Lo and Behold [Import]
Editorial Reviews
Product Description
Japanese 24-bit remastered reissue of 1971 album is packaged in a miniature LP gatefold sleeve & features 13 tracks including 3 bonus tracks, 'Tiny Montgomery', 'I Wanna Be Your Lover', & 'Eternal Circle'. All words & music by Bob Dylan. Airmail. 2004.
Lo & Behold,Mcguinness Flint,Air Mail Archive,Rock/Pop
Lo and Behold [Import]
Average customer rating:
- A great blend of styles, but still unique
- Overrated
- feistier!
- Great Music
- start of the decline
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The Reminder
Feist
Manufacturer: Cherry Tree
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Let It Die
- Back to Black
- Sky Blue Sky
- Volta
- We Were Dead Before the Ship Even Sank
ASIN: B000NPE7YC
Release Date: 2007-05-01 |
Tracks:
- So Sorry
- I Feel It All
- My Moon My Man
- The Park
- The Water
- Sealion
- Past In Present
- The Limit To Your Love
- 1234
- Brandy Alexander
- Intuition
- Honey Honey
- How My Heart Behaves
Amazon.com
Feist is the solo project of Canada's Leslie Feist, a prolific artist who has also played in one capacity or another with Broken Social Scene, Kings of Convenience and half a dozen other bands. The Reminder, her third release, comes from the same well of quiet, appealing songwriting, and delicate vocalizations that made 2004's Let It Die such a sweet treat. This one is a bit more hushed and ballad heavy, closer to Cat Power than Peaches (with whom Feist has also worked with in the past) but maintains an indie-minded blend of confessional pop, jazzy folk, and lo-fi torch songs. The comparatively upbeat single "My Moon My Man" splits her voice off into unexpected harmonies, just dissonant enough to stick in your head. It's hard to predict where her melodies are going to end up; "Brandy Alexander" starts with a simple snap-pulse, and gradually unfolds into a cathartic chorus of sweeping vocal overlays. Throughout, the record profits from a simple, unfussy aesthetic that keeps the production minimal and the emphasis squarely on Feist's cracking, wistful vibrato. Everything sounds deliberate, but not obsessed over, like an e-mailed wedding invitation. It's a low-pressure vibe, welcoming and content to linger. And linger you will. --Matthew Cooke
Customer Reviews:
A great blend of styles, but still unique.......2007-07-06
Leslie Feist has really made a contribution to music! Her songs make me think of a blending of Joni Mitchell, Eva Cassidy, Rickie Lee Jones, Shawn Colvin, and Kate Bush. Howzat for a compendium, kids?
And better still, the album (yeah, I'm a neo-oldster) is a good deal.
Overrated.......2007-07-05
Horribly overrated. This is adult contemporary gone mad. Cannot understand why Feist is getting all this love from the critics. Maybe because she is a Canadian. Her songs are ok as dinner background music -- specially if the dinner is good enough to keep you thoroughly occupied. Barely audible, her whiny drivel is irritating at best -- like the buzz of an over-friendly mosquito.
feistier!.......2007-07-05
This is a great album, perhaps better than her first. Leslie Feist has written more of these songs than on the first album and this is no loss. Not only does she still have the great sweet throaty voice, the arrangements have emotional depth. A fantastic sophomore offering. If you haven't heard her, you're missing out on a great new singer-songwriter with a punk inflection from Canada. Pick up either album and groove along.
Great Music.......2007-07-04
I just discovered this artist on the web. I bought the CD because it has a different sound that embodies jazz and pop with a unique voicing. I like it. The first few songs are what sell the CD. "My Moon My Man" is excellent! I only gave it four stars because once you get past the first few songs it does get a little mellow. I like it and will look into buying some of her other music in the future.
start of the decline.......2007-06-28
This album is much worse than her first one. If you never listened Feist before buy the first album. I think this one is dull and can only be used as a background music in a coffee shop....
Average customer rating:
- Hmmm, go back to Broken Social Scene and let this siht die, please
- Another great album
- Two stand out songs
- Delicately Beautiful
- Time to Let it Die
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Let It Die
Feist
Manufacturer: Interscope Records
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- The Reminder
- Fox Confessor Brings the Flood
- Open Season
- Fisherman's Woman
- Back to Black
ASIN: B0008KLVW8
Release Date: 2005-04-26 |
Tracks:
- Gatekeeper
- Mushaboom
- Let It Die
- One Evening
- Leisure Suite
- Lonely Lonely
- When I Was A Young Girl
- Secret Heart
- Inside And Out
- Tout Doucement
- Now At Last
Amazon.com
Canadian singer Leslie Feist has served as a guest vocalist for Norwegian folkies Kings of Convenience, Toronto power-pop troupe Broken Social Scene, and - under the frightening moniker "Bitch Lap-Lap" - the hairy female rapper Peaches. But her unruly resume hardly prepares you for the emotionally rich, softy sensual music on her major label debut. Moving from tortured torch songs such as "Lonely Lonely" to pulsating originals like "Mushaboom," it also contains stunning remakes of Ron Sexsmith's "Secret Heart" and the Bee Gees' "Inside and Out," tunes Feist not only makes her own but effectively uses to dissect her romantic desolation. "Don't you wish we could forget that kiss?" she smolders on the title track. Not in this lifetime. --Aidin Vaziri
Customer Reviews:
Hmmm, go back to Broken Social Scene and let this siht die, please.......2007-07-10
Fiest runs the gamut of musical styles from A to B on this record, from soul (ish) vocals to Norah Jones-like musings to out and out disco which was bad enough the first time - may the BeeGees rot in hell. I guess it's ok if you're an "indie" artist to regurgitate past musical styles that weren't too good to begin with and add a few electronic flourishes so you won't be accused of being too too retro and then add some dishpan shallow boy/girl lyrics and voila - pop genius! Fieist manages to be both sultry and sucky at the same time. Well at least all I lost was time having downloaded it, listened to it twice and deleted it. Not my bag, dad.
Another great album.......2007-07-06
I only found out about Leslie Feist in an LA Times article in early July 2007, and bought a couple discs on a lark. Good investment. This lady is gonna go far. A less mature work than The Reminder but very high-quality work.
Two stand out songs.......2007-06-18
I would rate the songs I like at 5 stars each but can't rate the cd any higher than a 3 since there are only two period. Her voice is sweet and velvety but I just don't play it that much.
Delicately Beautiful.......2007-06-12
There is one particular word for describing the sound of Feist.
Refreshing.
This '05 debut album for Feist is crisp, clear, and melodious. Right from the moment "Gatekeeper" grabs your attention you're hooked, and glad to be so. It's hard to place Feist into any one category of music. She makes me think of a possible Norah Jones wrapped in a modern shell of jazzy, loungy, and slightly Indie influences. Like nothing you've ever heard, certainly not in the last few years. Her more recent album, The Reminder, is capturing most of the attention of listeners right now and rightfully so, but this work is not to be forgotten. For a debut solo album, Let It Die seems to lack no maturity, and to think that it was recorded in a mere week amid her many international tours of '05! These songs show no hint of being mindlessly crammed onto a record ready for the shelves. In fact, it shows no haste at all. Simply the most relaxing music, but not to the point that it's short on pop, albeit in a very subtle way.
"Mushaboom" picks up the pace followed by worthy-of-flagship-status "Let It Die". All of the next three tracks are gold when you arrive at the strange tale of "When I Was a Young Girl" to which there is nothing I can compare it to except maybe Norah Jones' "Sinkin' Soon". "Secret Heart" is a fun little inquiring kind of tune with nice subtle vocals. Now we come to the place that the critics really rave about here. Feist's remake of one of my favorite Bee Gees songs "Inside and Out" is killer. The Bee Gees did such an original good job on it that its tough to say this one's better, but its close. Alot jazzier to boot. After you finish jivin' out, you arrive at unexpected "Tout Doucement". Feist's surrounding influences shine out in this jaunty little tune, so jaunty that you feel like you're strolling down a sunny avenue in Paris one morning on your way to a little cafe. Afterall, it was recorded in Paris. This charming tune will tell you that. Last we have "Now At Last", suitable but certainly not least. Of all the songs on this album it seems that this one above all others was made for Feist. Simple, delicate, and just really nice.
You simply must check out this one of a kind CD, certainly one of the best of '05. Enjoy
Time to Let it Die.......2007-05-18
I read that Feist was a sort of Norah Jones on steroids. I like Norah Jones but I'm not crazy about Norah Jones. I wanted originality. I wanted a jazz singer with a little more punch than Norah Jones. After making it through the first 8 tracks of Let It Die, I did. Feist needs steroids. Her voice is weak. There's a sexy breathless style common these days and then there's "I have no lung capacity". Feist seems the latter. Steroids could help.
Sorry, I didn't like it. The sound quality is poor which may contribute to the artist's poor performance. 2 stars because it's different and different is good. I don't think things will get better in future releases because the talent doesn't burst through. There's talent in her but not in the quantity to smash into your CD "Top Played" list.
Average customer rating:
- mixed
- I like it more with each listening
- A lot of filler songs
- product: great but postage: lengthy
- How Great is St. Elsewhere
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St. Elsewhere
Gnarls Barkley
Manufacturer: Downtown
ProductGroup: Music
Binding: Audio CD
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| Soul
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Similar Items:
- Stadium Arcadium
- Broken Boy Soldiers
- The Information
- Eyes Open
- FutureSex / LoveSounds
ASIN: B000F3AAUW
Release Date: 2006-05-09 |
Tracks:
- Go-Go Gadeget Gospel
- Crazy
- St. Elsewhere
- Gone Daddy Gone
- Smiley Faces
- The Boogie Monster
- Feng Shui
- Just a Thought
- Transformer
- Who Cares?
- On-Line
- Necromancing
- Storm Coming
- The Last Time
Amazon.com
In 2006, Danger Mouse is King Midas of the music world. He has an uncanny knack for creating jagged, dense, frenzied beats and odd, eerie, vivid soundscapes that never compromise the music's natural flow. Meanwhile, rapper and singer Cee-Lo, a veteran of Atlanta's Dirty South scene, has never been one to be constrained by hip-hop conventions, and is a willing partner in adventure. The result is an intrepid psychedelic blend of pop, hip-hop, soul, and rock that consistently challenges and delights. It's no wonder that "Crazy," with its modest riff, irresistible hook, and disarming opening line ("I remember when, I remember, I remember when I lost my mind") became a worldwide Internet sensation a full six months before the official release of St. Elsewhere. But that relatively simple soul-pop gem is the tamest track on this wide-ranging, often dark and introspective collaboration. (In fact, the duo considers Gnarls Barkley to be a wholly new creation, as opposed to a collaboration of existing artists.) "Everybody is somebody, but nobody wants to be themselves," Cee-Lo croons on "Who Cares?" He and Danger Mouse try very hard not to be their old selves as they creatively and confidently break down boundaries, but the brilliant cores of their musical personae--Cee-Lo's eccentric spiritual soul man and Danger's bold sonic explorer--remain. --Marc Greilsamer
Album Description
Gnarls Barkley is the highly anticipated collaboration from Danger Mouse and Cee-Lo. Danger Mouse is one of the most important artist/producers in music today. "Demon Days" sold over 5 million worldwide and Dangerdoom's "The Mouse And The Mask" sold over 100,000 units. Accolades include GQ's "Men Of The Year" honor; Spin's "Eccentric Genius Of The Year", NME's "Hottest Hip-Hop Producer In The World", Entertainment Weekly's "Album Of The Year", Grammy nomination for Producer Of The Year, and more. Cee-Lo is a Grammy-nominated, founding member of Goodie Mob. He wrote and produced the Pussycat Dolls #1 smash hit "Don't Cha", and his two solo albums for Arista scanned over 500,000 units combined. He also wrote hit singles for Ludacris, Common, P Diddy, Trick Daddy, and others. "Goodie Mob" has sold over two million albums worldwide. "Crazy", from this release, is all over UK's Radio One.
Customer Reviews:
mixed.......2007-07-12
rap, reggae, gospel...quite a variety of sounds, but no unique "sound" to define the group's style. Not very impressed.
I like it more with each listening.......2007-07-09
The first time I heard the album, I listened to it all the way through. I thought it was just OK. "Who Cares" was sort of clever. And how on earth did "Crazy" get to be such a hit? But I listened to it again a week later, and I found a little more to like. A few days later I wanted to hear those two songs again. Now I can't stop listening to them, and, yes, I agree that "Crazy" is amazing, and I love it. The songs on this album have richly layered beats that you find something new in each time you hear them. Cool, baby!
A lot of filler songs.......2007-07-03
I would give it three stars, if I didn't like at least one of the songs on the CD so much.
product: great but postage: lengthy.......2007-06-27
gday
im an australian who enjoys purchasing their music via the internet either via ebay, amazon, etc. It is usually cheaper to purchase music material over the internet but i understand that given that this requires time for postage i am usually patient. this is the second time i have purchased an music album from the US but the last time i ordered the item from ebay and i recieved the item within 10 days.
Im not sure what efforts can be made but to wait 20 days for a CD from the US seems excessive when other items are able to be sent in a quicker span of time between payment/purchase in the US and receipt in Australia.
This is my only complaint. I appreciate the range of products but surely postage could be arranged so it arrives within a quicker time-frame than 20 days.
Thank you
How Great is St. Elsewhere.......2007-06-02
Here is my 2 cents on this album. Last summer when I heard the single "Crazy" I INSTANTLY took notice...I was stunned how great it was.
And this was playing on commercial pop radio? I gave the record a chance anyway, and man let me tell you...after the 2nd listen to this disc I was HOOKED! This record is interesting, soulful, edgy, thoughtful, original, and fantastic. A musical masterpiece. I can't wait to hear what Cee-Lo and Dangermouse do next.
Highly recomended.
Average customer rating:
- great
- Just Textured, Feel-Good Tunes!
- Best Shins album
- Great album
- Indie Rock Right-Side-Up
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Oh, Inverted World
The Shins
Manufacturer: Sub Pop
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Details
- The Crane Wife
- Plans
- Garden State
- Simple Things
ASIN: B00005JSHW
Release Date: 2001-06-19 |
Tracks:
- Caring Is Creepy
- One By One All Day
- Weird Divide
- Know Your Onion!
- Girl Inform Me
- New Slang
- The Celibate Life
- Girl On The Wing
- Your Algebra
- Pressed In A Book
- The Past And Pending
Amazon.com's Best of 2001
Something extraordinary is afoot in Albuquerque. The Shins' first big-time record, Oh, Inverted World, combines mysterious narratives with golden song structures, resulting in lavish and opulent indie pop. Touches of Neutral Milk Hotel's lyrical majesty and the nostalgic swirl of Echo and the Bunnymen abound. But the Shins' music--rich with acoustic guitars, flickering rhythms, and Casio-tone keyboards--is distinct and peculiar. Worry mixes with abstraction throughout, and while James Mercer sings, "You led no celibate life / No skirt while chemicals danced on your head / You stole the keys to this ride / And your fables are falling tonight," you may wonder if he's been routing through your fondest, most troubling memories. This vital album is easily among 2001's most distinguished recordings and one of the best Sub Pop releases to date. --Thom Arno
Album Description
Hailing from Albuquerque, NM, The Shins sprung from the ashes of Flake/Flakemusic in 1997 (though those previous incarnations date back nearly a decade) - same members, different instruments, different approach. Counterpoint guitars have given way to a single guitar pitted against calculated keyboard passages; swarming indie rock machinations led to pop-based melodic endeavors.
Customer Reviews:
great.......2007-06-27
This is a really good cd. I was a bit nervous as I first came across The Shins in the movie Garden State. I loved the two songs that they had on there and was glad to hear they were both on this cd, though I was a bit nervous that the rest of the cd might not have been as good. However, this cd doesn't fail to disappoint. Among these great songs are; Caring is Creepy, Girl Inform Me, Know your Onion!, New Slang, One By One Day by Day, and Pressed In A Book. The others are good too.
Just Textured, Feel-Good Tunes!.......2007-06-08
The Shins "Oh, Inverted World" is a whopping debut of great tunes tinged with a subtle ingredient of the south, particularly in "One By One All Day". "Caring is Creepy", "Know Your Onion", "Girl Inform Me", "New Slang", and "The Past and the Pending" are just the highlights of this rollicking-good album. It is simply produced with catchy tunes that will stay with you for a good time.
Best Shins album.......2007-05-17
This album was one of the better albums I've heard in a long time. I think its listenable from beginning to end, and it probably should be a classic to music lovers for years to come.
-JR
Great album.......2007-03-09
I am always in a mood to listen to the Shins. They have digested and combined all the different genres of contemporary music and the product is larger than its parts. I have all their albums and I don't know which one I like best.
Indie Rock Right-Side-Up.......2007-02-15
Debuting in the summer of 2001, this album propped the bar up higher for craftsmen (and coattail-happy riders) of indie rock everywhere. From their deceptively simple structuralism to their mind-bending, almost mythical lyrics, The Shins gave lovers of the genre everywhere a good reason to let out a sigh of relief.
Like all great artists (The Beatles, Pink Floyd, the Brians Wilson and Eno, to name just a few), there are hints of other influences in this record (in fact, the last two in my parenthetical above are arguably in that list). These influences come in the form of hints and hums, though, and don't overshadow the delicate beauty of the rest of the record. They give it shape and shadow, but the warm, tender heart of the album belongs exclusively to Mr. Mercer, et. al.
Emotional ("Caring is Creepy"), skippingly-playful ("Know Your Onion!"), tender and evocative ("The Past and Pending"), and unabashedly poppy ("Girl Inform Me"), this album spans the spectrum of creativity, and does it with a talent and panache that seems rarer and rarer these days. The Shins mix simple (but gorgeous) chord progressions with airy brass, unobtrusive tambourine and harmonica, and well-blended electronica into something that is almost achingly fun to experience. It would be wrong to say they've turned the world of indie rock upside down, but it's true they've shone light on a new and darker part of it, a part that's worth visiting for a long, long time.
Average customer rating:
- One hit song does not a sell-out album/band make
- "You wasted life, why wouldn't you waste death?"
- I can't believe I heard this on the radio.
- Even if you're an old school MM fan, listen to it with an open mind
- Yet another masterpiece from Modest Mouse
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Good News For People Who Love Bad News
Modest Mouse
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- The Moon & Antarctica
- We Were Dead Before the Ship Even Sank
- Franz Ferdinand
- Hot Fuss
- Plans
ASIN: B0001M7P78
Release Date: 2004-04-06 |
Tracks:
- Horn Intro
- The World At Large
- Float On
- Ocean Breathes Salty
- Dig Your Grave
- Bury Me With It
- Dance Hall
- Bukowski
- This Devil's Workday
- The View
- Satin In A Coffin
- Interlude (Milo)
- Blame It On The Tetons
- Black Cadillacs
- One Chance
- The Good Times Are Killing Me
Amazon.com
It's hard to pinpoint the exact moment Modest Mouse started sounding like a real band. For the longest time, singer-songwriter Isaac Brock seemed to exist solely to defy the established rules, forging forward on sheer momentum and ingenuity. Even Pavement looked relatively ordinary in comparison to the band's early releases like 1996's This Is a Long Drive for Someone with Nothing to Think About and 1997's The Lonesome Crowded West. But on Good News for People Who Love Bad News, the frontman sounds like he's finally touching the earth, and the band--minus founding member and drummer Jeremiah Green--follows suit. A relaxed mood prevails, not so much in volume but in attitude. On the follow-up to the group's 2000 major label debut, The Moon & Antarctica, big sloppy melodies battle it out with brass on punky epics like "Float On" and "The Ocean Breathes Salty." The lyrics are simpler, the arrangements tamer, but the vitality remains. The prevailing mood is that Modest Mouse has pulled off something extraordinary here: a well-rounded, lovable record that doesn't sound anything like David Gray. --Aidin Vaziri
Customer Reviews:
One hit song does not a sell-out album/band make.......2007-06-20
Yes, "Float On" was a smash hit. Yes, it's pretty poppy. But what about "3rd Planet" and "Gravity Rides Everything" from "The Moon and Antarctica"? To a (possibly much) lesser extent, what about "Heart Cooks Brain" from "TLCW" or "Dramamine" from "This is a Long Drive"? You see, MM have generally had more "mainstream-palatable" songs on their album, and just because this one was a hit, does not mean they sold out.
OK, you've heard that rant before, but not in such an *ahem* eloquent fashion. Now onto the review.
As usual, the hit is by no means the best song on the album. Other songs like "The World At Large", "Ocean Breathes Salty", "Bury Me With It", "Bukowski", "The View", and (ESPECIALLY) "The Good Times are Killing Me" (which, by the way, if you did not know, was remixed and tampered with by one of the best bands of all time, the Flaming Lips) not only give "Float On" a run for its money, they take the money and use it to buy cigars.
I mean, the fact that supposedly hardcore fans are nitpicking this great album because it has freakin' "Float On" on it more points out their own stupidity and narrow-mindedness than it does the band being sell outs.
So, in conclusion, if you want to keep your rather dubious "indie cred", do not buy this album. If you enjoy Modest Mouse as much as anyone should, however, than do.
"You wasted life, why wouldn't you waste death?".......2007-04-19
I am becoming more and more of a fan of this kind of off-beat, different music. I guess I can't help myself. I liked the single "Float On" when I heard it a few years ago, but again, I didn't pursue the album until later. Good News is interesting because of its contrasting moods. The plucky guitars and catchy harmonies conflict with the cynical lyrics that attack religion and certain kinds of people. The vocals range from pleasant sounds in the background to aggressive, near shouting tirades. The singer isn't all that great at singing, but he's great at using his voice to convey any mood he wants.
"The World At Large" starts off the album about as happy as it gets, with flutes and meaningless vocals in the background. "Bury Me With It" is about as angry as the band gets musically, though not lyrically. That would be "Bukowski", which is completely pleasant musically. "The View" sounds like kind of like dance music. "Satin In a Coffin" uses prominent drums and older sounding instruments to create a very interesting sound. "The Good Times Are Killing Me" finishes off the album while perfectly illustrating the conflict of sound and message, and it's produced by The Flaming Lips, which is cool. Modest Mouse is a unique band, and a good one at that.
I can't believe I heard this on the radio........2007-03-27
The first time "Float On" came across the radio I almost $#!? my pants. I fell in love with Modest Mouse after I heard "Dramamine". Not immediately, but after listening to the "Long Drive" record repeatedly, the band grew on me. And grew. And grew. Now 8 or 9 CD's later they're still growing on me. I'm glad they've found radio success and hope they are able to keep producing new music.
My highlights for this record include Bukowski, Black Cadillacs, and Satin In A Coffin. If you truly love the band and aren't just in it for the image, you'll love this record. The whole album is great. Yes, even Float On.
Even if you're an old school MM fan, listen to it with an open mind.......2007-03-12
This album is the worst Modest Mouse album, in my opinion, but it's still really great. That's the beauty of Modest Mouse.
What I love about Isaac Brock is that his music reveals a lot about who he is and what life has taught him. Good News for People Who Love Bad News is no exception.
The only track I don't like on this album is "Satin in a Coffin". After hearing a live recording, which I love, I can't stand to listen to the one on gnfpwlbn. It lacks passion and intensity.
Yet another masterpiece from Modest Mouse.......2007-01-21
These guys have released so many great albums that the expectations are always incredibly high for their next one. And every time they release one, I listen to it, and I'm a bit disappointed, and I say to myself, "it's good, but it's not as great as the last ones."
Then I listen to it more, and it begins to grow on me, and soon I can't stop listening to it and I'm raving, "This is their greatest album!".
That's what happened to me with this one. Didn't blow me away at first. Now? I am like an addict. As soon as a song ends I need to hear it again immediately. And I can't stop listening to the album, and I don't want to listen to anything else....
I give it huge props, even though they diss my beloved Charles Bukowski.
Average customer rating:
- What "country" music should be.
- Mediation in the fields
- Defining "the sublime"
- Alternative Folk
- good cd
|
Our Endless Numbered Days
Iron & Wine
Manufacturer: Sub Pop
ProductGroup: Music
Binding: Audio CD
General
| Alternative Rock
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Lo-Fi
| Indie & Lo-Fi
| Alternative Rock
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Singer-Songwriters
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Pop Rock
| Pop
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General
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Similar Items:
- The Crane Wife
- In Good Company
- Garden State
- Plans
- Details
ASIN: B0001ENX54
Release Date: 2004-03-23 |
Tracks:
- On Your Wings
- Naked As We Came
- Cinder And Smoke
- Sunset Soon Forgotten
- Teeth In The Grass
- Love And Some Verses
- Radio War
- Each Coming Night
- Free Until They Cut Me Down
- Fever Dream
- Sodom, South Georgia
- Passing Afternoon
Amazon.com
Florida's brilliant singer-songwriter Sam Beam expands Iron & Wine from solo project to a gaggle of friends and family on slide guitar, percussion, and backing vocals on his second album. Fans need not worry--the hushed immediacy and rich melodies remain the focus--but new flavors abound. For instance, the strange "Cinder And Smoke" sounds like a collaboration (with banjos of course) between America, Robert Wyatt and Low. Meanwhile, "On Your Wings," "Free Until They Cut Me Down," and "Teeth in the Grass" showcase a brooding, earthy, Southern-rock-on-laudanum side that the band had previously only demonstrated in concert. It's rare when an artist who's become known for bedroom recordings makes the transition to the studio to produce work that's better--Daniel Johnston, Lou Barlow, and Liz Phair all made their defining moments crouched above a cassette recorder at home. But Beam is the exception to the rule, as he has easily bested himself on the second Iron & Wine album. --Mike McGonigal
Album Description
Listening to Our Endless Numbered Days makes plain Sam's deft touch with words and melody; one that allows him to turn out stories about love, loss, faith, or the lack of it that are at once personal and universal, set to music that is sweetly haunting and timeless.
Customer Reviews:
What "country" music should be........2007-06-02
Most would probably not label Iron & Wine as country music, yet to me their music fits that title better than most artists that are labeled as such. Not only the lyrics, but the atmosphere of the music overall just perfectly illustrates walking barefoot down a country road, or sitting on the porch at sunset with a glass of lemonade. This really just sounds like the country, and even though I live in the big city/suburbs, this album just really takes me there, in a way that stuff like Kenny Chesney and Tim McGraw definitely do not.
The sole mastermind of Iron & Wine is Samuel Beam, an unassuming fellow with an extremely simple, yet extremely beautiful approach to music. Armed with only an acoustic guitar, his wispy vocals, and the occasional banjo, Beam comes off very much like what Nick Drake might have sounded like, had he grown up in the rural south. The feel overall is somewhat similar to Drake, but with a warmer, more down-home kind of vibe. There's also a great deal of Simon and Garfunkel influence there as well, most evident on songs like "Love and Some Verses" and "Each Coming Night". However, despite all these comparisons, there's really nothing quite like this.
Musically, this is just the perfect album to relax to. It's extremely mellow and laid-back throughout, and the closest it comes to "rocking" is on "Free Until They Cut Me Down", which is still pretty laid-back. The melodies are catchy and memorable, and the musicianship, while simple, is top-notch. Perhaps my favorite song here is the mesmerizing "Cinder and Smoke", which actually took a few listens to really grow on me. It's not as readily ear-catching as most of the rest, but it's really beautiful, with its female backing vocals, and odd hypnotic chanting outro. You might know "Sunset Soon Forgotten" and "Naked As We Came" from the Dennis Quaid movie "In Good Company", which are both excellent as well (the latter being the most Nick Drake-sounding song here). Really though, every song here is great, and distinctive unto itself. The only bad thing about this album is that it's over much too soon.
So, whether you're from the country, or you're surrounded by concrete and steel, Iron & Wine will take you to a rural paradise from which you'll never want to leave.
Mediation in the fields.......2007-05-22
Sam Beam makes intimately personal music that is oddly impersonal. While these bittersweet songs often ring from universal themes, I sometimes feel like they were straight out of my mind. That is a really neat trick, considering that this genre of folk has a tendency for navel gazing. To that extent, the second CD from Beam's Iron and Wine ranks with the likes of Elliot Smith and the late Nick Drake. These are songs that get inside of your head and stay there.
While that won't certainly be to everyone's taste (a few of my friends rate this kind of music as barely above the level of Dentist Office Muzak), the ambiance of Beam's Southern stoicism is like a contemplative walk through a field of high grass. There are songs of love and death ("Sodom South Georgia" and "Free Until They Cut Me Down") simple life and love ("Sunset Soon Forgotten" and "Passing Afternoon") set to guitar, banjo and Dobro, all sung in Beam's hushed and melodious voice. Like Ray LaMontagne has in the past couple of years (or even Leonard Cohen before them), Beam is writing deeply poetic songs that are just begging to be covered or placed in a movie soundtrack to offer context.
Recommended for fans of Nick Drake, Leonard Cohen, Ray LaMontagne, Will Oldham and Bonnie Prince Billie.
Defining "the sublime".......2007-03-30
If you've ever wondered what the definition of "the sublime" is, listen to "Passing Afternoon," the last track on this perfect album.
I can't write a definition of "the sublime."
But I know that it's achieved in the last 30 seconds of that song.
Alternative Folk.......2007-01-23
Great cd for those of you folk fans who like a twist. Quiet, moody and slightly eclectic. I was pleasantly surprised. Interesting lyrics, good songwriting, and vocals that are pleasing to the ear. A great cd for any collection.
good cd.......2007-01-11
Cd was good overall but the edges seem to be damaged...not by this seller but by when the cd was made
good seller, very punctual.
Average customer rating:
|
Open Season
Feist
Manufacturer: Interscope Records
ProductGroup: Music
Binding: Audio CD
General
| Alternative Rock
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Lo-Fi
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4-for-3 Alternative Rock
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4-for-3 International
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4-for-3 Pop
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4-for-3 Rock
| 4-for-3 Music
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4-for-3 All Music
| 4-for-3 Music
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Similar Items:
- Let It Die
- The Reminder
- Volta
- Keren Ann
- Release the Stars
ASIN: B000F39MEM
Release Date: 2006-07-18 |
Tracks:
- One Evening (Gonzales Solo Piano)
- Inside & Out (Apostle Of Hustle UnMix Live At The BBC)
- Mushaboom (Mocky Mix)
- Gatekeeper (One Room One Hour Mix)
- Lonely Lonely (Frisbee'd Mix)
- Mushaboom (K-Os Mix)
- Snow Lion
- Tout Doucement
- The Simple Story
- Lovertits
- Mushaboom (Postal Service Mix)
- Gatekeeper (Do Right Mix)
- One Evening (VV Mix)
- When I Was A Young Girl (VV Mix)
- Mushaboom (VV Mix)
Album Description
Exclusive French pressing features a different track listing to the Canadian version. This 14-track album features songs, remixes, collaborations and songs that were recorded around the Let It Die sessions and either appeared as B-Sides, promo only releases or on other artist albums. Exclusive tracks to this French version include, 'Mushaboom' (Mocky Mix), 'Gatekeeper' (One Room One Hour Mix), 'Snowlion' (with Readymade FC), 'Tout Document' (Remix) and 'Mushaboom' (VW Mix). Universal. 2006.
Album Details
A Stop Gap Release to Satisfy her Fans Between the Canadian Singer/Songwriter's First and Second Albums that features All-exclusive Remixes, Live Recordings and Previously Unreleased Material. Song Collaborators Include Jane Birkin and Gonzales (Covering a Peaches Song) and Readymade Fc.
Customer Reviews:
Knee deep snow.......2006-10-16
Folk-popster Leslie Feist garnered a lot more attention with her second solo album, "Let it Die." Now she follows it up with "Open Season," which is basically a lot of odds and ends -- remixes, B-sides, and alternate versions. Sure, not everything is absolutely perfect, but it's a good little album of bits and pieces.
It opens on a quiet note with a piano version of "One Evening," which is basically a pretty, downbeat little instrumental. Things start to kick off with the acoustic-driven "Inside and Out (Apostle of Hustle Unmix," which brings it down to gritty guitar-driven melodies. Okay, whatever, but not exactly my cup of tea.
But the remixes are good stuff -- "Mushaboom" gets done over and over, whether it's a perky pop melody, a heavier techno-laced one, an almost wordless mix by VV, or the peak of the album -- Postal Service's delicate trip-hop remix. There's also the murky "Lonely Lonely (Frisbee'd Mix)," a jazzy "Gatekeeper" remix, and a funky redone "When I Was a Young Girl."
There are also some songs that haven't been heard on her regular album: the dreamy "Snow Lion" with Readymade FC, the trippy French "Tout Doucement," the taut ballad "Simple Story" with Jane Birkin," and the naughty-edged "Lovertits" (well, what did you expect with that title?) with Gonzales.
Most albums of B-sides and remixes are pretty much half-and-half. Fortunately, Feist scores higher with an almost perfect array of remixes, and four excellent individual songs. Don't expect the same sound as "Let it Die," though -- the folkpop sound can only be found in a couple of songs here, like the full mix of "Gatekeeper" and the unmix of "Inside and Out."
Instead, we get all sorts of remixes -- jazz, funk, trip-hop, hard electro, and even "One Evening" pared down to a single piano melody. And the songs get a bit of a twist, with everything from skipping vocals to crunching snow to scratching vinyl. Sometimes you'd hardly even know they were the same song, except for the occasional cry of "Mushaboom!"
And fortunately Feist never gets lost in all this remixing, unmixing and reworking. Her clear, fresh voice cuts through all the beats and extra instruments. But she sounds best in the four original songs, with rippling piano, harp and some blippy sound effects. "Tout Doucement" is especially charming -- it sounds like a French cafe at happy hour.
"Open Season" won't give anyone reason to fire at Feist. Her odds and ends sound wonderfully polished, with only a few rough diamonds left over.
Beautiful .......2006-09-08
"The evening was long
My guesses were true
You saw me see you
That something you said
The timing was right"
Playful in beauty, Feist's Open Season is a mingling of richly orchestrated sounds and remixes. One Evening (solo piano) is striking in its ornate textures even in the straightforward solo version. The Remix later in the album is hardly recognizable and the mood more sultry.
Inside and Out has dreamy lyrics, but is edgy in acoustic musical exploration. Snow Lion reminds me of Magnet's laid-back albums and the beauty melts into a subtle discordance on a moonlit landscape. The Mushaboom Mocky remix seems the best of the versions on this album, but I still prefer the original song from the Let it Die album recorded in Paris.
"You treat me like a vision in the night
Someone there to stand behind you
When your world ain't working right
I ain't no vision, I am the girl
who loves you inside and out"
A better introduction to Leslie Feist would be the Let it Die album, but this one might make you curious and interested enough to listen to all her music.
~The Rebecca Review
Average customer rating:
- Smorgasbord of influences
- There Is Still Great Music Out There And Right Here
- Good singer but...
- Gossip are lethal
- Gossip
|
Standing in the Way of Control
Gossip
Manufacturer: Kill Rock Stars
ProductGroup: Music
Binding: Audio CD
General
| Alternative Rock
| Styles
| Music
Lo-Fi
| Indie & Lo-Fi
| Alternative Rock
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| Indie & Lo-Fi
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Garage Punk
| Hardcore & Punk
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Similar Items:
- Back to Black
- Show Your Bones
- Sound of Silver
- The Good, the Bad & the Queen
- Yes, Virginia...
ASIN: B000CNFB22
Release Date: 2006-01-24 |
Tracks:
- Fire With Fire
- Standing In The Way Of Control
- Jealous Girls
- Coal To Diamonds
- Eyes Open
- Yr Mangled Heart
- Listen Up!
- Holy Water
- Keeping You Alive
- Dark Lines
Amazon.com
It's flatly unfair that the Gossip aren't a massive success, a rocknroll giant slayer, especially as they unleash another 10-song, 30-minute zinger like Standing in the Way of Control. Singer Beth Ditto's boundless, whether shouting out the title song's chorus or feather-dusting the lyric on Meg White-sounding album closer, "Dark Lines." The band rocks with an unerring simplicity, a leanness that writhes. The big-beat, hop-along (and sing-along) "Listen Up," is the centerpiece here, a stripped focus on the Gossip's core conviction, that rhythm can rock like little else. The tune has Ditto holding court over a bluntly simple one-two beat, cautioning a crowd that by rights ought to be tenfold larger: "now gather round/now listen up," warning them that "some people talk way too much." As Ditto stuns, drummer Hannah Blilie's beat pounds, and Brace Paine's guitar lays down a simple law. Ignorance of that law is no excuse. --Andrew Bartlett
Album Description
Gossip have returned two years after their last release with a new drummer and a slightly new sound. Described as everything from dance-punk to "Pointer Sisters without synths", this is a preview of their upcoming album, coming out in January. "Standing In The Way Of Control" comes backed with a stellar remix by Le Tigre, with art by Kim Gordon of Sonic Youth.
Customer Reviews:
Smorgasbord of influences.......2007-05-14
1 tb of Alison Moyet
a pinch of Luscious Jackson
1 cup of Gang of Four
2 cloves of Romeo Void
Stir vigorously
Bake at 400 degree
Enjoy your warm, yummy Gossip!
There Is Still Great Music Out There And Right Here.......2007-04-23
This cd by the Gossip is one of those rare ones that you let play all the way through and then start it over again. Very distinct vocals from Beth Ditto and very good music. My personal favorite tracks are the title cut and HOLY WATER.
Good singer but..........2007-03-23
OK so this is one of the big things in the NME at the moment. It is not that bad but also not that great. The singing is really very very good but the music is little mroe than unoriginal derivative new wave. As I write the singer has a lot of potential but the rest is not that great.
Gossip are lethal.......2007-02-05
Hi Guys
I have to say i disagree with the above-mentioned reviews. I haven't felt the same way about a band since i was going through a large White Stripes phase some years ago.
This band are very similar to the Whites Stripes in that they have that stripped down, bedroom sounding production similar to Elephant. They also have the same type of bluesey guitar licks. The vocals are absolutely tremendous, bringing a soul voice to a rock band, although if she went on American Idol they would slate her.
It is of course the songs themselves that cement this record. Every song is a stone cold hit. The chorus of "coal to diamonds" has so much emotion it makes me feel nauseous.
The only downside is that the chorus of "Keeping you Alive" sounds slightly tacked on, even though it makes the main riff of that song sound cooler.
It is also worth noting that this band are hot enough to have tracks remixed by Belgian rock/dance crossover Soulwax and Le Tigre.
If these guys really float your boat it is worth checking out The Invisible Deck the Rogers Sisters.
Gossip.......2007-01-10
Beth Ditto has one of the strongest voices today, very reminiscent of Janis Joplin. The album is full of suprises.
Average customer rating:
- Quintessential.
- Modest... they shouldn't be!
- prepare to be amazed...not by my review, but how amazing this album is
- Excellence
- After listening to it over 20 times, I realize this is the best album ever! 2nd place goes to 40oz To Freedom
|
The Moon & Antarctica
Modest Mouse
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD
General
| Alternative Rock
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Lo-Fi
| Indie & Lo-Fi
| Alternative Rock
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Emo
| Hardcore & Punk
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Noise
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Similar Items:
- Good News For People Who Love Bad News
- We Were Dead Before the Ship Even Sank
- Everywhere and His Nasty Parlour Tricks
- Keep It Like a Secret
- The Soft Bulletin
ASIN: B0001I2CDY
Release Date: 2004-03-09 |
Tracks:
- 3rd Planet
- Gravity Rides Everything
- Dark Center Of The Universe
- Perfect Disguise
- Tiny Cities Made Of Ashes
- A Different City
- The Cold Part
- Alone Down There
- The Stars Are Projectors
- Wild Packs Of Family Dogs
- Paper Thin Walls
- I Came As A Rat
- Lives
- Life Like Weeds
- What People Are Made Of
- 3rd Planet - BBC Radio 1 Session
- Perfect Disguise - BBC Radio 1 Session
- Custom Concern - Instrumental BBC Radio 1 Session
- Tiny Cities Made Of Ashes - BBC Radio 1 Session
Amazon.com
With their interstellar (really!) lyrics and angular song structures, Modest Mouse tend to defy their self-deprecating band name. In truth, the trio's got some lofty ambitions, and The Moon and Antarctica indulges their grand dreams with pristine production and a vivid sonic backdrop. It also dives deeply into their geographical obsessions--always with the same subjective twists that made The Lonesome Crowded West and This Is a Long Drive for Someone with Nothing to Think About such inspired wonders. Isaac Brock opens Moon with meditations on the universe's shape--all twisted into such a solipsistic tangle that they illuminate immediately how much these songs are about the mind as about the world. Rarely giving off the cage-jarring thickness of guitar rock, Moon's 15 tunes are shaped around vignettes of a disheveled head figuring out the rambling disconnections of postmodern society. Guitars wobble, Brock wails on vocals, and his band mates--Eric Judy and Jeremiah Green--help take each song away from any predictable formula and toward wherever they seem to want to go. This is a band as profoundly touched by suburbia as was writer Harold Brodkey. You can imagine Brock, Green, and Judy lying on wide-open lawns, philosophizing about the shape of the universe and coming up with lyric moments like this (sung to folky, spare acoustic guitar): "A wild pack of family dogs came running through the yard and as my own dog ran away I didn't say much of anything at all / A wild pack of family dogs came running through the yard as my little sister played; the dogs took her away, and I guess she was eaten up, okay." Replays of American Beauty, anyone? --Andrew Bartlett
Customer Reviews:
Quintessential. .......2007-03-27
If you think you'd be interested in listening to this band, buy this album first. Think of it as their version of the Beatles' "White Album". Or Metallica's "Black Album". Or Weezer's "Blue Album". Or Primus' "Brown Album". Okay, that one sucked. Regardless, there is not a bad track on this album.
From the moment Brock tells you what his only art is until you find out what people are made of, you will be floored. The album captures all of the charm and personality that their Up albums had. But the production, the musicianship, the songwriting, the lyrics, everything, absolutely every thing is on the next level.
Modest... they shouldn't be!.......2007-02-10
This CD is better than their 'Good News' album. This one had next to no "hits" on it, and I liked more songs on this album than their other two I own! If you like odd-ball rockers and strangely hypnotic yelling and guitars, buy this album!
prepare to be amazed...not by my review, but how amazing this album is.......2007-01-30
I remember the first time I heard Modest Mouse. I was moved by Isaac Brock's sense of timing and lyrical punches. I thought that nothing could ever top The Lonesome Crowded West (and to me still nothing has), but this record came pretty damn close. From the opening note on the first track, 3rd Planet, I could feel my my heart slowly begin to drift away...right into the sea of Brock's haunting voice. And every track takes you somewhere new until you realize that you're eventually not even on this planet anymore. I absolutely love this record, for personal reasons and because they truely do raise the bar with every record they produce. If you're a fan of Good News, you owe it to yourself to hear the roots of this amazing band
Excellence.......2007-01-21
Others have said it already so many times...this is a monster of an album and Modest Mouse are exquisite.
After listening to it over 20 times, I realize this is the best album ever! 2nd place goes to 40oz To Freedom.......2006-12-02
The dark center of the universe is easily the best song ever written, easily. The music, the emotion, and the lyrics are pure perfection. Read the lyrics while listening to the song and you will realize what I am talking about. It is poetry, so I won't tell you what it all means, but if you listen to it enough it will hit you. If you can't see the thin air then why the hell should you care?
Average customer rating:
- All goes on and on and...
- YUM
- Best Album Ever.
- Meh.
- Mangum's voice
|
In the Aeroplane Over the Sea
Neutral Milk Hotel
Manufacturer: Merge Records
ProductGroup: Music
Binding: Audio CD
General
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Lo-Fi
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Neo-Psychedelia
| Rock
| Alternative Styles
| Alternative Rock
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General
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Progressive Rock
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Similar Items:
- The Crane Wife
- You Forgot It in People
- Live at Jittery Joe's
- Neutral Milk Hotel's In the Aeroplane Over the Sea (33 1/3) (33 1/3)
- The Gulag Orkestar
ASIN: B0000019PA
Release Date: 1998-02-10 |
Tracks:
- The King Of Carrot Flowers Part 1
- The King Of Carrot Flowers Part 2 & 3
- In The Aeroplane Over The Sea
- Two - Headed Boy
- The Fool
- Holland, 1945
- Communist Daughter
- Oh Comely
- Ghost
- Untitled
- Two - Headed Boy Part 2
Amazon.com's Best of 1998
Just from the opening seconds of Neutral Milk Hotel's second album, you know it's going to be special: the acoustic guitar strum is catchy beyond belief, and Jeff Magnum's intonation lends credibility even to a line like "When you were young, you were the King of Carrot Flowers." Listening to In the Aeroplane is like stepping through Alice's looking glass; you enter a fantastic new universe that, while it doesn't always make sense logically, feels like the home you never had. --Randy Silver
Amazon.com essential recording
Led by Jeff Magnum, In the Aeroplane over the Sea finds the Neutral Milk Hotel assemblage loosely performing a series of narratives backed by folksy acoustic guitar. But from that springboard, a quiver of instruments (horns, organs, accordions, saws, banjo, zanzithophone, etc.) are layered into a sometimes rootsy, sometimes lo-fi, and often psychedelic mix. Contrary to most pop experimentalists, NMH songs stretch way past the two-minute mark: "Two Headed Boy" transforms from a Guided by Voices-ish romp into a New Orleans big band funeral march, "The Fool" is as catchy as anything Poi Dog Pondering ever produced, and "Holland" builds up to a crescendo of saw, Uillean pipes, a chorus of voices, and fuzzed-out guitar. Simply irresistible. --Jason Verlinde
Customer Reviews:
All goes on and on and..........2007-07-15
It's great. There's not much else to say in 2007 that hasn't already been said already...certainly one of the top ten of the last decade.
If there's one track that I don't think gets enough love it's the Untitled track. No lyrics but just an awesome blast of bagpipes and organ.
YUM.......2007-05-11
I cannot help but feel this is the most _indie_ album in my collection. Each song, in general, uses little more than an acoustic guitar and carefully paced vocals, yet each song attains an atmosphere and, in some cases, intensity not easily achieved even with more complex instrumentation. For instance, the first track 'The King of Carrot Flowers' begins with an oh-so simple acouatic guitar strum, yet the tight rhythm and easy flow of the chord progression is immediately enticing. Add to this the somewhat oblique lyrics (which fit the style of music and vocal delivery to a tee), and a brilliant building structure culminating in the second part of the track, and you have a veritable tour de force in the first two songs!
The stark and deliberately simplistic nature of the music could be offputing, but there is actually a fair deal of diversity and the unexpected present here. 'Oh Comely' my favourite track, does begin with the trademark acoustic strum, yet unfolds into so much more over eight minutes, with horns, vocal crescendos and sparse interludes all incorporated. Also, the suprisingly rocking 'Ghost', the excellent untitled instrumental (which revamps certain musical themes from throughout the album) and the dreamy psych of 'Communist Daughter' complement the more conventional 'Two Headed Boy' the title track, and 'Holland, 1945'.
What I want to get across then is the fact that, even though the musiacl approach is almost deliberately simplistic, and the lyrics rambling and nebulous, the sheer weight of songwriting here carries the whole thing through. The record is just unbelievably consistent, the melancholy, slightly deranged atmosphere is unique and interesting, and the songs have an insular, personal quality that ensures they are very endearing. So yes, I think it's a classic.
Best Album Ever........2007-05-09
The previous reviewer implies that when Mangum yells out "I love you Jesus Christ", he is making an ironic joke. This is not a joke for the listener to be in on, it is one of many challenges presented to the listener (the liner notes and other interviews make this clear). That Mangum does love Jesus Christ and is willing to put this on the line is a part of this album's genius. This album is wrought with metaphor, symbolism, surrealist imagery, fear, and compassion. One thing it does not contain in irony. Mangum, unlike some of his peers, is beyond this as a lyricist.
The first several times you may hear this album you may want to dismiss it. Many people dismiss the Diary of Anne Frank as some book you get assigned in [...]. Mangum did not dismiss it as such. The book made him immensely sad. He had many questions about the Holocaust and why it had to happen; why Anne had to die? It was with these questions that he sat down with his guitar to write this album. I think he got some answers...
Meh........2007-04-15
Neutral Milk Hotel's 1998 album seems to have gotten a second wind over the past two or so years. Judging by some of these elitist reviews, the culprit of influence is none other than our good buddies over at[...], every pretentious hipster's favorite website in the whole wide world.
I mean, just LOOK at some of these reviews. You'd think these people found Jesus or something. But, no. It's just a bunch of skinny nimrods with bed-hair collectively tainting whatever reputation this album had with their masturbatory essays. I agree with the reviewer below me: GET OVER IT, PEOPLE.
The truth is, this isn't a great album and it's not a bad album. It's just something good to listen to every once in a while. Hey, at least it's better than the Shins (who outright suck).
The thing is, if this is your favorite album, you desperately need to discover more music.
Mangum's voice.......2007-04-11
I just wanted to nitpick a little... though the reviews for ITAOTS are mostly gushing (as they should be), it surprises me how often people mention that Jeff Mangum "doesn't have a good voice," or somesuch. True, he doesn't have a voice I'd cast an opera around, but his phrasing, warbling (for lack of a better term), and intensity are superb, he's fun as hell to sing along to, and he has the lung capacity of a sperm whale (threw in that sperm reference just for you, Jeff). I just wanted to bring that up and make the point that the vocals are one of the album's greatest strengths, not its only weakness. As the featured review says, they become endearing after awhile.
Rock Music:
- Lonely [Explicit Lyrics]
- Love Like a Fountain [CD-single]
- Masters [Import]
- Maximum Coldplay
- Miranda Dali + Singles [Import]
- Mise Aux Poings 2001
- More Light [Import]
- Movie Star [CD-single] [Enhanced] [Import]
- No Regrets No Remorse
- On a Storyteller's Night
Rock Music
rock music