Somebody Besides you

somebody besides you

Track Listings

1. Truth

2. A Million Angels

3. Eye For An Eye

4. Happy And Free

5. Rigth In Front Of You

6. Ready To Rise

7. Valerie

8. Sliding Down

9. Hands That Heal

10. Lover's Road

11. Some Kinda' Sign

12. Breathe

Editorial Reviews
About the Artist
Earthy-pop-rock-music combines meaningful songwriting with a powerfully melodic sound. Her songs have been featured over 24 times on tv shows, dvd's and soundtracks.

Somebody Besides Yourself,Vaughan Penn,Meepers Music Records,Pop,Pop Vocals,Rock,Rock/Pop,Singer/Songwriter

Somebody Besides you

Average customer rating:

cd heaven
Nothing Rains on this Parade
Streisand in prime vocal condition
Needs more songs. Missing SECOND HAND ROSE.
Ladies & Gentlemen - The Greatest Star

Funny Girl

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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Funny Lady: Original Soundtrack Recording
Hello, Dolly! (1969 Film Soundtrack)
Funny Girl
Funny Girl (1964 Original Broadway Cast)
Yentl (1983 Film)

ASIN: B00005V3WI
Release Date: 2002-01-29

Tracks:

Overture
I'm The Greatest Star
If A Girl Isn't Pretty
Roller Skate Rag
I'd Rather Be Blue Over You (Than Happy With Somebody Else)
His Love Makes Me Beautiful
People
You Are Woman, I Am Man
Don't Rain On My Parade
Sadie, Sadie
The Swan
Funny Girl
My Man
Finale

Customer Reviews:

cd heaven.......2007-01-19

cannot buy cd's cheaper at any store. this is an oldie but a great christmas gift for an oldie.

Nothing Rains on this Parade.......2007-01-04

"Funny Girl" was one of the greatest musicals and cast recordings to come ouf of broadway and it created one of the world's greatest performers ever. Happily Barbra Streisand successfully transported herself to film and out came one of the most enjoyable soundtracks ever produced for a film. The film score is so minutely different, the show's composers Styne and Merrill had to take out a couple of songs from the show and wrote the beautiful "Funny Girl" in it's place for the film. This soundtrack tends to in my opinion be more authentic than the original cast recording because they put in non-original material such as "I'd Rather Be Blue Over You (Than Happy with Somebody Else)" written by Billy Rose who would much later marry Fanny Brice and it fits the early 1900's era for which "Funny Girl" is set and Barbra's comedic skills are timeless on this song you may not see it but you can hear it in her voice such as with "The Swan" .Another song they use at the film's climax is "My Man" not only was it a staple in the real Fanny Brice's act it is a power-house. Barbra insisted to sing the first part live on screen and record the latter part it is so effective and you do get all the advantages of this on the soundtrack. One more bonus to this recording is the overture composed for the film is gorgeous and they never played it in the film only on the soundtrack, interestingly they used the the opening theme music from the film as the closing music to the soundtrack. Definitely get this soundtrack it is one of the most delightful scores to one of Hollywood's greatest musicals adapted from the stage and that can't be said too often. "Funny Girl was also one of the last great musicals ever produced out of Hollywood and the linear notes in the CD are informative and fun for musical lovers.

Streisand in prime vocal condition.......2006-09-16

Barbra Streisand will forever be linked to the autobiographical Fanny Brice, a role she originally made her own on Broadway in 1964 and in London the following year; immortalised onscreen four years later (earning an Academy Award as well as countless other trophies). On the original soundtrack album, Ms Streisand is in prime vocal condition, though I do prefer her performance on the OBC album just a little bit more, for she is more brash and unkempt and far more vulnerable with her spin on Fanny. In the film, she is more confident and showman-like.

The film score of FUNNY GIRL does vary greatly from it's Broadway counterpart. The roles of Mrs Brice and Eddie Ryan don't get much to sing (with the deletion of "Who Taught Her Everything?" and "Find Yourself a Man"). Fanny's solo numbers "Who Are You Now?" and "The Music That Makes Me Dance" were abandoned in favour of numbers that the real Fanny was famous for ("I'd Rather Be Blue" and "My Man"). I believe the producers committed the cardinal sin with the deletion of "The Music That Makes Me Dance", a ballad far more memorable and moving than the show's big number "People" (and I know a lot of others feel the same way). Nevertheless, the film soundtrack of FUNNY GIRL is the perfect sonic representation of Streisand's greatest hour on celluloid.

I own the earlier Sony CD pressing (which is full of analogue hiss, reverb and noise), yet from what I hear about the more recent "remaster", the quality of the overall recording is virtually the same. Highly-recommended, but don't expect miracles with sound quality.

Needs more songs. Missing SECOND HAND ROSE........2006-08-08

The soundtrack is good to excellent, but it makes me very
unconfortable that important songs are MISSING. Can you
imagine SECOND HAND ROSE is missing, and Barbra sings it a little
different from the version she did in MY NAME IS BARBRA TV special. I also love the part where Barbra sings " Mr Anstein,
Mr. Arnstein, what a beautiful name". Those two sequences could be combined into a song. I also would have loved a little spoken
comedy in this soundtrack, such as Barbra as Baby Snooks scene,
where she meets the reporters and ends with "the name is Arnstein". Barbra is marvelous in this comedy scene. Barbra is
perfect as a stand-up comedienne, and she would be great
acting such a part in a film.
Barbra recorded the song PEOPLE countless times over the last
decades. Why was SECOND HAND ROSE left out of the soundtrack.
There is enough space on the Audio CD to include this song, as
well as additional ones. A few Bonus songs of Barbra singing
Fanny Brice songs that were considered but that were left out
of the film, would be most welcomed. Looking forward to the next
edition of this soundtrack. hoping that it will be the definite
edition. We Barbra Streisand fans deserve the best.

Ladies & Gentlemen - The Greatest Star.......2005-09-11

This is the first Barbra Streisand album that I had purchased. The experience of seeing the movie, Funny Girl, in September 1968, forever changed me. By the age of 10, I already had an innate sense of the popular music of the day. Being the youngest of three, I had been exposed to the Beach Boys, the Beatles and every pop song since I was born. But I had yet to experience complete awe and adulation for a singer -- that was until Funny Girl and Barbra Streisand. Not only had I never heard vocals so utterly astounding, I never experienced such an array of emotion from a singer. My virgin ears finally heard perfection and it was the first time I got those famous Streisand goose bumps that so many people had talked and written about.

The brilliant score was written by the legendary Jule Styne and Bob Merrill and included such Streisand classics as "I'm The Greatest Star," "Don't Rain On My Parade" Streisand's signature song, "People."

Ten of the fourteen tracks were sung by Streisand with the exception of "If A Girl Isn't Pretty" and "Roller Skate Rag." "You Are Woman, I Am Man" is an hysterically funny duet with Omar Sharif, and two songs that weren't written by Styne and Merrill; "I'd Rather Be Blue Over You (Than Be Happy With Somebody Else)" and "My Man," a song closely identified with Fanny Brice and Barbra Streisand, demonstrate the depth and range of Streisand's emotion. She could be cooing and joking at one moment on the famous bride number; "His Love Makes Me Beautiful," breaking your heart on the Oscar-nominated title cut written specifically for the film, and send your head reeling with her gutsy and explosive vocals on "Don't Rain On My Parade." All of the songs showcase Streisand's versatility as the actress who sings.

Purists might say the Original Broadway Cast Album from 1964 was better, maybe because they were there to witness the 22 year-old ingénue unknown named Barbra Streisand. But when you take a listen to the vocals and the arrangements on this soundtrack, it's hard to argue with aforementioned songs such as "I'd Rather Be Blue," "People," Don't Rain On My Parade" and the finale of all finale's "My Man." At 25 years old, Streisand never sounded stronger or with sang with more conviction.

How many singers can you name that can belt a song like "I'm The Greatest Star" and get away with it?

Average customer rating:

Ahhh, the 80's...
Editorial Review
a smash hit
extremely relaxing
More than just a late 1980s Manufactured "Disco King"

Whenever You Need Somebody
Rick Astley
Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

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Hold Me in Your Arms
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ASIN: B000002WAD
Release Date: 1990-10-25

Tracks:

Never Gonna Give You Up
Whenever You Need Somebody
Together Forever
It Would Take A Strong Strong Man
The Love Has Gone
Don't Say Goodbye
Slipping Away
No More Looking For Love
You Move Me
When I Fall In Love

Customer Reviews:

Ahhh, the 80's..........2007-06-27

So I've been slowly rebuilding my music collection with music I used to listen to as a teen - grew up in the 80's - and I almost totally forgot about Rick Astley! What a great CD! Typical 80's dance music - almost slow techno?!?!? But his voice! Gotta love it! Most of the songs are a little dorky - but still a load of fun to listen to - wish he's put out something new - again, great voice! Love Rick Astley! Dig the CD!

Editorial Review.......2006-11-06

"In the '80s and '90s, England's dance-music team Stock, Aitken & Waterman was often accused of being too slick for its own good, and favoring style over substance. But the producers/songwriters (also known for their work with Dead or Alive and Samantha Fox) should definitely be proud of their work on fellow Briton Rick Astley's often captivating debut album, Whenever You Need Somebody. While the high-tech production is very '80s, Astley's soul/pop/dance music approach is very much a production of the '70s -- sort of the Average White Band meets Philly soul/disco meets Tom Jones. The best dance music works both on and off the dance floor, and this certainly holds true on such slick yet gritty fare as 'Together Forever,' 'Never Gonna Give You Up,' and 'Don't Say Goodbye.' There are a few weak moments -- the lackluster 'No More Looking for Love' being a glaring example -- but overall, this CD proved Astley to be a welcome addition to the British R&B scene. ~ Alex Henderson, All Music Guide" [refers to 1987 Album Release Date, RCA Label]

a smash hit.......2006-04-13

Absolutely brilliant, from the SAW factory, Rick astley shines out in this record. With a voice that does not match his face, Rick Astley is my fav. Delivering such smash hits like "Never gonna give u up", "Whenever u need somebody"&"Together forever"
this album is a must keep for every Astley fan(like me).
I have the album on tape, and I listen to it as much as I can, my favourite ones being the tremendously funky" Whenever u need somebody" , "No more looking for love" & " Nevergonna give u up"
Astley songs do make way for the dance floors, and his ballads do touch hearts!!
THE MUSIC AND THE VOICE R FABULOUS
and I dont listen to Astley at nights coz then I cannot sleep-
the songs keep playing in my head all night

extremely relaxing.......2005-07-21

i dont have a long review to write cus the others have put it beautifuly already,i agree with others that ricks deep voice never got the credit it fully deserved..this album is really relaxing to listen to at home or whenever...i love the song "it would take a strong man"he really uses his voice in that one..whenever you need somebody is a fave of mine also as well as never going to give you up!!i would recommend anyone to have this one added to your library if you dont already have it

More than just a late 1980s Manufactured "Disco King".......2005-06-21

There are a lot of reasons why I consider the way Rick Astley burst on the music scene in 1988 with his debut album "Whenever You Need Somebody". The 1980s music landscape had undergone a major change. The early 1980s pop music sound started out as a Synth-Pop sound, but by the late 1980s transformed to a more "natural" guitar-laden sound. It was during this time that even Heavy Metal music was becoming mainstream. As the 1980s started, the Disco craze had already subsided and the backlash on Disco had begun. In reality, Disco really morphed into Dance Club music and there always was a niche for Dance Club music in the 1980s. However, by 1988 even Dance Music was beginning to take a secondary role on the pop-music scene to the more "natural guitar-laden" sound. But along comes a British Baritone named Rick Astley - who would take the music world by storm with a string of chart topping hits. The thing is - his chart toppers were defying a lot of what was happening on the music scene. For the most part, it was a Synth-Pop sound - and on the charts it was the closest thing that had been seen to classic 1970s Disco. Overall, Astley would give the British Invasion one last push in the U.S. Being that Astley's sound and style was a bit like a fish out of water back in 1988, it's no surprise that his burst on the music scene would be short-lived. While Astley's sound can be considered to be manufactured and to a large extent this is true - there are some clear signs on "Whenever You Need Somebody" that Astley is able to reach beyond the manufactured walls that were created for him.

For the most part, there is a clear dividing line on the songs on this album. Four of the songs are songs that Rick Astley wrote or co-wrote. There are five songs written by the combination of Stock, Aitken and Waterman. There also is a cover of Edward Hayman and Victor Young's "When I Fall in Love". It was the songs written by Stock, Aitken, and Waterman that made up the Rick Astley sound that took the music world by storm. In other words - much of this was the sound that seemed to give Disco one last push. For the most part, this is embedded in the hits "Never Gonna Give You Up", "Together Forever", and "It's Gonna Take a Strong, Strong Man". This was also found in the songs "Whenever You Need Somebody" and "Don't Say Goodbye". While these are all catchy songs, the only thing I found of substance to these songs was Astley's terrific baritones. For the most part - the music in these songs was what I consider "manufactured". The music in these songs was heavily synthesizer-laden - and it consisted of a drum machine. If you extracted Astley's voice off of these songs - you wouldn't hear much more than what I would term "filler music". While "Never Gonna Give You Up" and "Together Forever" were the two #1 hits in the U.S. - I felt that "It's Gonna Take a Strong, Strong Man" and "Don't Say Goodbye" were the two songs that took much better advantage of Astley's vocals.

What clearly surprised me on this album was "the other side of the fence" - the songs that were written by Astley. While these songs were not as catchy as the Stock, Aitken & Waterman numbers, the Astley songs were better songs from a musical perspective. These songs don't abandon the synthesizer-laden sound at all - but I think they are clearly better in both the music and the lyrics. The first of the Astley penned songs is "The Love Has Gone". This song has a clear Rhythm and Blues sound to it. I can't say Astley was able to pull off the R&B vocals perfectly - but he does have his moments in the song. He does a very good job at penning an R&B sound - so he deserves credit for that. Astley does a far superior job with the both the R&B sound and vocals on "Slipping Away". This is a song that was penned by Astley alone. While again Astley relies on a Synthesizer-laden sound, he does bring in some horns and this supplements the song beautifully. There is a terrific trumpet solo midway through the song. There are also some nice background vocals on this song. On "You Move Me", Astley again reaches for the Rhythm and Blues sound. This song almost has a Luther Vandross feel to it. Once again, I can't say that Astley pulls the R&B vocals off perfectly, but somehow he finds a way to make it work. This also seems to be the best song from a lyrical standpoint on the collection. There are some nice background vocals that provide the perfect compliment to Astley. On "No More Looking for Love", this is probably the one Astley penned song that sounds like the Stock, Aitken, and Waterman sound. This was probably the weakest of the Astley penned tracks, but again Astley uses his baritones to make this song work.

It's the last song that really made me realize that Astley is well-rounded musician. On Hayman and Young's "When I Fall in Love", we see a new side to the Astley baritones - crooning! Astley sounds completely different, but to me it was no surprise Astley was able to pull this off. His vocals are what dominated many of the songs on this album - and this is a necessary ingredient as a crooner.

After this album, Astley would begin to take his career in different directions and look at things a bit more artistically. Whether you like what he did after this album or not, this album shows the signs that Astley could do this. It might not be the strongest album, but still is worth checking out.

Dreamgirls in Concert (2001 Concert Cast)

Average customer rating:

Dreamgirls 2001
Not the real "DREAM" experience
Absolutely brilliant!
Amazing!!!!!!
One Night Only

Dreamgirls in Concert (2001 Concert Cast)
Henry Krieger , Audra McDonald , Brian Stokes Mitchell , Emily Skinner , and Darius de Haas
Manufacturer: Nonesuch
ProductGroup: Music
Binding: Audio CD

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Dreamgirls (1982 Original Broadway Cast)
Dreamgirls: Music From The Motion Picture [2-CD Deluxe Edition]
Dreamgirls
Company (2006 Broadway Revival Cast)
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ASIN: B00005Y4P4
Release Date: 2002-02-26

Tracks:

I'm Looking for Something, Baby
Goin' Downtown
Takin' the Long Way Home
Move (You're Steppin on My Heart)
Scene: Fifty bucks says the Dreamettes don't win
Fake Your Way to the Top
Scene: It ain't working, Marty
Cadillac Car
Cadillac Car (On the Road)
Cadillac Car (Recording Studio)
Scene: I don't believe they can do that
Steppin' to the Bad Side
Scene: I'm working on a long shot
Party, Party
I Want You, Baby
Scene: I'm a woman now
Family
Scene: What are you doing to that girl?
Dreamgirls
Press Conference
Heavy
Walkin' Down the Strip/Scene: Las Vegas
It's All Over
And I Am Telling You I'm Not Going

Tracks:

Opening Act II: Dreams Medley
Scene: Effie White is the best singer you're gonna find
I Am Changing
Vogue Sequence
When I First Saw You
Ain't No Party
I Meant You No Harm
The Rap
I Miss You, Old Friend
One Night Only
One Night Only (Disco Version)
I'm Somebody
Hard to Say Good-bye
Dreamgirls (Reprise)

Amazon.com

A Chorus Line may be better known, but Dreamgirls was a towering achievement for director Michael Bennett. Loosely based on the Supremes' story, the 1982 musical told a typical show-biz tale of fame, backbiting, and survival. As is often the case for one-night only events, the cast in this concert version (recorded in New York on September 24, 2001) is led by an eye-popping assortment of Broadway powerhouses: Lillias White (The Life), Audra McDonald (Ragtime, Marie Christine), and Heather Headley (Ragtime). McDonald reveals a previously undisclosed comic streak, while Headley confirms her status as a rising star. Reprising the role of Effie Melody White (created by Jennifer Holliday), White belts the classic "And I Am Telling You I'm Not Going." But the beauty of Dreamgirls is that it's so packed with catchy, Motown-influenced R&B numbers that each lead can sink her teeth into some prime material and get a turn in the spotlight. This double-CD set really makes you wish you'd been there when the show was recorded: you can hear the crowd going berserk at times, and the temptation is strong to do the same thing in the comfort of your living room. --Elisabeth Vincentelli

Customer Reviews:

Dreamgirls 2001.......2007-06-27

This was the worst reproduction of Dreamgirls that I ever heard. I was so disappointed the CD went into the garbage. This is one CD that I would not sell to the public because I expect so much and get so little.

Not the real "DREAM" experience.......2007-04-04

Forget about the film sountrack. Get this CD set. And it's far better than the original cast recording which goes lacking. More songs and more everything that makes a live performance just what it is. Live (compared to film where anything can be done to enhance a performance!) -- the energy, the excitement and the performances make this a rare treat for anyone wanting to share in the real DREAM experience.

Isn't a full Broadway revival long over due. But wait: I've heard rumors that a rvial may be "in the works. I certainly hope so. Maybe this time it will receive the Tony award it deserved in the first place.

Absolutely brilliant!.......2007-01-28

There is atleast 5 new songs on this album that were not in the movie! These girls kill it I mean they are just amazing singers, and this all live! This is needed for any Dreamgirls fanatic like me! You are gonna love it! Enjoy! love live laugh :)

Amazing!!!!!!.......2006-12-04

As a theatre lover, this recording is amazing. I actually prefer this recording to the OBC. Sheryl Lee Ralph is okay, but can't touch Audra's Deena. The first time I heard Ms. White's "And I Am Telling You..", goosbumps all over my body. The only weak cast member in my opinon is Heather Headly. Vocally, she just isn't there. Too much Aida, not enough Dreamgirls. But all in all, a great live recording of a great show.

One Night Only .......2006-07-19

I was lucky enough to attend this One Night Only concert performance of Dreamgirls and it was a night I will never forget!! The cast was brilliant and the cd is as good if not better than the Broadway cast recording because it is the entire show not just the songs. Bravo to everyone involved !!!

Steel Pier (1997 Original Broadway Cast)

Average customer rating:

Kander and Ebbs' Score Stands Alone
Great Score, lousy show.
Kander and Ebb in a Major Key
Weak Plot ... Nice Score
WONDERFUL!

Steel Pier (1997 Original Broadway Cast)
Fred Ebb
Manufacturer: RCA Victor Broadway
ProductGroup: Music
Binding: Audio CD

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ASIN: B000003GAQ
Release Date: 1997-07-29

Tracks:

Overture - Orchestra
Prelude - Orchestra/Daniel McDonald
Willing To Ride - Karen Ziemba
Everybody Dance - Gregory Harrison/Mary Illes/Rosa Curry/Sarah Solie Shannon/Ronn Carroll/Gregory Mitchell...
Second Chance - Daniel McDonald/Karen Ziemba
A Powerful Thing - Gregory Harrison/Ronn Caroll
Dance With Me/The Last Girl - Gregory Harrison/Mary Illes/Rosa Curry/Sarah Solie Shannon/Daniel McDonald/Ensemble
The Shag - Orchestra
Everybody's Girl - Debra Monk
Two Step - Orchestra
Wet - Karen Ziemba/Daniel McDonald
Harmonica Specialty - John C. Havens
Lovebird - Karen Ziemba/Adam Pelty/Gregory Mitchell/Daniel McDonald/Ensemble
The Sprints - Gregory Harrison/Ronn Carroll/Daniel McDonald/Company
Entr'Acte - Orchestra
Leave The World Behind - Daniel McDonald/Karen Ziemba/Ensemble
Somebody Older - Debra Monk/Jim Newman
Running In Place - Karen Ziemba
Two Little Words - Kristin Chenoweth/Gregory Harrison/Daniel McDonald/Karen Ziemba/Adam Pelty/Company
First You Dream - Daniel McDonald/Karen Ziemba
Steel Pier - Gregory Harrison/Mary Illes/Rosa Curry/Sarah Solie Shannon
Steel Pier (Reprise) - Karen Ziemba/Gregory Harrison/Company
Final Dance - Daniel McDonald/Karen Ziemba/John Kander

Customer Reviews:

Kander and Ebbs' Score Stands Alone.......2007-01-21

The biggest criticism of this Broadway musical was the book. It allegedly meandered, bored the audience and included unfocussed or unnecessary sequences such as the "dream sequence". Well, I never saw the show and can only evaluate this score on its own merits. Based on that alone, it's a complete winner. Memorable songs, great performances, and the score itself tell a clear story that might have been muddled by an overly fussy book (again, that's from heresay...I never saw the show, which flopped in its initial presentation -- unfortunately, because there is much to admire and enjoy in this typically complex Kander and Ebb score).

First of all, top-rate performances abound here. Karen Ziemba makes every one of her songs sail into the stratosphere. She is a true wonder and deserved her Tony nomination against incredible competition (Bebe Neuwirth got it for the much more popular "Chicago", but Ziemba's her equal). Debra Monk once again makes her mark as a Broadway character actress, although her song "Everybody's Girl" is easily the worst song in the show and certainly beneath Kander and Ebbs' standard, but she wins you over with her energetic and well-placed rendition. Daniel MacDonald does a suberb job as the ill-fated hero, exposing innocence and wry commentary in his very presence, but he is equalled by Gregory Harrison's slimy and ultimately ferocious performance as Mick, the emcee.

The score evokes the time (the 1930s) without relying on pastiche to put it over. Of note, Ziemba's intro, "Willing to Ride", the ensemble "Everybody Dance" (which gives Harrison his chance to shine), "Two Little Words" (which provides the auspicious debut of a most impressive Kristen Chenowith and augers the great things yet to come for her), the touching "First you Dream" and, finally, the both ferocious and mournful reprises of the title song display a powerful and underrated score that deserves reevaluation.

If the book got it wrong, the composers and actors got it quite right the first time. This Original Cast Recording will always be proof positive of that undeniable fact. Always "dream".

Great Score, lousy show........2006-07-22

I think it's one of Kander and Ebbs best, better than Chicago and close to Cabaret. Sadly, the book ruined the show, it bored people. Yet, listening to the ravishing music on the CD, it's hard to realize that it all didn't come together. Maybe someday, someone will revise the book and make it work. Till then, enjoy the CD, it's absolutly gorgeous, had great character numbers, spirited dance numbers and dazzling ballads. The performances are wonderful, with Gregory Harrison (who knew Trapper John could sing?) , Daniel MacDonald and Karen Ziemba shining through on every song. The opening and closing theme is haunting.

Kander and Ebb in a Major Key.......2006-02-09

I first heard excerpts from this on Accuradio.com, and thought it sounded great. It is. In the Kander and Ebb canon, Steel Pier may not rank with Chicago, but I enjoy listening to it as much as to Cabaret. It's sweeter and less dark than either of those, but set in the same period (1933) and just as evocative of that period.

First, the performances of the leads are excellent. Karen Ziemba is superb. Daniel McDonald has a wonderful light baritone, and who knew Gregory Harrison (Trapper John, M.D.) could sing, let alone sing well. Debra Monk performs an excellent comic turn. Kristen Chenoweth's Broadway debut number was corny as can be, but did show off her talent and range well.

The music is just wonderful. Willing to Ride is a spirited waltz. Everybody Dance is a near-perfect Charleston opener top the dance marathon that forms the backbone of the plot. Power is a Powerful Thing may be a little weak in the lyrics, but its set to a spirited and charming ragtime melody. Dance with Me and The Last Girl are sung in a medley format. This is almost a shame because both numbers are excellent in their own right. In fact, The Last Girl is as gorgeous a ballad as you can find anywhere.

Wet is a tinkling, sparkling number in which Ms. Ziemba charms, and Mr. McDonald has a teriffic counterpoint melody. Ms. Monk has a showstopper in Everybody's Girl and a torchy number with Somebody Older. The Shag is a dance piece that may be the best number of all. It seems to alternate between twenties hot jazz and the swing that was just starting to be heard around then. There's also a great bluesy harmonica specialty number, whose only flaw is that it's too short. All in all, the score is a gem, especially compared to most of what we've heard in the last twenty years or so.

This is one of those recordings that makes you wonder why the show was a flop. I went back and read the reviews. Basically they didn't like the plot and felt the production strained too hard to be likeable, but lacked energy at the same time. The show also suffered from comparison to the stunning revival of Chicago that opened in the same season. The critics even managed to be lukewarm on the score. The show closed shortly after being nominated for eleven Tony's and winning none - that was the year Titanic swept the boards. With all that, I'd still say the score is marvelous when heard on its own merits. And I'd go to see a revival if someone would do it. Buy it. I recommend it without reservation.

Weak Plot ... Nice Score.......2005-08-06

The overall plot for Kander & Ebb's 1997 "Steel Pier" is fairly weak, but the score is actually quite good and sung by a terrific cast (Karen Ziemba, Daniel McDonald, Debra Monk, Gregory Harrison, and Kristin Chenowith). Not in the same league as their brilliant "Chicago", "Cabaret" or "Kiss Of The Spider Woman", but a worthy effort with several nice tunes.

Best tracks:

Willing To Ride
Second Chance
Running In Place
First You Dream

Unfortunately, "Steel Pier" was overshadowed by that season's remarkable revival of "Chicago" and dreadful "Titanic". A fine addition, however, to a theatre-lover's collection!

WONDERFUL!.......2005-04-28

I love this album! I bought it a few weeks ago and from the moment I listened to "Two Little Words" I knew this was going to be one of my favorites! The music absolutely gorgeous! I reccomend it!

Average customer rating:

Brava Dame Kiri!
Who could ask for anything more?
i was made to listen..now im hooked
I love it!
Classic Gershwin

Kiri Sings Gershwin

Manufacturer: Angel Records
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Musical Theater | Vocal Non-Opera | Opera & Vocal | Styles | Music

Te Kanawa, Kiri | Divas | Opera & Vocal | Styles | Music

Movie Soundtracks | Soundtracks | Styles | Music

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Kiri
Kiri Te Kanawa - Greatest Hits ~ 14 Favorites of Opera, Popular & Traditional Song

ASIN: B000002SJI
Release Date: 1990-10-25

Tracks:

Somebody Loves Me
Boy Wanted
Things Are Looking Up
Love Walked In
Love Is Here To Stay
Someone To Watch Over Me
But Not For Me
Summertime
The Man I Love
Soon
Meadow Serenade
Nice Work If You Can Get It
By Strauss
Embraceable You
I Got Rhythm

Customer Reviews:

Brava Dame Kiri!.......2007-03-11

This is a delightful CD. Esteemed soprano Kiri Te Kanawa sings Gershwin. One hook making this CD interesting is the use of the original scores and choral arrangements. It adds a most pleasant element to this recording. In essence, this is simply a lot of fun to listen to. Kiri Te Kanawa takes the music for what it is, sings it with gusto, and produces a very satisfying CD.

Some examples. . . . "Somebody loves me" demonstrates her lush voice. This is a nice version of a fine Gershwin tune. The orchestral backing is solid and enjoyable. All in all, very satisfying. "Summertime," from "Porgy and Bess," is well known. This is well sung; her operatic voice handles the song most satisfactorily. A very fine version. . . .

"Nice work if you can get it" is a clever bob-bon. Dame Kiri sings this in a most sprightly fashion. She sings in the proper spirit for the song and seems to be enjoying herself in the process! There is a nice high note at the end which does not seem simply for effect (compare with Mario Lanza's efforts at ending almost any song with a high C).

"Embraceable you" is charming and well done. "I got rhythm" closes this CD. Again, very nicely done with lush orchestration and choral singing. The song is taken at a quick pace and the result is delightful. Her rich voice works well on this cut. The chorus is energetic and the orchestra sparkles.

This is a most enjoyable album. Great music sung in a charming style by a great singer

Who could ask for anything more?.......2005-12-29

That says it

i was made to listen..now im hooked.......2003-04-21

i was made to listen to this album as a requirement for my A Level course into perfrming gershwin songs...its amazing..the way kiri sings each one in a different style and makes it her own..go and buy it..u wont take it out of your CD player

I love it!.......2002-05-14

If you like Gershin and Kiri Te Kanawa you'll probably enjoy this album as much as I do!

I can imagine Nick and Nora Charles listening to this at one of Nick's favorite dives! It will transport you to a sophisticated time and place that may have never existed except in literature and debutante coming out parties.

Gatsby would have loved it, and surely would have invited Kiri to all his parties!

Classic Gershwin.......2002-04-05

Original arrangements of Gershwin tunes are rare these days, but that's what you'll hear in this album by Kiri Te Kanawa. Granted, the arrangements sound somewhat dated according to 21st century tastes, but that's what makes them fascinating. These were like nothing anyone else was writing when the George and Ira first brought them to life. Kiri uses a different, somewhat breathier voice than you might be used to on her classical albums, probably not the type of voice Gershwin had in mind, but I think it generally works pretty well.

Average customer rating:

When Somebody Loves You
Only The Best By The Best
always great, always pure country
This cd is awesome!
Alan rules!!!

When Somebody Loves You
Alan Jackson
Manufacturer: Arista
ProductGroup: Music
Binding: Audio CD

General | Contemporary Country | Country | Styles | Music

New Traditionalist | Contemporary Country | Country | Styles | Music

General | Country | Styles | Music

Contemporary | Bluegrass | Country | Styles | Music
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Who I Am
Everything I Love
High Mileage [Enhanced CD]
Drive
A Lot About Livin' (And a Little 'Bout Love)

ASIN: B00004ZEJ2
Release Date: 2000-11-07

Tracks:

Meat and Potato Man
When Somebody Loves You
The Thrill is Back
www.memory
Where I Come From
I Still Love You
Life or Love
A Love Like That
It's Alright to be a Redneck
Maybe I Should Stay Here
Three Minute Positive Not Too Country Uptempo Love Song

Amazon.com essential recording

In the decade since his debut, Alan Jackson has matured as both singer and songwriter while his resolute traditionalism remains unchanged. As usual, his original numbers account for the best moments, including the hit "www.memory" and heartland anthem "Where I Come From," both outclassing the cartoonish non-original "It's Alright to Be a Redneck," yet another variation on Jeff Foxworthy's tired comedic hook. Jackson's masterful title track reiterates his genius with a ballad, as does his passionate interpretation of Robert Lee Castleman's loungy "Maybe I Should Stay Here." Don't dare assume he'd tone down the acerbic commentaries he began on "Gone Country" and continued on "Murder on Music Row." As roaring guitars battle traditional steel guitar, "Three Minute Positive Not Too Country Uptempo Love Song" allows Jackson to plunge his lyrical daggers into country radio consultants, whose soulless, analytical number-crunching determines who does--and doesn't--get airplay. Jackson's determination to confront Nashville's marketing, fashion, and gimmickry obsessions reaffirm his own blue-collar grit. --Rich Kienzle

Customer Reviews:

When Somebody Loves You.......2006-07-02

I have enjoyed listening to Alan Jackson's "When Somebody Loves You". I received the CD promptly.

Only The Best By The Best.......2006-04-17

I don't really Love this cd but one song on there really called out to me and it was "When Somebody loves You" I Love that song.

always great, always pure country.......2004-05-15

Alan Jackson is one of the few best-selling artists who throughout his long career has kept "real country music" thriving; during Nashville's ups and downs and pop crossover cycles, Jackson never left his roots, and for that we thank him.
In this platinum CD, which was his 10th recording, his wonderful baritone voice and relaxed style make all 11 tracks great listening.
Three of the five songs written by Jackson in this album were released as singles: "www.memory", "When Somebody Loves You", and the terrific "Where I Come From", which peaked at # 1 on the Billboard charts.

Other favorites include the opening "Meat and Potatoes Man", which is funny and tailor-made for Jackson's humor, the romantic, lilting "Maybe We Should Stay Here", and Jackson's "Three Minute Positive Not Too Country Up-tempo Love Song", which is a showpiece for his fabulous band (guitars: Bruce Watkins/acoustic, Paul Franklin/steel, Brent Mason/electric. Bass: Glenn Worf. Drums: Eddie Bayers. Fiddle: Stuart Duncan, Larry Franklin. Harmonica: Terry McMillan. Piano: Gary Prim, Keith Stegall).
Total playing time is an all-too-short (because time passes quickly when listening to Jackson) 34'01 minutes.

This cd is awesome!.......2003-01-26

This cd is a keeper! Its very "Alan Jackson" style.

Alan rules!!!.......2002-04-21

This is a great album. Some of the songs are cute like, 'Meat And Potato Man,' and 'It's Alright To Be A Redneck.' My favorite song is 'Where I Come From.' Alan Jackson is very talented and makes country excellent! I'd recommend this cd.

Average customer rating:

WOW
YES!!!!

The String Quartet Tribute to Queen
Brian May , Freddie Mercury , Brady Barnett , Jason Fitz , Tom Tally , Larry Franklin , Pam Jacobson , and Tom Vos
Manufacturer: Vitamin Records
ProductGroup: Music
Binding: Audio CD

General | Alternative Rock | Styles | Music

General | Opera & Vocal | Styles | Music

General | Rock | Styles | Music

General | Compilations | Rock | Styles | Music

General | Vocal Pop | Pop | Styles | Music

Tributes | Pop | Styles | Music
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ASIN: B0002MPQC8
Release Date: 2004-08-24

Tracks:

Killer Queen
Bohemian Rhapsody
We Are The Champions
We Will Rock You
Fat Bottom Girls
Crazy Little Thing Called Love
Somebody To Love
Play The Game
You're My Best Friend
Another One Bites The Dust

Product Description

1. Killer Queen
2. Bohemian Rhapsody
3. We Are The Champions
4. We Will Rock You
5. Fat Bottom Girls
6. Crazy Little Thing Called Love
7. Somebody to Love
8. Play the Game
9. You're My Best Friend
10. Another One Bites The Dust

Format: CD

Customer Reviews:

WOW.......2005-11-18

I know that WOW is kind of a small word but this CD ROCKS! I have loved queen for years. I originally bought this CD for my 10 year old son who took up the violin this year and who loves queen as much as I do but it quickly became mine. I've heard some pretty bad imitations, remakes, and ripoffs. I can honestly say that this CD is none of the above.You get 10 of Queens best. 1) Killer Queen, 2) Bohemian Rhapsody, 3) We Are The Champions, 4) We WIll Rock You, which happens to be my favorite on this disk, 5)Fat Bottomed Girls, 6)Crazy Little Thing Called Love, 7) Somebody To Love, 8) Play The Game, 9) You're My Bext Friend, 10) Another One Bites The Dust. The only downside to this disk is that they left out about a hundred other songs. I sincerely hope that The String Quartet comes out with a volume 2, but why stop there. They could go on forever with just Queen Classics.
Do yourself a favor. If you like Queen and Classical Music BUY THIS CD. You won't be sorry.

YES!!!!.......2005-06-05

Two words: Bohemian Rahpsody.

THey could have released a CD with only this song and I would have bought/borrowed/stolen it to get it. This song is definitely a highlight, but don't stop there, since the rest of the CD will make you want to play it over and over again.

If you've been thinking about buying a String Quartet Tribute, but don't know which to buy, I would buy this one, without a doubt.

Average customer rating:

Let the Buyer Beware
Historical and Pristine
"Rhapsody In Blue"

Gershwin Plays Rhapsody in Blue

Manufacturer: Shout Factory
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Jazz | Styles | Music

Traditional Jazz General | Traditional Jazz & Ragtime | Jazz | Styles | Music

Vocal Jazz General | Vocal Jazz | Jazz | Styles | Music

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Movie Soundtracks | Soundtracks | Styles | Music

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Gershwin Plays Gershwin: The Piano Rolls
Gershwin: Rhapsody In Blue/An American In Paris
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Gershwin: Rhapsody in Blue - Piano Concerto in F - An American in Paris

ASIN: B000098ZSS
Release Date: 2003-05-13

Tracks:

Rhapsody In Blue
An American In Paris
Swanee
Walkin' The Dog
Let's Call The Whole Thing Off
Somebody Loves Me
Our Love Is Here To Stay
S'Wonderful
Embraceable You
Oh, Lady Be Good

Customer Reviews:

Let the Buyer Beware.......2007-01-12

I do not disagree on any level with the other reviewers of this CD. However, the content is recorded from piano rolls rather than directly from the artist. This fact is not explicitly presented on the web page. Yes, if one clicks on the CD cover photo to get an enlarged image, one can read "First recording 1924 from rare piano rolls" at the bottom in small type. Not everyone will do this however. For this reason alone I only rate this product 3 stars.

Historical and Pristine.......2006-12-22

This compilation of Gershwin selections taken from the piano rolls of the composer offer a perfect introduction to the music of Gershwin, offering a balance between his serious symphonic pieces and his accessible popular songs. Beginning with two of his concert works, "The Rhapsody in Blue" and "An American in Paris," the CD just hints at what the composer accomplished in the concert hall and the world of serious music. To my understanding, the "Rhapsody in Blue" was originally performed at a concert titled 'An Experiment in Modern Music' in 1924 at Aeolian Hall in New York. The piece was performed by an orchestra with Paul Whiteman as director, and with the composer at the piano as part of a concert experiment in jazz. The version on this CD is a piano adaptation created by the composer based off of the original symphonic work.

"An American in Paris" is also a concert work that did not achieve the widespread adoration that the Rhapsody has garnered. It was intended by the composer to capture the emotions of a tourist visiting Paris, and was purportedly auto-biographical. It was performed in 1928 at New York's Carnegie Hall with Walter Damrosch conducting the New York Philharmonic. It received mixed reviews at the time but remains a favorite of Gershwin's classical works. Like the "Rhapsody," the version included here is a piano adaptation of the original orchestral work.

The remaining works on the CD are those of a popular composer, the flipside of Gershwin's career. No other American composer (or any for that matter) has strattled these two different fields of music with the success with which George Gershwin did. And the popular songs, among them, "Embraceable You," "Let's Call the Whole Thing Off," and "Love is Here to Stay" have achieved enormous pop culture penetration and secure Gershwin's place in history as a master of popular song composition. Notably missing from this CD, however, are Ira Gershwin's contributions, i.e. the words, which add an element important to these songs' true place in history. Along with Ira's contributions come the countless Gershwin vocal interpreters who helped to realize these songs' true significance and their dispersion throughout the American popular music idiom.

On these versions, it is simply Gershwin playing his works (albeit the recordings are taken from his piano rolls, not an actual live recording). In these arrangements, the melodies are incorporated into lush and often convoluted harmonic accompaniment, in which the melody often becomes lost (i.e., the bridge or B section of "Oh, Lady Be Good!"). However, the opportunity to hear the composer express the harmonic possibilities of these disguisingly "simple" American tunes is truly a valuable one. The particular bouncing style with which Gershwin jumps from chord to chord to accompany his melodies is clearly apparent on many of these tunes, and that is an aspect borrowed from Ragtime that contributes to Gershwin being labeled as a uniquely "American" styled composer. The idiosyncracy of his composition and playing are tied together and come to life on this CD. The harmonic statements are sophisticated and evasive to the common ear, and the rhythmic precision and prolificity are legendary. Together with the melody, these elements of the musical composition on which Gershwin demonstrates mastery come together to produce a truly quintessential and essential Gershwin compilation.

"Rhapsody In Blue".......2006-07-12

"This piece (Rhapsody In Blue) seemed to sweep through my mind. It was the heart of America, the feverishness of life, the musical welter of races, of peoples, their joys and their passions, their dissipations and their exaltations." ~ George Gershwin (September 26, 1898 - July 11, 1937) ~

Today, July 11, 2006, marks the 69th death anniversary of one of America's most versatile songwriters, George Gershwin. The birth of one of my favorite jazz-infused-classical pieces, "Rhapsody In Blue" in 1924 made Mr. Gershwin an overnight and sensational star and had gained him a worldwide recognition. He had been my late parents' (and mine, too) favorite composer along with Irving Berlin, Jerome Kern and Cole Porter. His harmonious collaboration with his brother, Ira Gershwin, had produced the most beautiful songs of all-time. They were the most prolific team of songwriters and their compositions have been recorded countless times by famous interpreters of Great American Songbook such as Frank Sinatra, Ella Fitzgerald, John Coltrane, Tony Bennett, Miles Davis, Oscar Peterson, Joe Pass, Michael Feinstein, Natalie Cole, Linda Ronstadt, Rod Stewart, Steve Tyrell, Diana Krall, John Pizzarelli, Michael Bublé and Chris Botti, among many others.

This CD is a musical treasure and one that I would strongly recommend not only to any Gershwin enthusiast but also to any new fan for this includes the original recording of "Rhapsody In Blue" from rare Piano Rolls. The sound quality is just terrific. It highlights two of his major works - "Rhapsody In Blue" (1924) and "An American In Paris" (1928). It also features some of his well-known popular songs and favorites of mine, my parents' theme songs "Our Love Is Here To Stay" and "Embraceable You." It has been said that Mr. Gershwin functioned best and had written his very best compositions at 3 o'clock in the morning and when he finish eight bars that he likes, he can finish a chorus in a few minutes, like the songs "`S Wonderful" and "Let's Call The Whole Thing Off." This recording also includes "Swanee," "Walkin' The Dog," "Somebody Loves Me," and "Oh, Lady Be Good."

It's so amazing that he composed frequently and never run out of inspirations for writing melodic tunes that are so pleasing to the ears. He can write three to five songs in a single afternoon. When he completed the melody of a song, he gives it to Ira to write words to it. He was such a genius and played the piano by ear after a fashion, tapping out the tunes with a finger.

Not known to many, Mr. Gershwin had tried his hand at painting. I've seen a portrait of himself that he painted a year before his death from brain cancer, and I would say, it's a beautiful work of art, almost like a work of a professional painter. He could have been a great painter.

George Gershwin will always be remembered as one of the greatest 20th Century composers and his music will always linger in the hearts of music lovers like me who truly appreciate and enjoy fine music.

Average customer rating:

GREAT GLAM-ROCK CD
!!! BEST CHRISTIAN METAL FOREVER !!!

Rage of Angels

Manufacturer: Regency Records
ProductGroup: Music
Binding: Audio CD
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First Watch

ASIN: B000294GDG

Product Description

Track Listing: 1. Leave You Or Foresake You 2. Reason To Rock 3. It's Not Late For Love 4. Somebody's Watching You 5. Hooked On A Good Thing 6. Do You Still Believe In Love 7. Rock For The Rock 8. Are You Ready For Thunder 9. Don't Give Up

Customer Reviews:

GREAT GLAM-ROCK CD.......2007-05-25

This a very good CD from the 80's metal scene. Guitarist Frank DiCostanzo and drummer John Fowler went on to join Steelheart shortly after this album was made. Well written music.

!!! BEST CHRISTIAN METAL FOREVER !!!.......2006-03-09

EXCELLENT ALBUM - KILLER VOICE AND PRODUCTION !!!
HIGHLY RECOMMENDED !!!

Witness: What a Mighty God - Spirituals and Gospels for Chorus

Average customer rating:

Historically important choral music, wonderfully performed!

Witness: What a Mighty God - Spirituals and Gospels for Chorus
James Bohn , Michael Jorgenson , Steve Burger , Gordon Johnson , Jay Young , Michael Abels , Dale Adelmann , Harry T. (Henry) Burleigh , Brazeal W. Dennard , Adolphus Hailstork , Jester Hairston , Jack Halloran , Robert A. Harris , Moses Hogan , Sanford Moore , Robert Scholz , Richard Smallwood , William Henry Smith , Andre Thomas , Philip Brunelle , Sigrid Johnson , Joe Pulice , Robert Commodore , Charles Kemper , Yolanda Williams , Brian Link , Vocal Essence , and VocalEssence Ensemble Singers
Manufacturer: Clarion
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

Gospel | Christian & Gospel | Styles | Music

General | Opera & Vocal | Styles | Music

Classical | Indie Music | Stores | Music
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ASIN: B0001FVEPE
Release Date: 2004-02-10

Tracks:

Witness: Jack Halloran
Hush! Somebodys CallinMy Name: Arranged by Brazeal W. Dennard
Death Is Gonna Lay His Cold Icy Hands on Me: Arranged by Andrhomas
Walk Together, Children: Arranged by William Henry Smith
Were You There?: Arranged by Robert Scholz
Elijah Rock: Arranged by Moses Hogan
This Train: Arranged by Sanford Moore
Jesus, Lover of My Soul: Music by J.S. Bach; text by Charles Wesley, Arranged by Richard Smallwood
My Lord,What a Mornin : Arranged by Harry T. Burleigh
Go Down, Moses : Arranged by Robert A. Harris
In Dat Great GittinUp Mornin: Arranged by Jester Hairston
Crucifixion: Adolphus Hailstork
Go Where I Send Thee:Arranged by Andrhomas
Swing Low, Sweet Chariot: Arranged by Dale Adelmann
Go,Tell It on the Mountain: Arranged by Sanford Moore
What a Mighty God : Arranged by Michael Abels

Album Description

Stirring spirituals and rousing gospel melodies sung by the superb voices of VocalEssence conducted by the renowned conductor Philip Brunelle, joined by vocal jazz ensemble Moore by Four.

Customer Reviews:

Historically important choral music, wonderfully performed!.......2004-05-25

For over 10 years, The VocalEssence Ensemble Singers and Chorus (conducted by Philip Brunelle) has presented an enduring series of concerts showcasing the talents of trailblazing African American composers. Now this wealth of music is available outside the concert hall through a series of recordings called WITNESS.

WHAT A MIGHTY GOD presents 20th Century choral arrangements of music from the African American spiritual tradition rooted in spirituals and gospels, including Harry T. Burleigh's "My Lord, What a Mornin'" (1929), "Walk Together Children" (William Henry Smith, 1937) and more contemporary composers like Sanford Moore's "Go Tell It On The Mountain" (1993.)

There are excellent notes about the genre, however, in light of the historical significance of this music I'm surprised and disappointed to find no biographical information about the composers, not even birth and/or death dates, with this CD. I feel this is a crucial component in an "outreach" project like this, especially since most of these composers are not well known. Still I highly recommend it for the music alone.

The other three CDs are available as single titles, or in the boxed set THE WITNESS COLLECTION which includes:

WHAT A MIGHTY GOD: Spirituals and Gospels for Chorus
DANCE LIKE THE WIND: Music of Today's Black Composers
GOT THE SAINT LOUIS BLUES: Classical Music in the Jazz Age
SKYWARD MY PEOPLE ROSE: Music of William Grant Still

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