", the last one composed when Debussy was being haunted by the atrocities of the Great War. In "Fetes galantes I", although the vocal and piano parts are often independent of each other, Gens's remarkable interpretation succeeds in unifying the two strands into a picturesque and colourful whole. The "3 Chansons de Bilitis", which are composed very much in the style of PELLEAS ET MELISANDE, also find an ideal interpreter in Gens where, blessed with a keen sense of rhythm, she succeeds in propelling the texts forward with musical grace and dramatic import. She would surely make a wonderful Melisande.

The Poulenc is equally fine. The young soprano is able to do full justice to the diverse moods in "Banalites", which, according to Olivier Opdebeeck, who penned the CD notes, is composed in a "part-melancholy, part-joyful tone with a barb of irony which the composer identified in the poet". The "2 Melodies de Guillaume Apollinaire" are sharply contrasted, one (Montparnasse) languid and brooding and the other (Hyde Park) gusty and piquant. Gens's singing of "Les chemins de l'amour", a cross between a Viennese waltz and a cabaret song, is loveliness itself and provides a delicious end to an enchanting recital.

The major reservation that this reviewer has involves the accompaniment of Roger Vignoles. While he is able to provide secure support for the singer, his playing is uncharacterful and even bland. Besides, the piano tone seems to be rather thin at times. Nonetheless, this should not detract one from the sensuous beauty of Gens's performance. This reviewer hopes that Virgin Classics would be encouraged by the success of this release so that they can present this most promising singer in further volumes of French songs by, say, Chausson, Ravel and Duparc.

Nuit d'toiles - Melodies Francaises/ Gens, Vignoles.......2000-06-13

Not being a professional, but loving the genre of French melodies I'll avoid technical commentary; I have become a collector of these in recent years and find this one extremely satifying and appreciate the variety this CD presents.

An Outstanding Vocal Performance.......2000-05-01

This ranks as one of the very best recordings of French 'melodies' that I have yet heard. Unlike most other singers, Gens gives the words drama and meaning. Too many singers perform these works in a detached 'artistic' manner that often makes them all sound almost alike. I say this not to belittle Gens' voice (which is superb), but to indicate that this disk will take you beyond the 'standard' interpretations of these works. I had a chance to compare one of the melodies with another recent recording by Schafer, another singer whom I respect Both were being featured in a local record store. It was hard to realize they were actually singing the same piece. I recently saw Gens perform much of the same program at a recital in NYC. This was the best recital I had heard in a very long time (I go to many). The disk is almost as good. It suffers a bit from a very unnatural recorded sound: the microphone is much too close to the singer and the piano is much too forward. Also the accompaniest in NYC was clearly better. Nevertheless, it would be hard to find a better recorded performance. The more I listen to the disk, the less I notice these drawbacks. The choice of repetoire is also well done. I particularly liked the Debussy 'Trois chansons de Bilitis.' She ends with 'Les chemins de l'amour' which Poulenc wrote for Jean Anouilh's play 'Leaocadia'. This has become very popular outside the normal recital circuit. If you get only one disk of French melodies, this is the one to get.

Arnold Schoenberg: Suite, Op. 29, for 2 Clarinets, Bass Clarinet, Violin, Viola, Cello & Piano / Verklärte Nacht, Op. 4 (Sextet for 2 Violins, 2 Violas & 2 Celli) - Ensemble Intercontemporain, Pierre Boulez

Average customer rating:

5 STARS JUST FOR BEING IN PRINT...
A distinctly eclectic Schoenberg collection

Arnold Schoenberg: Suite, Op. 29, for 2 Clarinets, Bass Clarinet, Violin, Viola, Cello & Piano / Verklärte Nacht, Op. 4 (Sextet for 2 Violins, 2 Violas & 2 Celli) - Ensemble Intercontemporain, Pierre Boulez
Garth Knox , Philippe Muller , Pierre-Laurent Aimard , Gerard Causse , Andre Cazalet , Sylvie Gazeau , Jacques Ghestem , and Ensemble Intercontemporain
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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Similar Items:

Arnold Schoenberg: Serenade/Five Pieces For Orchestra
Schoenberg: Chamber Symphony No1; Die Jacobsleiter
Schoenberg - Die Glückliche Hand · Variations for Orchestra, Op.31 · Verklärte Nacht / Nimsgern · BBC Orch. · NY Phil. · Boulez
Schoenberg: Pierrot lunaire - Lied der Waldtaube - Erwartung / Minton, J. Martin, J. Norman, Zukerman, Harrell, Barenboim; Boulez
Berg: Chamber Concerto; Three Orchestral Pieces, Op. 6; Violin Concerto

ASIN: B00000281A
Release Date: 1993-07-13

Tracks:

Suite, Op. 29: Ouvert
Suite, Op. 29: Tanzschritte
Suite, Op. 29: Thema Mit Variationen
Suite, Op. 29: Gigue
Verkle Nacht, Op. 4
3 Pieces for Chamber Orchestra: Rasche Viertel
3 Pieces for Chamber Orchestra: Mge Viertel
3 Pieces for Chamber Orchestra: Gehende Viertel

Customer Reviews:

5 STARS JUST FOR BEING IN PRINT..........2006-01-08

With the dearth of Schoenberg recordings, gotta give this CD 5 stars simply for being in print.

Boulez and the Ensemble Intercontemporain are great. The disc has the Verklrte Nacht curse--that is, nearly every Schoenberg CD has Verklrte Nacht on it! However, this features the original sextet version which is interesting for the timber alone. Cf. Brahms' two string sextets, and Reger's if you can find it!

Other reviewer wrong, however, about the significance of the Suite for septet: it is quintessential Schoenberg and must not be missed.

Razor-sharp 12-tone hardcore work, features curious sonic effects with the three clarinets and specialized techinques with the three stringed instruments: col legno (using the wood of the bow for tapping or bowing on the strings or body of the instrument); glissandi (sliding down the strings); extensive pizzicato (plucking the strings), etc. Noted old binary dance steps give the work the appearance of something like Decadent/Expressionistic Austrian jazz: very scary. And very Schoenbergian.

Get it while you can: cheap price!

A distinctly eclectic Schoenberg collection.......2004-01-13

This disc, one of a number rereleasing Pierre Boulez's 1970s and 1980s recordings of much of Schoenberg's work, forms a rather curious collection. Centred around what is probably Schoenberg's most-played work, the popular Verklärte Nacht (though heard here in the less common version for string sextet), the disc also takes in two of his less-well-known works, the Suite, op 29 (also known as the Septet) and the minute Three Pieces for Chamber Orchestra, never published in the composer's lifetime.

The Suite is one of the more extreme examples of Schoenberg attempting to combine a rigorous treatment of his new serial style with traditional musical forms. Scored for two clarinets, bass clarinet, violin, viola, cello and piano, it was written between 1924 and 1926 and is largely based on dance forms. The Overture is in three sections and is often hard-driven, though quieter interludes provide lyric relief. The second movement is vigorous and vibrantly rhythmic, and is entitled Tanzschritte (Dance Steps). The third movement is a wide-ranging set of variations that even takes time to quote a (tonal) song by Silcher, while the finale departs from orthodox serial practice by using the tone row (and its inversion) as the major melodic material. This isn't major Schoenberg, but it's also a much better work than one might think from the bad press it's had in the past. This performance is technically excellent, though I think sometimes Boulez pushes the music a little too hard, leaving it lacking a sense of repose in the slower sections.

The 1899 work Verklärte Nacht is, of course, one of the few pieces of Schoenberg to have become a popular concert hall favourite. Its musical language is luminously post-Brahmsian, and the complex structure of its single movement is easy to relate to models from the past (for example the Wanderer Fantasy, or the Liszt sonata). I prefer the string sextet version recorded here to the later version for string orchestra, but this performance lacks the last edge of lyrical intensity that is so necessary to bring across the work's rather heated emotional atmosphere.

The Three Pieces for Chamber Orchestra were written around 1910 but only found after a search of Schoenberg's papers after his death. Each of them lasts under a minute, and the most interesting is the unfinished third, which bears considerable technical and expressive similarities to the third of the Five Orchestral Pieces.

Tracks:

Starsong
Happy Like That
If It Don't Come Easy
Say In Touch
Just You
Isobel
Cheap Ain't Free
Something To Dream To
Old Queens, Monet And Me
Death By Beauty
Your Voice Carries

Average customer rating:

Les Annees RCA 1961-1983
Sylvie Vartan
Manufacturer: Bmg Germany
ProductGroup: Music
Binding: Audio CD

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Similar Items:

Est-Ce Que Tu le Sais: Best of Sylvie Vartan
The Vogue Years
Best Collection
Femmes de Paris, Vol. 1
Pop a Paris, Vol. 3: C'est La Mode

ASIN: B00022UOYS
Release Date: 2004-09-13

Tracks:

Panne d'Essence - Frankie Jordan, Sylvie Vartan
Locomotion
Tous Mes Copains
Revient
En outant La Pluie
I'm Watching You
Si Je Chante
Plus Belle Pour Aller Danser
Sha La La
Quand Tu Es L
Mr John B
Ballade Pour un Sourire
Garde-Moi dans Ta Poche
Par Amour Par Piti
2'35 de Bonheur
Deux Mains
Comme un Gar
Baby Capone
Irresistiblement
Maritza
On a Toutes Besoin d'Un Homme
C'est un Jour ester Couch
Roi David
Parle-Moi de Ta Vie
Dilindam
Mon P
Filles N'Ont Aucun Dnt] - Jane Birkin, Serge Gainsbourg, Sylvie Vartan

Tracks:

Pour Lui Je Reviens
Go Back Home [Int]
Non Je Ne Suis Plus La M
J'Ai un Probl - Johnny Hallyday, Sylvie Vartan
Amour au Diapason
Toi le Gar
Je Chante Pour Swanee
Bye Bye Leroy Brown
Dou Ron Ron
Drde Fin
Danse La, Chante La
Qu'est-Ce Qui Fait Pleurer Les Blondes
Amour C'est Comme Les Bateaux
Petit Rainbow
Disco Queen
Solitude
Nicolas
Je Suis une Femme [Int]
Tape Tape
Amour C'est Comme une Cigarette
Aimer
Danse Ta Vie

Album Description

2 CD set features 49 total tracks including 'I'm Watching You', 'Mister John B.', 'Panne D'Essence', 'Il Revient', 'Deux Mains', 'Bye Bye Leroy Brown', 'Toi Le Garcon' and more. RCA. 2005.

Album Details

Digitally Remastered Double CD Collection of Hits Recorded for the RCA Label.

Fauré - Mélodies / Souzay · Ameling · Baldwin

Average customer rating:

Le parfum d'extase
Superb chansoms. Superb Ameling. Buy It.
Great!!!
A delightful programme
Limpid, refined, elegant music.

Fauré - Mélodies / Souzay · Ameling · Baldwin
Gabriel Fauré , Gérard Souzay , Elly Ameling , and Dalton Baldwin
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

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Debussy - Mélodies / Ameling · Mesplé · Command · Souzay · von Stade · Baldwin
Poulenc - Melodies / Ameling · Gedda · W. Parker · Sénéchal · Souzay · Baldwin
Susan Graham - La Belle Époque (The Songs of Reynaldo Hahn)
Artistry of Elly Ameling (Coll)
A French Song Companion

ASIN: B000002S30
Release Date: 1992-01-23

Tracks:

Le papillon et la fleur: Le Papillon et la fleur, Op. 1, No. 1
Mai: Mai, Op. 1, No. 2
Reve d'amour: Reve d'amour, Op. 5, No. 2
Dans les ruines d'une abbaye: Dans les ruines d'une abbaye, Op. 2, No. 1
Les Matelots: Les Matelots, Op. 2, No. 2
Lydia: Lydia, Op. 4, No. 2
Hymne: Hymne, Op. 7, No. 2
Seule: Seule, Op. 3, No. 1
L'absent: L'Absent, Op. 5, No. 3
L'Aurore: L'Aurore, Op. posthume
La Rancon: La Rancon, Op. 8, No. 2
Chant d'automne: Chant d'automne, Op. 5, No. 2
Aubade: Aubade, Op. 6, No. 1
Tristesse: Tristesse, Op. 6, No. 2
Chanson du pecheur (Lamento): Chanson du pecheur (Lamento), Op. 5, No. 1
Barcarolle: Barcarolle, Op. 7, No. 3
2 Duos pour deux sopranos: I Puisqu'ici-bas, Op. 10, No. 1
2 Duos pour deux sopranos: II Tarentelle, Op. 10, No. 2
Ici-bas !: Ici-bas !, Op. 8, No. 3
Au bord de l'eau: Au bord de l'eau, Op. 8, No. 1
Serenade toscane: Serenade toscane, Op. 3, No. 2
Apres Un Reve: Apres un reve, Op. 7, No. 1
Sylvie: Sylvie, Op. 6, No. 3
Le Voyageur: Le Voyageur, Op. 18, No. 2
Automne, Op. 18, No. 3

Tracks:

Poemes d'un jour, Op. 21: 1. Rencontre
Poemes d'un jour, Op. 21: 2.Toujours
3. Adieu
Nell, Op. 18, No. 1
Les berceaux: Les Berceaux, Op. 23, No. 1
Notre amour: Notre amour, Op. 23, No. 2
Le Secret: Le Secret, Op. 23, No. 3
Chanson d'amour: Chanson d'amour, Op. 27, No. 1
La Fee aux chansons: La Fee aux chansons, Op. 27, No. 1
Aurore: Aurore, Op. 39, No. 1
Fleur jetee: Fleur jetee, Op. 39, No. 2
Le Pays des reves: Le Pays des reves, Op. 39, No. 3
Les Roses d'lspahan: Les Roses d'lspahan, Op. 39, No. 4
Nocturne: Nocturne, Op. 43, No. 2
Les Presents: Les Presents, Op. 46, No. 1
Clair de Lune: Clair de lune, Op. 46, No. 2
Larmes: Larmes, Op. 51, No. 1
Au Cimetiere: Au Cimetiere, Op. 51, No. 2
2 Cantiques: 1. En Priere
2 Cantiques: 2. Noel, Op. 43, No. 1
SPLEEN: Spleen, Op. 51, No. 3
La Rose: La Rose, Op. 51, No. 4
Chanson de Shylock: Chanson de Shylock, Op. 57, No. 1
Madrigal de Shylock: Madrigal de Shylock, Op. 57, No. 2
5 Melodies: 1. Mandoline
5 Melodies: 2. En sourdine
5 Melodies: 3. Green
5 Melodies: 4. A Clymene
5 Melodies: 5. C'est l'extase
Serenade du Bourgeois gentilhomme

Tracks:

La Bonne Chanson, Op. 61: 1. Une Sainte en son aureole
La Bonne Chanson, Op. 61: 2. Puisque l'aube grandit
La Bonne Chanson, Op. 61: 3. La Lune blanche luit dans les bois
La Bonne Chanson, Op. 61: 4. J'allais par des chemins perfides
La Bonne Chanson, Op. 61: 5. J'ai presque peur, en verite
La Bonne Chanson, Op. 61: 6. Avant que tu ne t'en ailles
La Bonne Chanson, Op. 61: 7. Donc, ce sera par un clair jour d'ete
La Bonne Chanson, Op. 61: 8. N'est-ce pas ?
La Bonne Chanson, Op. 61: 9. L'Hiver a cesse
Le Parfum imperissable: Le Parfum imperissable, Op. 76, No. 1
Arpege: Arpege, Op. 76, No. 2
Pleurs d'or, duo pour soprano et baryton: Pleurs d'or, duo pour soprano et baryton, Op. 72
Melisande's song: Melisande's song, Op. posthume
Prison: Prison, Op. 83, No. 1
Soir: Soir, Op. 83, No. 2
Dans la foret de septembre: Dans la foret de septembre, Op. 85, No. 1
La Fleur qui va sur l'eau: La Fleur qui va sur l'eau, Op. 85, No. 2
Accompagnement: Accompagnement, Op. 85, No. 3
Le plus doux Chemin (madrigal): Le plus doux Chemin (madrigal), Op. 87, No. 2
Le Ramier (madrigal): Le Ramier (madrigal), Op. 87, No. 2
Le Don silencieux: Le Don silencieux, Op. 92
Chanson: Chanson, Op. 94
Vocalise-etude

Tracks:

La Chanson d'Eve, Op. 95: 1. Paradis
La Chanson d'Eve, Op. 95: 2. Prima verba
La Chanson d'Eve, Op. 95: 3. Roses ardentes
La Chanson d'Eve, Op. 95: 4. Comme Dieu rayonne
La Chanson d'Eve, Op. 95: 5. L'aube blanche
La Chanson d'Eve, Op. 95: 6. Eau vivante
La Chanson d'Eve, Op. 95: 7. Veilles-tu, ma senteur de soleil ?
La Chanson d'Eve, Op. 95: 8. Dans un parfum de roses blanches
La Chanson d'Eve, Op. 95: 9. Crepuscule
La Chanson d'Eve, Op. 95: 10. O mort, poussiere d'etoiles
Le Jardin clos, Op. 106: 1. Exaucement
Le Jardin clos, Op. 106: 2. Quand tu plonges tes yeux dans mes yeux
Le Jardin clos, Op. 106: 3. La messagere
Le Jardin clos, Op. 106: 4. Je me poserai sur ton coeur
Le Jardin clos, Op. 106: 5. Dans la Nymphee
Le Jardin clos, Op. 106: 6. Dans la penombre
Le Jardin clos, Op. 106: 7. Il m'est cher, amour, le bandeau
Le Jardin clos, Op. 106: 8. Inscription sur le sable
Mirages, Op. 113: 1. Cygne sur l'eau
Mirages, Op. 113: 2. Reflets dans l'eau
Mirages, Op. 113: 3. Jardin nocturne
Mirages, Op. 113: 4. Danseuse
C'est la paix !: C'est la paix !, Op. 114
L'Horizon chimerique, Op. 118: 1. La ber es infinie
L'Horizon chimerique, Op. 118: 2. Je me suis embarque
L'Horizon chimerique, Op. 118: 3. Diane Selene
L'Horizon chimerique, Op. 118: 4. Vaisseaux, nous vous aurons aimes

Customer Reviews:

Le parfum d'extase.......2007-05-18

This 4-CD set receives five stars from me in spite of some flaws. I'll outline those flaws first.

Firstly (a flaw to me, perhaps not to others), I'm not very fond of Gérard Souzay's voice and vocal approach. He frequently sounds blustery and the timbre does not really appeal to me. Yet his commitment to these beautiful songs is impeccable, and he has a wealth of experience, beautifully authentic French (of course!) and occasionally the singing is very effective indeed. I agree that the "La bonne chanson" set is sensitive and moving - it's Souzay at his best. But in general... Souzay is not one of my favourite baritones.

Secondly, as other reviews have mentioned, no translations are included. However, the full text of each song is contained in the accompanying booklet, and for those who don't read French well enough to translate, there are translations on-line of all of the poems set by Fauré. I agree this is not an ideal solution, and that the boxed set would have been improved by translations.

Thirdly, one is sometimes overwhelmed by the balance of the voice compared to that of the piano - this is particularly noticeable in Souzay's singing. However, the piano is still audible. The solution is mostly to turn down the volume for one or two tracks.

Let me now explain why, in spite of the above faults, I still consider this a superb set.

Firstly, the truly lovely singing of Elly Ameling. What a gloriously pretty sound - and I mean "pretty" without any denigration whatsoever. It's not JUST pretty - it's beautiful as well. This is a lovely gleaming sound, perfectly placed, and with a wealth of intrinsic and elegant interpretation that is native to Elly Ameling's singing. She's a miracle - no matter what she sings, it sounds "sung in" and perfectly understood, perfectly interpreted. (I admit Ms Ameling's French is slightly accented at times, but it's completely understandable and very good. It doesn't impair the performance of these songs at all.)

Secondly, Dalton Baldwin's playing is sensitive and impassioned in turns - always lyrical, always attuned to the requirements of each song. What a huge amount of work must have gone into this mammoth 4-CD task!

Thirdly, these vocal compositions are exquisite. Several of them are justly famous as works of genius, and fall so delightfully upon the ear that it seems they have always existed, perfect and full of wonder... that Fauré plucked them out of semi-existence to give them reality.

Fourthly... it's 4CDs of Fauré's vocal works. For those who love French vocal music, it's an extravagant delight to have such a thorough and wide-ranging collection. For singing students, how marvellous to have such a collection to hand to help when choosing songs. For fellow singers, what joy to have all of these songs in such a fine collection in order to note details and particularly admirable points.

In short - this is a set I wouldn't be without. While it's not flawless, it's full of delights. Ameling's singing of "La rose" is one of the highlights, and Fauré's three exquisite duets are all represented here. Highly recommended.

Superb chansoms. Superb Ameling. Buy It........2007-03-01

This EMI Classics package of four CD's for the price of two (plus) is really the way I like to buy classic recordings, where the complete set covers all of a single especially interesting grouping of works. This set, like the comparable one on Debussy, is simply grand, especially, as noted by other reviewers, with the contribution of Ameling, a soprano from whom not much is heard of today, but who, in her prime, was on top of her game.

My only objection to the package is that while the notes five the French text of the songs and the author of the text, there is no translation. Otherwise, this is a super buy.

Great!!!.......2006-06-19

The music on this compilation is beautiful. It is also beautifully sung. Amelling is amazing, as always!!!

A delightful programme.......2006-01-20

Faure was a genius and his songs are some of the most beautiful ever written, being animated by the spirit of beauty itself (Ms Venus:-).)

The performers did an outstanding job singing this repertoire, and especially Elly Ameling's performance is pure *delight*
- honestly-.

I hope others will enjoy it as much as I have.

Highly recommended.

Limpid, refined, elegant music........2001-04-04

This famous set provides on 4 CDs the complete songs (mélodies, he preferred to call them) by Faure. They are entrusted to the native French baritone, the Dutch soprano, and their accompanist Dalton Baldwin, and were recorded in the early 1970s. The set is not inexpensive, so I shall try to outline its merits. The music itself is enthralling. Faure set, over a period of sixty years, texts by French poets. Limpid, refined, elegant music, it repays repetition and close listening. One reviewer has suggested that no listener will want to listen to umpteen of these mélodies in one sitting, but I have never had too much of them. If slow tempi and arpeggio accompaniments begin to pall, listen to "Nell" (CD 2, Track 4). The performers satisfy on all counts. Souzay's contribution reflect a life time's association with the music, and a tradition that goes back through his teachers to the time of Faure himself. His definitive version of "La bonne Chanson" is especially fine. If his style is more suited to the impassioned, ardent items, it balances well with the cooler, more detached singing of Elly Ameling. So that you will not be disappointed, I should also mention that translations of the texts are not provided. I also wish that the balance had been better engineered. Sometimes Souzay seems to have the microphone in his mouth, and always the piano seems too distant. These are but minor flaws, however, in a long necklace of priceless pearls.

Average customer rating:

Sylvie on Grey's Anatomy
HERE'S WHAT THE CRITICS SAY!

Tangos and Trantrums
Sylvie Lewis
Manufacturer: Cheap Lullaby
ProductGroup: Music
Binding: Audio CD

General | Jazz | Styles | Music

Vocal Jazz General | Vocal Jazz | Jazz | Styles | Music

General | Rock | Styles | Music

Pop Rock | Pop | Styles | Music

General | Vocal Pop | Pop | Styles | Music

Classic | Vocal Pop | Pop | Styles | Music
Similar Items:

country international records
American Whip
Last Quarter Moon
Realistic
All Rise

ASIN: B00079ZAJA
Release Date: 2005-02-08

Tracks:

By Heart
All His Exes
Rockwell's Blues
The Movies
Promises Of Paris
If Love Songs
When I Drink
New York
Conversation Piece
Valentine's Day
My Rival
Old Friends

Customer Reviews:

Sylvie on Grey's Anatomy.......2005-10-11

hey! By Heart was used last night (10/9) on Grey's Anatomy! Awesome.

HERE'S WHAT THE CRITICS SAY!.......2005-06-04

"...Los Angeles-based Briton Sylvie Lewis may not cultivate the sort of willful peculiarity that has helped garner headlines for Nellie McKay, but in many ways, the music she makes on Tangos & Tantrums , her debut album, is every bit as striking...thanks to Lewis's conversational flow... and supported by her band's spare yet colorful orchestrations... If Lewis's subjects are effectively variation on time worn themes - head-over-heels romance, lost love, dissolute partners and so on - her perspective is distinctly of the moment."
- Time Out New York

"...Sylvie Lewis delivers songs in a meandering style reminiscent of Rufus Wainwright, with a sweetly expressive voice... her piano-laden debut disc, Tangos &Tantrums, is filled with tales of lives and loves." - New York Post (February 4, 2005)
"...potentially the Next Very Big Thing in the world of dulcet damsels who reign the radio: Sylvie Lewis. "
(...)

"...Lewis lights a torch of love and longing on this set of ragtime, tangos and 1930s-inspired chanson... [songs] unfold with style and glamour."
3 out of 4 stars
- Los Angeles Daily News

"[Lewis] explores the highs and lows of love on her debut CD, Tangos & Tantrums (Cheap Lullaby Records),a breathtaking collection of romantic, 1930s-inspired cabaret chansons." - San Francisco Examiner (November 8, 2004)
"When Sylvie Lewis sings, everyone should stop and take notice. She has the goods in spades..."
- James Combs, Producer, new ground, KCRW

"in an age of homogeneity, [Tangos & Tantrums] is a breath of fresh air." - (...)

"Sweetly Expressive...a treat suitable for Valentine's Dau" - The New York Post

Gabriel Fauré: The Complete Songs, Vol. 3

Average customer rating:

Gabriel Fauré: The Complete Songs, Vol. 3

Manufacturer: Hyperion UK
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Classical | Imports | Stores | Music
Similar Items:

Fauré: The Complete Songs, Vol. 2: Un paysage choisi
Fauré - The Complete Songs, Vol. 4 ~ Dans un parfum de roses
Faure: Complete Songs 1 - Au bord de l'eau
The Songs of Henri Duparc
The Songs of Chausson / Lott · Murray · McGreevy · Trakas · Chilingirian Quartet · G. Johnson

ASIN: B0009OJ9M2
Release Date: 2005-08-09

Average customer rating:

Nouvelle Vague
Sylvie Vartan
Manufacturer: Universal
ProductGroup: Music
Binding: Audio CD

General | International | Styles | Music

International | Imports | Stores | Music
ASIN: B000QUUQ4O
Release Date: 2007-07-21

Tracks:

Paris S'eveille
Nouvelle Vague
Le Temps De L'amour
Ruby Tuesday
Suzanne
Attens Ou Va-T'en
Dans Le Souffle Du Vent
Les Yeux Ouverts (Dream A Little)
Ya Ya Twist
J'attendrai
Drive My Car
Chante
I'm A Believer
Et Je M'en Vais
Souvenirs, Souvenirs

Album Description

TRIBUTE TO THE 60'S FROM THE POPULAR FRENCH SINGER. INCLUDES COVERS OF JACQUES DUTRONC, FRANCOISE HARDY, LEONARD COHEN, BOB DYLAN AND MORE. UNIVERSAL.

Album Details

2007 Release from the Legendary French Pop Singer that is a Tribute to the Music of her Grandest Era, the 1960's. 15 Tracks in All.

Average customer rating:

Beautiful and Poigniant
stupendous vocalism

Of Ladies & Love Song Recital
Michael Schade
Manufacturer: Hyperion UK
ProductGroup: Music
Binding: Audio CD

General | Opera & Vocal | Styles | Music

General | Classical | Styles | Music

Classical | Imports | Stores | Music
ASIN: B00006B1L9
Release Date: 2002-09-10

Customer Reviews:

Beautiful and Poigniant.......2006-01-22

Michael Schade has perhaps the most beautiful tenor voice before the public today. He is a superb musician. Everything on this disc is a testament to his place among the greatest lyric tenors; e.g, Wunderlich, Bjorling, Crooks, Schipa...

stupendous vocalism.......2003-06-15

Michael Schade has one of the most seductively beautiful lyrical tenor voices before the public today, and this recording documents his substantial vocal and interpretive gifts. I can't think of a tenor voice who even resembles him --except possibly Ian Bostridge, who rivals him in interpretive skills but does not possess Schade's timbral warmth. This is a gorgeous recording, showcasing Schade's complete identification with signature songs by Beethoven, Schubert, Liszt, Ravel, Faure, and Strauss. A highlight is the rapturous treatment of Ravel's Greek melodies -- it's nice to hear the songs sung by a male voice with an allure to rival that to be found in the estimable versions by Mady Mesple and, more recently, by Maria Bayo. Malcolm Martineau's accompaniment is, as usual, intelligent and graceful.

Rock Music:

Rock Music

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