More Light [Import]

more light [import]

Track Listings

1. Sameday

2. Waistin

3. Where'd You Go

4. Back Before You Go

5. Grand Me to You

6. Ammaring

7. All the Girls

8. I'm Not Fine

9. Can't I Take This On

10. Does the Kiss Fit

11. More Light

Editorial Reviews
Product Description
Japanese pressing of the former Dinosaour Jr. frontmans solo record includes three bonus tracks, 'Jet Plane', 'Too Hard'& 'Can I Tell You Stories'. 14 tracks in total. The track, 'Jet Plane' is totally exclusive to this Japanese edition asit does not feature on his recent single.

More Light,J Mascis + the Fog,Pony Canyon,Alternative Pop/Rock,American Underground,Indie Rock,Rock,Rock/Pop

More Light [Import]

Beethoven's Wig, Vol. 2: More Sing-Along Symphonies

Average customer rating:

Greatest baby gift ever
Great for the whole family
More Great Fun
One is better but this is still awesome!! Gotta have it!
Absolute joy, and endless fun!

Beethoven's Wig, Vol. 2: More Sing-Along Symphonies

Manufacturer: Rounder / Umgd
ProductGroup: Music
Binding: Audio CD

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Similar Items:

Beethoven's Wig: Sing Along Symphonies
Beethoven's Wig 3: Many More Sing-Along Symphonies
Mozart's Magnificent Voyage
Mr. Bach Comes To Call
World's Very Best Opera for Kids... in English!

ASIN: B0001I2C8O
Release Date: 2004-03-16

Tracks:

Stuck In The Saddle Again (Light Cavalry March, Suppe)
Sing Verdi Very Loud (La donna e mobile, from Rigoletto, Verdi)
Its The Same Every Verse (In The Hall of The Mountain King, from Peer Gynt Suite, Grieg)
Musical Bs (Hungarian Dance #5, Brahms)
Dont Play That Violin (Violin Concerto #2, Paganini)
Schuberts Trout (Trout Quintet, Schubert)
Dvorak The Czechoslovak (Humoresque #7, Dvorak)
A Fan of Chopin (Prelude 7, Op. 28, Chopin)
Please Do Not Tease The Viennese (Blue Danube Waltz, Strauss)
Its Spring! (Spring, from The Four Seasons, Vivaldi)
Wow What a Wedding Cake (Wedding March, from A Midsummer Nights Dream,. Mendelssohn)
Instrumental Performances:
Light Cavalry March, Suppe
La donna e mobile, from Rigoletto, Verdi (with vocals)
In The Hall of The Mountain King, from Peer Gynt Suite, Grieg
Hungarian Dance #5, Brahms
Violin Concerto #2, Paganini
Trout Quintet, Schubert
Humoresque #7, Dvorak
Prelude 7, Op. 28, Chopin
Blue Danube Waltz, Strauss
Spring, from The Four Seasons, Vivaldi

Amazon.com

From a pure-pleasure standpoint, the first Beethoven's Wig was nothing to flip over, and the second disc in the series follows suit. However, that is not to say that this is not a valuable and possibly ingenious record. Those unfamiliar with the premise will quickly get the picture: Producer/writer/lead singer/chief clever guy Richard Perlmutter gathers a bundle of important classical works (Paganini's "Violin Concerto #2," Strauss' "Blue Danube Waltz") and makes up silly, catchy lyrics to lay over them, informing the listener about the piece or its composer. Standing out for their offbeat brilliance this time are "Dvorak the Czechoslovak" ("Humoresque #7," Dvorak) and "Wow What a Wedding Cake" (Wedding March from A Midsummer Night's Dream, Mendelssohn). Few stabs at mixing education with entertainment succeed so well. As a bonus, the second half of the CD repeats the symphonies straight up, presenting a neat opportunity to quiz kids 5-12 on what and who they've just heard. --Tammy La Gorce

Customer Reviews:

Greatest baby gift ever.......2007-03-15

Both of my grandchildren (and their parents and grandparents) are hooked on this CD and all of the silliness and beauty it brings into our lives. We sing to it, dance to it, and find ourselves thinking about it at odd times. Who can't love singing Verdi VERY LOUD? I've now started giving this as a simple baby gift, especially to those with older siblings. They are already equipped with clothing and nursery gear, and Beethoven's Wig invites the whole family to gather round...even if it is just on short car rides.

Great for the whole family.......2007-01-04

My husband, 18 month old daughter and I all love this CD. It's a staple in the car. One caveat- these lyrics will get stuck in your head and I now find myself singing the "words" to these songs when I hear them in a store or commercial! I'm hoping this means my daughter will recognize these songs as she gets older.

More Great Fun.......2006-03-13

Like the first volume, this CD encourages young children to enjoy classical music. The silly lyrics sometimes impart factual information on the composer or the piece. There are 11 sing-along symphonies and then the 11 symphonies are replayed without the lyrics--total of 22 tracks. Booklet with lyrics and trivia is included. All our children (aged 2-12) enjoy this CD, as do we.

One is better but this is still awesome!! Gotta have it!.......2006-01-10

My children loved Beethovens Wig 1. I checked this one out at the library. Then, we decided we had to have this one too.
Yes, one is the best but 2 is still wonderful.
Save yourself the shipping and order both at the same time.
We all thoroughly enjoy it. My 4 yr old can name these classicals when he hears them elsewhere and he can hum these beautiful songs. Much better than kiddie rhymes and Disney jingles. Culture your children the funniest way!!

Absolute joy, and endless fun!.......2005-11-15

The tunes and word stay with you and before you know it, you are signing them along. My two kids (ages 9 and 7) ask me to put the CD on as soon as we get into the car. What a wonderful and fun way to get them to love classical music!

Gladiator: More Music From the Motion Picture

Average customer rating:

Essential
HANS ZIMMER IS THE GREATEST PRESENT DAY COMPOSER!!!
Excellent Extention!
beautiful music
Disappointing companion to the Oscar nominated score.

Gladiator: More Music From the Motion Picture

Manufacturer: Decca U.S.
ProductGroup: Music
Binding: Audio CD

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Gladiator: Music from the Motion Picture
More Music From Braveheart (1995 Film)
The Last Samurai
Braveheart: Original Motion Picture Soundtrack
King Arthur

ASIN: B000058TJG
Release Date: 2001-02-27

Tracks:

Duduk of the North
Now We Are Free (Juba's Mix)
The Protector Of Rome (featuring Russell Crowe as Maximus and Richard Harris as Marcus Aurelius)
Homecoming (featuring Joaquin Phoenix as Commodus and Russell Crowe)
The General Who Became A Slave
The Slave Who Became A Gladiator (featuring Oliver Reed as Proximo and Russell Crowe)
Secrets
Rome is the Light
All That Remains
Maximus (Guitar by Heitor Pereira)
Marikesh Marketplace
The Gladiator Waltz (featuring Russell Crowe/Original synth demo version by Hans Zimmer)
Figurines Yan Ching by Lisa Gerrard
The Mob
Busy Little Bee (featuring Connie Nielsen as Lucilla and Russell Crowe)
Death Smiles At Us All (featuring Russell Crowe and Joaquin Phoenix)
Not Yet (featuring Djimon Hounsou as Juba)
Now We Are Free (Maximus Mix)

Amazon.com

If there's one thing film producers and record executives like more than Success, it's Success: Part 2. Thus when Ridley Scott's high-tech sword 'n' sandal epic scored both Golden Globe wins and Academy Award nods for Best Film and Best Score, it was a sure bet that another volume of Hans Zimmer's and Lisa Gerrard's music for the film couldn't be far behind. Though not exactly leftovers, the tracks here sometimes point to the fact that there wasn't enough fresh material to fill this volume out, hence we get some remixed cues, a handful of familiar music with dramatic dialog excerpts edited and superimposed (or misplaced, with decidedly mixed results), and even a beat-heavy, dance-club mix of "Now We Are Free." With a little over half an hour of entirely fresh material and some souvenir dialog snippets over the rest, there's enough here to please Gladiator die-hards. Also of note: guitarist Heitor Pereira's flamenco-flavored flourishes are better showcased throughout; and "The Gladiator Waltz" serves up one of Zimmer's original synth demos (with a dash of Russell Crowe dialog up front)--a dramatic amp-up of Holst's "Mars, the Bringer of War" that's a prime example of the composer's state-of-the-art digital orchestral conjuring. --Jerry McCulley

Customer Reviews:

Essential.......2006-12-30

One of those pivotal soundtracks. Unfortunately, there is dialogue over a few of the tracks, but it is well worth sitting or fast-forwarding through. There is a duduk (the sound used for that thing Mr. Tumnus plays in 'Narnia'), and I have fallen in love with it. There is the use of a female voice (Lisa Gerrard) wailing in another language, which had become something of a trend ('Troy', 'Munich', 'Narnia' again, and many others). "Now We Are Free" is the kind of song that first intrigues you, then entraps you, and then takes you on an emotional ride. The soundtrack is intensely bittersweet, exciting ("The Gladiator Waltz"--yes, you're supposed to giggle--Hans did!), and just very consumable. If you were impressed by movie--and I haven't run into anybody yet who wasn't--then consider this soundtrack an equivalent of that experience, but audio.

HANS ZIMMER IS THE GREATEST PRESENT DAY COMPOSER!!!.......2005-10-23

I HAVE TO SAY HANS ZIMMER IS THE GREATEST OF HIS ERA. I HAVE PURCHASED ALMOST ALL OF HIS MAJOR SCORES FROM RAIN MAN, CRIMSON TIDE, GLADIATOR, AND EVEN THE LATEST BATMAN AND I KNOW I HAVE PLENTY OF MORE THAT COULD BE LISTED. I FIRST WAS WEIRY ABOUT BUYING THE SECOND SCORE TO GLADIATOR THINKING IT WOULD BE JUST LIKE THE FIRST ONE. IT IS AWESOME AND JUST AS GOOD OR BETTER, IF YOU ARE A TRUE ZIMMER FAN YOU HAVE TO ADD THIS TO YOUR COLLECTION. I HOPE HE KEEPS MAKING MUSIC FOR YEARS TO COME.

Excellent Extention!.......2005-10-22

Gladiator may be the best middle eastern score ever written. The Duduk was incredible!

The first CD was amazing as well, however, I believe this disc to have a few advantages.

First of all, "The Gladiator Waltz." This song TOTALLY improves upon "The Battle" from disc 1. The original stopped way before the new track. The synth sounds are very good, and don't take away from the beauty at all!

Another highlight is "Homecoming" this is a sad, angry song that will have your blood pumping. If you've seen the movie, you remember the scene where Maximus escapes execution, and rides home like a mad man, only to find his wife and son Crucified. A truly angry and intense song.

"Secrets" is a sneaky evil track, portraying the violent insanity of Commodus.

I have mentioned the highlights, but all the rest are great too! A must have CD, even if you own the first!

beautiful music.......2005-07-28

This is just what the title says: more great(beautiful) music from the motion picture, including some "spiced-up" remixes. This album also features sound clips from the movie. Listening to it will make you think you're in Rome again.

Disappointing companion to the Oscar nominated score........2005-05-28

The original score for Gladiator was a grand triumph for composer Hans Zimmer. Unfortunatly, this cd follows a trend during the latter half of the 1990's. When you have a successful score cd, follow it up with a cd full of dialogue, demo tracks and occassional new music. That is what this cd is full off. I expected more of the great music from the movie, instead I was disappointed bitterly.

American Dreamer: Songs of Stephen Foster; Thomas Hampson; Jay Unger; Molly Mason

Average customer rating:

It's Dreamy
My Favorite Composer of all time
An American classic from Hampson that brings smiles and tears
OMG!!! More than 10000000000000000000000000000000000000000000000000000000 stars, one of the best album in the world!!!
It's simply lovely

American Dreamer: Songs of Stephen Foster; Thomas Hampson; Jay Unger; Molly Mason
Thomas Hampson , Jay Ungar , Molly Mason , Garrison Keillor , David Alpher , Mark Rust , Michael Parloff , Peter Ecklund , John Kirk , Arnold Kinsella , and Stephen Foster
Manufacturer: Angel Records
ProductGroup: Music
Binding: Audio CD

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Song of Home
Song of America
Harvest Home
Civil War Classics
Stephen Foster Song Book

ASIN: B000002SK7
Release Date: 1992-10-20

Tracks:

Opening Solo Violin
Jeanie With The Light Brown Hair
Hard Times Come Again No More
The Voice Of Bygone Days
Foster Favorites Medley (Ring, Ring The Banjo (1851) Oh! Susanna (1848) Camptown Races (1850)
Open Thy Lattice, Love (1844)
Beautiful Dreamer (1864)
That's What's The Matter
Old Home Medley (Old Folks at Home (1851) My Old Kentucky Home, Good Night (1853)
Molly! Do You Love Me? (1850)
Sweetly She Sleeps, My Alice Fair (1851)
Comrades, Fill No Glass For Me (1855)
Dancing On The River (Nelly Bly (1850) The Glendy Burk (1860) Angelina Baker (1850)
My Wife Is A Most Knowing Woman (1863)
Gentle Annie (1856)
Linger In Blissful Repose (1858)
Ah! May The Red Rose Live Alway (1850)

Customer Reviews:

It's Dreamy.......2007-01-10

This is a very wonderful recording of Stephen Foster by a master singer.
Foster's songs are of a more innocent and naive time in the American psyche, a time that it would not hurt us to remember, given the wretched brutality of American culture today (something you'll appreciate after listening to this recording).

The songs are beautifully sung by Mr. Hamspon, and the musical accompaniment with piano, mandolin, tuba, banjo, etc. seems a perfect setting for this period music. I enjoyed the musical interludes of Foster songs (not sung by Mr. Hampson), such as "Oh, Suzanna", "My Old Kentucky Home", and "Camptown Races." They are foot-stompin' and finger-snappin' good in a non-syncopated way.

Mr. Hampson's voice is so beautiful, and he has done such a wonderful job with these song's you'll just have to hear it, and when you do, tell me that you're not dreaming.

I remember reading a quote by John Phillip Sousa that decried the use of syncopation in American popular music. I never understood it until listening to this recording. The richness and intensity of American popular music (as experienced in the work of Stephen Foster) has been lost.
Everything has to be so cool today, thanks to syncopation, and "cool" really means no emotion.

If emotion is what you want, emotion is what you'll get with Stephen Foster's songs. It was a time when the death of loved ones (especially those who died in their youth) was experienced more often (see "I Dream of Jeannie with the Light Brown Hair" and "Gentle Annie"). And we were not protected from the vicissitudes of fate by myriad government programs, modern medicine and universal prosperity (see "Hard Times").
Husbands and wives had their differences then, as today, (see the amusing song "My Wife is a Most Knowin' Woman") The passion of the Civil War (Foster was a Unionist),is reflected in a wonderful, fun song, "That's What's the Matter."

If you love good music, and you have heart which can be stirred, and you love your country, this is for you.

I love this recording. It has opened up the door to my "beautiful dreams," dreams of bygone days, lost love, and whatever else we pine for.

I wanted to buy several copies for my friends, but somehow I felt that the impact of this recording was so personal, that it could not be shared with others. Not that they couldn't enjoy it, but that I could not begin to share the intense emotion and reverie stirred in my heart by these beautiful songs.

My Favorite Composer of all time.......2006-08-20

Growing up playing his stuff on piano, I love the instrumentality of this CD..the violins give off that wail that he speaks of..I am not sure what it is about Stephen Foster but these verses..grab me like no other..there is so much sensitivity to it..

I dream of Jeannie with the light brown hair
Born like a vapor on the summer air
I see her tripping where the bright streams play
Happy as the daisies that dance on her way
Many were the wild notes her merry voice would pour

but the violins in this CD make this CD the best out there..
FYI should you be into astrology Stephen Foster is definition of Cancer...Sun and Moon conjunct in Cancer with mars in Scorpio..i love his lyrics..almost to the point of obsession..

An American classic from Hampson that brings smiles and tears.......2006-07-17

Stephen Foster was the greatest American composer of sentimental parlor ballads--he so perfectly imitated folk songs that his music wound up turning into them. In an age of home music-making and later of families sitting around the radio, Foster's songs were a staple, often performed by crossover artists from opera like Lawrence Tibbett. Those were plump, ripe styles of singing, highly flavored by church hymns.

In this 1992 collection of 17 Foster favorites, plus a few rareties, Hampson drops the platform manner and goes straight for heartfelt sincerity. His tone is plain yet sweet, his expression intimate. He is accompanied by instruments redolent of the Victorian drawing room (guitar, fiddle, upright piano), and the mood they create brings tears and smiles of remembrance. This music is embedded in America's genes, and it's wonderful to realize that every note is still alive and throbbing with feeling.

OMG!!! More than 10000000000000000000000000000000000000000000000000000000 stars, one of the best album in the world!!!.......2005-11-25

Simply one word, WOW!!!
Thomas Hampson's voice is simply fantasic. His voice is very different from regular operatic baritone voice, very sweet, and rich. I really cant believe an operatic baritone can sing folk song like THIS good, in my opinion he sounds even better than his opera works in this album. His voice and the background music matches perfectly, the outcome would move u to tears, and u can feel the origin of MUSIC. This album really shows what the word MUSIC means, and the songs simply just ALL beautiful. I like his "beautiful dreamer", "my life is well knowing woman", and "jeanie with the light brown hair" the most. When I listen the songs I would just imagine that I am in the world of past USA, and I can feel the life of the ppl in the past USA~ just like watching an old classic movie, it would touch ur heart and fall in love with this album.

It's simply lovely.......2004-12-14

I didn't know Stephen Foster (I thought): wrong: Oh Susanna, etc, I knew, but had no idea who the composer was.

This CD is a revelation. The melodies are so beautiful, as are the poems, and Thomas Hampson just brings them to life as wonderfully as ever. I especially love "Beautiful Dreamer" - it gives me butterflies - and "My wife is a most knowing woman" - the way he makes the voices and the indignation is just brilliant. If one needed reminding what a brilliant singer Mr Hampson is - this disk does it.

Average customer rating:

It is absolutely breath-takingly beautiful.
Robert Shaw Choruses At Their Best!
Glorious

Gloria: Music of Praise & Inspiration

Manufacturer: Telarc
ProductGroup: Music
Binding: Audio CD

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Choral Masterpieces
Sacred Classics - Messiah, Ave Maria, Pie Jesu, Zadok the Priest, L'enfance du Christ
The Power & The Majesty: Essential Choral Classics
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The #1 Choral Album

ASIN: B00000DFWF
Release Date: 1998-10-27

Tracks:

Gloria In Excelsis
Sanctus
Glory To God
Awake The Harp
Gloria
Gloria
Sanctus
Heavenly Light
Aeterna Fac
Slava V Vyshnikh Bogu
Sanctus
Gloria
Alleluia
Sanctus
Magnificat

Amazon.com

This compilation features excerpts from some of the greatest sacred works in the literature--including Bach's Mass in B Minor, Handel's Messiah, Beethoven's Missa solemnis, and Verdi's Requiem--all led by Robert Shaw. The selections, from recordings made between 1983 and 1997 by Shaw and various ensembles including the Atlanta Symphony Orchestra and Chorus, are presented more or less in order of their composition, from Vivaldi's Gloria to Arvo Pärt's Magnificat. Especially thrilling is the complete "Gloria" from the Missa solemnis, 17 minutes of sheer grandeur, and the Sanctus movements from the Requiems of Verdi and Maurice Duruflé. --Ted Libbey

Customer Reviews:

It is absolutely breath-takingly beautiful........2007-05-15

I enjoyed this CD very much. It is just beautiful music.

Robert Shaw Choruses At Their Best!.......2004-09-20

If Sir Robert were still alive, & breathing, I believe he would be caught-up making music with this awesome, majestic, mystical GLORIA, Sanctus, Hallelujah Masterworks! I lucked-up on this old collection in the few classical CD'S in Best Buy!

At first hearing they sent me back into the 1970's when most of Church Musicians majored in Vivaldi's Gloria, the Sanctus of Bach's B-Minor Mass, the Long, georgeous GLORIA, Missa Solemnis, Beethoven, and incomparable Alleluia by Randall Thompson.

During a visit of Hurricane IVAN'S rushing winds and torrents of rain, I stayed on back roads of Decatur and East Atlanta! Also keeping alert & relaxed listening to Robert Shaw re-inventing his Choral Mystique! In slowly moving traffic of 2++ hours to Fayetteville, I kept alert singing along at 30 mph, wrapped in his quiet heavenly beauty of Koplov's "Heavenly Light!"

That mysteriously spiritual power of glorious choruses provided the same resourceful sounds of his eternal music-making from rehearsals in the Atlanta Symphony Chorus, Westminster Choir College and Avery Fischer Hall concerts in NYC! (1975-1985)

Only the early 33 1/3 recordings of the Robert Shaw Chorale in his Spirituals and Irish Songs, later Handel's Messiah and Bach B-Minor Mass were forerunners to his awesome listing of repeated Grammy winners, now printed in digital stereo color and sound! Hooray for Sir Robert and his rich chorale legacy... Let's keep them singing for Eternity! Retired Chaplain Fred W Hood

Glorious.......2000-06-30

If I had to choose one conductor to compile exerpts from the greatest masses and works in choral literature and history, I would only bestow that duty to Robert Shaw and his choruses. Once again he displays his uncanny ability to not only choose beautiful music but also perform it in a spellbinding manner. Even with the pieces the average listener has heard or performed, such as Vivaldi's Gloria or portions of Handel's Messiah, one cannot help but become enthralled with the recordings of Shaw's interpretations of those works. Although Shaw never followed through on his early-life ambition to be a minister, I still believe he does so and perhaps to a greater extent through his music ministry. One cannot help but feel closer to understanding what heaven is about after having finished listening to this CD. This is well worth buying for it will live up to the english interpretation of its Latin title: Glorious.

Average customer rating:

Outstanding
Incredible..Worth 30 stars
Superb singing matched with superb arrangements
Beautiful music
Beautiful Music, Yet There Is No There Here

Blue Wheat
Stephen Foster , John , American Traditional , Spiritual Traditional , and Dale Warland Singers
Manufacturer: American Choral
ProductGroup: Music
Binding: Audio CD

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Harvest Home
Christmas With the Dale Warland Singers
Cathedral Classics
December Stillness
Christmas Echoes, Vol. 1

ASIN: B000003M4T
Release Date: 1996-06-18

Tracks:

Oh, Shenandoah (Traditional)
He's Goin' Away (Traditional)
Skip To My Lou (Traditional)
Steal Away (Spiritual)
Wayfarin' Stranger (Traditional)
Soldier, Soldier Won't You Marry Me? (Traditional)
Pretty Saro (Traditional)
Johnny Has Gone For A Soldier
Black Is The Color (Traditional)
Red River Valley 9 (Traditional)
Nelly Bly (Stephen Foster)
My Lord, What A Mornin' (Spiritual)
Jeanie With The Light Brown Hair (Stephen Foster)
Hard Times Come Again No More (Stephen Foster)
Single Girl (Traditional)
Deep River (Spiritual)
Buffalo Gals (Cool White [John Hodges])
The Water is Wide (Traditional)
Black Sheep (African-American lullaby)

Customer Reviews:

Outstanding.......2007-06-06

Robert De Cormier's remarkable arrangement and Marie Spar Dymit's and Lynette Johnson's pure vocals of "Johnny Has Gone for a Soldier" are well worth the price of the entire CD.

Incredible..Worth 30 stars.......2007-05-16

The Dale Warland Singers are my benchmark by which I judge all other choirs. The uniformity of sound, blend, and precise entrances, uniformity are incredible - almost inhuman. Excluding the all male Chanticleer from the roster, this was the finest choir in America. Now that they have broken up, buy all of their CD's you won't be disappointed!

Superb singing matched with superb arrangements.......2004-07-03

A project like this one inevitably highlights the skill of arrangers, and Dale Warland has selected some of the most talented anywhere. Most of these selections will be familiar to listeners, but I doubt most people have heard, for example, "Red River Valley" in Carol Barnett's haunting version here, and ditto for her magnificent "Deep River."

The disc opens with a spectacular, panoramic "Shenandoah" that takes maximum advantage of the Dale Warland Singers' refined sound, and things only get better (if that's possible). Other favorites are a cheery, fizzing "Nelly Bly" and Mark Keller's strong reworking of Stephen Foster's "Hard Times Come Again No More."

Throughout the recording, the freshness of the arrangements is matched by the irresistible singing. This group is known for its outstanding performances and recordings, but this must be counted as one of their all-time best. The sound quality is terrific, capturing the gorgeous blend and precision of the group in a natural-sounding acoustic. Just stunning.

Beautiful music.......2003-07-03

I bought this CD after hearing a few of the recordings on our local NPR radio station. I was not disappointed in any of the selections. Very beautiful.

Beautiful Music, Yet There Is No There Here.......2003-01-13

The Dale Warland Singers (DWS) are among the relatively few musical professionals, who by their aesthetic standards and demonstrated artistry, have taken the less traveled and narrow road to exemplary artistic excellence.

The sound quality and acoustics are excellently engineered in this 20-bit original recording. The most delicately blend and inflection of the singers' voice can be heard. This sheaf of choral works has once existed in real space and time in the kaleidoscopic folklife of past generations. In recording the "Blue Wheat", the 40-member DWS, the creme de la creme of professional choral ensembles, has elevated the common oral tradition of American folk music into a rarified choral art form a capella "in the style of the chapel."

If the soul of the DWS is a capella singing, then Warland and the arrangers are the wings of the same soul. Among the kapellmeisters whose arrangements have graced this folksong anthology are the late Norman Luboff and Roger Wagner. Also included in this album are contemporary arrangements by other esteemed composers: John Rutter (conductor of The Cambridge Singers), Carol Barnett (the DWS resident composer from 1992 to 2001), and Stephen Paulus.

Gertrude Stein is famous for saying of her childhood home, Oakland, California, "When you get there, there's no there there." Purportedly, Stein opined this city by the San Francisco Bay lacked a defining sense of place. Bel canto notwithstanding, the folk melodies of "Blue Wheat" invoke a longing for something no longer possible. The abyss between the America today and the its past is impossible to bridge. Already, we have yielded to the abstractness of political correctness. Our past is either neglected, actively destroyed, or selectively museumed. We do not live in an understood land and culture. There is no there here in the presence of this music. It is only the poignancy of the moment that these beautifully rendered tunes live in our mind. We have to accept this reality as part and parcel of our rootlessness.

Tracks:

As Adam Early In The Morning
Ah! May The Red Rose Live Alway (1850)
Shenandoah (Traditional)
Beautiful Dreamer (1864)
Danny Deever
Roses Of Picardy
Jeanie With The Light Brown Hair (1854)
Hard Times Come Again No More (1854)
Molly, Do You Love Me? (1850)
An Old Song Resung
Tomorrow (When You Are Gone)
The Erie Canal (Traditional)
We Two
The Nightingale (Traditional)
Comrades, Fill No Glass For Me (1855)
Luke Havergal
To What You Said
Look Down Fair Moon
Dirge For Two Veterans
Ethiopia Saluting The Colors

Amazon.com

Thomas Hampson is a persuasive advocate for these treasures from the Library of Congress' vast collections, so this CD's generous sampling leaves you wanting more. It covers the American songbook in all its variety, from traditional "folk" items like Shenandoah to Stephen Foster to the immigrants Erich Korngold and Kurt Weill to Leonard Bernstein and contemporary composers. Hampson adjusts his flexible, light baritone to fit each song. The voice is full and resonant on Danny Deever, simple and direct in 19th-century traditional songs and ballads, and nuanced in songs like Ned Rorem's "As Adam Early in the Morning," one of several on the disc with texts by Walt Whitman. A standout is the last song in this recital, one that leaves you with thoughts about music, history, and our nation's continuing issues, "Ethiopia Saluting the Colors," by Henry Burleigh. Most of the selections are performed with piano accompaniment, but several are with a small ensemble of traditional instruments. A word of caution: everything was recorded in the 1990s and presumably was available piecemeal on previous releases, although few are likely to have more than a handful of these 20 gems. --Dan Davis

Customer Reviews:

It's lovely - But not newly recorded!.......2006-10-04

I don't think this recording deserves One Star ratings or that the artist deserves such crude bashing. And re: Hampson's eye-colour.... Uh, these aren't lenses? He has blue eyes. I met him many times and...indeed, they are dark blue.

Anyhow, this is what Hampson is focusing on right now, American song. While those aren't exactly my thing I have to say that he sings them beautifully. I wish he'd stick to that rather than heavy Verdi and Wagner which his voice isn't right for.

Yet another compilation.......2006-06-13

I am a huge Tom fan. I go to his concerts and buy all of his CDs. I must say that I have been disappointed by this CD because it's entirely made of old recordings. There's a new photo on the cover, but that's all that is new here. So if you've bought your share of Tom CDs over the years, you want to check out the track info before you guy this one.

Now, Tom has been on tour and I STRONGLY recommend that you go see him next year when he comes through your city.

The other thing really annoying is that on the CD where you'd expect information about the music or the recording co., you instead get a large warning label from the FBI on pirating.

how precious!.......2006-05-08

Thomas Hampson swoons and croons to monotonous effect throughout this tired collection; again displaying his ego and faux scholarship in ample measure. Oi-vay, what a disaster! And what is with the blue contact lenses in the Jacket phot? Hampson's eyes are brown. What an unbelievably vain Diva!

Disappointing Duplication.......2006-01-17

I have not even heard the album, and I will not. Although I revere Mr. H. in just about everything he does, especially in song and Lieder, I am very disappointed that so many of these songs appear on other cds of which I already have about 19 of him. I think he and the producers should have chosen totally NEW material for this instead of drawing on his past achievements. I have no reservations about his performances, for I have seen him at the Met in opera and at Carnegie Hall in Mahler. I value them and all of his past cd productions.

If you like this sorta thing.......2006-01-17

Here Mr. Hampson is in his element. Unlike his less than viable attempts at Opera, Mr. Hampson is a thorough and intelligent singer of songs. His affectations, so fully inappropriate in bigger operatic literature, work well with the intimate nature of these sweet and personal songs. If you are Hampson fan, this album will thrill you.

Sacred Treasures III: Choral Masterworks from Russia

Average customer rating:

Absolutely FANTASTIC CD !!
Sacred and a treasure!
Absolutely wonderful
More Divine Beauty and Peace!
It Doesn't Get any Better!!!

Sacred Treasures III: Choral Masterworks from Russia

Manufacturer: Hearts of Space
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

Compilations | Classical | Styles | Music

Russia | Far East & Asia | International | Styles | Music

General | International | Styles | Music

General | New Age | Styles | Music

Meditation | New Age | Styles | Music

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Chants | Vocal Non-Opera | Opera & Vocal | Styles | Music

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Similar Items:

Ancient Echoes
Russian Medieval Chant
Basso Profondo From Old Russia
Russian Divine Liturgy
Russian Easter

ASIN: B00003XB5E
Release Date: 2000-02-22

Tracks:

Alleluia, Behold The Bridegroom
Sourp Sourp (Holy Holy)
Lord Have Mercy
The Mercy Of Peace (Excerpts)
Komm Susser Tod (Bach)
Serenade
Grant Us This O Lord
Our Father
Gloria (Excerpt)
Peaceful Light (Kiev Chant)
Praise The Lord O My Soul (Greek Chant)
Blessed Art Thou O Lord (Kiev Chant)
Chorale
Amen Alleluia

Amazon.com

What could be more sublime than a wall of dark, rotund Russian voices shimmering against the rising, ornate walls of a great cathedral? Not much, and this compilation of absolutely magnificent music proves it. The label Hearts of Space returns on this third choral collection to the ominous Slavic chant of their first choral album, Sacred Treasures I, which gathered together recordings of stunning Bulgarian and Russian choirs portraying the sacred works of Rachmaninov, Tchaikovsky, and other composers. Whereas Treasures I pulled from varied sections of sacred liturgies, including solo passages, Treasures III most often stays in harmonic chant with select voices occasionally rising and rolling in polyphonic heavenly calls. The collective voice draws the emotive tension taut here, as on Rimsky-Korsakov's "Our Father," which uses the absence of darkness to later juxtapose bold, rising drama. The Kiev chant "Blessed Art Thou O Lord" sends chills down the spine as the whispering consonants of the Russian language skip across the ancient repetition like sand skitters over a stormy beach. This is a collection as breathtakingly beautiful as the Cathedral of the Dormition itself. Not to be missed. --Karen K. Hugg

Customer Reviews:

Absolutely FANTASTIC CD !!.......2007-06-28

I'll keep this short: I'm not new to chant or choral music but there are SO MANY options out here that it's hard to know which ones are worth buying. I've got a few titles in my budding collection but I have to say that this particular recording is FANTASTIC. It is at once awe inspiring, meditative, and peaceful. Simply wonderful...

Sacred and a treasure!.......2007-06-11

Wow! This is as good as the first Sacred Treasures if not better. These holy and divine works are truly "the speech of angels".

Absolutely wonderful.......2006-12-28

I've really become taken with Russian choral music as of late. I've tried to get my hands on every recording I can, and amongst them all this is one of the very best. The phrasing, tonality and selection is terrific.

More Divine Beauty and Peace!.......2006-12-03

I am the producer of this CD and also of the first CD in the Sacred Treasures series called "SACRED TREASURES: Choral Masterworks From Russia" as well as of "SACRED TREASURES IV: Quiet Prayers" and "CELTIC TWILIGHT 7: Sacred Spirit". In each case, my intention was to bring together the very best performances of exceptionally beautiful, slow and peaceful sacred music. Most of the pieces on this compilation (as on the other compilations mentioned above) are filled with lush harmonies sung by large mixed choirs. All the selections are deeply nourishing to the soul.

In many cases, I chose to use excerpts from longer pieces, omitting the exultant huge crescendos and very fast sections that are typical of Russian sacred music, presenting only the slow and quiet verses. Different types of music serve different needs, and in today's stressful and fast-paced world, one of the most important and often neglected needs is for time out from that world--to "lay aside all earthly cares" (as the text to a Russian "Cherubic Hymn" prescribes) and to rest in a magical, quiet space of slow, peaceful, beauty. That peaceful beauty is available to you on all of these compilations, including this one, "SACRED TREASURES III"...

It Doesn't Get any Better!!!.......2006-10-09

Having collected a decent library of sacred music over the years I can readily attest that this is the best sacred music CD that I own, my second favorite being a requiem chant by the monks of Solesmes. Further, upon listening to this CD everyone I know seems to respond to it with the same enthusiasm. Track 10 is my personal favorite, but there are no weak pieces here. The entire production hangs together well. Can't recommend it enough to novice or seasoned liturgical music listener.

Come, Gentle Night: Music of Shakespeare's World

Average customer rating:

Ensemble Galilei's music is lilting, elegant and unexpected!
beautiful
Excellent!
It will bring about many gentle nights
Visualizing Beauty

Come, Gentle Night: Music of Shakespeare's World

Manufacturer: Telarc
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

General | Opera & Vocal | Styles | Music
Similar Items:

From The Isles To The Courts
Shakespeare Songs
Songs and Dances from Shakespeare
The Renaissance Album (Windham Hill)
Music In The Great Hall: Instrumental Music From The Ancient Celtic Lands

ASIN: B0000478S3
Release Date: 2000-01-25

Tracks:

Mister Issac's Maggot, Chestnut (Dove's Vagary)
Woodycock
Death's Second Self
Jack's Health, Vale Of Years, Jack's Health Reel
Come, Gentile Night
Departe, Departe, The Cobbler's Hornpipe, Third Act Tune
But Let Them Go, Ladies, Sight No More
In A Garden So Green, Childgrove
Fire, Burn, and Cauldron Bubble
The Asp
Rumble Thy Bellyful
Pastime With Good Company, O Lusty May
Irish Lament
Joy To THe Person Of My Love
The Winter's Tale Set: Love's Winter Light, Apples In Winter, Drive The Cold Winter Away, Jenny Pluck Pears
Lilli Burleo
The Scottich Play Set: Life Is But A Walking Shadow, Mill, Mill O', Pawky Adam Glen
Heart's Ease, Now That The Spring, Gathering Peascods
No Longer Mourn For Me

Customer Reviews:

Ensemble Galilei's music is lilting, elegant and unexpected!.......2002-11-29

With their soulful playing and artful, sometimes even ephemeral arrangements, the six women of Ensemble Galilei convey a rare depth of emotion. In the insert notes, gamba player Carolyn Ann Surrick describes their creative process: "[In making this recording, we engaged in]...a kind of work that is so focused and intense that years can go by in one afternoon... Extraordinary music-making requires trust... [We] live for the times when the only thing that exists right then is the music--when the instruments are speaking as if we don't exist, and they are having their own conversation." Thank you, Ensemble Galilei, for allowing the rest of us the privilege of coming along for the ride! It's simply delectable. This chamber ensemble, featuring fiddle, harp, gamba, oboe, pipes and percussion, can also be heard on their other Telarc release, "From the Isles to the Courts", and "The Mystic and the Muse: Celebrating 600 Years of Women in Music", on the Dorian label.

beautiful.......2001-01-22

Sheer beauty, as a lover of English music I found this to be one of the most beautiful of all Shakespearean albums. Such harmony, such subtlety, one wishes that the gentle night will never stop.

Excellent!.......2001-01-04

Ensemble Galilei provide some excellent arrangements of English renaissance compositions. I believe that John Playford (English Dancing Master) fans will be particularly satisfied with the renditions presented here. It is very unfortunate that E.G. did not provide more arrangements from such early music sources. Some of E.G.'s own compositions seem very weak and not in the renaissance spirit of the rest of the CD. Nonetheless, this CD is highly recommmended.

It will bring about many gentle nights.......2000-11-22

I found this album to be solid. Very sweet, but not afraid to use percussion which makes it livelier and more fun. I adore the quiet, peacefulness of the music and the flawless execution of these renaissance songs.

Visualizing Beauty.......2000-08-20

I recently had the good fortune to direct a performance of King Lear--the ENTIRE five acts, in a community theatre, non-profit setting. I used twenty-four fully committed non-actors, who for the love of the ideas, participated in this performance. The first and main challenge that I faced was, how do I go "behind" the words, and invoke the right emotions, etc., to give these actors the range and tools needed for an effective, powerful performance? Critical to this performance was the beauty and brilliance of this recording, which I used throughout the various scenes of the play. This helped the performers tremendously, creating the different tapestries in the mind of the Bard. In short, this work is real genius, that I was so happy that I stumbled across. I am now putting in our performance programs, along with our most heart-felt thanks to E.G., the name of the recording and I have copies from Telarc to sell at each performance!

Average customer rating:

One last touch of Paris (but oversold by the critics)
wonderful perforance of excellent songs
Classic Rorem Songs!
Come To Pop, Baby!
Worthy indeed - a gem

Susan Graham - Songs of Ned Rorem
Susan Graham , Martin Martineau , and Ensemble Oriol
Manufacturer: Erato
ProductGroup: Music
Binding: Audio CD

Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music

General | Opera & Vocal | Styles | Music

Cantatas | Vocal Non-Opera | Opera & Vocal | Styles | Music

General | Classical | Styles | Music
Similar Items:

Ned Rorem: Selected Songs
The Faces of Love ~ The Songs of Jake Heggie / Fleming, McNair, Larmore, von Stade, Forand, Cao, Clayton, Vaness, Asawa
Susan Graham - La Belle Époque (The Songs of Reynaldo Hahn)
Susan Graham ~ Berlioz - Les nuits d'été
Poèmes de l'Amour

ASIN: B00004R9BK
Release Date: 2000-04-04

Tracks:

Sonnet [Bynner]
Clouds [Goodman]
Early In The Morning [Hillyer]
The Serpent [Roethke]
Now Sleeps The Crimson Petal [Tennyson]
Opus 101 [Bynner]
I Strolled Across An Open Field [Roethke]
To A Young Girl [Yeats]
Jeanie With The Light Brown Hair [after Foster]
Ode [de Ronsard]
For Poulenc [O'Hara]
Littlle elegy [Wylie]
Alleluia
Look Down, Fair Moon [Whitman]
O You Whom I Often And Silently Come [Whitman]
I Will Always Love You [O'Hara]
The Tulip Tree [Goodman]
The Wintry Mind [Bynner]
I Am Rose [Stein]
The Lordly Hudson [Goodman]
O Do Not Love Too Long [Goodman]
Far - Far - Away [Tennyson]
For Susan [Goodman]
A Journey [Glaze]
Sometimes With One I Love [Goodman]
Love [Lodge]
Orchids [Roethke]
Stopping By The Woods On A Snowy Evening [Frost]
Do I Love You More Than A Day [Larson]
Ferry Me Across The Water [Rossetti]
The Sowers [Bynner]
That Shadow, My Likeness [Whitman]

Amazon.com

Contemporary composer Ned Rorem is typically likened to an American Schubert (living in Paris) for the fecundity, emotional range, and quality of his songs (though this represents only one facet of a prolific career). And Rorem's masterful 1998 cycle Evidence of Things Not Seen would seem to justify that reputation, as does this marvelous anthology from the Rorem songbook of the past half-century. The composer is fond of dividing musicians into the "German" and the "French," clearly identifying himself with the latter for the elusive sparkle and subtle play of shadows that characterize his art. What other kind of sensibility could "through-compose" Gertrude Stein's "I Am Rose" in a deftly perfect 27 seconds? Fortunately, American lyric mezzo Susan Graham intuitively understands this expressive aspect, as does pianist-partner Malcolm Martineau. Graham is constantly attentive to the marriage of music and text in the 32 songs here and phrases their little worlds into being with grace and wit. She can shade to a sweet vanishing point or allow her voice to blossom, orchidlike, into a dazzling profusion of colors. Few of these songs, which draw on the poetry of Walt Whitman, Theodore Roethke, Frank O'Hara, and many others, last more than two minutes. But their resonance lingers, whether in the haunting "Opus 101"--with its lean but potent string trio scoring--or the enigmatic "That Shadow, My Likeness" from Whitman. --Thomas May

Customer Reviews:

One last touch of Paris (but oversold by the critics).......2005-10-11

Ned Rorem is the last survivor, since the death of Virgil Thompson, of the long reach that Paris exerted over a generation of American expatriate composers, many of whom drifted overseas between the wars to study with the legendary Nadia Boulanger. Rorem's songs sometimes have American folk roots, but mostly he writes chansons, and like their French counterparts, his are crystalline, spare, sophisticated, and precisely defined emotionally.

If he were more tlaneted he might have wirtten masterpieces, but mostly this sounds like Samuel Barber on skim milk. Rorem often sets minor, if not trivial poetry. His lyrical gift is modest. But there's no doubt that he has been neglected, largely because of his stubbornly tonal conservatism, and now that tonality is repsectable again, he is being accorded last-minute honors. I'm glad for him, and his best work, which consists of his multi-volume memoirs, has added much to American culture. But even when skillfully sung by an artist of the caliber of Susan Graham, a hour's worth of Rorem's tiny jewel-like chansons is about twice too much at one sitting.

wonderful perforance of excellent songs.......2005-01-20

I'm a neophyte to Ned Rorem's work. To be honest I purchased this CD because I really enjoy listening to Susan Graham. Although I really love hearing Ms. Graham's opera performances, I find it refreshing to hear her singing something in English. I also appreciate how she's taken time to perform something other than opera. Susan Graham's performance of Ned Rorem's songs has me seeking out other performances of his work.

Classic Rorem Songs!.......2004-05-18

Susan Graham has a remarkable mezzo voice and sings Rorem as though she really is a sounding board for the composer. Kudos to her and this CD comes highly recommended to newbies to Rorem songs and those many die-hard fans!

Come To Pop, Baby!.......2004-03-12

Recently, I heard Susan Graham on Garrison Keillor's "Prarie Home Companion" show. Wow! I didn't know who she was, but she had so much humour, verve and style while singing some show tunes, and that incredible voice. I rushed to amazon but all the English language songs I could find seemed to be on this album of Ned Rorem music. Well, whatever the weight lieder songs carry for the Germans, it seems that art songs in English mean songs you can't snap your fingers to, can't slap out a beat to and would never, ever, sing with your friends. I know, I know, I'm a Philistine, but please, Ms. Graham, give us an album of American popular classics, show tunes and the like. When I listened to you on Mr. Keillor's show, if I had been a bell, I'd have been ringing too! You are simply great. Don't let the classical music fans have all the fun. Throw a little our way too. Pretty please.

Worthy indeed - a gem.......2002-08-27

I cannot disagree with "A Music Fan"'s panning of this CD. Having first purchased the Hearing CD which he/she references, I reached the conclusion that Rorem's music was too knotty and "20th century" for repeated listenings and enjoyment. This CD with Susan Graham completely reversed my opinion. The songs are indeed chosen to be accessible, but they are much more than that. They are, simply stated, lovely. This is a disc I will play again and again, and has caused me to investigate many other Rorem CDs. I just came on line to buy it as a gift for a friend. Rorem deserves his due, and this disc gives it to him.

Average customer rating:

I waited for this for five years
Excellent collection but BIG PUBLISHING MISTAKE!
ONE OF LLOYD WEBBER'S BEST COMPILATIONS, DESPITE A FEW FLAWS
SUCH MAGICAL MUSIC OF THE NIGHT!
A Must Have for Sir Andrew fans

Andrew Lloyd Webber: Now & Forever
Various Artists
Manufacturer: Decca Broadway
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Musical Theater | Vocal Non-Opera | Opera & Vocal | Styles | Music

Noels | Vocal Non-Opera | Opera & Vocal | Styles | Music

Requiems | Vocal Non-Opera | Opera & Vocal | Styles | Music

General | Musicals | Broadway & Vocalists | Styles | Music

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General Christmas | Holiday Music | Special Features | Music
Similar Items:

Gold: The Definitive Hits Collection
The Very Best Of Andrew Lloyd Webber: The Broadway Collection
Evita (Original London Cast)
Andrew Lloyd Webber - The Royal Albert Hall Celebration
Andrew Lloyd Webber - Masterpiece (Collector's Edition) (Bonus CD)

ASIN: B00005R5UJ
Release Date: 2001-11-20

Tracks:

Jesus Christ Superstar: Overture - Andrew Lloyd Webber
Jesus Christ Superstar: Everything's Alright - Yvonne Elliman/Murray Head/Ian Gilllan
Jesus Christ Superstar: I Don't Know How To Love Him - Yvonne Elliman
Jesus Christ Superstar: Gethsemane (I Only Want To Say) - Steve Balsamo
Jesus Christ Superstar: Superstar - Murray Head
Evita: Oh What A Circus/Sing You Fools - Antonio Banderas
Evita: I'd Be Surprisingly Good For You - Elaine Paige/Joss Ackland
Evita: Another Suitcase In Another Hall - Barbara Dickson
Evita: Don't Cry For Me Argentina - Julie Covington
Evita: High Flying, Adored - Mandy Patinkin/Patti LuPone
Cats: The Jellicle Ball - Andrew Lloyd Weber
Cats: Memory - Elaine Paige
Cats: Gus: The Theatre Cat - Susan Jane Tanner/John Mills
Cats: Mr Mistoffelees - Paul Nicholas
Song And Dance: Take That Look Off Your Face - Marti Webb
Song And Dance: Tell Me On A Sunday - Marti Webb
Song And Dance: Unexpected Song - Sarah Brightman
Song And Dance: Nothing Like You've Ever Known - Sarah Brightman
Song And Dance: Introduction - Andrew Lloyd Webber
Song And Dance: Variations 1 -4 - Andrew Lloyd Webber

Tracks:

Starlight Express: Starlight Express - El Debarge
Starlight Express: Crazy - Greg Ellis/Reva Rice/Caron Cardelle/Samantha Lane/Voyd
Starlight Express: Next Time You Fall In Love - Reva Rice/Greg Ellis
Starlight Express: I Am The Starlight - Lon Satton/Ray Shell
Starlight Express: Light At The End Of The Tunnel - The Company
Requiem: Hosanna - Placido Domingo
Requiem: Pie jesu - Sarah Brightman/Paul Miles-Kingston
The Phantom Of The Opera: The Phantom Of The Opera - Michael Crawford/Sarah Brightman
The Phantom Of The Opera: The Music Of The Night - Michael Crawford
The Phantom Of The Opera: All I Ask Of You - Sarah Brightman/Steve Barton
The Phantom Of The Opera: Entr'acte - Andrew Lloyd Webber
The Phantom Of The Opera: Masquerade - The Company
The Phantom Of The Opera: Wishing You Were Somehow Here Again - Sarah Brightman
Aspects Of Love: Aspects Of Aspects - Orchester Der Vereinigten Buehnen Wien
Aspects Of Love: Love Changes Everything - Michael Ball
Aspects Of Love: Seeing Is Believing - Michael Ball/Ann Crumb
Aspects Of Love: The First Man You Remember - Kevin Colson/Diana Morrison
Aspects Of Love: Anything But Lonely - Sarah Brightman
Aspects Of Love: Chanson D'Enfance - Sarah Brightman

Tracks:

Joseph And The Amazing Technicolor Dreamcoat: Any Dream Will Do - Jason Donovan
Joseph And The Amazing Technicolor Dreamcoat: Joseph's Coat - Maria Friedman/Richard Attenborough/Donny Osmond
Joseph And The Amazing Technicolor Dreamcoat: Close Every Door - Donny Osmond
By Jeeves: Travel Hopefully - John Scherer/Martin Jarvis/Don Stephenson
By Jeeves: When Love Arrives - Steven Pacey/Diana Morrison
By Jeeves: Half A Moment - Sarah Brightman
Sunset Boulevard: With One Look - Glenn Close
Sunset Boulevard: New Ways To Dream - Glenn Close/Alan Campbell
Sunset Boulevard: The Perfect Year - Glenn Close/Alan Campbell
Sunset Boulevard: Sunser Boulevard - Alan Campbell
Sunset Boulevard: As If We Never Said Goodbye - Glenn Close
Whistle Down The Wind: Whistle Down The Wind - James Graeme/Lottie Mayor
Whistle Down The Wind: Cold - Everly Brothers
Whistle Down The Wind: No Matter What - Children/Adult Chorus
Whistle Down The Wind: The Nature Of The Beast - Marcus Lovett/Lottie Mayor
The Beautiful Game: Overture - Andrew Lloyd Webber
The Beautiful Game: The Beautiful Game - The Company
The Beautiful Game: Our Kind Of Love - Hannah Waddingham
The Beautiful Game: Dont Like You - Josie Walker/David Shannon
The Beautiful Game: Let Us Love In Peace - Josie Walker/Omagh Youth Community Choir

Tracks:

Oh What A Circus - David Essex
Memory - Betty Buckley
The Phantom Of The Opera - Sarah Brightman/Steve Harley
All I Ask Of You - Sarah Brightman/Cliff Richard
Love Changes Everything - Michael Ball
Any Dream Will Do - Donny Osmond
Amigos Para Siempre (Friends For Life) - Sarah Brightman/Jose Carreras
As If We Never Said Goodbye - Barbra Streisand
The Perfect Year - Dina Carroll
With One Look - Petula Clark
You Must Love Me - Madonna
The Heart Is Slow To Learn - Kiri Te Kanawa
A Kiss Is A Terrible Thing To Waste - The Metal Philharmonic Orchestra
Whistle Down The Wind - Tina Arena
No Matter What - Boyzone
The Vaults Of Heaven - Tom Jones
Try Not To Be Afraid - Boy George
Pie Jesu - Charlotte Church

Tracks:

Make Believe Love - Wes Sands
Down Thru' Summer - Ross Hannaman
I'll Give All My Love To Southend - Ross Hannaman
Believe Me I Will - Sacha Distel
Joseph And The Amazing Technicolor Dreamcoat (1969 Radio Luxembourg Commercial) - Joseph Consortium/Pete Murray
Try It And See - Rita Pavone
Come Back Richard Your Country Needs You - Time Rice And The Webber Group
Goodbye Seattle - Paul Raven
John 19:41 - The Andrew Lloyd Webber Orchestra
What A Line To Go Out On - Yvonne Elliman
Disillusion Me - Gary Band
The Ballad Of Robert And Peter - Tim Rice
Christmas Dream - Maynard Williams
It's Only Your Lover Returning/All Through My Crazy And Wild Days/Don't Cry For Me Argentina - Julie Covington
It's Easy For You (1977 Jungle Room Session Version) - Elvis Presley
Magdalena - Tony Christie
Buenos Aires - The Roja Rockers
Pollicle Dogs And Jellicle Cats - Andrew Lloyd Webber
Mungojerrie And Rumpleteazer (Live At The Sydmonton Festival 1980) - Gemma Craven
I Could Have Given You More - Petula Clark
I've Been In Love Too Long - Marti Webb
Benedicite - The Stephen Hill Singers

Album Description

Disc 1: Selections from Jesus Christ Superstar, Evita, Cats, and Song and Dance

Disc 2: Selections from Starlight Express, Requiem, Phantom of the Opera, and Aspects of Love

Disc 3: Selections from Joseph nad the Amaziong Technicolor Dreamcoat, By Jeeves, Sunset Boulevard, Whistle Down the Wind, and The Beautiful Game

CD 4: 1. "Oh What a Circus" --David Essex 2. "Memory" - Betty Buckleey 3. "The Phantom of the Opera" -Sarah Brightman, Steve Harley 4. "All I Ask of You" --Sarah Brightman, Cliff Richard 5. "Love Changes Everything"--Michael Ball 6. "Any Dream Will Do"--Donny Osmond 7. "Amigos Para Siempre (Friends for Life)"--Sarah Brightman, Jose Caerras 8. "As if We Never Said Goodbye"--Barbra Streisand 9. "The Perfect Year"--Dina Carroll 10. "With One Look" --Petula Clark 11. "You Must Love Me" 12. "The Heart Is Slow To Learn" --Kiri Te Kanawa 13. "Whistle Down the Wind"--Tina Arena 14. "A Kiss Is a Terrible Thing To Waste"--The Metal Philharmonic 15. "No Matter What"--Boyzone 16. "The Vaults of Heaven"--Tom Jones and Sounds of Blackness 17. "Try Not To Be Afraid"--Boy George 18. "Pie Jesu"--Charlotte Church

Disc 5: (All tracks available for the first time) 1. "Make Believe Love"--Wes Sands 2. "Down Thru' Summer"--Ross Hannaman 3. "I'll Give All My Love to Southend"--Ross Hannaman 4. "Believe Me I Will"--Sacha Distel 5. "Joseph and the Amazing Technicolor Dreamcoat: 1969 Luxembourg Radio Commercial--The Jospeh Consortium, Pete Murray 6. "Try It and See"--Rita Pavone 7. "Come Back Richard Your Country Needs You"--Tim Rice and the Webber Group 8. "Goodbye Seattle"-- Paul Raven 9. "John 19:41"--The Andrew Lloyd Webber Orchestra 10. "What a Line To Go Out On"--Yvonne Elliman 11. "Disillusion Me" --Gary Bond 12. "The Ballad of Robert and Peter"--Tim Rice 13. "Christmas Dream" --Maynard Williams 14. "It's Only Your Lover Returning/All through My Wild and Crazy Days/Don't Cry for Me Argentina--Julie Covington 15. "It's Easy for You" (1977 Jungle Room Session version)--Elvis Presley 16. "Magdalena"--Tony Christie 17. "Buenos Aires"--The Rioja Rockers 18. "Pollicle Dogs and Jellicle Cats"--Andrew Lloyd Webber original demo 19. "Mungojerrie and Rumpleteazer" (Live at Sydmonton Festival 1980)-Gemma Craven 20. "I Could Have Given You More"--Petula Clark 21. "I've Been in Love Too Long"--Marti Webb 22. "Benedicte"-- Stephen Hill Singers

Customer Reviews:

I waited for this for five years.......2006-06-30

Between Amazone, Ebay and Napster, I don't usually buy CDs anymore, and I usually wait till I can buy them cheaper "new and used". When this set came out, I was excited, mainly by Disc 5, but wasn't going to spend $70 on it. I waited till it was cheap enough, and got it for Father's day this year.
It was worth the wait.

The concept is great. The packaging is great. The recording is great. Disc five is really cool for an ALW aficionado. There are a few real gems on it; my favorites are Petula Clark's "I Could Have Given You More" and "Benedicite."
I've always thought "Gus the Theatre Cat" made a great medley on the piano with "Unexpected Song" and "I DOn't Know How to Love Him," but wished there was an alternate lyric to match the other two songs. Now that I know there *is*, and it's a good lyric, it's a dream come true.
The melody of "Benedicite" is one of my favorites from _Sunset_ (the book mis-identifies it as "SUrrender"; it's actually "The Lady's Paying" and "Eternal Youth is Worth a Little Suffering"). The lyrics are the canticle from Daniel 3, which comes up every odd Sunday in the Divine Office, so it's nice to have cool music to sing it with.

I haven't bought _By Jeeves_ or _THe Beautiful Game_ yet, to it was great to sample them.

There are other parts of the CD taht aren't found in my collection. I like CD 4 "The Hits."

But the selections on CDs 1-3 don't make sense.

First, any self-respecting ALW fan has the Original London Cast of _Phantom_, so six tracks are totally useless. Why not draw from the Canadian cast with Colm Wilkinson? Or pull out some obscure recordings never published.

Why two different tracks with Michael Ball singing "Love Changes Everything", yet they're hardly any different?

On Disc 5 is "It's Only Your Lover Returning," sung by Julie Covington. It's an early draft of the song (Lloyd Webber and Rice went through several suggested titles) and quite nice. The very thing one expects on a Boxed Set.
So why have the Julie Covington "Don't Cry for Me" on disc 1?? The only difference is a few words, but it's otherwise identical. Why not Elaine Paige or Patti Lupone or Madonna?

The _Evita_ section is otherwise the best, choosing a sample from each major recording, though I'd have chosen slightly differently (as above).

There is a great selection of "Mungojerrie and Rumpleteazer" from the Sydmonton festival, using the original music that was changed when _Cats_ went to Broadway_. It would have been nice if they'd included more recordings from Sydmonton, like the original lyric of "All I Ask of You" shown on the second DVD to the _Phantom_ movie.

With so many great actress-singers who've played Norma Desmond, why does the collection beat us over the head with Glenn Close?

Paul Miles Kingston must be set for life in royalties, for the number of albums the original recording of "Pie Jesu" has appeared on. "Amigos Para Siempre" is nice, but it reminds me of Shari Lewis's "The Song that Doesn't End," especially when it's been used on so many compilations.

In short, this is a great collection for the obscure material, if you can get it cheap. But for a boxed set, it's a poor sampling, drawn mostly from the most familiar recordings.

Excellent collection but BIG PUBLISHING MISTAKE! .......2006-01-10

Please beware they made a mistake on this. It's actually the shortened Ray Shell version of STARLIGHT EXPRESS from the original 1984 London cast - NOT the El Debarge single from 1987 like it says on the box. I don't know how they let that goof pass. Sorry to Ray Shell. Having said that, this is an outstanding compilation of Lloyd Webber's greatest hits.

ONE OF LLOYD WEBBER'S BEST COMPILATIONS, DESPITE A FEW FLAWS.......2005-03-21

Regardless of the fact that some of his latest efforts (most notably, The Woman in White) are disappointing, there can be little doubt that Andrew Lloyd Webber is one of the greatest composers ever to work in the musical theatre. Ever since his "Jesus Christ Superstar" hit the stage in the early 70-is, it was clear that the conception and perception of musicals are never going to be the same again. Many of his songs became standards not only in the theatre history, but also as tops on the charts. Even though he's British, his influence on the shape of the modern musical theatre expanded over the West End boundaries long ago and has thus made an enormous impact on Broadway. Two of his shows ("Cats" and "The phantom of the opera") hold the record as two the longest running shows in the history of Broadway. He has also been the only composer to have three of his shows running at Broadway concurrently. Some of his awards include three Grammies, a Golden Globe, an Oscar and a bunch of Tony awards. But perhaps most of all, Lloyd Webber is responsible for bringing the musicals and the theatre appealing to the wide audiences, who in different circumstances would not consider seeing a musical. The secret of his success is probably the mixture of beautiful and catchy melodies, interesting subject matter (though some, like Starlight Express, are too thin) and grandiose staging.

Over the years many compilations of his work have emerged. In the late 80-is and early 90-is it was the "Encore" series and lately the one-disc collection called "Gold". The one in question here can be considered one of the best currently on the market. First, it includes a 3-disc selections from all of his shows, minus the latest one, i.e., "The Woman in White", which, considering the triviality of the score, is no great lost. The fourth disc covers some of his most known songs sung by the famous artists. Then, there is the fifth disc with previously unreleased material, most of which are the songs ALW wrote with Tim Rice for various artists during the 70-is. The disks are all neatly packed in a hardcover book that features 67 pages of pictures and text with information about each of ALW's shows. One of the other assets here is the perfect sound quality, since all of the tracks have been digitally remastered.

Here are my basic impressions and comments regarding the material on the discs:

* Disc #1 has the selections from "Jesus Christ Superstar", "Evita", "Cats" and "Song & Dance". The Superstar material mostly comes from the Concept Recording. Although the songs sound beautiful as always, their orchestration is a bit dated now. Only Steve Balsamo's "Gethsemane" from the 1996 revival cast has a modern rock sound. "Evita" comes with the material from all of the major recordings: London, Broadway and the movie productions, as well as the Concept album. No objections here; since this is one of ALW's most satisfying works, every song is just perfect, although Patti LuPone, the Broadway and overall the best Evita, is left with only a couple of lines. With the selections from "Cats", however, I have some doubts. A plus to the choice of the "Jellicle ball" impressive orchestral sequence from the 1998 movie version and "Mister Mistoffelees" from the 1981 London cast. One of the best known ALW's songs, "Memory", also comes from that album. It's a pretty version and Elaine Paige's rendition cannot be matched, but why include this when the definite version, featuring an 80-piece orchestra and Elaine Paige with much better interpretation, can be found in the same movie version. Thusly, one has to buy Elaine Paige's latest 2-disc compilation "Centre Stage: The very best of Elaine Paige" to get that one. And "Gus the theatre cat" is more a recital than a song, so there was not much point in including that. Marti Webb brings her vocal charm to the "Song & Dance" sequence, Sarah Brightman sings "Unexpected song" with her famous soprano, but as much as I like her version, Bernadette Peters, who was in this show on Broadway is strangely left out here.

* Disc # 2 starts with "Starlight Express". This was never one of my favorite ALW's shows; the plot is even lighter than in "Cats" and the 1984 original cast recording is terribly dated. Yet, here we have one terrific duet, "I am starlight" from the original together with three songs from the later revivals and it seems that fresh orchestrations were just the thing Starlight needed. My favorite remains a touchy ballad, "Next time you fall in love". "Requiem" is the most solemn of all ALW's compositions, written in 1985 to commemorate the death of his father. Placido Domingo's tenor rides together with the chorus all the way through the strong "Hosanna", only to be joined by Sarah Brightman in the final moments of this song. She then gives an echoing deliverance of "Pie Jesu". What can be said of ALW's next show, "The Phantom of the Opera"? A phenomenon in its own right, it's easy to see from the six numbers included here why this is one of the best and most beloved musicals of all time. The cast, the music, the story - everything is perfect. Although "Aspects of love" was never a popular hit, it does have some of the most beautiful love melodies ALW has ever written. "Love changes everything" sung by Michael Ball is probably one of the best tunes ever about love. The rest of the selected material here has a dreamy love flavor and the melodies find their way into your brain in the best Lloyd Webber way.

* ALW's first musical, "Joseph and the amazing Technicolor dreamcoat" was more successful in its revival form than the original from the 70-is. The three songs included here are sung by the show stars, Jason Donovan and Donny Osmond. Maria Friedman was not a lucky choice to play the narrator, as the track from the 1998 movie version shows. "By Jeeves" was ALW's only big flop when it came to the stage in the 70-is. The 1995 revival sounds much better though, full of funny numbers in the best manner of the musical comedy. "Travel hopefully" remains one of the show's highlights on this compilation. "Sunset Boulevard" comes next. "Sunset" remains for me one of Webber's best scores; lush and beautiful. I listen to the original cast recording with Patti LuPone all the time. However, here most of the songs are performed by Glenn Close. A big mistake. If you've ever listened the American premiere recording with her, you'll know what I am talking about. She may have a strong stage presence, but her vocal abilities are too limited, and her aggressive approach to the role lacks any subtlety. Therefore, the two big numbers from this show, "With one look" and "As if we never said goodbye" are ruined by the fact she can't sing. The same goes for the American Joe Gillis, who was played by Alan Campbell. Luckily, Patti LuPone and Kevin Anderson, the original Norma and Joe from the London production, make their brief entrance here with the "Perfect year"; enough to show how better they are. The funny thing is, on the jacket and inside of it, Glenn Close and Alan Campbell are credited as performers in this song as well. If this was a mistake on ALW's part, it was a good one. The next ALW's show, "Whistle down the wind" was never a critic's dear and yet the audiences rushed in to see it in London. The score brings back ALW to his rock and roll roots of the seventies and the story is quite interesting. But the selections here are not the happiest, since the cast recording boasts with much better songs. And finally, "The Beautiful Game". Again, we have one of those ALW's shows that is worth in its individual parts rather than as a whole. "Our kind of love" and "Let us love in peace" are two catchy ballads. The latter is a nice amalgam version not available elsewhere. The two other tracks here I could live without.

* Disc # 4 has the songs from all the above shows performed by different artists. The assembled tracks have their pros and cons. For example, we have some previously unreleased stuff, like Dame Kiri Te Kanawa's operettic rendition of "The heart is slow to learn", or a stunning and epic "A kiss is a terrible thing to waste" from "Whistle down the wind", performed by The Metal Philharmonic Orchestra. Then again, what was the point in including almost identical tracks as the ones on the previous disks? So we have Michael Ball again singing "Love changes everything" with only a bit different orchestration; Sarah Brightman comes out again with the same Phantom duets, but only with the different male singers. It would be much more appropriate to include tracks from the Toronto Cast of the Phantom, with Colm Wilkinson. Other pop deliverances (Tina Arena's "Whistle down the wind", Barbra Streisand's "As if we never said goodbye", Boyzone's "No matter what" and many more) were wisely chosen. Patti LuPone is again nowhere to be found and Petula Clark's "With one look" sounds too worn-out.

* The last disc is probably the one that will be of most interest to Lloyd Webber aficionados. It consists of entirely previously unreleased material ALW for the most part wrote for various artists during his early years, with Tim Rice. Some of these tunes, not successful as a singles, were later used in his shows. Thus "Down thru' summer" became "Buenos Aires"in Evita, "Try it and see", an unsuccessful attempt for the Eurovision was used for "King Herod's song" in "Superstar" and so on. Some of these songs are nicely made pop songs: "Make believe love", ALW's first recorded composition, for which he provided the lyrics; "Goodbye Seattle", sung by Paul Raven, who later became Gary Glitter; "Come back Richard, your country needs you", from a never made musical, sung here by Tim Rice, or Latin flavored "Magdalena", with Tony Christie singing. My all time favorite here is a song called "It's easy for you", sung by none other than Elvis Presley himself. Lloyd Webber and Rice sent him a demo recording that he accepted and recorded this live version a couple of weeks before he died. It's amazing to hear how his voice remained in the perfect shape. Also, there is a track of Andrew Lloyd Webber singing "Policle dogs and Jellicle cats" while plying the piano. His voice doesn't sound bad at all.

Taken as a whole, this compilation makes a perfect birthday or Christmas present to any fan of Andrew Lloyd Webber shows, or just anybody interested in some of the best tunes from the modern era of the musical theatre; despite the flaws I mentioned above. To the former, it may just be the final addition for the Andrew Lloyd Webber collection.

SUCH MAGICAL MUSIC OF THE NIGHT!.......2003-01-19

"Evita." "Sunset Blvd." "Starlight Express." "Jesus Christ Superstar." "Joseph and the Amazing Technicolor Dreamcoat." "Requiem." "Aspects of Love." The man who is the most recognized composer in the history of the musical theatre, the man who has won more Tonys than any other composer, the man who boasts the best-selling show of all time ("The Phantom of the
Opera") and the longest-running show of all time ("Cats"), the man whose homes are filled with three Grammys, five Oliviers, a Golden Globe, and Oscar and too many other honors and hosannas to mention, the man knighted in 1992 certainly doesn't need an introduction. Now Decca Broadway pays tribute to Sir Andrew Lloyd Webber with "Now and Forever," a spectacular 5-CD set compiled and produced by Sir Andy himself. It's cheaper than a
ticket to "The Producers" ... and more much exciting. This treasure trove contains highlights from all of Webber's shows, and a bonus disc of tunes sung by Betty Buckley, Barbara
Streisand, Jose Carreras, Boy George, Charlotte Church, Madonna, Tom Jones, Petula Clark, even Elvis! A must for lovers of theatre---and good music.

A Must Have for Sir Andrew fans.......2002-05-21

This five-CD collection of Andrew Lloyd Webber's career is fantastic. It leaves virtually no stone unturned. I have no doubt that diehard Webber fans will love this, especially for the 5th disc entitled "From the Vaults." This disc alone is worth the price as it contains tunes never before heard by the typical fan. Who knew Elvis did a Lloyd Webber tune?!? I didn't! Also the tune "Benedictine" which the composer wrote for his most recent marriage is not only pretty, but it has the same medley as "The Lady's Paying" from "Sunset Blvd." which I found highly enjoyable. Another great track is the composer himself singing a cut song from "Cats" entitled "Pollicle Dogs and Jellicle Cats" which has the same tune as "Jellicle Songs for Jellicle Cats," but to hear Sir Andrew sing is a blast...he sounds a lot like Al "Year of the Cat" Stewart.
The cuts from the musicals are great but are likely owned by ALW fans as they are on the original cast albums. And I'm glad that there were tunes included from the composers most recent efforts which have yet to make it beyond London (Whistle Down the Wind, Beautiful Game).
My only complaint is the inclusion of way too many tracks by Sarah Brightman. She must've received a great divorce settlement that included having tunes on any ALW collection until the end of time!! Her interpretations of some of the tunes were limp and uninspired. I would've much rather heard casts from around the world rather than yet another song by this disdainful soprano! How about Colm Wilkinson's version of "Music of the Night" from the original Canadian cast of "Phantom"? Or Michael Crawford's version of "Unexpected Song"? What? No Betty Buckley from "Sunset Blvd."? And of course there are songs you KNOW are going to be on the collection before you even listen to it as they have been on EVERY ALW collection for the past decade or so.
A great collection but too much Sarah Brightman!

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