Walls Ep [Import]

walls ep [import]

Track Listings

1. Walls

2. Streets Fell Into My Window

3. Dead Adults

4. Mad World

5. Portrait Of A Dead Soul

6. Walls (Alternate Ending)

7. Signals From The Frontier

Editorial Reviews
Product Description
7 track EP includes the tracks 'Walls', 'The Streets Fell Into My Window', 'Dead Adults', 'Mad World', 'Portrait Of A Dead Soul', 'Walls' (Alternate Ending) & 'Signals From The Frontier'. Modern Music. 2005.

Walls Ep,Red Paintings,Modern Music,Experimental (Noise),Rock

Walls Ep [Import]

Average customer rating:

Paper Walls
Yellowcard
Manufacturer: Capitol
ProductGroup: Music
Binding: Audio CD

General | Alternative Rock | Styles | Music

Punk | Hardcore & Punk | Alternative Rock | Styles | Music

Punk Revival | Hardcore & Punk | Alternative Rock | Styles | Music

Punk-Pop | Hardcore & Punk | Alternative Rock | Styles | Music

General | Rock | Styles | Music

Pop Rock | Pop | Styles | Music
Similar Items:

Underclass Hero
Zeitgeist
Good Morning Revival
Arrivals & Departures
Minutes to Midnight

ASIN: B000R7I2U6
Release Date: 2007-07-17

Tracks:

The Takedown
Fighting
Shrink the World
Keeper
Light Up the Sky
Shadows and Regrets
Five Becomes Four
Afraid
Date Line (I Am Gone)
Dear Bobbie
You and Me and One Spotlight
Cut Me, Mick
Paper Walls

Amazon.com

Add Yellowcard to that very short list of spirited pop-punk acts that made the transition from an indie to a major label and got better in the process. The SoCal by way of Florida band's brand of strident, post-emo pop has only improved with each release, even as their sound grew more anthemic and radio-friendly (and reached double platinum status). Their first album since founding guitarist Ben Harper split the group, Paper Walls has been described by the band themselves as a sort of group therapy attempt, an effort to "tear down obstacles and heal old scars" amongst the five members. Unsurprisingly, the lyrics are direct and honest, while they've broadened their sonic palette to allow a tad more dissonance in with their urgent and propulsive pop-punk. The songs "Shadows and Regrets," "Paper Walls" and "Five Become Four" mix thoughtful lyrics with a sped-up, catchy violin in a way that's both "mature" and the ideal soundtrack to your next extreme sports adventure. --Mike McGonigal

Amazon.com

The album title Paper Walls comes from the song of the same name, which begins "Let's burn a hole so we can climb out of these paper walls in this empty house." It's a reference to the barriers that built up between the band members over the years and everyone's desire to tear down the obstacles and heal old scars.

"If you really love each other as much as we do, you want to knock those walls down and get back to the place where you enjoy being with each other and making music together," says Key. "The song is basically saying let's get back out there and remember why this is important to us, why we love being on stage and why we love making records."

Album opener "The Takedown" starts with a shot - an indelible guitar hook and ferocious drums charge forth as Yellowcard's trademark mix of airtight vocal harmonies, entwined guitar lines and flourishes of violin crackle with energy. "Fighting" brings together the band's many strengths - tight, melodic, propulsive riffs gather steam before launching into an epic, undeniable chorus. And bruised but beautiful lead single "Light Up the Sky" has an even more massive payoff, its refrain won't leave your head in this lifetime, but allows for some ringing dissonance beneath it all.

Yellowcard Photos

Tracks:

Fill Me Up
These Four Walls
Tuff Kid
Summer Dress
Cinnamon Road
Venetian Blue
The Bird
I'm Gone
Let It Slide
Even Here We Are
So Good To See You
That Don't Worry Me Now
Words

Amazon.com

Shawn Colvin's fans are a dedicated and patient lot. They've had to be, to have waited five years for this new release and nearly six for the one before it. But she rewards the faithful with gems every time, and These Four Walls is no exception. Despite a label change to the more musically adventurous Nonesuch, after having been associated with Columbia since 1989, this is a typically low-key yet beautifully constructed set. Colvin again works with producer/songwriter John Leventhal, her musical collaborator for the past quarter-century, and that long-standing partnership pays off with 11 superbly crafted originals. Colvin's breathy voice conveys the emotion, yearning, sadness, and even the occasional joy and hope behind the melodies. As producer, Leventhal colors these songs with subtle textures, adding organ, brushed drums, and layered electric and acoustic guitars to bolster but never overwhelm the songs or Colvin's delicate yet defined vocals. It's a clean but never-slick sound, with enough edge and dynamics to reflect the nuances in the lyrics. Covers of the obscure Paul Westerberg track "Even Here We Are" and the Bee Gees' "Words"--the latter sounding like a demo, with just acoustic guitar, spare bass, and sparse piano--illuminate additional details in her approach. They round out one of Colvin's finest, most honest, and poignant collections. It's an album worth the extended wait. --Hal Horowitz

Recommended Shawn Colvin

Polaroids: A Greatest Hits Collection
Fat City
A Few Small Repairs

Album Description

This is Shawn Colvin's first album since 2001's A Whole New You. On These Four Walls, Colvin displays an easy-going sophistication and an appealingly grown-up spin on both her own evocative songs and the smartly-chosen covers she interprets.

Customer Reviews:

Disappointing.......2007-05-26

Seen her live. Have a couple of her albums. Disappointed with this one. I usually like cryptic lyrics, but what the heck is she talking about. I don't get most of the songs. Musically OK but lacks excitement. Her production partner is talented but all the songs are starting to sound the same. Gave it a couple listens and gave up.

Nothing But Sky.......2007-05-12

Shawn Colvin's "These Four Walls" is a good set, well worth the wait. Of my favorites, "Tuff Kid" pulses with Antoine Silverman's fiddle adding a nice touch, "So hey everybody at the old schoolyard, took it all the way & we took it hard; Did a lot of things make you feel alright; Said the kind of things keep you up at night." "The Bird" struts with a smart melody and Colvin's breathy vocals crosscutting with the edge of the lyric, "What I like about time is it don't ask why; What I like about love is it makes me cry; What I like about the bird is she don't need nothin' but sky." "Even Here We Are" has a gorgeous melody with Colvin's passionate voice, "Beautiful flower in your garden, but the most beautiful by far is the one growing wild in the garbage dump." The closer is a cover of the Bee Gees' "Words." Colvin's acoustic version contrasts with the orchestral production the Gibb Brothers employed & bares the emotional content of the track, making it stark & emotional. Other cuts like the opener "Fill Me Up" & "Cinnamon Road" are strong. It's nice to have Shawn Colvin back in form. Enjoy!

Best yet.......2007-05-02

I have enjoyed all of Shawn Colvin's work. This cd is special probably because of the change in label. The music is not so produced, less instruments, and therefore probably more personality. Shawn Colvin isn't someone that you can sit down and enjoy easily. It takes some listening to acquire a taste. Also her lyrics have an edge. Sometimes she takes that a bit too far. I am no puritan but do think the f word in the last three recordings is old. Perhaps she thinks it is a good luck charm. I would also object to the Bee Gees song. Shawn is a wonderful writer and she has no need to borrow songs that we have all heard too often. "Even Here We Are" is a wonderful song and in my opinion worth recording. Don't take so long the next time.

Evocative........2007-03-13

The CD cover of this release looks as if it were inspired by one of Tori Amos's dreams. But the sound of Shawn Colvin and "These Four Walls" is more Emiliana Torrini than Tori Amos.
The record has a folksy-pop beat. Beautiful, empowering vocals combine with a catchy tune to deliver to the listener one of the most upbeat, magical music experiences seen this century. Matters can become somewhat introspective from time to time.
"These Four Walls" the track, opens with the chilling statement: "I'm going to die in these four walls". It's the certainty and the apparent acceptance of fate in the vocals which will chill the blood. Yet, somehow, there's a slightly upbeat feel to this song. As if it represents an ode to something passed but not forgotten.

This record is atmospheric and eerie at times as it reaches towards the gothic.
This is not rock and it barely touches the conventions of pop.
The vocals want the gravitas and sheer gothic power of Tori Amos but they don't quite manage to achieve such an impact on the listener.
Instead, the songs remain powerful and beautiful but not earth shattering.
"These Four Walls", the album, is the soundtrack to an autumn night. Listen and escape into a world of wonder set to music. If you like your songs to be full of stories, this is the record for you.
The album is beautiful, evocative and powerful and, best of all, a hope for the future. More like this please. There's a feeling that both the sound and talent involved in the construction of this record are unique.

A new, great achievement........2007-02-24

The first song Shawn Colvin completed for "These Four Walls", her Nonesuch debut, was the wistful "Summer Dress", which opens with Colvin singing over the austere strum of a lone acoustic guitar, then builds into a lilting folk-rock arrangement.
Colvin maintains a delicate balance between confidence and vulnerability as she describes a dream-like venture out to 'face a wilderness'.
Like much of this deeply felt album, "Summer Dress" is about looking ahead, moving on, performed from the vantage point of someone who's had a chance to glance back somewhat ruefully at where she's been.

"Summer Dress" could be a veiled recounting of the picaresque route Colvin herself took to hard-earned solo stardom, from her South Dakota birthplace to the Southern Illinois college town where she was raised, to the bars and clubs of Boston and New York City, where she first attracted a following.
Then again, it might be an artfully composed fiction about escaping a small town or running after love, a postcard from a youthful time when freedom seemed like a mere bus ticket or car ride away.
Whatever its origins, the emotional and musical pull of "Summer Dress" along with the rest of "These Four Walls" is powerful.
Somehow we've all been there, too.

Average customer rating:

Paper Walls (CD/DVD)
Yellowcard
Manufacturer: Capitol
ProductGroup: Music
Binding: Audio CD

General | Alternative Rock | Styles | Music

Punk | Hardcore & Punk | Alternative Rock | Styles | Music

Punk Revival | Hardcore & Punk | Alternative Rock | Styles | Music

Punk-Pop | Hardcore & Punk | Alternative Rock | Styles | Music

General | Rock | Styles | Music

Pop Rock | Pop | Styles | Music
Similar Items:

Yellowcard - Beyond Ocean Avenue Live At The Electric Factory
Paper Walls
Lights and Sounds (Special Package CD+DVD)
Coming Home
Lies for the Liars

ASIN: B000R7I2UG
Release Date: 2007-07-17

Tracks:

The Takedown
Fighting
Shrink the World
Keeper
Light Up the Sky
Shadows and Regrets
Five Becomes Four
Afraid
Date Line (I Am Gone)
Dear Bobbie
You and Me and One Spotlight
Cut Me, Mick
Paper Walls

Amazon.com

Deluxe CD/DVD contains: Making of the album, making of the video, 2 bonus audio tracks and photo gallery.

Yellowcard Photos

More from Yellowcard

Ocean Avenue
Lights and Sounds
Beyond Ocean Avenue DVD

Album Description

This CD/DVD version has features such as: Making the album/video, 2 Exclusive bonus tracks and an extensive photo gallery.

Average customer rating:

Walls
Apparat
Manufacturer: Shitkatapult
ProductGroup: Music
Binding: Audio CD

General | Dance & DJ | Styles | Music

Electronica | Dance & DJ | Styles | Music

General | Dance Pop | Dance & DJ | Styles | Music

IDM | Dance & DJ | Styles | Music

Mirrored
Asa Breed
Silizium EP
Idealism
Orchestra of Bubbles

ASIN: B000O5AYN4
Release Date: 2007-06-05

Tracks:

Not a Number
Hailin from the Edge
Useless Information
Limelight
Holdon
Fractales, Pt. 1
Fractales, Pt. 2
Birds
Arcadia
You Don't Know Me
Headup
Over and Over
Like Porcelain

Average customer rating:

It doesn't get much better
weaker effort
Don't compare them !
one of the best
very strong effort--has some of Dan's very best work

Windows and Walls
Dan Fogelberg
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

General | Contemporary Folk | Folk | Styles | Music

Singer-Songwriters | Contemporary Folk | Folk | Styles | Music

General | Pop | Styles | Music

Singer-Songwriters | Pop | Styles | Music

Soft Rock | Pop | Styles | Music

Pop Rock | Pop | Styles | Music

General | Rock | Styles | Music

4-for-3 Pop | 4-for-3 Music | Stores | Music

4-for-3 Rock | 4-for-3 Music | Stores | Music

4-for-3 All Music | 4-for-3 Music | Stores | Music
Similar Items:

Phoenix
The Innocent Age
Exiles
High Country Snows
Home Free

ASIN: B0000025XA
Release Date: 1990-10-25

Tracks:

The Language Of Love
Windows And Walls
The Loving Cup
Tucson, Arizona (Gazette)
Let Her Go
Sweet Magnolia (And The Travelling Salesman)
Believe In Me
Gone Too Far

Customer Reviews:

It doesn't get much better.......2006-06-05

This CD has a place on my shelf as one of the best CD's ever recorded.

weaker effort.......2006-04-20

This album to me sounds very generic in places. I prefered the acoustic music of Dan's. While that is in place, much of the album is based around generic middle of the road rock songs, that to me, sound exactly like each other. On three tracks 'language of love', a pedestrian rocker, 'let her go' another very dull rocker and 'gone too far', I can't remember it now at all, he tries to rock and it is just not great. Yet a fourth track 'loving cup' also toes the line of rock song and folky music, and is better than the aforementioned three but still not that great.

On Dan's album 'Souvenirs', most of the tracks are melodic ballads, with only one rock song. Why he decided to go over board with the rock songs is a mystery to me.
'Tuscon, Arizona' it has been praised here continuously. When the song started, i thought it was a really nice sounding folk song. But the song goes on and on and on, and never changes. There is a small bride, but apart from that it is a poorly thought out melody, with a strong lyric. It is completely overrated and soon tires. But after over 8 mins, it is plain annoying.

The other three tracks are beautiful ballads, that I expect from Dan, and just push this up to 3 stars. 'Sweet magnolia' is a pretty piano ballad. 'Believe in me' has a soaring vocal melody and shimmering guitars. An extremely romantic song and quite beautiful. The best song for me is 'windows and walls'. This, for me, has the best lyric about growing old and being alone. The melody is exceptional and so is the instrumentation. Great orchestration as well.
As for the song

Don't compare them ! .......2005-10-12

First of all...how in the heck do you follow - up a masterpiece like "The Innocent Age" ? The answer is...you don't ! You simply continue to do what you do best....and that's what Dan Fogelberg does on "Windows And Walls" !

When I bought "Windows And Walls" in 1984...I didn't expect "The Innocent Age Part 2" ! I considered it to be exactly what it was...the latest release from Dan Fogelberg...consistently great songwriting....arranging...production...and a great performance ! My favorite songs Are "Believe In Me"..."Windows And Walls"...."Tucson,Arizona (Gazette)"...."Gone Too Far" and "The Language Of Love" .

Just enjoy this....don't compare !

one of the best.......2005-06-11

Unfortunatly, Dan Fogelberg is not well-known in France and Europe, but for me, he's one of the best american songwriters. I got about ten albums, from "never lands" to "river of souls" and "Tucson Arizona" is my favourite. Romantic, beautiful song. Just one word : respect !

very strong effort--has some of Dan's very best work.......2004-12-31

Not counting his 1982 "Greatest Hits" release which contained a couple new songs, "Windows and Walls" was Dan Fogelberg's first album since his 1981 double album "The Innocent Age". Fogelberg was clearly trying hard to make a 'Big Statement' with "The Innocent Age" which received a remarkable level of commercial success for a double album, hitting the Billboard top 10 and going platinum within its first four months of release, as well as yielding 4 considerably big hit singles. "Windows and Walls", a single LP originally released in January of 1984, did make it to #15 on the Billboard charts and went gold quickly, but it basically marked the end of Fogelberg's period of highest popularity, and it seems that it didn't receive even close to the kind of critical praise that "The Innocent Age" did.

All that said, some might suspect "Windows and Walls" to be something of a hiccup or a last gasp, especially considering the gap of well over 2 years between "The Innocent Age" and this album, but actually, "Windows and Walls" is a characteristically ambitious effort from Dan with several of the very best tracks he's ever done. Plus, I must admit that I really like how Fogelberg, a prominent `70s artist, is staying true to himself on this effort and not trying in the slightest to `update` his sound to fit in with the popular trends of the mid-'80s. This album VERY much sounds like it could have come out 5 years earlier than it did, and I mean that as a compliment.

The opening 4 song sequence (`side 1' in vinyl terms) is great--it shows you how good Fogelberg can be. "The Language of Love" is a catchy rocker with stop and start riffery that recalls AC/DC, and Dan's rough-edged vocal puts the lyrics over which are somewhat simple, but fun and right on the money. The atmospheric title track is a haunting, powerful cautionary tale about ageing--again, the lyrics are right on the money, almost frighteningly so. The splendidly tuneful "The Loving Cup", one of his 'romantic desperation' songs, kind of straddles the line between being a ballad and a rocker and has a really nice mid-song guitar solo; it's a very strong track overall, but it's a tad slight--for the third verse, instead of coming up with something new, he splices together the first two lines from the first verse with the last two lines from the second; and it's also marred a bit by the overdone outro which blatantly imitates "While My Guitar Gently Weeps" and has an annoying `pull the plug' ending. The `side-closer' "Tucson, Arizona (Gazette)" is a marvelous accomplishment, an excellently melodic and captivating 8+ minute story-song that's rich with detail, very strongly reminiscent of Al Stewart--classical guitar & all--and also suspiciously similar musically to the Hollies' "Tell Me To My Face" which Fogelberg had already covered on his 1978 duet album with Tim Weisberg; in any case, the song shows Fogelberg carrying out his ambitiousness in such a way that his earlier attempt at an epic story song with "Beggar's Game" (from his "Phoenix" album) did not--it`s no wonder that Fogelberg himself has cited this as his "all-time favorite track".

Unfortunately, it's as if Fogelberg burnt himself out with these first 4 tracks, because `side 2' is much weaker. "Let Her Go" is a rocker that's not even quite mid-tempo, and it's decent, but rote. Then there are a pair of orchestrated ballads including the drippy and dull "Sweet Magnolia (And The Travelling Salesman)"; and the tender "Believe In Me" which is decent, but still frustratingly slight. He does end the album with the moody environmentally-themed rocker "Gone Too Far" which, despite unimaginative lyrics, is excellently catchy.

So, it's rough sailing at times with this album, but with all of the excellent material that it does contain, it's very worthwhile and a must for any serious fan, and it makes for a solid starting point for new/ casual fans as well.

Average customer rating:

ok but I prefer Macca
Jerry McCulley, the Amazon reviewer here misses the boat completely
John Comes Full Circle
His best release.
Good album

Walls and Bridges
John Lennon
Manufacturer: Capitol
ProductGroup: Music
Binding: Audio CD

General | Alternative Rock | Styles | Music

General | Pop | Styles | Music

Singer-Songwriters | Pop | Styles | Music

Pop Rock | Pop | Styles | Music

General | Rock | Styles | Music

Singer-Songwriters | Rock | Styles | Music

Album-Oriented Rock (AOR) | Classic Rock | Styles | Music

General | Classic Rock | Styles | Music
Similar Items:

Some Time in New York City/Live Jam
Mind Games
Imagine
Rock 'n' Roll
John Lennon/Plastic Ono Band

ASIN: B000AYQLX6
Release Date: 2005-11-22

Tracks:

Going Down On Love (remixed)
Whatever Gets You Thru The Night (remixed)
Old Dirt Road (re-mastered)
What You Got (remixed)
Bless You (re-mastered)
Scared (re-mastered)
#9 Dream (remixed)
Surprise Surprise (remixed)
Steel & Glass (remixed)
Beef Jerky (remixed)
Nobody Loves You (When You're Down And Out) (re-mastered)
Ya Ya (remixed)
Whatever Gets You Thru The Night (Live with Elton John)
Nobody Loves You (When You're Down And Out) (alternative version)
John interviewed by Bob Mercer

Amazon.com

The careful burnishing of John Lennon's daunting legend usually obscures one telling fact: the former Beatle endured a long and troubling artistic slump in the mid-'70s. Indeed, his five-year retirement/house-husband phase may have been one of the shrewdest career moves he ever made. Cut in Los Angeles during his prolonged "lost weekend" estrangement from Yoko Ono, Walls and Bridges too often sacrifices the sublime for the ridiculous--that is, when it's not being altogether superfluous. Still, "Whatever Gets You Through the Night," Lennon's boisterous collaboration with Elton John, scored him his first No. 1 record as a solo artist, and compelling tracks like "Steel and Glass," "Going Down on Love," and "#9 Dream" belie the artistic genius Lennon was literally drowning in copious rounds of Brandy Alexanders during the period. --Jerry McCulley

Amazon.com

John Lennon Photos

More from John Lennon

Imagine
John Lennon/Plastic Ono Band
The U.S. vs. John Lennon

Mind Games
Working Class Hero
Lennon Legend

Customer Reviews:

ok but I prefer Macca.......2006-11-03

Some really nice tunes on here. #9 Dream is as good as anything Lennon ever wrote, but there are weak songs on here, namely 'whatever gets you through the night', which to me is a rambling, tuneless dirge and the awful 'ya ya'. Also 'what you got' is abslutely horrible. Still, worthy of a purchase, as there are a lot of melodic songs here, but I think Macca was better, particularly with his strong and more characteristic 'Venus and Mars' out around this time.

Jerry McCulley, the Amazon reviewer here misses the boat completely .......2006-09-04

Jerry McCulley has not listened to this album well... first of all.. this an extremely polished album... this album was not a lull in Lennon's musical career.. it is an exceptional album.. what a terrible misrepresentation of a Lennon masterpiece.. Jerry McCulley ought to be ashamed of himself.

John Comes Full Circle.......2006-07-31

On this outstanding album, John fends for himself, for the first time in his professional life without Yoko AND Paul. It also is one of his few albums that feature no other Beatle. His band is comprised of such "Fifth Beatles" as Klaus Voorman, Jim Keltner, and Nicky Hopkins. It seems he is now totally screamed out, and has had his say about political problems in the world. He has been stiffed by Yoko - and moves on now much more easily than he did, when dealing with the abandonment of his mother and father. He even has a little bit of Julian on the album.

He seems to be comfortable with himself - the music is accessible, with the expected depth. I have always considered it a letter he is writing to Paul, George, Ringo, Yoko, his fans - heck, even Cynthia and Julian.

#9 Dream connects with Beatles material in more ways than its title. It is one of the 10 or so best Beatles solo tracks, in terms of having a "Beatles" sound to it. "Nobody Loves You When You're Down and Out", is "Isn't It A Pity" written sideways. He seems to have the same need to write this as George had with his similarly-penned number. It is a continuation of the Beatles story. Songs like this allowed us to get to know the Beatles personally, and to be able to connect their problems in life with our own.

Steel and Glass, of course, is penance for his "Stick it, Paul" rant, "How Do You Sleep?" from Imagine. YaYa is a return to a Hamburg favorite.

In "God" John says "I was the Walrus", and "I don't believe in Beatles." On this entire album, John seems to say, "well, okay - maybe I am kind of a walrus, and well, maybe I do believe in a little bit of Beatles."

John's personal and professional development is shared with the world in his music. Walls and Bridges, like all of his albums, is a critical piece in that development. When listening to his music with that perspecive, I find it much more enjoyable.

I would encourage the two Beatles fans in the world that do not have this album, to go ahead out and purchase it.

His best release........2006-06-15

Forget what the critics say concerning his "lost weekend" period. The songs on this album are among his best written. #9 Dream, Steel and Glass, Bless You, When You're Down are among the best songs on this album. "Whatever Gets You through the Night" was his number 1 song co-written with Elton John, and as much as I like that song, it isn't even close to being the best on the album.

Buy it, you'll like it.

Good album.......2006-05-29

"Steel and Glass" was about Allen Klein who John was suing at the time. He was John's former manager and he lost his mother when he was young (like John) and had a "New York walk and a New York talk." I really liked the song "Whatever gets you through the Night" which John didn't really like too much. This is one of John's better post-Beatle albums. Still, with all the drinking and drugs John took during this period, the album lacks the care and polish of his work with the Beatles.

Average customer rating:

Au Dela Des Couleurs by Francesca Gagnon
Beauty, Passion and Madness
An Amazing Journey To A World Of Joy And Wonder
Superb!
Very disappointed!

Alegria

Manufacturer: Cirque Du Soleil
ProductGroup: Music
Binding: Audio CD

General | International | Styles | Music

Canada | North America | International | Styles | Music

General | New Age | Styles | Music

Movie Soundtracks | Soundtracks | Styles | Music

General | Soundtracks | Styles | Music

General | Classical | Styles | Music
Similar Items:

Cirque du Soleil - Alegria (Live in Sydney)
Cirque Du Soleil: Journey of Man
Cirque du Soleil - Solstrom - The Complete Series
Cirque du Soleil - Dralion
Cirque du Soleil - Midnight Sun

ASIN: B0002KQNUO
Release Date: 2004-07-27

Tracks:

Alegria
Vai Vedrai
Kalandiro
Querer
Irna
Taruka
Jeux D'enfants
Mirko
Icare
Ibis
Valsapena
Nocturne

Customer Reviews:

Au Dela Des Couleurs by Francesca Gagnon.......2007-05-16

If you like Francesca Gagnon's haunting voice on this Cirque du Soleil soundtracks check out her other CD Au Dela Des Couleurs

Beauty, Passion and Madness.......2007-03-22

This CD is a bacchanalia. It is ecstatic and blissful and alien and sad and insane. There are so many worlds contained in this music that it's hard to describe. I have to say I've loved this CD for more than a decade and it has been a source of constant agony and joy and ecstasy. It doesn't age. It is a classic. There are so many nuances in it, so much fantasy, madness, passion and creativity that it is truly one of a kind. Each song produces a peculiar state of mind. I don't know how else to describe this experience. I'd say my favorite experiences are Mirki, Vai Vedrai, Querer (awesome!) and Valsapena. Please buy it and take the time to listen ... REALLY listen to it and experience it.

An Amazing Journey To A World Of Joy And Wonder.......2005-07-09

Alegria means happiness in Spanish, and that't exactly what this CD delivers, a good dose of happiness and a nice escape route from the pre-packaged wasteland of FM radio in the 21st Century. Having bought the CD several years ago, I could hardly wait to compare the listening experience to the live performance that I saw earlier today, and I must admit, the CD was an excellent primer for the show.

The most likable characteristic was the way the vocals in the live show matched the vocals on the CD.

Listening to Alegria makes you feel as if you've entered a fantasy land full of benign and carefree elves, goblins, and other wondrous mischievous misfit creatures whose only job is to take you to the edge of enjoyment and to let you define what your own limits are. And while the visual effects of the live show are mesmerizing, they would be useless without this powerful sound track, which is worth listening to on its own merits.

The songs are all built on melancholy keys, with the arrangements designed to tug at your emotions and create a feeling of Bohemia and old Europe. And despite the expectations of anyone who has ever seen a Cirque show, they deliver just the right dosage of fantasy and escapism with enough versatility to favor a nice drive, a quiet evening at home, or background music for a good book or even working on a project.

My favorite song on the CD is Vai Vedrai, which is a trademark Cirque song, with the haunting vocal adding to the sentimental gipsy lament that it seems to be broadcasting.

Highly recommended for anyone who enjoys a good alternative listen, wants to share music with the entire family, or is interested in the Cirque du Soleil phenomenon. Also recommended is a visit to any live performance by this troop, as well as any other of their CD, or DVD/VHS products. They truly deliver the goods.

Superb!.......2005-06-09

I saw "Alegria" when it came to my area, and the show took my breath away. I have seen both "O" and "Dralion," and heard samplings of other Cirque shows, but "Alegria" has perhaps the most upbeat songs on it. Favorites include the title track, 'Vai Vedrai,' and 'Querer.'

Definitely worth your money, and it provides very ecclectic listening/mood music.

Very disappointed!.......2005-01-11

Despite the interesting and colorful jacket, the music is very disappointing. Most of the music sounds the same. This would not be a CD that I would recommend to others.

Average customer rating:

Basically the first Jeff Tweedy solo album
Bummer
Worth the cost just for...
beautiful, atmospheric, haunting
It's Tweedy, It's Good, Very Good

Chelsea Walls
Jeff Tweedy , and Wilco
Manufacturer: Rykodisc
ProductGroup: Music
Binding: Audio CD

General | Alternative Rock | Styles | Music

Alt-Country & Americana | Country | Styles | Music

General | Rock | Styles | Music

Country Rock | Rock | Styles | Music

Pop Rock | Pop | Styles | Music

Adult Alternative | Pop | Styles | Music

General | Soundtracks | Styles | Music

Pop | Styles | Blowout Music | Stores | Music

Rock | Styles | Blowout Music | Stores | Music

Alternative Rock | Styles | Blowout Music | Stores | Music

Country | Styles | Blowout Music | Stores | Music

Soundtracks | Styles | Blowout Music | Stores | Music

All Blowout Music | Blowout Music | Stores | Music

More Titles at Least 25% Off | Blowout Music | Stores | Music
Similar Items:

Loose Fur
Born Again in the USA
Down with Wilco
Mermaid Avenue
Mermaid Avenue Vol. II

ASIN: B0000641B5
Release Date: 2002-04-23

Tracks:

Opening Titles - Jeff Tweedy & Glenn Kotche
Red Elevator - Jeff Tweedy & Glenn Kotche
Promising - Wilco
Frank's Dream - Jeff Tweedy & Glenn Kotche
When the Roses Bloom Again - Billy Bragg & Wilco
Jealous Guy - Jimmy Scott
The Wallman - Jeff Tweedy & Glenn Kotche
The Lonely 1 - Robert Sean Leonared & Steve Zahn
Hello, Are You There - Jeff Tweedy & Glenn Kotche
Softley and Tenderly Jesus Is Calling - Robert Sean Leonard
Finale - Jeff Tweedy & Glenn Kotche
End Credits - Jeff Tweedy & Glenn Kotche

Amazon.com

At times, Jeff Tweedy's score for Ethan Hawke's Chelsea Walls sounds like an uptown, jazz-infused take on Ry Cooder's Paris, Texas soundtrack. Atmospheric, moody, and, at times, abrasive, Tweedy's electric guitar instrumentals are both memorable and haunting, ready to erupt into distortion at any moment. Wilco's "Promising" is stripped down and rootsy, while Robert Sean Leonard's two tracks ("The Lonely," "Softly and Tenderly Jesus Is Calling") are lo-fi, slightly out-of-tune gems. But the highlight of this soundtrack may belong to jazz vocal legend Jimmy Scott. His take on John Lennon's "Jealous Guy" is a classic: understated, bluesy, and filled with soul. --Jason Verlinde

Customer Reviews:

Basically the first Jeff Tweedy solo album.......2005-10-11

This is basically the first Jeff Tweedy solo album, although someday, who knows, I hope not, he might fire John Stirratt from Wilco (the only original Wilco member besides Jeff) and we'll discover Wilco was a Jeff Tweedy solo project all along.
The instrumental tracks on this album are very good, and feature good, jabbing guitar from Jeff Tweedy, and good, experimental percussion from Glenn Kotche, Wilco's outstanding drummer and percussionist.
"Promising" is wonderful Wilco song, downtempo, and "When the Roses Bloom Again" is a good outtake from the Billy Bragg and Wilco "Mermaid Avenue" sessions.
"Jealous Guy" is a John Lennon cover sung in a high, raspy voice by Jimmy Scott, and doesn't do much for me other than interrupt the flow of the album.
"The Lonely One" a cover of Wilco song, covered by actors Robert Sean Leonard & Steve Zahn is a sad, simple version of that song, made sadder if you've seen the movie this soundtrack is for and know the fate of the character singing it.
"Softly and Tenderly Jesus Is Calling" is another nice guitar/vocals cover by Robert Sean Leonard and fits the feel of the rest of the album.
Overall, the instrumentals and "Promising" are the best tracks, and make this album worth owning for any Wilco fanatics out there. I like the soundtrack better than the movie it's from, and find it more interesting.

Bummer.......2005-10-03

I like Tweedy, most Wilco and all Uncle Tupelo stuff. This album I don't care for because there are really no solid tracks on it other than "Promising".

Worth the cost just for..........2005-07-07

"when the Roses bloom again" a 5 star song if there was ever one - The rest of the CD is average by that song is GREAT

beautiful, atmospheric, haunting.......2004-04-01

I didn't think so much of the movie (pretentious, unrealized, with some good turns) but, boy, this is one heck of a soundtrack. Beautiful haunting melodies, that wonderful Jimmy Scott cover of Lennon's Jealous Guy. Tweedy Tweedy Tweedy. The music haunts my conciousness all the time. Great for driving. Great for yoga.

It's Tweedy, It's Good, Very Good.......2003-03-17

I have not seen the movie, but bought this album simply on the strength of Jeff Tweedy's reputation as a gifted, daring and innovative musician. I was not disappointed!

9 of the 12 tracks aqre Tweedy penned, most of them instrumentals performed by Tweedy and Glenn Kotche. Several of them are truly mesmorizing, including the "Opening Titles", with guitar-distorts all over, "Frank's Dream", "The Wallman" and, best of all, the 11 min. "Finale" with it's haunting guitar riff and overlaying piano playing.

There are 2 tracks attributed to Wilco: the "new" track "Promising" sounds like Tweedy solo, and the other one "When The Roses Bloom Again" is from the Mermaid Avenue sessions with Billy Brag, quite beautiful actually.

Tracks:

Balm in Gilead
Chassidic Chant
Quiet Flows The Don: From Border To Border
Quiet Flows The Don: Oh, How Proud Our Quiet Don
Elijah, Op. 70: The Lord God Of Abraham
The Purest Kind Of Guy
Joe Hill
The Peat-Bog Soldiers
The Four Insurgent Generals
Native Land
Song Of The Plains
Cradle Song
Within Four Walls
By An' By
Sometimes I Feel Like A Motherless Child
John Henry
Water Boy
My Curly Headed Baby
Mah Lindy Lou
Wagon Wheels
The House I Live In
Showboat: I Still Suits Me
Sylvia
Showboat: Ol' Man River
Porgy And Bess: It Ain't Necessarily So

Amazon.com

There was nothing like the Robeson sound, ever. To describe his deep, rich, perfectly equalized instrument is futile. Go instead to "Balm in Gilead," the opening track, and see if you can listen to the last pianissimo phrase without falling to pieces. Robeson was at his best when the music was slow and the words contained spiritual or social messages. Faster, lighter fare like Kern's "I Still Suits Me" or Gershwin's "It Ain't Necessarily So" find the serious-minded singer out of his element, lacking irony and swing. "Old Man River," though, gets a simple, dignified treatment. It's Songs of Free Men, though, that will just keep Robeson's artistry rolling along, especially in Sony's astonishing transfers. --Jed Distler

Customer Reviews:

Robeson on wax.......2007-06-19

I found this album in a thrift store last week, for a couple of dollars. It's the original pressing on four 78 RPM records, in a gatefold format. It's in pristine condition. I really bought it for the incredible cover art, although I hope to be able to listen to it in this format at some point.

The voice, the sound quality and the interpretation.......2004-09-24

Put this on your stereo and if it is good enough the depth and richness of Robeson's voice will make your fillings rattle and your chest rumble. The power of his voice is awesome. This CD is superbly recorded with no audible noise at normal listening levels.

A Voice from the 40s, often dated, often moving.......2002-09-01

"Red diaper babies" have greeted this disc with nostalgic joy, and it captures a time and an aesthetic and a political belief with precision. Anyone interested in the emotional life of the pro-Soviet left of the 1940s should buy this disc. It's something like Henry Wallace set to music. There is much more to Robeson than that, however, and Sony has given us Robeson whole: there are songs by American masters of the musical, there are labor songs, religious songs, as well as the kind of faux-folk songs which the butcher supreme Josef Stalin encouraged and which were not taken seriously inside the USSR (except at gunpoint!!) but which were taken up by dupes around the world. This is Robeson at his least savory - willing propagandist for a vile mass murderer. Songs such as "Native Land" (fittingly, Robeson is referring to the Soviet Union) and the Red Army song are the equivalent of the "Horst Wessel Song", anthems of murder, and it is difficult to listen to the worst of them without retching. On the other hand, Robeson's commitment to American folk culture was real. "Balm in Gilead" is deeply beautiful; "John Henry" is heroic; "By an' By" is both resigned yet hopeful. "Joe Hill" captures an era in labor history. Anyone interested in American popular song should hear these. Turning to Broadway, his "Old Man River" is very fine, though Robeson changed the lyrics for political reasons and Leonard Warren has done the song better. I disagree with the editorial reviewer: "I Still Suits Me" is wonderfully playful and shows Robeson using his gorgeously rich voice to tease and poke fun. However, Marc Blitzstein's "Purest Kind of a Guy" is beyond saving - another example of Robeson recording an unworthy song by a political fellow-traveller. Ugh. But for every miss there are two hits. Robeson performs Mendelssohn's Elijah with nobility, and sings his favorite song, "Water Boy", with joyous pride: "There ain't no hammer that's on these mountains that rings like mine, boys, that rings like mine."
No one need have any fears about the mono sound quality. The orchestra in the second half of the program is at times a little dwarfed by Robeson's voice, but it generally sounds clean and colorful, and the great artist's voice rings like no other.

Robeson at his best.......2000-05-12

It's hard to believe that most of these recordings pre-date the advent of magnetic tape: the CD transfer is superlative. The songs and performance are beyond reproach. Notable is the imaginative packaging in miniature 'record album' format, complete with the original cover art, and a replica of the original Columbia record label applied to the CD.

In response to a previous question: Robeson's performance of Danny Boy (Londonderry Air) can be found on the Vanguard LP entitled "Robeson" (VRS-9037).

some of the greatest songs of the last century.......2000-05-05

In the 1940s, before rabid McCarthyism and racism had taken its toll on him, Robeson made these wonderful recordings of spirituals, classics and pop tunes. Accompanied by the solo piano of the incomparable Lawrence Brown, or by an orchestra, the songs ring out with pride, dignity, skill and unmatched integrity. The shameful treatment that Robeson was subject to from American authorities certainly seem grotesquely absurd to a modern listener. The wonderful version of "The House I Live In" included on this cd should forever kill off any suspicion that Robeson did not love his country deeply. This album ought to be heard by millions of people, world wide. Robeson's voice is nothing less than a glorious high point in 20th century music, and it's hard to think of any recording capturing it to greater advantage.

Average customer rating:

Wonderful as expected
Ok.....but
Great!
Sounds of Heaven
Another great CD

Walls of Akendora
Keiko Matsui
Manufacturer: Narada
ProductGroup: Music
Binding: Audio CD

General | Jazz | Styles | Music

Smooth Jazz | Jazz | Styles | Music

General | New Age | Styles | Music
Similar Items:

Wildflower
White Owl
Moyo
The Piano
Deep Blue

ASIN: B0007X9U4W
Release Date: 2005-04-05

Tracks:

Overture For The City
Crystal Shadow
Mountain Shakedown
Canvas
Akendora's Clock
Walking Through It
Blue Butterfly
Gentle Sands
Walls Of Akendora
Bay Of Destiny

Customer Reviews:

Wonderful as expected.......2007-05-22

Keiko Matsui's music constantly has me saying, "she's so good!" as I listen to her CDs, and this one is no exception. The songs flow together beautifully and there are several on this CD that stand out a little more than the other good ones. As good as the whole CD is, the second half really brings it home beautifully - "Blue Butterfly", "Gentle Sands" and the title track are all great tunes.

This is one of those CDs you'll put in the player and just relax while it plays, or enjoy the drive a little more if you play it while driving around.

Ok.....but.......2007-01-02

I decide to try this album based on all the great reviews. The music is essentially just Jazz with piano; nice but nothing new. It had a little to much orchestration (for me) and not enough spotlighting on Ms Matsui's keyboarding. If you've listened to a fine piano artist like Bob James, then you've heard music very similar to Ms Matsui'salready. It was ok, but nothing memorable (IMHO).

Great!.......2006-03-10

Great music and great video! A little different from her other albums - even better I think.

Sounds of Heaven.......2005-10-05

WOW! Ms Matsui has really done it. I have all of her CD's and this is the BEST. She covers the full range of sounds- hard beat to soul renching soft. Whatever you do when you get this,
sit or lay down and LISTEN- give it your full attention as it certainly deserves it.
Thanks Keiko for not just writing music but creating it.

Another great CD.......2005-09-20

Keiko never bores me, nor do I get tired of listening to her music. I'll add this to my collection of all her CDs and enjoy it just as much as those. Listen and maybe Keiko will take you on a journey somewhere beyond space and time.

Rock Music:

Rock Music

rock music

Imagine	John Lennon/Plastic Ono Band	The U.S. vs. John Lennon
Mind Games	Working Class Hero	Lennon Legend